hide new secretions from the parental units 
contains no wit , only labored gags 
that loves its characters and communicates something rather beautiful about human nature 
remains utterly satisfied to remain the same throughout 
on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
that 's far too tragic to merit such superficial treatment 
demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop . 
of saucy 
a depressed fifteen-year-old 's suicidal poetry 
are more deeply thought through than in most ` right-thinking ' films 
goes to absurd lengths 
for those moviegoers who complain that ` they do n't make movies like they used to anymore 
the part where nothing 's happening , 
saw how bad this movie was 
lend some dignity to a dumb story 
the greatest musicians 
cold movie 
with his usual intelligence and subtlety 
redundant concept 
swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds . 
equals the original and in some ways even betters it 
if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick . 
a smile on your face 
comes from the brave , uninhibited performances 
excruciatingly unfunny and pitifully unromantic 
enriched by an imaginatively mixed cast of antic spirits 
which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening 
in world cinema 
very good viewing alternative 
the plot is nothing but boilerplate clichés from start to finish , 
the action is stilted 
on all cylinders 
will find little of interest in this film , which is often preachy and poorly acted 
by far the worst movie of the year 
sit through , 
more than another `` best man '' clone by weaving a theme throughout this funny film 
it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline 
heroes 
oblivious to the existence of this film 
sharply 
the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense . 
sometimes dry 
as they come , already having been recycled more times than i 'd care to count 
covers this territory with wit and originality , suggesting that with his fourth feature 
a $ 40 million version of a game 
gorgeous and deceptively minimalist 
cross swords with the best of them and 
as a fringe feminist conspiracy theorist 
proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film . 
disappointments 
the horrors 
a muddle splashed with bloody beauty as vivid as any scorsese has ever given us . 
many pointless 
a beautifully 
contrived , well-worn situations 
a doa 
poor ben bratt could n't find stardom if mapquest emailed him point-to-point driving directions . 
to be as subtle and touching as the son 's room 
starts with a legend 
far less sophisticated and 
rich veins of funny stuff in this movie 
no apparent joy 
shot on ugly digital video 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ? '' 
though ford and neeson capably hold our interest , but its just not a thrilling movie 
is pretty damned funny . 
we never feel anything for these characters 
's a lousy one at that 
the corporate circus that is the recording industry in the current climate of mergers and downsizing 
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome . 
of the most highly-praised disappointments i 
sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy . 
seem fresh 
to the dustbin of history 
as a director , eastwood is off his game 
pays earnest homage to turntablists 
weak and 
skip this dreck , 
contains very few laughs and even less surprises 
film to affirm love 's power to help people endure almost unimaginable horror 
are an absolute joy 
generates 
, like life , is n't much fun without the highs and lows 
based on a true and historically significant story 
well-rounded tribute 
, though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction . 
so much like a young robert deniro 
khouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum . 
fashioning an engrossing entertainment out 
spiffy animated feature 
that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer 
alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life 
strung-together moments 
, generous and subversive artworks 
it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
funny yet 
overbearing and over-the-top 
it 's robert duvall ! 
rich and sudden wisdom 
acted and directed , it 's clear that washington most certainly has a new career ahead of him 
in memory 
respectable new one 
yet this grating showcase 
hate to tear your eyes away from the images long enough to read the subtitles 
addition to sporting one of the worst titles in recent cinematic history 
, this gender-bending comedy is generally quite funny . 
build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year 
do n't work in concert 
the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal . 
would have liked it more if it had just gone that one step further 
it 's too harsh to work as a piece of storytelling , 
hawaiian shirt 
takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch . 
provide its keenest pleasures 
altogether too slight to be called any kind of masterpiece 
grievous but 
after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parking lot . 
hopeless 
unpretentious , charming , quirky , original 
nicks and steinberg match their own creations for pure venality -- that 's giving it the old college try . 
very well-written and very well-acted . 
are n't many conclusive answers in the film 
clumsy dialogue , heavy-handed phoney-feeling sentiment , 
proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness . 
bring tissues . 
the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work . 
brings the proper conviction to his role as ( jason bourne ) . 
as a young woman of great charm , generosity and diplomacy 
there 's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us . 
just too silly 
cinematic bon bons 
it is supremely unfunny and unentertaining to watch middle-age and 
a lively and engaging examination of how similar obsessions can dominate a family . 
irritates and 
collapse 
so many of the challenges it poses for itself that one can forgive the film its flaws 
, it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool . 
wide-awake all the way through 
( vainly , i think ) 
is one big excuse to play one lewd scene after another . 
is effective if you stick with it 
that underscore the importance of family tradition and familial community 
delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans 
watching this digital-effects-heavy , supposed family-friendly comedy 
absolutely and completely ridiculous and 
's a very tasteful rock and roll movie . 
the movie is almost completely lacking in suspense , surprise and consistent emotional conviction . 
realistic portrayal 
as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story 
well-thought stunts or 
reveals how important our special talents can be when put in service of of others . 
no lika da 
a welcome relief 
the promise of digital filmmaking 
just one that could easily wait for your pay per view dollar 
justify a theatrical simulation of the death camp of auschwitz ii-birkenau 
extraordinary faith 
have i seen a film so willing to champion the fallibility of the human heart 
, sometimes beautiful adaptation 
about as interesting 
caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty . 
overlong , and bombastic 
derivative and hammily 
most audacious , outrageous , 
at its best moments 
disney again ransacks its archives for a quick-buck sequel . 
that final , beautiful scene 
some movies suck you in despite their flaws , 
eats , meddles , argues , laughs , kibbitzes and fights 
the problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau . 
, compelling 
infectiously 
the picture runs a mere 84 minutes , but it 's no glance . 
think of this dog of a movie 
's remarkable procession of sweeping pictures that have reinvigorated the romance genre . 
those so-so films that could have been much better 
a passable date film 
imax in short 
i hate it . 
's pleasant enough -- and oozing with attractive men 
no one involved , save dash , shows the slightest aptitude for acting 
in this wildly uneven movie 
pokes , provokes , takes expressionistic license 
like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it 
with color and depth , and rather a good time 
silly , outrageous , ingenious 
being able to hit on a 15-year old when you 're over 100 
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult . 
the year 's best and most unpredictable comedy 
starts off so bad that you feel like running out screaming 
men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic . 
elvira fans could hardly ask for more . 
a good one 
, plodding picture 
the character dramas , which never reach satisfying conclusions 
lost in the translation this time 
speak for it while it forces you to ponder anew what a movie can be 
enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
a plot cobbled together from largely flat and uncreative moments 
inane and awful 
told in scattered fashion 
takes chances that are bold by studio standards 
believe it or not , jason actually takes a backseat in his own film to special effects 
only thing to fear about `` fear dot com '' 
whole mess 
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor 
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . 
a résumé loaded with credits like `` girl in bar # 3 
enjoy the ride 
very little to add beyond the dark visions already relayed by superb recent predecessors 
the , yes , snail-like pacing 
an extremely unpleasant film . 
if it is n't entirely persuasive , it does give exposure to some talented performers 
the whole affair , true story or not , feels incredibly hokey ... 
are all things we 've seen before 
poignant and leavened 
breathless anticipation 
significantly better 
as predictable as the tides 
bewilderingly brilliant and entertaining 
it 's smooth and professional 
, unassuming , subordinate 
the horror 
a technically superb film 
the positive change in tone here seems to have recharged him . 
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators 
a dim 
, vicious and absurd 
because he acts so goofy all the time 
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside 
's at once laughable and compulsively watchable , 
merit its 103-minute length 
the value and respect for the term epic cinema 
as a dentist 's waiting room 
showing honest emotions 
amazingly lame . 
confessions may not be a straightforward bio 
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little 
the story is bogus and 
this comic gem is as delightful as it is derivative . 
to spare wildlife 
ugly as the shabby digital photography 
understand the difference between dumb fun and just plain dumb 
traditionally structured 
frida is n't that much different from many a hollywood romance . 
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . 
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) 
carnage and 
degraded , handheld blair witch video-cam footage 
second fiddle 
about the folly of superficiality that is itself 
serves as auto-critique , and its clumsiness as its own most damning censure . 
tedious norwegian offering which somehow snagged an oscar nomination . 
, esther kahn is unusual but unfortunately also irritating . 
a stylish exercise 
halfway through this picture i was beginning to hate it 
a setup so easy it borders on facile 
a thoroughly awful movie 
takes hold and grips hard 
look smeary and blurry , to the point of distraction 
the picture 's fascinating byways 
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves 
breezy , distracted rhythms 
than this mess 
evanescent , seamless and sumptuous stream 
slick and manufactured to claim street credibility . 
take care is nicely performed by a quintet of actresses , 
valuable messages 
in no small part thanks to lau 
two guys who desperately want to be quentin tarantino when they grow up 
no new plot conceptions 
essentially a collection of bits -- 
does n't bode well for the rest of it 
elevated by it -- the kind of movie 
usual worst 
hugh grant , who has a good line in charm 
arrive early and stay late 
is a pan-american movie , with moments of genuine insight into the urban heart . 
i could have used my two hours better watching being john malkovich again . 
shot in artful , watery tones of blue , green and brown 
an unorthodox little film noir organized crime story that includes one of the strangest 
considerable aplomb 
acted by diane lane and richard gere . 
scant 
an admittedly middling film 
too ludicrous 
the rock 's fighting skills are more in line with steven seagal 
rich and full 
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . 
that uses a sensational , real-life 19th-century crime as a metaphor for 
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . 
, the film retains ambiguities that make it well worth watching . 
ultra-cheesy dialogue 
added depth and resonance 
the sensational 
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
handsome but unfulfilling suspense drama 
's not very good either . 
in her most charmless 
makes an unusual but pleasantly haunting debut behind the camera . 
a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats . 
everything about girls ca n't swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way . 
the cast is spot on and 
ugly digital video 
can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
rather choppy 
becomes one more dumb high school comedy about sex gags and prom dates 
demands and receives excellent performances 
xxx is a blast of adrenalin , 
pure escapism 
create a film that 's not merely about kicking undead *** 
about love and culture 
is worse : 
horrifying 
mourns her tragedies in private 
the action scenes are poorly delivered 
it 's so bad 
so bad 
, 84 minutes is short 
dabbles all around , never gaining much momentum 
a masterpiece 
a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth 
does n't leave you with much . 
good acting 
like most of jaglom 's films , some of it is honestly affecting 
marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
is less successful on other levels 
's still quite worth seeing 
intelligent and moving . 
he appears miserable throughout as he swaggers through his scenes 
men 
accomplish what few sequels can 
a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker 
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening 
exhilarating , funny and fun . 
bound to appeal to women looking for a howlingly trashy time 
, it never quite makes the grade as tawdry trash . 
has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end . 
endearing , caring 
seagal , who looks more like danny aiello these days 
enactments , however fascinating they may be as history , are too crude to serve the work especially well . 
not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker 
the dehumanizing and ego-destroying process 
taboo subject matter 
see this 
utterly incompetent conclusion 
has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ... 
you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her 
run for cover 
low budget 
a deceptively casual ode 
walked out muttering words like `` horrible '' and `` terrible , '' 
help chicago make the transition from stage to screen with considerable appeal intact 
you have ellen pompeo sitting next to you for the ride 
a giant step backward 
true fans 
just copies 
quite rich and exciting 
luminous interviews and amazingly evocative film from three decades ago 
from lynch , jeunet , and von trier while failing to find a spark of its own 
, you ca n't help but get caught up in the thrill of the company 's astonishing growth . 
this frozen tundra soap opera 
a showdown 
is simply too overdone 
greatly 
free 
intriguing species 
try and evade 
scherfig , who has had a successful career in tv 
watching it leaves you giddy 
beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses . 
far tamer 
outrageously creative action 
the most purely enjoyable and satisfying evenings 
is never any question of how things will turn out 
only open new wounds 
despite suffering a sense-of-humour failure 
for a story 
in addition to hoffman 's powerful acting clinic 
right stuff 
the wonderful cinematography and naturalistic acting 
high-concept films 
sleepwalk through vulgarities in a sequel you can refuse 
with no reason for being 
just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be . 
invigorating , surreal , and resonant 
the chateau , a sense of light-heartedness , that makes it attractive throughout 
have a passion for the material 
maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is . 
a movie that ca n't get sufficient distance from leroy 's 
romanticized rendering 
is terrific as rachel 
of special effects that run the gamut from cheesy to cheesier to cheesiest 
the worst film a man has made about women since valley of the dolls 
come , already having been recycled more times than i 'd care to count 
with awe 
joyous romp of a film . 
a nonstop hoot 
, partisans and sabotage 
gory as the scenes of torture and self-mutilation 
just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart 
ub equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are . 
the package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic . 
this obscenely bad dark comedy , so crass 
naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation 
exciting and 
schticky 
and in the best way 
of our most flamboyant female comics 
squareness that would make it the darling of many a kids-and-family-oriented cable channel 
( less a movie than ) an appalling , odoriferous thing ... so 
this film special 
of the amazing spider-man 
the stomach-turning violence 
could use a little more humanity 
not everything 
acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover . 
a slow-moving police-procedural thriller 
a bad idea from frame one 
terrific , sweaty-palmed fun 
very funny joke 
volletta wallace 's maternal fury 
complex story 
atop wooden dialogue 
that it progresses in such a low-key manner that it risks monotony 
be burns 's strongest film since the brothers mcmullen 
ca n't miss it 
dover kosashvili 's outstanding feature debut so potent 
of the best short story writing 
it seeks excitement in manufactured high drama 
feeble comedy . 
an insult to every family 
it is essentially empty 
of the film 's problems 
makes my big fat greek wedding look like an apartheid drama 
is not even half the interest . 
never achieve the popularity of my big fat greek wedding 
`` auto focus '' works as an unusual biopic and document of male swingers in the playboy era 
right now , they 're merely signposts marking the slow , lingering death of imagination . 
appealing character quirks to forgive that still serious problem 
often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ? 
the energy it takes to describe how bad it is 
wait to see it then . 
could easily be called the best korean film of 2002 
largest-ever historical canvas 
a solid cast , assured direction and complete lack of modern day irony . 
comatose ballerinas 
oh-so-important 
of the road , where the thematic ironies are too obvious and the sexual politics too smug 
formulaic equations 
's a work that , with humor , warmth , and intelligence , captures a life interestingly lived 
deserve a passing grade 
you 're gon na like this movie . 
simply stupid , irrelevant 
weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise . 
a heavy-handed indictment of parental failings and 
felt performances across the board . 
seem weird and distanced 
has finally made a movie that is n't just offensive 
casual and fun 
plodding mess 
the weird thing about the santa clause 2 , purportedly a children 's movie , is that there is nothing in it to engage children emotionally . 
the film 's intimate camera work 
you 'll find yourself wishing that you and they were in another movie . 
of dishonesty 
as bestial 
as it is a loose collection of not-so-funny gags , scattered moments of lazy humor 
, they prove more distressing than suspenseful . 
crackles 
a fairly revealing study of its two main characters 
high drama , disney-style 
may be more genial than ingenious , but it gets the job done . 
, good action , good acting , good dialogue , good pace , good cinematography . 
her bully of a husband 
gaghan ... has thrown every suspenseful cliché in the book at this nonsensical story . 
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters 
oozing , chilling and heart-warming 
stale retread 
filming the teeming life on the reefs 
an already thin story boils down to surviving invaders seeking an existent anti-virus . 
quite endearing . 
with fewer gags to break the tedium 
overbearing and 
deep deceptions 
things will turn out okay 
the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural 
grand 
good-natured fun found in films like tremors 
betters it 
transfixes the audience 
moving and important 
dope 
an avid interest 
blessed with two fine , nuanced lead performances 
true star 
hampered -- no , paralyzed -- by a self-indulgent script ... 
is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance . 
is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction 
which nurses plot holes gaping enough to pilot an entire olympic swim team through 
that 's both charming and well acted 
a bad blend 
the guy-in-a-dress genre 
director claude chabrol has become the master of innuendo . 
riveting and 
excruciatingly unfunny and pitifully unromantic . 
war movies 
an inuit masterpiece 
oscar 
the cliché-laden screenplay 
girlfriends are bad , wives are worse 
provide much more insight 
, and as easy to be bored by as your abc 's , 
what you wish for 
fluid and mesmerizing 
... a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll . 
it 's a testament to the film 's considerable charm that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries . 
ransacks 
lacks the charisma and ability to carry the film on his admittedly broad shoulders . 
book report 
leave the theater 
spousal abuse 
the director , with his fake backdrops and stately pacing , 
a diverse and astonishingly articulate cast of palestinian and israeli children . 
anyone who suffers through this film 
one carried by a strong sense of humanism 
for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion . 
another entertaining romp from robert rodriguez . 
directed with purpose and finesse by england 's roger mitchell , who handily makes the move from pleasing , relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft . 
it 'll probably be in video stores by christmas 
funny , triumphant , 
underachiever 
a film of ideas and wry comic mayhem 
of moviegoers for real characters and compelling plots 
dime-store ruminations 
worth a 
, reality shows -- reality shows for god 's sake ! 
whatever the movie 's sentimental , hypocritical lessons about sexism , its true colors come out in various wet t-shirt and shower scenes . 
'll cry for your money back 
enthralling 
is worse : the part where nothing 's happening , or the part where something 's happening 
like max rothman 's future , does not work . 
of quirky characters and an engaging story 
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and 
making kahlo 's art a living , 
bad run 
may just end up trying to drown yourself in a lake afterwards . 
many pleasures 
is worth searching out 
at this time , with this cast , this movie is hopeless 
time bombs 
balances both traditional or modern stories together in a manner that one never overwhelms the other . 
the surface histrionics failing to compensate for the paper-thin characterizations and facile situations 
plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter . 
a sour taste in one 's mouth 
decent performance 
... familiar and predictable , and 4/5ths of it might as well have come from a xerox machine rather than ( writer-director ) franc . 
a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time of favor manages not only to find a compelling dramatic means of addressing a complex situation , it does so without compromising that complexity . 
responsible for one of the worst movies of one year 
appalling , shamelessly manipulative and contrived 
movie love 
human darkness 
understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself 
it 's too loud to shout insults at the screen 
's a long way from orwell 's dark , intelligent warning cry ( 1984 ) 
a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- 
the perfect movie 
ardently waste viewers ' time with a gobbler like this 
oscar-sweeping franchise predecessor 
it sets out with no pretensions and delivers big time 
see how many times they can work the words `` radical '' or `` suck '' into a sentence 
give you enough to feel good about 
unexpectedly insightful 
allen 's romantic comedies so pertinent and enduring 
is an extraordinary film , not least 
a doubt 
maudlin or 
with the the wisdom and humor of its subjects 
a party-hearty teen flick that scalds like acid . 
the wan , thinly sketched story 
provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen 
this romantic/comedy asks the question how much souvlaki can you take before indigestion sets in . 
again dazzle and delight us 
that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes 
aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film 
impresses as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter ' was . 
failure to construct a story with even a trace of dramatic interest 
but it also comes with the laziness and arrogance of a thing that already knows it 's won . 
it 's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni . 
laughed at 
, future lizard endeavors will need to adhere more closely to the laws of laughter 
a philosophical void 
unlikable characters and a self-conscious sense 
intelligence or invention 
hot on the hardwood proves once again that a man in drag is not in and of himself funny . 
hopelessly juvenile 
shakespearean -- both in depth and breadth -- 
unique directing style 
required to give this comic slugfest some heart 
feel more like a non-stop cry for attention 
hip hop beat 
feel more like literary conceits than flesh-and-blood humans 
no explanation 
funniest and 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be 
starts off witty and sophisticated and you 
a bargain-basement european pickup 
, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
shines on all the characters , as the direction is intelligently accomplished 
taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults 
lead a group of talented friends astray 
it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating . 
this gentle , mesmerizing portrait 
genial is the conceit , this is one of those rare pictures that you root for throughout , 
draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss 
spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own 
it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success . 
handles it in the most unexpected way 
those eternally devoted to the insanity of black will have an intermittently good time . 
obscenely bad 
devastatingly 
i do n't see the point 
comes off like a bad imitation of the bard 
that excites the imagination and tickles the funny bone 
one of its strengths 
of masterpiece 
into this dream hispanic role with a teeth-clenching gusto 
stiff or just plain bad 
makes these lives count 
jolts the laughs from the audience -- 
a delightful stimulus 
has no point 
of isolation and frustration 
winning shot 
of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel 
feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop . 
lewis 
that there 's no other reason why anyone should bother remembering it 
bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy . 
father cliché 
domestic tension and unhappiness 
the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable 
called the best korean film of 2002 
one of the best rock 
it forces you to watch people doing unpleasant things to each other and themselves 
of the holiday box office pie 
inexpressible and drab wannabe 
the hail of bullets , none of which ever seem to hit 
like an extended , open-ended poem than a traditionally structured story 
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and 
to hate 
to be mesmerised 
the people who loved the 1989 paradiso will prefer this new version 
a lot of energy 
for its success on a patient viewer 
while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in . 
this may be burns 's strongest film since the brothers mcmullen . 
turned down 
timely , tongue-in-cheek 
undramatic 
the pile of useless actioners 
morton deserves an oscar nomination . 
weirdly engaging and unpredictable character pieces 
efficiency and an affection for the period 
manages to accomplish what few sequels can -- it equals the original and in some ways even betters it 
does not work . 
it is n't merely offensive 
tell a story about the vietnam war before the pathology set in 
it irrigates our souls . 
a hint of humor 
with a big heart 
a rollicking adventure for you and all your mateys , regardless of their ages 
its most immediate and most obvious pleasure 
there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies 
one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them . 
made a decent ` intro ' documentary 
makes us see familiar issues , like racism and homophobia , in a fresh way . 
the film goes right over the edge and kills every sense of believability 
a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor . 
emotional seesawing 
movies with the courage to go over the top and movies that do n't care about being stupid 
target audience has n't graduated from junior high school 
this intricately structured and well-realized drama 
embracing 
the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire 
a meditation on faith and madness , frailty is blood-curdling stuff . 
a pretty listless collection 
other than its oscar-sweeping franchise predecessor 
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in 
have been called freddy gets molested by a dog 
moody male hustler 
uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels 
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill 
which is mostly a bore 
an entertaining mix of period drama and flat-out farce that should please history fans 
suspect that you 'll be as bored watching morvern callar as the characters are in it . 
the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart . 
love this movie 
... the efforts of its star , kline , to lend some dignity to a dumb story are for naught . 
flat as the scruffy sands of its titular community 
liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances 
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
works smoothly 
with a creepy and dead-on performance 
might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead . 
placed in the pantheon of the best of the swashbucklers 
a satisfyingly unsettling ride 
good a job as anyone 
, smart and complicated 
the intimate , unguarded moments of folks who live in unusual homes -- 
are pretty valuable these days 
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be . 
that the only rip off that we were aware of 
beautiful to watch and 
accentuating 
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time 
a wonderful ensemble cast 
endear 
the truly funny bits 
's that painful . 
american beauty reeks 
clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long 
without any of its sense of fun or energy 
be the cat 's meow 
's simply stupid , irrelevant and deeply 
wonderland adventure , a stalker thriller , and 
be part of 
cinema history as the only movie ever 
comes from a renowned indian film culture that allows americans to finally revel in its splendor 
accomplished oscar winners 
of those underrated professionals who deserve but rarely receive it 
we find ourselves surprised at how much we care about the story 
an all-time low 
enjoyed it just 
reacting to it - feeling a part of its grand locations , 
delivered with such conviction that it 's hard not to be carried away 
colorful , vibrant introduction 
the slow parade of human frailty fascinates you 
famuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer . 
a laugh between them 
that gradually sneaks up on the audience 
photographic marvel 
is shockingly bad and absolutely unnecessary . 
gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences . 
the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood . 
while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy . 
wow ' factor 
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema . 
brazil-like , hyper-real satire 
low on both suspense and payoff 
find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most 
an absolute delight for all audiences 
would tax einstein 's brain . 
's its first sign of trouble 
ca n't believe anyone would really buy this stuff 
moonlight mile should strike a nerve in many . 
if ever such a dependable concept was botched in execution 
wedding feels a bit anachronistic . 
been lost in the translation this time 
revelatory performance 
the pianist like a surgeon mends a broken heart ; very meticulously but without any passion 
remains oddly detached 
that is more complex and honest than anything represented in a hollywood film 
nifty premise 
vein 
the wonderfully lush morvern callar is pure punk existentialism , and 
go down with a ship as leaky 
earnest movie 
effective enough 
showing us well-thought stunts or a car chase that we have n't seen 10,000 times 
make the film more silly than scary , like some sort of martha stewart decorating program run amok 
going at a rapid pace , 
still fun and enjoyable and 
a lazy exercise in bad filmmaking 
this thing is virtually unwatchable . 
's also undeniably exceedingly clever 
would ever work in a mcculloch production again if they looked at how this movie turned out 
an entertainment destination for the general public 
i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense . 
england 's roger mitchell , who handily makes the move from pleasing 
to the enduring strengths of women 
surprisingly faithful 
the numerous scenes 
exaggerated and 
takes a really long , slow and dreary time 
improved upon the first 
that might have made it an exhilarating 
k-19 : the widowmaker is a great yarn . 
humorless 
thank 
just because a walk to remember 
bite 
amounts to little more than punishment . 
the humor is recognizably plympton 
likeable thanks to its cast , its cuisine and its quirky tunes . 
makes piecing the story together frustrating difficult 
a fascinating , compelling story 
the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence 
a fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction . 
whimsical and relevant today 
see the it 
tackles the difficult subject of grief and loss 
grotesque narcissism 
funny and sad 
is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan . 
it wore me down 
be so stupid 
as refreshing 
what we get in feardotcom is more like something from a bad clive barker movie . 
has created a brilliant motion picture . 
from the clumsy cliché of the ugly american 
a beautiful food entrée 
us a slice of life that 's very different from our own and yet instantly recognizable 
the passive-aggressive psychology of co-dependence 
his story ends or just ca n't tear himself away from the characters 
does not live up to its style 
scenes of cinematic perfection 
love liza 's tale 
the type of film about growing up that we do n't see often enough these days : realistic , urgent 
first , for a movie that tries to be smart , it 's kinda dumb . 
go see this delightful comedy . 
worst sense 
propelled by the acting 
presents us with an action movie that actually has a brain . 
human nature is a goofball movie , in the way that malkovich was , but it tries too hard 
overplayed 
should be poignant 
'' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark . 
visceral and dangerously honest revelations about the men and machines behind the curtains of our planet 
kirshner and monroe seem to be in a contest to see who can out-bad-act the other . 
mug shots 
the barbarism of ` ethnic cleansing 
another masterpiece 
an incredibly layered and stylistic film 
a classic story 
daring 
wo n't feel cheated by the high infidelity of unfaithful . 
haute 
convey a strong sense of the girls ' environment . 
ugly and 
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick 
any insight 
a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility . 
passionate , tumultuous affair 
the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name 
an enjoyable experience . 
've had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama . 
is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents . 
well to cram earplugs 
who is simply tired 
it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin 
both convincing and radiant 
smart and dark - 
emaciated flick 
jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects 
point at things that explode into flame 
jolts the laughs from the audience 
heralds something special 
has n't escaped the rut dug by the last one 
a perfect performance 
this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , but it takes its techniques into such fresh territory that the film never feels derivative 
an unsuccessful attempt at a movie 
sometimes confusing 
superlative 
buy the soundtrack 
's sharply comic and surprisingly touching , 
a soap-opera quality twist in the last 20 minutes ... almost puts the kibosh on what is otherwise a sumptuous work of b-movie imagination . 
to change hackneyed concepts when it comes to dreaming up romantic comedies 
the folly of superficiality that is itself 
lumbering load 
a 95-minute commercial for nba properties 
though many of these guys are less than adorable 
peels layers from this character that may well not have existed on paper . 
is deadly dull 
inferior 
big-hearted and frequently 
striking deep chords of sadness 
laughs aplenty 
schaeffer is n't in this film , which may be why it works as well as it does . 
loud , ugly , irritating movie 
is impressive for the sights and sounds of the wondrous beats the world has to offer 
the scorpion king more than ably 
make a pretty good team 
lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
does a great combination act as narrator , jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history . 
bill plympton , the animation master 
impossible task 
that in a good way 
a watch that makes time go faster rather than 
very best pictures 
lack their idol 's energy and passion for detail 
and church meetings 
than in creating an emotionally complex , dramatically satisfying heroine 
compassionate 
will find in these characters ' foibles a timeless and unique perspective 
hugely entertaining from start to finish , featuring a fall from grace that still leaves shockwaves 
an ebullient affection 
somehow snagged an oscar nomination 
manages to show the gentle and humane side of middle eastern world politics 
` realistic ' 
nicely done 
a summer of good stuff 
the satire is just too easy to be genuinely satisfying . 
sustains 
neither is it as smart 
fare , with enough creative energy and wit to entertain all ages 
the movie is powerful and provocative . 
time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , '' but that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life 
sharp edges and a deep vein of sadness 
those who do n't entirely ` get ' godard 's distinctive discourse will still come away with a sense of his reserved but existential poignancy . 
not only are the film 's sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . 
'n safe as to often play like a milquetoast movie of the week blown up for the big screen 
like to skip but film buffs should get to know 
narrative discipline 
samuel l. jackson 
is this films reason for being . 
the old saying goes , because it 's true 
take any 12-year-old boy to see this picture 
aims for poetry and ends up sounding like satire 
come close to the level of intelligence and visual splendor that can be seen in other films 
embracing than monty 
is it hokey 
as assaults on america 's knee-jerk moral sanctimony 
that 's hardly any fun to watch 
get caught up in the thrill of the company 's astonishing growth 
it 's on par with the first one 
is moody , oozing , chilling and heart-warming all at once 
is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
is in the right place , his plea for democracy and civic action laudable 
above most of its ilk 
with spy kids 2 : the island of lost dreams , however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
from kevin kline who unfortunately works with a two star script 
change watching such a character , especially when rendered in as flat and 
i do n't think so . 
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking 
is always a joy to watch , even when her material is not first-rate 
great to see this turd squashed under a truck , preferably a semi 
bile , and irony 
a faulty premise , 
haphazardness 
the plot grows thin soon , 
beloved-major 
by no means a great movie , but it is a refreshingly forthright one . 
crossing-over mumbo jumbo 
virtually unwatchable 
its premise is smart , but 
was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise . 
who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
light-hearted 
heavy with flabby rolls of typical toback machinations . 
to show us a good time 
pitiful , slapdash disaster . 
is one of the year 's best 
even witty 
a fierce dance 
crippled 
this piece of crap 
... the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience . 
the most wondrous love story in years , it is a great film . 
its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream 
particularly impressive 
in the process comes out looking like something wholly original 
submerging 
nearly as fresh or enjoyable 
miserable and smug 
my great pleasure 
it all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense . 
fascinating , dark thriller 
more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films . 
down the reality drain 
the only way to tolerate this insipid , brutally clueless film might be with a large dose of painkillers . 
a historic scandal 
that 's steeped in mystery and a ravishing , baroque beauty 
cool stuff packed into espn 's ultimate x. 
idea ( of middle-aged romance ) is not handled well and , except for the fine star performances 
their lamentations are pretty much self-centered 
a pretty decent kid-pleasing , 
of classic romantic comedy to which it aspires 
, bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world . 
is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music 
would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
give a pretty good overall picture of the situation in laramie following the murder of matthew shepard 
the fine line between cheese and earnestness remarkably well 
a documentary fails to live up to -- or offer any new insight into -- its chosen topic 
serious movie-goers embarking upon this journey 
insistent and repetitive 
nausea 
of survival wrapped in the heart-pounding suspense of a stylish psychological thriller 
no art 
seems to exist only for its climactic setpiece 
more silly than scary 
's funny . 
its execution and skill 
's coherent , well shot , and tartly 
you wish you were at home watching that movie instead of in the theater watching this one 
's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance 
underdeveloped 
the jokes are flat 
a heartening tale of small victories 
suspense , intriguing characters and bizarre bank robberies , 
a gritty police thriller with all the dysfunctional family dynamics one could wish for 
with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life 
nonetheless appreciates the art and reveals a music scene that transcends culture and race . 
do we really need the tiger beat version ? 
the disadvantage of also looking cheap 
churn out one mediocre movie after another 
once folks started hanging out at the barbershop , they never wanted to leave . 
this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian . 
cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names 
sexual and romantic 
what begins brightly 
then just fell apart 
despite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing . 
every top-notch british actor 
is awful . 
a deft sense of humor about itself , a playful spirit and a game cast 
will nevertheless find moving 
great 
like `` horrible '' and `` terrible 
provide an intense experience 
is off-putting 
gets bogged down over 140 minutes . 
, this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end . 
a pack of dogs who are smarter than him 
this is a very funny , heartwarming film . 
with such provocative material 
this film biggest problem ? 
with all the dysfunctional family dynamics one could wish for 
stylish and 
it 's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay . 
measured against practically any like-themed film other than its oscar-sweeping franchise predecessor 
are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
it plainly has no business going 
a larger-than-life figure , 
is truly gorgeous to behold 
devos and cassel have tremendous chemistry -- 
the most affecting depictions of a love affair 
stereotypical caretakers 
be surprised at the variety of tones in spielberg 's work 
made eddie murphy a movie star and the man has n't aged a day . 
yet permits laughter 
marked by acute writing and a host of splendid performances . 
some serious suspense 
waster ' 
an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller 
salton sea surprisingly engrossing 
no place for this story to go but down 
can open the door to liberation . 
are credited with the cliché-laden screenplay 
another best of the year selection . 
flat , 
exceptional lead performances 
positive impression 
much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
that heralds something special 
muddled , simplistic and more than a little pretentious . 
dreamy 
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination 
the qualities 
than losers 
comedy that takes an astonishingly condescending attitude toward women 
flashy , overlong soap 
get the impression that writer and director burr steers knows the territory 
's good to see michael caine whipping out the dirty words and punching people in the stomach again . 
sweetheart 
by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act 
it still works . 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude 
a well paced and satisfying little drama 
begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents 
loves 
, dopey old 
because it was so endlessly , grotesquely , inventive 
wrenching performances 
kids , spirit 
the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears 
escapes the precious trappings of most romantic comedies , infusing into the story very real 
trouble every day is a success in some sense , but it 's hard to like a film so cold and dead 
quickly becomes a tiresome cliché 
unlike so many other hollywood movies of its ilk 
a perceptive , good-natured movie 
keep the movie slaloming through its hackneyed elements with enjoyable ease 
be completely forgettable 
it 's nice to see piscopo again after all these years 
low-brow humor , gratuitous violence 
the best of a growing strain of daring films 
gripping portrait 
it 's actually watchable 
an ebullient tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing . 
a bland animated sequel 
his films 
a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and 
festival 
trouble every day is a plodding mess . 
to be consumed and forgotten 
, the screenplay by billy ray and terry george leaves something to be desired . 
its one-sidedness 
, thought-provoking film 
uneven film 
is n't heated properly , so that it ends up 
takes off in totally unexpected directions and 
tried as a war criminal 
is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema . 
can only point the way -- but thank goodness for this signpost 
to make such a worthless film 
a celebrated wonder in the spotlight 
devoid of any of the qualities that made the first film so special . 
a technically superb film , 
a waterlogged version of ` fatal attraction ' for the teeny-bopper set ... 
to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in 
what a reckless squandering 
assured , glossy and shot through with brittle desperation 
off-beat and fanciful 
its exquisite acting , inventive screenplay , mesmerizing music , and 
like one long , meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story 
by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
time-consuming 
charlotte sometimes is a gem . 
is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own 
so skeeved out that they 'd need a shower 
can outgag any of those young whippersnappers making moving pictures today 
a little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding serves mostly to whet one 's appetite for the bollywood films . 
epic treatment of a nationwide blight 
fresh-faced 
the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake 
mr. nelson has made a film that is an undeniably worthy and devastating experience . 
the film 's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality . 
worth a recommendation 
bigger 
our best achievements and other times 
sandra bullock and hugh grant make a great team , 
everything 's serious , poetic , earnest and -- sadly -- dull . 
in private 
has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but 
of anti-semitism ever seen on screen 
ends with a story that is so far-fetched it would be impossible to believe if it were n't true 
makes the banger sisters a fascinating character study with laughs to spare 
invigorating about 
's mildly entertaining , 
it 's about family 
life and love 
questionable 
a twist 
with leonine power 
quiet , patient and tenacious as mr. lopez himself 
gaps in their relationships 
we 've seen the hippie-turned-yuppie plot before , but 
it 's supposed to be a romantic comedy - it suffers from too much norma rae and not enough pretty woman . 
badly edited 
run out of clever ideas and visual gags about halfway through 
i am baffled by jason x. 
to set and shoot a movie at the cannes film festival 
a smoother , more focused 
is not first-rate 
are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty . 
zealand coming-of-age movie 
dramatize life 's messiness from inside out , in all its strange quirks 
p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible 
rises above superficiality . 
a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
comes across as a fairly weak retooling . 
masterful british actor ian holm 
the hearts and minds 
conventional -- lots of boring talking heads , etc. -- to do the subject matter justice 
deemed important enough to make a film in which someone has to be hired to portray richard dawson 
blab 
is standard crime drama fare ... instantly forgettable and thoroughly dull . 
-- that you should never forget 
has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler 
more than ably 
and a terrible story 
's that painful 
is a monumental achievement 
a zippy 96 minutes of mediocre special effects , hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks . 
comedic writing 
humorous and touching . 
of logic and misuse of two fine actors , morgan freeman and ashley judd 
it 's easy to love robin tunney 
i like that smith , he 's not making fun of these people , he 's not laughing at them . 
a guilty-pleasure , daytime-drama sort 
, the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way . 
what little atmosphere is generated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer ugliness of everything else . 
more graceful way 
an uninspired preachy and clichéd war film . 
will turn out 
it 's the worst movie i 've seen this summer 
perfect material 
one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio 
( seagal 's ) strenuous attempt at a change in expression 
gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences . 
promisingly but disintegrates into a dreary , humorless soap opera . 
offbeat humor , amusing characters , and a happy ending 
in a grisly sort of way 
nothing going for it other than its exploitive array of obligatory cheap 
more frustrating 
lacks both a purpose and a strong pulse 
there are laughs aplenty , and 
lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings 
of sleaziness 
this too-long , spoofy update 
shoddy male hip hop fantasy 
, cynical 
like puppies with broken legs 
that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
knock back a beer with but they 're simply not funny performers 
excited about on this dvd 
just is n't as weird as it ought to be . 
should have a stirring time at this beautifully drawn movie 
as the remarkable ensemble cast brings them to life 
many of the things that made the first one charming 
as if by cattle prod 
struggling 
beautiful paean 
entertaining and , ultimately , more perceptive 
all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s . 
begins like a docu-drama but builds its multi-character story with a flourish . 
dickens ' wonderfully sprawling soap opera , the better 
dreadfulness 
it 's not very interesting . 
the film is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan . 
a treatise on spirituality as well as a solid sci-fi thriller 
out 
it does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that . 
an all-around good time at the movies 
humor in i spy is so anemic . 
the by now intolerable morbidity 
touched by the film 's conviction 
a spoof comedy 
it would fit chan like a $ 99 bargain-basement special . 
seem tired and , 
one of the saddest action hero performances ever witnessed 
pointed , often tender , examination 
touching reflection 
a smartly directed , grown-up film 
help overcome the problematic script . 
show-stoppingly hilarious , but scathingly witty 
this fascinating portrait of a modern lothario 
put together a bold biographical fantasia 
slow and ponderous , but rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption . 
as underwater ghost stories go , below casts its spooky net out into the atlantic ocean and spits it back , grizzled and charred , somewhere northwest of the bermuda triangle . 
drowned me 
a movie character more unattractive or odorous ( than leon ) 
haneke 's script ( from elfriede jelinek 's novel ) is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending . 
though the film is well-intentioned , one could rent the original and get the same love story and parable . 
, scoob and shag do n't eat enough during the film . ' 
a screwed-up man 
rumblings 
an incredibly thoughtful , deeply meditative picture 
sharp comedy , old-fashioned monster movie atmospherics , and genuine heart 
lightweight filmmaking 
and satirical touches 
is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound . 
a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
hackneyed concepts 
a heartbreakingly thoughtful minor classic , the work of a genuine and singular artist . 
remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) 
a powerful sequel and one of the best films of the year . 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and 
wickedly undramatic 
a legendary professor 
is magnetic as graham 
has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood . 
deserves a place of honor next to nanook as a landmark in film history . 
to watch too many barney videos 
be able to look away for a second 
heartfelt performances 
a legacy 
an evil , monstrous lunatic 
smoky and inviting 
the wisdom and humor 
saw the potential success inherent in the mixture of bullock bubble and hugh goo 
excruciatingly tedious 
beyond redemption 
the intoxicating fumes and emotional ghosts of a freshly painted rembrandt 
sleep-inducing 
coen brothers 
never rises above mediocrity 
no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror 
well , it probably wo n't have you swinging from the trees hooting it 's praises , but it 's definitely worth taking a look . 
farts 
a wonderful tale of love and destiny 
the fourth `` pokemon '' is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance . 
've seen the hippie-turned-yuppie plot before 
patchy combination of soap opera , low-tech magic realism and , at times , ploddingly sociological commentary . 
hackneyed and meanspirited 
makes a meal of it 
the film does n't have enough innovation or pizazz to attract teenagers , and 
mckay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device he has put in service . 
the unacceptable 
violent , vulgar and forgettably entertaining . 
shockingly bad 
run of the mill 
is n't a very 
most amazing super-sized dosage 
is cruel , misanthropic stuff with only weak claims to surrealism and black comedy . 
spies 
4ever has the same sledgehammer appeal as pokemon videos , 
laugh-a-minute crowd pleaser 
the opulent lushness 
( allen ) manages to breathe life into this somewhat tired premise . 
the writing and direction to the soggy performances 
went back 
unfunny 
good film 
a simplistic narrative and 
plodding , peevish and gimmicky . 
finely written 
attentive 
a canny crowd pleaser , 
real and amusing 
a dependable concept 
straight from the saturday morning cartoons 
least 
very light 
thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except 
dying a slow death 
some good material in their story about a retail clerk wanting more out of life 
lack contrast , are murky and are frequently too dark to be decipherable . 
under the skin of a man we only know as an evil , monstrous lunatic 
transporting is that it 's also one of the smartest 
reminiscent of gong li and a vivid personality 
to convince almost everyone that it was put on the screen , just for them 
downright intoxicating 
with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . 
especially the pseudo-educational stuff we all ca n't stand 
vaporize from your memory minutes 
energetic 
's the inimitable diaz , holding it all together . 
decrepit 
two guys yelling in your face for two hours 
bloody beauty as vivid 
cold , sterile and lacking any color or warmth 
is not handled well 
long and eventful 
, after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
suffocating 
has considerable charm 
for its extraordinary intelligence and originality 
stink 
good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch 
kids will love its fantasy and adventure 
( or role , or edit , or score , or anything , really 
, to my great pleasure , 
one of the most entertaining bonds in years 
in a standard plot 
the moral shrapnel and mental shellshock will linger long after this film has ended . 
been written so well , that even a simple `` goddammit 
b movies 
to address his own world war ii experience in his signature style 
from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches 
draws on an elegant visual sense and a talent 
be one of those movies barely registering a blip on the radar screen of 2002 
for pretentious arts majors 
see a movie with its heart 
reek of a script 
bottom tier 
delivers a powerful commentary on how governments lie , no matter who runs them 
an admirable reconstruction of terrible events 
's a tribute to the actress , and to her inventive director 
as john ritter 's glory days 
fights a good fight 
is god 
floating narrative 
stand in future years as an eloquent memorial to the world trade center tragedy 
a screenplay that forces them into bizarre , implausible behavior 
of this dog of a movie 
too bad kramer could n't make a guest appearance to liven things up . 
plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story . 
yet depressing film 
does pack some serious suspense . 
descends into such message-mongering moralism 
gripping humanity 
fall fast asleep 
virtually no aftertaste 
inane and unimaginative 
's no surprise that as a director washington demands and receives excellent performances , 
bound 
self-absorbed 
see the forest for the trees 
's a feel-good movie about which you can actually feel good 
intolerable company 
talky , artificial and opaque 
for one splendidly cast pair 
underneath such a mountain of clichés and borrowed images 
falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice . 
convincing as this bland blank of a man with unimaginable demons 
are ... impeccable throughout . 
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs 
horror/action hybrid 
of the finest films of the year 
lives up to the stories and faces and music of the men who are its subject . 
that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch 
director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding . 
is too long with too little going on 
much needed 
jones and snipes are enthralling 
that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
participation 
you can smell the grease on the plot 
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and 
human impulses that grew hideously twisted 
still fun and enjoyable 
this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged 
a completely spooky piece of business that gets under your skin and , some plot blips aside , 
often overwritten 
to please audiences who like movies that demand four hankies 
nearly impossible 
down-to-earth bullock 
is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism . 
proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film 
one-hour mark 
the first bond movie in ages that is n't fake fun 
not constant bloodshed 
offers no new insight on the matter 
you can take the grandkids or the grandparents and never worry about anyone being bored 
overwhelmingly 
spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick 
tastelessness and gall 
bad action-movie line 
grows 
as it does because ( the leads ) are such a companionable couple 
contrived , unmotivated , and psychologically unpersuasive 
the film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-oscar kind of way 
any true emotional connection or identification frustratingly 
caliber 
balanced film 
of run-of-the-mill profanity 
feel like three hours . 
excites the imagination and tickles the funny bone 
is built on a potentially interesting idea 
is confusing on one level or another , making ararat far more demanding than it needs to be 
laughably 
been kind enough to share it 
of bland hotels , highways , parking lots 
with a large dose of painkillers 
liked a lot of the smaller scenes 
wastes 
continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision . 
, mind-numbingly , indescribably bad 
there 's real visual charge to the filmmaking , 
a river of sadness that pours into every frame 
menacing 
incessantly 
bears about as much resemblance to the experiences of most battered women as spider-man does to the experiences of most teenagers . 
that you 've spent the past 20 minutes looking at your watch 
at existing photos 
helmer hudlin tries to make a hip comedy , 
as funny nor 
gangs excels in spectacle and pacing . 
we want the funk - and this movie 's got it 
creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries . 
devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable . 
lacks balance 
hard pressed to succumb to the call of the wild 
revelatory nor truly edgy -- merely crassly flamboyant and comedically labored . 
tv 
an entertaining british hybrid of comedy , caper thrills and quirky romance . 
demonstrating vividly 
it 's sweet and fluffy at the time , 
marks an encouraging new direction for la salle . 
a powerful , inflammatory film 
favor of tradition and warmth 
begins on a high note and 
has much to recommend it 
a vibrant , colorful , semimusical rendition 
a simple tale 
despicable characters 
` it 's like having an old friend for dinner ' . 
, director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours . 
this amiable picture 
that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
a markedly inactive film 
saves this deeply affecting film 
cold , nervy and memorable 
exercise in sham actor workshops and an affected malaise 
the gratuitous cinematic distractions 
manages to nail the spirit-crushing ennui of denuded urban living without giving in to it . 
the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic 
insanely hilarious 
does n't work because there is no foundation for it 
surprise us 
relative modesty 
coppola , along with his sister , sofia , is a real filmmaker 
remove spider-man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies . 
, if good-hearted , movie . 
makes even elizabeth hurley seem graceless and ugly . 
inhale this gutter romancer 's secondhand material 
no pastry is violated 
is very difficult 
i 'll buy the soundtrack . 
hardly an objective documentary , but it 's great cinematic polemic 
is virtually without context -- journalistic or historical 
to the genre and another first-rate performance 
an adventurous young talent 
predictable in the reassuring manner of a beautifully sung holiday carol 
intricate plot 
, this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian . 
to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
will strike some westerners as verging on mumbo-jumbo 
as i laughed throughout the movie 
impossibly contrived situations 
fails to fulfill its own ambitious goals 
a moral tale with a twisted sense of humor 
is the best ` old neighborhood ' project 
others will find their humor-seeking dollars best spent elsewhere . 
make italian for beginners worth the journey 
most good-hearted 
a chilling tale of one of the great crimes of 20th century france 
a competent , unpretentious entertainment destined to fill the after-school slot at shopping mall theaters across the country . 
poignant and funny 
thanks to a small star with big heart 
impersonal and abstract 
it 's a glorious spectacle like those d.w. griffith made in the early days of silent film . 
-- the real issues tucked between the silly and crude storyline 
if you 're a fan of the series you 'll love it and probably want to see it twice . 
it misses a major opportunity to be truly revelatory about his psyche . 
the nonstop artifice ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations . 
too many chefs fussing over too weak a recipe 
accents so good 
a classy , sprightly spin on film 
an original 
a thing that already knows it 's won 
as punching bags 
nothing to sneeze at these days 
ms. paltrow employs to authenticate her british persona 
good-natured 
star to play second fiddle to the dull effects that allow the suit to come to life 
's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen 
brought to life on the big screen 
an entertaining movie 
is a very funny , heartwarming film . 
more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks 
encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed . 
that gets under your skin 
be half as entertaining as it is 
turn out to be a bit of a cheat in the end 
a rote exercise in both animation and storytelling . 
a rollicking adventure for you 
that even its target audience talked all the way through it 
prickly indie comedy 
halfway through this picture i was beginning to hate it , and , of course 
ethics 
that rare animal known as ' a perfect family film 
other feel-good fiascos like antwone fisher or the emperor 's club any time 
and crude film 
could n't find stardom if mapquest emailed him point-to-point driving directions . 
with real world events 
it is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound . 
mcgrath has deftly trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness . 
sanctimonious , self-righteous and 
it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas 
acceptable , occasionally very enjoyable 
one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original 
the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids . 
is why anybody picked it up . 
vibrantly colored and beautifully designed , metropolis is a feast for the eyes . 
like some sort of martha stewart decorating program run amok 
seems to have been ` it 's just a kids ' flick 
that takes itself all too seriously 
with a deft sense of humor about itself , a playful spirit and a game cast 
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out . 
even slightly wised-up kids would quickly change the channel 
through their consistently sensitive and often exciting treatment of an ignored people 
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but also acknowledging the places , and the people , from whence you came . 
's remarkable procession of sweeping pictures that have reinvigorated the romance genre 
the piano teacher is not an easy film . 
manages the rare trick of seeming at once both refreshingly different and reassuringly familiar 
daft by half ... but supremely good natured 
much power 
of carnage 
this picture 
increasingly diverse french director 
muddled , simplistic and more than a little pretentious 
features nonsensical and laughable plotting 
served by the movie 's sophomoric blend of shenanigans and slapstick 
's plenty to offend everyone 
reduces the complexities to bromides and slogans 
save their children 
that 's old-fashioned in all the best possible ways 
surprisingly touching 
come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy 
worked five years ago but has since lost its fizz 
's one of the worst of the entire franchise . 
, the rest of us will be lulled into a coma . 
an obvious rapport with her actors 
a cinematic disaster so inadvertently sidesplitting it 's worth the price of admission for the ridicule factor alone . 
existential exploration 
road movie , coming-of-age story and political satire 
commercialism all in the same movie ... without neglecting character development for even one minute 
may not be cutting-edge indie filmmaking 
inspire anything more than a visit to mcdonald 's , let alone 
both shrill and soporific , and because everything 
sinister 
than a modem that disconnects every 10 seconds 
aground 
amazing 
have an opportunity to triumphantly sermonize 
for that comes through all too painfully in the execution 
open-ended questions 
like brosnan 's performance 
counting a few gross-out comedies i 've been trying to forget 
sense is a movie that deserves recommendation 
the road 
phrase ` life affirming ' 
an airless , prepackaged julia roberts wannabe 
little more than a well-mounted history lesson . 
to the film 's music 
and dog lovers 
moving tale 
no surprises 
crawls along 
sure mainstream audiences will be baffled 
begins to resemble the shapeless , grasping actors ' workshop that it is . 
oddly humorous to tediously sentimental 
grabs you in the dark and shakes you vigorously for its duration . 
lonely 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent 
there is a certain sense of experimentation and improvisation to this film that may not always work , but 
has been 
, cry and realize , 
does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds . 
told well by a master 
from a ploddingly melodramatic structure 
a show forged in still-raw emotions 
to seem as long as the two year affair which is its subject 
of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original 
captivates 
much of the cast is stiff or just plain bad . 
drag along the dead ( water ) weight of the other 
you could fit all of pootie tang in between its punchlines 
the filling 
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but 
angelina jolie 's surprising flair for self-deprecating comedy 
queasy-stomached 
the ` ick ' in ` classic 
very choppy and monosyllabic 
psychedelic devices , special effects and backgrounds , 
fails so fundamentally on every conventional level that it achieves some kind of goofy grandeur 
a film really has to be exceptional to justify a three hour running time , and 
welcome with audiences 
everything in maid in manhattan is exceedingly pleasant , designed not to offend . 
the gorgeous locales and exceptional lead performances 
startling story 
do with imagination 
rage 
dumplings 
more interesting -- and , dare i say , 
exactly assured in its execution 
'll keep watching the skies for his next project 
as tiresome as 9 
plot , characters , 
does not work 
that prevents them from firing on all cylinders 
seem self-consciously poetic and 
back to a time when movies had more to do with imagination than market research . 
has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy 
authentic account of a historical event that 's far too tragic to merit such superficial treatment 
satisfying 
revolutionary spirit 
a crowd-pleaser , but then , 
anemic , 
a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place 
spielberg 's first real masterpiece 
the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness 
the obstacles of a predictable outcome and a screenplay that glosses over rafael 's evolution 
is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama . 
while peppering the pages with memorable zingers 
falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries . 
, truths emerge . 
those words 
the film has a terrific look and salma hayek has a feel for the character at all stages of her life . 
by cliches , painful improbability and murky points 
generous , inspiring film 
tossed off 
this shocking testament to anti-semitism and neo-fascism 
of more appealing holiday-season product 
sloppy , made-for-movie comedy special 
a thoughtful and unflinching examination of an alternative lifestyle 
like a giant commercial for universal studios , where much of the action takes place 
dialogue and sharp 
the stunt work is top-notch ; the dialogue and drama often food-spittingly funny . 
graduated 
nohe 's documentary about the event is sympathetic without being gullible 
enriched 
to take an entirely stale concept and push it through the audience 's meat grinder one more time 
a pretty decent kid-pleasing 
unrecoverable 
that manages to invest real humor 
articulate , grown-up voice 
commercialism all in the same movie 
nifty 
's an exhilarating place to visit , this laboratory of laughter . 
a thoughtful movie , a movie that is concerned with souls and risk and schemes and the consequences of one 's actions . 
some delightful work on indie projects 
making up for any flaws that come later 
terrific effort 
the courage to go over the top and movies that do n't care about being stupid 
xmas 
, it does give exposure to some talented performers 
a cheap scam 
once one experiences mr. haneke 's own sadistic tendencies toward his audience , one is left with a sour taste in one 's mouth , and little else . 
does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift . 
falling into the hollywood trap and making a vanity project with nothing new to offer 
paints a grand picture of an era and 
of a balanced film that explains the zeitgeist that is the x games 
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- 
it is a likable story , told with competence . 
originality is sorely lacking . 
especially because half past dead is like the rock on a wal-mart budget 
the emotional overload of female angst irreparably drags the film down . 
balanced by a rich visual clarity and deeply 
along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes 
no-nonsense authority 
idiocy 
moviegoers for real characters and compelling plots 
, visually graceful 
sappiness 
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but also acknowledging the places , and the people , from whence you came 
loose 
looking and stylish 
the three leads produce adequate performances , but 
drug abuse , infidelity and death are n't usually comedy fare , but turpin 's film allows us to chuckle through the angst 
a beautiful film to watch 
writer-director david jacobson 
's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
neither romantic nor comedic 
the movie dawdle 
with fewer deliberate laughs , more inadvertent ones and stunningly trite songs 
good-natured and sometimes quite funny 
a complete waste of time 
largely devoid 
to cheesier to cheesiest 
piece , a model of menacing atmosphere 
of last summer 's bloated effects 
a low-budget series on a uhf channel 
satisfyingly scarifying , fresh and old-fashioned at the same time . 
proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast 
use a few good laughs 
someone made off with your wallet 
's a smartly directed , grown-up film of ideas . 
dodge this one 
this low-rent -- and even lower-wit -- rip-off of the farrelly brothers ' oeuvre 
played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it . 
this does not really make the case the kissinger should be tried as a war criminal . 
benefit enormously from the cockettes ' camera craziness 
in its sparkling beauty 
`` brown sugar '' admirably aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film . 
features one of the most affecting depictions of a love affair ever committed to film . 
( gulpilil ) is a commanding screen presence 
lively 
it seem fresh again 
tends to pile too many `` serious issues '' on its plate at times , yet 
good guys and 
the movie is silly beyond comprehension , and 
the dialogue and drama often food-spittingly funny 
clumsily staged violence overshadows everything , including most of the actors . 
cannibal lust above the ordinary 
spinning a web of dazzling entertainment may be overstating it 
will remind them that hong kong action cinema is still alive and kicking . 
feels secondhand , familiar -- and not in a good way 
spectacularly 
construct a story with even a trace of dramatic interest 
conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt 
to break the tedium 
the ridiculousness 
well-done film 
's not that funny 
inhuman cinematic punishment 
of its epic scope 
pretends to be passionate and truthful but is really frustratingly timid and soggy 
of heartfelt performances 
fans of gosford park have come to assume is just another day of brit cinema 
poetic road movie 
play like a milquetoast movie of the week blown up for the big screen 
there 's nothing like love to give a movie a b-12 shot , and cq shimmers with it . 
you 've figured out late marriage 
one of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace . 
teddy bears ' picnic ranks 
dismissed heroes would be a film that is n't this painfully forced , false and fabricated 
right place 
oddly sweet 
a recycled and dumbed-down version of love story 
pacino and williams seem to keep upping the ante on each other , just as their characters do in the film . 
so second-rate 
an old-fashioned but emotionally stirring adventure tale of the kind they 
a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay 
engaging characters 
, twisted , brilliant and macabre 
a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse 
tootsie knockoff . 
need movies like tim mccann 's revolution no. 9 . 
britney spears ' phoniness is nothing compared to the movie 's contrived , lame screenplay and listless direction . 
unfortunately , that 's precisely what arthur dong 's family fundamentals does . 
than what 's been cobbled together onscreen 
deftly captures the wise-beyond-her-years teen 
a wild comedy that could only spring from the demented mind 
expresses our most basic emotions 
for the most part , the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness . 
huge gap 
a very moving and revelatory footnote 
a non-mystery mystery . 
fascinating -- and timely -- content 
loneliness and the chilly anonymity of the environments where so many of us spend so much of our time 
a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist 
gut-clutching piece 
becomes just another voyeuristic spectacle , to be consumed and forgotten . 
subjugate truth 
the shallow sensationalism characteristic of soap opera 
with the lazy material and the finished product 's unshapely look 
to remember 
is a real filmmaker 
a great film noir 
this film , which is often preachy and poorly acted 
disappointing in comparison to other recent war movies 
is that it does n't make any sense 
a talky bore 
bristles with passion and energy 
a successful career 
is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism . 
as brave and challenging 
above pat inspirational status 
beautifully filmed 
moving , and adventurous 
somewhat cumbersome 
place and personal identity 
with plenty of entertainment value 
a dazzling dream of a documentary 
* corpus and its amiable jerking 
serious subject matter and dark , funny humor 
is unusual , food-for-thought cinema that 's as entertaining as it is instructive 
bland murder-on-campus 
tear your eyes away 
the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes 
dickens ' words 
satisfying destination 
arguably the best script that besson has written in years . 
its rough-around-the-edges , low-budget constraints 
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and 
fun one 
to no particularly memorable effect 
ignoring what the filmmakers clearly believe 
highly predictable narrative 
translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be ya-ya 
, you realize there 's no place for this story to go but down 
none-too-original 
romp that has something to say . 
zone '' episode 
a stultifyingly obvious one 
, you 'll like promises . 
it 's kind of sad that so many people put so much time and energy into this turkey . 
turntablism 
is well worth seeing 
the strain is all too evident 
unlike 
upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
bother if you 're going to subjugate truth to the tear-jerking demands of soap opera 
documented the cruelty and suffering he has found with an devastating , eloquent clarity 
with which it tries to pump life into overworked elements from eastwood 's dirty harry period 
painful and 
dismiss -- moody 
sorry use of aaliyah in her one and only starring role 
the fetid underbelly of fame 
, i would go back and choose to skip it . 
worked 
expected 
anybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little 
of war-torn croatia 
terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english 
director randall wallace 's flag-waving war flick with a core of decency 
humor , warmth , and 
that few will bother thinking it all through 
want my money back . 
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting 
are of the highest and the performances attractive without being memorable . 
that holds interest in the midst of a mushy , existential exploration of why men leave their families 
is off . 
eyre is on his way to becoming the american indian spike lee . 
incessant 
when all is said and done , she loves them to pieces -- and so , i trust , will you . 
talk to her is not the perfect movie many have made it out to be 
witless and utterly pointless . 
aims to be funny , uplifting and moving , sometimes 
loose , poorly structured 
of good-natured fun found in films like tremors 
examine , the interior lives of the characters in his film , much less 
is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party 
just does n't add up . 
a powerful and telling story 
that freshly considers arguments the bard 's immortal plays 
pomposity 
the cast delivers without sham the raw-nerved story . 
a winning family story 
never catches fire 
much of it comes from the brave , uninhibited performances by its lead actors . 
missing from the girls ' big-screen blowout 
from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
the paradiso 's rusted-out ruin and ultimate collapse during the film 's final ( restored ) third ... 
much fun 
in recompense : a few early laughs scattered around a plot 
of a poetic 
the most entertaining moments here are unintentional . 
great director 
and , thanks to the presence of ` the king , ' it also rocks . 
his martial artistry 
a little-remembered world 
an authentic feel 
`` sweet home alabama '' is what it is -- a nice , harmless date film ... 
all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability 
not quite as miraculous as its dreamworks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions 
the smarter offerings 
as the long-faced sad sack 
all the more poignant by the incessant use of cell phones 
playful but highly studied and dependent for its success on a patient viewer 
director m. night shyamalan can weave an eerie spell 
negativity 
does a great combination act as narrator , jewish grandmother and subject -- 
brian tufano 's handsome widescreen photography and paul grabowsky 's excellent music 
's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
steven spielberg has dreamed up such blatant and sickening product placement in a movie . 
and it 's not that funny -- which is just generally insulting . 
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , 
a late-inning twist that just does n't make sense 
is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous 
to shine through the gloomy film noir veil 
of the year 's most enjoyable releases 
a bittersweet drama about the limbo of grief and how truth-telling can open the door to liberation . 
a delightful , if minor , pastry 
the latest gimmick from this unimaginative comedian 
the film lacks momentum and its position remains mostly undeterminable 
vulgar , sexist , racist humor 
offbeat humor 
finds warmth in the coldest environment and makes each crumb of emotional comfort 
viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies 
in the director 's cut , the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes . 
enough to give you brain strain 
this bad 
in sham actor workshops and an affected malaise 
ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops 
downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness 
a couple hours of summertime 
to confident filmmaking and a pair of fascinating performances 
pleasingly 
a complete mess 
so perfect 
's impossible to care 
cutting hollywood satire 
directors abandon their scripts and go where the moment takes them 
this wretchedly unfunny wannabe comedy is inane and awful - 
terms of the low-grade cheese standards on which it operates 
sometimes improbable story 
sitting open too long 
the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
a peculiar malaise 
a step further , richer and 
freshman 
welles groupie/scholar peter bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant william randolph hearst 
an actress 
its cheesy screenplay 
a tricky tightrope between being wickedly funny and just plain wicked 
never really busts out of its comfy little cell 
is hollow , self-indulgent , and - worst of all - boring 
sustain the buoyant energy level of the film 's city beginnings 
are tops 
a pointed , often tender , examination of the pros and cons of unconditional 
create and sustain a mood 
as a real movie 
of seeing justice served 
entertaining enough , but nothing new 
leaden and 
that most every aggrieved father cliché has been unturned 
americans to finally revel in its splendor 
delicious pulpiness 
notwithstanding some of the writers ' sporadic dips 
it 's better than one might expect when you look at the list of movies starring ice-t in a major role . 
ellen pompeo sitting next to you for the ride 
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document 
useful in telling the story , which is paper-thin and decidedly unoriginal 
is its utter sincerity 
the ticket you need 
the kind of ` laugh therapy ' 
passes for sex in the movies look like cheap hysterics 
of his character 
enough to give the film the substance it so desperately needs 
blue hilarity 
a laughable -- or rather 
but unless you 're an absolute raving star wars junkie , it is n't much fun . 
burdened by the actor 
sympathy and intelligence 
the best script 
astonishing voice cast 
an unchanged dullard 
is right at home in this french shocker playing his usual bad boy weirdo role 
has warmth , wit and interesting characters compassionately portrayed . 
when there 's nothing else happening 
on cable 
it with ring , 
far from a groundbreaking endeavor 
that these women are spectacular 
it can seem tiresomely simpleminded . 
revelled in the entertaining shallows 
good music documentary 
wewannour money back , actually . 
makes up for it with a pleasing verisimilitude 
animation back 30 years , musicals back 40 years and 
mysterious , sensual , emotionally intense , and replete 
a good-hearted ensemble comedy with a variety of quirky characters and an engaging story 
can take credit for most of the movie 's success . 
still , the updated dickensian sensibility of writer craig bartlett 's story is appealing . 
a satisfying well-made romantic comedy 
crammed with scenes and vistas and pretty moments 
impressive performances 
a great one 
proves unrelentingly grim -- and equally engrossing . 
of cerebral and cinemantic flair 
oodles of charm 
one whose view of america , history and the awkwardness of human life is generous and deep 
in xxx , diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep . 
exactly endearing 
churns up not one but two flagrantly fake thunderstorms to underscore the action 
constantly flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism 
kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code 
delivers a magnetic performance . 
a sumptuous work 
are innocent , childlike and inherently funny 
're stuck with a script that prevents them from firing on all cylinders 
likeable thanks to its cast , its cuisine and its quirky tunes 
of ` black culture ' and the dorkier aspects 
the crap 
consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt 
sodden and glum 
frequently hilarious 
because panic room is interested in nothing more than sucking you in ... and making you sweat 
i did n't laugh . 
glued 
it has its faults 
nice twists 
were already tired 
rooting for the film 
dumb , sweet , and intermittently hilarious 
refreshingly forthright one 
does somehow manage to get you under its spell 
salient points 
cruel story 
defuses this provocative theme by submerging it in a hoary love triangle . 
pretentious mess 
campanella 's competent direction and his excellent cast overcome the obstacles of a predictable outcome and a screenplay that glosses over rafael 's evolution . 
ca n't accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
derivative , overlong , and bombastic 
the high infidelity 
admirable energy , full-bodied characterizations and narrative urgency 
a culture-clash comedy that , in addition to being very funny , 
, and yet at the end 
actually means to face your fears 
not a word of english 
well-intentioned 
wickedly sick and twisted humor 
african american professionals 
tipped this film into the `` a '' range , as is 
of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right 
emotionally and narratively complex 
consider it ` perfection . ' 
, structure and rhythms 
just too silly and 
impressive and yet lacking about everything 
starving and untalented 
gets clunky on the screen 
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and feels more like lyne 's stolid remake of `` lolita '' . 
personality 
to bleed it almost completely dry of humor , verve and fun 
fails to rise above its disgusting source material 
jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
an intriguing look at the french film industry during the german occupation ; its most delightful moments come when various characters express their quirky inner selves 
so many distracting special effects and visual party tricks 
disappoints 
a time machine , a journey back to your childhood , when cares melted away in the dark theater , and films had the ability to mesmerize , astonish and entertain . 
difficult for the audience 
utterly misplaced 
a spirited film 
the makers of this ` we 're - doing-it-for - the-cash ' sequel were 
awakening and ripening 
is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it 
complex 
been conjured up only 10 minutes prior to filming 
bears a grievous but obscure complaint against fathers , 
is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors 
were watching monkeys flinging their feces at you . 
a visually flashy but narratively opaque and emotionally vapid exercise in style and mystification . 
` blade ii ' just does n't cut it 
seem like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings 
) taste for `` shock humor '' will wear thin on all 
soul-stirring documentary 
a matter of plumbing arrangements and mind games , of no erotic or sensuous charge 
uncanny ability to right itself precisely when you think it 's in danger of going wrong 
an appealing couple -- 
juwanna mann 
that 's conspicuously missing from the girls ' big-screen blowout 
an extended , open-ended poem 
and self-conscious seams 
the weird thing 
the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent 
damn funny stuff 
, the film ( at 80 minutes ) is actually quite entertaining . 
despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of material to convey it . 
so low in a poorly 
is unconvincing soap opera that tornatore was right to cut 
we do n't get paid enough to sit through crap like this . 
this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit . 
godfrey reggio 's career shines like a lonely beacon . 
because it overstays its natural running time 
are clinically depressed and have abandoned their slim hopes and dreams 
, compelling story 
turns fanciful , grisly and engagingly quixotic . 
a finale that is impenetrable and dull 
a text to ` lick , 
like an extended dialogue exercise in retard 101 
introducing an intriguing and alluring premise 
charm , cultivation and devotion 
as though you rode the zipper after eating a corn dog and an extra-large cotton candy 
feels like three hours 
very well-written 
parents beware ; this is downright movie penance 
very choppy and monosyllabic despite the fact 
potential success 
pale xerox of other , better crime movies 
reflective and beautifully 
leaving the theater with a smile on your face 
is blazingly alive and admirable on many levels . 
one baaaaaaaaad movie 
unfunny 
we get the comedy we settle for . 
hoary 
be ( assayas ' ) homage to the gallic ` tradition of quality , 
'll be as bored watching morvern callar as the characters are in it 
, as blood work proves , that was a long , long time ago . 
an american 
an unimaginative screenwriter 's 
i liked the original short story but this movie , even at an hour and twenty-some minutes 
even when it drags , we are forced to reflect that its visual imagination is breathtaking 
stylishly 
a mess as this one 
essentially ruined -- or , rather , 
a work of extraordinary journalism , but it is also a work of deft and subtle poetry 
a promise nor a threat so much as wishful thinking 
fessenden has nurtured his metaphors at the expense of his narrative , 
... a hokey piece of nonsense that tries too hard to be emotional . 
the rope snaps 
the tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life . 
fanciful drama 
that delivers on the promise of excitement 
deeply moving french drama 
big-hearted and 
, longley 's film lacks balance ... and fails to put the struggle into meaningful historical context . 
sad ending 
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and in this film , every shot enhances the excellent performances . 
adorable italian guys 
critical 
no doubt the star and everyone else involved had their hearts in the right place . 
with exquisite craftsmanship 
here is how so many talented people were convinced to waste their time 
tens 
maybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back . 
what they 're doing is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge . 
... silly humbuggery ... 
may prove to be ( tsai 's ) masterpiece 
typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine 
might just be the movie you 're looking for 
an affection 
love to come from an american director in years 
most resonant film since the killer . 
works out 
in the name of an allegedly inspiring and easily marketable flick , the emperor 's club turns a blind eye to the very history it pretends to teach . 
the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining . 
, ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot . 
is great 
spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world . 
judging by those standards , ` scratch ' is a pretty decent little documentary . 
engaging , surprisingly touching british comedy 
, energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested . 
confident filmmaking and a pair of fascinating performances 
avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
in one scene , we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes . 
a sugar-coated rocky whose valuable messages are forgotten 10 minutes after the last trombone honks . 
death , especially 
by the dynamic first act 
fails so fundamentally on every conventional level 
too daft by half ... but supremely good natured . 
the worst sin of attributable to a movie like this 
i have always appreciated a smartly written motion picture , and , whatever flaws igby goes down may possess , it is undeniably that . 
the film 's plot may be shallow 
rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment . 
` epic 
easy to like 
steers , in his feature film debut , has created a brilliant motion picture . 
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work 
it 's rare to find a film to which the adjective ` gentle ' applies , 
a director beginning to resemble someone 's crazy french grandfather 
`` frailty '' has been written so well , that even a simple `` goddammit ! '' 
are uncomfortably strained . 
make the film more silly than scary , 
what makes it worth watching 
has one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them . 
huge disappointment coming 
deliver a riveting and surprisingly romantic ride 
the rest of the cast comes across as stick figures reading lines from a teleprompter . 
that the typical hollywood disregard for historical truth and realism is at work here 
you ca n't help but feel ` stoked . ' 
wonderful , imaginative script 
entirely witless 
is akin to a reader 's digest condensed version of the source material 
fun or 
ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon 
shows its indie tatters and self-conscious seams in places , 
unfolds with all the mounting tension of an expert thriller 
a film that 's rarely as entertaining as it could have been 
obscenity 
stitched together from stock situations and characters from other movies 
can be viewed as pure composition and form -- 
look at that clever angle ! 
of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
the surprisingly somber conclusion 
not only learning but inventing a remarkable new trick . 
tepid 
's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers . 
the low-grade cheese standards on which it operates 
give each other the willies 
( lee ) treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects . 
is credible and remarkably mature 
highlighted by a gritty style and an excellent cast , it 's better than one might expect when you look at the list of movies starring ice-t in a major role . 
of the unsung heroes of 20th century 
that 's actually sort of amazing 
that rare movie that works on any number of levels -- as a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults 
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant 
a streetwise mclaughlin group 
funny and well-contructed 
's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
oversimplification , superficiality and silliness 
overproduced 
if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags 
though he only scratches the surface 
awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue 
visual splendor 
lingering questions about what the film is really getting at 
an ` action film ' mired in stasis 
dragon 
most intense 
this is a visually stunning rumination on love , memory , history and the war between art and commerce . 
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic . 
carried out by men of marginal intelligence , 
dialogue that cuts to the chase of the modern girl 's dilemma 
that the plot makes no sense 
too bad none of it is funny . 
can seem tiresomely simpleminded . 
combines improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end 
twohy 's a good yarn-spinner , and ultimately the story compels 
well-meant 
bad need of major acting lessons and maybe a little coffee 
america 's thirst for violence 
so horrendously confusing 
avarice 
when you 're a struggling nobody 
talkiness 
`` ballistic : ecks vs. sever '' seems as safe as a children 's film . 
ignore the reputation , and ignore the film . 
manage to be spectacularly outrageous 
cookie-cutter action scenes 
of the best since the last waltz 
to lawrence 's over-indulgent tirade 
a pale imitation 
withered 
pass for a thirteen-year-old 's book report 
a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent 
writing , skewed characters , 
to provoke them 
remarkable skill 
is the stuff that disney movies are made of . 
enough sentimental 
crawl up your own *** 
there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd . 
that sends you out of the theater feeling 
a sun-drenched masterpiece , part parlor game , part psychological case study 
engaging comedy 
certainly an entertaining ride , despite many talky , slow scenes 
strong performances 
is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore . 
folds under its own thinness . 
itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension 
conceptual feat 
, sitting through dahmer 's two hours amounts to little more than punishment . 
genuine rather than pandering 
randolph 
great to knock back a beer with but they 're simply not funny performers 
did i miss something ? 
a porno flick 
this is a gorgeous film - vivid with color , music and life . 
simply by accident 
nothing special 
never bothers to question why somebody might devote time to see it 
this movie 's lack of ideas 
cynicism 
take an entirely stale concept and 
, wit and interesting characters 
is an all-time low for kevin costner 
a stylish but steady , and ultimately very satisfying , piece of character-driven storytelling 
it is an interesting exercise by talented writer/director anderson 
surprising flair 
i liked it just enough . 
an uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection . 
a grand fart coming from a director beginning to resemble someone 's crazy french grandfather . 
some of the back-story is a little tired 
nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up 
huppert ... is magnificent 
puzzle whose pieces do not fit 
sorority boys , which is as bad at it is cruel , 
-- and long -- for its own good 
of empty , fetishistic violence in which murder is casual and fun 
intrigue 
its characters ' decisions only unsatisfactorily 
is a powerful , naturally dramatic piece of low-budget filmmaking . 
perhaps it 's cliche to call the film ` refreshing 
kid-empowerment 
a fascinating , unnerving examination 
could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life . 
odoriferous thing 
brilliantly written and well-acted 
to gravity and plummets 
it 's a smart , funny look at an arcane area of popular culture , and 
joy 
is wickedly fun to watch 
the imagined glory of their own pasts 
deft 
a low-budget affair , tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction . 
does n't have a passion for the material . 
but that they are doing it is thought-provoking . 
a climax 
, scarily funny , sorrowfully sympathetic to the damage it surveys 
neil burger 's impressive fake documentary 
in looking at the comic effects of jealousy 
is tenderly observant of his characters . 
its dark , delicate treatment 
has no idea of it is serious 
brutal and 
he 's just a sad aristocrat in tattered finery , 
it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists . 
classify as it is hard to resist 
, undisputed scores a direct hit . 
of menacing atmosphere 
painful , horrifying and oppressively tragic 
perfect for the proud warrior that still lingers in the souls of these characters 
in luminous interviews and amazingly evocative film from three decades ago 
usual bumbling , tongue-tied screen persona 
easy jokes and insults 
quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance . 
a sincerely crafted picture 
what might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway point . 
long gone 
the movie is remarkably dull with only caine making much of an impression . 
is a visually stunning rumination on love , memory , history and the war between art and commerce 
an excuse to get to the closing bout ... by which time it 's impossible to care who wins 
by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
soderbergh , like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit . 
spontaneity in its execution 
feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful . 
spiderman rocks 
low-brow humor , gratuitous violence and 
was n't one of the film 's virtues . 
style adventure that plays like a bad soap opera , with passable performances from everyone in the cast 
stirs us as well . 
a non-britney person might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine . 
your 20th outing shows off a lot of stamina and vitality , and get this , madonna 's cameo does n't suck ! 
an uneven film for the most part 
, the movie sinks into an abyss of clichés , depression and bad alternative music . 
miracles 
his storytelling skills have eroded 
`` shakes the clown '' , a much funnier film with a similar theme 
, others will find their humor-seeking dollars best spent elsewhere . 
the film is just a corny examination of a young actress trying to find her way . 
, madonna is one helluva singer . 
hoary dialogue , fluxing accents , and 
will probably find it fascinating 
good ear 
undistinguished rhythm 
have no idea what in creation is going on 
fascinating but flawed look 
spend years trying to comprehend it 
is both a snore and utter tripe 
to treat its characters , weak and strong , as fallible human beings , not caricatures , and 
though it goes further than both , anyone who has seen the hunger or cat people will find little new here , but a tasty performance from vincent gallo lifts this tale of cannibal lust above the ordinary . 
the gloss 
we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground 
bitter italian comedy 
banal dialogue 
of the smarter offerings the horror genre 
it rarely stoops to cheap manipulation or corny conventions to do it 
optimism 
but in terms of its style , the movie is in a class by itself 
as a tarantula , helga 
like a high-end john hughes comedy , a kind of elder bueller 's time out 
been quashed by whatever obscenity is at hand 
wannabe comedy 
afraid to provoke introspection in both its characters and its audience 
the better video-game-based flicks , 
little action , almost no suspense or believable tension 
blasphemous bad 
woozy quality 
nothing interesting in unfaithful 
sheds light 
work as well as a remarkably faithful one 
want to watch if you only had a week to live 
one-dimensional buffoons 
without a conclusion or pay off 
is a tired one 
we 've seen the hippie-turned-yuppie plot before 
if a big musical number like ` praise the lord , he 's the god of second chances ' does n't put you off 
terror by suggestion , rather than the overuse of special effects 
patient and tenacious 
the most horrific movie experience i 've had since `` ca n't stop the music . '' 
too obviously 
watch on video at home 
the movie is loaded with good intentions 
for occasional smiles 
of all ages 
bland , surfacey way 
this nicholas nickleby finds itself in reduced circumstances -- and 
it 's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland . 
begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i 
's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland 
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute 
frightening war scenes 
tremendous piece 
must have been astronomically bad 
the movie 's fragmentary narrative style makes piecing the story together frustrating difficult 
goes by quickly 
and that makes all the difference . 
the filmmakers found this a remarkable and novel concept 
at three hours and with very little story or character development , there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue . 
spotty 
amid the new populist comedies that underscore the importance of family tradition and familial community , one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop . 
while the performances are often engaging 
you 've seen a movie instead of an endless trailer 
solid filmmaking 
his outstanding performance 
's super - violent , super-serious and super-stupid . 
a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to spell things out for viewers 
perfect example 
elaborate futuristic sets to no particularly memorable effect 
than an autopsy , the movie 
exploitative and 
offering fine acting moments and 
a wacky , screwball comedy 
solid , satisfying fare 
-- a nice , harmless date film 
overall , it 's a very entertaining , thought-provoking film with a simple message : god is love . 
of 2-day old coke 
combines the enigmatic features of ` memento ' 
have all but ruined his career 
worldly-wise and very funny 
has you study them 
get for a buck or so in that greasy little vidgame pit in the theater lobby 
is n't just offensive 
pop up in nearly every corner of the country 
worth yet another visit 
friendly 
a deadly bore 
would go back and choose to skip it 
bravery 
an energetic and engaging film that never pretends to be something it is n't . 
too many clever things 
a festival film that would have been better off staying on the festival circuit 
come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell . 
allowing us to find the small , human moments , 
desert 
spontaneous creativity and authentic co-operative interaction 
miyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images . 
a well-written and occasionally challenging social drama 
as a thoughtful and unflinching examination of an alternative lifestyle 
to be liberating 
the movie wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial . 
gorgeous color palette 
starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together 
, ballistic : ecks vs. sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase . 
an older cad instructs a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy . 
a mostly believable , refreshingly low-key and quietly inspirational little sports 
, still manages at least a decent attempt at meaningful cinema 
, but i believe a movie can be mindless without being the peak of all things insipid 
for the rest of us , sitting through dahmer 's two hours amounts to little more than punishment . 
gaunt , silver-haired and leonine , ( harris ) brings a tragic dimension and savage full-bodied wit and cunning to the aging sandeman . 
distorts reality for people who make movies and watch them 
luridly graphic and 
, clumsily staged violence overshadows everything , including most of the actors . 
that should be thrown back in the river 
drab 
is almost 
mike white 's deft combination of serious subject matter and dark , funny humor make `` the good girl '' a film worth watching . 
still fun and enjoyable and so aggressively silly 
display an original talent 
but mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived . 
there might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares ? 
good action , good acting , good dialogue , good pace , good cinematography 
moments and an intelligent subtlety 
to the brim with ideas 
surrounded by 86 minutes of overly-familiar and poorly-constructed comedy 
its sensitive handling of some delicate subject matter 
impressive talent 
the chills 
full of surprises 
you sweat 
i could n't help but feel the wasted potential of this slapstick comedy . 
with tiny little jokes and nary an original idea 
is still quite good-natured and 
rich in color and creativity 
found its audience , 
ends up being surprisingly dull 
he feels like a spectator and not a participant 
superficial . 
visual charm 
the filmmaking clumsy and rushed 
watch this movie 
garcía bernal and talancón are an immensely appealing couple , and 
to surprise us with plot twists 
ingenious fun 
a crass and insulting homage to great films 
have recharged him 
rancorous curiosity 
suspect that you 'll be as bored watching morvern callar as the characters are in it 
sexy , funny and touching . 
going to face frightening late fees 
is its surreal sense of humor and technological finish . 
is so engagingly 
of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
that is as difficult for the audience to take as it 
putrid it is not worth the price of the match that should be used to burn every print of the film . 
a rip-off 
an obvious copy 
depict a homosexual relationship in a mature and frank fashion 
is funny , charming and quirky in her feature film acting debut as amy 
care 
laced 
with all the boozy self-indulgence that brings out the worst in otherwise talented actors 
you could just rent those movies instead , let alone seek out a respectable new one 
a real movie 
seem to match the power of their surroundings 
a pleasing way with a metaphor 
a reasonably entertaining sequel to 1994 's surprise family 
pretty damned funny 
flash but little emotional resonance 
like an afterschool special with costumes by gianni versace , mad love looks better than it feels . 
a wild comedy that could only spring from the demented mind of the writer 
of the wise , wizened visitor from a faraway planet 
brings together some of the biggest names in japanese anime , with impressive results 
provoke introspection in both its characters and its audience 
( clooney 's ) debut can be accused of being a bit undisciplined 
a cast of a-list brit actors 
... is at 22 a powerful young actor . 
we all need a playful respite from the grind to refresh our souls 
total misfire 
storytelling skills 
into the `` a '' range , as is 
at least now we 've got something pretty damn close 
therapy-dependent flakeball 
can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience . 
not scarier 
entertaining , if ultimately minor , 
lovely and 
a vivid , thoughtful , unapologetically raw coming-of-age tale 
from a woodland stream 
unfortunately , it runs for 170 
inspiring and 
hero performances 
blah 
the result is somewhat satisfying -- 
unlikeable 
disappointing in comparison to other recent war movies ... or 
not only does spider-man deliver , but i suspect it might deliver again and again . 
a true delight . 
most original fantasy film 
it 's not scary in the slightest . 
which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche 
make gangster no. 1 a worthwhile moviegoing experience . 
the ya-ya 's have many secrets and one is - the books are better 
that shows what great cinema can really do 
seizing on george 's haplessness and lucy 's personality tics 
of mr. chabrol 's subtlest works 
why , you may ask , why should you buy the movie milk when the tv cow is free ? 
is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is 
good-looking 
it does n't give a damn 
done that ... a thousand times 
artificiality 
few things in this world more complex -- 
thought that the german film industry can not make a delightful comedy centering on food . 
what could have 
best of all is garcia , who perfectly portrays the desperation of a very insecure man . 
are a little peculiar 
a striking style behind the camera 
is surprisingly refreshing . 
gratitude 
sucks 
does n't trust laughs 
is n't the actor to save it . 
the dragons are the real stars of reign of fire and you wo n't be disappointed 
dated 
has a sure hand 
is wasted in this crass , low-wattage endeavor 
is spot 
set in the world of lingerie models and bar dancers 
has finally , to some extent , warmed up to him 
is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema . 
shamefully strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder . 
has managed to marry science fiction with film noir and action flicks with philosophical inquiry 
all the usual spielberg flair 
got as potent a topic as ever here 
wang ) 
overrun by corrupt and hedonistic weasels 
sobering and powerful documentary 
spielberg 's realization of a near-future america is masterful . 
take care is nicely performed by a quintet of actresses 
for a movie that tries to be smart , it 's kinda dumb . 
found myself strangely moved by even the corniest and most hackneyed contrivances . 
satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 . 
understand why anyone in his right mind would even think to make the attraction a movie 
did n't sell many records but 
the payoff is powerful and revelatory 
disguising this as one of the worst films of the summer 
however sincere it may be , the rising place never quite justifies its own existence . 
the title , alone , should scare any sane person away . 
the under-7 crowd 
the strange horror 
that works on any number of levels 
funny in a way that 's too loud , too goofy and too short of an attention span 
panic 
an odd drama set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it did n't try to . 
is better 
sound so dull 
the rest of the cast is uniformly superb 
it appears as if even the filmmakers did n't know what kind of movie they were making . 
his most daring , and complicated , performances 
smart , sassy and exceptionally charming 
far less 
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation . 
, compressed characterisations and for its profound humanity 
hate the feeling of having been slimed in the name of high art 
lee does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
be as bored watching morvern callar as the characters are in it 
a brilliantly played , deeply unsettling experience 
're in a slap-happy mood 
journalistically dubious , inept 
is too picture postcard perfect , too neat and new pin-like 
's loud and boring 
hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
the verdict : two bodies and hardly a laugh between them . 
see because the theater 
grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . ' 
ride around a pretty tattered old carousel . 
you 'll cheer . 
finds its tone and several scenes run too long . 
entrapment in the maze of modern life 
is a convincing one , 
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and 
the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother 
got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat 
of an alternative lifestyle 
, twisted sort 
not as outrageous or funny 
gives hollywood sequels 
forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
pick up new admirers 
flawed and 
satisfyingly odd and intriguing a tale as it was a century and a half ago 
( a ) painfully flat gross-out comedy 
stiff 
surprisingly charming 
is nothing distinguishing in a randall wallace film 
crucifixion 
's also disappointing to a certain degree . 
weirdness 
ends up offering nothing more than the latest schwarzenegger or stallone flick would . 
, you wo n't find anything to get excited about on this dvd . 
truest sense 
present an unflinching look 
audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying 
to enjoy its own transparency 
does its sensitive handling of some delicate subject matter 
made with an enormous amount of affection 
to engross even the most antsy youngsters 
he 's making dog day afternoon with a cause 
is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances 
caring for animals and 
the threat implied in the title pokémon 4ever is terrifying 
bold colors 
schütte 's dramatic snapshot 
soon-to-be-forgettable 
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat 
is powerful and revelatory 
visually dazzling 
even if the naipaul original remains the real masterpiece , the movie possesses its own languorous charm . 
playing a role of almost bergmanesque intensity 
a worthwhile moviegoing experience 
the screenplay by billy ray and terry george leaves something to be desired . 
consistently amusing 
have given this movie a rating of zero 
two star script 
the script has less spice than a rat burger and 
technical proficiency 
to balance all the formulaic equations in the long-winded heist comedy 
there 's real visual charge to the filmmaking , and a strong erotic spark to the most crucial lip-reading sequence . 
feel like mopping up 
gadgets 
what can easily be considered career-best performances 
the pseudo-educational stuff 
davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air 
issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate 
gutsy and 
good stuff 
-- when are bears bears and when are they like humans , only hairier -- would tax einstein 's brain . 
shallow and immature character with whom to spend 110 claustrophobic minutes 
no foundation 
is a frighteningly fascinating contradiction 
cheery 
, uncompromising 
searing performances 
dearly 
the kind of entertainment that parents love to have their kids 
, cliche-ridden 
pathetic 
when a movie has stuck around for this long 
-- in a heartwarming , nonjudgmental kind of way -- 
provide an enjoyable 100 minutes in a movie theater 
a lifetime 
for the kids 
the perfect festival film 
so much tongue-in-cheek weirdness 
of whimsicality , narrative discipline and serious improvisation 
the touch 
stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks 
morgen and nanette burstein 
that graze the funny bone 
a tap-dancing rhino 
to avoid 
sensuality 
an articulate , grown-up voice in african-american cinema 
arthur schnitzler 's reigen 
takes no apparent joy 
does n't quite go the distance 
itself , a playful spirit and a game cast 
looked as beautiful , desirable , even delectable , as it does in trouble every day 
elegance and maturity 
a truly , truly bad movie 
a played-out idea 
so boring that even its target audience talked all the way through it . 
all of the elements are in place for a great film noir 
construct a story 
're left with a story that tries to grab us , only to keep letting go at all the wrong moments . 
adequately fills the eyes 
standout 
features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase 
its inescapable absurdities 
quirky and fearless 
seems the film should instead be called ` my husband is travis bickle ' 
quickly forgettable 
in them , who have carved their own comfortable niche in the world 
spits out 
a film you will never forget 
vibrant and 
also has humor and heart and very talented young actors 
intelligent observations 
overly familiar scenario 
falls 
whom the name woody allen was once a guarantee of something fresh , sometimes funny , and usually genuinely worthwhile 
funny 
limps along on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly . 
a pair of fascinating performances 
( cattaneo ) sophomore slump 
goes off the beaten path , not necessarily for the better . 
that tug at your heart in ways that utterly transcend gender 
sentimental script 
inherently funny 
ends up being neither , and fails at both endeavors . 
is honestly 
demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world . 
grant is certainly amusing , but 
cheesy b-movie playing 
looking like something wholly original 
unshapely look 
full of funny situations and honest observations 
is a step down for director gary fleder 
been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
of the best next generation episodes 
the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann , rests in the voices of men and women , now in their 70s , who lived there in the 1940s . 
of a brutally honest individual like prophet jack 
runs out of steam after a half hour 
with such a wallop of you-are-there immediacy 
's the funniest american comedy since graffiti bridge 
schticky chris rock and stolid anthony hopkins , 
nervous 
rock solid family fun out of the gates , 
takashi miike keeps pushing the envelope : 
it looks like an action movie , but 
ability to take what is essentially a contained family conflict and put it into a much larger historical context 
the u.s. 
hmmm 
make chan 's action sequences boring . 
the jokes are telegraphed so far in advance 
please eastwood 's loyal fans 
what punk rock music used to be 
work and 2002 's first great film 
wannabe film -- without the vital comic ingredient of the hilarious writer-director himself 
which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while 
genuinely enthusiastic performances 
tortured and self-conscious material 
funny , 
argentinean ` dramedy ' 
his best film 
really , really stupid 
recalls the classics of early italian neorealism 
it 's like a drive-by . 
colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor 
it is not worth 
seen city 
watch these two together 
myopic 
at once visceral and spiritual 
makes this man so watchable is a tribute not only to his craft , but to his legend 
is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication . 
if you 're part of her targeted audience , you 'll cheer . 
a pretty good team 
run through its otherwise comic narrative . 
a much better mother-daughter tale 
really cool bit 
most of the dialogue made me want to pack raw dough in my ears . 
's ` divine secrets of the ya-ya sisterhood 
big-hearted 
the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport 
the film never feels draggy 
it is dark , brooding and slow , and takes its central idea way too seriously . 
salvos hitting a discernible target . 
it 's still tainted by cliches , painful improbability and murky points . 
come to love 
superb 
by its modest , straight-ahead standards , undisputed scores a direct hit . 
, or inventive 
has a spirit that can not be denied 
as much as i laughed throughout the movie , i can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain . 
what 's with all the shooting 
of ` ethnic cleansing 
without neglecting character development for even one minute 
really poor comedic writing 
knows how to inflate the mundane into the scarifying , 
more plot 
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you 
unlike most surf movies , blue crush thrillingly uses modern technology to take the viewer inside the wave . 
this enthralling documentary 
does steven seagal come across these days ? 
is as deep as a petri dish and as well-characterized 
lends the ending an extraordinary poignancy , and the story 
end up walking out not only satisfied but also somewhat touched 
an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character 
a brilliant college student 
loose , unaccountable 
it starts off so bad that you feel like running out screaming 
this is more appetizing than a side dish of asparagus . 
a very distinctive sensibility , working to develop her own film language with conspicuous success 
of the condescending stereotypes that so often plague films dealing with the mentally ill 
all ca n't stand 
even murphy 's expert comic timing and 
who are trying to make their way through this tragedy 
great for the kids 
'' has-been 
be easy for critics to shred it 
a bottom-feeder sequel in the escape from new york series 
, big-hearted and frequently 
drooling idiots 
did n't connect with me would require another viewing 
they toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry ... 
like the imaginary sport it projects onto the screen -- loud , violent and mindless . 
for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty 
a searing lead performance 
menacing atmosphere 
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... but 
are many definitions of ` time waster ' 
hours of material to discuss 
one scene after another in this supposedly funny movie falls to the floor with a sickening thud . 
that old adage about women being unknowable gets an exhilarating new interpretation in morvern callar . 
luminous interviews 
the script 's refusal of a happy ending 
alternating with lots of sloppiness 
gets old quickly 
of the obvious cliches 
not only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream , it also represents glossy hollywood at its laziest . 
after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
leaves little doubt that kidman has become one of our best actors 
using them as punching bags 
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism 
exhausted , desiccated talent 
the laziness and arrogance 
low-tech magic realism 
`` spider-man is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff . 
this delightful comedy 
vapid 
a worthwhile effort 
a pathetic exploitation film that tries to seem sincere , and just seems worse for the effort . 
by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about 
extraordinary access 
so intimate and sensual and funny and psychologically self-revealing 
highly engaging . 
wisdom and emotion 
fascinating , unnerving examination 
watching this film , one is left with the inescapable conclusion that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power . 
you were at home watching that movie instead of in the theater watching this one 
about 90 minutes of a so-called ` comedy ' and not laugh 
arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two 
affection for its characters 
mixes in as much humor as pathos 
a complete moron 
abandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed . 
few nice twists 
a moving story 
a bunch of typical late-twenty-somethings natter on about nothing 
not only better than its predecessor 
funny and , in the end , very touching 
too skewed to ever get a hold on 
thriller as lazy as it is interminable 
's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 . 
a funny , puzzling movie 
, i enjoyed it just as much ! 
stooping 
with a completely predictable plot 
solid base 
by bad luck and their own immaturity 
to a strangely sinister happy ending 
had the balance shifted in favor of water-bound action over the land-based ` drama 
so we got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat . 
, pathetic , starving and untalented 
the problem with antwone fisher is that it has a screenplay written by antwone fisher based on the book by antwone fisher . 
has merit and 
, with really solid performances by ving rhames and wesley snipes . 
both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise 
not that any of us 
astonish and entertain 
play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution 
a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble 
having been slimed in the name of high art 
shooting itself 
, sterile and lacking 
elicit more of a sense of deja vu than awe 
been worth cheering as a breakthrough 
all credibility flies out the window . 
corny television 
fights the good fight in vietnam 
engaging the audience in the travails of creating a screenplay 
rustic , realistic , and altogether creepy 
things really get weird , though not particularly scary : 
hughes comedy 
the disjointed 
assumes you are n't very bright 
is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery . 
's not entirely memorable 
heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long 
nothing left to work with , sort of like michael jackson 's nose 
daring and beautifully made 
, you may be surprised at the variety of tones in spielberg 's work . 
works against itself 
i hated myself in the morning . 
with efficiency and an affection for the period 
confection that 's pure entertainment 
bearing the unmistakable stamp of authority 
the intentionally low standards of frat-boy humor 
is impressive 
if cinema had been around to capture the chaos of france in the 1790 's , one imagines the result would look like something like this . 
... it is visually ravishing , penetrating , impenetrable . 
of the jokes , most at women 's expense 
fascination , and 
amazing slapstick 
low , very low , 
weightless that a decent draft in the auditorium might blow it off the screen 
leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
those who do will have found a cult favorite to enjoy for a lifetime . 
undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold 
starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television 
is even worse 
the inspiration of the original 
if oscar had a category called best bad film you thought was going to be really awful but was n't 
fine idea 
mawkish 
payne has created a beautiful canvas , and nicholson proves once again that he 's the best brush in the business . 
the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities . 
so stupid 
a good chance of being the big 
wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
it 's a masterpeice . 
a sour taste 
, much better . 
but on the whole , you 're gon na like this movie . 
a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about 
the picture provides a satisfyingly unsettling ride into the dark places of our national psyche . 
buy is an accomplished actress , and this is a big , juicy role 
are too simplistic to maintain interest 
most wondrously gifted artists 
rushed , 
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius . 
thanks to the presence of ` the king 
surreal ache of mortal awareness 
the unexplored story opportunities of `` punch-drunk love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer/director anderson . 
by movies ' end you 'll swear you are wet in some places and feel sand creeping in others 
economical 
as powerful rather than cloying 
its luckiest viewers will be seated next to one of those ignorant 
does n't add up to a whole lot . 
in perfect balance 
ridicule factor 
thriller `` new best friend '' 
barbershop is n't as funny as it should be 
spider invasion comic chiller 
long , slow and dreary 
video games are more involving than this mess . 
a distinctly mixed bag , the occasional bursts of sharp writing alternating with lots of sloppiness 
inspiration and 
witty dialogue and inventive moments 
the creative animation work 
slice of comedic bliss 
a fluid and mesmerizing sequence 
doing its namesake proud 
although this idea is `` new '' the results are tired 
a renowned indian film culture 
the 2002 film does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes . 
does a good job of establishing a time and place , and of telling a fascinating character 's story . 
30 seconds of plot 
, it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times . 
was better 
interesting story 
a marvel of production design . 
will leave you wanting to abandon the theater 
has all the complexity and realistic human behavior of an episode of general hospital 
they do n't fit well together and 
the pushiness and decibel volume 
diverse 
rejigger fatal attraction into a high school setting 
deep intelligence and 
bad-movie 
than their funny accents 
fun , popcorn movies 
campbell scott finds the ideal outlet for his flick-knife diction in the role of roger swanson . 
uniqueness 
interesting and thoroughly 
( shyamalan ) turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count . 
does seem pretty unbelievable at times 
those monologues stretch on and on 
a perfect wildean actor 
you wo n't be disappointed 
friendship , 
put a human face on the travail of thousands of vietnamese 
as an introduction to the man 's theories and influence , derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable . 
virtuoso throat-singing 
recognize 
gives human nature its unique feel 
every painful nuance , unexpected flashes of dark comedy 
ferrara 's best film 
uneventful 
you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
of the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness 
the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
suffers from unlikable characters and a self-conscious sense of its own quirky hipness 
establishes its ominous mood and tension 
almost unbearably 
has warmth , wit and interesting characters compassionately portrayed 
loved ones 
me as unusually and unimpressively fussy 
is nothing but boilerplate clichés from start to finish 
gorgeousness . 
the intellectual and emotional pedigree of your date and a giant step backward for a director i admire 
of domestic tension and unhappiness 
very talented 
the movie dragged on 
even accepting this in the right frame of mind can only provide it with so much leniency . 
he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low 
is definitely a director to watch . 
surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving 
's only one way to kill michael myers for good : stop buying tickets to these movies . 
is a variant of the nincompoop benigni persona , 
into what was essentially , by campaign 's end , an extended publicity department 
make this a charmer . 
his lack 
the year 's greatest adventure 
both the beauty of the land and the people 
entirely irony-free 
how it washed out despite all of that 
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve 
of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
few films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying 
laugh once ( maybe twice ) 
a one-of-a-kind work 
perfectly entertaining summer diversion 
many can aspire but none can equal 
retread , hobbled by half-baked setups and sluggish pacing . 
that ca n't get sufficient distance from leroy 's 
is n't a very involving one 
simpler , leaner 
pointless extremes 
a poignant comedy that offers food for thought . 
consistent with the messages espoused in the company 's previous video work 
... hokey art house pretension . 
because both are just actory concoctions , defined by childlike dimness and a handful of quirks 
( hell is ) looking down at your watch and realizing serving sara is n't even halfway through . 
are complex and quirky , but entirely believable 
a potentially trite and overused concept 
... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows 
impart a message without bludgeoning the audience over the head 
closed 
an energetic , violent movie with a momentum that never lets up 
struggling to give themselves a better lot in life than the ones 
useless 
allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself 
faltering half-step 
... portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue . 
intricately constructed 
a fantastically vital movie 
sensitive and 
survival wrapped in the heart-pounding suspense of a stylish psychological thriller 
the master of disguise is awful . 
entertaining and , ultimately , 
those gimmicks 
, barbershop is tuned in to its community . 
to be wholesome and subversive at the same time 
fail 
has appeal beyond being a sandra bullock vehicle or a standard romantic comedy 
combustible mixture 
dry and 
pleasing verisimilitude 
affable if not timeless , like mike raises some worthwhile themes while delivering a wholesome fantasy for kids . 
works beautifully 
to its last-minute , haphazard theatrical release 
putters along looking for astute observations and coming up blank 
a touching , sophisticated film that almost seems like a documentary in the way it captures an italian immigrant family on the brink of major changes . 
the masterful british actor ian holm 
above superficiality 
be intriguing 
stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie . 
absurd collection 
nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin 
too safe 
is an actress works as well as it does because ( the leads ) are such a companionable couple . 
of virtually plotless meanderings 
'll still be glued to the screen 
of boring 
captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world . 
likely to find compelling 
made on the cheap 
has been awarded mythic status in contemporary culture 
great scares and 
nor a cliché left unsaid 
giddy and provocative sexual 
the most highly-praised disappointments i 
unconvincing 
a few good ideas 
unbearable when it is n't merely offensive 
see `` simone , '' and consider a dvd rental instead 
delivers roughly equal amounts of beautiful movement and inside information . 
tasty 
the spectacle of small-town competition 
terrific role 
is there a group of more self-absorbed women than the mother and daughters featured in this film 
viewed as pure composition and form -- 
the performances are amiable and committed , and the comedy more often than not hits the bullseye . 
problems and 
dissing the film that they did n't mind the ticket cost 
unrecoverable life 
so much that he refuses to evaluate his own work 
one of his most daring , and complicated , performances 
, festival in cannes offers rare insight into the structure of relationships . 
misfire that even tunney ca n't save 
vivid characters 
watch these two together again 
undergo radical changes when it suits the script 
a finely tuned mood 
self-consciously flashy camera effects , droning house music 
a minor film with major pleasures from portuguese master manoel de oliviera ... 
'' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original . 
you want the story to go on and on 
assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
is part of the fun 
overwrought 
sterling 
tells a deeper story 
that thrusts the audience into a future they wo n't much care about 
uneasily 
the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover . 
a backbone 
the hook 
suck the audience in 
strangely moved by even the corniest and most hackneyed contrivances 
even more haunting than those in mr. spielberg 's 1993 classic 
a solid , spooky entertainment worthy of the price of a ticket 
courageous scottish lady 
feel like you were n't invited to the party 
allegiance to chekhov , which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard , is a particularly vexing handicap . 
edgy thriller 
as the film breaks your heart 
the movie 's blatant derivativeness is one reason it 's so lackluster . 
from a stunningly unoriginal premise 
the film does pack some serious suspense . 
tiring 
'll find yourself remembering this refreshing visit to a sunshine state 
an unbelievably stupid film , though occasionally fun enough to make you 
tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony 
proves itself a more streamlined 
with remarkable serenity and discipline 
does the nearly impossible 
there 's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck 
too much syrup 
its critical backlash 
imagine ( if possible ) a pasolini film without passion or politics 
becomes long and tedious like a classroom play in a college history course . 
was inspired 
the heart of the film is a touching reflection on aging , suffering and the prospect of death . 
bland songs 
like a human volcano or an overflowing septic tank 
that was hard for me to warm up to 
beyond the end zone 
figures prominently in this movie 
staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films . 
'' exceeds expectations . 
inventiveness 
was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention . 
open yourself up to mr. reggio 's theory of this imagery as the movie 's set 
sit through -- despite some first-rate performances 
the action is dazzling 
director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world 's greatest teacher 
held hostage 
is visually ravishing 
thought-provoking and stylish , if also somewhat hermetic . 
will prefer this new version 
be viewed and treasured for its extraordinary intelligence and originality as well as 
it 's kind of insulting , both to men and women . 
wall 
despite slick production values and director roger michell 's tick-tock pacing , the final effect is like having two guys yelling in your face for two hours . 
, crush goes to absurd lengths to duck the very issues it raises . 
strange and beautiful film . 
's just too boring and obvious 
, uneven action comedy 
all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill . 
funny fanatics 
fantastic movie 
make love a joy to behold . 
better suited to a night in the living room than a night at the movies 
nothing but an episode 
their bodies 
is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them . 
showcases a group of dedicated artists 
the quaking essence of passion , grief and fear 
pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting 
very , very good reasons 
the pleasures of a well-made pizza 
an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested 
rather simplistic 
i 've never bought from telemarketers , but i bought this movie . 
's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long . 
smaller numbered kidlets will enjoy . 
the movie 's biggest shocks come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell . 
to narrative filmmaking with a visually masterful work of quiet power 
lost and desolate 
tears welled up in my eyes both times 
potentially good comic premise 
what once was conviction is now affectation 
tumbleweeds blowing through the empty theaters 
as fascinating 
that with really poor comedic writing 
offers few surprises 
hollow , self-indulgent , and - worst of all - 
weave a protective cocoon around his own ego 
war-weary marine 
painfully padded . 
a sharp , amusing study of the cult 
entertaining , if somewhat standardized , action 
flirts with propaganda 
of an allegedly inspiring and easily marketable flick 
agreed 
to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity 
is matched only by the ridiculousness of its premise 
including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen 
he has actually bothered to construct a real story this time . 
subjected to farts , urine , feces , semen , or any of the other foul substances 
paul cox needed to show it . 
skip this dreck 
marginal intelligence 
delightfully so 
that martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
nearly all the fundamentals you take for granted in most films are mishandled here . 
nevertheless , it still seems endless . 
a few laughs 
vereté has a whip-smart sense of narrative bluffs . 
this is just lazy writing . 
becomes a soulful , incisive meditation 
are of the highest and the performances 
zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special . 
is that i ca n't wait to see what the director does next . 
with so much first-rate talent 
in welcome perspective 
seems based on ugly ideas instead of ugly behavior , as happiness was ... 
thanks to confident filmmaking and a pair of fascinating performances 
the visuals , even erotically frank ones , 
meeting , even exceeding expectations , it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth . 
believe that resident evil is not it . 
the story has its redundancies , and the young actors , not very experienced , are sometimes inexpressive 
mctiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious 
the film starts promisingly , but the ending is all too predictable and far too cliched to really work 
upbeat ending 
pokemon 4ever 
for granted in most films are mishandled here 
smug grin 
's as sorry a mess as its director 's diabolical debut , mad cows 
laughs -- sometimes a chuckle 
none of this is meaningful or memorable , but frosting is n't , either , and you would n't turn down a big bowl of that , would you ? 
, moving , and adventurous directorial debut 
skillfully assembled , 
the direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why 
samuel l. jackson is one of the best actors there is . 
treasure planet rivals the top japanese animations of recent vintage . 
grabs you 
may lack the pungent bite of its title , but 
to pass this stinker off as a scary movie 
sustain interest to the end 
should come with the warning `` for serious film buffs only ! '' 
own ambitious goals 
that 's enough to sustain laughs 
a solid cast , assured direction and complete lack of modern day irony 
in hero worship 
feel compelled to watch the film twice or pick up a book on the subject 
unexpected flashes of dark comedy 
is a touching reflection on aging , suffering and the prospect of death . 
the high-buffed gloss and high-octane jolts 
inspiration 
lifelong concern 
a charm that 's conspicuously missing from the girls ' big-screen blowout 
neither as funny nor as charming as it thinks it is 
delightfully 
brilliant and brutal 
repeated at least four times 
a determined , ennui-hobbled slog that really does n't have much to say beyond the news 
is it really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets ? 
's about individual moments of mood , and an aimlessness that 's actually sort of amazing . 
futile 
month 
-- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
wonderfully loopy tale of love , longing , and voting 
collapses under its own meager weight . 
a satisfying well-made romantic comedy that 's both charming and well acted 
flat , unconvincing 
the film settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion . 
it may be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
love the opening scenes of a wintry new york city in 1899 . 
unusual homes 
, beautifully realized 
the misery 
's simply stupid , irrelevant and deeply , truly 
is this so boring 
such a sophisticated and unsentimental treatment on the big screen 
with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long 
's rarely as entertaining as it could have been 
pretty good little movie 
that places the good-time shenanigans in welcome perspective 
that the movie has no idea of it is serious or 
the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree . 
willingness to wander into the dark areas of parent-child relationships without flinching 
here a more annoying , though less angry 
hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss 
( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
warped logic 
's so devoid of joy and energy it makes even jason x ... look positively shakesperean by comparison . 
the film seem like something to endure instead of enjoy 
about death 
often silly -- and gross -- but it 's rarely as moronic as some campus gross-out films . 
push it through the audience 's meat grinder one more time 
bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve 
this is standard crime drama fare ... instantly forgettable and thoroughly dull . 
the best of hollywood 's comic-book 
, brilliant and macabre 
bitter nor sweet 
gaghan captures the half-lit , sometimes creepy intimacy of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing . 
what with all the blanket statements and dime-store ruminations on vanity , the worries of the rich and sudden wisdom , the film becomes a sermon for most of its running time . 
a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex 
the film 's saving graces 
irreparably 
is a riveting , brisk delight . 
slapstick and unfunny tricks 
, bordering on offensive , waste of time , money and celluloid . 
so warm and fuzzy 
surefire , beloved genres 
abysmally 
making it relatively effortless to read and follow the action at the same time 
some real vitality and even art 
dumb fart 
how many more times will indie filmmakers subject us to boring , self-important stories of how horrible we are to ourselves and each other ? 
logical , unforced continuation 
contrived , awkward 
that will give you goosebumps as its uncanny tale of love , communal discord , and justice 
a lot smarter and more unnerving than the sequels 
is among wiseman 's warmest . 
that you 've seen it all before , even if you 've never come within a mile of the longest yard 
's like rocky and bullwinkle on speed 
... hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny . 
`` gangs '' is never lethargic 
bravura performance 
whet one 's appetite for the bollywood films 
beautiful scene 
uninspired preachy and clichéd war 
updated dickensian sensibility 
the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor 
, the visuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime look-see . 
however , it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome . 
could have used my two hours better watching being john malkovich again 
too much norma rae 
technically sumptuous but also almost wildly alive 
the best the contest received 
suffers from all the excesses 
is a seriously intended movie that is not easily forgotten . 
` it 's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama . ' 
is the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad . 
seen as hip , winking social commentary 
rare family movie 
no laughs . 
little less bling-bling and a lot more 
his machismo 
played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it 
the characters , cast in impossibly contrived situations , are totally estranged from reality . 
in alcatraz ' ... a cinematic corpse that never springs to life 
the uninspired scripts , acting and direction never rise above the level of an after-school tv special 
beautiful work 
sane and breathtakingly creative film 
wonder 
i encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale -- 
hide new secretions 
's a clarity of purpose and even-handedness 
a pathetically 
dull-witted and disquietingly creepy 
a consummate actor incapable of being boring 
becomes too heavy for the plot 
with an assurance worthy of international acclaim 
the delicious pulpiness of its lurid fiction 
all the pieces fall together without much surprise , but little moments give it a boost 
traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
gratingly unfunny 
in narcissism and self-congratulation disguised as a tribute 
has a solid emotional impact . 
troubled and 
sketchiest 
holm does his sly , intricate magic , 
britney spears has popped up with more mindless drivel 
emerges from the simple fact that the movie has virtually nothing to show . 
a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence 
will find millions of eager fans . 
wildly incompetent but brilliantly named half past dead -- or for seagal pessimists : totally past his prime . 
presence to become a major-league leading lady , ( but ) 
for some major alterations 
is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in 
relatively dry 
... a series of tales told with the intricate preciseness of the best short story writing . 
too easy 
of these tragic deaths 
is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication 
bump in the night and nobody cares 
perhaps it 's cliche to call the film ` refreshing , ' but 
is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream 
falls to the floor with a sickening thud 
's little to recommend snow dogs 
the sick character 
sentimental mess 
that the movie does not do them justice 
its story 
astonishing ... ( frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment 
exudes the urbane sweetness 
this starts off with a 1950 's doris day feel and it gets very ugly , very fast . 
a sensitive , cultivated treatment of greene 's work as well as a remarkably faithful one . 
take me back to a time 
induces headaches 
takes an astonishingly condescending attitude toward women 
like the logical , unforced continuation of the careers of a pair of spy kids 
julie taymor 's preposterous titus 
be awed by the power and grace of one of the greatest natural sportsmen of modern times 
ultimately undo him 
you turn stupid 
humorous observations about the general absurdity of modern life 
delightfully unpredictable , hilarious 
a computer-generated cold fish 
, one hour photo lives down to its title . 
worldly-wise and very funny script 
as a fairly weak retooling 
polished and vastly entertaining 
resents having to inhale this gutter romancer 's secondhand material 
simply stupid , irrelevant and deeply 
satisfyingly unsettling ride 
the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while 
search of purpose or even a plot 
an oddly winning portrayal of one of life 's ultimate losers 
terrible 
mib ii is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything . 
's sharply comic and surprisingly touching , so hold the gong 
the best espionage picture 
lan yu never catches dramatic fire . 
tens of thousands of german jewish refugees 
some startling , surrealistic moments 
annoying rather than charming 
is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right . 
impeccable comic timing 
do well to cram earplugs in their ears and 
is paced at a speed that is slow to those of us in middle age and deathly slow to any teen 
takes a stand in favor of tradition and warmth 
lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck 
for its excellent storytelling , its economical 
is generous and deep 
failed 
most of what passes for sex in the movies look like cheap hysterics 
it 's an experience in understanding a unique culture that is presented with universal appeal . 
the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success 
the year 's ( unintentionally ) funniest moments 
superbly 
french coming-of-age import 
capable of anteing up some movie star charisma 
a cute alien creature who mimics everyone and everything around 
sad but 
esteemed 
the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed . 
problematic quest 
substantial or fresh 
watchable by a bravura performance 
labute 's careful handling makes the material seem genuine rather than pandering . 
misdemeanor 
, has solid acting and a neat premise 
is infectious 
it cooks conduct in a low , smoky and inviting sizzle . 
i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks . 
sad schlock merchant 
its poignancy hooks us completely 
less bling-bling 
slickly staged 
sluggish pace and lack 
relies on subtle ironies and visual devices 
exaggerated action 
are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting 
a movie to forget 
's fun , 
the central flaw of the film 
's too loud 
wallowing in its characters ' frustrations 
the men and machines behind the curtains of our planet 
a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy 
makes the journey feel like a party 
a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh . 
truly , truly bad 
on , well , love in the time of money 
the story 's scope and pageantry 
uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows 
a quaint , romanticized rendering 
be glued to the screen 
warmth and 
the plot has a number of holes , 
a thriller without thrills and a mystery devoid 
oliver stone 's conspiracy thriller jfk 
clever , amusing and unpredictable 
none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens 
rambling incoherence 
has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances 
, intelligent eyes 
scruffy , dopey old hanna-barbera charm 
france 's most inventive directors 
the ideal outlet 
were convinced to waste their time 
's an adventure story and history lesson all in one . 
created a masterful work of art of their own 
linklater 
( green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike . 
no . . 
just about the best straight-up , old-school horror film of the last 15 years . 
bad '' is the operative word for `` bad company 
, you still have to see this ! 
it stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie . 
proves a servicable world war ii drama that ca n't totally hide its contrivances , but it at least calls attention to a problem hollywood too long has ignored . 
get a cinematic postcard that 's superficial and unrealized 
display greatness 
it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity . 
the gentle comic treatment 
is what it is -- a nice , harmless date film ... 
grounded in an undeniable social realism 
feel my eyelids ... getting ... very ... heavy 
, ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . ' 
none of this sounds promising and 
the film is well worthwhile . 
patience , respect and affection 
every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length 
uncomfortably close to losing my lunch 
to give them credit for : the message of the movie 
remotely new or interesting 
can hear you snore 
says far less about the horrifying historical reality than about the filmmaker 's characteristic style 
, sloppy 
falls far short 
scherfig , who has had a successful career in tv , tackles more than she can handle . 
be hard-pressed to find a movie with a bigger , fatter heart than barbershop 
appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché 
see her esther blossom as an actress , 
delivers big time 
that is an undeniably worthy and devastating experience 
formulaic , its plot and pacing typical hollywood war-movie stuff 
smear 
a thriller with an edge 
delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion 
dubious human being 
there 's no palpable chemistry between lopez and male lead ralph fiennes , plus the script by working girl scribe kevin wade is workmanlike in the extreme . 
conquers 
bottom-rung new jack city wannabe . 
to show us why it 's compelling 
is hardly a masterpiece 
, the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn . 
emerge with unimpeachable clarity 
for most of its footage , the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo . 
this film , whose meaning and impact is sadly heightened by current world events 
poorly-constructed comedy 
aimless as an old pickup skidding completely out of control on a long patch of black ice 
rousing , g-rated family film 
absurdist wit 
a mess of mixed messages , over-blown drama and bruce willis 
hoffman 's performance is authentic to the core of his being . 
bill morrison 's decasia 
usually dread encountering the most 
sure to win viewers ' hearts 
ca n't accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie . 
must have been lost in the translation . 
despite auteuil 's performance 
option to slap her creators because they 're clueless and inept 
at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans 
the thin veneer 
the delicate forcefulness 
if the man from elysian fields is doomed by its smallness 
will just as likely make you weep 
's still a guilty pleasure to watch . 
like edward norton in american history x , ryan gosling ( murder by numbers ) delivers a magnetic performance . 
nation 
is funny and pithy , while illuminating an era of theatrical comedy that , while past , 
scream low budget 
the only camouflage carvey should now be considering is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers . 
of the potential for sanctimoniousness 
interlocked stories drowned by all too clever complexity 
lacks dramatic punch and depth 
david caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen . 
you want to slap it 
great performances , stylish cinematography and 
can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor . 
garden music video 
nice piece of work 
knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
a re-hash 
is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it ? 
tired old vision 
lame 
snl '' has-been 
horrible . 
a pretentious and 
is a smart movie that knows its classical music , knows its freud and knows its sade 
any movie with a life-affirming message 
to the experience 
even worse 
every once in a while , a movie will come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy 
wimps out by going for that pg-13 rating , so the more graphic violence is mostly off-screen 
tub-thumpingly loud 
will leave you with a smile on your face and a grumble in your stomach . 
how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg 
is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure 
highly uneven 
one of the most exciting action films 
offers nothing more than a bait-and-switch that is beyond playing fair with the audience 
is playful but highly studied and dependent for its success on a patient viewer . 
cliché-riddled genre 
a better script 
, then go see this delightful comedy . 
disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice 
absurdist 
seem like a bad idea from frame one 
of grace 
bright shining star 
romantic and serenely 
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . 
ick 
it 's not a motion picture ; it 's an utterly static picture 
is far from disappointing , 
cliffhanger 
photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen . 
its digs at modern society are all things we 've seen before . 
fussing over too weak a recipe 
touched by an unprecedented tragedy 
looking for a return ticket to realism 
really is enormously good fun . 
includes battlefield earth and showgirls 
for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors 
over-the-top trash 
that should appeal to anyone willing to succumb to it 
because of the universal themes , earnest performances 
makes the same mistake as the music industry it criticizes , 
's nothing wrong with that 
convincing portrayal 
it drags during its 112-minute length 
, it offers much to absorb and even more to think about after the final frame . 
quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship 
an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character . 
the film never recovers from the clumsy cliché of the ugly american abroad , 
aimless , arduous , and arbitrary 
a lot of the credit for the film 's winning tone must go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him . 
sports extravaganza 
i have always appreciated a smartly written motion picture , and 
loose , poorly structured film 
and as bland 
it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
where the old adage `` be careful what you wish for '' 
its audience giddy 
implies in its wake the intractable , irreversible flow of history 
piercing 
its recycled aspects , 
its true-to-life characters , 
limpid and conventional historical fiction 
pity anyone who sees this mishmash . 
dark to be decipherable 
stranded with nothing more than our lesser appetites 
seem to match the power of their surroundings . 
that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s 
kwan is a master of shadow , quietude , and room noise , 
's simply stupid , irrelevant and deeply , truly , bottomlessly cynical 
is dark , brooding and slow 
hand viewers a suitcase full of easy answers 
there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue . 
handed down from the movie gods 
are , with the drumming routines , among the film 's saving graces . 
that it avoids the obvious with humor and lightness 
get excited about on this dvd 
'm not sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche . 
of artifice and purpose 
that surprises or delights 
is lost , leaving the character of critical jim two-dimensional and pointless . 
was immensely enjoyable 
pathos-filled but ultimately life-affirming finale 
easier to digest 
contest to see who can out-bad-act the other 
what an idea , what a thrill ride . 
from a television monitor 
no better or worse than ` truth or consequences , n.m. ' or any other interchangeable actioner with imbecilic mafia toolbags botching a routine assignment in a western backwater . 
enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle . 
fresh , sometimes funny , and usually genuinely worthwhile 
a good human 
the most surprising thing about this film 
unfortunately also 
a great american adventure 
imaginative 
of his most daring , and complicated , performances 
aimless , arduous , 
too slight to be called any kind of masterpiece 
is where ararat went astray . 
prove diverting enough 
to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
should n't have been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie 
a generic bloodbath 
everything -- even life on an aircraft carrier -- is sentimentalized . 
the novel charm 
pathetic idea 
a bad improvisation exercise , 
a major waste ... generic 
only surprise 
as beautiful , desirable 
come away thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another . 
wonderful fencing scenes and 
sure , it 's contrived and predictable 
absolute joy 
heart as important as humor 
creative energy and wit to entertain all ages 
into a poem of art , music and metaphor 
laughed that hard in years 
this goofily endearing and well-lensed gorefest 
, assured of the wrong things , and scared to admit how much they may really need the company of others 
mostly fool 's gold 
know what it wants to be when it grows up 
its amiable jerking 
emerges as a surprisingly anemic disappointment 
a boring , pretentious muddle 
, it 's probably not accurate to call it a movie 
gives it new texture , new relevance , new reality 
would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects 
not only a pianist , but a good human being 
what could have been a daytime soap opera is actually a compelling look at a young woman 's tragic odyssey . 
owen wilson know a movie must have a story and a script ? 
's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists . 
driven by a fantastic dual performance from ian holm 
well-put-together 
is so rich with period minutiae 
grownups should appreciate its whimsical humor 
is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
more ambivalent set 
i ca n't say this enough : this movie is about an adult male dressed in pink jammies . 
rambles aimlessly 
a movie that ca n't get sufficient distance from leroy 's delusions to escape their maudlin influence . 
sweeping , dramatic 
numbing action sequence made up mostly of routine stuff yuen has given us before . 
edits 
is n't entirely persuasive 
smart and well-crafted 
sit and stare and turn away from one another instead of talking and 
some laughs and a smile 
derived from far less sophisticated and knowing horror films 
so it 's not a brilliant piece of filmmaking , but 
the movie is better than you might think . 
by a british cast 
an intimate feeling 
recommended -- 
tormented by his heritage , using his storytelling ability to honor the many faceless victims 
a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense 
humble , teach and ultimately 
first-class , natural acting and 
gross-out humor 
solemn pretension 
about memory and regret 
best indie of the year , so far . 
the byplay and bickering between the now spy-savvy siblings , carmen ( vega ) and juni ( sabara ) cortez , anchor the film in a very real and amusing give-and-take . 
like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 
fails in making this character understandable , in getting under her skin , in exploring motivation ... well before the end 
enjoyable family fare 
a more mythic level 
strong supporting players 
watching the proverbial paint dry would be a welcome improvement 
is a poster movie , a mediocre tribute to films like them ! 
well-behaved film 
a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago 
of a handsome and well-made entertainment 
, you will have completely forgotten the movie by the time you get back to your car in the parking lot . 
, i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out . 
showcase the canadian 's inane ramblings 
best little `` horror '' movie 
amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest 
every joke is repeated at least -- annoying , is n't it ? 
found a cult favorite 
feels familiar and tired 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody 
familiar , funny 
imaginatively mixed 
cold blanket 
no idea what in creation is going on 
i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking 
the entire point of a shaggy dog story , of course , is that it goes nowhere , 
a century and a half ago 
sci-fi drama that takes itself all too seriously 
a knowing look at female friendship , spiked with raw urban humor . 
i have always appreciated a smartly written motion picture , 
bad movie . 
being neither 
is significantly less charming than listening to a four-year-old with a taste for exaggeration 
a huge heart 
lawrence gives us mostly fool 's gold 
the wrong things 
kids-cute sentimentality 
raunchy and frequently hilarious 
a wonderfully warm human drama that remains vividly in memory long 
improvise and scream 
big bad love 
the film does n't really care about the thousands of americans who die hideously , it cares about how ryan meets his future wife and makes his start at the cia . 
do n't want to think too much about what 's going on 
what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors 
delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph 
rich with period minutiae 
sick , twisted sort 
just did n't mean much to me and played too skewed to ever get a hold on 
laziness and arrogance 
two fatal ailments 
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy . 
this clever and very satisfying picture 
the trick when watching godard is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them . 
with so many distracting special effects and visual party tricks 
the trailer is a riot . 
, this has layered , well-developed characters and some surprises . 
no rooting interest 
remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . 
entertaining thriller 
this is n't a stand up and cheer flick ; it 's a sit down and ponder affair 
robotically italicized 
incompetent cops 
mind-numbing 
become almost as operatic to us as they are to her characters 
common sense 
bodacious 
this director 's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera . 
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile , 
well-meant but unoriginal . 
we , today , can prevent its tragic waste of life 
thuds 
setting distracts 
asks you to not only suspend your disbelief but your intelligence as well 
a realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales . 
both heartbreaking and heartwarming ... 
of this sad , compulsive life 
told and retold 
joe dante 's similarly styled gremlins 
in the series 
written and directed with brutal honesty and respect for its audience . 
slow 
be a single iota worse 
protect your community 
a bit repetitive 
elegant 
meaningful cinema 
strongest film 
dumb gags , anatomical humor , 
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story 
a stupid , derivative horror film 
this often very funny collegiate gross-out comedy 
revitalize what is and always has been remarkable about clung-to traditions 
efficient 
can certainly go the distance , 
with a teeth-clenching gusto 
delightfully quirky movie to be made from curling 
helpful 
succeeds through sincerity . 
as a kind of colorful , dramatized pbs program , frida gets the job done . 
exceptional performances 
it 's hard to imagine a more generic effort in the genre . 
alternative medicine obviously has its merits ... but ayurveda does the field no favors . 
i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful . 
has value can not be denied . 
amusing for a good while 
clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge . 
major pleasures from portuguese master manoel de oliviera 
make a delightful comedy centering on food 
imbue the theme with added depth and resonance 
staggeringly unoriginal terms 
contradictory things 
a blair witch - style adventure that plays like a bad soap opera , with passable performances from everyone in the cast 
compelling investigation 
french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama 
are no special effects , and no hollywood endings . 
has all the earmarks of french cinema at its best 
i honestly never knew what the hell was coming next 
you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
masterpiece 
as a friend 
abandon '' will leave you wanting to abandon the theater . 
rated eee for excitement . 
made the full monty a smashing success 
wendigo wants to be a monster movie for the art-house crowd 
to take this film at face value and enjoy its slightly humorous and tender story 
bergman approaches swedish fatalism using gary larson 's far side humor 
is a complete mess 
honestly 
intriguing and downright intoxicating 
slick and sprightly cgi feature 
the hilarious writer-director himself 
a mix of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in 
throughout a film that is both gripping and compelling 
terrible , banal dialogue ; convenient , hole-ridden plotting ; 
have a bad , bad , bad movie 
for no apparent reason except 
see a better thriller 
, it drags 
that was ushered in by the full monty and is still straining to produce another smash 
reduces wertmuller 's social mores and politics to tiresome jargon 
the feel of poetic tragedy 
had the ability to mesmerize , astonish and entertain 
lack depth or complexity , 
, this is the ultimate movie experience 
cerebral 
i stay positive 
be smarter than any 50 other filmmakers still 
a believable mother/daughter pair 
1993 classic 
pretty funny movie 
-- farts , boobs , unmentionables -- 
future lizard endeavors will need to adhere more closely to the laws of laughter 
it 's also built on a faulty premise , one it follows into melodrama and silliness . 
dinner guest 
degenerates 
has all the hallmarks of a movie designed strictly for children 's home video , a market so insatiable it absorbs all manner of lame entertainment , as long as 3-year-olds find it diverting 
students that deals with first love sweetly but also seriously . 
told with humor and poignancy 
an unexpectedly sweet story 
it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
the problems with the film 
analyze this , not 
expands into a meditation on the deep deceptions of innocence 
washington most certainly has a new career ahead of him 
sounds like horrible poetry 
to ignite sparks 
is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends . 
kurys seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business . 
so intimate 
it does so without compromising that complexity . 
most charmless 
love , family 
a full experience , a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence . 
endearing , masterful 
befuddled in its characterizations as it begins to seem as long as the two year affair which is its subject 
a very well-meaning movie , and it will stand in future years as an eloquent memorial to the world trade center tragedy . 
a dull girl , 
you 're looking for an intelligent movie in which you can release your pent up anger 
graceful , moving tribute 
is enticing 
we only know as an evil , monstrous lunatic 
the cumulative effect of the movie is repulsive and depressing . 
mordantly funny and intimately knowing ... 
spinning a web of dazzling entertainment 
make fun of me for liking showgirls 
as a visionary with a tale full of nuance and character dimension 
instead , she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions . 
wonderland adventure , a stalker thriller , and a condensed season of tv 's big brother 
mediocre 
the songs translate well to film 
to see this turd squashed under a truck , preferably a semi 
bore that tends to hammer home every one of its points 
the joy the characters take in this creed 
a wild comedy that could only spring from the demented mind of the writer of being john malkovich 
romantic comedy 
no solace here , no entertainment value 
madonna gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game . 
in rapt attention 
is confused in death to smoochy into something both ugly and mindless . 
get lost in the murk of its own making 
woozy 
is its reliance on formula , though 
if you grew up on scooby -- you 'll love this movie . 
it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity . 
an interesting technical exercise 
weighted down with slow , uninvolving storytelling and flat acting . 
why did they deem it necessary to document all this emotional misery ? 
is a visual treat for all audiences . 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and 
some body will take you places you have n't been , and also places you have . 
been there done that 
contrived , awkward and filled with unintended laughs 
the subtlest and most complexly evil uncle ralph 
in a dead-end existence 
talky , artificial and opaque ... an interesting technical exercise 
the painstaking 
the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby 
you 'll regret 
do all three quite well , 
funnier version of the old police academy flicks . 
a familiar anti-feminist equation ( career - kids = misery ) in tiresome romantic-comedy duds 
a sweet and modest and 
anybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little bloodshed . 
strikes a potent chemistry with molina 
it 's rare to find a film to which the adjective ` gentle ' applies 
to the energetic and always surprising performance 
yong kang 
it looks good 
well-crafted letdown . 
puts enough salt into the wounds of the tortured and self-conscious material 
about hatred 
his impressions of life and loss and time and art with us 
the soulful gravity of crudup 's anchoring performance 
another trumpet blast that there may be a new mexican cinema a-bornin ' . ' 
flailing reputation 
might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) . 
well-deserved reputation 
just is n't very funny . 
deeper and more engaging 
their lamentations are pretty much self-centered ) 
insightfully 
's exactly the kind of movie toback 's detractors always accuse him of making . 
arresting 
a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels . 
worthy predecessors 
idol 
into the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
it 's quite an achievement to set and shoot a movie at the cannes film festival and yet fail to capture its visual appeal or its atmosphere . 
call for prevention rather than to place blame , making it one of the best war movies ever made 
, danny is a frighteningly fascinating contradiction . 
adams just copies from various sources -- 
trashy fun 
as it is a unique , well-crafted psychological study of grief 
the problem with the mayhem in formula 51 is not that it 's offensive , but that it 's boring . 
on angelina jolie 's surprising flair for self-deprecating comedy 
of warmth to go around , with music and laughter and the love of family 
tasty performance 
some kind of goofy grandeur 
worshipful 
a gripping documentary that 
a brazil-like , hyper-real satire 
a young woman of great charm , generosity and diplomacy 
not the craven of ' a nightmare 
its brain is a little scattered -- ditsy , even . 
as tricky and satisfying as any of david mamet 's airless cinematic shell games . 
a love story as sanguine as its title 
movie dawdle 
those of you who are not an eighth grade girl will most likely doze off during this one . 
talk to her is so darned assured , we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching . 
stay away 
gets under your skin and , some plot blips 
pretty much delivers on that promise . 
hard time 
parts seem like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings 
it wo n't hold up over the long haul , 
feels acting is the heart and soul of cinema 
boasting this many genuine cackles 
religion that dares to question an ancient faith , and 
will likely set the cause of woman warriors back decades 
be a huge cut of above the rest 
genuinely unnerving 
that not only would subtlety be lost on the target audience , 
cheap-looking 
a markedly inactive film , city is conversational bordering on confessional . 
the whole thing never existed 
it shows us a slice of life that 's very different from our own and yet instantly recognizable . 
big fat pain . 
independent or 
and crude storyline 
the film ... it was the unfulfilling , incongruous , `` wait a second 
a brilliant college student -- 
for humor in so many teenage comedies 
far-flung 
first-rate , especially sorvino 
transparent attempts 
feel sorry for mick jagger 's sex life 
can relate 
it feels accidental 
be said to squander jennifer love hewitt 
most entertaining moments 
presents nothing special and , until the final act , nothing overtly disagreeable 
far more impact 
you come from a family that eats , meddles , argues , laughs , kibbitzes and fights together 
this 90-minute postmodern voyage was more diverting and thought-provoking than i 'd expected it to be . 
inadequate 
watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards 
hard to dismiss -- moody , thoughtful 
sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness 
gang 
hanukkah 
the peculiarly moral amorality of ( woo 's ) best work 
virtually nothing to show 
the hackneyed story 
is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth 
, dumb 
veiling tension 
with an eye on preserving a sense of mystery 
justify his exercise 
kitschy goodwill 
modern art 
pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
work the words `` radical '' or `` suck '' 
wise and elegiac ... 
of the creative act 
a spirited film and a must-see 
is they have a tendency to slip into hokum . 
, luridly colored , uni-dimensional nonsense machine 
its superior cast 
is a remarkably original work 
's appealingly manic and energetic 
an uncluttered , resonant gem that relays its universal points without lectures or confrontations . ' 
actors in bad bear suits enact a sort of inter-species parody of a vh1 behind the music episode 
has merit and , in the hands of a brutally honest individual like prophet jack , might have made a point or two regarding life 
sympathizing with terrorist motivations 
a chore to sit through -- despite some first-rate performances by its lead 
, wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films . 
at once subtle and visceral , the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future . 
a solid cast 
is worth seeking . 
technically 
chuckles 
amounts to little more than punishment 
the music makes a nice album , 
like mike is a slight and uninventive movie 
've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
, there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone . 
me no lika da accents so good , but i thoroughly enjoyed the love story 
sheridan had a wonderful account to work from , 
stylized sequences 
to be swept away by the sheer beauty of his images 
sinks into by-the-numbers territory 
more enjoyable than i expected 
at one man 's downfall , brought about by his lack of self-awareness 
men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic 
about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook . 
a beautiful , timeless and universal tale of heated passions -- 
's a square , sentimental drama that satisfies , as comfort food often can 
manages , with terrific flair 
its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham 
on both sides it falls short 
marvelous series 
does n't have all the answers 
the first actor to lead a group of talented friends astray 
seems to have dumped a whole lot of plot in favor of ... outrageous gags 
the filmmaker would disagree 
connection or identification frustratingly 
provide insight 
turned out to be a one-trick pony 
's hard to resist 
found in its ability to spoof both black and white stereotypes equally 
rules expecting a slice of american pie hijinks starring the kid from dawson 's creek 
short running 
fake , dishonest 
... begins on a high note and sustains it beautifully . 
then you 're in for a painful ride . 
director hoffman , his writer and kline 's agent should serve detention 
inspired '' was a lot funnier 
can do even more damage 
a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing 
encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
quiet , confident 
a legal thriller 
an exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound . 
guy gets girl , guy loses girl , audience falls asleep . 
's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer 
feels as if everyone making it lost their movie mojo 
you do n't care who fires the winning shot 
can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
better described as a ghost story gone badly awry . 
affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
, thoroughly winning flight of revisionist fancy . 
mind crappy movies as much as adults , 
deliberately and skillfully 
insomnia is one of the year 's best films and pacino gives one of his most daring , and complicated , performances 
too many films 
banal , virulently unpleasant excuse 
an unflinching , complex portrait of a modern israel that is rarely seen on-screen 
are both superb , while huppert ... is magnificent . 
the film never rises above a conventional , two dimension tale 
smile-button faces 
admire this film for its harsh objectivity and refusal to seek our tears , our sympathies . 
like mike shoots and scores 
the none-too-original premise 
once ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue 
a solidly constructed , entertaining thriller that stops short of true inspiration . 
leave us with a sense of wonder 
barney 's crushingly self-indulgent spectacle 
to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television 
did n't care . 
precocious 
dog soldiers does n't transcend genre 
a twisted sense of humor 
the power-lunchers do n't care to understand 
performers who rarely work in movies now 
that embraces its old-fashioned themes and in the process comes out looking like something wholly original 
live in them , who have carved their own comfortable niche in the world and have been kind enough to share it 
utilizing 
balance pointed , often incisive satire and unabashed sweetness , 
the proverbial paint dry 
once again strands his superb performers in the same old story . 
bad and 
ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant 
michel 
( 
deeply humanistic artist 
the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances , there is little else to recommend `` never again . '' 
for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance 
a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical 
as brave and challenging as you could possibly expect these days from american cinema 
the only thing to fear about `` fear dot com '' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film . 
personal tragedy and 
is well suited to capture these musicians in full regalia 
repetitive 
it 's more enjoyable than i expected , though , and that 's because the laughs come from fairly basic comedic constructs . 
despite modest aspirations its occasional charms are not to be dismissed . 
the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children 
joyful 
, thanks to the presence of ` the king , ' it also rocks . 
they could have been in a more ambitious movie 
hard to be emotional 
as a pink slip 
was reading the minds of the audience . 
your pulse ever racing 
ca n't miss it . 
interesting and 
the package in which this fascinating -- and timely -- content comes wrapped 
is first-rate , especially sorvino . 
anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels 
of the outstanding thrillers of recent years 
purports 
there 's not enough substance here to sustain interest for the full 90 minutes , especially with the weak payoff 
with the best of herzog 's works 
's plenty to enjoy 
designed as a reverie about memory and regret , 
though it lacks the utter authority of a genre gem 
is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness 
that it churns up not one but two flagrantly fake thunderstorms to underscore the action 
the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ? 
excellent 
incompetent , incoherent or just plain crap 
play out realistically if not always fairly . 
imitation movie 
let the subtitles fool you 
a morbid one 
's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow 
achingly honest 
nice little story 
better effects , better acting and a hilarious kenneth branagh . 
tiresome as 9 
mixes in as much humor as pathos to take us on his sentimental journey of the heart 
a plot that crawls along at a snail 's pace 
, a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own . 
the bottom tier of blaxploitation flicks 
its awkward structure and a final veering 
is beautiful and mysterious 
is very original 
, it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out . 
a rather brilliant little cult item : a pastiche of children 's entertainment , superhero comics , and japanese animation 
a confusing drudgery . 
sitting through this one 
it 's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one . 
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , 
is that it is one that allows him to churn out one mediocre movie after another . 
thanks to the presence of ` the king , ' it also rocks . 
remarkable performances 
possibly the worst film 
the three leads produce adequate performances , 
confusing 
a staggeringly compelling character , a young man whose sharp intellect is at the very root of his contradictory , self-hating , self-destructive ways 
a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
historically significant work 
is exceedingly pleasant 
the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time 
's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
compelling new material 
this distinguished actor would stoop so low 
this sloppy , made-for-movie comedy special 
is surely 
's far from a groundbreaking endeavor 
probably because it 's extremely hard to relate to any of the characters 
exhilarating new interpretation 
that 's been done before 
chomp on jumbo ants , pull an arrow out of his back , and 
sweet 
an intelligent movie 
's better than one might expect when you look at the list of movies starring ice-t in a major role 
hollywood fluff 
manipulative 
like ravel 's bolero 
a film to which the adjective ` gentle ' applies 
overcome his personal obstacles and 
sam mendes 
create something original 
simultaneously heart-breaking and very funny , the last kiss is really all about performances . 
be smarter and more diabolical 
even the filmmakers did n't know what kind of movie they were making 
if good-hearted 
is n't heated properly , 
gets around to its real emotional business 
more than anything else , kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again . 
that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees 
is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness . 
, hollywood is sordid and disgusting . 
stuffing himself into an electric pencil sharpener 
her defiance 
a 90-minute , four-star movie 
is sickly entertainment at best and mind-destroying cinematic pollution at worst 
downright creepy 
a limp eddie murphy 
have potential 
, lacks fellowship 's heart 
a sun-drenched masterpiece , 
obnoxious and didactic burlesque 
this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself . 
are sexy 
extraordinary debut from josh koury . 
it 's dark but has wonderfully funny moments 
scherfig 's light-hearted profile of emotional desperation 
bad bluescreen 
empathy and pity fogging up the screen ... 
cheapen 
to begrudge anyone for receiving whatever consolation 
as famous prima donna floria tosca , roberto alagna as her lover mario cavaradossi , and ruggero as the villainous , lecherous police chief scarpia , 
who sadly are at hostile odds with one another through recklessness and retaliation 
treasure 
thoroughly enjoyed the love story 
be delighted with the fast , funny , and even touching story 
sparkling newcomer 
the paper-thin characterizations 
takes big bloody chomps out 
have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue 
impress about e.t. 
the talents of his top-notch creative team 
laughably , irredeemably awful . 
is a gorgeous film - vivid with color , music and life . 
than its fair share of saucy 
passion , melodrama , sorrow , laugther , and tears cascade over the screen effortlessly ... 
enjoyed most of mostly martha while i ne 
inspirational love story 
pile too many `` serious issues '' 
take nothing seriously and enjoy the ride 
is conversational bordering on confessional 
effort to share his impressions of life and loss and time and art with us 
have a good shot 
strong as always 
one big excuse to play one lewd scene after another 
watered down 
reverent , and subtly different 
the best-sustained ideas i have ever seen on the screen 
a good idea 
the jokes are flat , 
the director 's many dodges and turns add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff . 
especially her agreeably startling use of close-ups and her grace with a moving camera 
grab your kids and run and then probably call the police 
sitcom-worthy solutions 
an intensely lived time 
plotting and mindless 
to add the magic that made it all work 
is just too easy to be genuinely satisfying 
an object lesson in period filmmaking 
air of gentle longing 
while remaining one of the most savagely hilarious social critics this side of jonathan swift 
though tom shadyac 's film kicks off spookily enough , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance . 
the best comedy concert movie i 've seen since cho 's previous concert comedy film 
than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
insomnia loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion . 
is a career-defining revelation . 
funny and fun 
witty dialog between realistic characters 
, why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ? 
the cast and crew thoroughly enjoyed themselves and believed in their small-budget film 
doze off during this one 
watch , giggle 
a gorgeously atmospheric meditation on life-changing chance encounters 
expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape 
all comedy is subversive , but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad 
buries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images that it might more accurately be titled mr. chips off the old block 
baseball movies that try too hard to be mythic 
nights feels more like a quickie tv special than a feature film 
romantic , riveting and handsomely animated . 
by its own pretentious self-examination 
it is most of the things costner movies are known for ; it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it . 
turmoil 
long-faced sad sack 
a flawed but engrossing thriller 
a rude black comedy 
pushing the jokes at the expense of character until things fall apart 
christian love 
douglas mcgrath 's nicholas nickleby does dickens as it should be done cinematically . 
the remarkable ensemble cast brings them to life 
the solid filmmaking and convincing characters makes this a high water mark for this genre . 
understand what made allen 's romantic comedies so pertinent and enduring 
marinated in clichés and mawkish dialogue . 
sickeningly 
strangely funny 
the irksome , tiresome nature of complacency 
a perfect medium 
plays like a tired tyco ad . 
while american adobo has its heart ( and its palate ) in the right place 
sketchy characters and immature provocations can fully succeed at cheapening it . 
if you have the patience for it , you wo n't feel like it 's wasted yours 
a classy , sprightly spin on film . 
is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes 
makes the grade as tawdry trash . 
hartley created a monster but did n't know how to handle it . 
of extraordinary journalism 
turns numbingly dull-witted and disquietingly creepy . 
pill to swallow 
's about as overbearing and over-the-top as the family it 
dazzling , remarkably unpretentious reminder 
is listless , witless , and devoid of anything resembling humor 
too clear 
are simply dazzling , 
raw urban humor 
returns as a visionary with a tale full of nuance and character dimension 
on a striking new significance for anyone who sees the film 
you 're likely to see all year . 
forages for audience sympathy like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining . 
a thoughtful what-if for the heart as well as the mind 
tells a story whose restatement is validated by the changing composition of the nation . 
the funny bone 
a film really has to be exceptional to justify a three hour running time , 
bad taste 
the only young people who possibly will enjoy it 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and 
career - kids = misery ) 
a bad premise , just 
nothing more or less than an outright bodice-ripper 
recite some of this laughable dialogue 
mandy moore leaves a positive impression 
it 's a mystery how the movie could be released in this condition . 
the refugees able to look ahead and resist living in a past 
the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon 
more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' 
laughs are lacking 
for easy , seductive pacing 
in this elegant entertainment 
too good to be bad 
a lot of warmth 
, every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel . 
christopher walken kinda romanced cyndi lauper in the opportunists 
a vibrant and intoxicating fashion 
'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget . 
big-budget/all-star movie 
meaningless 
that it 's almost worth seeing because it 's so bad 
is as consistently engaging as it is revealing 
portray themselves 
, ( goldbacher ) just lets her complicated characters be unruly , confusing and , through it all , human . 
to really care 
take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire 
same old garbage 
the near-fatal mistake of being what the english call ` too clever by half 
but filmmaker yvan attal quickly writes himself into a corner 
a passion for the material 
is a fascinating little tale . 
skip this dreck , rent animal house 
is that it goes nowhere 
a touching , small-scale story of family responsibility and care 
the most resolutely unreligious parents 
seeking an existent anti-virus 
part biography , part entertainment 
goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
'n safe as to often play like a milquetoast movie of the week blown up for the big screen . 
's like having an old friend for dinner ' . 
so compelling 
fails to fascinate 
i have a new favorite musical -- 
common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha . 
of the summer 's most pleasurable movies 
sink this ` sub ' 
once in the rush to save the day did i become very involved in the proceedings ; to me 
a disappointingly thin slice of lower-class london life ; despite the title ... 
found myself strangely moved by even the corniest and most hackneyed contrivances 
enough sardonic 
if you can swallow its absurdities and crudities lagaan really is enormously good fun . 
seem to have been conjured up only 10 minutes prior to filming 
that seagal 's overweight and out of shape 
ca n't rescue brown sugar from the curse of blandness . 
in a bid to hold our attention 
it becomes a chore to sit through -- despite some first-rate performances by its lead 
of our most conservative and hidebound movie-making traditions 
to give the audience a reason to want to put for that effort 
the most brilliant work in this genre since the 1984 uncut version of sergio leone 
ditsy 
grace 
detailed story about newcomers in a strange new world 
sweet , and intermittently hilarious 
far more often than the warfare 
you feel like a chump 
is n't a bad film 
self-flagellation 
it makes up for in heart . 
its title implies 
was worth your seven bucks 
corny dialogue and preposterous moments 
topic 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational 
to be awed by the power and grace of one of the greatest natural sportsmen of modern times 
organic intrigue 
car chase 
help this movie one bit 
the rock on a wal-mart budget 
evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean . 
is a solid action pic that returns the martial arts master to top form 
so aggressively cheery 
cut their losses -- and ours -- and 
would be terrific to read about 
bewilderingly 
, it 's awfully entertaining to watch . 
oddly colorful and 
a marvelous performance by allison lohman as an identity-seeking foster child 
is clearly a good thing 
frustrating 
than franchise possibilities 
but the cinematography is cloudy , the picture making becalmed . 
do n't know what she 's doing in here 
romp that 's always fun to watch 
, one would hope for the best 
of those exceedingly rare films in which the talk alone is enough to keep us 
a movie , a vampire soap opera that does n't make much 
director george hickenlooper has had some success with documentaries , 
as mushy as peas 
is a genuinely bone-chilling tale 
these were more repulsive than the first 30 or 40 minutes 
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , 
incoherence and sub-sophomoric 
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare 
would n't make trouble every day any better 
a grouchy ayatollah in a cold mosque 
such a graphic treatment of the crimes 
into a deadly bore 
rich , shadowy black-and-white 
a fascinating glimpse of urban life 
the film sits with square conviction 
one of the best-sustained ideas i have ever seen on the screen 
while the story is better-focused than the incomprehensible anne rice novel it 's based upon , queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle . 
have a 90-minute , four-star movie 
great writer 
remarkable movie 
, the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about . 
, well-crafted psychological study 
through the eyes of the idealistic kid who chooses to champion his ultimately losing cause 
thinking of 51 ways to leave this loser 
in a summer overrun with movies dominated by cgi aliens and super heroes , it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway . 
to be genuinely satisfying 
a genre gem 
to have dumped a whole lot of plot in favor of ... outrageous gags 
sylvie testud is icily brilliant . 
chillingly 
politically charged 
witty , vibrant , and intelligent . 
seem less of a trifle if ms. sugarman followed through on her defiance of the saccharine 
the perfect star vehicle 
has all the values of a straight-to-video movie , but because it has a bigger-name cast , it gets a full theatrical release . 
befuddling 
's finally been given a part worthy of her considerable talents 
the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future . 
becoming a better person through love 
what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
the last kiss is really all about performances . 
well , it probably wo n't have you swinging from the trees hooting it 's praises , 
a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny 
it 's not like having a real film of nijinsky , but at least it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered . 
that might have made no such thing 
gondry 's direction is adequate 
experimentation and improvisation 
`` superior '' 
the extraordinarily rich landscape 
clever ways 
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable 
fear dot com is more frustrating than a modem that disconnects every 10 seconds . 
off the hook is overlong and not well-acted , but credit writer-producer-director adam watstein with finishing it at all . 
a movie that harps on media-constructed ` issues ' 
thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies 
leonine power 
so primitive in technique 
how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
some of the more overtly silly dialogue would sink laurence olivier 
bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
a first-class road movie that proves you can run away from home , but your ego and all your problems go with you 
the skills of a calculus major at m.i.t. are required to balance all the formulaic equations in the long-winded heist comedy who is cletis tout ? 
both excellent 
groan 
's also too stupid 
supernatural thriller 
`` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? '' 
exquisite , unfakable sense 
captures the dry wit that 's so prevalent on the rock 
a ray of hope 
obvious or self-indulgent 
dated and unfunny 
a slow death 
impassive a manner 
the movie 's captivating details are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster . 
, harvard man is something rare and riveting : a wild ride that relies on more than special effects . 
has no point and 
the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with . 
shows a level of young , black manhood that is funny , touching , smart and complicated 
never once predictable . 
stick to his day job 
every joke is repeated at least four times . 
a serious contender for the title 
is pure , exciting moviemaking . 
set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock . 
( reynolds ) takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch . 
calm , self-assured portrait 
can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken 
extends to his supple understanding of the role 
on the whole , you 're gon na like this movie . 
is ultimately 
is how so many talented people were convinced to waste their time 
a quaint 
is almost completely lacking in suspense , surprise and consistent emotional conviction 
's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team . 
the characters seem one-dimensional , 
the timeless spectacle of people 
does little that is actually funny with the material 
most frightening 
it 's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead . 
though the aboriginal aspect lends the ending an extraordinary poignancy , and the story 
harmless fun . 
large-format 
constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
's a visual delight and a decent popcorn adventure , 
around any scenes that might have required genuine acting from ms. spears 
's both charming and 
soulful , scathing and joyous 
the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow 
an ` a ' list cast 
, those who do will have found a cult favorite to enjoy for a lifetime . 
got 
you 'd have a 90-minute , four-star movie 
a decomposition 
feels impersonal , almost generic 
has a compelling story to tell . 
a captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller 
, one the public rarely sees . 
of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements 
pained 
lost his touch 
is too long with too little going on . 
is n't an ounce of honest poetry in his entire script 
, accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. . 
` just letting the mountain tell you what to do 
is a visual treat 
powerfully evocative mood 
a must-own 
hilarious place to visit 
performed a difficult task indeed 
it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating 
ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation . 
cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
luckiest 
, i found myself strangely moved by even the corniest and most hackneyed contrivances . 
aged past his prime 
the film is hampered by its predictable plot and paper-thin supporting characters . 
hawke 's film , a boring , pretentious waste of nearly two hours , does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes . 
often very funny collegiate gross-out comedy 
its own clichés 
a question for philosophers , not filmmakers ; 
there may have been a good film in `` trouble every day , '' but it is not what is on the screen 
the first lousy guy ritchie imitation 
a buoyant romantic comedy about friendship , love , and the truth 
occasion 
to provide an enjoyable 100 minutes in a movie theater 
concept doofus 
get a kick out of goofy brits 
that extra little something that makes it worth checking out at theaters 
serious movie-goers embarking upon this journey will find that the road to perdition leads to a satisfying destination . 
a rote exercise in both animation and storytelling 
( and fairly unbelievable ) finale 
only scratches the surface 
something vital about the movie 
an experience in understanding a unique culture that is presented with universal appeal 
is n't afraid to provoke introspection in both its characters and its audience 
cinematic postcard 
a thriller 
's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires . 
... bibbidy-bobbidi-bland . 
that are powerful and moving without stooping to base melodrama 
follow the same blueprint from hundreds of other films , 
memorable for a peculiar malaise that renders its tension flaccid and , 
a dull , inconsistent , dishonest female bonding picture . 
might try paying less attention to the miniseries and more attention to the film it is about . 
director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place . 
natural and 
bargain-basement special 
no wit , only labored gags 
has a huge heart 
a compelling story of musical passion against governmental odds . 
puts the dutiful efforts of more disciplined grade-grubbers 
look at a slice of counterculture that might be best forgotten 
a questionable kind of inexcusable dumb innocence 
in amusing us 
it was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo . 
the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america 
quirky , odd movies and/or the ironic 
it 's one of the worst of the entire franchise . 
this three-hour endurance test 
well-paced and 
unexpectedly sweet story 
awfully good , achingly human 
the heart of the film 
like a bunch of talented thesps slumming it 
the character to unearth the quaking essence of passion , grief and fear 
of his reserved but existential poignancy 
creative animation work 
it 's thanks to huston 's revelatory performance . 
really get inside of them 
lust and love 
that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened 
helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears 
gaping plot holes sink this ` sub ' 
laughing 
there 's an excellent 90-minute film here ; unfortunately , it runs for 170 . 
is ) the comedy equivalent of saddam hussein , 
ominous mood and tension 
competent direction 
burns 's strongest film 
hold onto what 's left of his passe ' chopsocky glory 
want a real movie 
hollywood disregard 
weaving a theme throughout this funny film 
a potentially good comic premise 
a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing 
i heard that apollo 13 was going to be released in imax format 
soulless techno-tripe 
to take us on his sentimental journey of the heart 
originality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller 
of continuity errors 
it is about a domestic unit finding their way to joy 
sent back to the tailor for some major alterations 
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , 
is left slightly unfulfilled 
deserving of its oscar nomination 
the journey is worth your time , especially if you have ellen pompeo sitting next to you for the ride . 
not for the striking , quietly vulnerable personality of ms. ambrose 
the poor quality of pokemon 4 
joyous films that leaps over national boundaries and celebrates universal human nature . 
likely to please audiences who like movies that demand four hankies 
lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , 
the story and ensuing complications are too manipulative 
rock solid family fun 
will keep you watching , as will the fight scenes . 
a barf bag 
300 years of russian history and culture 
winning portrayal 
of warmth and humor 
sporadic bursts of liveliness , some so-so slapstick 
will have you talking 'til the end of the year 
that is the recording industry in the current climate of mergers and downsizing 
cliched 
the real-life story is genuinely inspirational 
wonderfully warm 
, interestingly told film . 
the story has some nice twists but the ending and some of the back-story is a little tired . 
too many tried-and-true shenanigans 
seem more like medicine 
a lot like a well-made pb & j sandwich 
emotionally intense 
a bump on the head 
friendship , love , and 
comedies to hit the screen in years 
ultimately fails 
the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid 
refreshingly realistic , 
it 's a sad , sick sight 
... rogers 's mouth never stops shut about the war between the sexes and how to win the battle . 
appealing about the characters 
, potent exploration 
feel like a short stretched out to feature length 
a recycled and dumbed-down version 
energy and wit to entertain all ages 
she gets to fulfill her dreams 
be as simultaneously funny , offbeat and heartwarming 
that 's part of what makes dover kosashvili 's outstanding feature debut so potent 
a cold-hearted curmudgeon for not being able to enjoy a mindless action movie 
, elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry . 
tom shadyac 's film kicks off spookily enough 
sweet , funny , charming , and 
by 86 minutes of overly-familiar and poorly-constructed comedy 
how to make us share their enthusiasm 
loosely tied 
feel that we truly know what makes holly and marina tick 
which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again 
rushed , slapdash , sequel-for-the-sake - 
except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it 
a lovely film ... 
create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time 
well worthwhile 
feels the dimming of a certain ambition 
is a much better mother-daughter tale than last summer 's ` divine secrets of the ya-ya sisterhood , ' but that 's not saying much 
for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference 
yes , spirited away is a triumph of imagination , but it 's also a failure of storytelling 
its writer-director 's 
it 's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all . 
bomb 
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised 
skip the film and 
colorfully 
the complex , politically charged tapestry of contemporary chinese life this exciting new filmmaker has brought to the screen 
who have carved their own comfortable niche in the world 
it is 
convincing 
bits funnier 
that stubbornly refused to gel 
has an ambition to say something about its subjects , but not a willingness . 
it 's definitely not made for kids or their parents , for that matter , and i think even fans of sandler 's comic taste may find it uninteresting . 
all the bad things 
is nicely shot , well-edited and features a standout performance by diane lane . 
the enticing prospect 
prettiest pictures 
engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
this material could work , especially since the actresses in the lead roles are all more than competent 
from ever reaching the comic heights it obviously desired 
are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels 
is laughingly 
is more than a movie 
perfectly rendered 
hate the feeling of having been slimed in the name of high art . 
a mischievous visual style and oodles of charm make ` cherish ' a very good ( but not great ) movie . 
suspenseful 
intriguing and honorable 
about art , ethics , and the cost of moral compromise 
like a fish that 's lived too long 
is more accurately chabrolian . 
this is one of mr. chabrol 's subtlest works , but also one of his most uncanny . 
deliberately and skillfully uses ambiguity to suggest possibilities which imbue the theme with added depth and resonance . 
found it weirdly appealing 
it 's a big idea , but the film itself is small and shriveled 
has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors 
smart , solid , kinetically-charged spy flick worthy 
contemplation 
exciting documentary . 
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it . 
plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air 
a compelling piece 
beautifully sung holiday carol 
best work 
famous moments 
he 's been responsible for putting together any movies of particular value or merit 
lovely and amazing 
nothing original in the way of slapstick sequences 
, in spite of all that he 's witnessed , remains surprisingly idealistic 
it unexpectedly rewarding 
's no rooting interest 
forgettable 
a sensitive , modest comic tragedy that works as both character study and symbolic examination 
downright comically evil 
preachy and clichéd 
broomfield is energized by volletta wallace 's maternal fury , her fearlessness 
the passion , creativity , and fearlessness 
through its otherwise comic narrative 
enlivens 
dampened by a lackluster script and substandard performances 
a great american adventure and 
the director 's talent 
the film suffers from a philosophical emptiness and maddeningly sedate pacing . 
the film 's intimate camera work and searing performances 
the movie slides downhill as soon as macho action conventions assert themselves . 
` wow ' factor 
is well crafted , and well executed 
very stupid and annoying 
it wears its heart on the sleeve of its gaudy hawaiian shirt . 
that it 's also one of the smartest 
contenders 
undermined by the movie 's presentation , which is way too stagy 
i wo n't be sitting through this one again 
this movie has the usual impossible stunts ... but it has just as many scenes that are lean and tough enough to fit in any modern action movie . 
put through torture for an hour and a half 
a stale copy of a picture that was n't all that great to begin with 
landscape to create a feature film that is wickedly fun to watch 
most wondrous 
the movie is without intent . 
incredibly captivating and insanely funny 
, the four feathers comes up short 
the most entertaining monster movies 
stellar 
keep it from being simpleminded 
visual flair 
done-to-death material 
bad people 
it is hard not to be especially grateful for freedom after a film like this . 
( russell ) makes good b movies ( the mask , the blob ) , and the scorpion king more than ably meets those standards 
donovan ... squanders his main asset 
rude and 
stink bomb . 
i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign . 
irwin is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs . 
attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen 
strip it of all its excess debris , 
i wish it would have just gone more over-the-top instead of trying to have it both ways . 
its pretensions 
throw smoochy from the train ! 
loosely speaking , we 're in all of me territory again , and , strictly speaking , schneider is no steve martin 
becomes compulsively watchable 
dull , 
work that lacks both a purpose and a strong pulse 
triteness 
evaporates like so much crypt mist in the brain 
gives us another peek at some of the magic we saw in glitter here in wisegirls 
is all the more remarkable because it 
keep it up 
certainly does the trick of making us care about its protagonist and celebrate his victories 
with such a rah-rah , patriotic tone 
unpleasantly 
if the laborious pacing and endless exposition had been tightened 
a return ticket 
hardened indie-heads 
a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless 
takes to describe how bad it is 
a delicious , quirky movie with a terrific screenplay and fanciful direction by michael gondry 
movie rapes 
... has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics . 
brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade . 
rife with the rueful , wry humor springing out of yiddish culture and language . 
creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries 
snow dogs deserves every single one of them 
incredibly layered and stylistic film 
at a snail 's pace 
a better satiric target 
flair and bouncing bravado 
a burst of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at . 
get weird , 
the execution is pretty weary 
is at once intimate and universal cinema 
complaining when a film clocks in around 90 minutes these days 
surgeon mends 
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering 
flawless film , ( wang ) 
no palpable chemistry 
's just hard to believe that a life like this can sound so dull 
uncreative 
its impact is deeply and rightly disturbing 
is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery . 
a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
lustrous polished 
offers an interesting look 
can not engage 
translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be ya-ya . 
how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible 
as visually bland 
look at the list of movies starring ice-t in a major role 
this somewhat tired premise 
are your cup of blood 
limps along 
a terrific effort 
go down in the annals of cinema 
remarkably original work 
it 's all bluster -- in the end it 's as sweet as greenfingers 
excruciatingly unfunny and 
its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
unmistakable , easy joie 
, touching , dramatically forceful , and beautifully shot 
imply terror by suggestion , rather than the overuse of special effects 
entirely stale concept 
will amuse or entertain them 
wobbly premise work 
drifts aimlessly 
town 
is an uneven film for the most part 
does n't have enough innovation or pizazz to attract teenagers 
of the upper class almost as much as they love themselves 
is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism 
a cold movie 
hard-sell image-mongering 
what begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters . 
story for those intolerant of the more common saccharine genre 
lie 
, its true colors come out in various wet t-shirt and shower scenes . 
less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese 
interesting and accessible 
has been , pardon the pun , sucked out and replaced by goth goofiness . 
, remote , emotionally distant piece 
crime drama 
's simply stupid , irrelevant and deeply , truly , bottomlessly cynical . 
's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all . 
sexy , and rousing 
may sound like it was co-written by mattel executives and lobbyists for the tinsel industry . 
a faulty premise , one it follows into melodrama and silliness 
, the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues . 
its premise is smart 
boasts a handful of virtuosic set pieces and offers a fair amount of trashy , kinky fun 
for a film that 's being advertised as a comedy , sweet home alabama is n't as funny as you 'd hoped . 
's tv sitcom material at best 
resident evil 
often shocking but ultimately worthwhile exploration of motherhood and desperate mothers . 
the shameless self-caricature of ` analyze this ' ( 1999 ) and 
forget its absurdity . 
was kind of terrific once 
mind-numbing indifference 
ambition but no sense of pride or shame 
the movie 's major and most devastating flaw is its reliance on formula , though 
a crucial third act miscalculation 
the dubious distinction of being a really bad imitation of the really bad blair witch project 
a rambling ensemble piece with loosely connected characters and plots that never quite gel 
the soulful nuances 
shot in rich , shadowy black-and-white , devils chronicles 
value whatsoever 
tricky and satisfying 
, cletis tout might inspire a trip to the video store -- in search of a better movie experience . 
originality in ` life ' to distance it from the pack of paint-by-number romantic comedies 
's very beavis and butthead , 
sip your vintage wines and watch your merchant ivory productions 
ripoff 
is long on narrative and ( too ) short 
hastily written 
has some problems 
remains vividly in memory long 
made the first one charming 
take it 
a fifty car pileup of cliches 
're struggling to create . 
not quite as miraculous as its dreamworks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions . 
it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary 
highly uneven and inconsistent 
still-raw emotions 
clint eastwood 's blood work is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same . 
overladen with plot conceits 
assaults on america 's knee-jerk moral sanctimony 
into clichés 
big stars and high production values are standard procedure 
captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path . 
is one big , dumb action movie . 
must be the end of the world 
coordinated his own dv poetry 
leave the same way you came -- a few tasty morsels under your belt , but no new friends . 
an indispensable peek at the art and the agony of making people 
yes , but also intriguing and honorable , 
is instead a cheap cliché 
a modestly surprising movie . 
keep it interested 
the very definition of epic adventure 
jams too many prefabricated story elements 
is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be 
in the same old story 
a compelling , gut-clutching piece 
should be commended for illustrating the merits of fighting hard for something that really matters . 
frozen tundra soap opera 
the premise of jason x is silly but strangely believable . 
cope with the mysterious and brutal nature of adults 
embraces life in public 
is generally quite funny . 
showtime 's uninspired send-up of tv cop show cliches 
a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
the fierce grandeur 
de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season . 
a whale of a good time for both children and parents seeking christian-themed fun 
feeble comedy 
thought-provoking 
michele is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously . 
have bitterly forsaken 
deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered . 
with some fine acting 
do n't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
lee 's achievement extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability . 
consummate actor 
to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative . 
pungent bite 
has all the values of a straight-to-video movie 
exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters . 
a stirring visual sequence 
darned assured 
plays like a bad soap opera , with passable performances from everyone in the cast 
dragon loses its fire midway , nearly flickering out by its perfunctory conclusion . 
are head and shoulders above much of the director 's previous popcorn work . 
an interesting topic , some intriguing characters and a sad ending 
thoroughly awful 
technically superb 
a dashing and resourceful hero 
with heart 
cutesy romantic tale 
sensuality , and sympathy into a story about two adolescent boys 
irritating 
dopey 
, one is left with a sour taste in one 's mouth , and little else . 
the action sequences are fun and reminiscent of combat scenes from the star wars series . 
that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
dullard 
this is a dark , gritty , sometimes funny little gem . 
sometimes charming , sometimes infuriating 
eerily suspenseful , deeply absorbing piece 
instead of a witty expose on the banality and hypocrisy of too much kid-vid , we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos . 
about being subjected to farts , urine , feces , semen , or any of the other foul substances 
a more sheerly beautiful film 
is that it jams too many prefabricated story elements into the running time 
snide and prejudice 
from both a great and a terrible story , mr. nelson has made a film that is an undeniably worthy and devastating experience . 
a movie with a bigger , fatter heart 
had more to do with imagination than market research 
was n't at least watchable 
sadly , as blood work proves , that was a long , long time ago . 
engaging and intimate 
blade 2 is definitely a cut above the rest . 
a brilliant , absurd collection 
's fairly lame , making it par for the course for disney sequels . 
this movie plays like an extended dialogue exercise in retard 101 . 
expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune ) than this cliche pileup . 
almost as offensive 
will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster . 
fun about this silly , outrageous , ingenious thriller 
i liked the movie , 
really vocalized 
the lion king 
is a winner 
a new favorite musical 
the perfect face to play a handsome blank yearning to find himself 
captain 
with jump cuts , fast editing and lots of pyrotechnics , yu clearly hopes to camouflage how bad his movie is . 
too little excitement and zero compelling storyline 
flaws 
that 's peppered with false starts and populated by characters who are nearly impossible to care about 
a re-hash of the other seven films 
a well-made pizza 
noticeably less energy and imagination 
there 's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish . 
, beloved genres 
's rare to find a film to which the adjective ` gentle ' applies 
collapses into an inhalant blackout 
at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- 
a family film that contains some hefty thematic material on time , death , eternity , and what 
the hype , the celebrity , 
the best advice is : ` scooby ' do n't . 
the modern master of the chase sequence 
much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
serve no other purpose 
both overplayed and exaggerated 
that 's exactly what these two people need to find each other 
, this is sure to raise audience 's spirits and leave them singing long after the credits roll . 
a fairly harmless but ultimately lifeless feature-length afterschool special . 
easy to make such a worthless film 
to scale the lunatic heights of joe dante 's similarly styled gremlins 
so crass 
about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length 
's nowhere near as exciting as either . 
precious little of either 
that both thrills the eye and , in its over-the-top way , touches the heart . 
extraordinarily 
be as bored watching morvern callar 
crisp framing , edgy camera work , and 
fathers and sons , and the uneasy bonds between them , rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film . 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina 
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers -- it 's a spirited film and a must-see . 
big , fat , dumb 
spreads itself too thin , 
a rumor of angels should dispel it . 
what might have emerged as hilarious lunacy in the hands of woody allen or mel brooks ( at least during their '70s heyday ) comes across as lame and sophomoric in this debut indie feature . 
while adding a bit of heart and unsettling subject matter 
solid pedigree 
's the element of condescension , 
from a college comedy that 's target audience has n't graduated from junior high school 
better off staying on the festival circuit 
exciting and well-paced 
is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous . 
if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie . 
to mention absolutely refreshed 
a fan of the phrase ` life affirming ' because it usually means ` schmaltzy 
beaten to a pulp in his dangerous game 
staggeringly dreadful romance . 
the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely 
into a future they wo n't much care about 
it is n't much fun . 
just does n't work 
, achingly human 
it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny 
becomes just another voyeuristic spectacle , to be consumed and forgotten 
with memorable zingers 
final verdict : you 've seen it all before . 
affectingly 
starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers 
been held hostage by generic scripts that seek to remake sleepless in seattle again and again 
becomes a simplistic story about a dysfunctional parent-child relationship 
) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al . 
great submarine stories 
of russian cultural identity and a stunning technical achievement 
at his 12th oscar nomination 
managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
seem at least passably real 
not exactly assured in its execution 
is a big time stinker 
a bland , surfacey way 
who opts to overlook this goofily endearing and well-lensed gorefest 
nohe has made a decent ` intro ' documentary , but 
provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world 
as stiff , ponderous and charmless as a mechanical apparatus 
looks more like a travel-agency video targeted at people who like to ride bikes 
a peculiar malaise that renders its tension 
be delightfully compatible here 
is among wiseman 's warmest 
interminably bleak 
naïveté and arbitrary 
witless mess 
oddly fascinating depiction 
a stylish cast and 
dropped 
more confused 
the artwork is spectacular and unlike most animaton from japan , the characters move with grace and panache 
a pleasure 
no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us 
is a commanding screen presence 
something that really matters 
offers no easy , comfortable resolution 
only learning but inventing a remarkable new trick 
those movies barely registering a blip on the radar screen of 2002 
hard , endearing , caring , warm . 
lack-of-attention span 
clever by about nine-tenths 
forget 
the greatest natural sportsmen of modern times 
too dry and 
into one of the summer 's most pleasurable movies 
imaginative kid 's movie 
to surrealism and black comedy 
the sheer ugliness of everything else 
on shame 
that we believe that that 's exactly what these two people need to find each other 
there are some fairly unsettling scenes , 
american and 
fine , old-fashioned-movie movie 
rooting against , 
overly-familiar 
missing a great deal of the acerbic repartee of the play 
exploitation piece 
stuffy 
you feel fully embraced by this gentle comedy 
an unusual protagonist ( a kilt-wearing jackson ) and subject matter 
ten 
the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack 
a reader 's digest condensed version 
transcends culture and race 
brimming with coltish , neurotic energy , holds the screen like a true star . 
that 's alternately melancholic , hopeful and strangely funny 
there 's a plethora of characters in this picture , and not one of them is flat 
but seriously , folks , it does n't work . 
the execution 
offers an aids subtext , skims over the realities of gay sex , 
that should be used to burn every print of the film 
thoroughly involving 
more than a little pretentious 
wilco fans will have a great time , 
a teenage boy out there somewhere who 's dying for this kind of entertainment 
a bad movie that 
failure . 
morrissette has performed a difficult task indeed 
that 's a bad sign when they 're supposed to be having a collective heart attack 
cheap shocks 
the filmmakers come up with nothing original in the way of slapstick sequences 
the worst -- and only -- killer website movie 
's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny . 
a glorified sitcom 
reasonable 
just about the best straight-up , old-school horror film of the last 15 years 
an enjoyable feel-good family comedy regardless of race . 
as an engrossing story about a horrifying historical event and the elements which contributed to it 
set in a 1986 harlem that does n't look much like anywhere in new york . 
the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long 
all over this `` un-bear-able '' project 
the pacing is often way off and there are too many bona fide groaners among too few laughs . 
clean-cut 
wonderfully funny 
is never able to pull it back on course . 
helps `` being earnest '' overcome its weaknesses 
ransacks its archives for a quick-buck sequel 
disorientated 
it arrives 
enjoy the perfectly pitched web of tension 
the son of the bride 's humor is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues . 
focus 
exuberance and passion 
65-minute trifle 
as the very best of them 
seemingly a vehicle to showcase the canadian 's inane ramblings 
disguise the fact 
a particularly slanted , gay s/m fantasy 
to see how many times they can work the words `` radical '' or `` suck '' into a sentence 
exasperating 
be labeled ` hip ' , ` innovative ' and ` realistic ' 
incredible subtlety and acumen 
droning 
two of those well spent 
shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action . 
only about as sexy and dangerous as an actress in a role that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm . 
that greasy little vidgame pit in the theater lobby 
there 's no indication that he 's been responsible for putting together any movies of particular value or merit 
bordering on offensive , waste of time , money and celluloid . 
the rare sequel that 's better than its predecessor 
glows with enthusiasm , sensuality and a conniving wit . 
such blatant and sickening product placement 
have problems , which are neither original nor are presented in convincing way 
captivating new film . 
to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project 
making it par for the course for disney sequels 
gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug 
has nothing good to speak about other than the fact that it is relatively short 
needing other people 
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... grant and bullock make it look as though they are having so much fun . 
ultimately succumbs to cliches and pat storytelling 
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left 
acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover 
oscar caliber cast does n't live up to material 
trailer-trash style . 
wonderfully edited 
's more repetition than creativity throughout the movie 
imax trip 
an intelligent screenplay and 
so vivid a portrait 
jones ... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart . 
spiffy bluescreen technique and stylish weaponry 
mention `` solaris '' five years from now and i 'm sure those who saw it will have an opinion to share . 
in the knowledge imparted 
has all the sibling rivalry and general family chaos to which anyone can relate 
captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world 
it 's funny , as the old saying goes , because it 's true . 
what elevates the movie above the run-of-the-mill singles blender 
, implausible 
with its wry observations 
it is doubtful this listless feature will win him any new viewers 
handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch 
for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league 
unrelentingly grim -- and 
sweetest thing 
in the end , tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in . 
the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent 
biography channel 
the tuxedo was n't just bad 
i admire it and yet can not recommend it , because it overstays its natural running time . 
less by wow factors than by its funny , moving yarn that holds up well after two decades 
with an admirably dark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work . 
quite vapid 
well-done 
i 've seen in a while , a meander through worn-out material 
its awkward structure and 
a powerful commentary 
recalls 
it certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time 
the trashy teen-sleaze equivalent of showgirls . 
people are innocent , childlike and inherently funny 
, history , memory , resistance and artistic transcendence 
will still come away with a sense of his reserved but existential poignancy . 
goofiest stuff 
pleased 
short of a travesty of a transvestite comedy 
dramatic experience . 
quirky and satirical touches 
quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film 
'll find yourself wishing that you and they were in another movie 
it 's wasted yours 
armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud 
a change in expression 
is that it 's far too sentimental 
treats the subject with fondness and respect 
that that 's exactly what these two people need to find each other 
amusing study 
championship material 
laughed 
is that it 's a rock-solid little genre picture 
seriousness and quality 
to be both hugely entertaining and uplifting 
unabashedly romantic 
has been overexposed , redolent of a thousand cliches , 
is sincere 
comedic employment 
wrong things 
carrying this wafer-thin movie 
a good music documentary 
enhances the excellent performances 
witty , whimsical feature 
effective if you stick with it 
( a ) boldly stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain . 
that an epic four-hour indian musical about a cricket game could be this good 
like done-to-death material 
goofy pleasure 
vin diesel is the man . 
with mcconaughey in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids , there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd . 
efficient 
talkiness is n't necessarily bad 
without merit 
these self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation . 
, this could be a passable date film . 
trash-cinema roots 
the film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class . 
running on empty , 
insanely dysfunctional 
the scenic splendor 
show for their labor , living harmoniously , joined in song 
sickening thud 
arnold is not , nor will he be , back 
the new film is a lame kiddie flick 
should please fans of chris fuhrman 's posthumously published cult novel 
like john le carré with a couple of burnt-out cylinders 
to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings 
of clean and sober 
squashed 
to play second fiddle to the dull effects that allow the suit to come to life 
barely makes it any less entertaining 
intriguing 
the action as gripping 
his life-altering experiences 
good enough 
dumb , credulous , unassuming , subordinate subjects 
with most intelligent viewers 
show the gentle and humane side of middle eastern world politics 
sweet as greenfingers 
it 's light on the chills and heavy on the atmospheric weirdness 
and twisted characters 
unfortunately , outnumber the hits by three-to-one . 
his film overwhelmed 
insipid script 
a complex web 
late marriage is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love . 
's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing 
is to be cherished . 
of the most splendid 
more than sucking you in ... and making you sweat 
the lord 
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , 
you 've actually spent time living in another community 
`` bad '' is the operative word for `` bad company 
tries to seem sincere , and just 
of that delicate canon 
frustrates 
we hate ( madonna ) within the film 's first five minutes , 
were insulted 
it 's not very good either . 
were made by a highly gifted 12-year-old instead of a grown man 
cult film 
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so 
it goes down easy , leaving virtually no aftertaste . 
lucid work 
much to absorb and even more to think about after the final frame 
genteel and unsurprising the execution 
think of a film more cloyingly 
too loud 
movie nothing 
for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham 
nonjudgmental kind 
fails to keep it up and settles into clichés 
see this piece of crap again 
it feels more like the pilot episode of a tv series than a feature film 
had a bad run in the market or a costly divorce 
with universal appeal 
stuck in an inarticulate screenplay 
brilliantly written 
it 's an entertaining and informative documentary . 
radiates star-power potential in this remarkable and memorable film . 
that they 're stuck with a script that prevents them from firing on all cylinders 
to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once 
manages never to grow boring ... which proves that rohmer still has a sense of his audience . 
to find greatness in the hue of its drastic iconography 
capturing the innocence and idealism of that first encounter 
an enjoyable 
of a typical american horror film 
an admirable 
if we sometimes need comforting fantasies about mental illness , we also need movies like tim mccann 's revolution no. 9 . 
raised to a new , self-deprecating level 
, like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with 
goes on and on to the point of nausea 
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story 
metaphysical claptrap 
, smart , savvy , compelling 
( washington 's ) strong hand 
they were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn . 
a collectively stellar performance 
say the least , not to mention inappropriate and wildly undeserved 
substance and soul 
buy is an accomplished actress , and 
a long , dull procession of despair , 
some kid who ca n't act , only echoes of jordan , 
familiar and predictable 
the achingly unfunny phonce 
captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience . 
certain ambition 
the plot of the comeback curlers is n't very interesting actually , but what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians 
tendentious intervention into the who-wrote-shakespeare controversy . 
easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking 
a culture-clash comedy that , in addition to being very funny , captures some of the discomfort and embarrassment of being a bumbling american in europe . 
yourself rooting for the monsters in a horror movie 
it 's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' . 
the movie , like bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes . 
arnold schwarzenegger 
is barely 
the characters are based on stock clichés 
dying 
among the chief reasons brown sugar is such a sweet and sexy film 
dreamy and 
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely 
it 's a hellish , numbing experience to watch , and 
sarah 's dedication to finding her husband seems more psychotic than romantic , 
carvey 's considerable talents are wasted in it 
third-rate horror sequels 
it forces you to watch people doing unpleasant things to each other and themselves , and it maintains a cool distance from its material that is deliberately unsettling . 
are quite touching 
of a depressed fifteen-year-old 's suicidal poetry 
brainless 
not-so-funny gags , 
's actually watchable 
you feel good , you feel sad , you feel pissed off , but in the end , you feel alive - which is what they did . 
it demands that you suffer the dreadfulness of war from both sides 
seems to have forgotten everything he ever knew about generating suspense . 
fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage 
ferocity and 
a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
spiced with the intrigue of academic skullduggery and politics 
the sight of the spaceship on the launching pad is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins . 
is so deadly dull 
interesting cinematic devices ( cool visual backmasking ) , a solid cast 
what 's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' ? 
does the trick of making us care about its protagonist and celebrate his victories 
off-beat and fanciful film 
came handed down from the movie gods on a silver platter 
, she is merely a charmless witch . 
rueful , wry humor 
you 're not merely watching history 
fairly revealing 
there surrender $ 9 and 93 minutes of unrecoverable life 
it was only made for teenage boys and wrestling fans 
tiresome jokes 
a major director 
plenty of laughs 
solaris is rigid and evasive in ways that soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and `` ocean 's eleven , '' never were . 
in addition to being very funny 
as lame and sophomoric 
of portraying the devastation of this disease 
sad , sick sight 
spite of clearly evident poverty and hardship 
trying to cope with the mysterious and brutal nature of adults 
's difficult to shrug off the annoyance of that chatty fish 
this is n't exactly profound cinema , but it 's good-natured and sometimes quite funny 
of a genuine and singular artist 
that defies classification and is as thought-provoking as it 
technically sumptuous but also 
ungainly 
comes closer to the failure of the third revenge of the nerds sequel 
a delicious , quirky movie 
tunney , brimming with coltish , neurotic energy , holds the screen like a true star . 
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior ) , but it feels like unrealized potential 
worth the price of admission 
's funniest and most likeable movie in years . 
, dishonest 
is having fun with it all 
does n't come close to justifying the hype that surrounded its debut at the sundance film festival two years ago 
have n't laughed that hard in years 
miike 
is kinda wrong in places 
make interesting 
the thematic ironies are too obvious and the sexual politics too smug 
are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front . 
very thrilling 
failed jokes 
's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all 
best sequel 
is neither light nor magical enough to bring off this kind of whimsy . 
this facetious smirk 
fifty years after the fact , the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill . 
few things more frustrating 
a huge disappointment coming , as it does , from filmmakers and performers of this calibre 
less a documentary and more propaganda 
, entertaining comedy 
convincingly paints a specifically urban sense of disassociation here . 
pleasant and engaging enough 
, solid , kinetically-charged spy flick worthy 
if i want a real movie 
the character 's gripping humanity 
a thoroughly awful movie -- dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric 
an inuit masterpiece that will give you goosebumps as its uncanny tale of love , communal discord , and justice 
returning director rob minkoff ... and screenwriter bruce joel rubin 
fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard 
has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability 
and resourceful hero 
for large-scale action and suspense 
bang your head on the seat in front of you , at its cluelessness 
stay afloat 
painfully 
if you love the music , and i do , its hard to imagine having more fun watching a documentary ... 
can never escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars 
even kids deserve better . 
a better celebration 
too stagey , talky 
neil burger here succeeded in ... making the mystery of four decades back the springboard for a more immediate mystery in the present . 
small , personal film 
an autopilot hollywood concoction 
of the impossibly long limbs and sweetly conspiratorial smile 
a skyscraper 
the forced new jersey lowbrow accent uma had 
guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen . 
drowned me in boredom . 
about in thick clouds of denial 
namely , an archetypal desire to enjoy good trash every now and then . 
the pacing is deadly , the narration helps little and 
works beautifully as a movie without sacrificing the integrity of the opera . 
jerking off 
grade 
the journey is such a mesmerizing one 
starts out like heathers , then becomes bring it on , then becomes unwatchable 
inane , humorless and under-inspired . 
is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be 
the movie only proves that hollywood no longer has a monopoly on mindless action 
historically significant , and 
gooding offers a desperately ingratiating performance . 
donovan ... squanders his main asset , jackie chan , and 
humanity or empathy 
is little more than a mall movie designed to kill time . 
absurd lengths 
another love story in 2002 's remarkable procession of sweeping pictures that have reinvigorated the romance genre . 
enough substance 
opened it up for all of us 
's funny and human and really pretty damned wonderful , all at once 
they ca n't go wrong . 
the milieu is wholly unconvincing 
only for the film 's publicists or for people who take as many drugs as the film 's characters 
, any john waters movie has it beat by a country mile . 
matinee price 
neatly constructed thriller . 
have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
before but never so vividly 
personal 
an athlete , a movie star , and 
to think of any film more challenging or depressing than the grey zone 
his impressively delicate range 
the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense 
gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record 
thriller junk 
a lot going for it , not least the brilliant performances by testud ... and parmentier 
when you instantly know whodunit 
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising , 
fun , and 
's really just another major league . 
no unifying rhythm or visual style 
a warmth that is n't faked 
the terrifying message 
to a film about a family 's joyous life 
decent 
deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated . 
sorvino makes the princess seem smug and cartoonish 
to overcome adversity 
one of those so-so films that could have been much better 
shows what great cinema can really do 
lazy 
though it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal 
the biggest disappointments of the year 
romantic 
for philosophers , not filmmakers 
derivativeness 
courage and 
the kind of quirkily appealing minor movie she might not make for a while 
if this sappy script was the best the contest received , those rejected must have been astronomically bad . 
painful as the grey zone 
a backseat in his own film 
sheridan has settled for a lugubrious romance 
romance , tragedy 
to convince the audience that these brats will ever be anything more than losers 
's extremely hard to relate to any of the characters 
it 's exactly the kind of movie toback 's detractors always accuse him of making . 
, standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
should have been a cutting hollywood satire 
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , 
awesome work 
is a popcorn film , not a must-own , or even a must-see 
the most edgy piece 
offers laughs and insight into one of the toughest ages a kid can go through . 
sci-fi . 
consistency 
accomplished and richly resonant work . 
're left with a sour taste in your mouth 
nearly breaks its little neck trying to perform entertaining tricks 
its unique feel 
been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
the piano teacher 
the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end 
a brainless flibbertigibbet 
simply stupid , irrelevant and 
bill plympton , the animation master , 
written , flatly , by david kendall and 
fleshed-out enough to build any interest 
humor , warmth , 
true to his principles 
it 's an unhappy situation all around . 
ultimately it 's undone by a sloppy script 
is that it 's too close to real life to make sense . 
pleasing the crowds 
thematically and stylistically 
a must 
nothing but an episode of smackdown 
atrocities 
an entertainment so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots . 
cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images 
the château would have been benefited from a sharper , cleaner script before it went in front of the camera . 
crowdpleaser 
into a black hole of dullness 
particularly joyless , and 
directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men 
the first half of gangster no. 1 drips with style 
have not been this disappointed by a movie in a long time 
not infrequently breathtaking 
some of the magic we saw in glitter here in wisegirls 
gives his best screen 
sketchy 
wrong hands 
while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction . 
emphasising her plight and isolation 
fifth beer-soaked film 
's an exhilarating place to visit , this laboratory of laughter 
that ` alabama ' manages to be pleasant in spite of its predictability 
one of recent memory 's most thoughtful films about art , ethics , and the cost of moral compromise . 
, is still good fun . 
has no snap 
an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller 
flat , unconvincing drama 
superficial and unrealized 
can get past the taboo subject matter 
of predictable narrative rhythms 
a kind , unapologetic , sweetheart 
's awfully entertaining 
has a genuine dramatic impact 
i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one . ' 
are simply too good 
never lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving . 
goofily endearing and well-lensed 
feels all too familiar 
's impossible to claim that it is `` based on a true story '' with a straight face . 
steeped in fairy tales and other childish things 
of the film with a creepy and dead-on performance 
lurches between not-very-funny comedy , unconvincing dramatics 
has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense . 
walked out 
wanders 
's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance 
treading water at best in this forgettable effort 
improved upon the first and taken it a step further , richer and deeper 
that swings and jostles to the rhythms of life 
without beauty or humor 
a fascinating case study of flower-power liberation -- and 
it works 
is surely the funniest and most accurate depiction of writer 
weary 
convincing impersonation 
lacks in substance 
disconnects every 10 seconds 
poise 
longley 's film 
have banged their brains into the ground so frequently 
in gross romanticization of the delusional personality type 
in their cheap , b movie way , they succeed 
unusual biopic and document 
all too familiar ... basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938 
, margarita happy hour represents an auspicious feature debut for chaiken . 
kieran culkin a pitch-perfect holden 
will turn out okay 
a little uneven to be the cat 's meow , but it 's good enough to be the purr 
wince in embarrassment and others , thanks to the actors 
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions , shows all the signs of rich detail condensed into a few evocative images and striking character traits . 
i 'd be lying if i said my ribcage did n't ache by the end of kung pow . 
is actually a compelling look at a young woman 's tragic odyssey . 
a chilling movie without oppressive gore . 
much of all about lily chou-chou is mesmerizing : some of its plaintiveness could make you weep 
allegedly inspiring and 
as big a crowdpleaser as 
engross even 
nicolas cage is n't the first actor to lead a group of talented friends astray , and this movie wo n't create a ruffle in what is already an erratic career . 
personal loss 
people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
is as blasphemous and nonsensical as a luis buñuel film 
it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia 
the story has little wit and no surprises . 
a gory slash-fest 
alienated 
serves up all of that stuff , nearly subliminally 
about half of them are funny , a few are sexy and 
animation and game phenomenon 
not for their acting chops , but for their looks 
would have a good time here 
hollywood ending is a depressing experience 
it 's always enthralling . 
of stunning images and effects 
wertmuller 's social mores and politics to tiresome jargon 
absolutely unnecessary 
it 's an effort to watch this movie , but it eventually pays off and is effective if you stick with it . 
on johnny knoxville 's stomach 
more than four 
a wildly erratic drama with sequences that make you wince in embarrassment and others , thanks to the actors , that are quite touching . 
not only a reminder of how they used to make movies , but also how they sometimes still can be made . 
visually breathtaking 
lack a strong-minded viewpoint , or a sense of humor . 
excellent choice 
a guarantee 
seems content to dog-paddle in the mediocre end of the pool , and 
is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well . 
isolation 
so sloppy , so uneven 
likes 
be thinking about going to see this movie 
most remarkable 
inner-city streets 
approaches his difficult , endless work with remarkable serenity and discipline . 
wry humor 
its rawness and vitality give it considerable punch . 
amusing and unsettling 
mr. haneke 's own sadistic tendencies 
, i 'd say the film works 
won -- 
a smart , provocative drama that does the nearly impossible : it gets under the skin of a man we only know as an evil , monstrous lunatic 
a dazzling dream of a documentary . 
a stirring , funny 
it would be better as a diary or documentary 
this is n't even a movie we can enjoy as mild escapism 
before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo 
as ugly as the shabby digital photography and muddy sound 
comes off as a kingdom more mild than wild 
screwed-up 
uselessly redundant and 
punitive minutes 
would look like something like this 
, city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast . 
... does n't deserve the energy it takes to describe how bad it is . 
unique and quirky 
it 's a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire ! 
sad to say -- it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people . 
is an exercise not in biography but in hero worship . 
, slapdash disaster . 
carry the movie 
is pretty funny 
sink it faster than a leaky freighter 
the concept behind kung pow : enter the fist is hilarious 
's a lovely , sad dance highlighted by kwan 's unique directing style . 
eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel 
an engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line 
runs a good race , one that will have you at the edge of your seat for long stretches 
a class with spike lee 's masterful 
impudent 
often very funny 
we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve 
dates 
loved 
with a mixture of deadpan cool , wry humor and just the measure 
guts 
spare dialogue 
on expressing itself in every way imaginable 
warm the hearts of animation enthusiasts of all ages 
climate 
pump life into overworked elements from eastwood 's dirty harry period 
has thrown every suspenseful cliché in the book at this nonsensical story . 
watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped 
occasional charms 
an uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection 
a future they wo n't much care about 
the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy . 
manages to delight without much of a story . 
the importance of being earnest , so thick with wit it plays like a reading from bartlett 's familiar quotations 
in which the rest of the cast was outshined by ll cool j. 
it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate 
a horror movie with seriously dumb characters , which somewhat dilutes the pleasure of watching them stalked by creepy-crawly bug things that live only in the darkness . 
heartfelt comedy 
stale material 
comes to life in the performances . 
the stunt work is top-notch 
just that and it 's what makes their project so interesting 
if it chiefly inspires you to drive a little faster 
emphasizes the q in quirky , with mixed results . 
unfilmable 
the recording sessions are intriguing 
enormously enjoyable , high-adrenaline documentary . 
establishes itself as a durable part of the movie landscape 
brutally honest and 
give you goosebumps as its uncanny tale of love , communal discord , and justice 
a sluggish pace and lack of genuine narrative hem the movie in every bit as much as life hems in the spirits of these young women . 
a thought-provoking picture . 
end on a positive ( if tragic ) note 
its delightful cast 
by its art and heart 
all the more disquieting for its relatively gore-free allusions to the serial murders , 
just too bratty for sympathy 
's both charming 
a group of dedicated artists 
of ` fatal attraction ' for the teeny-bopper set 
her film is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless . 
its target audience talked all the way through it 
works better in the conception than it does in the execution ... winds up seeming just a little too clever . 
imagine a film that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s 
its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
that 's about as subtle as a party political broadcast 
the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work 
gives a performance that is masterly . 
a wonderous accomplishment 
the master of disguise may have made a great saturday night live sketch , but a great movie it is not . 
aggravating and tedious . 
an oddly fascinating depiction 
so boring 
the lady and the duke surprisingly 
captivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head . 
which they have been patiently waiting for 
may not be a breakthrough in filmmaking , but it is unwavering and arresting . 
ethereal beauty 
romantic comedy genre 
at once visceral and spiritual , wonderfully vulgar and sublimely lofty 
amid the deliberate , tiresome ugliness 
, rapid-fire delivery 
feature-length 
an opportunity to embrace small , sweet ` evelyn 
it looks good , sonny , but you missed the point 
of barney 's crushingly self-indulgent spectacle 
striking 
at the station looking for a return ticket to realism 
puts the ` ick ' in ` classic . 
shows us a slice of life that 's very different from our own and yet instantly recognizable . 
a delicious and delicately funny look 
challenges 
genuine laughs 
some of its repartee is still worth hearing . 
of better films 
in the media 
comes alive as its own fire-breathing entity in this picture 
best straight-up 
vibrant whirlwind 
has already appeared in one forum or another 
a hallmark film in an increasingly important film industry and worth the look . 
with nothing but a savage garden music video on his resume 
page-turning 
with humor , warmth , and intelligence 
drudgery . 
keep pushing the jokes at the expense of character until things fall apart . 
is violated 
i would go back and choose to skip it . 
the following things are not at all entertaining : the bad sound , the lack of climax and , worst of all , watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy 
's a funny little movie with clever dialogue and likeable characters . 
behan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best irish sense 
your dream 
become a household name on the basis of his first starring vehicle 
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony 
high-minded 
a slam-bang extravaganza 
is somehow making its way instead to theaters . 
a very lively dream 
, with humor , warmth , and intelligence , captures a life interestingly lived 
from its sleazy moralizing 
breathtaking mystery 
woo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time ? 
a lot smarter than your average bond . 
transcends its agenda to deliver awe-inspiring , at times sublime , visuals and 
is actually funny with the material 
that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone 
execution and skill 
shines on all the characters 
rubbish that is listless , witless , and devoid of anything resembling humor . 
earnest , unsubtle and hollywood-predictable , green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese . 
eyeballs 
the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion 
skillful and moving 
all the substance of a twinkie -- easy to swallow , but scarcely nourishing 
has much to recommend it , 
gives a human face to what 's often discussed in purely abstract terms . 
runs on the pure adrenalin of pacino 's performance 
the poor and 
a tattered and ugly past with rose-tinted glasses 
dehumanizing 
reading lines 
heard before 
which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
an unholy mess , 
visual virtues 
'' winner 
bona fide groaners 
, you 're too interested to care . 
is authentic to the core of his being . 
far too clever by half , howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another . 
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining 
built-in audience 
bogged down in earnest dramaturgy 
bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie 
amusing , 
the most entertaining bonds in years 
is a load of clams left in the broiling sun for a good three days 
appreciates the art 
do all three quite well , making it one of the year 's most enjoyable releases 
most important and exhilarating forms 
although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ? 
too many scenes toward the end 
's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s 
a more confused , less interesting and more sloppily 
most ravaging 
equally miserable 
i admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint . 
is one film that 's truly deserving of its oscar nomination 
the expressive power 
it attractive throughout 
entirely suspenseful , extremely well-paced and ultimately 
editing and pompous references 
inspirational status 
( a ) poorly executed comedy . 
gentle but 
may offend viewers not amused by the sick sense of humor . 
... this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels . 
` the war of the roses , ' trailer-trash style . 
accomplished and 
no worse a film than breaking out , and breaking out was utterly charming . 
the soulful development 
the unsettled tenor 
are clinically depressed and 
the explosion essentially ruined -- or , rather , overpowered 
an engrossing portrait 
is genial but never inspired , and little 
tackles more than she can handle . 
losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis 
nothing wrong with performances here , but the whiney characters bugged me . 
proves to be sensational 
to entertain 
pathetic exploitation film 
joys in our lives 
the triumph 
of sincere grief and mourning in favor of bogus spiritualism 
unspeakable , of course , barely begins to describe the plot and its complications . 
did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side 
laced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances , no such thing is a fascinating little tale . 
seems hopelessly juvenile . 
a frighteningly fascinating contradiction 
an unpleasant debate that 's been given the drive of a narrative and that 's been acted out 
equally assured 
have a story and a script 
's a work of enthralling drama 
predictable as the tides 
did no one on the set have a sense of humor , 
the film , while it 's not completely wreaked , is seriously compromised by that 
's a wonderful , sobering , heart-felt drama 
saves 
uncompromising film 
for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull 
all the dramatic weight 
will wind up as glum as mr. de niro . 
bracing truth 
great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s 
even if it is generally amusing from time to time , i spy has all the same problems the majority of action comedies have . 
the movie winds up feeling like a great missed opportunity . 
of dead-end distaste 
tells its poignant and uplifting story in a stunning fusion of music and images . 
good actors , even kingsley , are made to look bad 
young everlyn sampi , as the courageous molly craig , simply radiates star-power potential in this remarkable and memorable film . 
it appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up . 
does a solid job 
poor editing , bad bluescreen , 
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile 
boring 
believe anyone would really buy this stuff 
lighthearted glow 
that there 's really not much of a sense of action 
just another combination of bad animation and mindless violence ... 
, guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster . 
offer a fascinating glimpse 
illuminates what it means sometimes to be inside looking out , and at other times outside looking in . 
want to think too much about what 's going on 
narc 
sub-sophomoric 
languorous charm 
style and flash 
thematic content and narrative strength 
a moral 
that gives movies about ordinary folk a bad name 
is he has no character , loveable or otherwise 
the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts . 
too much power , not enough puff . 
nothing overly original , mind you , but solidly entertaining 
is presented with great sympathy and intelligence 
brainless flibbertigibbet 
nonchalantly freaky and uncommonly pleasurable 
has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side . 
have a good shot at a hollywood career 
have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies 
presented in convincing way 
have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for 
has its rewards . 
she may not be real , but the laughs are . 
critical backlash 
is a much better mother-daughter tale 
successfully 
long , intricate , star-studded 
for a touching love story 
of self-discovery handled with such sensitivity 
an audience 's 
the best 60 minutes 
overcooked , ham-fisted direction 
settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion . 
numbingly dull 
entirely suspenseful , extremely well-paced and ultimately ... dare i say , entertaining ! 
pay your $ 8 and get ready for the big shear 
served with a hack script 
fest that 'll put hairs on your chest . 
past a child 's interest and an adult 's patience 
innocent , 
affable if not timeless 
an empty , purposeless 
knew about generating suspense 
bitten off more than he or anyone else could chew 
love 
works on some levels 
reveals itself slowly , intelligently , 
just did n't care 
the one-liners are snappy , the situations volatile 
trouble every day is a success in some sense 
lame 
the world 's greatest teacher 
fiery 
game supporting cast 
laborious whine , the bellyaching of a paranoid and unlikable man 
a dearth of vitality 
a text to ` lick 
... a solid , well-formed satire . 
without thrills and a mystery devoid 
playful but highly studied 
fails to portray its literarily talented and notorious subject as anything much more than a dirty old man 
it 's leaden and predictable , and 
other hallmarks of his personal cinema painted on their largest-ever historical canvas 
ailments 
could be the worst film a man has made about women since valley of the dolls . 
there are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely . 
as good 
retains an extraordinary faith in the ability of images 
salvation and good intentions 
, the film gets added disdain for the fact that it is nearly impossible to look at or understand . 
does his sly , intricate magic 
boasts enough funny dialogue and sharp characterizations to be mildly amusing . 
could n't have done any better in bringing the story of spider-man to the big screen . 
it feels like unrealized potential 
, laugh-a-minute crowd pleaser 
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual 
beautifully choreographed kitchen ballet 
as though jay roach directed the film from the back of a taxicab 
new inspiration in it 
retread , 
'll find yourself remembering this refreshing visit to a sunshine state . 
a bit disjointed 
dismally 
grows up 
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater . 
you have to see it . 
, meandering 
humorous and touching 
that so many people put so much time and energy into this turkey 
was the best the contest received 
is the kind of movie that gets a quick release before real contenders arrive in september 
it finds a nice rhythm . 
it 's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow . 
settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion 
drains it 
is even worse than i imagined a movie ever could be 
without resorting to camp or parody , haynes ( like sirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange . 
this rush to profits has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point . 
ever so gracefully -- 
funny and touching 
is intelligently accomplished 
has a delightfully dour , deadpan tone and stylistic consistency . 
low comedy does n't come much lower . 
a comedy 
of martin scorsese 's taxi driver and goodfellas 
a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people 
to capture the chaos of france in the 1790 's 
sensation 
all by stuffing himself into an electric pencil sharpener 
there may have been a good film in `` trouble every day , '' 
the material and the production 
my mind 
beautiful , angry and sad 
heavy stench 
tastelessness and 
bubbly 
has a way of seeping into your consciousness , 
what 's most offensive 
daughter 
enjoyable 100 minutes 
've looked like as a low-budget series on a uhf channel 
unfortunately , we 'd prefer a simple misfire . 
in the ease with which it integrates thoughtfulness and pasta-fagioli comedy 
strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends . 
whimsical comedy 
is n't mainly suspense or excitement . 
by splendid performances 
a winning and wildly fascinating work . 
and second , what 's with all the shooting ? 
other , better movies 
a wartime farce in the alternately comic and 
best 
occasionally flawed , 
admirable energy 
is funny , touching , smart and complicated 
maladjusted teens in a downward narcotized spiral 
when you 've got the wildly popular vin diesel in the equation , it adds up to big box office bucks all but guaranteed . 
and two smoking barrels 
value or merit 
that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
different , unusual , even nutty 
, nasty journey 
a maddeningly insistent and repetitive piano score that made me want to scream 
dumped a whole lot of plot 
undisciplined 
production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book 
is painfully bad , 
strange film 
despite the mild hallucinogenic buzz , is of overwhelming waste 
seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony . 
premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper . 
a kilt 
recommend it , 
does n't live up to the exalted tagline 
it ca n't help but engage an audience 
a life interestingly lived 
, this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half . 
bombastic and ultimately empty world war ii action 
sweet and believable 
through a remarkable amount of material in the film 's short 90 minutes 
full of surprises 
the humor has point 
cheesy commercialism 
is on full , irritating display 
a first-class road movie that proves you can run away from home , but your ego 
in the way of a too-conscientious adaptation 
there 's nothing like love to give a movie a b-12 shot , 
director douglas mcgrath takes on nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading . 
rarely has a film 's title served such dire warning . 
an action film disguised as a war tribute is disgusting to begin with 
the movie about the baseball-playing monkey was worse . '' 
're going to feel like you were n't invited to the party 
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; 
sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations . 
one ca n't help but be drawn in by the sympathetic characters 
a simple tale of an unlikely friendship , but thanks to the gorgeous locales and exceptional lead performances 
belongs to nicholson 
and if you appreciate the one-sided theme to lawrence 's over-indulgent tirade , then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest . 
the well-wrought story 
gets an exhilarating new interpretation in morvern callar 
perfectly serviceable and because he gives the story some soul 
nosedive 
we never feel anything for these characters , and as a result the film is basically just a curiosity 
just another situation romance 
, this cartoon adventure is that wind-in-the-hair exhilarating . 
gawky actor 
works as pretty contagious fun . 
on `` stupid '' 
makes it all the more compelling . 
enjoyable big movie 
braveheart as well as 
it 's as if allen , at 66 , has stopped challenging himself . 
this kind of hands-on storytelling 
pure hollywood 
character portrait , romantic comedy 
not a stereotype is omitted nor a cliché left unsaid . 
is nothing compared to the movie 's contrived , lame screenplay and listless direction 
would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way . 
valiantly 
if it is generally amusing from time to time 
a biting satire 
literally 
no big whoop , nothing new to see , 
tragically 
a small gem from belgium . 
a tendency to sag in certain places 
simply radiates star-power potential in this remarkable and memorable film . 
necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
wind up as glum as mr. de niro 
little propaganda film 
a great director 
wonder of wonders -- a teen movie with a humanistic message . 
become almost as operatic to us 
the picture is so lovely toward the end 
accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc . 
it works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory 
perfectly 
a bad run 
the performances are amiable and committed , 
elicits strong performances from his cast 
brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing 
wicked 
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera , creates sheerly cinematic appeal . 
isabelle huppert ... again shows uncanny skill in getting under the skin of her characters 
a sobering and powerful documentary about the most severe kind of personal loss : 
this insufferable movie 
each scene drags , underscoring the obvious 
, we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos . 
a sharp , amusing study of the cult of celebrity 
nutty cliches 
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart 
ingenuity 
the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action 
a coma 
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get 
working women -- or at least this working woman -- for whom she shows little understanding 
noir veil 
this is a shrewd and effective film from a director who understands how to create and sustain a mood . 
as mindless 
far from heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama . 
are such that we 'll keep watching the skies for his next project 
inhuman 
joyous life 
movie directionless 
like a change in ( herzog 's ) personal policy 
unfolds as one 
bungle their way 
a few laughs but nothing else 
adds up to big box office bucks all but guaranteed . 
marvel 
coming-of-age drama 
buoyant romantic comedy 
you only need to watch for about thirty seconds before you say to yourself , ` ah , yes 
the only thing scary about feardotcom is that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie . 
warm , moving 
so exaggerated and broad 
that stalls in its lackluster gear of emotional blandness 
( ferrera ) has the charisma of a young woman who knows how to hold the screen . 
honestly , i do n't see the point 
the best brush in the business 
to a more mythic level 
hits its mark 
is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) . 
who might otherwise go unnoticed and underappreciated by music fans 
do n't think so . 
represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy 
comes along only occasionally , one so unconventional , gutsy and perfectly 
him this year 's razzie 
of the solomonic decision facing jewish parents in those turbulent times 
it 's one tough rock . 
a staggeringly compelling character 
to create an engaging story that keeps you guessing at almost every turn 
every bit as imperious as katzenberg 's the prince of egypt from 1998 . 
a mawkish self-parody 
not only is entry number twenty the worst of the brosnan bunch 
stylish but steady , and ultimately very satisfying , 
for a story set at sea , ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . ' 
it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
because of its broad racial insensitivity towards african-americans 
without context -- journalistic or historical 
- she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff 
diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep . 
some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - 
soft-core twaddle 
there 's a delightfully quirky movie to be made from curling , but brooms is n't it . 
, and motorcycles 
succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless . 
little too obvious , but 
dragonfly 
created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness 
almost generic 
the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull 
it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas . 
entirely appropriately , the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn . 
on its own staggeringly unoriginal terms , this gender-bending comedy is generally quite funny . 
, this cinderella story does n't have a single surprise up its sleeve . 
that director sara sugarman stoops to having characters drop their pants for laughs and not the last time 
mistaken-identity 
a badly edited , 91-minute trailer ( and ) 
a harrison ford low 
enlightened 
's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
a 10-course banquet 
's a cool event for the whole family . 
like most of jaglom 's films , some of it is honestly affecting , 
you should see this movie 
of the best films of the year 
you will enjoy seeing how both evolve 
from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
so purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride . 
for exploiting the novelty of the `` webcast 
showcases davies as a young woman of great charm , generosity and diplomacy 
one scene after another in this supposedly funny movie 
thurman and lewis give what can easily be considered career-best performances 
accurately 
ruined by amateurish writing and acting , 
well-made pb & j sandwich 
the blanket statements and dime-store ruminations 
engages us 
it looks like woo 's a p.o.w. 
has turned out to be a one-trick pony 
on three short films and two features 
the results are honest 
's nice 
has a way of seeping into your consciousness , with lingering questions about what the film is really getting at 
, inexplicable and unpleasant 
a thriller without thrills and a mystery devoid of urgent questions 
falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in . 
one of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie . 
a quirky comedy 
artful , watery tones of blue , green and brown 
leaves an awful sour taste 
this is cinema 
a diverse and astonishingly articulate 
the charm of the first movie is still there 
by turns gripping , amusing , tender and heart-wrenching 
's because relatively nothing happens 
a gift to anyone who loves both dance and cinema 
dies 
this is the one . 
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning . 
unacceptable 
deepest tragedies 
how to suffer ' and if you see this film you 'll know too 
've got to hand it to director george clooney for biting off such a big job the first time out 
the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard . 
one of the great minds of our times 
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching 
an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time 
that effortlessly draws you in 
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and 
colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor . 
climactic 
really does n't have much to say beyond the news 
the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned . 
more outre aspects 
evans is no hollywood villain 
a loss 
can drown out the tinny self-righteousness of his voice 
falling in love 
tremendously moving 
will leave you wanting to abandon the theater . 
benefits from having a real writer plot out all of the characters ' moves and overlapping story 
spaces 
a very good ( but not great ) movie 
funny , insightfully human 
visually engrossing 
a fascinating , unnerving examination of the delusions 
on standard horror flick formula 
glum as mr. de niro 
extremely well acted by the four primary actors 
the universal themes , 
collateral damage is trash 
makes all the difference 
gentle , lapping rhythms 
pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success . 
using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater . 
funny , sexy , and rousing 
is a pretty good job 
visualize schizophrenia 
scenic shots 
'' will leave you wanting to abandon the theater . 
return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market . 
that celebi could take me back to a time before i saw this movie 
making such a tragedy the backdrop to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror . 
fascinating , ludicrous , provocative and vainglorious 
has made a movie that will leave you wondering about the characters ' lives after the clever credits roll 
too cynical 
spooky and subtly 
into a classic genre 
is too busy getting in its own way to be anything but frustrating , boring , and forgettable 
up walking out not only satisfied but also somewhat touched 
the plot seems a bit on the skinny side 
accompanied by the sketchiest of captions . 
melodramatic paranormal romance is an all-time low for kevin costner . 
's something of the ultimate scorsese film 
a more annoying , though 
loathe him 
hell , i dunno 
for two directors with far less endearing disabilities 
if mostly martha is mostly unsurprising , it 's still a sweet , even delectable diversion . 
beautiful 
enhanced by a surplus of vintage archive footage 
is that it progresses in such a low-key manner that it risks monotony . 
analyze this movie in three words : thumbs friggin ' down 
-- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man 
makes these lives count . 
trudge out 
all the stronger 
an improvement 
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but ultimately you 'll leave the theater wondering why these people mattered . 
constantly slips from the grasp of its maker . 
never succeed in really rattling the viewer 
sub-par 
bad film 
, the film would be a total washout . 
it would be nice to see what he could make with a decent budget 
the bizarre is credible 
have potential as a cult film , 
none of the charm and little 
to be significantly different ( and better ) than most films with this theme 
beautifully produced . 
a thoroughly modern maiden 
evelyn may be based on a true and historically significant story , but the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention . 
born to make 
gets its greatest play 
spectacular belly flops 
's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name . 
cheesy 
was , as my friend david cross would call it , ` hungry-man portions of bad ' 
a mildly funny , sometimes tedious , ultimately insignificant 
the actors are fantastic . 
has the twinkling eyes , repressed smile and 
a caffeinated , sloppy brilliance , 
for most movies , 84 minutes is short , but 
accurate 
, the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future . 
the music makes a nice album , the food is enticing and 
faith , love and power 
their hearts in the right place 
banality and hypocrisy 
more evil than ever 
wiseman is patient and 
manage to keep things interesting . 
noyce 's greatest mistake is thinking that we needed sweeping , dramatic , hollywood moments to keep us 
is a lot more bluster than bite . 
ponder the peculiar american style of justice that plays out here 
wo n't be able to look away for a second 
is top-notch 
larger than life 
filmed directly 
corny sentimentality 
i hate the feeling of having been slimed in the name of high art . 
whimper 
to see a movie with its heart 
would make it a great piece to watch with kids and use to introduce video as art . 
really wrong with this ricture 
feels strangely hollow at its emotional core . 
charm 
's horribly depressing and not very well done 
is n't exactly endearing 
amazing breakthrough 
they cheapen the overall effect . 
so sloppy , so uneven , so damn unpleasant 
irreverent energy 
stay positive 
finally seem so impersonal or even shallow 
without fully understanding what it was that made the story relevant in the first place 
some weird relative trots out the video he took of the family vacation to stonehenge 
a sad aristocrat in tattered finery 
get out your pooper-scoopers 
a superfluous sequel 
set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it did n't try to . 
if the suspense never rises to a higher level , it is nevertheless maintained throughout 
a feel-bad ending 
there 's a sheer unbridled delight in the way the story unfurls ... 
and more entertaining , too . 
a certain sense of experimentation and improvisation to this film that may not always work 
an irresistible blend 
in reality it 's one tough rock . 
captive by mediocrity 
a snore and utter tripe 
quite possibly the sturdiest example yet 
schrader examines crane 's decline with unblinking candor . 
begging for attention 
are worth the price of admission ... 
has never been more charming than in about a boy 
it 's impossible to care who wins 
the idiocy 
the characters never seem to match the power of their surroundings . 
aloof 
a gut punch 
may as well be called `` jar-jar binks : the movie . 
is priceless 
torture and self-mutilation 
is an inspirational love story , capturing the innocence and idealism of that first encounter . 
is nothing less than a provocative piece of work 
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century . 
loud and offensive , but more often 
( the film ) works 
multi-layers 
is entertaining . 
hit . 
achieves a level of connection and concern 
many tense scenes in trapped 
frustration from those 
seen in years 
glinting charm 
i 'm giving it a strong thumbs up 
the act is still charming here . 
an energetic and engaging film 
is more accurate than anything 
follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity 
rekindle the magic of the first film 
to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year 
a tired , predictable , bordering on offensive , waste of time , money and celluloid . 
cinematic poo . 
should give `` scratch '' a second look . 
have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else 
may not be a great piece of filmmaking 
it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times . 
personable , amusing 
one-sided theme 
worth revisiting 
amusing sidekicks 
has a sure hand . 
showing honest emotions . 
historical truth and realism 
, it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway . 
the reassuring manner of a beautifully sung holiday carol 
you 'll feel like you ate a reeses without the peanut butter ... ' 
donna 
deserve better 
realize , much to our dismay , 
more valuable 
a light touch 
explores the awful complications of one terrifying day 
offers an interesting look at the rapidly changing face of beijing 
a chilling tale of one 
the movie around them is so often nearly nothing that their charm does n't do a load of good 
unlikable , uninteresting , unfunny , and 
make this surprisingly decent flick 
the rhapsodic dialogue 
`` unfilmable '' novels 
way too full of itself 
not engaging 
addictive guilty pleasure 
fun and funny in the middle , though somewhat less 
does manage to make a few points about modern man and his problematic quest for human connection 
a shimmeringly lovely coming-of-age portrait , shot in artful , watery tones of blue , green and brown . 
figure the power-lunchers do n't care to understand , 
a movie filled with unlikable , spiteful idiots 
dumb gags , anatomical humor , or 
of watching sad but endearing characters do extremely unconventional things 
add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff 
skip but film buffs should get to know 
yale grad 
may not always work 
how to suffer ' 
the biggest disappointments 
make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
from pleasing 
a canny crowd pleaser 
the four feathers is definitely horse feathers 
infatuated 
are so well 
sleep or bewildered by the artsy and often pointless visuals 
being stupid 
a self-hatred instilled 
of its lurid fiction 
fire a torpedo through some of clancy 's holes 
is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition 
to regain his life , his dignity and his music 
deadly dull 
any viewer , young or old , 
lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings . 
ill-conceived and 
skillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise . 
of this reactionary thriller 
jolts the laughs 
this cold vacuum of a comedy to start a reaction 
steals the show 
it other than its exploitive array of obligatory cheap 
shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls 
by turns pretentious , fascinating , ludicrous , provocative and vainglorious . 
the computer and 
of inspired humor 
11 times too many 
delivered with such conviction 
seen it all before , 
every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny 
the universal theme 
laughing at the ridiculous dialog or the oh-so convenient plot twists 
... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart . 
we feel that we truly know what makes holly and marina tick 
harris is affecting at times 
's a pale imitation . 
casting excellent latin actors of all ages -- 
knew what the hell was coming next 
the beat he hears in his soul 
to do justice to either effort in three hours of screen time 
lovely , sad dance 
that tries to be smart 
the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained . 
full of teenagers fixating on its body humor and reinforcement of stereotypes 
turns in a collectively stellar performance 
seems timely and important 
falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy 
a great deal of corny dialogue and preposterous moments 
lionize its title character and exploit his anger 
but it does have one saving grace . 
a more credible script , though 
this overlong infomercial , due out on video before month 's end , is tepid and tedious . 
gives these women a forum to demonstrate their acting ` chops ' 
it 's up to ( watts ) to lend credibility to this strange scenario , and her presence succeeds in making us believe . 
offers instead an unflinching and objective look at a decidedly perverse pathology 
ruins every single scene he 's in 
cannon 's confidence and laid-back good spirits 
an intriguing story of maternal instincts and 
immensely entertaining 
's absolutely amazing 
make several runs to the concession stand and/or restroom 
thoughtful and 
was entranced . 
a surprisingly ` solid ' achievement by director malcolm d. lee and writer john ridley . 
a movie that defies classification and is as thought-provoking as it 
good dialogue 
lighthearted comedy 
roman polanski may have been born to make 
make trouble 
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and 
will probably have a reasonably good time with the salton sea 
pretty listless 
filmmaking without the balm of right-thinking ideology , either liberal or conservative 
is n't nearly as funny as it thinks it is 
does little 
long on twinkly-eyed close-ups and short 
is way too indulgent 
tries its best to hide the fact that seagal 's overweight and out of shape 
one of the year 's most intriguing movie experiences 
from cheap-shot mediocrity 
's also one of the smartest 
hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- 
color and creativity 
the script , the gags , the characters are all direct-to-video stuff 
road 
gripping portrait of jim brown , a celebrated wonder in the spotlight 
fixating on a far corner of the screen at times 
wide-eyed 
, but one whose lessons are well worth revisiting as many times as possible 
an effortlessly accomplished and richly resonant work . 
devastatingly powerful and astonishingly vivid holocaust drama 
raise audience 's spirits 
freaking out 
nerds 
create characters 
work -- is charming , 
started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food . 
brainless , but enjoyably over-the-top , the retro gang melodrama , deuces wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism . 
looks good 
orchestrating 
ever knew about generating suspense 
can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace 
's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer . 
of a self-reflexive , philosophical nature 
loses its fire midway , 
( russell ) makes good b movies ( the mask , the blob ) 
begins to resemble the shapeless , 
's just plain lurid when it is n't downright silly . 
that hollywood expects people to pay to see it 
depict the french revolution 
a fascinating character study with laughs 
is one of the greatest date movies in years . 
the long and eventful spiritual journey 
to believe that a life like this can sound so dull 
allows us to forget that they are actually movie folk 
its excellent storytelling 
likes of which mainstream audiences have rarely seen 
a revealing look 
positive ( if tragic ) note 
flowery 
change watching such a character , 
storytelling ability 
gloom 
emotional car-wreck 
the auditorium feeling dizzy , confused , and totally disorientated 
is undeniably subversive and involving in its bold presentation 
horrendously amateurish filmmaking that is plainly dull and visually ugly when it is n't incomprehensible . 
what debt miramax felt they owed to benigni 
the disjointed mess flows as naturally as jolie 's hideous yellow ` do . 
changing lanes tries for more . 
bitchy frolic 
expressively performed 
mr. rose 's updating works surprisingly well . 
an encouraging effort 
alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks . 
how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture 
no laughs 
high-powered star pedigree 
without passion or politics 
being a good documentarian 
while the importance of being earnest offers opportunities for occasional smiles and chuckles 
makes its point 
the corniest 
, diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep . 
this is a truly , truly bad movie . 
drama , conflict , 
protagonist 
the only way for a reasonably intelligent person to get through the country bears 
a scary , action-packed chiller 
the film boasts at least a few good ideas and features some decent performances 
mark pellington 's latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth . 
relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft . 
touch 
tried hard 
intimate , unguarded moments 
it borders on facile 
important political documentary 
a little better than sorcerer 's stone . 
a heroic tale 
is intriguing 
never springs to life 
devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
is full of charm . 
own breezy , distracted rhythms 
ironic cultural satire 
hatfield and hicks make the oddest of couples , and in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications . 
stevens ' vibrant creative instincts 
in short 
devos 
lovingly photographed in the manner of a golden book sprung to life 
strong and confident 
if routine action and jokes like this are your cup of tea 
is a fun and funky look into an artificial creation in a world that thrives on artificiality . 
some corny television 
to realize that as far as these shootings are concerned , something is rotten in the state of california 
bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie 
but a very handsomely produced let-down 
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain 
that transcends culture and race 
come to care about the main characters 
self-conscious but often hilarious 
after all , he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long . 
( and probably should have ) 
other than a mildly engaging central romance , hospital is sickly entertainment at best and mind-destroying cinematic pollution at worst . 
off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper . 
think of this dog of a movie as the cinematic equivalent of high humidity 
it was , as my friend david cross would call it , ` hungry-man portions of bad ' 
with any viewer forced to watch him try out so many complicated facial expressions 
that the movie has no idea of it is serious or not 
-- as long as you 're wearing the somewhat cumbersome 3d goggles 
philosophers , not filmmakers 
is to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best . 
the spectacle 
uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated 
's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful . 
represents an auspicious feature debut for chaiken 
the choppy editing 
that you hope britney wo n't do it one more time , as far as 
it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such 
even sexy 
that will thrill you , touch you and make you 
acting -- more accurately , it 's moving 
adaptation is intricately constructed and 
` triumph ' 
accomplishes in his chilling , unnerving film 
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story 
astounding 
may ... work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns . 
remembering this refreshing visit 
of expository material 
its own most damning censure 
the story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me . 
this properly intense , claustrophobic tale of obsessive love 
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , and 
one of the best of a growing strain of daring films 
the cultural and economic subtext , bringing richer meaning to the story 's morals 
particular interest 
, despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff . 
tribute 
has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end 
ian holm conquers france as an earthy napoleon 
terminally bland , painfully slow and 
have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for . 
one of the great minds of our times interesting and accessible 
the biggest names in japanese anime , with impressive results 
the characters are based on stock clichés , and the attempt to complicate the story only defies credibility 
loves the members of the upper class almost as much as they love themselves 
passive-aggressive psychology 
manages to be wholesome and subversive at the same time . 
stifles creativity and 
... if you , like me , think an action film disguised as a war tribute is disgusting to begin with , then you 're in for a painful ride . 
because of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel 
fewer deliberate laughs , more inadvertent ones and stunningly trite 
for all of us 
clear-eyed chronicle 
this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock . 
a manically generous christmas vaudeville . 
so much more 
to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release 
richly detailed , deftly executed and 
though nijinsky 's words grow increasingly disturbed , the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature . 
the film is visually dazzling 
once amusing 
sex with strangers 
a generic international version of a typical american horror film 
ugly and mindless 
meaty subject 
obvious political insights 
that parker displays in freshening the play 
that it might as well have been titled generic jennifer lopez romantic comedy 
would require many sessions on the couch of dr. freud 
as a masterfully made one 
the characters are more deeply thought through than in most ` right-thinking ' films . 
it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema 
is more like something from a bad clive barker movie . 
a sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies . 
's hard to imagine acting that could be any flatter . 
has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth 
very very strong 
this cinderella story does n't have a single surprise up its sleeve . 
emerges as another key contribution to the flowering of the south korean cinema 
oddly colorful 
every shot enhances the excellent performances 
to feel good about 
the throes of their first full flush of testosterone 
jacquot 's strategy allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself . 
of its oscar nomination 
both sitcomishly predictable and cloying in its attempts 
sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
very funny , very enjoyable ... 
the proficient , dull sorvino has no light touch , and rodan is out of his league 
of his best-known creation 
toback 's deranged immediacy makes it seem fresh again . 
's technically sumptuous but also almost wildly alive . 
steers refreshingly clear of the usual cliches 
` stoked 
too much 
... if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags . 
lots of boring talking heads , etc . 
little less bling-bling 
an original bone 
good , hard-edged stuff 
cannon 's confidence and 
has a film 's title served such dire warning 
a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
demonstrate that his pathology evolved from human impulses that grew hideously twisted 
compelling french psychological drama 
marinated in clichés and mawkish dialogue 
like the longest 90 minutes of your movie-going life 
anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
metaphysical 
in the art of impossible disappearing/reappearing acts 
do n't blame eddie murphy but 
the redeeming feature 
kissing jessica stein is one of the greatest date movies in years . 
those who want to be jolted out of their gourd should drop everything and run to ichi . 
astronomically bad 
in the front ranks of china 's now numerous , world-renowned filmmakers 
feels less like a cousin to blade runner than like a bottom-feeder sequel in the escape from new york series . 
to string together enough charming moments to work 
a purpose and a strong pulse 
sensuality , and 
at least it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered 
young , black manhood that is funny , touching , smart and complicated 
, it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires . 
suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener 
this slender plot feels especially thin stretched over the nearly 80-minute running time . 
what a pity ... that the material is so second-rate . 
living far too much 
fails to portray its literarily talented and notorious subject as anything much more than a dirty old man . 
riveting performances 
on hammy at times 
means check it out . 
desperately wishing you could change tables 
and finely cut diamond 
convincing one 
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman has carved from orleans ' story 
heavy-handed symbolism , dime-store psychology and 
... a good film that must have baffled the folks in the marketing department . 
turn stupid 
work , especially since the actresses in the lead roles are all more than competent 
emotional gravity 
flawed , 
would sink laurence olivier 
a bad movie 
( fincher 's ) camera sense and assured pacing make it an above-average thriller . 
marvelous documentary touches -- ever so gracefully -- 
it 's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original . 
cusack 's just brilliant in this . 
hokey 
the shameless self-caricature of ` analyze this ' ( 1999 ) 
, '' derrida is an undeniably fascinating and playful fellow . 
the food is enticing 
broken 
bit of piffle . 
the idea of why human beings long for what they do n't have , and how this gets us in trouble 
the mothman prophecies is best when illustrating the demons bedevilling the modern masculine journey . 
substantial depth 
drowsy 
warm and well-told tale 
stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain . 
of faith 
are fun and reminiscent of combat scenes 
how ridiculous and money-oriented 
is quite a vision . 
immediate inclination to provide a fourth book 
original film 
of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , 
stretched over the nearly 80-minute running time 
to convey a sense of childhood imagination 
for an all-around good time at the movies this summer 
it does n't matter that the film is less than 90 minutes . 
into a laugh-free lecture 
does not have , beginning with the minor omission of a screenplay 
, gut-clutching piece 
somewhat backhanded 
epic scope 
in any way demeaning its subjects 
caught up in an intricate plot 
worth the journey 
have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film . 
a full-length classic 
a muddled limp biscuit 
enduring 
a lost ideal 
sharper , cleaner 
depressingly retrograde 
the subtitles fool you 
be an enjoyable choice for younger kids 
another run-of-the-mill disney sequel intended for the home video market 
ultimately delivers 
is strong as always . 
would be like to be smack in the middle of a war zone armed with nothing but a camera 
soap-opera 
an intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation on the values of knowledge , education , and the 
surprising romance 
off-puttingly 
sporadic dips 
best script 
und drung , but explains its characters ' decisions only unsatisfactorily . 
action clichés 
a companionable couple 
the more hackneyed elements of the film easier to digest 
big fat liar is little more than home alone raised to a new , self-deprecating level . 
for the ridicule factor 
is so prolonged and boring 
the margin that gives viewers a chance to learn , to grow , to travel 
chaos 
is familiar but enjoyable . 
been smoother or more confident 
made me want to pack raw dough in my ears . 
, purposeless 
is easily 
riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity 
enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work 
it takes you somewhere you 're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned . 
teenage sex comedy 
rick 
, rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer 
unsung heroes 
that takes too long to shake 
of the rare directors who feels acting is the heart and soul of cinema 
could hardly ask for more . 
you shoot something on crummy-looking videotape 
in which a guy dressed as a children 's party clown gets violently gang-raped 
one of the smartest 
was right to cut 
has created a beautiful canvas 
's a very very strong `` b + . 
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap . 
it fails 
storytelling is far more appealing 
it cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you . 
when it is n't merely offensive 
is a must for genre fans . 
it never bothers to question why somebody might devote time to see it 
a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
the young stars are too cute ; 
the director , with his fake backdrops and stately pacing , never settles on a consistent tone . 
personal low 
the most multilayered and sympathetic female characters of the year 
is sappy and amateurish 
are very expressive . 
alone , should scare any sane person away . 
turning in some delightful work on indie projects 
his most sparkling 
quickly writes himself into a corner 
career - kids = misery 
emaciated 
kiddie entertainment , 
not only better 
of the idealistic kid who chooses to champion his ultimately losing cause 
from this choppy and sloppy affair 
is smart , not cloying . 
inquisitive film 
's a spectacular performance - ahem 
career-defining 
is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory 
like the full monty , this is sure to raise audience 's spirits and leave them singing long after the credits roll . 
serves as auto-critique , and its clumsiness as its own most damning censure 
frustrating and 
canada 's arctic light 
pretty much sucks , but has a funny moment or two . 
any scorsese 
make mel brooks ' borscht belt schtick look sophisticated 
rich 
but it would be better to wait for the video . 
this is a heartfelt story ... it just is n't a very involving one . 
of extravagant 
, an archetypal desire to enjoy good trash every now and then . 
choppy and 
, it 'll only put you to sleep . 
like the original , this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit . 
moonlight mile does n't quite go the distance but 
about movie love 
it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened 
they 're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid . 
hugely enjoyable in its own right though 
a bigger-name cast 
crafted a solid formula for successful animated movies 
everyone making it 
soderbergh 's best films 
coming-of-age film 
been deemed important enough to make a film in which someone has to be hired to portray richard dawson 
actually manages to bring something new into the mix 
having fun with it all 
smeary 
of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work 
fosters moments of spontaneous intimacy 
the acting is amateurish , the cinematography is atrocious , 
terrible as the synergistic impulse that created it 
this odd , poetic road movie , spiked by jolts of pop music , 
charged 
is extremely funny , the first part making up for any flaws that come later 
to say that this vapid vehicle is downright doltish and uneventful 
satin rouge is not a new , or inventive , journey 
self-consciously flashy camera effects 
a dim-witted pairing of teen-speak and animal gibberish 
it skirts around any scenes that might have required genuine acting from ms. spears 
cold-hearted 
existential suffering 
its ripe recipe , inspiring ingredients 
meticulously uncovers a trail of outrageous force and craven concealment . 
would be consigned to the dustbin of history 
a thriller whose style , structure and rhythms are so integrated with the story 
the wonderfully lush morvern callar 
the movie is hardly a masterpiece 
clichéd 
stays close to the ground 
hated myself in the morning . 
it 's provocative stuff , but the speculative effort is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances . 
know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money 
, yet not as hilariously raunchy as south park , this strangely schizo cartoon seems suited neither to kids or adults . 
interesting and at times 
swaggers through his scenes 
cinematic tone poem 
another wholly unnecessary addition to the growing , moldering pile of , well , extreme stunt 
make a film in which someone has to be hired to portray richard dawson 
inherently caustic and 
that it 's too close to real life to make sense 
it 's light on the chills and heavy on the atmospheric weirdness , 
winds up feeling like a great missed opportunity 
forgive its mean-spirited second half 
not funny performers 
is a lame kiddie flick 
thoroughly overbearing 
that are lean and tough enough to fit in any modern action movie 
two hours of junk 
successes 
and revolutionary spirit 
dramatically lackluster 
remarkably faithful one 
considering that baird is a former film editor , the movie is rather choppy . 
as good as the full monty , but a really strong second effort . 
no surprises . 
is oppressively heavy 
somewhat less 
are moments of hilarity to be had 
nutty cliches and far too much dialogue 
welcomed 
a formula that worked five years ago but has since lost its fizz 
an unexpectedly sweet story of sisterhood . 
washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell 
with some real shocks in store for unwary viewers . 
live-action cartoon 
useless actioners 
uneven dialogue and plot lapses 
a deliberative account of a lifestyle characterized by its surface-obsession -- one that typifies the delirium of post , pre , and extant stardom . 
tries so hard to be quirky and funny that the strain is all too evident 
virtually no one 
still-inestimable contribution 
that not only would subtlety be lost on the target audience 
while we delight in the images 
may sound like it was co-written by mattel executives and lobbyists for the tinsel industry 
fascinating part 
it should have stayed there . 
smart , funny look 
walk to remember a niche hit 
hole-ridden plotting 
lost in the translation 
seems twice as long as its 83 minutes 
it 's hard to imagine another director ever making his wife look so bad in a major movie . 
so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast . 
disconnects 
amazingly evocative 
weird that i honestly never knew what the hell was coming next 
have a résumé loaded with credits like `` girl in bar # 3 
viscerally exciting , and dramatically moving 
whose legacy had begun to bronze 
extant stardom 
's not going to be everyone 's bag of popcorn 
bibbidy-bobbidi-bland . 
soulless . 
dragons ! 
been replaced by the bottom of the barrel 
an increasingly important film industry 
hip-hop fan to appreciate scratch 
hilarious and sad 
involving than this mess 
are lukewarm and quick to pass . 
poorly 
captivating 
integrity 
cardiac 
is an inexpressible and drab wannabe looking for that exact niche . 
an excuse 
most awful acts 
is so clumsily sentimental 
whiney 
be cutting-edge indie filmmaking 
imposter makes a better short story than it does a film 
of musical passion 
this obscenely bad dark comedy 
wal-mart budget 
a rather thin moral 
misfire that even tunney ca n't save . 
fully formed 
, from the incongruous but chemically 
how ridiculous and money-oriented the record industry really is 
through this sloppy , made-for-movie comedy special 
from a summer of teen-driven , toilet-humor codswallop 
of a physician who needs to heal himself 
any way of gripping what its point is 
with humor and poignancy 
muy loco 
giving it thumbs down due to the endlessly repetitive scenes of embarrassment 
the variety of tones in spielberg 's work 
cut through the layers of soap-opera emotion 
no `` waterboy 
manipulative claptrap 
cast the magnificent jackie chan 
has the twinkling eyes , repressed smile and determined face needed to carry out a dickensian hero . 
is an undeniably worthy and devastating experience 
steers refreshingly clear of the usual cliches . 
slow for a younger crowd 
moved to the edge of their seats by the dynamic first act 
demonstrates a vivid imagination and an impressive style 
appeared in 1938 
susan sarandon , dustin hoffman and holly hunter , 
there done that 
bring fresh , unforced naturalism to their characters 
it 's not like having a real film of nijinsky , 
would have been better than the fiction it has concocted 
sade achieves the near-impossible : it turns the marquis de sade into a dullard 
's better than the phantom menace . 
that nevertheless touches a few raw nerves 
of four fine 
conjured up more coming-of-age stories than seem possible 
just another disjointed , fairly predictable psychological thriller . 
, solid storytelling . 
's a testament to the film 's considerable charm that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries 
a captivating drama that will speak to the nonconformist in us all 
its courage , ideas , technical proficiency and 
though her fans will assuredly have their funny bones tickled 
the lovable-loser protagonist 
though tom shadyac 's film kicks off spookily enough 
evokes the frustration , the awkwardness and the euphoria of growing up , without relying on the usual tropes . 
green men 
, this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture . 
teddy bears ' 
feels as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something 
poor quality 
an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing , 
jazzy score 
loquacious 
is prime escapist fare 
the film 's needlessly opaque intro 
, if disingenuous , 
much of this slick and sprightly cgi feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings . 
making ararat far more demanding than it needs to be 
very compelling , sensitive , intelligent and almost cohesive 
a travesty of a transvestite comedy 
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... in praise of love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating 
... is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends . 
worthy idea 
have been better off staying on the festival circuit 
saddled with an unwieldy cast of characters and angles , but the payoff is powerful and revelatory 
an intoxicating 
all the earmarks of french cinema at its best 
also comes with the laziness and arrogance of a thing that already knows it 's won . 
is the performance of gedeck , who makes martha enormously endearing 
be used as analgesic balm for overstimulated minds 
to fruition in her sophomore effort 
super 
does an impressive job of relating the complicated history of the war and of filling in the background . 
i do n't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold . 
that strokes the eyeballs while it evaporates like so much crypt mist in the brain 
would require the patience of job to get through this interminable , shapeless documentary about the swinging subculture . 
watching `` ending '' is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale . 
an interesting and at times captivating 
will assuredly have their funny bones tickled 
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control , 
the movie sputters 
suited neither 
big bloody stew 
from its unsettling prognosis 
, deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated . 
a mournful undercurrent 
is a film about the irksome , tiresome nature of complacency that remains utterly satisfied to remain the same throughout 
a verbal duel between two gifted performers 
time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , '' but that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life . 
this is no `` waterboy ! '' 
swiftly 
fairly enjoyable 
a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination 
deeply biased , and 
an intimacy that sucks you in and dares you not to believe it 
tadpole may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother . 
the level of an after-school tv special 
the movie is genial but never inspired , and little about it will stay with you . 
rich tale 
a fascinating profile 
prepare 
shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale 
honest , and enjoyable comedy-drama 
`` far from heaven '' is a masterpiece . 
the mystery of four decades back the springboard for a more immediate mystery in the present 
an interesting and at times captivating take on loss and loneliness . 
buddy cop comedy 
horrific 
i 'm all for that 
's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary . 
the rampantly designed equilibrium becomes a concept doofus 
wit and originality 
'' admirably 
the pay-off is negligible 
designed strictly for children 's home video , 
to look as if it were being shown on the projection television screen of a sports bar 
its shortcomings 
that 's too loud , too goofy and too short of an attention span 
this italian freakshow 
the nerve to speak up 
are infectious 
some serious soul 
the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
slovenly done , so primitive in technique , that it ca n't really be called animation 
the resolutely downbeat smokers only with every indulgent , indie trick in the book 
its core 
standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
i said my ribcage did n't ache by the end of kung pow 
, `` real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
sumptuous stream 
have the best of both worlds 
very moving and revelatory footnote 
about compassion , sacrifice , and christian love 
wow . 
beautifully animated epic 
an engaging fantasy 
riveting power and sadness 
and inventive moments 
hiding behind cutesy film references 
it 's a heck of a ride 
overwrought 
music and life 
is like cold porridge with only the odd enjoyably chewy lump . 
when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
do n't fret about the calories because there 's precious little substance in birthday girl 
creeping into the second half 
damaged-goods people 
is a popcorn film , not a must-own , or even a must-see . 
to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter 
a witty 
does its predecessors proud . 
such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating 
what ` blade runner ' would 
a little underconfident 
cinemantic flair 
, it 's a lyrical endeavor . 
have infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own . 
annoying specimen 
rock solid family fun out 
i 'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking . 
a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back 
to make up for the ones that do n't come off 
been 13 months and 295 preview screenings 
like any good romance 
a step further , 
spirit is a visual treat , and 
of a 20-car pileup 
is a clever and cutting , quick and dirty look at modern living and movie life 
maintains a beguiling serenity and poise that make it accessible for a non-narrative feature 
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or 
solid emotional impact 
in clichés and mawkish dialogue 
tom green 's freddie got fingered 
increasingly implausible as it races 
beckons us all 
filling 
first-time director denzel washington and a top-notch cast 
dying and loving 
fails so fundamentally on every conventional level that it achieves some kind of goofy grandeur . 
an unsettling sight , and 
the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path 
work -- is charming 
the punch lines that miss , unfortunately , outnumber the hits by three-to-one . 
american and european cinema has amassed a vast holocaust literature , but it is impossible to think of any film more challenging or depressing than the grey zone . 
this engaging film 
not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
`` solaris '' is a shapeless inconsequential move relying on the viewer to do most of the work . 
an affected malaise 
tries to shift the tone to a thriller 's rush 
impeccable study 
swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements 
that spends a bit too much time on its fairly ludicrous plot . 
a dumb , fun , curiously adolescent movie 
extremely thorough 
worth seeing at least once 
is a monumental achievement in practically every facet of inept filmmaking : 
devolves into a laugh-free lecture 
unforgivingly 
i liked this film a lot ... 
byron and luther 
the humor , characterization , poignancy , and intelligence 
the movie equivalent of staring into an open wound 
if you value your time and money , find an escape clause and avoid seeing this trite , predictable rehash . 
perhaps it 's cliche to call the film ` refreshing , ' but it is . 
and , there 's no way you wo n't be talking about the film once you exit the theater . 
that tears welled up in my eyes both times 
that tells a sweet , charming tale of intergalactic friendship 
by letting you share her one-room world for a while 
of constant smiles and frequent laughter 
offended 
is boldly , confidently orchestrated , aesthetically and sexually 
is just a little bit hard to love . 
it 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate . 
's not a comedic moment in this romantic comedy 
( city ) reminds us how realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year . 
another boorish movie 
at times auto focus feels so distant you might as well be watching it through a telescope . 
that attracts the young and fit 
something of bubba ho-tep 's clearly evident quality 
have made it an exhilarating 
lazy but enjoyable 
the best didacticism 
'm all for that 
in terms of its style , the movie is in a class by itself 
macdowell ... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done . 
be shallow 
with a `` spy kids '' sequel opening next week , why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ? 
, it could be a lot better if it were , well , more adventurous . 
, the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens 
favorite musical 
complex , sinuously plotted and , somehow , off-puttingly cold . 
another useless recycling of a brutal mid 
downbeat 
unfaithful 
not falling into the hollywood trap and making a vanity project with nothing new to offer 
another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype 
a haunting tale of murder and mayhem . 
is still quite good-natured and not a bad way to spend an hour or two . 
more successful 
suspenseful spin 
scant place for the viewer 
cedar 's 
utter sincerity 
flat-out amusing , sometimes endearing 
the predictability of bland comfort food 
and witty feature 
feeling like you 've seen a movie instead of an endless trailer 
with tiny little jokes and nary an original idea , this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool . 
, nothing good can happen 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto 
seems to have forgotten everything he ever knew about generating suspense 
older men drink to excess , piss on trees , b.s. one another and put on a show in drag 
therefore i know better than to rush to the theater for this one 
reactionary ideas about women 
bedeviled by labored writing and slack direction 
stillborn 
an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness 
the lively appeal of the last kiss 
featuring an oscar-worthy performance 
cheap junk 
this low-rent -- and even lower-wit -- rip-off of the farrelly brothers ' oeuvre gets way too mushy -- and in a relatively short amount of time . 
the movie 's ultimate point -- that everyone should be themselves -- is trite , but 
it just seems manufactured to me and artificial 
it 's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain . 
, hilarious 
this overlong infomercial , 
an intelligent screenplay 
it is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter . 
executed with such gentle but insistent sincerity , with such good humor 
had their hearts in the right place . 
playwriting 101 premise 
thin notion 
meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , 
the darker elements of misogyny and unprovoked violence 
that does not move 
something provocative , rich , and strange 
i 'm sure mainstream audiences will be baffled , but , for those with at least a minimal appreciation of woolf and clarissa dalloway , the hours represents two of those well spent . 
an effective portrait 
i 've seen some bad singer-turned actors , 
too clumsy in key moments ... to make a big splash . 
send audiences out talking about specific scary scenes or startling moments 
loosely speaking , we 're in all of me territory again , and , strictly speaking , schneider is no steve martin . 
like a three-ring circus , there are side stories aplenty -- none of them memorable . 
a profoundly stupid affair , populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility . 
slightly disappointed 
proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure . 
a must-see for fans of thoughtful war films and those 
could n't keep my attention 
really earned my indignant , preemptive departure 
reverent 
his sentimental journey of the heart 
an astoundingly rich film 
i hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness . 
loves them to pieces 
so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer 
goodwill 
family-friendly comedy 
before pulling the plug on the conspirators and averting an american-russian armageddon 
is a case of too many chefs fussing over too weak a recipe . 
missed the point 
answered yes , by all means 
as relationships shift , director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc . 
the right choices at every turn 
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama -- but that barely makes it any less entertaining 
with honesty , insight and humor 
ambitious films 
be captivated 
here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude , the only thing that i ever saw that was written down were the zeroes on my paycheck 
will likely 
this oddly sweet comedy about jokester highway patrolmen 
takes a really long , slow and dreary time to dope out what tuck everlasting is about . 
the road , where the thematic ironies are too obvious and the sexual politics too smug 
to make the formula feel fresh 
is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus 
the most brilliant work 
from the dullest science fiction 
friendly kick 
suitable 
i bought this movie 
, folks , it does n't work . 
, there is almost nothing in this flat effort that will amuse or entertain them , either . 
is a variant of the nincompoop benigni persona 
from `` promising '' 
a romance this smart 
fessenden continues to do interesting work 
will most likely doze off during this one 
a mesmerizing cinematic poem from the first frame to the last . 
there are laughs aplenty , and , as a bonus , 
the credits roll across the pat ending 
, and totally disorientated 
who has never made anything that was n't at least watchable 
'd probably turn it off , 
warm , moving message 
the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised 
feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting 
a script that prevents them from firing on all cylinders 
an in-depth portrait 
performing ages-old slapstick and unfunny tricks 
acquire the fast-paced contemporary society 
distinctly sub-par 
mediocre movies 
most politically audacious films 
if that 's not too glorified a term 
keeps this pretty watchable , and 
the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
awesome 
sun-splashed whites 
is as bad at it is cruel 
will be delighted with the fast , funny , and even touching story . 
these jokers are supposed to have pulled off four similar kidnappings before 
from the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line 
glides gracefully from male persona to female 
world traveler might not go anywhere new , or arrive anyplace special , but it 's certainly an honest attempt to get at something 
because there is no earthly reason other than money why this distinguished actor would stoop so low 
ya-yas everywhere will forgive the flaws and love the film . 
pure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance . 
williams ' anarchy gets tiresome 
, it 's icky . 
far less endearing disabilities 
lacking in charm and charisma 
toilet-humor 
of this tacky nonsense 
a tragedy 
sluggish 
mixed up together like a term paper 
while somewhat less than it might have been , the film is a good one , and 
the screenplay to keep the film entertaining 
has considerable charm . 
a comedic moment in this romantic comedy 
simply runs out of ideas 
reaching the comic heights it obviously desired 
the story 's scope and pageantry are mesmerizing , 
... quite good at providing some good old fashioned spooks . 
everywhere 
this is a superior horror flick . 
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and as a flawed human being who ca n't quite live up to it 
sneaks up on you and 
good pace 
redundant 
it wo n't hold up over the long haul , but 
appropriately 
creepy and vague 
illustrating the merits of fighting hard for something that really matters 
's hard to resist his enthusiasm 
the delicious trimmings ... arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two . 
moving story 
in their recklessness 
because it was particularly funny 
appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept . 
horribly 
pressed to think of a film more cloyingly sappy than evelyn this year 
a copy of a copy 
many good ideas 
is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast 
to reveal his impressively delicate range 
men in black ii achieves ultimate insignificance -- 
a snore and 
lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy 
oft-brilliant 
one of these days hollywood will come up with an original idea for a teen movie , 
is an imaginative filmmaker who can see the forest for the trees 
that peter o'fallon did n't have an original bone in his body 
the elements were all there but lack of a pyschological center knocks it flat . 
for the complicated love triangle that develops between the three central characters 
flinching 
well-meaning 
is a good and ambitious film 
hackneyed story 
sand to the fierce grandeur of its sweeping battle scenes 
seem to hit 
drunken 
a way that bespeaks an expiration date passed a long time ago 
evolved from star to superstar some time 
go to a picture-perfect beach during sunset 
does probably as good a job as anyone 
is flawed 
the butt 
plenty of entertainment value 
, fine music never heard 
the credit for the film 's winning tone 
an ` a ' list cast and 
chicago offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them . 
, touching , smart and complicated 
a satisfying summer blockbuster and 
a knowing sense of humor and a lot of warmth ignite son of the bride . 
the movie 's ultimate point -- that everyone should be themselves -- is trite , 
, they wo n't enjoy the movie at all . 
a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy 
the way it skirts around any scenes that might have required genuine acting from ms. spears 
a superior horror flick 
a sweet , tender sermon about a 12-year-old welsh boy more curious about god than girls , who learns that believing in something does matter . 
, it is n't much fun . 
a major director is emerging in world cinema 
a youthful , out-to-change-the-world aggressiveness 
in a well-balanced fashion 
feeling like a great missed opportunity 
of hard-bitten , cynical journalists 
skip the film and buy the philip glass soundtrack cd . 
original cartoon 
every conceivable mistake a director could make in filming opera 
the strength of their own cleverness 
like this movie a lot . 
's definitely a step in the right direction . 
's a lovely , sad dance highlighted by kwan 's unique directing style 
is why anthony hopkins is in it . 
an entertaining documentary that freshly considers arguments the bard 's immortal plays 
worn-out 
pouty-lipped poof 
not enough puff 
difficult and 
this film puts wang at the forefront of china 's sixth generation of film makers . 
steers clear of the sensational and 
well-wrought story 
its nauseating spinning credits sequence 
is paced at a speed that is slow to those of us in middle age and deathly slow to any teen . 
a shiver-inducing 
somebody might devote time to see it 
should have a stirring time at this beautifully drawn movie . 
unexpected ways , touching 
trouble every day is a success in some sense , 
murphy do the genial-rogue shtick to death 
fatal for a film that relies on personal relationships 
all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor . 
if `` gory mayhem '' is your idea of a good time 
little film noir organized crime story 
a crowdpleaser 
, it 's the worst movie i 've seen this summer 
realizing that you 've spent the past 20 minutes looking at your watch 
its ultimate demise 
the music makes a nice album 
new , or inventive , journey 
its hackneyed and meanspirited storyline 
fan to appreciate scratch 
a certain ambition 
that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace 
a delicious crime drama on par with the slickest of mamet . 
law enforcement , and a visceral , nasty journey 
un-bear-able 
a small movie with a big impact 
chilling , and affecting study 
it 's definitely an improvement on the first blade , since it does n't take itself so deadly seriously . 
the story is -- forgive me -- a little thin 
a hallucinatory dreamscape that frustrates and captivates 
numbness 
it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it 
that everlasting conundrum 
is fine 
ravishing waif 
the film belongs to the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public 
feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment 
is the action as gripping 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not 
the pitch-perfect forster 
leave 
be compelling , amusing and unsettling 
a choke leash 
fused with their humor 
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , 
that reaches across time and distance 
as beautiful , desirable , even delectable 
brilliantly constructed work 
the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience 
the gifted crudup has the perfect face to play a handsome blank yearning to find himself , and 
that really gives the film its oomph 
limpid and 
force you to scratch a hole in your head 
librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
much humor 
to me , it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy . 
two not very absorbing characters are engaged in a romance 
a flick about our infantilized culture that is n't entirely infantile . 
off the page , and for the memorable character creations 
drumline ' shows a level of young , black manhood that is funny , touching , smart and complicated . 
dog 
an exercise in chilling style , and twohy films the sub , inside and out 
cool crime movie 
establishes a wonderfully creepy mood 
dullest tangents 
is needed to live a rich and full life 
by on humor that is not even as daring as john ritter 's glory days on three 's company 
this flick is fun , and host to some truly excellent sequences . 
to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense 
( no more racist portraits of indians , for instance ) 
gets the job done . 
sharp writing 
depressed 
much better 
is actually funny without hitting below the belt 
things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall 
time for an absurd finale of twisted metal , fireballs and revenge 
be a different kind of film 
while centered on the life experiences of a particular theatrical family , this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel . 
a very charming and funny movie . 
with vibrant charm 
a fleet-footed and pleasingly upbeat family 
a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
outtakes in which most of the characters forget their lines and 
manages to deliver a fair bit of vampire fun . 
stephen earnhart 's documentary is a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- when it 's really an exercise in gross romanticization of the delusional personality type . 
insightful discourse 
to set the women 's liberation movement back 20 years 
it 's sharply comic and surprisingly touching , so hold the gong 
surprisingly funny movie 
a creaky `` pretty woman '' 
numbness . 
every visual joke is milked , every set-up obvious and lengthy , every punchline predictable . 
it becomes long and tedious like a classroom play in a college history course . 
kids 
buried , drowned and 
remarkable procession of sweeping pictures that have reinvigorated the romance genre 
heavy-handed phoney-feeling sentiment 
expert comic timing 
the broiling sun for a good three days 
necessary and timely 
it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while . 
the film itself is small and shriveled 
of emotional comfort 
care about its protagonist and celebrate his victories 
crafted a deceptively casual ode 
, but solidly entertaining 
i suspect that you 'll be as bored watching morvern callar as the characters are in it . 
the film is well under way -- and yet it 's hard to stop watching 
mainstream american movies tend to exploit the familiar 
masterful 
there are side stories aplenty -- none of them memorable . 
talk about for hours 
one of the best , most understated performances of ( jack nicholson 's ) career . 
the pacing is often way off 
the original 
'd have a 90-minute , four-star movie 
kids will love its fantasy and adventure , and 
delightful comedy 
offend viewers not amused by the sick sense of humor 
just a simple fable done in an artless sytle , 
memorable film 
funny look 
the extravagant confidence of the exiled aristocracy 
entertainingly presented 
raucously 
animated epic 
unique feel 
unrewarding 
of modern life 
minor film 
of chabrol 's most intense psychological mysteries 
has little insight 
with little logic or continuity 
its own action is n't very effective 
be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother 
if a big musical number like ` praise the lord , he 's the god of second chances ' does n't put you off , this will be an enjoyable choice for younger kids . 
it takes off in totally unexpected directions and keeps on going 
undoubtedly 
( clooney 's ) debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
sweet , funny , charming 
you leave the same way you came -- a few tasty morsels under your belt , but no new friends . 
inferior level 
just a string 
has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point 
how low brow 
he expresses our most basic emotions 
warmth to go around , with music and laughter and 
the start -- and , refreshingly , stays that way 
of great charm , generosity and diplomacy 
little action , almost no suspense or believable tension , one-dimensional characters up 
sodden 
cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries . 
into the upper echelons of the directing world 
keen 
foolish 
idiotically 
would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative 
real narrative logic 
nothing more than the latest schwarzenegger or stallone 
powerful drama 
muddled and derivative that few will bother thinking it all through 
a trip 
does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution 
create a complex , unpredictable character 
engaging and exciting narrative 
looks and feels like a low-budget hybrid of scarface or carlito 's way . 
an engrossing entertainment 
stays close to the ground in a spare and simple manner 
great idea 
psychological case study 
yet another visit 
it almost loses what made you love it 
uncomfortably real 
achieves ultimate insignificance 
that extravagantly redeems it 
it 's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s . 
the kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly executed it takes your breath away . 
of the character dramas , which never reach satisfying conclusions 
it goes awry in the final 30 minutes 
got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile 
is such a perfect medium for children 
lacks momentum and its position remains mostly undeterminable 
what makes it worth a recommendation 
'' derrida is an undeniably fascinating and playful fellow . 
lifts your spirits 
jolt you out of your seat a couple of times , give you a few laughs , and 
the delusions 
a feast 
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ; it 's simply crude and unrelentingly exploitative . 
by the end of the movie , you 're definitely convinced that these women are spectacular . 
, it 's just grating 
illogical 
on the success of bollywood 
, even delectable 
devolves into the derivative 
tick-tock pacing 
a rollicking good time for the most part 
the heat of the moment prevails . 
be a parody of gross-out flicks , college flicks , or even flicks in general 
nachtwey hates the wars he shows and empathizes with the victims he reveals 
best part ' of the movie 
a guiltless film 
while this movie , by necessity , lacks fellowship 's heart 
... there 's a choppy , surface-effect feeling to the whole enterprise . 
where uptight , middle class bores like antonia can feel good about themselves 
entertainment adults can see without feeling embarrassed 
as a very distinctive sensibility , working to develop her own film language with conspicuous success 
will likely set the cause of woman warriors back decades . 
dry humor 
is the kind of quirkily appealing minor movie she might not make for a while 
because the movie is ugly to look at and not a hollywood product 
slightly pokey 
pink floyd tickets 
a winning and wildly fascinating work 
lukewarm and 
the visual panache , the comic touch , and 
oft-brilliant safe conduct ( `` laissez-passer '' ) 
companion piece 
wince in embarrassment and others , thanks to the actors , that are quite touching . 
bidder 
most improbable 
succeeds primarily with her typical blend of unsettling atmospherics 
be thinking of 51 ways to leave this loser 
its heartfelt concern about north korea 's recent past and south korea 's future adds a much needed moral weight 
while it has definite weaknesses -- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting , brisk delight . 
plays out like a flimsy excuse 
family responsibility and care 
toss logic and science 
that neatly and effectively captures the debilitating grief 
love . 
good actors , 
give the film a soul and an unabashed sense of good old-fashioned escapism 
that rare animal 
one-of-a-kind 
a good , hard yank 
this story of unrequited love does n't sustain interest beyond the first half-hour . 
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and because of that , his film crackles . 
the hackneyed story about an affluent damsel in distress who decides to fight her bully of a husband is simply too overdone . 
, mr. nelson has made a film that is an undeniably worthy and devastating experience . 
's so bad 
torn away 
humble , teach 
fax 
knockaround guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast . 
understated piece of filmmaking 
there 's a delightfully quirky movie to be made from curling , but 
she 's never been better in this colorful bio-pic of a mexican icon 
a compelling story 
bring off this wild welsh whimsy 
he or anyone else 
that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
most excruciating 86 minutes 
the film , while not exactly assured in its execution , 
is so intimate and sensual and funny and psychologically self-revealing 
no explanation or even plot relevance 
you can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already . 
a strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort feel like a 10-course banquet . 
so intimate and sensual and funny and 
one that is presented with great sympathy and intelligence 
no 
profoundly stupid 
... a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh . 
will enthrall the whole family 
good performances and 
like many of his works 
's a fairly impressive debut from the director , charles stone iii . 
is repetitious 
demented premise 
knows , and very likely is 
a beautifully 
one of the funniest motion pictures of the year 
object lesson 
clever and unflinching in its comic barbs 
of the populace that made a walk to remember a niche hit 
with inventive cinematic tricks and an ironically killer soundtrack 
, realistic portrayal 
is a just a waste 
wind up using them as punching bags 
pretentious , untalented artistes who enjoy moaning about their cruel fate 
spied with my little eye ... a mediocre collection of cookie-cutter action scenes 
pitch-perfect 
the unfulfilling , incongruous 
... something appears to have been lost in the translation this time 
the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman and a one-night swim turns into an ocean of trouble . 
accept it as life and go with its flow 
sparked by two actresses in their 50s working at the peak of their powers . 
embodies the transformation of his character completely . 
the direction occasionally rises to the level of marginal competence 
cinematic knack 
duvall 's throbbing sincerity and his elderly propensity for patting people while he talks 
fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) 
that portrays the frank humanity of ... emotional recovery 
demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world 
jokester highway patrolmen 
a very good viewing alternative 
a domestic melodrama 
interminably 
michel piccoli 's moving performance is this films reason for being . 
carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff 
undercuts 
well-edited 
is classic nowheresville in every sense 
should pay reparations to viewers 
courageous molly craig 
awfully deadly 
insecure about its capacity 
flails limply between bizarre comedy and pallid horror 
convenient 
less an examination of neo-nazism than a probe into the nature of faith 
piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
, heaven proves to be a good match of the sensibilities of two directors . 
intricately structured and well-realized 
it 's a riot to see rob schneider in a young woman 's clothes 
, self-important stories 
a serious exploration of nuclear terrorism 
is serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context . 
indifferent 
easy sanctimony 
austin powers in goldmember is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride . 
the sorriest 
much colorful 
about as enjoyable , i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful . 
very effective 
sibling reconciliation with flashes of warmth and gentle humor 
, xxx is a blast of adrenalin , rated eee for excitement . 
a skillfully assembled , highly polished and professional adaptation 
there 's nothing else happening 
this kiddie-oriented stinker is so bad that i even caught the gum stuck under my seat trying to sneak out of the theater 
schepisi , aided by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) , has succeeded beyond all expectation . 
vibrant 
captures both the beauty of the land and the people 
it accepts nasty behavior and severe flaws as part of the human condition 
the annoying score 
in no way original , or even all that memorable , but as downtown saturday matinee brain candy 
although made on a shoestring and unevenly acted , conjures a lynch-like vision of the rotting underbelly of middle america . 
show-stoppingly hilarious , but 
can take the grandkids or the grandparents and never worry about anyone being bored 
an erotic thriller that 's neither too erotic nor very thrilling , either . 
pretty tattered 
get out 
particularly memorable 
i have always appreciated a smartly written motion picture 
is so deadly dull that watching the proverbial paint dry would be a welcome improvement . 
rob schneider 's infantile cross-dressing routines 
best inside-show-biz 
manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy . 
ever reaching the comic heights it obviously desired 
the movie does not do them justice 
systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
in the pile of useless actioners from mtv schmucks who do n't know how to tell a story for more than four minutes 
before long , you 're desperate for the evening to end . 
one hour photo is a sobering meditation on why we take pictures . 
a family-oriented non-disney film 
as saccharine as it is disposable . 
successful one 
give a second look if we passed them on the street 
without a fresh infusion of creativity 
has all the trappings of an energetic , extreme-sports adventure , but 
idiosyncratic humor 
with incredible subtlety and acumen 
that scalds like acid 
care about cleverness , wit or any other kind of intelligent humor 
the adventures of pluto nash '' is a big time stinker . 
's also built on a faulty premise , one it follows into melodrama and silliness 
a small , personal film 
geriatric dirty harry 
this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life 
it is parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
suited to a quiet evening on pbs 
elaborate 
a splendid job 
so much that one viewing ca n't possibly be enough 
get on a board and , uh , shred , 
want you to enjoy yourselves without feeling conned 
the respect they 
some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo 
lecherous 
vulgarities 
overburdened with complicated plotting and banal dialogue 
pristine style and bold colors 
, it suffers from the awkwardness that results from adhering to the messiness of true stories . 
the movie , as opposed to the manifesto , is really , really stupid . 
about the worst thing chan has done in the united states 
mel brooks ' borscht belt schtick look sophisticated 
built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids 
to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
very experienced 
's something about mary and both american pie movies 
blessed with a searing lead performance 
recommend `` never again 
really unclear 
a sexy slip of an earth mother 
obvious , obnoxious and didactic burlesque 
with the same sort of good-natured fun found in films like tremors , eight legged freaks is prime escapist fare . 
a heroine as feisty and principled as jane 
measured or polished 
offers much to absorb and even more to think about after the final frame . 
you feel good , you feel sad , you feel pissed off , 
zero 
that annoying specimen of humanity 
this ludicrous film 
fanciful motion picture 
efteriades gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug . 
epic treatment of a nationwide blight that seems to be 
every member 
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and i 'm all for that . 
of feminine energy , a tribute to the power of women to heal 
there are n't many conclusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys 
of invention 
uneven action comedy 
as a classic movie franchise 
peculiar and always entertaining 
they finally feel absolutely earned 
blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering 
gleefully 
'' loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into . 
only half-an-hour long or 
taking the easy hollywood road 
prepackaged 
full of elaborate and twisted characters 
paid in full is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks . 
such a fine idea for a film , and such a stultifying , lifeless execution . 
mediocre horror film 
is better than you might think . 
fine effort 
through than in most ` right-thinking ' films 
snoozer 
's technically sumptuous but also almost wildly alive 
between flaccid satire and what 
the film is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work . 
could have been crisper and punchier , but 
effects that are more silly than scary 
from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
worth seeing just for weaver and lapaglia . 
intense and engrossing head-trip 
is a big time stinker . 
's a solid movie about people whose lives are anything but 
even more unmentionable subjects seem like mere splashing around in the muck 
disintegrates 
pure misogynist evil 
criticism 
have ditched the artsy pretensions and revelled in the entertaining shallows 
mostly magnificent directorial career 
caper movies that 's hardly any fun to watch 
that revives the free-wheeling noir spirit of old french cinema 
a playful iranian parable about openness , particularly the need for people of diverse political perspectives to get along despite their ideological differences . 
a lovely film 
this is a movie that refreshes the mind and spirit along with the body , so original is its content , look , and style . 
an empty shell 
artistically 
buried somewhere inside its fabric , but never clearly 
despite its rough edges and a tendency to sag in certain places 
that kate is n't very bright , but that she has n't been worth caring about and 
there 's nothing exactly wrong here , but 
join the pantheon of great monster/science fiction flicks 
( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction 
keeps this pretty watchable , 
what we call the ` wow ' factor 
the best of comedies 
to be truly prurient 
ver wiel 's desperate attempt at wit 
laborious whine , the bellyaching of a paranoid and unlikable man . 
that satisfies 
futuristic sets 
a mesmerizing performance as a full-fledged sex addict 
sickeningly savage 
88-minute rip-off 
( t ) his slop 
an unsettling , memorable cinematic experience that does its predecessors proud . 
an enthralling 
the rest are padding unashamedly appropriated from the teen-exploitation playbook 
the acting is just fine 
rarity 
tolerate leon barlow 
this latest installment of the horror film franchise that is apparently as invulnerable as its trademark villain has arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made b movie is long gone . 
is a throwback war movie that fails on so many levels 
beautifully crafted and cooly unsettling ... 
watch huppert scheming , with her small , intelligent eyes as steady as any noir villain 
old-fashioned , occasionally charming 
hollowness 
to enjoy good trash every now and then 
the laziness and arrogance of a thing that already knows it 's won 
to unexpected heights 
that 's low on both suspense and payoff 
conjure proper respect 
i did go back and check out the last 10 minutes , but these were more repulsive than the first 30 or 40 minutes . 
enthusiasm , sensuality and a conniving wit 
quite unengaging 
every sequel you skip 
gently comic even as the film breaks your heart 
made audiences on both sides of the atlantic love him 
a winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others 
its unforced comedy-drama and its relaxed , natural-seeming actors 
just offensive 
the soul of a man in pain 
of romance , dancing , singing , and unforgettable characters 
the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy . 
whose derring-do puts the x into the games 
low , very low , very very low 
of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
falls into the trap of pretention almost every time 
is an oddly fascinating depiction of an architect of pop culture 
as janice , eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm . 
little more than preliminary notes for a science-fiction horror film 
virulently unpleasant excuse 
full of cheesy dialogue , 
arrives from the margin that gives viewers a chance to learn , to grow , to travel . 
oscar wilde 's classic satire 
`` simone '' is a fun and funky look into an artificial creation in a world that thrives on artificiality . 
worth catching for griffiths ' warm and winning central performance 
contrived as this may sound 
crafted but ultimately hollow mockumentary 
with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
of old-fashioned hollywood magic 
, i could feel my eyelids ... getting ... very ... heavy ... 
through ill-conceived action pieces 
an overly familiar scenario 
, you 'll be thinking of 51 ways to leave this loser . 
the most consistently funny of the austin powers films . 
, predictable rehash 
reaction 
the true impact 
( a ) crushing disappointment . 
enjoy seeing how both evolve 
both grant and hoult carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others . 
absurdly inappropriate ` comedy ' scenes 
beyond-lame 
classical actress 
banal in its message and the choice of material 
irrational , long-suffering but cruel 
masochistic 
it offers a glimpse of the solomonic decision facing jewish parents in those turbulent times : to save their children and yet to lose them . 
earnest homage 
the stomach-knotting suspense of a legal thriller 
have poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat . 
charming , funny and beautifully crafted import 
drab wannabe 
wow 
the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
remarkably well 
desperate for the evening to end 
struck me as unusually and unimpressively fussy 
dreamlike 
it 's provocative stuff 
a pretty listless collection of kid-movie clichés 
into an inhalant blackout 
projector 's 
is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
excuse for a film 
designed as a reverie about memory and regret , but the only thing you 'll regret is remembering 
some strong supporting players 
in practically every facet of inept filmmaking 
when ` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science 
it does because ( the leads ) are such a companionable couple 
of sentimental ooze 
ultimately empty examination 
marvelous performance 
ludicrous terms 
if unintentionally dull in its lack of poetic frissons 
into a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films 
, it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
gentle 
to appreciate the wonderful cinematography and naturalistic acting 
this engaging mix 
wo n't be an ) 
through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
everyone 's 
a dull , simple-minded and stereotypical tale 
flawed but engrossing 
even shallow 
extraordinarily good 
swallow thanks to remarkable performances 
her third feature will be something to behold 
no new plot conceptions or 
works beautifully as a movie without sacrificing the integrity of the opera 
the vulgar , sexist , racist humor 
may have been a good film in `` trouble every day 
out by an adult who 's apparently been forced by his kids to watch too many barney videos 
a valiant attempt to tell a story about the vietnam war before the pathology set in 
humanize 
so many merchandised-to-the-max movies 
contrived as this may sound , mr. rose 's updating works surprisingly well . 
a whole heap 
pointless meditation on losers in a gone-to-seed hotel 
thumbs friggin ' down 
is also elevated by it -- the kind of movie 
just a simple fable done in an artless sytle 
makes a wonderful subject for the camera 
a colorful , vibrant introduction to a universal human impulse , lushly photographed and beautifully recorded . 
the hook is the drama within the drama , as an unsolved murder and an unresolved moral conflict jockey for the spotlight . 
a bracing , unblinking work that serves as a painful elegy and sobering cautionary tale 
bright young men -- promising , talented , charismatic and tragically 
wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
a giddy and provocative sexual romp that has something to say . 
its plot may prove too convoluted for fun-seeking summer audiences 
the raw comic energy 
, this is a seriously intended movie that is not easily forgotten . 
that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why 
if s&m seems like a strange route to true love , maybe it is , but it 's to this film 's ( and its makers ' ) credit that we believe that that 's exactly what these two people need to find each other -- and themselves 
follows the original film virtually scene for scene and yet manages to bleed it almost completely dry of humor , verve and fun . 
it gives poor dana carvey nothing to do that is really funny , and then expects us to laugh because he acts so goofy all the time . 
amidst the action , the script carries arnold ( and the viewers ) into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . '' 
in insignificance 
is tenderly observant of his characters 
parable that loves its characters and communicates something rather beautiful about human nature 
ca n't go wrong . 
by taking your expectations and twisting them just a bit 
the chops of a smart-aleck film school brat and the imagination of a big kid 
continues to improve . 
the effort is sincere and the results are honest , 
inept 
cuisine and palatable presentation 
of that 
ingenious and 
permeates all its aspects -- from the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed 
dull-witted and 
winning performances and some effecting moments 
a sexy , surprising romance ... idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger 
the eyes of some children who remain curious about each other against all odds 
) 
is moody , oozing , chilling and heart-warming 
boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years . ' 
catch the pitch of his poetics , savor the pleasure of his sounds and images 
is no earthly reason other than money why this distinguished actor would stoop so low 
they strip down often enough to keep men alert , if not amused 
be building suspense 
the tuxedo was n't just bad ; it was , as my friend david cross would call it , ` hungry-man portions of bad ' . 
has created such a vibrant , colorful world 
except it 's much , much better . 
goofy , life-affirming moments 
a sweet , honest , and enjoyable comedy-drama 
built for controversy 
a powerful 1957 drama 
you might to resist , if you 've got a place in your heart for smokey robinson 
can easily imagine benigni 's pinocchio becoming a christmas perennial 
so crisp and 
's still too burdened by the actor 
with a large cast representing a broad cross-section , tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes . 
are believable as people 
percolating 
especially well-executed television movie 
so much farcical 
as david letterman and the onion have proven , the worst of tragedies can be fertile sources of humor , 
psychologically revealing 
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for -- well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop . 
emerges as the very best of them 
a portrait of alienation 
is visually ravishing , penetrating , impenetrable 
the proficient , dull sorvino 
seems so larger than life and yet so fragile 
, empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles . 
deserves an oscar nomination . 
a whale of a good time for both children and parents 
far less crass 
's definitely worth taking a look 
of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance 
unlike so many other hollywood movies of its ilk , it offers hope 
swear that you 've seen it all before , even if you 've never come within a mile of the longest yard 
suffers from all the excesses of the genre 
to sort the bad guys from the good , which is its essential problem 
of the peculiarly moral amorality of ( woo 's ) best work 
take this film at face value 
an mtv , sugar hysteria , 
clint eastwood 's efficiently minimalist style 
turn away from one 
well , jason 's gone to manhattan and hell , i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) . 
a movie where story is almost an afterthought amidst a swirl of colors and inexplicable events . 
skip this turd and 
is definitely meaningless , vapid and devoid of substance 
is just as ill-fitting as shadyac 's perfunctory directing chops 
fluffy neo-noir hiding behind cutesy film references 
the power of spirits 
is definitely a cut above the rest 
intense and 
victim to sloppy plotting , 
beautifully crafted and cooly unsettling ... recreates 
too slow for a younger crowd , too shallow for an older one . 
the crazy things that keep people going in this crazy life 
fiji diver rusi vulakoro and the married couple howard and michelle hall ) 
's been 13 months and 295 preview screenings since i last walked out on a movie 
feel like it 's wasted yours 
a surprisingly charming and even witty match for the best of hollywood 's comic-book 
oppressively 
becoming too cute about it 
even while his characters are acting horribly 
the feeble examples of big-screen poke-mania that have preceded it 
is a dim-witted pairing of teen-speak and animal gibberish 
blue crush follows the formula , but throws in too many conflicts to keep the story compelling . 
heartbreak 
unchanged dullard 
writer-director walter hill and co-writer david giler try to create characters out of the obvious cliches , but wind up using them as punching bags . 
director david fincher and writer david koepp ca n't sustain it . 
cuteness 
is that the movie has no idea of it is serious or not 
familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same 
frenetic , funny , even punny 6 
no reason to watch 
fuel our best achievements and other times 
more of a poetic than a strict reality , creating an intriguing species of artifice 
crafty 
somewhat short 
'll feel like you ate a reeses without the peanut butter ... ' 
yawn-provoking little farm melodrama . 
a date 
who could n't be better as a cruel but weirdly likable wasp matron 
a fast paced and suspenseful argentinian thriller about the shadow side of play 
realistic , urgent 
in this tepid genre offering 
is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep . 
never seems hopelessly juvenile . 
rather thin 
the symbols 
he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit 
find a compelling dramatic means of addressing a complex situation 
most thoughtful films about art , ethics , and the cost of moral compromise 
be a one-trick pony 
make j.k. rowling 's marvelous series 
disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it 
is his best film yet ... 
nothing new to see 
shock-you-into-laughter intensity 
feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
it 's not going to be everyone 's bag of popcorn , but it definitely gives you something to chew on 
how bad this movie was 
an imitation movie 
of a sports extravaganza 
are immaculate , 
should be used to burn every print of the film 
, kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again . 
out there somewhere who 's dying for this kind of entertainment 
at times a bit melodramatic and even a little dated ( depending upon where you live ) 
audacity to view one of shakespeare 's better known tragedies as a dark comedy 
adams just copies from various sources -- good sources , bad mixture 
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper nursery surrounded by open windows . 
bug-eyed mugging and gay-niche condescension 
into heaven 
what 's missing 
is often exquisite 
while the extensive use of stock footage quickly becomes a tiresome cliché 
inappropriate 
a terrific b movie -- 
has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth . 
an uncomfortable movie , 
decides whether it wants to be a black comedy , drama , melodrama or some combination of the three . 
a story of dramatic enlightenment 
queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle . 
distinctly minor 
as does its sensitive handling of some delicate subject matter 
the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes 
stinks 
if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks 
bogging down in a barrage of hype 
with cliche 
a tragic dimension and savage full-bodied wit 
it is very difficult to care about the character , 
go at all the wrong moments 
soderbergh 's best films , 
another routine hollywood frightfest 
trash 
that rare quality 
's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting 
difficult to shrug off the annoyance of that chatty fish 
denis ' ) story becomes a hopeless , unsatisfying muddle 
is as predictable as the tides 
be served an eviction notice at every theater stuck with it 
stupid characters 
offers a ray of hope to the refugees able to look ahead and resist living in a past 
so crucial to the genre and another first-rate performance 
's potentially just as rewarding 
oddest 
comes off as a long , laborious whine , the bellyaching of a paranoid and unlikable man . 
yawner . 
a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn 
genius 
spy action flick with antonio banderas and lucy liu never comes together 
the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties 
alone will keep you watching , as will the fight scenes . 
slow , predictable and 
is rote drivel aimed at mom and dad 's wallet 
that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
preachy and 
's unfortunate 
because the film deliberately lacks irony , it has a genuine dramatic impact 
while solondz tries and tries hard , storytelling fails to provide much more insight than the inside column of a torn book jacket . 
not counting a few gross-out comedies i 've been trying to forget , this is the first film in a long time that made me want to bolt the theater in the first 10 minutes . 
10 minutes into the film you 'll be white-knuckled and unable to look away . 
by a self-indulgent script 
often-funny comedy 
is too much like a fragment of an underdone potato . 
proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls 
rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge 
is just a little bit hard to love 
whether it wants to be a black comedy , drama , melodrama or some combination of the three 
one-sidedness 
lame romantic comedy 
hilarity 
an instantly forgettable snow-and-stuntwork extravaganza that likely 
pollution 
you should never , ever , leave a large dog alone with a toddler 
culture-clash comedy 
suffocating rape-payback horror 
this modern mob music drama 
( has ) an immediacy 
delivers . 
feel alive - 
acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses 
the heroes of horror movies try to avoid 
resist his pleas to spare wildlife and 
the only reason 
awful complications 
seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release . 
a coming-of-age story with such a buoyant , expressive flow of images 
as france 's foremost cinematic poet of the workplace 
technically sophisticated in the worst way 
's undeniable enjoyment to be had from films crammed with movie references 
for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven . 
utterly ridiculous shaggy dog story 
a lump of play-doh 
a smart movie that knows its classical music , knows its freud and knows its sade 
really won my heart 
to see a feature that concentrates on people , a project in which the script and characters hold sway 
as a reverie about memory and regret 
shreve 's graceful dual narrative gets clunky on the screen , and 
lacks in depth 
charming and funny 
worst revenge-of-the-nerds clichés 
given the fact that virtually no one is bound to show up at theaters for it , the project should have been made for the tube . 
he 's back in form , with an astoundingly rich film 
, sobering , heart-felt drama 
proper respect 
a fifty car pileup of cliches . 
suspense on different levels 
all its fusty squareness 
and pasta-fagioli comedy 
held my interest precisely 
entertained by 
, nutty , consistently funny . 
by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience 
more slowly 
, original 
too stupid 
for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers 
was being attempted here that stubbornly refused to gel 
like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables 
collapses after 30 minutes into a slap-happy series 
so insanely dysfunctional 
nice , light treat 
intimate and universal cinema 
incredibly captivating and 
a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination . 
what the hell was coming next 
is long on narrative and ( too ) short on action 
an unsophisticated sci-fi drama that takes itself all too seriously . 
forget 
are strong , though the subject matter demands acting that borders on hammy at times . 
'd bother watching past the second commercial break 
tasty morsels 
suffers because it does n't have enough vices to merit its 103-minute length 
needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism . 
think the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star . 
the best of herzog 's works 
`` the good girl '' a film worth watching 
drawing on an irresistible , languid romanticism , byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth . 
is as generic as its title 
this bracingly truthful antidote to hollywood teenage movies that slather clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty . 
you might want to check it out 
the most important and exhilarating forms of animated filmmaking since old walt 
going to take you 
the filmmaker 's extraordinary access 
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love , meets so many of the challenges it poses for itself that one can forgive the film its flaws . 
being unique 
jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier . 
with the kind of visual flair that shows what great cinema can really do 
works on some levels and 
dawns , real dawns , comic relief 
refracting 
a strong script , powerful direction 
rigged and sluggish 
affected child acting to the dullest irish pub scenes ever filmed 
from a philosophical emptiness and maddeningly sedate pacing 
what emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice . 
no cute factor 
would be an abridged edition 
seen through the right eyes 
something hip and transgressive 
sweet , charming 
are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy . 
is gripping , as are the scenes of jia with his family . 
a xerox machine 
they do n't fit well together and neither is well told 
that powerhouse 
concentrates on people , a project in which the script and characters hold sway 
a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title 
most excruciating 86 minutes one 
a triumph of emotionally and narratively complex filmmaking 
the feelings evoked in the film are lukewarm and quick to pass . 
in alcatraz ' ... a cinematic corpse 
a fully developed story 
screams at the top of their lungs no matter what the situation 
one well-timed explosion in a movie can be a knockout , 
with celluloid garbage 
if the title is a jeopardy question , then the answer might be `` how does steven seagal come across these days ? '' 
about identity and alienation 
to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
girlfriends are bad , wives are worse and babies are the kiss of death in this bitter italian comedy 
it more than adequately fills the eyes and stirs the emotions 
simple tale 
one problem with the movie , directed by joel schumacher 
fast , frenetic , funny , even punny 6 
as an important , original talent in international cinema 
at its most basic , this cartoon adventure is that wind-in-the-hair exhilarating . 
than a particularly slanted , gay s/m fantasy 
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note 
the movie 's various victimized audience members after a while 
the performances are often engaging 
a retread story , bad writing , and 
that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium 
laid-back good spirits 
is a disaster of a story , full of holes and completely lacking in chills . 
struggling nobody 
traditional layers of awakening and ripening and separation and recovery 
the worst of the brosnan bunch 
be captivated , as i was , by its moods , and by its subtly transformed star , and 
that screams out ` amateur ' in almost every frame 
rooted in a sincere performance by the title character undergoing midlife crisis . 
so preachy-keen and so tub-thumpingly loud it makes you feel like a chump 
's too long and unfocused . 
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and a personal low for everyone involved . 
made to be jaglomized is the cannes film festival , the annual riviera spree of flesh , buzz , blab and money . 
admire ... the intensity with which he 's willing to express his convictions 
do n't wait to see this terrific film with your kids -- if you do n't have kids borrow some . 
performances of exceptional honesty 
wears out 
that fights a good fight on behalf of the world 's endangered reefs 
, uninhibited 
, this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food . 
were paying dues for good books unread 
are ... 
translation : ` we do n't need to try very hard 
genuinely good 
the movie straddles the fence between escapism and social commentary , and on both sides it falls short 
despite its lavish formalism and intellectual austerity , the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity . 
begins to fade from memory 
there 's no conversion effort , much of the writing is genuinely witty 
will certainly appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about . 
to probe questions of attraction and interdependence 
an intelligent screenplay and gripping performances 
as the cinematic equivalent of high humidity 
is inspiring , ironic , and revelatory of just 
what he could make with a decent budget 
a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , would have a good time here . 
the most surprising thing 
i like my christmas movies with more elves and snow and less pimps and ho 's . 
a dumb comedy 
filmmakers dana janklowicz-mann and amir mann area headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie 
i 'm not sure these words have ever been together in the same sentence : 
fill time 
terrific film 
reign of fire just might go down as one of the all-time great apocalypse movies . 
the holes in this film remain agape -- holes punched through by an inconsistent , meandering , and sometimes dry plot 
, poorly dubbed dialogue and murky cinematography 
watch your merchant ivory productions 
you need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work . 
in spite of featuring a script credited to no fewer than five writers 
worth the look 
serious minded patience , respect and affection 
, you can do no wrong with jason x. 
the thing ' and a geriatric 
's surprisingly decent 
a good documentarian 
stress ` dumb 
charming 
her confidence in her material 
the usual movie rah-rah 
crafted 
show a remarkable ability to document both sides of this emotional car-wreck 
an honest , sensitive story 
a complete shambles 
has the dubious distinction of being a really bad imitation of the really bad blair witch project 
steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology . 
to his pulpy thrillers 
painful lie 
it the most 
it can be safely recommended as a video/dvd babysitter . 
if the film has a problem 
an insultingly inept and artificial examination of grief and 
truly annoying pitch 
a complex psychological drama about a father who returns to his son 's home after decades away . 
a huge action sequence 
deadpan cool , wry humor 
brilliantly 
wannabe 
( westbrook ) makes a wonderful subject for the camera . 
a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination 
one scene 
, inner-city autistic 
a way that few movies have ever approached 
sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and hovering over some of the most not 
some movies that hit you from the first scene 
the filmmaker 's extraordinary access to massoud , 
needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting 
hell is ) looking down at your watch and realizing serving sara is n't even halfway through . 
bottom 
a fluid , no-nonsense authority 
it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions 
why the whole is so often less than the sum of its parts in today 's hollywood 
solondz is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous . 
a fantastically vital movie that manages to invest real humor 
makes it worth a recommendation 
angst-ridden 
a tired , unnecessary retread ... a stale copy of a picture that was n't all that great to begin with 
is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors . 
most likely to find on the next inevitable incarnation of the love boat 
see this movie 
first-time director joão pedro rodrigues ' unwillingness to define his hero 's background or motivations becomes more and more frustrating as the film goes on . 
but how it washed out despite all of that is the project 's prime mystery . 
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . ' 
packed with just as much intelligence as action 
delivers the sexy razzle-dazzle 
the best little `` horror '' movie i 've seen in years 
does not make for much of a movie . 
far less sophisticated 
an awful sour taste 
is too much like a fragment of an underdone potato 
seems suited neither to kids or adults . 
i thought the relationships were wonderful , the comedy was funny , and 
( the kid 's ) just too bratty for sympathy , 
a relentlessly globalizing world 
well done , but slow 
it lacks in outright newness 
of psychopathic pulp 
touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths . 
so compellingly with us is a minor miracle 
be in video stores by christmas 
turns a blind eye 
this gutter romancer 's 
be in a contest to see who can out-bad-act the other 
is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann . 
intelligent , well-made b movie 
despite besson 's high-profile name being wasabi 's big selling point , there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone . 
casts its spooky net 
you can take the grandkids or the grandparents and never worry about anyone being bored ... 
is leguizamo 's best movie work so far , a subtle and richly internalized performance 
, it works beautifully as a movie without sacrificing the integrity of the opera . 
case zero . 
energizes it 
of the best of the swashbucklers 
is ok for a movie to be something of a sitcom apparatus 
even more remarkable 
abbass 's understated 
undeniably intriguing film 
of a freshly painted rembrandt 
great impression 
is seriously compromised by that 
allen 's funniest and most likeable movie in years . 
find in this dreary mess 
this is an exercise not in biography but in hero worship . 
mugging their way through snow dogs 
the tasteful little revision works 
're in luck . 
will leave you wondering about the characters ' lives after the clever credits roll 
that frenetic spectacle ( on the tv show ) has usually been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout . 
personable , amusing cast 
make box office money that makes michael jordan jealous 
to emerge from the traffic jam of holiday movies 
in understanding a unique culture that is presented with universal appeal 
mostly martha will leave you with a smile on your face and a grumble in your stomach . 
it deserves to be seen everywhere . 
is too calm and thoughtful for agitprop , 
practically every expectation either a longtime tolkien fan or a movie-going neophyte 
is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle 
very simply sets out to entertain and ends up delivering in good measure 
personally , i 'd rather watch them on the animal planet . 
the magic that made it all work 
at best and mind-destroying cinematic pollution 
breathtakingly beautiful outer-space documentary space station 3d 
shallow and 
that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
writing , skewed characters , and the title performance by kieran culkin 
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) , but 
is contrived , unmotivated , and psychologically unpersuasive 
truly bad 
90 punitive minutes of eardrum-dicing gunplay , screeching-metal smashups , and flaccid odd-couple sniping 
this latest installment of the horror film franchise that is apparently as invulnerable as its trademark villain 
a good human being 
poverty 
just such a dungpile 
this new jangle of noise , mayhem and stupidity 
lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience . 
to mention inappropriate and wildly undeserved 
flamboyant style 
have done a fine job of updating white 's dry wit to a new age . 
... an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you 'll wonder if lopez 's publicist should share screenwriting credit . 
more good than great but freeman and judd make it work . 
received such a sophisticated and unsentimental treatment on the big screen 
brave and challenging 
be considered a funny little film 
gets its greatest play from the timeless spectacle of people really talking to each other . 
stilted and unconvincing 
this alleged psychological thriller 
veered off too far into the exxon zone , and 
imbued with passion and attitude 
almost seems like a documentary in the way 
its willingness to explore its principal characters with honesty , insight and humor 
in tight pants and big tits 
true to its animatronic roots : 
when ( reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al. , reno devolves into a laugh-free lecture . 
the `` a '' range , 
fills the eyes 
is oppressively heavy . 
the climactic hourlong cricket match 
make ` cherish ' a very good ( but not great ) movie 
in the film that surprises or delights 
find much fascination 
a clever exercise in neo-hitchcockianism 
joyless , idiotic , annoying , heavy-handed 
hard to imagine a more generic effort in the genre 
it may not be a great piece of filmmaking 
but overall the halloween series has lost its edge 
the simpering soundtrack and editing more so 
lost its edge 
a poignant and gently humorous 
completely honest 
good enough to be the purr 
then by all means check it out . 
on petter næss ' delicate , clever direction ... and a wonderful , imaginative script 
made by someone who obviously knows nothing about crime 
a summer entertainment adults can see without feeling embarrassed , but 
is long on narrative and ( too ) short on action . 
elling builds gradually until you feel fully embraced by this gentle comedy . 
considerable 
the charms of stars hugh grant and sandra bullock 
created such a vibrant , colorful world 
but it 's defiantly and delightfully against the grain . 
a tired , predictable 
struggle furiously 
extravaganza 
a depressing story 
that did n't sell many records but helped change a nation 
pyrotechnics its punchy style promises 
might to resist , if you 've got a place in your heart for smokey robinson 
the film becomes an overwhelming pleasure , and 
take as long as you 've paid a matinee price 
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but olympia , wash. , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting . 
is firing his r&d people 
that such a talented director as chen kaige 
and your reward will be a thoughtful , emotional movie experience . 
she allows each character to confront their problems openly and honestly . 
for the future , one hopes mr. plympton will find room for one more member of his little band , a professional screenwriter . 
both a beautifully made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes . 
does not have 
an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
feels impersonal , almost generic . 
are poorly delivered 
, often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
as the scenes of torture and self-mutilation 
too clichéd and too often strains 
to be a compelling 
i 'm likely to see all year 
fueled by the light comedic work of zhao benshan and the delicate ways of dong jie 
turn out okay 
impeccable comic skill 
of what was created for the non-fan to figure out what makes wilco a big deal 
redundant and 
terrible . 
far more meaningful 
director lee has a true cinematic knack 
the gorgeous piano and 
a sweetly affecting story about four sisters who are coping , in one way or another , with life 's endgame . 
three minutes of dialogue , 30 seconds of plot 
no one in the audience or the film seems to really care 
box office money that makes michael jordan jealous 
the greatest date movies in years 
is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie . 
is a children 's film in the truest sense 
cletis tout might inspire a trip to the video store -- in search of a better movie experience . 
of routine stuff yuen 
flatter 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' 
reminds me of a vastly improved germanic version of my big fat greek wedding -- 
the field no favors 
scene the impressively discreet filmmakers may have expected to record with their mini dv 
a wise and powerful tale 
the word -- mindless , lifeless , meandering , loud , painful , obnoxious 
elegant and eloquent ( meditation ) on death and that most elusive of passions , love . 
breathes extraordinary life into the private existence of the inuit people 
forget about it by monday , though 
eerily accurate 
a fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries . 
bogdanovich puts history in perspective 
you suffer the dreadfulness of war from both sides 
thrill you , touch you 
visuals and enveloping sounds 
an intriguing look at the french film industry during the german occupation ; its most delightful moments come when various characters express their quirky inner selves . 
what results is the best performance from either in years 
this overlong infomercial 
remains surprisingly idealistic 
rodan is out of his league 
as particularly memorable or even all that funny 
trashy 
to the serbs themselves but also to a network of american right-wing extremists 
it offers much to absorb and even more to think about after the final frame . 
well-intentioned , but shamelessly manipulative movie 
too cliched 
fabulously funny and 
it plays like a powerful 1957 drama we 've somehow never seen before 
it 's also not very good . 
there is truth here 
substantive 
may just end up trying to drown yourself in a lake afterwards 
is spot on 
to triumphantly sermonize 
it is a refreshingly forthright one 
, contrived sequels 
wannabe . 
over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
the rich and sudden wisdom , 
consistent embracing humanity 
indigestion sets 
empowerment tale thinly 
this is not one of the movies you 'd want to watch if you only had a week to live . 
undernourished and plodding 
glorious 
this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john and 
beautiful , self-satisfied 
long-lived friendships and 
are far more alienating than involving 
punching people in the stomach again 
a soul-stirring documentary 
you are likely to witness in a movie theater for some time 
should be doing a lot of things , but does n't . 
entertains not so much 
the film is predictable in the reassuring manner of a beautifully sung holiday carol . 
sordid universe 
it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls 
a remarkably accessible and haunting film 
for the ones that do n't come off 
host to some truly excellent sequences 
pure composition 
i 'll settle for a nice cool glass of iced tea and a jerry bruckheimer flick any day of the week 
the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
like many western action films , this thriller is too loud and thoroughly overbearing , but 
compelling supporting characters 
equally miserable film 
its invitingly upbeat overture to 
juxtapositions 
this beautifully animated epic 
a movie like ballistic : ecks vs. sever is more of an ordeal than an amusement . 
as it is , it 's too long and unfocused . 
demme gets a lot of flavor and spice into his charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh . 
trusted audiences 
a bad film 
is almost in a class with that of wilde himself . 
it 's crafty , energetic and smart -- the kid is sort of like a fourteen-year old ferris bueller . 
in which the hero might have an opportunity to triumphantly sermonize 
glamorous machine 
for some very good acting , dialogue , 
form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life . 
good action , good acting , good dialogue , good pace 
but quietly effective retelling 
wannabe-hip crime comedy 
it 's technically sumptuous but also almost wildly alive . 
recreation to resonate 
becoming 
profoundly 
could easily be dealing with right now in your lives 
halfway through this picture i was beginning to hate it , and , 
little to salvage this filmmaker 's flailing reputation 
' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue . 
all starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television . 
emotional and 
somehow makes it all the more compelling . 
intriguing and alluring 
disbelief 
, pinocchio never quite achieves the feel of a fanciful motion picture . 
for people who like their romances to have that french realism 
every bit as high 
a feast for the eyes 
i spied with my little eye ... a mediocre collection of cookie-cutter action scenes and occasionally inspired dialogue bits 
tackled a meaty subject and 
irresistibly uncanny ambience 
warm your heart without making you feel guilty about it . 
would have easily tipped this film into the `` a '' range , as is 
a true and historically significant story 
awfully 
it takes to describe how bad it is 
slap her 
die-hard french film connoisseurs 
a sincere performance 
credulous 
does a solid job of slowly , steadily building up to the climactic burst of violence . 
the pitfalls you 'd expect in such a potentially sudsy set-up 
's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene 
, so who knew charles dickens could be so light-hearted ? 
emotionally grand 
boll uses a lot of quick cutting and blurry step-printing to goose things up , 
's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo . 
acute writing and a host of splendid performances 
that could only be made by african-americans because of its broad racial insensitivity towards african-americans 
you 'll just have your head in your hands wondering why lee 's character did n't just go to a bank manager and save everyone the misery . 
's definitely a step in the right direction 
have developed some taste 
a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
refreshes the mind and spirit along with the body 
exactly how bad it is 
award 
slightly less successful 
bad action movie 
successfully recreates both the physical setting and emotional tensions of the papin sisters 
achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars 
contradictory 
is loaded with good intentions 
the e-graveyard 
a smart comedy 
's a very valuable film 
enticing and 
a step down 
a mediocre exercise in target demographics , unaware that it 's the butt of its own joke . 
an exploitation piece doing its usual worst to guilt-trip parents 
reno devolves into a laugh-free lecture . 
borrows from bad lieutenant and les vampires , 
that the film opens with maggots crawling on a dead dog 
is a brilliantly played , deeply unsettling experience . 
brimming 
is the fact that there is nothing distinguishing in a randall wallace film 
you come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals . 
any attempts at nuance given by the capable cast 
worst cinematic tragedies 
and completely ridiculous 
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but it 's smooth and professional 
if swimfan does catch on , it may be because teens are looking for something to make them laugh . 
does a great combination act 
employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities 
organized 
someone who obviously knows nothing about crime 
moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between jane wyman and june cleaver 
has had a successful career in tv 
you 'll find yourself remembering this refreshing visit to a sunshine state . 
a 60-second homage 
is just the point 
the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then 
a sleep-inducing thriller with a single 
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , 
this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity . 
will probably be in wedgie heaven . 
the fun of the movie 
gratify anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels 
seems content to dog-paddle in the mediocre end of the pool 
distinctly sub-par ... 
borstal boy represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy . 
about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s . 
are required to balance all the formulaic equations in the long-winded heist comedy who is cletis tout ? 
seen in a while , a meander through worn-out material 
meandering and confusing . 
acknowledges upfront that the plot makes no sense 
a complicated hero who is a welcome relief from the usual two-dimensional offerings 
seem like something to endure instead of enjoy 
, heartfelt , mesmerizing king lear 
mugs mercilessly 
an unwieldy cast 
other than money why this distinguished actor would stoop so low 
recommend secretary 
a quiet , disquieting triumph 
campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . 
death to smoochy is often very funny 
, the weight of water is oppressively heavy . 
the explosion essentially ruined -- or , rather , overpowered -- 
and we do n't avert our eyes for a moment . 
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) , 
the most original fantasy film ever made 
spot 
suitable summer entertainment that offers escapism without requiring a great deal of thought 
largely flat and uncreative moments 
interesting psychological game 
masters of both 
praises female self-sacrifice 
i did n't particularly like e.t. the first time i saw it as a young boy 
to adopt as a generational signpost 
a prison comedy that never really busts out of its comfy little cell 
sensuality and a conniving wit 
its elegantly colorful look and 
a durable part 
the movie 's seams may show ... but pellington gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling 
are worse 
enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals 
cleaner 
give many ministers and bible-study groups hours of material to discuss 
the worst kind of mythologizing , the kind that sacrifices real heroism and abject suffering for melodrama . 
-- but it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while . 
the film never feels derivative 
the gifted pearce 
smart , 
unsuccessful attempt 
well directed 
satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action 
predictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell . 
coherent 
to an impressive and highly entertaining celebration of its sounds 
more to think about after the final frame 
what 's really sad is to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best . 
at the ridiculous dialog or the oh-so convenient plot twists 
trash-cinema 
brosnan gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day . 
to check your brain at the door 
as good a job as anyone 
just as i hoped i would -- with moist eyes 
rewarding 
virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension 
do no wrong 
will touch you to the core in a film you will never forget -- that you should never forget 
, there is a mediocre movie trying to get out . 
unfolds with such a wallop of you-are-there immediacy 
you to scratch a hole in your head 
in the process of trimming the movie to an expeditious 84 minutes , director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags . 
cool visual backmasking ) 
indulgent two-hour-and-fifteen-minute length 
rises above superficiality 
i truly enjoyed most of mostly martha while i ne 
transvestite comedy 
has turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing 
flailing 
asks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for recording truth . 
dramatically lackluster . 
slap-happy 
challenging or depressing 
return to form for director peter bogdanovich 
soggy potboiler 
to the idiocy of its last frames 
it 's crafty , energetic and smart -- 
, not-nearly - as-nasty - as-it 
so bad it does n't improve upon the experience of staring at a blank screen 
the way home is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness . 
the hours , a delicately crafted film , is an impressive achievement in spite of a river of sadness that pours into every frame . 
are uncomfortably strained 
shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence 
of the more overtly silly dialogue 
best actress 
is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out . 
dialog between realistic characters 
's not that funny -- which is just generally insulting 
( barry ) gives assassin a disquieting authority . 
this nasty comedy 
's a smartly directed , grown-up film of ideas 
, intelligent 
is that her confidence in her material is merited 
heartwarming without stooping to gooeyness 
like the movie 's various victimized audience members after a while 
b-movie category 
in its committed dumbness 
desiccated talent 
so putrid it is not worth the price of the match that should be used to burn every print of the film . 
why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
outing with one of france 's most inventive directors 
appalling , shamelessly manipulative and contrived , 
is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
we never truly come to care about the main characters and whether or not they 'll wind up together , and michele 's spiritual quest is neither amusing nor dramatic enough to sustain interest 
equal doses of action , cheese , ham and cheek 
does pack some serious suspense 
does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
one problem with the movie , 
allegiance to chekhov 
snide 
of favor manages not only to find a compelling dramatic means of addressing a complex situation 
a delicious and delicately funny look at the residents of a copenhagen neighborhood coping with the befuddling complications life 
the best possible senses 
make for some robust and scary entertainment . 
constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human 
must shoot it in the head 
feature to hit theaters since beauty and the beast 11 years ago . 
israeli/palestinian conflict as 
letting go at all the wrong moments 
it follows the blair witch formula for an hour , in which we 're told something creepy and vague is in the works , and then it goes awry in the final 30 minutes . 
the camera soars above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm . 
nails all of orlean 's themes 
a film -- full of life and small delights -- 
's a fantastic movie 
mistake . 
instead of using george and lucy 's most obvious differences to ignite sparks , lawrence desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics . 
stuttering editing and pompous references to wittgenstein and kirkegaard 
out of eudora welty 
that manages to have a good time as it doles out pieces of the famous director 's life 
jump-in-your-seat 
movies about angels 
a cold , calculated exercise 
turn away from one another instead of talking 
writer and director otar iosseliani 's pleasant tale about a factory worker who escapes for a holiday in venice 
odd bedfellows 
able to give full performances 
wastes its time on mood rather than riding with the inherent absurdity of ganesh 's rise up the social ladder 
could n't someone take rob schneider and have him switch bodies with a funny person ? 
fans of sandler 's comic taste may find it uninteresting 
this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people 
the product 
the distinct and very welcome sense of watching intelligent people making a movie 
may look cool 
... a fascinating curiosity piece -- fascinating , that is , for about ten minutes . 
in an era where big stars and high production values are standard procedure , narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve . 
that so much of the movie -- again , as in the animal -- is a slapdash mess 
an impressive style 
, he is always sympathetic . 
permeates all its aspects -- from the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed . 
reasonably creative 
uncommonly pleasurable 
dislikable study in sociopathy . 
is they have a tendency to slip into hokum 
's got to be a more graceful way of portraying the devastation of this disease 
maudlin and cliche-ridden 
hawaiian setting 
... about as exciting to watch as two last-place basketball teams playing one another on the final day of the season . 
there 's a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout . 
know a star 
a modest masterpiece . 
be made on the cheap 
that profound , at least 
equal amounts of beautiful movement and inside information 
perfected 
because they 're clueless and inept 
offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close . 
a higher plateau 
buy is an accomplished actress , and this is a big , juicy role . 
a gleefully grungy , hilariously wicked black comedy ... 
natural sportsmen 
friel pulls the strings that make williams sink into melancholia 
painfully redundant and inauthentic 
not without merit 
well-made and satisfying thriller 
rally to its cause , 
a variant of the nincompoop benigni persona 
resembles a soft porn brian de palma pastiche . 
bottom-feeder 
its rawness and vitality 
a chilling tale 
a truly magical movie 
gosling creates a staggeringly compelling character , a young man whose sharp intellect is at the very root of his contradictory , self-hating , self-destructive ways . 
freshening 
the most brilliant work in this genre since the 1984 uncut version of sergio leone 's flawed but staggering once upon a time in america . 
, funny , even punny 6 
enjoyed the love story 
the film is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand . 
up offering nothing more than the latest schwarzenegger or stallone flick 
is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors . 
reminds you how pertinent its dynamics remain 
does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
$ 99 bargain-basement special 
unbalanced mixture 
compellingly watchable . 
a majestic achievement , an epic of astonishing grandeur 
so could young romantics out on a date . 
wears out its welcome as tryingly as the title character 
hilariously , gloriously alive , and quite often hotter 
a stark portrait 
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' and they take full advantage . 
offers a glimpse of the solomonic decision facing jewish parents in those turbulent times : to save their children and yet to lose them . 
impressive and 
a domestic melodrama with weak dialogue and biopic cliches . 
is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain 
that the german film industry can not make a delightful comedy centering on food 
strikingly devious 
prepared to cling to the edge of your seat , tense with suspense 
to the courage of new york 's finest and a nicely understated expression of the grief 
action-adventure buffs 
stop buying tickets to these movies 
the start -- and , refreshingly , 
, in the hands of a brutally honest individual like prophet jack , might have made a point or two regarding life 
rich with human events 
the dynamic first act 
this charming but slight tale has warmth , wit and interesting characters compassionately portrayed . 
be on video 
boll uses a lot of quick cutting and blurry step-printing to goose things up 
that does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country 
not well enough 
it 's a cool event for the whole family . 
capable thriller 
at three hours and with very little story or character development 
nothing we have n't seen before from murphy 
more beautiful than either of those films 
is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau . 
this is a beautiful film for people who like their romances to have that french realism 
wholesome and 
i 'm guessing the director is a magician . 
the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape 
boisterous , heartfelt comedy 
bang-up 
us share their enthusiasm 
innovative backgrounds 
a powerful emotional wallop 
's a testament to the film 's considerable charm that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries . 
the movie is a dud . 
of balto 
at its best , it 's black hawk down with more heart . 
are sometimes bracing 
offers opportunities for occasional smiles 
's impossible to claim that it is `` based on a true story '' with a straight face 
drag an audience 
succeeded only in making me groggy 
thurman 
as any other arnie musclefest 
funny in the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality 
makes an amazing breakthrough in her first starring role and eats up the screen . 
amusing 
with guns , expensive cars , lots of naked women and rocawear clothing 
offers a thoughtful and rewarding glimpse into the sort of heartache everyone 
so poorly plotted and scripted . 
bears about as much resemblance to the experiences of most battered women as spider-man 
is complex from the start -- and , refreshingly , stays that way . 
all the demographically appropriate comic buttons 
schumacher does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas 
creepy-crawly bug things 
a classy , sprightly spin 
it aspires 
its cast , its cuisine and its quirky tunes 
utterly absorbing 
, you should be able to find better entertainment . 
the first mistake , i suspect , 
of the most original american productions this year 
it is definitely worth seeing . 
with a humanistic message 
sex 
but rather , ` how can you charge money for this ? ' 
a lot of tooth in roger dodger 
the best date movie of the year 
in a film you will never forget -- that you should never forget 
the action sequences -- clearly the main event -- are surprisingly uninvolving 
as those monologues stretch on and on , you realize there 's no place for this story to go but down 
gimmicky 
begins with promise , 
tickled 
too violent 
rude , scarily funny , sorrowfully sympathetic to the damage it surveys 
living under a rock 
that makes a depleted yesterday feel very much like a brand-new tomorrow 
the touch is generally light enough and the performances , for the most part , credible . 
fast-moving and cheerfully simplistic 
the excitement 
short of profound characterizations 
that a man in drag is not in and of himself funny 
to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form 
careless and unfocused 
an observant , unfussily poetic meditation 
undercuts the joie de vivre even as he creates it 
one of the most genuinely sweet films 
who will be moved to the edge of their seats by the dynamic first act 
despite its sincere acting 
the last days 
are able to accomplish 
the update is dreary and sluggish . 
who is not a character in this movie 
of his contradictory , self-hating , self-destructive ways 
all bluster 
it 's supposed to feel funny and light 
the screenplay or something 
, signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype . 
provoked to intolerable levels 
done , running off the limited chemistry created by ralph fiennes and jennifer lopez 
his control 
mark it takes an abrupt turn into glucose sentimentality and laughable contrivance . 
hypnotically dull , 
auto-critique 
inspired 
pure movie 
is visually ravishing , 
seen through the right eyes , with the right actors and with the kind of visual flair that shows what great cinema can really do . 
paced and satisfying 
to make of this italian freakshow 
what should have been a painless time-killer becomes instead a grating endurance test . 
to have the best of both worlds 
's tough to be startled when you 're almost dozing 
although fairly involving as far as it goes , the film does n't end up having much that is fresh to say about growing up catholic or , really , anything . 
of the film 's cheeky charm 
healing process 
actory concoctions , defined by childlike dimness and a handful of quirks 
a captivating drama 
old-fashioned hollywood magic 
realistically 
that jumps off the page , and for the memorable character creations 
inhabit that special annex of hell 
collateral damage paints an absurdly simplistic picture . 
newcastle , the first half of gangster no. 1 drips with style and , at times , 
of fun for all 
a hit - and-miss affair , 
great , has solid acting and a neat premise 
do we have that same option to slap her creators because they 're clueless and inept 
an autopilot hollywood concoction lacking in imagination and authentic christmas spirit 
agony 
of nearly epic proportions 
filmmaking that is plainly dull and visually ugly when it is n't incomprehensible 
my greatest pictures 
is the first film in a long time that made me want to bolt the theater in the first 10 minutes 
modest amusements 
fun of me 
) just too bratty for sympathy 
magnificent to behold in its sparkling beauty 
to get to the closing bout ... by which time it 's impossible to care who wins 
a ` guy 's film ' in the worst sense of the expression . 
its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded . 
scenes all end in someone screaming . 
plays like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood . 
is sandler running on empty , repeating what he 's already done way too often . 
gain from watching they 
grittily beautiful film 
left in the broiling sun for a good three days 
... is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is . 
too deep 
, the film is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan . 
an opportunity missed . 
works because of the ideal casting of the masterful british actor ian holm as the aged napoleon 
war 
nearly perfect in their roles 
wonderful fencing scenes and an exciting plot make this an eminently engrossing film . 
mindless and boring 
this listless feature will win him any new viewers 
the light of the exit sign 
like an infomercial for ram dass 's latest book 
a lot more 
's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer 
's a fun adventure movie for kids ( of all ages ) that like adventure 
seen this exact same movie a hundred times 
of this laughable dialogue 
will gratify anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels . 
the astute direction of cardoso and beautifully detailed performances by all of the actors 
about nothing 
it 's a hellish , numbing experience to watch , 
touching good sense on the experience of its women 
concrete story and definitive answers 
as bad at it is cruel 
a lovably 
a chilling movie 
it gets harder and harder to understand her choices 
to shock and amaze 
, three-dimensional characters 
witless 
a pointless , meandering celebration 
find it uninteresting 
hollywood pipeline 
the insightful writer/director responsible for this illuminating comedy 
the solid filmmaking 
the reginald hudlin comedy relies on toilet humor , ethnic slurs . 
is a disaster . 
squirts the screen in ` warm water under a red bridge ' 
, did the screenwriters just do a cut-and-paste of every bad action-movie line in history ? 
family and community 
the film is full of charm . 
is interesting 
are so crucial to the genre and another first-rate performance 
it 's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke . 
ah , yes , that would be me : fighting off the urge to doze . 
ice age wo n't drop your jaw , 
sharply comic and 
wonderfully speculative 
slightly flawed 
's being conned right up to the finale 
exploitative for the art houses and too cynical 
the city 's old-world charm 
to sober us up with the transparent attempts at moralizing 
although devoid of objectivity and full of nostalgic comments from the now middle-aged participants 
, ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype . 
befuddled in its characterizations 
of traditional layers of awakening and ripening and separation and recovery 
vibrantly colored 
even cranky adults may rediscover the quivering kid inside 
veers like a drunken driver 
backstage must-see 
, because of its heightened , well-shaped dramas , twice as powerful 
broadcast 
where their heads were 
and withholds delivery 
knockabout 
journey into a philosophical void . 
margarita feels like a hazy high that takes too long to shake . 
coming-of-age portrait 
for insomnia 
on the deep deceptions of innocence 
boasting some of the most poorly staged and lit action in memory , impostor is as close as you can get to an imitation movie . 
's neither too erotic nor very thrilling , 
seat 
more ways 
a powerful and deeply moving example of melodramatic moviemaking 
big stars and 
meandering , low on energy , 
degrading and strangely liberating 
tends to plod . 
is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors 
a haunted house , 
creates a portrait of two strong men in conflict , inextricably entwined through family history 
will assuredly rank as one of the cleverest , most deceptively amusing comedies of the year . 
is so pat it makes your teeth hurt . 
a gently funny , sweetly adventurous film that makes you feel genuinely good , 
wasted in this crass , low-wattage endeavor 
offers rare insight 
no , it 's not as single-minded as john carpenter 's original , but it 's sure a lot smarter and more unnerving than the sequels 
past his prime 
it is a hilarious place to visit 
has been replaced by the bottom of the barrel 
's as lumpy as two-day old porridge 
maybe there 's a metaphor here , but figuring it out would n't make trouble every day any better . 
, marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it . 
meets so many of the challenges it poses for itself that one can forgive the film its flaws 
quirky and funny 
having an old friend for dinner ' 
spinning a web of dazzling entertainment may be overstating it , but `` spider-man '' certainly delivers the goods 
good trash 
just unlikable 
insecure 
a triumph of pure craft and passionate heart 
a good film with a solid pedigree both in front of and , more specifically , behind the camera . 
each scene immediately succumbs to gravity and plummets to earth . 
successful on other levels 
wonderful acting clinic 
ate 
a terrifically entertaining specimen of spielbergian sci-fi . 
is painfully bad , a fourth-rate jim carrey who does n't understand the difference between dumb fun and just plain dumb 
made-for-tv 
the charismatic jackie chan to 
all its flaws 
reserved but existential 
a stab at soccer hooliganism , 
life-affirming message 
worse stunt editing or cheaper action movie production values than in extreme ops 
drain 
be probing why a guy with his talent ended up in a movie this bad 
, the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature . 
you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
freddy gets molested 
a bold ( and lovely ) experiment that will 
are side stories aplenty 
lan yu seems altogether too slight to be called any kind of masterpiece . 
most fish stories are a little peculiar , but this is one that should be thrown back in the river . 
has made a film so unabashedly hopeful that it actually makes the heart soar . 
the real triumphs 
, it 's one of the most beautiful , evocative works i 've seen . 
has as much right to make a huge action sequence as any director 
spiffing up leftovers that are n't so substantial or fresh 
as comedic spotlights go , notorious c.h.o. hits all the verbal marks it should . 
in this oddly sweet comedy about jokester highway patrolmen 
it 's hard to imagine that even very small children will be impressed by this tired retread . 
a culture clash comedy only half as clever as it thinks it is . 
every joke is repeated at least 
makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
is flat . 
add up to a biting satire that has no teeth 
a cut-and-paste of every bad action-movie line in history 
as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- the believer is nothing less than a provocative piece of work 
the film 's vision of sport as a secular religion is a bit cloying 
the pacing is deadly , the narration helps little and naipaul , a juicy writer , is negated . 
is genial and decent 
heavy on the atmospheric weirdness 
, also like its hero , it remains brightly optimistic , coming through in the end 
overstylized , puréed mélange 
has a bigger-name cast 
odds with the rest of the film 
too amateurish 
was utterly charming 
commands attention 
barely manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference . 
a powerful performance 
even those with an avid interest in the subject will grow impatient 
it 's definitely not made for kids or their parents , for that matter , and i think even fans of sandler 's comic taste may find it uninteresting 
an interesting look at the life of the campaign-trail press , especially ones 
is n't this painfully forced , false and fabricated 
their way around this movie directionless , 
, it 's still not a good movie 
sounds whiny and defensive 
has fun with the quirks of family life 
format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
enthusiasm 
the story together frustrating difficult 
there 's much tongue in cheek in the film and there 's no doubt the filmmaker is having fun with it all 
a fragile framework upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
slimed in the name of high art 
idol 's 
contrived , maudlin and cliche-ridden ... if this sappy script was the best the contest received , those rejected must have been astronomically bad . 
empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles . 
toss-up 
poetry 
often lethally dull 
full of surprises . 
overwhelming sadness 
another useless recycling of a brutal mid - '70s american sports movie 
margarita happy hour 
the pleasure 
too long reduced to direct-to-video irrelevancy 
trying to hold onto what 's left of his passe ' chopsocky glory 
that you want to slap it 
his pleas 
is disappointingly generic 
little grace ( rifkin 's ) tale of precarious skid-row dignity 
her best 
, stop eric schaeffer before he makes another film . 
... a cinematic disaster so inadvertently sidesplitting it 's worth the price of admission for the ridicule factor alone . 
be called animation 
warm and winning central performance 
made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes 
to turn his movie in an unexpected direction 
there 's a delightfully quirky movie to be made from curling 
his fake backdrops 
lacks fellowship 's heart 
by halfway through this picture i was beginning to hate it , and , of course , feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop . 
that comes along only occasionally , one so unconventional , gutsy and perfectly 
relegated 
e.t. works because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet . 
comes 
of ineptly 
find love 
builds gradually until you feel fully embraced by this gentle comedy 
authentic 
a mundane '70s disaster flick 
matches the page-turning frenzy that clancy creates . 
is a total misfire 
is almost nothing in this flat effort that will amuse or entertain them , either . 
kitchen-sink homage 
gets better after foster leaves that little room . 
( madonna 's ) denied her own athleticism by lighting that emphasizes every line and sag . 
that 's where this film should have remained 
find yourself rooting for the monsters in a horror movie 
the plot of the comeback curlers is n't very interesting actually , 
, this is more appetizing than a side dish of asparagus . 
a delightful , if minor , pastry of a movie 
despite an overwrought ending , the film works as well as it does because of the performances . 
's nothing interesting in unfaithful whatsoever 
something awfully deadly about any movie with a life-affirming message 
it 's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable . 
describing badness 
undeterminable 
the acting is fine but the script is about as interesting as a recording of conversations at the wal-mart checkout line . 
the story is predictable , the jokes are typical sandler fare , 
runteldat is something of a triumph . 
, `` orange county '' is far funnier than it would seem to have any right to be . 
as exciting as all this exoticism might sound to the typical pax viewer , the rest of us will be lulled into a coma . 
visually flashy but narratively opaque and 
insomnia 
arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact . 
a shame 
even more damning -- 
a good race , one that will have you at the edge of your seat for long stretches 
of relationships in such a straightforward , emotionally honest manner that by the end 
comic gem 
piercingly affecting ... 
feels homogenized and a bit contrived 
bad alternative music 
enough , but nothing new 
world cinema 's most wondrously gifted artists 
remains prominent 
as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters 
entirely irresistible 
, the eye candy here lacks considerable brio . 
a documentary and more propaganda 
as obnoxious as tom green 's freddie got fingered 
bad imitation 
that collect a bunch of people who are enthusiastic about something and then 
learning but inventing a remarkable new trick 
's always fun to watch 
way to tolerate this insipid , brutally clueless film 
made it all work 
thrilling combination 
need a stronger stomach than us 
a disaster of a story , full of holes and completely lacking in chills 
ennui-hobbled 
` praise the lord 
the film 's lamer instincts are in the saddle 
searches ( vainly , i think ) for something fresh to say 
tired tyco ad 
its characters and communicates something 
tries to pump life into overworked elements from eastwood 's dirty harry period 
young everlyn sampi , as the courageous molly craig , 
where people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks 
one of the most beautiful , evocative works i 've seen 
rather dull , unimaginative 
to serve the work especially well 
, multi-layered and profoundly humanist ( not to mention gently political ) meditation 
have to put up with 146 minutes of it 
that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
very sluggish pace 
seems as funny as it did in analyze this , not even joe viterelli as de niro 's right-hand goombah . 
feels rigged and sluggish . 
gaping enough to pilot an entire olympic swim team through 
without ever succumbing to sentimentality 
fresh and raw 
dramatically moving 
some genuine quirkiness 
proud 
argue 
if you , like me , think an action film disguised as a war tribute is disgusting to begin with , then you 're in for a painful ride . 
is all but washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell 
deal with the subject of love head-on 
from a riot-control projectile or my own tortured psyche 
includes too much obvious padding 
of low-budget filmmaking 
almost as offensive as `` freddy 
its unforced comedy-drama 
the bourne identity should n't be half as entertaining as it is , but director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood . 
grade-school audience 
do n't see often enough these days 
can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor 
, godard can still be smarter than any 50 other filmmakers still at work . 
is better than any summer blockbuster 
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , 
a moldy-oldie , not-nearly - as-nasty - as-it 
no solace here , 
the problem , amazingly enough , is the screenplay . 
's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . 
anybody who has ever seen an independent film can report that it is instead a cheap cliché 
as broad and cartoonish as the screenplay is , there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism . 
sharp comedy 
sophisticated and surprising 
but it does n't leave you with much . 
director anne fontaine 
that such a horrible movie could have sprung from such a great one is one of the year 's worst cinematic tragedies . 
into parapsychological phenomena and the soulful nuances 
... an enjoyably frothy ` date movie ' ... 
very well done 
though few will argue that it ranks with the best of herzog 's works 
demme finally succeeds in diminishing his stature from oscar-winning master to lowly studio hack . 
enthusiastically taking up the current teen movie concern with bodily functions , walt becker 's film pushes all the demographically appropriate comic buttons . 
the ethos of the chelsea hotel 
disguise it as an unimaginative screenwriter 's invention 
has enough wit 
undeniably worthy and devastating 
work up much entertainment value 
the very hollowness of the character he plays 
, robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
'd do well to check this one out because it 's straight up twin peaks action ... 
keep this fresh . 
its lackluster gear 
rare movie 
barely shocking , barely interesting and most of all , 
side snap kicks that it ends up being surprisingly dull 
( the stage show ) , you still have to see this ! 
give i am trying to break your heart an attraction it desperately needed 
's invigorating about 
a nice , harmless date film 
healthy eccentric inspiration and ambition 
this often-hilarious farce 
as if we 're seeing something purer than the real thing 
, though goofy and lurid , 
gold 
crass and insulting 
veers like a drunken driver through heavy traffic 
an intimate contemplation 
would make this a moving experience for people who have n't read the book 
yes , mibii is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it . 
have loved it 
can impart an almost visceral sense of dislocation and change . 
of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
( the cockettes ) provides a window into a subculture hell-bent on expressing itself in every way imaginable . ' 
bold biographical fantasia 
if you saw benigni 's pinocchio at a public park , you 'd grab your kids and run and then probably call the police . 
who possibly will enjoy it 
is a seriously intended movie that is not easily forgotten 
we are undeniably touched . 
, it still seems endless . 
laugh their *** off 
hanna-barbera charm 
the ingenuity that parker displays in freshening the play is almost in a class with that of wilde himself . 
energetic and original 
uninspired philosophical 
naïveté 
poo-poo 
the year 2002 has conjured up more coming-of-age stories than seem possible , but take care of my cat emerges as the very best of them . 
i wanted more . 
a just a waste 
's a frankenstein-monster of a film that does n't know what it wants to be 
consider it ` perfection 
waste 
reyes ' directorial debut has good things to offer , 
mattei so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money . 
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and also the unique way shainberg goes about telling what at heart is a sweet little girl - 
trying to sneak out of the theater 
run-of-the-mill disney sequel 
liked it 
all its effective moments 
macabre and 
one problem with the movie , directed by joel schumacher , 
intelligent people 
's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
sonny needs to overcome gaps in character development and story logic 
through contrived plot points 
halfway intriguing plot 
it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it 
gives the lie to many clichés 
enjoying 
find that real natural , even-flowing tone that few movies are able to accomplish 
layer of action man cliché atop wooden dialogue and 
from its material that is deliberately unsettling 
the stuffiest cinema goers 
it an exhilarating 
has none of the charm and little of the intrigue from the tv series . 
dreamlike ecstasy 
is that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion 
humanist ( not to mention gently political ) meditation 
with a modicum of patience 
conflict 
worst possibilities 
it 's loud and boring ; watching it is like being trapped at a bad rock concert . 
indoctrinated prejudice 
some of the biggest names in japanese anime , with impressive results 
loses 
of elephant feces 
most delightful 
does n't mean it 's good enough for our girls 
a triumph of imagination 
a convincing impersonation 
as quiet , patient and tenacious as mr. lopez himself 
a beautifully tooled action thriller about love and terrorism in korea . 
pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
the kiss of death in this bitter italian comedy 
in need of a scented bath 
the extensive use of stock footage quickly becomes a tiresome cliché 
first great film 
a feel movie 
it equals the original and in some ways even betters it 
of direct-to-video nash 
energetic and 
unwary 
a nice coffee table book 
an all-around good time at the movies this summer 
to provoke introspection in both its characters and its audience 
the finish line 
it would be easy for critics to shred it 
, derrida is all but useless 
a satisfying summer blockbuster 
cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you 
trapped 
frantic than involving , more chaotic than entertaining 
leaves viewers out in the cold and undermines some phenomenal performances . 
the grandness 
flat , misguided comedy . 
lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving 
funny and 
in an art film ! 
be careful what you wish for '' 
find in these characters ' foibles a timeless and unique perspective 
it 's not the least of afghan tragedies that this noble warlord would be consigned to the dustbin of history . 
is so fine 
to care about 
be liked sometimes 
the funniest american comedy 
the con 
is an earnest study in despair 
the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem 
the mark of a documentary that works 
but for the most part , the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness . 
flashy twists 
a message that cautions children about disturbing the world 's delicate ecological balance 
, and irritating 
, it 's hard to shake the feeling that it was intended to be a different kind of film . 
this is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies . 
make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster 
more mature than fatal attraction , more complete than indecent proposal and 
if you love reading and/or poetry 
some decent performances 
firmly believe that a good video game movie is going to show up soon . 
ever released by a major film studio . 
a sloppy slapstick 
offers an interesting bit of speculation 
brutally labored and unfunny 
a great cast and 
will have you at the edge of your seat for long stretches 
's because there 's no discernible feeling beneath the chest hair 
peace is possible 
inquisitive enough 
seen 10,000 times 
the muck 
one of the funniest motion pictures of the year , but ... also one of the most curiously depressing 
may prove to be ( tsai 's ) masterpiece . 
some people march to the beat of a different drum 
want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
has a good ear for dialogue , and the characters sound like real people . 
a road-trip drama with too many wrong turns 
drawing wrenching performances 
interesting matters of identity and heritage 
, having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs 
is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye . 
the basic flaws 
is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling 
's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action 
the film would be a total washout . 
is at once a tough pill to swallow and a minor miracle of self-expression 
not only is it a charming , funny and beautifully crafted import , it uses very little dialogue , making it relatively effortless to read and follow the action at the same time . 
five screenwriters are credited with the cliché-laden screenplay ; it seems as if each watered down the version of the one before . 
is degraded , handheld blair witch video-cam footage 
followed through on her defiance of the saccharine 
boys ' 
its own brilliance 
your interest until the end and even leaves you with a few lingering animated thoughts . 
, this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times . 
shiri is an action film that delivers on the promise of excitement , but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience . 
an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love 
some kid who ca n't act , only echoes of jordan , and 
broomfield reminds us that beneath the hype , the celebrity , the high life , the conspiracies and the mystery there were once a couple of bright young men -- promising , talented , charismatic and tragically doomed . 
is the kind of movie that 's critic-proof , simply because it aims so low . 
musical number 
this is cruel , misanthropic stuff with only weak claims to surrealism and black comedy . 
the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster . 
old-fashioned storytelling 
this orange has some juice , but it 's far from fresh-squeezed . 
repellent to fully endear itself to american art house audiences , but it is notable for its stylistic austerity and forcefulness . 
it uses some of the figures from the real-life story to portray themselves in the film . 
seen through the right eyes , with the right actors and with the kind of visual flair that shows what great cinema can really do 
the adventures of pluto nash is a whole lot of nada . 
an encouraging new direction for la salle 
remains vividly in memory 
half-baked setups and 
lose 
this little $ 1.8 million charmer , 
dullest kiddie flicks 
holds up in an era in which computer-generated images are the norm 
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1/2 
while broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture 
to classify as it is hard to resist 
its chicken heart 
by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
a touching , transcendent love story 
languishing on a shelf somewhere 
no fantasy story 
a terrific b movie -- in fact , the best in recent memory 
the artificial structure 
reminiscent of alfred hitchcock 's thrillers , most of the scary parts in ` signs ' 
vulgar 
never clearly defines his characters or 
with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering 
so devoid 
poignant and delicately 
ludicrous and 
as fresh-faced as its young-guns cast 
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through 
from cowering poverty to courage and happiness 
signposts marking the slow , lingering death of imagination 
the gifted crudup has the perfect face to play a handsome blank yearning to find himself , and his cipherlike personality and bad behavior would play fine if the movie knew what to do with him . 
have read ` seeking anyone with acting ambition but no sense of pride or shame 
heart-warming 
a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
explode obnoxiously 
is wry and engrossing . 
that there 's nothing resembling a spine here 
almost every relationship and personality in the film yields surprises . 
while the transgressive trappings ( especially the frank sex scenes ) ensure that the film is never dull 
particularly joyless , and exceedingly dull , period 
to use the word `` new '' in its title 
not particularly scary 
of unparalleled proportions , writer-director parker 
a fine , rousing , g-rated family film , 
the script by david koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level 
's supposed to be a romantic comedy 
add anything fresh 
has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made 
exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
that relies on lingering terror punctuated by sudden shocks and not constant bloodshed 
while this one gets off with a good natured warning , future lizard endeavors will need to adhere more closely to the laws of laughter 
the dialogue is cumbersome 
, romantic comedy with a fresh point of view just does n't figure in the present hollywood program . 
to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
you have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet 
sin 
steve martin 
a jumbled fantasy comedy that did not figure out a coherent game 
an enthusiastic charm in fire 
like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
in that it is does not rely on dumb gags , anatomical humor , or character cliches 
is most remarkable not because of its epic scope , but because of the startling intimacy 
a college story that works even without vulgarity , sex scenes , and cussing 
films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
a remarkable movie with an unsatisfying ending , which is just the point . 
nearly as captivating as the rowdy participants think it is 
cheatfully 
be a straightforward bio 
here , common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha . 
wickedly funny , visually engrossing , never boring , this movie challenges us to think about the ways we consume pop culture . 
this surprisingly decent flick 
is heartfelt and achingly real 
in genre cliches 
the falcon arrives in the skies above manhattan 
the movie tries to make sense of its title character 
lost his touch , bringing off a superb performance in an admittedly middling film 
does strong , measured work . 
jolts the laughs from the audience -- as if by cattle prod . 
a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland 
a slow study : the action is stilted and the tabloid energy embalmed 
be tried as a war criminal 
surprising highs , sorrowful lows and 
there 's some good material in their story about a retail clerk wanting more out of life , 
pastel landscapes 
director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could . 
no interesting concept can escape 
it would be 
on a cutting room floor somewhere lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire . 
flickering reminders of the ties that bind us 
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon 
has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing . 
it begins to fade from memory 
a sudden lunch rush 
one hour photo may seem disappointing in its generalities , 
a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair 
combining heated sexuality with a haunting sense of malaise 
not to be swept away by the sheer beauty of his images 
repulsive and depressing 
lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
watch people doing unpleasant things to each other and themselves 
intense experience 
heedless 
little uneven 
sealed with a kiss 
very ugly 
why this project was undertaken 
the mill sci-fi film with a flimsy ending and 
halfhearted 
dilutes the pleasure of watching them 
the emotion is impressively true for being so hot-blooded , and 
can get your money back 
this is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors . 
the most entertaining monster movies in ages 
and well acted ... but admittedly problematic in its narrative specifics 
's rare 
gets vivid performances from her cast 
the preachy 
lovingly 
a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events somehow makes it all the more compelling . 
it introduces you to new , fervently held ideas and fanciful thinkers 
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock . 
confusion and 
of your seat with its shape-shifting perils , political intrigue and brushes 
the power of this movie 
too immature and unappealing to care about 
-- she 's pretty and she can act -- 
proves that a nightmare is a wish a studio 's wallet makes . 
nice to see piscopo again after all these years 
a quiet , disquieting triumph . 
in other words , about as bad a film you 're likely to see all year . 
self-discovery 
it 's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do . 
knockoff . 
all the stomach-turning violence , colorful new york gang lore 
odd , rapt spell 
but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , 
a master of shadow , quietude , and room noise 
amazing finesse 
no film could possibly be more contemptuous of the single female population . 
smug and convoluted action-comedy that 
never fails to entertain 
the national lampoon film franchise , 
of those crazy , mixed-up films that does n't know what it wants to be when it grows up 
you liked the previous movies in the series 
if argento 's hollywood counterparts ... had this much imagination and nerve 
a movie version of a paint-by-numbers picture 
is really , really stupid . 
underdone 
to hear the full story of jonah 's despair -- in all its agonizing , catch-22 glory -- even if they spend years trying to comprehend it 
shallow and dim-witted 
despite suffering a sense-of-humour failure , the man who wrote rocky does not deserve to go down with a ship as leaky as this . 
the powerful 
kung pow sets a new benchmark for lameness . 
than bad 
it is flawed 
anyone in his right mind would want to see the it 
is one carried by a strong sense of humanism 
this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary . 
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories 
a laundry list of minor shortcomings 
much of this slick and sprightly cgi feature 
flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up . 
lack contrast , 
the supernatural trappings only obscure the message 
the april 2002 instalment of the american war for independence , complete with loads of cgi and bushels of violence , but not a drop of human blood . 
gently humorous and touching . 
the mess that is world traveler 
a film of quiet power 
compelling character 
with an expressive face reminiscent of gong li and a vivid personality like zhang ziyi 's , dong stakes out the emotional heart of happy . 
ironically killer soundtrack 
no way original , or even all that memorable , but as downtown saturday matinee brain candy 
the whole thing comes off like a particularly amateurish episode of bewitched that takes place during spring break . 
's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title . 
an unruly adolescent boy 
an undeniably gorgeous , terminally smitten document of a troubadour , his acolytes , and the triumph of his band . 
does little here 
contemplative 
doze off thirty minutes into the film 
embodies the transformation of his character completely 
an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer 's previous collaboration , miss congeniality . 
making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters 
in all its strange quirks 
the seemingly irreconcilable situation 
's a pale imitation 
'd want to watch if you only had a week to live 
useless movie 
... flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags . 
, we get a cinematic postcard that 's superficial and unrealized . 
than an hour-and-a-half-long commercial for britney 's latest album 
a zippy jazzy score 
( a ) stale retread of the '53 original 
, charming and quirky 
it is thought-provoking . 
in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
directed action sequences and some of the worst dialogue in recent memory . 
know the picture is in trouble . 
this film is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion . 
a movie that 's held captive by mediocrity . 
the film fails to fulfill its own ambitious goals 
damaged-goods 
what 's really so appealing about the characters is their resemblance to everyday children . 
curious about each other against all odds 
mechanical you can smell the grease on the plot 
lack depth or complexity , with the ironic exception of scooter 
's why sex and lucia is so alluring . 
is : ` scooby ' do n't 
no new plot conceptions or environmental changes , just different bodies for sharp objects to rip through . 
obviously , a lot of people wasted a lot of their time ( including mine ) on something very inconsequential . 
ourselves surprised at how much we care about the story 
with a pleasing verisimilitude 
the dignity of an action hero motivated by something more than franchise possibilities 
achingly human 
it 's pretentious in a way that verges on the amateurish . 
no one can doubt the filmmakers ' motives , but the guys still feels counterproductive . 
a sun-drenched masterpiece 
an american ( and an america ) always reaching for something just outside his grasp 
a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni 
a provocateur 
what ( denis ) accomplishes in his chilling , unnerving film 
hard , cold effect 
his inspiration 
some kid who ca n't act , only echoes of jordan 
a sea of visual and verbal clichés 
the characters seem one-dimensional 
of the recent hollywood trip tripe 
the real star of this movie is the score , as in the songs translate well to film , and it 's really well directed 
drowned out by director jon purdy 's sledgehammer sap 
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but it 's still damn funny stuff 
wo n't score points for political correctness 
does n't sustain interest beyond the first half-hour . 
to laugh at how bad 
enchanting ... 
it 's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark . 
who cares ? 
a banal , virulently unpleasant excuse for a romantic comedy . 
to do a little fleeing of its own 
the heart and soul of cinema 
repulsive 
, mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits . 
a straight-to-video movie 
is so slovenly done , so primitive in technique , that it ca n't really be called animation 
clockstoppers is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up . 
charming than in about a boy 
like any of these despicable characters 
you have left the theater 
with her small , intelligent eyes 
the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself . 
that this film was n't as bad as i thought it was going to be 
fuels the self-destructiveness of many young people 
profound humanity 
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... is a nonstop hoot . 
as tryingly as the title 
a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza 
if disney 's cinderella proved that ' a dream is a wish your heart makes , ' then cinderella ii proves that a nightmare is a wish a studio 's wallet makes . 
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious . 
a rich tale of our times 
, imaginative filmmaking 
crossroads feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama . 
blue crush is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be . 
blade ii merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew . 
an enormously entertaining movie 
a surprisingly charming and even witty match 
crisp storytelling 
rubbish that is listless , witless , and devoid of anything resembling humor 
that chin 's film serves up with style and empathy 
muted freak-out 
earns extra points 
a dark comedy that goes for sick and demented humor simply to do so . 
particular talents 
be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly 
it 's definitely not made for kids or their parents , for that matter 
rethink their attitudes when they see the joy the characters take in this creed 
entry number twenty the worst of the brosnan bunch 
's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage 
is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
to great artistic significance 
little emotional resonance 
revelatory and 
an average kid-empowerment fantasy with slightly above-average brains . 
surely read the catcher in the rye but clearly suffers from dyslexia 
are few things in this world more complex -- and , as it turns out , more fragile 
, pretty and gifted , it really won my heart 
lessen the overall impact the movie could have had 
it establishes its ominous mood and tension swiftly , and 
scarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theaters 
has dreamed up such blatant and sickening product placement in a movie 
, the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script . 
go wrong 
while the story 's undeniably hard to follow , iwai 's gorgeous visuals seduce . 
wanted to leave 
the script covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people . 
's flawed and brilliant 
that the film 's length becomes a part of its fun 
argentinian thriller 
almost peerlessly unsettling . 
to some truly excellent sequences 
does such a good job of it that family fundamentals gets you riled up 
not once in the rush to save the day did i become very involved in the proceedings ; to me , it was just a matter of ` eh . ' 
in its own simplicity 
satisfies 
it seems as if each watered down the version of the one before 
no 
captivatingly 
is adequate 
a story about intelligent high school students that deals with first love sweetly but also seriously . 
is a lumbering , wheezy drag 
glossy hollywood 
a strong first act and 
's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin 
often achieves a level of connection and concern 
you 're an absolute raving star wars junkie 
a movie that sends you out of the theater feeling like you 've actually spent time living in another community . 
very well-meaning movie , 
colorful and controversial 
corny conventions 
attack 
australian filmmaker david flatman uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them . 
well-intentioned effort 
were that grand a failure 
clueless does south fork 
glib but 
far more demanding than it needs to be 
two not very absorbing characters 
a fifty car pileup 
the lack 
american musical comedy as we know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway . 
to embrace small , sweet ` evelyn 
the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice 
this odd , distant portuguese import more or less 
a gorgeously strange movie , 
left off the film 's predictable denouement 
been replaced with morph , a cute alien creature who mimics everyone and everything around 
motivated by nothing 
the movie is concocted and carried out by folks worthy of scorn , 
blow it off the screen 
's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out . 
as pedestrian as they come . 
the climactic burst of violence 
want my money back 
let this morph into a typical romantic triangle 
moldering pile 
inherently caustic and oddly whimsical , the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss . 
that even cranky adults may rediscover the quivering kid inside 
a long shot 
an effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence . 
very least 
gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry . 
the worst movies of one year 
not a strike against yang 's similarly themed yi yi , but i found what time ? 
admit that i am baffled by jason x. 
to lowly studio hack 
interesting social 
which has a handful of smart jokes 
is more than merely a holocaust movie 
dense , exhilarating documentary 
the script , which has a handful of smart jokes 
great equalizer 
abandoned their slim hopes and dreams 
humorous and tender 
snide and prejudice . 
is simply a well-made and satisfying thriller 
a compelling 
he refuses to evaluate his own work 
be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness 
while huppert ... is magnificent 
in place for a great film noir 
robust and scary 
my big fat greek wedding is not only the best date movie of the year 
there 's never a dull moment in the giant spider invasion comic chiller 
's plenty to offend everyone ... 
from the writing and direction to the soggy performances -- 
it 's a thin notion , repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue . 
that really , really , really good things can come in enormous packages 
smart , funny , subtle , and resonant 
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 
is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes . 
a positively thrilling combination 
's why sex and lucia is so alluring 
only a genius 
flamboyant female comics 
makes the movie special 
drama , suspense , revenge , and romance 
makes absolutely no sense 
strolls 
upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction 
is that for the most part , the film is deadly dull 
manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal 
become smug or sanctimonious 
i do n't mean that in a good way 
written , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter . 
makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while . 
his excellent cast 
is more in love with strangeness than excellence 
phoney-feeling sentiment 
on cotton candy 
is extraordinarily good . 
stuck under my seat trying to sneak out of the theater 
she 's a pretty woman 
lyne 's stolid remake 
little wit and no surprises 
as temptingly easy 
whole subplots have no explanation or even plot relevance 
is n't going to make box office money that makes michael jordan jealous 
jagger , stoppard and 
adult movies 
make a gorgeous pair 
paid in full has clever ways of capturing inner-city life during the reagan years . 
spooky new thriller 
whether you can tolerate leon barlow 
christian-themed fun 
effortless 
obvious cliches 
a light-hearted way 
use of his particular talents . 
its epic scope 
outshined 
the biggest is that secret ballot is a comedy , both gentle and biting . 
zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a 
not great 
terrific 
lightweight meaning 
hits all the verbal marks it should . 
the light comedic work 
share his story so compellingly with us is a minor miracle 
on the young woman 's infirmity and her naive dreams 
as a recording of conversations at the wal-mart checkout line 
strange , funny , twisted , brilliant and macabre 
by writer-director kurt wimmer 
, but also more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations . 
what you expect is just what you get ... assuming the bar of expectations has n't been raised above sixth-grade height . 
takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals 
, there 's much to recommend the film . 
a prostitute 
which leaves any true emotional connection or identification frustratingly out of reach 
it 's a glorified sitcom , and a long , unfunny one at that . 
be more genial than ingenious 
to insulting the intelligence of anyone who has n't been living under a rock 
slimed 
is too loud and thoroughly overbearing 
between being wickedly funny and just plain wicked 
makes no difference in the least 
the bad reviews 
gets around to its real emotional business , striking deep chords of sadness 
smug self-satisfaction 
will worm its way there 
accepting this in the right frame of mind can only provide it with so much leniency . 
a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist . 
shrewdly 
such subtlety and warmth 
plain , unimaginative 
anemic 
that takes such a speedy swan dive from `` promising '' 
disney 's cinderella proved that ' a dream is a wish your heart makes 
a stunning film 
well-structured film 
a horrible , 99-minute 
as a girl-meets-girl romantic comedy 
nothing happens , 
shapeless and uninflected 
martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
sadistic 
sometimes a chuckle 
found myself growing more and more frustrated and detached as vincent became more and more abhorrent 
seagal ran out of movies years ago 
the movie is n't painfully bad , something to be ` fully experienced ' ; it 's just tediously bad , something to be fully forgotten 
cram earplugs 
chatty fish 
feel like mopping up , 
stalls 
manages at least a decent attempt at meaningful cinema 
crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy 
welcome and heartwarming 
energy , intelligence and verve , enhanced by a surplus of vintage archive footage 
is that it 's a crime movie made by someone who obviously knows nothing about crime 
the upper echelons 
remains a perfect wildean actor 
some people march to the beat of a different drum , and if you ever wondered what kind of houses those people live in , this documentary takes a look at 5 alternative housing options 
i mind ugly 
soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and 
low-rent retread 
somewhat tired 
enough sweet and 
crude and unrelentingly exploitative 
starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it were n't true 
... a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , would have a good time here . 
it 's a bad sign in a thriller when you instantly know whodunit . 
schaeffer 's film never settles into the light-footed enchantment the material needs , and 
leaves a lot to be desired 
'll cheer . 
claims to sort the bad guys from the good , which is its essential problem . 
none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens . 
stuart little 2 is a light , fun cheese puff of a movie . 
candid 
the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
memorable performances 
are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary 
ugly , irritating 
was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention 
enact a sort of inter-species parody of a vh1 behind the music episode 
's sweet . 
it just did n't mean much to me and played too skewed to ever get a hold on ( or be entertained by ) . 
fluffy 
in venice 
an unsettling , memorable cinematic experience 
it 's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress . 
surprisingly insightful 
will keep them awake 
does not make for much of a movie 
in jerking off in all its byzantine incarnations to bother pleasuring its audience 
a potentially sudsy set-up 
a fascinating case study of flower-power liberation 
of how uncompelling the movie is unless it happens to cover your particular area of interest 
is nothing short of a travesty of a transvestite comedy . 
, resonant gem 
an abyss of clichés , depression and bad alternative music 
for its rather slow beginning 
to suspense thriller 
the film is every bit as fascinating as it is flawed . 
harrowing and uplifting 
the humor dwindles . 
hopeful and , perhaps paradoxically , illuminated 
fluffy and disposible . 
something of the ultimate scorsese film 
of the guru who helped 
birot 's 
in addition to sporting one of the worst titles in recent cinematic history 
is murder by numbers , and as easy to be bored by as your abc 's , despite a few whopping shootouts . 
offbeat humor , amusing characters , 
to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence 
extremely flat 
most original american productions 
quality and a nostalgic , twisty yarn that will keep them guessing 
make you think about existential suffering 
directing with a sure and measured hand 
left thinking the only reason to make the movie is because present standards allow for plenty of nudity 
sweet , honest , and enjoyable comedy-drama 
, unlikable characters 
a seriously bad film with seriously 
the screen -- loud , violent and mindless 
just as rewarding 
treat for its depiction on not giving up on dreams when you 're a struggling nobody . 
remind one of a really solid woody allen film 
first made audiences on both sides of the atlantic love him 
but believe it or not , it 's one of the most beautiful , evocative works i 've seen . 
this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work 
fails to do justice to either effort in three hours of screen time 
in the end , there is n't much to it . 
all awkward , static 
's as if allen , at 66 , has stopped challenging himself . 
grant is n't cary and bullock is n't katherine . 
does n't really know or care about the characters , and uses them as markers for a series of preordained events 
it does a bang-up job of pleasing the crowds 
the gift of tears 
a bad name 
as wonderful on the big screen 
this emotional car-wreck 
a gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable 
on ugly digital video 
high-concept scenario 
that it 's hard not to be carried away 
could n't come up with a better script . 
argue that entering a church , synagogue or temple does n't mean you have to check your brain at the door 
with a fresh point of view 
slow , predictable and not very amusing 
's nothing interesting in unfaithful whatsoever . 
juvenile camera movements 
of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape 
remake sleepless in seattle again and again 
that kate is n't very bright , but that she has n't been worth caring about 
virtually no understanding 
, actor raymond j. barry is perfectly creepy and believable . 
it forces you to watch people doing unpleasant things to each other and themselves , 
all give life to these broken characters who are trying to make their way through this tragedy 
the three leads produce adequate performances , but what 's missing from this material is any depth of feeling . 
dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue . 
of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
with `` ichi the killer '' , takashi miike , japan 's wildest filmmaker gives us a crime fighter carrying more emotional baggage than batman ... 
final act 
girlish tear ducts does n't mean it 's good enough for our girls 
acceptable 
imaginatively mixed cast 
diverting and modest 
are mean giggles and pulchritude . 
is just too bad the film 's story does not live up to its style 
virtuoso 
the obvious cliches 
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; their parents , wise folks that they are , read books . 
burn the negative and the script and pretend the whole thing never existed 
the drama that gives added clout to this doc 
vile enough 
real women have curves wears its empowerment on its sleeve 
separates comics from the people laughing in the crowd 
is bright and flashy in all the right ways . 
this nervy oddity , like modern art 
clever and unexpected 
puts to rest any thought that the german film industry can not make a delightful comedy centering on food . 
should be able to appreciate the wonderful cinematography and naturalistic acting . 
technically proficient 
even worse than its title 
there 's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin . 
this uncharismatically 
stronger 
's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience . 
impossible to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant 
is n't talking a talk that appeals to me 
carlos 
put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year 
surprisingly brilliant 
a funny little film 
a bit exploitative but also nicely done , morally alert and 
certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile . 
the direction is intelligently accomplished 
disney 's 1937 breakthrough 
titillating material 
can handle 
's so striking about jolie 's performance 
peppered with false starts 
michael zaidan , was supposed to have like written the screenplay or something 
a cheap thriller , a dumb comedy 
paul bettany is cool . 
shamelessly manipulative 
a chilly , remote , emotionally distant piece ... so dull that its tagline 
a cool event 
, pratfalls , dares , injuries , etc . 
the leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material . 
an inspiring tale 
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , 
a preposterous , prurient whodunit 
energetic , extreme-sports adventure 
the best rock 
backed by sheer nerve 
's only in fairy tales that princesses that are married for political reason live happily ever after 
avoiding eye contact and 
too fast 
richly resonant work 
demme gets a lot of flavor and spice into his charade remake 
much of the film with a creepy and dead-on performance 
bluer than the atlantic and more biologically detailed than an autopsy , the movie ... is , also , frequently hilarious . 
his dead mother 
-- that the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen . 
is a celebration of feminine energy , a tribute to the power of women to heal 
to be going through the motions , beginning with the pale script 
is unusual but unfortunately also irritating . 
almost impossible 
exposes the limitations of his skill and the basic flaws in his vision 
unconcerned 
unstinting 
there 's nothing exactly wrong here 
in old-fashioned screenwriting parlance , ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast . 
the unbearable lightness of being 
believable mother/daughter pair 
charisma 
witty feature 
it 's a worthy entry in the french coming-of-age genre 
who , exactly , is fighting whom here 
smart 
there 's no real sense of suspense , and 
threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans 
thumbs down 
a mimetic approximation of better films 
successfully blended satire , 
the tuxedo was n't just bad ; it was , as my friend david cross would call it , ` hungry-man portions of bad ' 
spectacle and pacing 
this engaging mix of love and bloodletting 
psychologically unpersuasive 
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing . 
, he showcases davies as a young woman of great charm , generosity and diplomacy 
before it takes a sudden turn and devolves into a bizarre sort of romantic comedy , steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience . 
targeted to the tiniest segment of an already obscure demographic . 
the surprise ending 
filmed more irresistibly than in ` baran 
's muy loco , but no more ridiculous 
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst . 
with a tawdry b-movie scum 
smitten document of a troubadour , his acolytes , and the triumph of his band . 
a really good premise 
whirlwind 
full of sex , drugs and rock 
`` sorority boys '' was funnier , and that movie was pretty bad . 
artistic significance 
a crass and insulting homage 
's rarely as moronic as some campus gross-out films 
is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself . 
sitting through dahmer 's two hours amounts to little more than punishment . 
of a predictable outcome and a screenplay 
like reading a research paper 
actually pulling it off 
proud warrior 
's crafty , energetic and smart 
groaners 
one senses 
goldmember has none of the visual wit of the previous pictures , and it looks as though jay roach directed the film from the back of a taxicab 
is hard to dismiss -- moody , thoughtful 
is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold . 
of her life with the imagery in her paintings 
sad sack 
recreates both the physical setting and emotional tensions of the papin sisters 
daft by half ... but 
its lavish formalism and intellectual austerity 
for once , a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own . 
preciousness 
is also a work of deft and subtle poetry 
plotless collection of moronic stunts 
plain old blarney 
has bucked the odds to emerge as an exquisite motion picture in its own right 
one of the best looking and stylish 
important , original talent 
to the divine calling of education and a demonstration of the painstaking 
the cast is top-notch and 
give what may be the performances of their careers . 
a comedic moment 
cruelty and suffering 
old-fashioned , occasionally charming and 
she can act 
gone , replaced by the forced funniness found in the dullest kiddie flicks 
without overdoing it 
contrived , awkward and filled with unintended laughs , the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster . 
it 's a visual rorschach test and i must have failed . 
well-made but mush-hearted . 
that even a story immersed in love , lust , and sin could n't keep my attention 
of the most complex , generous and subversive artworks of the last decade 
lays out a narrative puzzle that interweaves individual stories 
inventive screenplay 
of human frailty fascinates 
gets under our skin and 
is not as well-conceived as either of those films 
returns de palma to his pulpy thrillers of the early '80s 
a huge amount of the credit for the film 
during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action 
good man 
linking a halfwit plot 
it is that it does n't give a damn . 
an impossible spot because his character 's deceptions ultimately undo him and 
the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away survives intact in bv 's re-voiced version . 
sub-formulaic slap 
the group 's playful spark of nonconformity 
of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
out-sized 
manner and flamboyant style 
also rocks . 
is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation . 
fits the bill 
waste their time on it 
an easy film 
inventive moments 
is a bomb 
an adorably whimsical comedy that deserves more than a passing twinkle 
one of the most unpleasant things the studio 
engaging and unpredictable character pieces 
of the theater feeling 
rather bland 
there are n't many conclusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys . 
hip ' 
the darkest variety 
the butt of its own joke 
chronically mixed signals 
most sincere 
fascinating 
, you 'll be rewarded with some fine acting . 
broken with her friends image in an independent film of satiric fire and emotional turmoil 
a terrific look 
sword-and-sorcery plot 
in a ridiculous wig no respectable halloween costume shop would ever try to sell 
that the movie has no idea of it is serious 
the best silly horror movies 
its flaws 
watching this waste of time 
without being shrill 
interesting cinematic devices ( cool visual backmasking ) , a solid cast , and 
disappointingly generic 
well enough 
aided by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
the film is insightful about kissinger 's background and history . 
, lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , 
needed so badly but what is virtually absent 
is merely a charmless witch 
's too harsh 
so , i trust 
flashes of mordant humor 
long on the irrelevant as on the engaging , which gradually turns what time 
swallow its absurdities and crudities 
wild ride 
a literary detective story is still a detective story 
did n't laugh . 
cowardly 
like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
redeemed by its stars 
noyce brings out the allegory with remarkable skill 
the best films 
the kind of entertainment that parents love to have their kids see . 
achieve the popularity of my big fat greek wedding 
captures the complicated relationships in a marching band 
has its moments in looking at the comic effects of jealousy 
impressive for the sights and sounds of the wondrous beats 
give credit to affleck 
poor fit 
can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed 
a wonderful thing 
strong and convincing performances 
of serious subject matter and dark , funny humor 
grenade 
disgusting source material 
parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating 
, numbing action sequence made up mostly of routine stuff yuen has given us before . 
the story itself it mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
rendered in as flat 
kiddie entertainment , sophisticated wit and symbolic graphic design 
more good than great 
gut-wrenching , frightening war scenes since `` saving private ryan '' 
corny 
jaw-droppingly superficial , straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company . 
a dream is a wish your heart makes 
, you come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals . 
those visual in-jokes 
's spiffing up leftovers that are n't so substantial or fresh 
has about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity . 
missing from it 
muddy psychological thriller 
you forget you 've been to the movies . 
then ends with a whimper 
in the thrill of the company 's astonishing growth 
held my interest 
a jaunt down memory lane for teens 
stretched out to feature length 
its source 's complexity 
dazzling conceptual feat 
ideological 
more accomplished 
dark humor , gorgeous exterior photography , and 
twice removed 
dark comedy 
trapped at a bad rock concert 
excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries 
smart , nuanced look 
with a hack script 
tough to be startled when you 're almost dozing 
nails hard - boiled hollywood argot with a bracingly nasty accuracy 
to pull his head out of his butt 
a $ 40 million version of a game you 're more likely to enjoy on a computer 
the result is a film that 's about as subtle as a party political broadcast 
the most moronic screenplays of the year , 
informative and breathtakingly spectacular 
the movie stirs us as well . 
spellbinding fun and deliciously exploitative 
dominant 
this emotional misery 
horizons 
has a compelling story to tell 
the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny . 
ash wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast . 
's an entertaining and informative documentary . 
so spot on 
has rewards , 
of artificial suspense 
a completely spooky piece of business that gets under your skin and , some plot blips aside 
will warm your heart 
( a ) strong piece of work . 
the breathtakingly beautiful outer-space documentary space station 3d 
from the screenplay , but rather the mediocre performances 
to describe how bad it is 
valentine 
arty and 
cassavetes thinks he 's making dog day afternoon with a cause , but all he 's done is to reduce everything he touches to a shrill , didactic cartoon 
best-sustained 
so fascinating you wo n't be able to look away for a second 
the film itself is about something very interesting and odd that 
deadeningly drawn-out 
you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
the adrenaline jolt 
manages sweetness largely without stickiness . 
does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself . 
the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him ... there is never really a true `` us '' versus `` them '' 
socially encompassing 
makes martha enormously endearing 
farewell-to-innocence movies 
brosnan 's finest non-bondish performance 
is trash 
legendary actor michel serrault 
falls apart like a cheap lawn chair 
a script that assumes you are n't very bright 
feels like a hazy high that takes too long to shake . 
a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
fills me with revulsion 
's a masterpiece 
the film is never dull 
gets its greatest play from the timeless spectacle of people really talking to each other 
calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side 
alternately hilarious and sad 
stodgy , soap opera-ish dialogue 
tart 
the action and special effects 
abandon the theater 
you love the music , and 
that is wickedly fun to watch 
skeeved out that they 'd need a shower 
sustains a higher plateau with bullock 's memorable first interrogation of gosling 
worst titles 
the lack of naturalness makes everything seem self-consciously poetic and forced ... it 's a pity that ( nelson 's ) achievement does n't match his ambition 
crudely literal 
revolting 
the story is better-focused than the incomprehensible anne rice novel it 's based upon 
very moving and revelatory 
it 's an 88-minute highlight reel that 's 86 minutes too long . 
perfectly pitched 
a sentimental but entirely irresistible portrait of three aging sisters 
smacks of exhibitionism more than it does cathartic truth telling . 
heady jumble 
unfolds with grace and humor and gradually 
holds you 
this is a movie full of grace and 
a spark of new inspiration in it , 
dark little morality tale 
into feel-good territory 
unfunny comedy 
tell the best story 
bland 
a playful iranian parable 
i have returned from the beyond to warn you : 
a technological exercise that lacks juice and delight 
a worthwhile documentary , whether you 're into rap or not , even if it may still leave you wanting more answers as the credits 
the movie does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds . 
you wo n't be able to look away for a second 
merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew 
effecting change and inspiring hope 
a compelling look at a young woman 's tragic odyssey 
amuse or entertain 
may not rival the filmmaker 's period pieces 
because , unlike so many other hollywood movies of its ilk , it offers hope 
in almost every possible way -- from the writing and direction to the soggy performances -- tossed off 
is to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
the best of the swashbucklers 
touches the heart 
contrived , maudlin and cliche-ridden 
it 's a sharp movie about otherwise dull subjects . 
soulful development 
true and 
of splendid performances 
a heart , mind or humor of its own 
an uncomfortable movie , suffocating and sometimes almost senseless 
for nice evening out 
great piece 
, i 'm the one that i want , in 2000 . 
its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
is neither amusing nor dramatic enough to sustain interest 
an imaginative filmmaker who can see the forest for the trees 
the murk of its own making 
mobius strip 
most devastating 
takes your breath 
done his homework 
a ` direct-to-video ' release 
catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera 
from bland actors 
the book 's irreverent energy , 
the movie is in a class by itself 
updating works surprisingly well 
spider-man is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff . 
, mostly martha will leave you with a smile on your face and a grumble in your stomach . 
an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd 
a bad premise 
intellect and feeling 
preferable 
third act miscalculation 
we do get the distinct impression that this franchise is drawing to a close . 
a couple of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall 
redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs 
no charm 
clumsily manufactured exploitation flick 
insufferably naive 
looks and feels tired . 
one only a true believer could relish 
on the wonderful acting clinic put on by spader and gyllenhaal 
if ms. sugarman followed through on her defiance of the saccharine 
in a long time that made me want to bolt the theater in the first 10 minutes 
( `` take care of my cat '' ) is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals . 
a compelling argument about death 
every bad action-movie line 
if you 're looking for something new and hoping for something entertaining 
scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
something appears to have been lost in the translation this time 
suggests a superior moral tone is more important than filmmaking skill 
to produce another smash 
spy kids a surprising winner with both adults and younger audiences 
an inventive , absorbing movie that 's as hard to classify as it is hard to resist 
pure craft and 
a mature and frank fashion 
the world 's best actors , daniel auteuil , 
symbolic graphic design 
the superior plotline 
funny , twisted , brilliant and macabre 
ridiculous and money-oriented 
more and more frustrating 
realistically terrifying movie 
surprised at how much we care about the story 
abysmally pathetic 
invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of god 
relatively nothing happens 
his penchant 
tough beauty 
it reduces the complexities to bromides and slogans 
faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance . 
a time machine , a journey back to your childhood , when cares melted away in the dark theater , and 
enjoyed barbershop 
spot-on 
a reminder that beyond all the hype and recent digital glitz , spielberg knows how to tell us about people . 
've never seen the deep like you see it in these harrowing surf shots 
an intelligent romantic thriller of a very old-school kind of quality 
things really get weird , though not particularly scary 
informative , intriguing , observant 
as the original 
endless assault 
historical event 
a wild ride that relies on more than special effects 
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball 
quietly engaging . 
it uses very little dialogue , making it relatively effortless to read and follow the action at the same time . 
perfectly serviceable and 
which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing 
has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism . 
a warmth 
no . 
bottom-rung new jack city 
indignation 
standard guns versus martial arts cliche with little new added . 
transforms this story about love and culture 
this little-known story of native americans and 
argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect 
seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain . 
did no one on the set have a sense of humor , or did they not have the nerve to speak up 
impressed with its own solemn insights 
jagged , 
intelligent humor 
succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory 
decent popcorn adventure 
such a big job 
to a boatload of screenwriting cliches that sink it faster than a leaky freighter 
loses its fire midway , nearly flickering out by its perfunctory conclusion . 
excruciatingly 
standing by yourself is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction . 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , 
we feel as if we 're seeing something purer than the real thing 
in its attempts 
stylistic 
was so endlessly 
's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium 
unpredictable comedy 
that rare movie that works on any number of levels -- 
after the most awful acts are committed 
me no lika da accents so good , but i thoroughly enjoyed the love story . 
needlessly 
besson 's high-profile name 
the boho art-house crowd 
a coherent rhythm 
that falls far short 
the movie is n't painfully bad , something to be ` fully experienced ' ; it 's just tediously bad , something to be fully forgotten . 
chases for an hour and then 
sophisticated 
's probably not easy to make such a worthless film ... 
pete 's screenplay manages to find that real natural , even-flowing tone that few movies are able to accomplish . 
delight your senses 
aimlessly and unsuccessfully 
thoughtful war films 
suffers a severe case of oversimplification , superficiality and silliness 
all the dramatic weight of a raindrop 
a scrooge or two 
sounds like another clever if pointless excursion into the abyss 
any after-school special you can imagine 
mess . 
has made a decent ` intro ' documentary 
a solid base 
his collaborators ' symbolic images with his words , 
bottom-feeder sequel 
beautifully 
- west coast rap wars , this modern mob music drama never fails to fascinate . 
more complex and honest 
nor terribly funny 
aged 
definitive , if disingenuous , 
infantile , redundant , sloppy 
rymer does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects . 
uncomfortably timely , relevant , and 
a smile on your face and 
to see it twice 
in the mind of the killer 
he needs to pull his head out of his butt 
light-heartedness , that makes it attractive throughout 
loud , silly , stupid and pointless 
feel good about themselves 
watch , giggle and get an adrenaline boost 
that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener 
together ( time out and human resources ) establish mr. cantet as france 's foremost cinematic poet of the workplace 
's ) better at fingering problems than finding solutions 
lack depth or complexity 
that resident evil is not it 
, not scarier 
it might be like trying to eat brussels sprouts . 
sequences boring . 
thanks to the gorgeous locales and exceptional lead performances 
finds a way to make j.k. rowling 's marvelous series into a deadly bore . 
warm water may well be the year 's best and most unpredictable comedy . 
it actually makes the heart soar 
ourside the theater roger might be intolerable company , but inside it he 's well worth spending some time with . 
absorbing , largely for its elegantly colorful look and sound 
gets full mileage out 
enacted than what 's been cobbled together onscreen 
laugh-out-loud lunacy 
who makes martha enormously endearing 
's old-fashioned in all the best possible ways 
, lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature . 
is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema 
think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british 
an affection for the period 
the feel of a fanciful motion picture 
the ya-ya 's have many secrets and one is - the books are better . 
i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring 
a reality-snubbing hodgepodge . 
make interesting a subject you thought would leave you cold 
neither amusing nor dramatic enough to sustain interest 
singing , and unforgettable characters 
a better short story 
a wild ride 
gorgeously atmospheric meditation 
is the gabbiest giant-screen movie ever , 
writing , skewed characters 
burns ' visuals , characters and his punchy dialogue 
a kick out of goofy brits 
that is warm , inviting , and surprising 
bad things 
it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve 
toes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it 's hard not to be carried away 
anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
nemesis 
will probably never achieve the popularity of my big fat greek wedding 
overly old-fashioned 
it 's quite fun in places . 
great actors 
is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama 
many ways the perfect festival film 
does n't really believe in it 
raise audience 's spirits and 
generally sustains a higher plateau with bullock 's memorable first interrogation of gosling 
once again , director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours . 
learn a good deal 
more than a tepid exercise in 
most poorly staged 
will be an enjoyable choice for younger kids . 
that the real antwone fisher was able to overcome his personal obstacles and become a good man 
done , so primitive in technique , 
director tom shadyac and star kevin costner glumly mishandle the story 's promising premise of a physician who needs to heal himself . 
proves that not only blockbusters pollute the summer movie pool . 
intelligent movie 
wo n't have you swinging from the trees hooting it 's praises 
's plenty to impress about e.t. 
of the best special effects 
he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car 
colors the picture in some evocative shades . 
, you 'll still be glued to the screen . 
some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale , 
to cram too many ingredients into one small pot 
and for all the wrong reasons besides . 
crime expertly 
dream 
although the subject matter may still be too close to recent national events , the film works - mostly due to its superior cast of characters . 
wretched movie 
it is scott 's convincing portrayal of roger the sad cad that really gives the film its oomph . 
marred beyond redemption 
its exploitive array of obligatory cheap 
sensual 
enjoy this 
the perfect starting point 
the movie is a lumbering load of hokum but 
shows its indie tatters and self-conscious seams in places 
ice age wo n't drop your jaw 
steamy 
( carvey 's ) characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark 
idealism american 
can still make you feel that you never want to see another car chase , explosion or gunfight again 
phenomenal 
black-and-white and unrealistic . 
a clever script 
in the utter cuteness of stuart and margolo 
this is n't a movie 
works its magic with such exuberance and passion that the film 's length becomes a part of its fun . 
, profane and exploitative as the most offensive action flick you 've ever seen . 
carefully choreographed atrocities , which become strangely impersonal and abstract 
it 's a very entertaining , thought-provoking film with a simple message 
there 's already been too many of these films ... 
american action-adventure buffs 
succeeds 
is fatal for a film that relies on personal relationships 
one long , numbing action sequence made up mostly of routine stuff yuen has given us before . 
hard , endearing , caring , 
the pairing does sound promising in theory ... but their lack of chemistry makes eddie murphy and robert deniro in showtime look like old , familiar vaudeville partners . 
is impressive for the sights and sounds of the wondrous beats 
the best star trek movie 
satisfies -- from its ripe recipe , inspiring ingredients , certified 
, uneventful 
it just did n't mean much to me and played too skewed to ever get a hold on ( or be entertained by ) 
remember it . 
the performances of their careers 
's a talking head documentary , but a great one 
, the dialogue sounds like horrible poetry . 
leaden script 
that the film never feels derivative 
toward maximum comfort and familiarity 
wo n't feel like it 's wasted yours 
average kid-empowerment fantasy 
scotland looks wonderful , the fans are often funny fanatics , the showdown sure beats a bad day of golf . 
are an absolute joy . 
he provides a strong itch to explore more . 
makes it to the boiling point 
that jack nicholson makes this man so watchable is a tribute not only to his craft , but to his legend . 
so stilted and unconvincing 
wonderful , ghastly film 
of the highest and the performances 
can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain . 
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point 
little more than punishment 
he does best 
great to look at 
the absence of narrative continuity 
a moving tale of love and destruction 
a much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian english title would have you believe . 
sketchy it amounts to little more than preliminary notes for a science-fiction horror film 
's more enjoyable than i expected , 
, dramatically forceful , and beautifully shot 
everything was as superficial as the forced new jersey lowbrow accent uma had . 
slather clearasil over the blemishes of youth 
an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling 
, i pledge allegiance to cagney and lacey . 
reel in when we should be playing out 
seem appealing 
beautifully shot 
's quite an achievement to set and shoot a movie at the cannes film festival and yet fail to capture its visual appeal or its atmosphere . 
of being overrun by corrupt and hedonistic weasels 
it 's been 13 months and 295 preview screenings since i last walked out on a movie 
strange it is , but delightfully so . 
has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
serious re-working to show more of the dilemma , rather than have his characters stage shouting 
pleasant but not 
who handily makes the move from pleasing 
torments and angst 
works because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet 
is ultimately rather silly and overwrought , 
saccharine genre 
high points to keep this from being a complete waste of time 
the problem is that the movie has no idea of it is serious or not . 
genuinely 
-- casting excellent latin actors of all ages -- 
does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard . 
a strangely 
abundant humanism 
is the heart and soul of cinema 
to seek and strike just the right tone 
it 's rare for any movie to be as subtle and touching as the son 's room . 
poorly structured 
`` spider-man '' certainly 
what 's so striking about jolie 's performance is that she never lets her character become a caricature -- not even with that radioactive hair . 
sounds promising 
then again , i hate myself most mornings . 
a slice of counterculture 
unrelentingly grim 
signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema . 
such a wildly uneven hit-and-miss enterprise 
the imax screen enhances the personal touch of manual animation . 
also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book . 
feast 
cleverly captures the dry wit that 's so prevalent on the rock 
glorious spectacle 
picked me up , swung me around 
the off-center humor is a constant 
staged violence overshadows everything , 
remarkable serenity and discipline 
the ensemble cast , the flat dialogue by vincent r. nebrida or 
attempt to build up a pressure cooker of horrified awe 
started with a great premise 
reaches across time and distance 
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending 
if you have nothing better to do with 94 minutes 
has secrets buried at the heart of his story and knows how to take time revealing them 
will not be for much longer 
an hour and a half of joyful solo performance 
the sentimental oh-those-wacky-brits genre 
kind 
is a towering siren . 
the too-hot-for-tv direct-to-video/dvd category , and 
gives us episodic choppiness , undermining the story 's emotional thrust 
the only fun part of the movie is playing the obvious game . 
, like max rothman 's future , does not work . 
it all the more compelling 
bouncy score 
cheery and 
want to smash its face in 
for that sense of openness , the little surprises 
the human story is pushed to one side 
highly uneven and 
kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again . 
fudges fact and fancy with such confidence that we feel as if we 're seeing something purer than the real thing 
of drooling idiots 
poorly executed comedy . 
really bad blair witch project 
leaves him shooting blanks 
barely shocking , barely interesting and most 
formidable 
a ton of laughs that everyone can enjoy 
the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
it 's a terrible movie in every regard , and utterly painful to watch . 
that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
realizes a fullness that does not negate the subject 
is solid 
particularly well made 
by a master 
of deja vu 
at times a bit melodramatic and even a little dated ( depending upon where you live ) , ignorant fairies is still quite good-natured and not a bad way to spend an hour or two . 
hollow , self-indulgent , and 
, not as gloriously flippant as lock , stock and two smoking barrels , 
a great cast and 
richly entertaining and suggestive 
drawing flavorful performances 
after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here , it 's a matter of finding entertainment in the experiences of zishe and the fiery presence of hanussen . 
to avoid being recognized as the man who bilked unsuspecting moviegoers 
to an imitation movie 
deeply satisfying 
that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
yawning 
what 's most offensive is n't the waste of a good cast , but the film 's denial of sincere grief and mourning in favor of bogus spiritualism . 
a terrible movie 
rewarded 
witch project real-time roots 
hollow mockumentary 
self-mocking , 
a very ambitious project 
devastated by war , famine and poverty and 
nice piece 
the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise 
this is one of the outstanding thrillers of recent years . 
is n't necessarily an admirable storyteller . 
an achingly enthralling premise , 
susceptible to blue hilarity , 
beautiful than either of those films 
in the service of the lovers who inhabit it 
do n't blame eddie murphy but should n't 
interesting cinematic devices ( cool visual backmasking ) , a solid cast , 
but strangely believable 
are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition 
of its execution and skill of its cast 
a good film with a solid pedigree both in front of and , more specifically , behind the camera 
best war movies 
fan 
my problem with the movie 's final half hour 
hitting your head 
fierce 
toothless dog 
never decides whether it wants to be a black comedy , drama , melodrama or some combination of the three . 
a forcefully quirky tone that quickly wears out its limited welcome 
gorgeous to look at 
is both contrived and cliched 
maximum comfort and familiarity 
endlessly superficial . 
an uncomfortable experience , but 
plays it straight , turning leys ' fable into a listless climb down the social ladder 
worst film 
having much that is fresh to say about growing up catholic or , really , anything 
but the second half of the movie really goes downhill . 
especially well-executed 
k-19 sinks to a harrison ford low . 
absorbing 
s1m0ne 's satire is not subtle , but it is effective . 
thirteen conversations about one thing , for all its generosity and optimism , never resorts to easy feel-good sentiments 
but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half 
it takes a really long , slow and dreary time to dope out what tuck everlasting is about . 
ludicrous film 
kicking undead *** 
, vibrant introduction 
the good girl is a film in which the talent is undeniable 
bowling for columbine '' remains a disquieting and thought-provoking film ... 
a dashing and absorbing outing with one of france 's most inventive directors . 
chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
on opting out of any opportunity for finding meaning in relationships or work 
highest production values 
horse feathers 
a game supporting cast 
though the film is static , its writer-director 's heart is in the right place , his plea for democracy and civic action laudable . 
of a culture in conflict 
inexcusable 
despite its promising cast of characters 
any way demeaning its subjects 
to losing my lunch 
clumsily 
i liked it because it was so endlessly , grotesquely , inventive . 
that the rich promise of the script will be realized on the screen 
that will have you at the edge of your seat for long stretches 
slippery self-promoter 
a beguiling evocation of the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions . 
greatest play 
s&m 
a sense of light-heartedness , that makes it attractive throughout 
swinging , the film makes it seem , is not a hobby that attracts the young and fit . 
plodding soap opera disguised as a feature film 
left me behind 
decidedly flimsier with its many out-sized , out of character and logically porous action set 
, mouthpieces , visual motifs , blanks . 
as looking , sounding and simply feeling like no other film in recent history 
can only point the way -- but thank goodness for this signpost . 
a really special walk 
tends to do a little fleeing of its own . 
nair 's attention to detail creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances . 
pretty good team 
a clear-eyed portrait 
, k-19 sinks to a harrison ford low . 
sexy 
the grandkids or the grandparents 
do n't get paid enough to sit through crap like this 
most deceptively amusing 
taken seriously 
largely improvised 
zero thrills , too many flashbacks and a choppy ending make for a bad film . 
film that 's flawed and brilliant in equal measure . 
, that 's a liability . 
a funny and touching film that is gorgeously 
the chocolate factory without charlie . 
most romantic 
we admire this film for its harsh objectivity and refusal to seek our tears , our sympathies . 
promise 
hilarious adventure 
keeps this pretty watchable 
the kind of insouciance embedded in the sexy demise of james dean 
he 's made at least one damn fine horror movie 
chokes 
if villainous vampires are your cup of blood , blade 2 is definitely a cut above the rest . 
rehashes several old themes 
stuffy and pretentious 
slapping its target audience in the face by shooting itself in the foot 
overplayed and exaggerated 
is an undeniably fascinating and playful fellow 
to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
probes in a light-hearted way the romantic problems of individuals 
more of the ` laughing at ' variety than the ` laughing with 
more experimental 
even betters it 
well-written and occasionally challenging 
's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
a matter of plumbing arrangements and mind games 
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning 
new zealand coming-of-age movie 
the film is blazingly alive and admirable on many levels . 
fare , with enough 
what ?!? 
... a gleefully grungy , hilariously wicked black comedy ... 
with its shape-shifting perils , political intrigue and brushes 
directed but terminally cute drama . 
superbly 
's betting her third feature will be something to behold 
eccentric and good-naturedly 
is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once . 
so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles 
a fairly revealing study 
and crudely literal 
continues . 
sounding 
a striking style 
over and over again . 
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve 
hormonal melodrama 
it looks good , but it is essentially empty 
entirely persuasive 
makes up for in heart what it lacks in outright newness 
in praise of love 
one very funny joke and a few other decent ones 
surrounded by open windows 
grace this deeply touching melodrama . 
of the best inside-show-biz 
an important director 
juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre 
earned my indignant , preemptive departure 
an intimate contemplation of two marvelously 
more smarts 
becomes claustrophobic 
rescue adrian lyne 's unfaithful from its sleazy moralizing 
intelligent romantic thriller 
as a director , paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip . 
immensely ambitious , different than anything that 's been done before and 
, about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater . 
very shapable but largely unfulfilling present 
prejudice 
one relentlessly depressing situation after another for its entire running time 
seen a film so willing to champion the fallibility of the human heart 
do no wrong with jason x. 
great script 
is great fun , full of the kind of energy it 's documenting . 
has its heart 
this real-life hollywood fairy-tale is more engaging than the usual fantasies hollywood produces . 
she 's pretty 
and social commentary 
bright , intelligent , and humanly funny film . 
the spirits of these young women 
debilitating 
dumb fart jokes 
eloquence 
the gutless direction by laurice guillen 
it 's never laugh-out-loud funny , but it is frequently amusing 
much funnier film 
will object to the idea of a vietnam picture with such a rah-rah , patriotic tone 
escape 
to build up a pressure cooker of horrified awe 
friendship , love 
dazzle 
: the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining . 
the film is saved from are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition . 
work of extraordinary journalism 
sad nonsense , this . 
the characters inhabit into a poem of art , music and metaphor 
present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
i loved on first sight and , even more important , 
that works even without vulgarity , sex scenes , and cussing 
shimmers with it 
the cheesiest 
in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor 
it 's excessively quirky and a little underconfident in its delivery , but 
moonlight mile does n't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy . 
an affectionately goofy satire 
indoors in formal settings with motionless characters 
's pauly shore awful 
matches about it . 
is sadly heightened by current world events 
a major-league leading lady 
a taut , sobering film . 
fits into a classic genre 
corpse 
's as good as you remember . 
goes on and on to the point of nausea . 
bordering on offensive , waste of time , money and celluloid 
unbalanced 
message resonate 
that goes a long way toward keeping the picture compelling 
population 
more disciplined grade-grubbers 
seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves 
too textbook to intrigue 
unforced naturalism 
appear avant-garde 
at least a few good ideas 
technically proficient and without the pop-up comments 
completely lacking in chills 
's still a rollicking good time for the most part 
splendid meal 
is so film-culture referential that the final product is a ghost 
, mr. rose 's updating works surprisingly well . 
a sentimental but entirely irresistible portrait 
in this film , which is often preachy and poorly acted 
solid , spooky 
does n't sustain a high enough level of invention . 
that its visual imagination is breathtaking 
insightful writer/director 
is definitely worth 
provided his own broadside 
sound like it was co-written by mattel executives and lobbyists for the tinsel industry 
herzog simply runs out of ideas and 
raises some worthwhile themes while delivering a wholesome fantasy for kids . 
's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream 
it 's all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect . 
dark , funny humor 
flat-out amusing 
, sweet ` evelyn 
thoughtless 
well-balanced fashion 
to commend it to movie audiences both innocent and jaded 
this in the right frame of mind 
is well-crafted 
great film 
plays like a bad soap opera 
an exhilarating new interpretation 
fewer deliberate laughs , more inadvertent ones and stunningly trite songs 
this film biggest problem 
shame on writer/director vicente aranda 
spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) 
, circuit is the awkwardly paced soap opera-ish story . 
definitive 
here lacks considerable brio . 
sometimes endearing 
its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
achieving the modest , crowd-pleasing goals it sets for itself 
restrictive 
spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man . 
is probably the funniest person in the film , which gives you an idea just how bad it was . 
magic and is enjoyable family fare 
are n't interesting enough to watch them go about their daily activities for two whole hours 
all about a wild-and-woolly , wall-to-wall good time 
cheap hysterics 
with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling 
numb 
narcissism and self-congratulation disguised as a tribute 
tries its best 
to tiresome jargon 
read my lips is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema . 
avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type 
of despair about entrapment in the maze of modern life 
the light comedic work of zhao benshan and the delicate ways of dong jie 
will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus . 
want to slap it 
a well loved classic 
when the fire burns out , we 've only come face-to-face with a couple dragons 
it 's never laugh-out-loud funny , 
a bit anachronistic 
fair amount 
effort to put a human face on the travail of thousands of vietnamese 
george clooney , in his first directorial effort , presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years . 
regard 
ridiculous 
is hindered by uneven dialogue and plot lapses 
it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started 
an unsuccessful attempt at a movie of ideas 
half past dead is like the rock on a wal-mart budget 
vintage looney tunes 
's refreshing to see a romance this smart 
unexpected heights 
the strength of the film lies in its two central performances by sven wollter as the stricken composer and viveka seldahl as his desperate violinist wife . 
us plenty of sturm 
comes in the power of the huston performance , which seems so larger than life and yet so fragile 
prevents 
unoriginal terms 
from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew 
to its ultimate demise 
forced to reflect that its visual imagination is breathtaking 
efficient , suitably anonymous chiller 
holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin . 
of the family vacation 
a thoughtful examination 
than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
art house pretension . 
leaving the character of critical jim two-dimensional and pointless 
while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii . 
will linger long after this film has ended 
, knockaround guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast . 
an actress whose face projects that woman 's doubts and yearnings 
you would n't want to live waydowntown 
awful movie 
however , almost makes this movie worth seeing . 
she 's appealingly manic and energetic . 
a geriatric 
tear-drenched quicksand 
wonderful 
the slightly flawed ( and fairly unbelievable ) finale , 
an unbalanced mixture of graphic combat footage and 
, it gets to you . 
clueless 
is well worthwhile 
even felinni would know what to make of this italian freakshow . 
is that its dying , in this shower of black-and-white psychedelia , is quite beautiful 
of people who sadly are at hostile odds with one another through recklessness and retaliation 
're looking for something new and hoping for something entertaining 
ice cube is n't quite out of ripe screwball ideas , but friday after next spreads them pretty thin . 
limited chemistry 
attractive and 
nothing here seems as funny as it did in analyze this , not even joe viterelli as de niro 's right-hand goombah . 
serene 
sheerly beautiful 
; the problem is he has no character , loveable or otherwise . 
feel contradictory things 
is nothing to sneeze at these days 
deeply moving effort to put a human face on the travail of thousands of vietnamese 
aimlessly and 
study that made up for its rather slow beginning by drawing me into the picture 
a charming , banter-filled comedy 
although largely a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse , the film retains ambiguities that make it well worth watching . 
a buoyant , expressive flow of images 
the filmmakers keep pushing the jokes at the expense of character until things fall apart . 
was ever a movie where the upbeat ending feels like a copout 
much better mother-daughter tale 
, but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel 
that you 'll be as bored watching morvern callar as the characters are in it 
above-average 
working from a surprisingly sensitive script co-written by gianni romoli 
makes the clothes 
, the movie makes two hours feel like four . 
far from heaven is a dazzling conceptual feat 
's so badly made on every level that i 'm actually having a hard time believing people were paid to make it 
the mood , look and tone of the film fit the incredible storyline to a t. 
rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday 
is a masterpiece . 
formulaic and stilted 
a true believer 
's so poorly made , on all levels , that it does n't even qualify as a spoof of such 
viva le 
the more you think about the movie , the more you will probably like it . 
might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares 
in a way that verges on the amateurish 
a straightforward , emotionally honest manner 
geared toward maximum comfort and familiarity 
stare and sniffle 
saving 
though this rude and crude film does deliver a few gut-busting laughs 
is worth seeking 
it lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences 
so insanely stupid , so awful in so many ways 
diverges from anything 
andrei 
their parents ' anguish 
the superior plotline is n't quite enough to drag along the dead ( water ) weight of the other . 
i 'm not even a fan of the genre 
who understands how to create and sustain a mood 
ararat feels like a book report 
gets added disdain for the fact that it is nearly impossible to look at or understand 
limited 
the film oozes craft . 
notable largely for its overwhelming creepiness , for an eagerness 
when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
it 's funny and human and really pretty damned wonderful , all at once . 
of weighty revelations , flowery dialogue , and nostalgia for the past 
vibrantly colored and beautifully designed 
of ` eh 
despite engaging offbeat touches , knockaround guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast . 
its crapulence 
has enough moments to keep it entertaining . 
like many western action films , this thriller is too loud and thoroughly overbearing , but its heartfelt concern about north korea 's recent past and south korea 's future adds a much needed moral weight . 
a random series of collected gags , pranks , pratfalls , dares , injuries , etc . 
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing 
fresh territory 
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and 
strikes hardest ... when it reminds you how pertinent its dynamics remain 
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and he 's got as potent a topic as ever here . 
a new scene 
appearing in this junk that 's tv sitcom material at best 
trained to live out and carry on their parents ' anguish 
'm sure the filmmakers found this a remarkable and novel concept 
engaging and 
yarns ever 
without being insightful 
the film 's thoroughly recycled plot 
smart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play . 
'll probably love it . 
discloses almost nothing 
weird and wonderful comedy 
's quite an achievement to set and shoot a movie at the cannes film festival and 
accompanying the stunt-hungry dimwits 
the film special 
winning tone 
take pleasure 
blah characters 
what 's worse 
we 've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world . 
love liza 
gender-provoking 
this pathetic junk 
releasing 
the huge stuff in life can usually be traced back to the little things 
acted , emotionally devastating piece 
offend 
is an extraordinary film , not least because it is japanese and yet feels universal 
` punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . ' 
strong themes 
celluloid heaven 
of all the halloween 's , this is the most visually unappealing . 
disingenuous 
boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years 
to admit i walked out of runteldat 
, deceit and murder 
well-crafted 
what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster 
endearing . 
a film that loses sight of its own story . 
significantly different ( and better ) than most films 
to creep the living hell out of you 
offers rare insight into the structure of relationships . 
'' never cuts corners . 
fool 
's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable 
so vivid 
life and small delights 
you expect and often surprises you with unexpected comedy 
even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose 
you to give it a millisecond of thought 
vividly demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop . 
is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy . 
i have a new favorite musical 
flopping 
minor classic 
you will probably have a reasonably good time with the salton sea . 
, remains surprisingly idealistic 
the best animated 
that provides a rounded and revealing overview of this ancient holistic healing system 
a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance 
presents a frightening and compelling ` what if ? 
another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled 
have been much better 
of his rental car 
is eerily convincing as this bland blank of a man with unimaginable demons within 
just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy 
the kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
crass , then gasp for gas , 
taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving 
( allen 's ) best works understand why snobbery is a better satiric target than middle-america diversions could ever be . 
cutting and blurry 
begins on a high note and sustains it beautifully . 
semi-surrealist exploration of the creative act 
through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel 
have to see this ! 
a director enjoying himself immensely 
doubt the filmmakers ' motives 
satin rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
can not overcome blah characters 
wrapped up in the characters 
the depths 
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world 
horrible '' and `` terrible 
appetizer that leaves you wanting more . 
elevates the experience 
the intelligent , well-made b movie 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted 
i thought the relationships were wonderful , the comedy was funny , and the love ` real ' . 
deflated as he does 
through all too painfully 
a meditation on the deep deceptions of innocence 
most of the work 
as deflated as he does 
soap opera that tornatore was right to cut 
this is a smart movie that knows its classical music , knows its freud and knows its sade . 
effort to understand everyone 's point of view 
shorter than britney 's cutoffs 
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy 
make the most of the large-screen format 
of a film that are still looking for a common through-line 
its impressive images of crematorium chimney fires and stacks of dead bodies 
smack of a hallmark hall of fame 
a movie that is concerned with souls and risk and schemes and the consequences of one 's actions 
unsympathetic 
she 's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness . 
his most ardent fans 
overeager 
is not a bad film . 
this listless feature 
no clear-cut hero 
to mind : so why is this so boring ? 
my two hours better watching 
out there ! 
wes craven 's presence is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend . ' 
bothered to construct a real story this time 
oozing with attractive men 
lucks out with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
the grieving process 
appealing veneer 
a fairly inexperienced filmmaker 
the plot kicks into gear 
distanced us from the characters 
pleasure . 
zero . 
is dreary and sluggish . 
delights for adults as there are for children and dog lovers 
we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
before landing squarely on `` stupid '' 
into a few evocative images and striking character traits 
offensive and nothing at all like real life 
debut effort by `` project greenlight '' winner 
garnered from years of seeing it all , a condition only the old are privy to , and ... 
the full monty , but 
making the proceedings more bizarre than actually amusing 
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , 
will once again be an honest and loving one 
manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves 
not good enough 
filled with low-brow humor , gratuitous violence and a disturbing disregard 
aggressively anti-erotic 
does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas 
what a concept , what an idea , what a thrill ride . 
teeth-gnashing 
that might otherwise separate them 
really , really good things can come in enormous packages 
smart , steamy mix 
has never been smoother or more confident . 
eloquently about the symbiotic relationship between art and life 
very well shot or composed or edited 
drowns out 
seems like someone going through the motions . 
k 19 stays afloat as decent drama/action flick 
has intentionally left college or was killed 
learned the hard way just 
carvey 's rubber-face routine is no match for the insipid script he has crafted with harris goldberg . 
good and ambitious film 
a movie that will surely be profane , politically charged music to the ears of cho 's fans . 
the dialogue is cumbersome , the simpering soundtrack and editing more so 
a pleasing , often-funny comedy 
wise and knowing 
despite terrific special effects and funnier gags , harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore . 
distaste 
spectacularly outrageous 
an inventive 
gives us episodic choppiness , undermining the story 's emotional thrust . 
the most horrific movie experience 
... one resurrection too many . 
is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is . 
an exclamation point 
( allen ) 
of holes that will be obvious even to those who are n't looking for them 
wilco is a phenomenal band with such an engrossing story that will capture the minds and hearts of many . 
a so-called ` comedy ' and not laugh 
while cherish does n't completely survive its tonal transformation from dark comedy to suspense thriller 
the visuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime look-see . 
ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue 
found his groove these days 
all its moodiness 
has some special qualities and the soulful gravity of crudup 's anchoring performance . 
zero compelling storyline 
the color sense of stuart little 2 is its most immediate and most obvious pleasure 
is meaningful or memorable 
's so badly made on every level that i 'm actually having a hard time believing people were paid to make it . 
such a bore 
what makes this film special 
that reopens an interesting controversy and never succumbs to sensationalism 
is so deadly dull that watching the proverbial paint dry would be a welcome improvement 
, the movie stirs us as well . 
otherwise appalling 
a mediocre one 
in execution 
in its chicken heart , crush goes to absurd lengths to duck the very issues it raises . 
are less than adorable 
cold 
a shabby script 
that everyone can enjoy 
dim-witted and lazy spin-off 
had more fun watching spy than i had with most of the big summer movies . 
grand as the lord of the rings 
to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests 
biting and witty feature 
a chuckle 
a vat of failed jokes , twitchy acting , and general boorishness 
it ai n't art , by a long shot , but unlike last year 's lame musketeer , this dumas adaptation entertains . 
olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation 
on character 
any way of gripping what its point is , 
totally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are the greatest musicians of all time . 
but very pleasing at its best moments 
is small in scope , yet perfectly formed . 
was vile enough . 
love affair 
he forgets to make it entertaining 
have a hard time believing it was just coincidence 
hate it 
knockaround guys plays like a student film by two guys who desperately want to be quentin tarantino when they grow up . 
is a treat . 
is turning in some delightful work on indie projects 
disturbing 
into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality 
someone other than the director got into the editing room and tried to improve things by making the movie go faster 
passions , obsessions , and loneliest dark spots are pushed to their most virtuous limits , lending the narrative an unusually surreal tone . 
by the incessant use of cell phones 
dredge 
ca n't help but feel ` stoked . ' 
from oscar-winning master 
still , it just sits there like a side dish no one ordered . 
will argue that it ranks with the best of herzog 's works 
get back to your car in the parking lot 
some futile concoction 
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and barry 's cold-fish act makes the experience worthwhile 
hollywood concoction 
heartening 
some savvy producer 
abyss 
way off 
swooping down on a string of exotic locales , 
offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies 
it dabbles all around , never gaining much momentum . 
might go down as one of the all-time great apocalypse movies . 
ever see one of those comedies that just seem like a bad idea from frame one 
designed to give some of the characters a ` back story 
offers some flashy twists and turns that occasionally fortify this turgid fable . 
see a movie 
the master of disguise represents adam sandler 's latest attempt to dumb down the universe . 
love the piano teacher 
a live-wire film that never loses its ability to shock and amaze . 
hardly an objective documentary , but it 's great cinematic polemic ... love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions . 
not-so-funny gags 
all the annals 
to direct-to-video irrelevancy 
inventive action sequences 
well-done supernatural thriller with keen insights 
go unnoticed and underappreciated 
meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat 
that made up for its rather slow beginning by drawing me into the picture 
be excited that it has n't gone straight to video ? 
very inspiring or insightful 
the movie is more interested in entertaining itself than in amusing us 
his maudlin ending 
more interesting -- 
the wonderful acting clinic put on by spader and gyllenhaal 
anyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed 
be too narrow to attract crossover viewers 
what 's best about drumline is its energy 
modern-day royals 
amazing film work 
more like a travel-agency video targeted at people who like to ride bikes 
often hilarious 
lulled into a coma 
portrays young brendan with his usual intelligence and subtlety , 
the bard as black comedy -- willie would have loved it . 
haranguing the wife in bad stage dialogue 
is interminable 
put off by the film 's austerity 
many a moon about the passions that sometimes fuel our best achievements and other times 
proves once again that a man in drag is not in and of himself funny . 
el crimen del padre amaro would likely be most effective if used as a tool to rally anti-catholic protestors . 
one can honestly describe as looking , sounding and simply feeling like no other film in recent history 
balances both traditional or modern stories together 
though jackson does n't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape , it must be said that he is an imaginative filmmaker who can see the forest for the trees . 
is nothing short of a great one 
uncovers a trail of outrageous force and craven concealment . 
runs around and 
its message has merit and , in the hands of a brutally honest individual like prophet jack , might have made a point or two regarding life . 
unerring respect 
screenplay to keep the film entertaining 
seventy-minute running time 
never existed 
overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities 
intelligent manner 
jackass is a vulgar 
what ` blade runner ' would 've looked like as a low-budget series on a uhf channel . 
soderbergh 's best films , `` erin brockovich , '' `` out of sight '' 
is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work . 
cold , pretentious 
too much of the movie feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks . 
a deep vein of sadness 
's pleasant enough 
is still a deeply moving effort to put a human face on the travail of thousands of vietnamese 
've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ... 
be as subtle and touching as the son 's room 
hold our attention 
believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film 
holmes has the screen presence to become a major-league leading lady , ( but ) 
never lets you off the hook . 
designed to fill time 
saddest 
it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump 
by sparking debate and encouraging thought 
never quite gel 
though you rode the zipper after eating a corn dog and an extra-large cotton candy 
though it runs 163 minutes 
boasts a handful of virtuosic set pieces and 
find ourselves surprised at how much we care about the story 
's good enough . 
gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection . 
a listless sci-fi comedy in which eddie murphy deploys two 
of warmth and gentle humor 
south korea 's future 
an ideal love story for those intolerant of the more common saccharine genre . 
one of those joyous films that leaps over national boundaries and celebrates universal human nature . 
makes a valiant effort to understand everyone 's point of view 
a more ambitious movie 
surprisingly well 
sordid of human behavior on the screen , 
feel fully 
works spectacularly well ... a shiver-inducing , nerve-rattling ride 
are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely . 
dogtown & z-boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean . 
the uncanny , inevitable and seemingly shrewd facade of movie-biz farce 
uncompromising artists trying to create something original 
... wise and elegiac ... 
the plot holes 
wending its way to an uninspired philosophical epiphany 
the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
the story plays out slowly 
cliched and 
a strong-minded viewpoint , 
unpleasant debate that 's been given the drive of a narrative and that 's been acted out 
such a gloriously goofy way 
rock-solid 
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but few can argue that the debate it joins is a necessary and timely one . 
, funny humor 
in a way that bespeaks an expiration date passed a long time ago 
angry and sad 
a great party 
if the screenplay falls somewhat short 
recommend this film more 
hugely rewarding 
's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible . 
mattei 's underdeveloped effort 
padded . 
, haynes ( like sirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange . 
could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking 
loses its ability to shock and amaze . 
the film is a hilarious adventure 
muccino , who directed from his own screenplay , is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex . 
cheesy fun factor 
b.s. 
charming , 
the best and most mature comedy of the 2002 summer season 
perry 's good and his is an interesting character , 
is little else to recommend `` never again 
look at a slice of counterculture that might be best forgotten . 
some blondes , ( diggs ) should be probing why a guy with his talent ended up in a movie this bad . 
one fantastic ( and educational ) 
is a shrewd and effective film from a director who understands how to create and sustain a mood 
of a raindrop 
on it 
convey a sense of childhood imagination 
an enjoyable choice for younger kids 
unimaginable horror 
looks like a drag queen 
the movie in a superficial way , while never sure 
's a smart , funny look at an arcane area of popular culture 
only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks 
a highly gifted 12-year-old 
foul 
lacked 
stare and sniffle , respectively , as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design 
's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' . 
the marvelous first 101 minutes have to be combined with the misconceived final 5 
not-so-funny gags , scattered moments of lazy humor 
by surrounding us with hyper-artificiality 
, you 're gon na like this movie . 
show us a good time 
is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast . 
was so endlessly , grotesquely 
, unnecessary 
a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events 
louiso lets the movie dawdle in classic disaffected-indie-film mode , 
troubling and powerful . 
univac-like script machine 
the actors are simply too good , 
, subtlety has never been his trademark 
about its ideas and 
as literary desecrations go 
a wonderful subject 
hedonistic 
eddie murphy and owen wilson have a cute partnership in i spy , but the movie around them is so often nearly nothing that their charm does n't do a load of good . 
its premise is smart , 
theological matters aside , the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues . 
grace this deeply touching melodrama 
another night 
to deliver a fair bit of vampire fun 
an expert thriller 
adams just copies 
t 's certainly laudable that the movie deals with hot-button issues in a comedic context 
merely bad rather than painfully awful 
's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt 
i never thought i 'd say this , but i 'd much rather watch teens poking their genitals into fruit pies ! 
spectacularly beautiful , not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing . 
film to watch 
universal appeal 
know i would have liked it more if it had just gone that one step further 
i never thought i 'd say this , but i 'd much rather watch teens poking their genitals into fruit pies 
think , zzzzzzzzz 
as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators 
utterly convincing 
the clumsy cliché of the ugly american 
, will find morrison 's iconoclastic uses of technology to be liberating . 
seem twice as long 
must be given to the water-camera operating team of don king , sonny miller , and michael stewart . 
, hollywood ending is a depressing experience 
is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy 
by avary 's failure to construct a story with even a trace of dramatic interest 
vibrantly colored and 
certainly an entertaining ride , despite many talky , slow scenes . 
a sensitive , cultivated treatment 
surprisingly shoddy 
whose pervasive quiet 
hard-core slasher aficionados will find things to like ... but overall the halloween series has lost its edge 
true to the essence of what it is to be ya-ya 
has some quietly moving moments and an intelligent subtlety 
inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction 
eccentric and 
is a kind , unapologetic , sweetheart of a movie 
amateur ' in almost every frame 
a warm , enveloping affection 
it 's that painful . 
none of this so-called satire has any sting to it , as if woody is afraid of biting the hand that has finally , to some extent , warmed up to him . 
thoughtful , reverent portrait 
best gay love stories 
is little else to recommend `` never again . 
exceedingly memorable one 
create an engaging story that keeps you guessing at almost every turn 
mysterious 
offers piercing domestic drama with spikes of sly humor . 
's a hellish 
he 's well worth spending some time with 
gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging 
love and bloodletting 
the great pity is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home . 
white 's intermittently wise script 
that secret ballot is a comedy , both gentle and biting 
a sweet , laugh-a-minute crowd pleaser 
somewhere inside the mess that is world traveler 
bratty 
say for plenty of movies 
about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers 
relentlessly folksy 
the best case 
your nose 
, it 's still a sweet , even delectable diversion . 
's a spirited film and a must-see 
a handful of smart jokes 
as laugh-out-loud lunacy with a pronounced monty pythonesque flavor 
needs to overcome gaps in character development and story logic 
just a bunch of good actors flailing around in a caper that 's neither original nor terribly funny 
a strong thumbs 
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation while delivering a more than satisfactory amount of carnage . 
tension , eloquence , spiritual challenge -- 
its heartfelt concern 
not so much farcical as sour . 
no charm , no laughs 
multilayered and sympathetic 
to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
filled with strange and wonderful creatures 
see it 
me no lika da accents so good 
works because reno does n't become smug or sanctimonious towards the audience . 
being very inspiring or insightful 
martial arts 
particularly joyless , 
some of the visual flourishes 
adroit but finally 
heartfelt 
scenery , vibe 
the film lapses 
an ill-conceived jumble that 's not scary , not smart and not engaging . 
increasingly incoherent 
, you 're desperate for the evening to end . 
bears more than a whiff of exploitation , 
it forces you to watch people doing unpleasant things to each other and themselves , and 
is a movie filled with unlikable , spiteful idiots ; 
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material 
at a time when commercialism has squeezed the life out of whatever idealism american moviemaking ever had 
reminds us how realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
jason patric and ray liotta make for one splendidly cast pair . 
if pointless excursion 
that should have been the ultimate imax trip 
loved the people onscreen , even though i could not stand them . 
this utterly ridiculous shaggy dog story as one 
are especially fine . 
this ambitious comic escapade 
lustrous polished visuals 
leave it 
the exuberant openness with which he expresses our most basic emotions 
walked out muttering words like `` horrible '' and `` terrible , '' but 
boasts a handful of virtuosic set pieces 
brought back the value and respect for the term epic cinema 
loses its sense of humor in a vat of failed jokes , twitchy acting , and general boorishness . 
we never feel anything for these characters , 
rather frightening 
thought would leave you cold 
overly-familiar and poorly-constructed comedy 
alluring 
captures , in luminous interviews and amazingly evocative film from three decades ago 
it 's going to be a trip 
story becomes a hopeless , unsatisfying muddle 
rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative 
while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself 
that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries 
an hour-and-a-half-long commercial for britney 's latest album 
because it plays everything too safe 
botched 
the superficial tensions of the dynamic he 's dissecting 
the wanton slipperiness 
the silly and crude storyline 
set out to lampoon , anyway 
itself -- as well its delightful cast -- is so breezy 
this seductive tease of a thriller 
nightmare 
if you 're looking for an intelligent movie in which you can release your pent up anger , enough is just the ticket you need . 
lacks even the most fragmented charms i have found in almost all of his previous works 
reality tv obsession 
surprisingly inoffensive 
the women look more like stereotypical caretakers and moral teachers , instead of serious athletes 
her real-life persona is so charmless and vacant 
strong themes of familial ties 
is intriguing , provocative stuff . 
great party 
it 's equally distasteful to watch him sing the lyrics to `` tonight . '' 
seems to play on a 10-year delay 
made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
( seagal 's ) strenuous attempt 
the action is stilted and the tabloid energy embalmed 
every indulgent , indie trick in the book 
maybe leblanc thought , `` hey , the movie about the baseball-playing monkey was worse . '' 
'll be rewarded with some fine acting . 
shows he can outgag any of those young whippersnappers making moving pictures today . 
so bad in a major movie 
this is pure , exciting moviemaking . 
suitable summer entertainment 
in the end , the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate . 
its exquisite acting 
, evans is no hollywood villain 
for too long and bogs down in a surfeit of characters and unnecessary subplots 
central flaw 
of its pretensions 
it was written for no one 
of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother 
, nor why he keeps being cast in action films when none of them are ever any good 
a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad 
from too much norma rae and not enough pretty woman 
's his strongest performance since the doors 
horrible 
gradually accumulates more layers 
bad prose 
lies a plot cobbled together from largely flat and uncreative moments . 
the thought of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes ( of which they 'll get plenty ) 
so much crypt mist in the brain 
as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese 
hard to conceive anyone else in their roles 
a work that lacks both a purpose and a strong pulse . 
is in many ways a conventional , even predictable remake 
drama of temptation , salvation and good intentions is a thoughtful examination of faith , love and power . 
just plain crap 
this is a movie that refreshes the mind and spirit along with the body , 
plodding action sequences 
while he talks 
visually ravishing 
phenomenal performances 
familiar and predictable , and 
desperation 
only seems to care about the bottom line 
will marvel at the sometimes murky , always brooding look of i am trying to break your heart . 
callow pretension 
is greatness here 
comfortable niche 
it 's never as solid as you want it to be 
i 'd recommend waiting for dvd and just skipping straight to her scenes . 
like its title character , this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end . 
works on any number of levels 
mystery devoid 
, enigma offers all the pleasure of a handsome and well-made entertainment . 
surprising highs , sorrowful lows and hidden impulsive niches ... 
a complete waste 
the unexpected thing is that its dying , in this shower of black-and-white psychedelia , is quite beautiful . 
the corpse count ultimately overrides what little we learn along the way about vicarious redemption . 
moving documentary 
slam-bang 
goosebumps 
the right stuff for silly summer entertainment 
trash cinema 
be the biggest husband-and-wife disaster since john 
abused 
does because ( the leads ) are such a companionable couple 
who sometimes defies sympathy 
of the discomfort and embarrassment of being a bumbling american in europe 
worse stunt editing 
solid family fun 
lucks 
savor whenever the film 's lamer instincts are in the saddle 
i was trying to decide what annoyed me most about god is great 
feeling a part of its grand locations 
a new idea 
an interesting look behind the scenes of chicago-based rock group wilco ... 
too many wrong turns 
do n't get paid enough to sit through crap like this . 
bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate 
transfixes the audience . 
the similarly ill-timed antitrust 
with intelligence and care 
clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set 
most pleasurable movies 
from the cutting-room floor of any given daytime soap 
's a dull girl , that 's all . 
a reworking of die hard and cliffhanger 
one who proves that elegance is more than tattoo deep 
the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati 
never clearly defines his characters or gives us a reason to care about them . 
the adjective ` gentle ' applies 
bogs down in a surfeit of characters 
is a success . 
confusing and horrifying vision 
is disposable 
are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care . 
but certainly not without merit 
showing us well-thought stunts or a car chase 
its excellent use 
's fun for kids of any age . 
is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients 
it is n't very good 
calls attention to a problem hollywood too long has ignored 
the sword fighting is well done and auteuil is a goofy pleasure . 
so overwrought you 'd swear he just stepped out of a buñuel retrospective 
it squanders chan 's uniqueness ; it could even be said to squander jennifer love hewitt ! 
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ; it completely contradicts everything kieslowski 's work aspired to , including the condition of art . 
is surprisingly brilliant 
wickedly funny , visually engrossing , 
is one of the outstanding thrillers of recent years 
's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark . 
are strong , though the subject matter demands acting that borders on hammy at times 
is probably the funniest person in the film , which gives you an idea just how bad it was 
period drama and flat-out farce that should please history fans 
makes compelling , provocative and prescient viewing . 
i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
the screenplay does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen . 
all movie 
from its ripe recipe , inspiring ingredients , certified 
compelling 
comic relief 
pure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance 
cheery and tranquil 
the simpering soundtrack 
absorbing character study by andré turpin . 
that strikes a very resonant chord 
be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor 
seem tired and , what 's worse , routine 
each scene drags , underscoring the obvious , and sentiment is slathered on top . 
a new kind of high 
colorful , joyous celebration 
even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament 
labors as storytelling 
succeeds as a well-made evocation 
embellished by editing 
a waterlogged version of ` fatal attraction ' for the teeny-bopper set ... a sad , soggy potboiler that wastes the talents of its attractive young leads 
son of the bride , proves it 's never too late to learn . 
from pinnacle to pinnacle 
funny , somber , absurd , and , finally , achingly sad 
say it was a guilty pleasure 
feel the screenwriter at every moment ` tap , tap , tap , tap , tapping away ' on this screenplay 
of both adventure and song 
a sweet and modest and ultimately winning story 
although disney follows its standard formula in this animated adventure , it feels more forced than usual . 
pick up the slack 
being very funny 
this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence 
nowheresville 
bored by as your abc 's 
the best disney movie 
energy and innovation 
threadbare comic setups 
shock-you-into-laughter 
is worth the price of admission . 
the john wayne classics 
stroke 
more racist portraits 
yet can not recommend it , because it overstays its natural running time 
is a masterfully 
an appalling ` ace ventura ' rip-off 
of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
films had the ability to mesmerize , astonish and entertain 
every bit as distinctive 
insanely stupid 
powerful emotional wallop 
has solid acting and a neat premise 
escapes the precious trappings of most romantic comedies , infusing into the story 
an entertaining ride , despite many talky , slow scenes 
spirituality that are powerful and moving without stooping to base melodrama 
strangely schizo cartoon 
she 's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations . 
the road to perdition leads to a satisfying destination 
i felt trapped and with no obvious escape for the entire 100 minutes . 
achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation . 
escapes the precious trappings of most romantic comedies , infusing into the story very real , complicated emotions . 
's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan 
as monstrous 
lets you brush up against the humanity of a psycho 
accumulated enjoyment 
, the tuxedo does n't add up to a whole lot . 
its recycled aspects 
griffin & co. manage to be spectacularly outrageous . 
enthrall the whole family 
it 's no lie 
appeal to women 
bittersweet contemporary comedy 
to a higher level 
does n't have a passion for the material 
like a recycling of clichés , an assassin 's greatest hits 
stuck around for this long 
yet another tired old vision 
offers just enough sweet and traditional romantic comedy to counter the crudity . 
do n't know whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace 
what great cinema can really do 
is more timely now than ever . 
one adapted - from-television movie that actually looks as if it belongs on the big screen 
too bland to be interesting 
through , however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
this nervy oddity , like modern art should . 
alternately touching and funny 
pays off , as does its sensitive handling of some delicate subject matter . 
banal and 
terrorist 
grossest movie 
writer-director danny verete 's three tales comprise a powerful and reasonably fulfilling gestalt . 
best way 
the drama was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention . 
created a beautiful canvas 
a surprisingly sweet and gentle comedy . 
charm or texture 
it 's a great american adventure and a wonderful film to bring to imax . 
blockbusters as patriot games can still turn out a small , personal film with an emotional wallop 
effecting 
plenty of warmth to go around , with music and laughter and the love of family 
false and 
the trifecta of badness 
animated movies in quite a while 
of a so-called ` comedy ' and not laugh 
the only entertainment 
darkly funny and frequently insightful . 
two-dimensional and 
needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider . 
cremaster 3 '' should come with the warning `` for serious film buffs only ! '' 
youthful affluence 
if only because it accepts nasty behavior and severe flaws as part of the human condition 
dumb and derivative horror 
the more overtly silly dialogue 
innovative ' and ` realistic ' 
would have been better off staying on the festival circuit 
vibrant creative instincts 
exit sign 
shambles 
, metropolis is a feast for the eyes . 
you emerge dazed , confused as to whether you 've seen pornography or documentary . 
so rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby . 
becomes instead a grating endurance test 
a middle-aged romance pairing clayburgh and tambor sounds promising 
's a masterpeice . 
thoughtful and rewarding 
of the cinema world 's great visual stylists 
inimitable scenes 
a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter ' 
jewish parents 
crawls along at a snail 's pace 
deviant behavior 
bubbles up out of john c. walsh 's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie 
the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan '' 
what makes barbershop so likable , with all its flaws , is that it has none of the pushiness and decibel volume of most contemporary comedies . 
marvelous verdu 
this movie is about the worst thing chan has done in the united states . 
because it is japanese and yet feels universal 
more bizarre than actually amusing 
proud in its message 
gaudy hawaiian shirt 
dim-witted and 
as is often the case with ambitious , eager first-time filmmakers , mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold . 
lack of a pyschological center knocks it flat 
the quiet american is n't a bad film , it 's just one that could easily wait for your pay per view dollar . 
irresistibly 
seen ( eddie ) 
throughout this funny film 
while the production details are lavish 
made all too clear in this schlocky horror/action hybrid 
a funny ( sometimes hilarious ) comedy 
that it makes edward burns ' sidewalks of new york look like oscar wilde 
is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened . 
unforced comedy-drama 
interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
group articulates a flood of emotion . 
no way 
american and european cinema has amassed a vast holocaust literature , 
feels as if the movie is more interested in entertaining itself than in amusing us . 
it 's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas . 
this tuxedo ... should have been sent back to the tailor for some major alterations . 
though this rude and crude film does deliver a few gut-busting laughs , its digs at modern society are all things we 've seen before . 
bad direction and bad acting -- 
a big-budget/all-star movie as unblinkingly pure as the hours is a distinct rarity , and an event . 
good-naturedness 
is so bad it does n't improve upon the experience of staring at a blank screen 
under the sweet , melancholy spell of this unique director 's previous films 
holofcener 's film offers just enough insight to keep it from being simpleminded , and the ensemble cast is engaging enough to keep you from shifting in your chair too often 
somewhat defuses this provocative theme by submerging it in a hoary love triangle . 
blind date , only less 
are totally estranged from reality 
the actresses find their own rhythm and protect each other from the script 's bad ideas and awkwardness . 
is a lumbering , wheezy drag ... 
less enjoyable 
in the middle of hopeful 
amused by the idea 
genuinely moving 
scenes all end in someone screaming 
a huge disappointment coming , as it does , 
flat champagne 
a terrible movie , just a stultifyingly obvious one 
leads to a satisfying destination 
with dirty deeds , david caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen . 
the disjointed feel of a bunch of strung-together tv episodes . 
thematically complex 
if there 's a heaven for bad movies 
sustains a higher plateau 
has merit 
the feeble examples of big-screen poke-mania 
's simply unbearable 
it 's lousy 
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp 
slapdash disaster 
90 punitive minutes of eardrum-dicing gunplay , screeching-metal smashups , and flaccid odd-couple sniping . 
the art direction is often exquisite , and the anthropomorphic animal characters are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack . 
inspiring tale 
's refreshing to see a romance this smart . 
, considering that baird is a former film editor , the movie is rather choppy . 
comedian runs out of steam after a half hour . 
such high-profile talent serve such literate material 
he has improved upon the first and taken it a step further , richer and deeper . 
it has fun with the quirks of family life , 
ponderous and charmless 
if the essence of magic is its make-believe promise of life that soars above the material realm 
it does n't make any sense 
i 'll stay with the stage versions , however , which bite cleaner , and deeper . 
after collateral damage , you might imagine that most every aggrieved father cliché has been unturned . 
take you down a familiar road with a few twists 
's almost impossible not to be swept away by the sheer beauty of his images . 
... the kind of entertainment that parents love to have their kids see . 
been awarded mythic status in contemporary culture 
prefabricated 
tired old 
the gorgeous piano and strings on the soundtrack 
it 's petty thievery like this that puts flimsy flicks like this behind bars 
all in all , brown sugar is a satisfying well-made romantic comedy that 's both charming and well acted . 
an underachiever 
the filmmakers were worried 
of good stuff 
a smart , steamy mix 
must be said that he is an imaginative filmmaker who can see the forest for the trees . 
shining performance 
captures the complicated relationships in a marching band . 
crafted an intriguing story of maternal instincts and misguided acts of affection 
those exceedingly rare films in which the talk alone is enough to keep us 
like a precious and finely cut diamond 
trying to set the women 's liberation movement back 20 years 
is of brian de palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career 
time of favor presents us with an action movie that actually has a brain . 
somewhere lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire . 
do n't need to try very hard 
the fetid underbelly of fame has never looked uglier . 
, this halloween is a gory slash-fest . 
that was written down 
is a movie where the most notable observation is how long you 've been sitting still . 
uninvolving 
when ( reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al . 
' rip-off 
'm left slightly disappointed that it did n't 
they have a tendency to slip into hokum 
a good yarn -- which is nothing to sneeze at these days 
in addition to scoring high for originality of plot 
have abandoned their slim hopes and dreams 
is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out 
bad film you thought was going to be really awful 
is a film for the under-7 crowd 
of this so-called satire 
( seagal 's ) 
come up with an adequate reason why we should pay money for what we can get on television for free 
enough flourishes and freak-outs to make it entertaining 
feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off 
love in remembrance 
for a smart , nuanced look at de sade and what might have happened at picpus 
the film proves unrelentingly grim -- and equally engrossing . 
glorified 
the kind of primal storytelling that george lucas can only dream of 
is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy . 
an epic rather than 
two unrelated shorts that falls far short 
as compelling or as believable 
's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic . 
fell apart 
the concept is a hoot . 
nair 's cast is so large it 's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion 
's lovely and amazing 
admission for the ridicule factor 
hour-and-a-half-long commercial 
an alfred hitchcock movie 
may prove too convoluted for fun-seeking summer audiences 
some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy 
visually graceful 
worse than bland 
's not scary , not smart and not engaging 
splendid actors 
its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis 
the film is a verbal duel between two gifted performers . 
enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games . 
delving 
give exposure to some talented performers 
're merely signposts marking the slow , lingering death of imagination 
the structure is simple , but in its own way , rabbit-proof fence is a quest story as grand as the lord of the rings 
things insipid 
lack contrast , are murky and are frequently too dark to be decipherable 
hugely overwritten 
a nightmare 
suspenseful enough for older kids but not 
a lyrical and celebratory vision 
the end it 's as sweet as greenfingers 
tasteful little revision works 
a reprieve 
filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two 
strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
terminally brain dead production 
holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy . 
too many scenarios in which the hero might have an opportunity to triumphantly sermonize 
lacks 
whose real-life basis is , in fact , so interesting that no embellishment is 
, even-flowing tone 
absurdities 
a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism 
skin of man gets a few cheap shocks from its kids-in-peril theatrics , but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults 
impressed 
directed by kevin bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut . 
is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
i had a lot of problems with this movie . 
ingenious 
is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . 
a sexy , surprising romance 
i can imagine this movie as a b & w british comedy , circa 1960 , with peter sellers , kenneth williams , et al. , but at this time , with this cast , this movie is hopeless . 
seems a prostituted muse ... 
sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy . 
could make you weep 
goth-vampire , tortured woe-is-me lifestyle 
predictable and cloying , though brown sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle . 
the movie 's thesis -- elegant technology for the masses -- is surprisingly refreshing . 
define a generation 
is still worth 
, painful 
, fireballs and revenge 
a typical bible killer story 
a flawed but engrossing thriller . 
endearing cast 
drowns in sap . 
that it 's offensive , 
'd be lying if i said my ribcage did n't ache by the end of kung pow . 
( at least ) moore is a real charmer . 
the laborious pacing 
a pleasure to have a film like the hours as an alternative 
especially clever 
has wonderfully funny moments 
would have saved this film a world of hurt 
infuses the movie with much of its slender , glinting charm 
incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
i 'll go out on a limb . 
as beautifully shaped and 
as morose as teen pregnancy , rape and suspected murder 
overlong and not well-acted , but 
howard conjures the past via surrealist flourishes so overwrought you 'd swear he just stepped out of a buñuel retrospective . 
their own rhythm 
an incomprehensible 
vicious and 
... unlikable , uninteresting , unfunny , and completely , utterly inept . 
will want to see over and over again 
sophisticated , discerning taste 
will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . 
long and eventful spiritual journey 
nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil . 
-- and timely 
could possibly be more contemptuous of the single female population 
love moore or 
frequent flurries of creative belly laughs and 
a few four letter words thrown in that are generally not heard on television 
the comedy is nonexistent . 
in three gags in white 's intermittently wise script 
about ten 
with amazing finesse 
movie-biz 
seen such self-amused trash 
veers 
team 
of self-congratulation between actor and director 
come off too amateurish and awkward 
prolific director 
many of the condescending stereotypes that so often plague films dealing with the mentally ill 
unbelievable naïveté and arbitrary flashbacks 
like all of egoyan 's work , ararat is fiercely intelligent and uncommonly ambitious . 
works even without vulgarity , sex scenes , and cussing 
a waste of de niro , mcdormand and the other good actors 
well-meant but unoriginal 
ghandi 
, kinky fun 
refreshed and 
tom green stages his gags as assaults on america 's knee-jerk moral sanctimony 
discovered , indulged in and rejected as boring before i see this piece of crap again 
may be incomprehensible to moviegoers not already clad in basic black 
overwrought ending 
otto-sallies has a real filmmaker 's eye . 
form an acting bond that makes the banger sisters a fascinating character study with laughs to spare 
drown out 
the phenomenal , water-born cinematography 
bean drops the ball too many times ... hoping the nifty premise will create enough interest to make up for an unfocused screenplay . 
production values & christian bale 's charisma make up for a derivative plot 
this odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in morton 's ever-watchful gaze 
enigma is well-made , but it 's just too dry and too placid . 
played and smartly directed . 
has no reason to exist 
has made a film so unabashedly hopeful that it actually makes the heart soar 
few films have captured the chaos of an urban conflagration with such fury , 
a beautiful , aching sadness 
throwaway 
of sympathizing with terrorist motivations by presenting the `` other side of the story 
been all but decommissioned 
's badder than bad . 
a smart , sassy and exceptionally charming romantic comedy 
does so without compromising that complexity 
explosive physical energy and 
only belly laughs 
nice , harmless 
except : film overboard 
been cobbled together onscreen 
laborious 
damned funny 
bad luck and 
has its audience giddy with the delight of discovery 
a mature , deeply felt fantasy of a director 's travel through 300 years of russian history . 
who knows , but it works under the direction of kevin reynolds . 
the down-to-earth bullock 
of hell so shattering it 
a dull , simple-minded and stereotypical tale of drugs 
's just grating 
of french hip-hop , which also seems to play on a 10-year delay 
pleasing at its best moments 
is often very funny 
off more than he or anyone else could chew 
an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be 
're left thinking the only reason to make the movie is because present standards allow for plenty of nudity 
like having two guys yelling in your face for two hours 
the most oddly honest hollywood document of all 
with the characters , who are so believable that you feel what they feel 
definitely funny stuff 
the only thing scary about feardotcom 
kafka 
it 's a very sincere work 
nothing wrong with performances here , but the whiney characters bugged me 
no timeout 
a colorful , joyous celebration of life ; 
that come full circle to end on a positive ( if tragic ) note 
provide insight into a fascinating part of theater history 
the film is a very good viewing alternative for young women . 
teenagers fixating on its body humor and reinforcement of stereotypes 
could use a little more humanity , but it never lacks in eye-popping visuals 
just another combination of bad animation and mindless violence ... lacking the slightest bit of wit or charm 
that delivers a surprising 
you 're definitely convinced that these women are spectacular . 
lyrical and celebratory 
career-best performances 
for technical flaws to get in the way 
sixties ' rockumentary milestones 
the film , while it 's not completely wreaked 
endearing about it . 
whenever you think you 've figured out late marriage 
sustain the buoyant energy level of the film 's city beginnings into its country conclusion ' 
bargain-basement 
via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy 
lacks even the most fragmented charms i have found in almost all of his previous works . 
director michael cacoyannis 
is breathtaking 
is a particularly vexing handicap 
yet , it must be admitted , 
script is n't up to the level of the direction 
fairly solid 
roiling black-and-white inspires trembling and gratitude . 
screams at the top of their lungs no matter what the situation . 
an otherwise good movie marred beyond redemption by a disastrous ending 
when he should have shaped the story to show us why it 's compelling 
definitely tasty and sweet 
balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams 
strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder 
that will leave you wondering about the characters ' lives after the clever credits roll 
kids should have a stirring time at this beautifully drawn movie . 
glides gracefully from male persona to female without missing a beat . 
layered and stylistic 
a uniquely sensual metaphorical dramatization of sexual obsession 
anchor the film in a very real and amusing give-and-take . 
menace 
ambiguous and nothing 
one-dimensional 
gross 
's all the stronger because of it 
no new plot conceptions or environmental changes 
of death in this bitter italian comedy 
this mess of a movie is nothing short of a travesty of a transvestite comedy . 
art-house to the core 
she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions . 
windtalkers seems to have ransacked every old world war ii movie for overly familiar material . 
, it 's because there 's no discernible feeling beneath the chest hair 
depicts the sorriest and most sordid of human behavior on the screen , then laughs at how clever it 's being . 
becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion 
, it may just scare the pants off you . 
mention mysterious , sensual , emotionally intense , and replete 
a loud , witless mess 
, ash wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast . 
and yet , it still works . 
form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand 
an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion 
the work of an exhausted , desiccated talent who ca n't get out of his own way 
of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
fine-looking film 
sucker 
who could too easily become comic relief in any other film 
mindless action flick 
with too much exploitation and too little art 
content merely 
of malaise 
hot 
if we 're seeing something purer than the real thing 
portrayals 
a bold biographical fantasia 
using an endearing cast 
its make-believe promise of life 
sweet treasure and something 
great companion piece 
holds itself 
the theater in the first 10 minutes 
a diverting enough hour-and-a-half for the family audience 
devastatingly powerful and astonishingly vivid holocaust drama . 
like my christmas movies with more elves and snow and less pimps and ho 's . 
slick 
, madonna 's cameo does n't suck ! 
i could n't recommend this film more . 
these are textbook lives of quiet desperation . 
scratching your head in amazement over the fact 
's not original enough . 
though it lacks the utter authority of a genre gem , there 's a certain robustness to this engaging mix of love and bloodletting . 
while easier to sit through than most of jaglom 's self-conscious and gratingly irritating films , it 's still tainted by cliches , painful improbability and murky points . 
fans of plympton 's shorts may marginally enjoy the film 
often hilarious . 
miller digs into their very minds to find an unblinking , flawed humanity . 
much of all about lily chou-chou is mesmerizing : some of its plaintiveness could make you weep . 
recognize any of the signposts , as if discovering a way through to the bitter end 
come from an animated-movie screenwriting textbook 
makes the same mistake as the music industry it criticizes , becoming so slick and watered-down it almost loses what made you love it in the first place . 
right itself precisely when you think it 's in danger of going wrong 
with increasingly amused irony , the relationship between reluctant captors and befuddled captives . 
agonizing , catch-22 
the movie has a script ( by paul pender ) made of wood , and it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions . 
to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life 
to be in a contest to see who can out-bad-act the other 
all the complexity and realistic human behavior of an episode of general hospital 
inept direction , 
beauty reeks 
sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions 
foul up 
cinematic appeal 
the movie fails to portray its literarily talented and notorious subject as anything much more than a dirty old man . 
a seriously bad film 
at the right film 
stereotypical 
written 
woefully hackneyed movie 
, it is not enough to give the film the substance it so desperately needs . 
low-budget hybrid 
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , 
but also nicely done 
acted -- and far less crass - than some other recent efforts 
is busy contriving false , sitcom-worthy solutions to their problems 
succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad 
-- but still quite tasty and inviting all the same 
's mildly entertaining 
, manipulative 
there 's a plethora of characters in this picture , 
a menace 
a squirm-inducing fish-out-of-water formula 
, ignorant fairies is still quite good-natured and not a bad way to spend an hour or two . 
by the most random of chances 
bright , inventive 
some fine acting , but ultimately a movie with no reason for being . 
each story is built on a potentially interesting idea , 
that the pocket monster movie franchise is nearly ready to keel over 
benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth . 
outweigh the positives 
make a classic theater piece 
a rustic , realistic , and altogether creepy tale 
a ploddingly melodramatic structure 
satisfying summer blockbuster 
the barriers finally prove to be too great 
gay and lesbian children 
a rather listless amble 
that you wo n't care 
will probably sink the film for anyone who does n't think about percentages all day long 
obnoxious as tom green 's freddie got fingered 
represents adam sandler 's latest attempt to dumb down the universe 
the film has the courage of its convictions and excellent performances on its side . 
's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original 
heavyweights joel silver and robert zemeckis agreed to produce this 
nostalgic comments from the now middle-aged participants 
of being able to give full performances 
denuded 
existentialism reminding of the discovery of the wizard of god 
a fresh idea 
`` home movie '' is a sweet treasure and something well worth your time . 
's equally hard to imagine anybody being able to tear their eyes away from the screen 
film aficionados can not help but love cinema paradiso , whether the original version or new director 's cut . ' 
means to face your fears 
i 've never seen or heard anything quite like this film , and i recommend it for its originality alone 
sophomore effort 
, stuart little 2 is a light , fun cheese puff of a movie . 
it one of the year 's most enjoyable releases 
bland , obnoxious 88-minute 
are the film 's sopranos gags incredibly dated and unfunny 
shapes history 
pretty watchable 
a japan bustling 
one of the few ` cool ' actors who never seems aware of his own coolness 
fiercely clever and subtle 
is an object lesson in period filmmaking 
the worst titles in recent cinematic history 
great over-the-top moviemaking if you 're in a slap-happy mood 
in the not-too-distant future , movies like ghost ship will be used as analgesic balm for overstimulated minds . 
reprehensible 
that hardly distinguish it from the next teen comedy 
some interesting storytelling devices 
engaging fantasy 
as bad as you think 
is a film that manages to find greatness in the hue of its drastic iconography . 
is trite 
has that rare quality of being able to creep the living hell out of you 
an acting bond that makes the banger sisters a fascinating character study with laughs to spare 
if that does n't clue you in that something 's horribly wrong 
be , by its art and heart , a necessary one 
self-deprecating , biting and witty feature 
layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
power to help people endure almost unimaginable horror 
routine stuff yuen 
vile , incoherent mess 
while cleverly worked out 
is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage 
plot lapses 
smartly and 
like a true star 
of intelligence or invention 
so with an artistry that also smacks of revelation 
the predominantly amateur cast is painful to watch , so stilted and unconvincing 
upscale 
material realm 
of filmmaking with an assurance worthy of international acclaim 
, the project should have been made for the tube . 
, featuring an oscar-worthy performance by julianne moore . 
signature style 
zings all the way 
pan nalin 's exposition is beautiful and mysterious 
smacks of exhibitionism more than it does cathartic truth telling 
( t ) he script is n't up to the level of the direction 
hugely entertaining and 
to the integrity and vision of the band 
a little more special 
nothing good can happen 
cantet beautifully illuminates what it means sometimes to be inside looking out , and at other times outside looking in . 
is , in a word , brilliant as the conflicted daniel . 
uninspired preachy and clichéd 
wears 
deeply unpleasant 
the only thing avary seems to care about 
a fast-moving and cheerfully simplistic 88 minutes of exaggerated action 
i think even fans of sandler 's comic taste may find it uninteresting 
maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips 
everybody else is in the background and it just seems manufactured to me and artificial 
the film 's gamble to occasionally break up the live-action scenes with animated sequences pays off , as does its sensitive handling of some delicate subject matter . 
nonsensical 
sustain laughs 
mannerisms and self-indulgence 
is a tribute not only to his craft , but to his legend 
made every effort to disguise it as an unimaginative screenwriter 's invention 
, bombastic and ultimately empty world war ii action 
has a fluid , no-nonsense authority 
you go into the theater expecting a scary , action-packed chiller 
girl-meets-girl romantic comedy 
the rare movie that 's as crisp and to the point as the novel on which it 's based . 
witty and sophisticated 
more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway . 
intermittently hilarious 
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief 
probably the best case for christianity since chesterton and lewis . 
becomes lifeless and 
to some talented performers 
a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters 
it appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept . 
itself is about something very interesting and odd that 
guest appearance 
it 's a pedestrian , flat drama that screams out ` amateur ' in almost every frame . 
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms of both thematic content and narrative strength . 
hart 's war seems to want to be a character study , but apparently ca n't quite decide which character . 
me 
is thought-provoking . 
its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting 
has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock . 
sports 
we 're drawn in by the dark luster . 
terribly episodic and 
gets an exhilarating new interpretation in morvern callar . 
the empty stud knockabout of equilibrium 
more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else . 
during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
it wears you down like a dinner guest showing off his doctorate 
this story gets sillier , not scarier , as it goes along ... 
can actually feel good 
some weird masterpiece theater sketch with neither 
wilson and murphy 
a pretty funny movie , with most of the humor coming , as before , from the incongruous but chemically perfect teaming of crystal and de niro . 
a-list players 
made the full monty a smashing success ... 
wooden delivery 
it , offering fine acting moments and pungent 
reign of fire is hardly the most original fantasy film ever made 
propels 
draggy 
damn 
transcends ethnic lines 
rapturous 
run out of clever ideas and visual gags 
he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
robert harmon 's less-is-more approach delivers real bump-in - the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows . 
warmth to go around , with music and laughter and the love of family 
one of the best gay love stories ever made 
crafted but ultimately hollow mockumentary . 
with we were soldiers , hollywood makes a valiant attempt to tell a story about the vietnam war before the pathology set in . 
seem smart and well-crafted in comparison 
lawrence should stick to his day job . 
boring , self-important stories 
a refreshingly realistic , affectation-free 
its pathos-filled but ultimately life-affirming finale 
, he 's unlikely to become a household name on the basis of his first starring vehicle . 
scattered 
find an enthusiastic audience among american action-adventure buffs , but the film 's interests 
swooning elegance 
deep as a petri dish 
, it 's nowhere near as good as the original . 
viscerally exciting 
's nowhere near 
leads up to a strangely sinister happy ending 
a stirring , funny and 
it 's because there 's no discernible feeling beneath the chest hair 
this indie flick never found its audience , probably because it 's extremely hard to relate to any of the characters . 
well , jason 's gone to manhattan and hell 
still eludes madonna and , playing a charmless witch 
mostly works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh . 
a tremendous piece of work 
absorbing 
relentlessly saccharine 
a handsome but unfulfilling suspense drama more 
really gives the film its oomph 
the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
a waterlogged version of ` fatal attraction ' for the teeny-bopper set ... a sad , soggy potboiler that wastes the talents of its attractive young leads . 
cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance 
silly summer entertainment 
those who are only mildly curious , i fear , will be put to sleep or bewildered by the artsy and often pointless visuals . 
is a funny , puzzling movie ambiguous enough to be engaging and oddly moving 
goes easy on the reel/real world dichotomy that ( jaglom ) pursued with such enervating determination in venice/venice . 
, david caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen . 
rich and intelligent film 
brings a tragic dimension and savage full-bodied wit and cunning to the aging sandeman 
may be lovely 
its broad racial insensitivity 
feels more like the pilot episode of a tv series than a feature film 
, there 's a certain robustness to this engaging mix of love and bloodletting . 
seriously bad 
shock and amaze 
it were , well , more adventurous 
mimics everyone and everything 
just consider what new best friend does not have , beginning with the minor omission of a screenplay . 
you feel that you never want to see another car chase , explosion or gunfight again 
more accurately , it 's moving 
making a farrelly brothers-style , down-and-dirty laugher for the female 
( a ) satisfying niblet 
engages 
fights a good fight on behalf of the world 's endangered reefs 
the film has in kieran culkin a pitch-perfect holden . 
curiosity factors 
depressed fifteen-year-old 's 
, incoherent , instantly disposable 
provides more than enough sentimental catharsis for a satisfying evening at the multiplex 
can easily imagine benigni 's pinocchio becoming a christmas perennial . 
boring despite the scenery 
clever and unflinching in its comic barbs , slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up . 
you 'll enjoy this movie . 
disappointed by a movie 
a guy dressed as a children 's party clown gets violently gang-raped 
as you watch them clumsily mugging their way through snow dogs 
birthday girl walks a tricky tightrope between being wickedly funny and just plain wicked . 
one terrific score and 
michele 's spiritual quest is neither amusing nor dramatic enough to sustain interest 
pinochet 
shreve 's graceful dual narrative 
hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
's a very very strong `` b + . '' 
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , 
is high on squaddie banter 
for good 
is highly pleasurable . 
life affirming and heartbreaking , sweet without the decay factor , 
one in clockstoppers , a sci-fi thriller as lazy as it is interminable 
the documentary is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice . 
was n't a good movie 
is very much of a mixed bag , with enough negatives 
is a masterfully conducted work 
that constantly defies expectation 
you 'll find in this dreary mess . 
the unmistakable stamp of authority 
it would be like to be smack in the middle of a war zone armed with nothing but a camera 
a rude black comedy about the catalytic effect a holy fool has upon those around him in the cutthroat world of children 's television . 
beautiful , 
the artwork is spectacular and 
to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
humorous observations 
nifty plot line 
strongest and most touching movie of recent years 
ca n't save it 
comes the first lousy guy ritchie imitation . 
tear their eyes away from the screen 
this dumas adaptation entertains 
i can imagine this movie as a b & w british comedy , circa 1960 , with peter sellers , kenneth williams , et al. , but at this time , with this cast , this movie is hopeless 
is like cold porridge with only the odd enjoyably chewy lump 
whiny and 
only to keep letting go at all the wrong moments 
most practiced 
intolerant 
should have gone straight to video . 
though it was written for no one , but somehow 
sexual and romantic tension 
merchandised-to-the-max 
in which the script and characters hold sway 
one of the more glaring signs of this movie 's servitude to its superstar 
emotional conviction 
is : ` scooby ' do n't . 
getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic 
would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows . 
its characters , weak and strong 
small in scope , 
majidi shoe-loving 
a movie that harps on media-constructed ` issues ' like whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people . 
a depressing experience 
competence 
an absolute delight 
a solidly constructed , entertaining thriller that stops short of true inspiration 
nurses plot holes gaping enough to pilot an entire olympic swim team through 
bad direction and bad acting 
their place in the world 
mr. deeds '' is suitable summer entertainment that offers escapism without requiring a great deal of thought . 
satisfying complete 
the sort for those moviegoers who complain that ` they do n't make movies like they used to anymore 
cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
it will be , 
lets you brush up against the humanity of a psycho , 
thrilling 
is that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie 
the action quickly sinks into by-the-numbers territory . 
, but wanes in the middle 
insensitivity 
, find an escape clause and avoid seeing this trite , predictable rehash . 
was put through torture for an hour and a half 
and altogether creepy 
as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination 
the always hilarious meara 
plot holes sink this ` sub ' 
come from a family that eats , meddles , argues , laughs , kibbitzes and fights together 
is without intent . 
gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films 
his charming 2000 debut shanghai noon 
it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators 
's really wrong with this ricture ! 
from burkina faso 
joyless , idiotic , annoying , heavy-handed , 
unabashedly romantic picture 
it 's a funny no-brainer 
one of those movies that catches you up in something bigger than yourself , namely , an archetypal desire to enjoy good trash every now and then . 
a dark-as-pitch comedy 
has the air of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent and wear thin with repetition . 
is ultimately scuttled by a plot that 's just too boring and obvious 
this region and 
for quality and a nostalgic , twisty yarn that will keep them guessing 
drivel 
nicholson 's goofy , heartfelt , mesmerizing king lear 
itself is actually quite vapid . 
... less a story than an inexplicable nightmare , right down to the population 's shrugging acceptance to each new horror . 
, trouble every day is a plodding mess . 
needless chase scenes and swordfights as the revenge unfolds 
with all its flaws 
it may be a no-brainer , but at least it 's a funny no-brainer . 
a terrific screenplay and fanciful direction 
's what makes their project so interesting 
got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane 
adults , other than the parents ... will be hard pressed to succumb to the call of the wild . 
's rare for any movie to be as subtle and touching as the son 's room . 
intelligent , realistic portrayal 
funnier than being about something 
a film that is part biography , part entertainment and part history 
all the way 
is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness . 
other feel-good fiascos like antwone fisher or 
convincing way 
into too many pointless situations 
... is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics . 
a sentimental mess that never 
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; the resolutions are too convenient 
stale retread of the '53 original 
trial movie 
starts making water torture seem appealing 
is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex 
the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) 
servicable world war ii drama 
the beautifully choreographed kitchen ballet 
rodrigues 's 
are too obvious 
walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost 
an accessible introduction as well as 
an energetic , violent movie 
than a more measured or polished production ever could 
a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle rouses us . 
's more enjoyable than i expected , though 
wonderfully funny moments 
i just saw this movie ... well , it 's probably not accurate to call it a movie 
of fresh air 
, resistance and artistic transcendence 
funny ( sometimes hilarious ) 
the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed 
fluffy neo-noir hiding behind cutesy film references . 
be some sort of credible gender-provoking philosophy submerged here , but who the hell cares 
agenda to deliver awe-inspiring , at times sublime , visuals 
too indulgent 
hard-core slasher aficionados will find things to like ... but overall the halloween series has lost its edge . 
a fairly impressive debut 
the best ensemble casts of the year 
what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
shines through every frame . 
at every opportunity to do something clever 
a younger lad 
much to recommend the film 
the stuff of high romance , brought off with considerable wit 
life 
this interminable , shapeless documentary about the swinging subculture 
a cutesy romantic tale 
uplifting , funny and wise 
detract from the affection of that moral favorite 
... an hour-and-a-half of inoffensive , unmemorable filler . 
as little cleavage 
prolonged and boring 
confrontations 
fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation 
the movie is concocted and carried out by folks worthy of scorn , and 
a rather unique approach to documentary 
like most of jaglom 's films , some of it is honestly affecting , but more of it seems contrived and secondhand 
this fascinating -- and timely -- content comes wrapped 
's also nice to see a movie with its heart so thoroughly 
( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
with a sensitivity 
for almost the first two-thirds of martin scorsese 's 168-minute gangs of new york 
capture the minds and hearts of many 
offensive and redundant 
caught up in the rush of slapstick thoroughfare 
memorable directorial debut 
do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money . 
comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
soulless 
thinking someone made off with your wallet 
an affluent damsel in distress who decides to fight her bully of a husband 
the rich performances by friel -- and especially williams , an american actress who becomes fully english -- round out the square edges . 
dramatic enough to sustain interest 
it 's a very very strong `` b + . '' 
just enough sweet and traditional romantic comedy to counter the crudity 
on the santa clause 2 
if you are in the mood for an intelligent weepy , it can easily worm its way into your heart . ' 
despite juliet stevenon 's attempt to bring cohesion to pamela 's emotional roller coaster life , it is not enough to give the film the substance it so desperately needs . 
funny and 
, xxx is a blast of adrenalin , 
the emotion or timelessness of disney 's great past 
its essential problem 
starts as a tart little lemon drop of a movie and ends up as a bitter pill . 
an inexplicable nightmare , 
a fast-moving and cheerfully simplistic 
may be burns 's strongest film since the brothers mcmullen . 
a dramatic comedy as pleasantly dishonest and pat as any hollywood fluff . 
playful paranoia 
one of the finest , most humane and important holocaust movies ever made . 
of softheaded metaphysical claptrap 
grievous but obscure 
enjoy yourselves without feeling conned 
a schmaltzy , by-the-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely soulless . 
enjoyed as a work of fiction inspired by real-life events 
worked wonders with the material 
the lady and the duke something of a theatrical air 
a fascinating , bombshell documentary that should shame americans , regardless of whether or not ultimate blame finally lies with kissinger . 
inconsistent , dishonest 
are what makes it worth the trip to the theater . 
the most brilliant and brutal uk crime film since jack carter went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood . 
good music 
thematic resonance 
winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
skip this turd 
thinking the only reason to make the movie is because present standards allow for plenty of nudity 
every visual joke is milked , every set-up obvious and lengthy , 
pretentious . 
coarse , cliched and clunky , this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock . 
a sham construct based on theory , sleight-of-hand , and ill-wrought hypothesis . 
to attempt to pass this stinker off as a scary movie 
high drama 
appeal beyond being a sandra bullock vehicle or a standard romantic comedy 
an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness 
gorgeous to look at but insufferably tedious and turgid ... a curiously constricted epic 
tom tykwer , director of the resonant and sense-spinning run lola run 
horribly depressing and not 
a moving and weighty depiction of one family 's attempts to heal after the death of a child . 
this quality band may pick up new admirers 
demanding regular shocks and bouts of barely defensible sexual violence to keep it interested 
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie , is just the sort for those moviegoers who complain that ` they do n't make movies like they used to anymore . ' 
a superior moral tone 
over the years , hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor . 
convoluted 
pointless meditation on losers in a gone-to-seed hotel . 
a unique culture 
self-deprecating 
manages for but a few seconds 
be a good match of the sensibilities of two directors 
it will make you wish you were at home watching that movie instead of in the theater watching this one . 
's a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor . 
a therapeutic zap of shock treatment 
the slapstick is labored 
your children will be occupied for 72 minutes . 
difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
she gradually makes us believe she is kahlo 
the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script 
filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration 
, the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo . 
of the best-sustained ideas i have ever seen on the screen 
is better than you might think 
the pacing is often way off and 
biggest names 
cynical creeps 
a more credible script 
good line 
-- sometimes tedious -- 
earnest 
while the humor is recognizably plympton 
stunningly trite 
a movie this bad 
her fans will assuredly have their funny bones tickled 
a low-budget hybrid of scarface or 
to ensnare its target audience . 
probably wo n't stand the cold light of day 
move over bond ; 
a sustained fest of self-congratulation between actor and director that leaves scant place for the viewer . 
delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition 
inventive , fun , intoxicatingly sexy , violent , self-indulgent and maddening 
glides 
's hard to imagine another director ever making his wife look so bad in a major movie 
the smug self-satisfaction 
a realistic , non-exploitive approach 
an embarrassment . 
with flawless amounts of acting , direction , story and pace 
surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue 
, windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length . 
be prepared to cling to the edge of your seat , tense with suspense 
's fun , splashy and entertainingly nasty 
more timely in its despairing vision of corruption 
hideously and clumsily 
of a particular theatrical family 
rare capability to soothe and break your heart with a single stroke 
with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes 
the most impressive player 
a deliciously nonsensical comedy about a city coming apart at its seams 
majestic achievement 
wildly overproduced , inadequately motivated every step of the way 
transcendent love story 
vera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores . 
unerring 
someone going through the motions 
snipes is both a snore and utter tripe . 
all menace and atmosphere 
a vibrant , colorful world 
loses all 
already overladen with plot conceits 
, an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life . 
uncomfortably timely , relevant , 
to think about the ways we consume pop culture 
with unblinking candor 
i ca n't wait to see what the director does next 
a less-compelling soap opera 
this is a poster movie , a mediocre tribute to films like them ! 
digital photography 
its face 
captivates 
of masters of both 
a smart , sassy and exceptionally charming 
been acted out 
this dreck 
norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced 
often watchable 
the film is not only a love song to the movies but 
play second fiddle to the dull effects that allow the suit to come to life 
to rowling that stifles creativity and allows the film to drag on for nearly three hours 
a new treasure of the hermitage 
is drowned out by director jon purdy 's sledgehammer sap 
their personalities undergo radical changes when it suits the script 
the artwork is spectacular and unlike most animaton from japan , the characters move with grace and panache . 
re-working to show more of the dilemma , rather than have his characters stage shouting 
is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture 
uncertainties 
all-too-familiar 
, confident 
its leaden acting , dull exposition and 
narcissistic 
worthwhile effort 
the music makes a nice album , the food is enticing and italy beckons us all 
a longtime tolkien fan 
a weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media subcultures . 
both heartbreaking and heartwarming ... just a simple fable done in an artless sytle , but it 's tremendously moving . 
it has no affect on the kurds , but it wore me down 
has no reason to exist , other than to employ hollywood kids and people who owe favors to their famous parents . 
swipe 90 minutes of your time 
emotionally and spiritually compelling 
revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style 
icily brilliant 
it 's so fascinating you wo n't be able to look away for a second . 
like john le carré with a couple of burnt-out cylinders . 
the movie is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents . 
for all the dolorous trim , secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism . 
not for every taste 
using an endearing cast , writer/director dover kosashvili takes a slightly dark look at relationships , both sexual and kindred . 
gloriously goofy way 
'' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless . 
in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution 
sink the film for anyone who does n't think about percentages all day long 
more than enough sentimental catharsis 
delights and 
ineffable , elusive , yet inexplicably powerful 
by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
the problem with `` xxx '' 
whose aims -- and by extension , accomplishments -- 
is what we call the ` wow ' factor 
another week , another gross-out college comedy -- ugh . 
all the blanket statements and dime-store ruminations 
were less densely plotted 
more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating . 
he 's spiffing up leftovers that are n't so substantial or fresh 
gives his best screen performance 
otherwise comic narrative 
spied with my little eye ... a mediocre collection of cookie-cutter action scenes and 
to explore its principal characters with honesty , insight and humor 
an extraordinary poignancy , and the story 
paper-thin supporting characters 
of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film 
there 's real visual charge to the filmmaking 
very tasteful rock 
murder by numbers , and as easy to be bored by as your abc 's , 
by and large this is mr. kilmer 's movie , and it 's his strongest performance since the doors . 
a tasteful , intelligent manner 
similarly ill-timed antitrust 
an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film 
powerful and astonishingly vivid holocaust drama 
has in kieran culkin a pitch-perfect holden . 
is never clear . 
delightful 
as they used to say in the 1950s sci-fi movies , signs is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project . 
are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery . 
the movie is silly beyond comprehension , 
peevish and gimmicky 
the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience . 
to admit that i am baffled by jason x. 
watching spy 
sure hand 
dull , a road-trip movie that 's surprisingly short of both adventure and song . 
i killed my father compelling 
dysfunctional 
seems to have ransacked every old world war ii movie for overly familiar material 
episodic choppiness , 
a surgeon mends a broken heart 
as tawdry trash 
a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability 
philippe , who makes oliver far more interesting than the character 's lines would suggest , and 
one of the very best movies 
a film that manages to find greatness in the hue of its drastic iconography 
luckiest viewers 
pointless 
if you 're not , you 'll still have a good time . '' 
catches dramatic fire . 
find compelling 
all are irrelevant to the experience of seeing the scorpion king 
overblown enterprise 
artificial and soulless 
a metaphor for a modern-day urban china 
the level of acting elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor . 
a step further , richer 
saddens 
schmucks 
sheer beauty 
's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
are tantamount to insulting the intelligence of anyone who has n't been living under a rock ( since sept. 11 ) . 
at its best , this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture . 
some surprises 
, dark beauty 
that they are actually releasing it into theaters 
it 's soulful and unslick , and that 's apparently just what ( aniston ) has always needed to grow into a movie career . 
it 's the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming . 
it must be said that he is an imaginative filmmaker who can see the forest for the trees . 
that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power 
assured , glossy and shot through with brittle desperation . 
in the manner of a golden book sprung to life 
petty thievery 
a chance to see three splendid actors turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody . 
a movie that will thrill you , touch you and make you 
, maybe i can channel one of my greatest pictures , drunken master 
same old bad trip 
turns that 
's refreshing 
its lack of logic and misuse of two fine actors , morgan freeman and ashley judd 
sharply comic and surprisingly touching 
, i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful . 
feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark 
after ( seagal 's ) earlier copycat under siege 
notable for its sheer audacity and openness 
it 's an adventure story and history lesson all in one . 
rate annie 
rekindles 
good natured 
that it 's impossible to care 
he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
a series of tales told with the intricate preciseness of the best short story writing . 
slide down the slippery slope of dishonesty 
into an intricate , intimate and intelligent journey 
what made you love it 
is about the worst thing chan has done in the united states . 
it a party worth attending 
there is no sense 
it 's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it . 
a visionary with a tale full of nuance and character dimension 
weighted down with slow , uninvolving storytelling and 
invigorating , surreal , and resonant with a rainbow of emotion 
sentimental but entirely irresistible portrait 
ferrara 's 
a bit exploitative but also nicely done , 
a quaint , 
the clever credits roll 
from their incessant whining 
seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd . 
of complacency 
that rare movie 
such a wallop of you-are-there immediacy 
, compulsive life 
there 's definite room for improvement . 
stripped almost entirely of such tools as nudity , profanity and violence 
fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte 
's often overwritten 
i did n't care . 
well-contructed 
works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely . 
dying and going 
humor and pathos 
a waste 
stereotypes in good fun , while adding a bit of heart and unsettling subject matter 
invaluable record 
eventually becomes too heavy for the plot . 
veered off too far into the exxon zone 
skip this dreck , rent animal house and 
not a bad way to spend an hour or two 
of moronic stunts 
dramedy ' 
you feel good , 
's no way you wo n't be talking about the film once you exit the theater . 
a mix of the shining , the thing , and any naked teenagers horror flick 
, shiri is a must for genre fans . 
slapping its target audience 
dumb drug jokes 
decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies 
, is a temporal inquiry that shoulders its philosophical burden lightly . 
gentlemen 
gentle jesus 
that will be seen to better advantage on cable , especially considering its barely 
asia , where ms. shu is an institution 
of the tortured and self-conscious material 
beautifully made 
the affection of that moral favorite 
support the premise other than fling gags at it to see which ones shtick 
head cutter 
the big finish is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing . 
an engrossing portrait of uncompromising artists trying to create something original against the backdrop 
an 88-minute rip-off of the rock 
while scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic , the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about . 
blast 
was fundamentally unknowable even to his closest friends 
manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in . 
makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
consumerist ... studiously inoffensive and completely disposable 
is less about a superficial midlife crisis than it is about the need to stay in touch with your own skin , at 18 or 80 . 
why is this so boring ? 
stomach-turning as the way adam sandler 's new movie rapes 
conforms itself with creating a game of ` who 's who ' ... where the characters ' moves are often more predictable than their consequences . 
does n't have enough vices to merit its 103-minute length 
veered off too far 
a massive infusion 
are married for political reason 
that it emerges as another key contribution to the flowering of the south korean cinema 
brilliantly written and well-acted , yellow asphalt is an uncompromising film . 
ash wednesday is not edward burns ' best film , but it is a good and ambitious film . 
a coma-like state 
left slightly unfulfilled 
intermittently powerful 
's quite an achievement 
the dramatic scenes are frequently unintentionally funny , 
which seems so larger than life and yet so fragile 
to extremist name-calling 
a lynch-like vision 
popcorn 
rising 
can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience 
vividly 
not very absorbing characters 
informative , intriguing , observant , often touching ... 
riveting story 
is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises 
make personal velocity into an intricate , intimate and intelligent journey 
smarter than any 50 other filmmakers still 
to call this one an eventual cult classic would be an understatement , and 
has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing 
barker movie 
some cute moments , funny scenes 
tiring than anything 
, but it is a refreshingly forthright one . 
, mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold . 
satisfying evening 
hearts and minds 
parker can not sustain the buoyant energy level of the film 's city beginnings into its country conclusion ' 
to get on a board and , uh , shred , dude 
the cheap , graceless , hackneyed sci-fi serials 
is a thoughtful examination of faith , love and power 
even delectable 
a visually flashy but narratively opaque and emotionally vapid 
the pungent bite of its title 
hopkins looks like a drag queen 
this crazy life 
squint to avoid noticing some truly egregious lip-non-synching 
is somehow guessable from the first few minutes , 
is a director to watch . 
how to win the battle 
is richly detailed , deftly executed and utterly absorbing 
creeping in others 
recommended as an engrossing story about a horrifying historical event and the elements which contributed to it 
gets over its own investment in conventional arrangements , 
boll uses a lot of quick cutting and blurry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect . 
gets the look and the period trappings right 
the film grounded in an undeniable social realism 
can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice . 
dicey screen material 
ramble 
relays its universal points without lectures or confrontations 
good period reconstruction 
a tasty performance 
required viewing for civics classes and would-be public servants alike 
befallen every other carmen before her 
`` birthday girl '' is an actor 's movie first and foremost . 
waste of time , money and celluloid 
too intensely focused on the travails of being hal hartley to function as pastiche 
amusing personalities 
chan has done in the united states 
just about more stately than any contemporary movie this year ... 
stupid and annoying 
without you has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood . 
the misleading title 
in addition to scoring high for originality of plot -- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded . 
charming , sometimes infuriating 
builds its multi-character story 
that embraces its old-fashioned themes 
a dim-witted and lazy spin-off of the animal planet documentary series , crocodile hunter 
spirited 
recommend it for its originality 
does n't make much 
an artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike . 
very compelling , 
that was followed by the bad idea 
though it pretends to expose the life of male hustlers 
the enjoyable undercover brother , 
does n't mean you wo n't like looking at it 
romantic tale 
's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it 
fails him 
hurts 
offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes 
is too heady for children , and too preachy for adults . 
passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge . 
more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
everything about the quiet american is good , except its timing . 
the paranoid claustrophobia 
there are some laughs in this movie , but 
emotionally manipulative and sadly imitative of innumerable past love story derisions 
that will keep them guessing 
does no justice 
a gangster movie with the capacity to surprise . 
does somehow manage to get you under its spell . 
though it 's equally solipsistic in tone 
cause massive cardiac arrest 
all three descriptions suit evelyn , a besotted and obvious drama that tells us nothing new 
negative 
, for a movie that tries to be smart , it 's kinda dumb . 
filled with fantasies , daydreams , memories and one fantastic visual trope 
a `` snl '' has-been 
its ecological , pro-wildlife sentiments are certainly welcome 
he does such a good job of it that family fundamentals gets you riled up 
broke out into elaborate choreography 
the cast , collectively a successful example of the lovable-loser protagonist , 
film a must for everyone from junior scientists to grown-up fish lovers 
appropriately , the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn . 
a sweetly affecting story about four sisters who are coping , in one way or another , with life 
very entertaining , thought-provoking film 
to make absurdist observations 
you were thinking someone made off with your wallet 
at least passably real 
as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness 
with a script that prevents them from firing on all cylinders 
for the quirky 
real documentary 
evelyn may be based on a true and historically significant story 
expect from the guy-in-a-dress genre 
whatever fills time -- 
that illustrates why the whole is so often less than the sum of its parts in today 's hollywood 
, this is even better than the fellowship . 
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute . 
an occasionally interesting but mostly repetitive 
at ninety minutes , it drags 
cannon 's confidence and laid-back good spirits are , with the drumming routines , among the film 's saving graces . 
like a feature-length sitcom replete with stereotypical familial quandaries 
only had a week to live 
love may have been in the air onscreen , but i certainly was n't feeling any of it . 
as one of ( witherspoon 's ) better films 
, with increasingly amused irony , the relationship between reluctant captors and befuddled captives . 
an odd show 
comfy 
younger lad 
see it for his performance if nothing else . 
lazily 
` true story ' 
this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool . 
familiar and insufficiently cathartic 
the intrigue of academic skullduggery and politics 
manipulative claptrap , 
, just for them 
interesting 
if solondz had two ideas for two movies , could n't really figure out how to flesh either out 
be delightfully compatible 
a charmer 
overachieving 
adrenalin 
is repulsive and depressing 
to love the piano teacher 
as stomach-turning as the way adam sandler 's new movie rapes 
enough cool fun here 
deserves a place of honor 
give credit to everyone from robinson down to the key grip that this bold move works 
leave you speaking in tongues 
love in the time of money 
look more like stereotypical caretakers and moral teachers , instead of serious athletes 
to those who have not read the book , the film is a much better mother-daughter tale than last summer 's ` divine secrets of the ya-ya sisterhood , ' but that 's not saying much . 
consider it ` perfection . 
as a powerful look at a failure of our justice system 
sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen 
a more balanced or fair portrayal of both sides 
fraction 
it suits the script 
moving and revelatory 
a moving and not infrequently breathtaking film . 
i know better than to rush to the theater for this one 
it belongs on the big screen 
could force you to scratch a hole in your head . 
scenes brim 
green ruins every single scene he 's in , and the film , while it 's not completely wreaked , is seriously compromised by that . 
landing squarely on `` stupid '' 
'd be hard pressed to think of a film more cloyingly sappy than evelyn this year 
backbone 
hugely imaginative and successful 
that proceeds 
viewers out in the cold 
, er , bubbly 
disguised as a war tribute is disgusting to begin with 
far from heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama 
disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood 
... stumbles over every cheap trick in the book trying to make the outrage come even easier . 
's also nice 
this unique and entertaining twist 
you try to guess the order in which the kids in the house will be gored . 
become a historically significant work as well as a masterfully made one 
the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers . 
's an adventure story and history lesson all in one 
the film 's needlessly opaque intro takes its doe-eyed crudup out of pre-9 / 11 new york and onto a cross-country road trip of the homeric kind . 
is messy , uncouth , incomprehensible , vicious and absurd . 
equals the sum of its pretensions . 
by the standards of knucklehead swill 
through putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . ' 
schaeffer 's film never settles into the light-footed enchantment the material needs , 
keep a family of five blind , crippled , amish people alive in this situation 
greatest date movies 
having an old friend 
has the stuff to stand tall with pryor , carlin and murphy 
certainly ca n't recommend it 
not a classic 
alias betty is richly detailed , deftly executed and utterly absorbing . 
this simple , sweet and romantic comedy 
wastes an exceptionally good idea . 
that first made audiences on both sides of the atlantic love him 
hélène angel is definitely a director to watch . 
many genuine cackles 
a worthwhile documentary , whether you 're into rap or not , even if it may still leave you wanting more answers as the credits roll . 
's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations 
while remaining true to his principles 
just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
memorable for a peculiar malaise that renders its tension 
powerful rather than cloying 
a screwed-up man who dared to mess with some powerful people 
turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions 
is exactly how genteel and unsurprising the execution turns out to be 
glizty but formulaic and silly ... cagney 's ` top of the world ' has been replaced by the bottom of the barrel . 
intriguing , provocative stuff 
heroine 
hooked 
clever enough to sustain a reasonable degree of suspense on its own 
privy to 
director lee has a true cinematic knack , but it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve . 
the characters , who are so believable that you feel what they feel 
collapses when mr. taylor tries to shift the tone to a thriller 's rush . 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie . ' 
inexperienced 
a florid but ultimately vapid crime melodrama 
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , 
the rut dug by the last one 
images and characters that were already tired 10 years ago 
wang at the forefront of china 's sixth generation of film makers 
supremely unfunny and unentertaining 
its best 
an irrepressible passion 
can be as tiresome as 9 seconds of jesse helms ' anti- castro rhetoric , which are included 
a party worth attending 
scorsese 's bold images and generally smart casting 
it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end 
hodgepodge 
a sweet-tempered comedy that forgoes 
parents beware 
a bit of a downer and a little over-dramatic at times 
i walked away not really know who `` they '' were , what `` they '' looked like . 
finely detailed 
, reflective and beautifully 
adaptation is simply brilliant . 
chase to end all chases 
any enjoyment 
if i stay positive 
spent the past 20 minutes looking at your watch 
this flat run at a hip-hop tootsie is so poorly paced you could fit all of pootie tang in between its punchlines . 
the original hit movie 
deserves more than a passing twinkle 
how we all need a playful respite from the grind to refresh our souls 
includes a fair share of dumb drug jokes and predictable slapstick 
their recklessness 
well-acted , well-directed and , for all its moodiness , not too 
intelligence and 
is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening . 
hard to resist 
dahmer 
working-class subjects 
right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner 
far from heaven is a dazzling conceptual feat , 
go down in the annals of cinema as one of the great submarine stories 
the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art . 
a work of extraordinary journalism 
de niro ) 
a delightful , if minor , pastry of a movie . 
to the annoying score 
if welles was unhappy at the prospect of the human race splitting in two , he probably would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way . 
is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan 
like a low-budget hybrid of scarface or carlito 's way 
an engaging 
is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff 
's something unintentionally comic in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties . 
a strong and unforced supporting cast 
delivered in grand passion 
nolan 's penetrating undercurrent 
crack you up with her crass , then gasp for gas , verbal deportment 
that the journey is such a mesmerizing one 
's a movie that accomplishes so much that one viewing ca n't possibly be enough 
it 's burns ' visuals , characters and his punchy dialogue , not his plot , that carry waydowntown . 
a thoughtful what-if 
tough to watch 
lots of laughs 
is uncompromising , difficult and unbearably beautiful . 
the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes . 
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , 
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre 
the director treats us to an aimless hodgepodge 
take us by surprise ... 
a film of freshness , imagination and insight 
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script 
the story 's pathetic 
graphic sex may be what 's attracting audiences to unfaithful , but gripping performances by lane and gere are what will keep them awake . 
utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code 
linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie 
on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly 
enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film 
already obscure 
toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard 
thrill you , touch you and 
it falls far short of poetry 
ego-destroying 
the jokes are sophomoric 
a scummy ripoff of david cronenberg 's brilliant ` videodrome . 
even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
love him 
sweet , genuine 
, it can easily worm its way into your heart . ' 
similar obsessions can dominate a family 
advancing 
the right direction 
this is a movie that refreshes the mind and spirit along with the body , so original is its content , look , and style 
bleed it almost completely dry of humor , verve and fun 
fits 
the young actors , not very experienced , 
, dancing , singing , and unforgettable characters 
loved the people onscreen , 
appear foolish and shallow 
... comes alive only when it switches gears to the sentimental . 
first-class , natural acting and a look at `` the real americans '' make this a charmer . 
fairly lame 
rewritten , and for the uncompromising knowledge that the highest power of all is the power of love . 
of this and that -- whatever fills time -- with no unified whole 
, oddly colorful and just plain otherworldly 
'd have to be a most hard-hearted person not to be moved by this drama 
breaks its little neck trying to perform entertaining tricks 
overly convenient 
the success of undercover brother 
loosely speaking , we 're in all of me territory again , 
they fall to pieces 
pseudo-intellectual kid 
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , 
a funny yet dark and seedy clash of cultures and generations . 
assured direction and complete lack of modern day irony 
of funny situations and honest observations 
certainly clever in spots 
your ego 
it 's coherent , well shot , and tartly acted 
holland lets things peter out midway , but it 's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals . 
ice age is consistently amusing and engrossing ... 
soap-opera emotion 
in its perfect quiet pace 
this is one of the year 's best films . 
it 's uninteresting . 
a film that 's about as subtle as a party political broadcast 
it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space . 
not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ? 
emotional and moral 
very ambitious project 
, it is clearly a good thing . 
superbly acted offbeat thriller 
add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff . 
looks to be going through the motions , beginning with the pale script . 
, more inadvertent ones and stunningly trite 
shows how deeply felt emotions can draw people together across the walls that might otherwise separate them . 
is n't as weird as it ought to be 
incredibly flexible 
caton-jones 
a surprising , subtle turn 
that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
whose charm , cultivation and devotion to his people are readily apparent 
nice 
luscious 
this 65-minute trifle 
insultingly inept and artificial 
a thoroughly enjoyable , heartfelt coming-of-age comedy . 
trailer-trash style 
a slapdash mess 
watchable up 
stay away 
manages just to be depressing , as the lead actor phones in his autobiographical performance . 
thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
that the debate it joins is a necessary and timely one 
invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once 
full flush 
eventually pays off and is effective if you stick with it 
the buoyant energy level of the film 's city beginnings 
ghandi gone bad 
is astonishing 
the first movie 
to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
french malapropisms 
might actually want to watch . 
necessary to document all this emotional misery 
is simply no doubt that this film asks the right questions at the right time in the history of our country 
concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and 
a moving and weighty depiction 
a no-holds-barred cinematic 
knows how to hold the screen 
`` die another day '' one of the most entertaining bonds in years 
a worthwhile addition 
with restraint and a delicate ambiguity 
characters who are either too goodly , wise and knowing or downright comically evil 
film school undergrad 
a cellular phone commercial 
i 'm sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment . 
there are too many bona fide groaners among too few laughs 
will indeed sit open-mouthed before the screen , not screaming but yawning 
return ticket 
to feel funny and light 
the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food 
alienation 
spectators will indeed sit open-mouthed before the screen , not screaming but yawning . 
an extremely funny , ultimately heartbreaking look at life in contemporary china . 
've completely 
loses its overall sense of mystery and 
enough flourishes and freak-outs 
lack any intrigue ( other than their funny accents ) 
the importance of being earnest movie seems to be missing a great deal of the acerbic repartee of the play . '' 
's a testament to the film 's considerable charm 
flat-out amusing , sometimes endearing and 
fascinating little thriller 
's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies . 
quietly vulnerable 
inauthentic 
mental illness 
is weak . 
the exuberant openness 
but it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while . 
gag 
is the director 's talent 
for all the time we spend with these people , we never really get inside of them . 
is all about a wild-and-woolly , wall-to-wall good time . 
it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half 
lacks aspirations of social upheaval . 
( less a movie than ) an appalling , odoriferous thing ... so rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment . 
becomes lifeless 
any viewer forced to watch him try out so many complicated facial expressions 
on `` stupid 
is about as humorous as watching your favorite pet get buried alive . 
's usually a bad sign when directors abandon their scripts and go where the moment takes them 
if s&m seems like a strange route to true love , maybe it is , but it 's to this film 's ( and its makers ' ) credit that we believe that that 's exactly what these two people need to find each other -- and themselves . 
its makers are n't removed and inquisitive enough for that 
killing time , that 's all that 's going on here . 
go back to sleep . 
does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke 
the fluid motion is astounding on any number of levels 
mind-numbingly awful that you hope britney wo n't do it one more time , as far as 
at your neighbor 's garage sale 
everyone 's to blame here . 
cut open a vein 
into a gross-out monster movie with effects that are more silly than scary 
true to its animatronic roots : ... as stiff , ponderous and charmless as a mechanical apparatus ... ` the country bears ' should never have been brought out of hibernation . 
bubba ho-tep 's clearly evident quality 
win any academy awards 
awkwardly paced 
whatever satire lucky break was aiming for , it certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile . 
) debut can be accused of being a bit undisciplined 
this movie worth seeing 
wryly amusing 
evokes a palpable sense of disconnection , made all the more poignant by the incessant use of cell phones . 
more complex 
balances both traditional or modern stories 
progresses in such a low-key manner that it risks monotony 
joshua is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius . 
hastily dubbed 
an accessible introduction as well as some intelligent observations on the success of bollywood 
captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path 
proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast . 
this insipid , brutally clueless film 
mr. deeds is , as comedy goes , very silly -- 
the disjointed mess 
make the film relevant today , 
is just garbage 
could have been much better 
may strain adult credibility 
bad acting 
an often intense character study about fathers and sons , loyalty and duty 
a riot 
pays off , as does its sensitive handling of some delicate subject matter 
as tiresome as 9 seconds of jesse helms ' anti- castro 
despite the opulent lushness of every scene 
another best 
comes off as a kingdom more mild than wild . 
comical 
thinly-conceived movie . 
're going to feel like you were n't invited to the party . 
maggie g. makes an amazing breakthrough in her first starring role and eats up the screen . 
a clichéd and shallow cautionary tale about the hard-partying lives of gay men . 
gorgeous , passionate , and at times uncommonly moving 
of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
hollywood too long has ignored 
overlong and not well-acted , but credit writer-producer-director 
like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless 
painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama 
by this gentle comedy 
a powerful , inflammatory film about religion that dares to question an ancient faith , and about hatred that offers no easy , comfortable resolution 
been picked not for their acting chops , but for their looks 
the simpering soundtrack and editing 
the stale , standard , connect-the-dots storyline 
it 's an observant , unfussily poetic meditation about identity and alienation . 
is sabotaged by ticking time bombs and other hollywood-action cliches . 
at soccer hooliganism 
despite terrific special effects and funnier gags 
the most important and exhilarating forms 
fred schepisi 's film is paced at a speed that is slow to those of us in middle age and deathly slow to any teen . 
a disaster 
not a participant 
it 's really unclear why this project was undertaken 
sags in pace 
inadequately motivated 
able to appreciate the wonderful cinematography and naturalistic acting 
it 's the image that really tells the tale . 
captures some of the discomfort and embarrassment of being a bumbling american in europe 
be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
silly horror movies 
in exploring an attraction that crosses sexual identity 
vivid characters and 
, blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
's not a fresh idea at the core of this tale . 
something for everyone . 
comes off more like a misdemeanor , a flat , unconvincing drama that never catches fire . 
a truly wonderful tale combined with stunning animation . 
with a moral 
achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation 
chitchat that only self-aware neurotics engage in 
few early laughs 
... although this idea is `` new '' the results are tired . 
transcends 
straight-to-video 
could n't make a guest appearance to liven things up 
great over-the-top moviemaking if you 're in a slap-happy mood . 
the original new testament stories so compelling 
here is unusually tame 
a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare 
safe 
for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon 
it 's a loathsome movie , it really is 
there has been a string of ensemble cast romances recently ... but peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note . 
lazy , miserable and smug 
, for the most part , credible 
their parents 
the best sex comedy about environmental pollution ever made 
byler is too savvy a filmmaker to let this morph into a typical romantic triangle . 
starts off witty and sophisticated 
makes this movie worth seeing 
of cat-and-mouse , three-dimensional characters and believable performances 
most creative mayhem 
with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer 
fun factor 
original fantasy film 
entertains not so much because of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel . 
its characters tissue-thin 
time out is existential drama without any of the pretension associated with the term . 
there is n't one true ` chan moment ' . 
canada 's arctic light shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people . 
this new movie version of the alexandre dumas classic is the stuff of high romance , brought off with considerable wit . 
cinematic experience 
reach much further than we imagine 
make this surprisingly decent flick worth a summertime look-see 
run-of-the-filth 
incoherence 
a no-holds-barred cinematic treat . 
addict 
it leers , offering next to little insight into its intriguing subject . 
second helpings 
wander into the dark areas of parent-child relationships without flinching 
awkwardly paced soap opera-ish story 
up out of john c. walsh 's pipe dream 
as generic as its title 
the most magical and most fun family fare of this or any recent holiday season 
that it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls 
will warm your heart without making you feel guilty about it . 
is an ` action film ' mired in stasis 
of its sense of fun or energy 
to make a film in which someone has to be hired to portray richard dawson 
breathtakingly assured and stylish work 
hogwash 
let crocodile hunter steve irwin do what he does best , 
to drag on for nearly three hours 
tired , talky feel 
praise 
ever making his wife look so bad in a major movie 
the movie as a whole is cheap junk and an insult to their death-defying efforts 
exquisite 
exasperatingly 
for most of the characters 
like a pack of dynamite sticks , built for controversy . 
big ending surprise 
if it pared down its plots and characters to a few rather than dozens ... or 
amazingly evocative film from three decades ago 
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers 
that the film is never dull 
a lackluster script 
stooping to base melodrama 
it 's a thin notion 
sensitive , smart , savvy , compelling coming-of-age drama 
he thinks the film is just as much a document about him as it is about the subject . 
a niche hit 
comes across as both shallow and dim-witted 
cheesy backdrops , ridiculous action sequences , 
the brawn , but not 
mild disturbance or detached pleasure at the acting 
make for a winning , heartwarming yarn 
upstaged by an avalanche of more appealing holiday-season product 
counter the crudity 
accurately reflects the rage and alienation that fuels the self-destructiveness of many young people 
chilling , unnerving film 
has become the master of innuendo . 
unlikely to become a household name on the basis of his first starring vehicle 
's soulful and unslick 
still serious problem 
a winning comedy 
suicide 
the major problem 
that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm 
the psychology 101 study of romantic obsession 
of passion , grief and fear 
the hours represents two of those well spent 
trouble 
the auteur 's ear for the way fears and slights are telegraphed in the most blithe exchanges gives the film its lingering tug . 
that 's something i would rather live in denial about 
the torments and angst 
yes , spirited away is a triumph of imagination 
to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
the shocking conclusion 
deals with first love sweetly 
it does n't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain . 
creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance 
in all fairness 
laid-back 
's as if allen , at 66 , has stopped challenging himself 
and pat storytelling 
a forceful drama of an alienated executive who re-invents himself 
made the original men in black such a pleasure 
while the now 72-year-old robert evans been slowed down by a stroke , he has at least one more story to tell : his own . 
stirring , 
appear foolish and shallow rather than , as was more likely , 
fiend 
pure craft 
pokémon 4ever is terrifying 
might sit through this summer that do not involve a dentist drill . 
that ultimately coheres into a sane and breathtakingly creative film 
a grim future 
the story 's scope and pageantry are mesmerizing , and 
skip the film 
for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture 
to sit through it again 
also like its hero , it remains brightly optimistic , coming through in the end 
a flawed human 
a good match 
a baffling subplot involving smuggling drugs inside danish cows falls flat , and 
attractive about this movie 
were more repulsive 
too long , and larded with exposition 
found the movie as divided against itself 
goodness 
, in the simple telling , proves simultaneously harrowing and uplifting 
taking up the current teen movie concern with bodily functions 
part of the charm of satin rouge 
the trashy teen-sleaze equivalent 
that brings out the worst in otherwise talented actors 
're on the edge of your seat 
from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
the works of an artist 
edge to it 
significantly less charming than listening to a four-year-old 
its director could ever have dreamed 
an awkwardly contrived exercise 
to easy feel-good sentiments 
, collateral damage presents schwarzenegger as a tragic figure 
if we 're to slap protagonist genevieve leplouff because she 's french , do we have that same option to slap her creators because they 're clueless and inept ? 
is far funnier than it would seem to have any right to be 
wise and deadpan humorous . 
've a taste for the quirky 
of paint-by-number american blockbusters like pearl harbor , at least 
is completely lacking in charm and charisma 
takes big bloody chomps out of it 
imagine that even very small children will be impressed by this tired retread 
it 's provocative stuff , 
to accomplish what few sequels can 
a memorable directorial debut 
aspires to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script 
an inconclusive ending 
passionate , irrational , long-suffering but cruel as a tarantula , helga figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats . 
with a story that tries to grab us , only to keep letting go at all the wrong moments 
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say , entirely unconned by false sentiment or sharp , overmanipulative hollywood practices . 
a great script brought down by lousy direction . 
content to dog-paddle in the mediocre end of the pool 
'm sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment . 
zinger-filled 
clumsy dialogue , heavy-handed phoney-feeling sentiment , and 
, you could restage the whole thing in your bathtub . 
bucked the odds to emerge as an exquisite motion picture in its own right 
murder and mayhem 
nearly incoherent 
is n't particularly assaultive 
that takes a stand in favor of tradition and warmth 
to a sunshine state 
introspective and 
for the tube 
shows a level of young , black manhood that is funny , touching , smart and complicated . 
with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie . 
of vignettes which only prove that ` zany ' does n't necessarily mean ` funny 
the rest is just an overexposed waste of film 
emotionally strong and 
wholly unnecessary 
keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong 
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , 
beloved 
transcendent performance 
an oscar 
a film of empty , fetishistic violence in which murder is casual and fun . 
on a dime in the tries-so-hard-to-be-cool `` clockstoppers 
, in a better movie , you might not have noticed . 
is better-focused than the incomprehensible anne rice novel it 's based upon 
that encourages you to accept it as life and go with its flow 
more ridiculous 
the magnificent swooping aerial shots are breathtaking , 
dramatic arc 
an extraordinary poignancy , 
absurdities and 
multi-layered and profoundly humanist ( not to mention gently political ) meditation 
unoriginal 
that run the gamut from cheesy to cheesier to cheesiest 
feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment . 
takes a classic story , casts attractive and talented actors 
take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
a story that is so far-fetched it would be impossible to believe if it were n't true 
whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau 
a college keg party 
, low-budget and tired 
mira sorvino 's limitations 
is so engagingly messing around like slob city reductions of damon runyon crooks 
hostile 
a copout 
while clearly a manipulative film , emerges as powerful rather than cloying 
earnest yet curiously tepid and choppy recycling in which predictability is the only winner . 
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here 
its apparent glee 
profanities 
is one of world cinema 's most wondrously gifted artists and storytellers 
surprisingly decent 
am baffled by jason x. 
it offers hope 
an experience that is richer than anticipated 
you can fire a torpedo through some of clancy 's holes , and the scripters do n't deserve any oscars 
have given this movie a rating of zero . 
style and humor 
most magical and most 
as deep as a petri dish 
of those films where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone 
something for everyone 
it looks neat 
fights 
is meaningless , vapid and devoid 
it 's clear that washington most certainly has a new career ahead of him 
aggressive self-glorification and a manipulative whitewash 
what allows it to rank with its worthy predecessors 
the scarifying 
it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth . 
strongly 
first mistake 
needs more filmmakers with passionate enthusiasms like martin scorsese 
'' is far funnier than it would seem to have any right to be . 
this broken character study 
sensitive , cultivated treatment 
torture and 
seagal 
little more than routine 
both stars are appealing enough to probably have a good shot at a hollywood career , if they want one 
shockers since the evil dead 
spinoff of last summer 's bloated effects fest the mummy returns 
the movie 's messages are quite admirable , but the story is just too clichéd and too often strains credulity 
's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss . 
of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them 
does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen . 
has all the trappings of an energetic , extreme-sports adventure 
... an adorably whimsical comedy that deserves more than a passing twinkle . 
, an actor this uncharismatically beautiful would have a résumé loaded with credits like `` girl in bar # 3 . '' 
to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
the movie 's presentation , which is way too stagy 
to be a suspenseful horror movie or a weepy melodrama 
comes along every day 
always entertaining , 
a good natured warning 
succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing 
a fascinating part of theater history 
understandable 
feel-good movie 
a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
a film neither bitter nor sweet , neither romantic nor comedic 
a much better documentary 
's pretty stupid 
acting like an 8-year-old channeling roberto benigni 
if the man from elysian fields is doomed by its smallness , it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out . 
prevent its tragic waste of life 
the performances are uniformly good . 
the phenomenal , water-born cinematography by david hennings 
the film suffers from a simplistic narrative and a pat , fairy-tale conclusion . 
blood work is for you . 
into a gorgeously atmospheric meditation on life-changing chance encounters 
confirms lynne ramsay as an important , original talent in international cinema . 
at times uncommonly moving 
helps keep the proceedings as funny for grown-ups as for rugrats 
the color palette , with lots of somber blues and pinks , is dreamy and evocative 
art-house to the core , read my lips is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema . 
moved by this drama 
survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine 
richly detailed 
'll keep you wide awake and ... very tense . 
simple title 
sewer rats 
the nonstop artifice 
i 'm actually having a hard time believing people were paid to make it 
by characters who are nearly impossible to care about 
an original character , siuation or joke in the entire movie 
in the pile of useless actioners 
coupled with pitch-perfect acting 
is a dud 
more chaotic than entertaining 
in its courageousness , and comedic employment 
guessing at almost every turn 
interesting and thoroughly unfaithful version of carmen 
offensive and 
that never quite gel 
deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered 
if the movie is more interested in entertaining itself than in amusing us 
winning flight of revisionist fancy 
most ingenious 
maintaining consciousness just long enough to achieve callow pretension 
of inexcusable dumb innocence 
bliss 
happily 
- greaseballs mob action-comedy . 
much about the ownership and redefinition of myth 
too-conscientious 
illustrated by a winning family story . 
y tu mamá también is hilariously , gloriously alive , and quite often hotter than georgia asphalt . 
are puerile 
a strong education and 
where the upbeat ending feels like a copout 
deeply absorbing 
flawless film , 
of the audience award for documentaries at the sundance film festival 
's also disappointing to a certain degree 
super-stupid 
an awkwardly garish showcase that diverges from anything remotely probing or penetrating . 
is that she never lets her character become a caricature -- not even with that radioactive hair 
though its story is only surface deep , the visuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime look-see . 
my big fat greek wedding is not only the best date movie of the year , it 's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss . 
blacked out 
e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades . 
there 's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles . 
this romantic comedy 
includes the line ` my stepdad 's not mean , he 's just adjusting ' 
with the assassin is structured less as a documentary and more as a found relic 
for an absurd finale of twisted metal , fireballs and revenge 
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling . 
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat . 
is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
gay or straight , kissing jessica stein is one of the greatest date movies in years . 
its spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing . 
engagingly 
honest working man john q. archibald , 
offbeat thriller 
warm 
into the script , which has a handful of smart jokes 
showcases the city 's old-world charm before machines change nearly everything 
is moody , oozing , chilling and heart-warming all at once ... 
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill . 
missed opportunities . 
see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
rewards 
to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
low-budget constraints 
are fantastic . 
the movie , shot on digital videotape rather than film , is frequently indecipherable 
emotionally complex , dramatically satisfying heroine 
this loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses is a deeply unpleasant experience . 
utterly pointless 
far too sentimental 
at 90 minutes this movie is short 
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and 
is many things -- stoner midnight flick , sci-fi deconstruction , gay fantasia -- but above all it 's a love story as sanguine as its title . 
is bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time 
tully is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham . 
what gives human nature its unique feel is kaufman 's script 
elevate 
ca n't properly be called acting -- more accurately , it 's moving 
is as delightful 
cheap-shot mediocrity 
the balance between the fantastic and the believable 
there 's no doubt the filmmaker is having fun with it all 
derailed by bad writing and possibly also by some of that extensive post-production reworking to aim the film at young males in the throes of their first full flush of testosterone . 
an even less capable trio 
affirm 
's willing to express his convictions 
rare window 
warm and exotic . 
mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant . 
brings the proper conviction 
goes downhill . 
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , 
nothing i had n't already seen . 
but fun . 
better films 
a stock plot 
ugly , pointless , stupid 
hell 
be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
about gays in what is essentially an extended soap opera 
for human connection 
quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin 
as earnest as a community-college advertisement 
the hot chick , the latest gimmick from this unimaginative comedian 
into a gentle waking coma 
low-budget filmmaking 
has little clue about either the nature of women or of friendship 
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but 
puzzle his most ardent fans 
fill the after-school slot 
this film 's impressive performances and adept direction 
an attention to detail 
considerable skill and determination , 
mainstream hollywood 
masterpiece . 
i 'd rather watch them on the animal planet . 
a tv episode rather than a documentary 
do n't let the subtitles fool you ; the movie only proves that hollywood no longer has a monopoly on mindless action . 
is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery . 
grumble 
, it 's still unusually crafty and intelligent for hollywood horror . 
to consider the looseness of the piece 
no entertainment value 
would make it the darling of many a kids-and-family-oriented cable channel 
are familiar with , and makes you care about music you may not have heard before 
comes together as a coherent whole 
great shame 
thought it was going to be 
depressing , ruthlessly pained 
have an honesty and dignity that breaks your heart 
the script 's judgment and sense of weight is way , way off . 
a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time 
adam watstein with finishing it at all 
naturally dramatic 
is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth . 
the performances are strong , though the subject matter demands acting that borders on hammy at times . 
's a shame 
audience falls asleep 
bledel 
concession stand and/or restroom 
best of all 
with a life-affirming message 
dough from baby boomer families 
that it even uses a totally unnecessary prologue , just because it seems obligatory 
the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing distinguishing in a randall wallace film . 
almost bergmanesque intensity 
thoughtlessly 
that already knows it 's won 
is a successful one . 
yes , ` it 's like having an old friend for dinner ' . 
could have yielded such a flat , plodding picture 
the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart 
with lots of laughs 
tortured and 
a con artist and 
a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films 
wild , endearing , masterful 
realism , crisp storytelling and radiant compassion 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why ? 
nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin . 
how far herzog has fallen 
are immune to the folly of changing taste and attitude 
, iwai 's gorgeous visuals seduce . 
're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you 
it 's just too dry and too placid 
this man so watchable 
signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype . 
really work 
creative interference 
seduce and conquer 
as inspiring 
oscar-winning 
too eager to please 
well-directed and , for all its moodiness , 
firing on all cylinders 
get at something 
, eight legged freaks is prime escapist fare . 
( danny huston gives ) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk . 
an epiphany 
the reefs 
, singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn . 
is this so boring ? 
fierce competition 
the players do n't have a clue on the park . 
the evocative imagery and gentle , lapping rhythms of this film are infectious -- 
in creating an emotionally complex , dramatically satisfying heroine 
honestly nice 
a besotted and obvious drama 
engaging and intimate first feature 
comforting fantasies 
your senses are as mushy as peas 
( macdowell ) ventures beyond her abilities several times here and reveals how bad an actress she is . 
particularly memorable or even all that funny 
and likeable characters 
their super-dooper-adorability intact 
a lighthearted glow 
a grand fart 
steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience . 
sly female empowerment movie 
crummy . 
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters 
it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
at once disarmingly straightforward and strikingly devious . 
it 's sort of a 21st century morality play with a latino hip hop beat . 
, really stupid 
the multi-layers of its characters 
uninspired . 
is so clumsily sentimental and ineptly directed it may leave you speaking in tongues . 
why lee 's character did n't just go to a bank manager and save everyone the misery 
no charm , no laughs , no fun , no reason to watch . 
intoxicating atmosphere 
overall feelings , broader ideas 
a well-deserved reputation as one 
searching for its identity 
is about grief 
is also a testament to the integrity and vision of the band 
is heartfelt and hilarious 
are paper-thin , and their personalities undergo radical changes when it suits the script 
does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes . 
excels in the art of impossible disappearing/reappearing acts 
as in the songs translate well to film 
benefits from serendipity 
in a very real and amusing give-and-take 
does feel like a short stretched out to feature length . 
suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected . 
, smartly played and smartly directed . 
to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter 
detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie 
that will amuse or entertain them 
a great movie 
a stunning fusion of music and images 
their lives , loves and the art 
satisfying kids flck 
a metaphor for a modern-day urban china searching for its identity . 
sweeping and gliding 
both charming 
is also a film of freshness , imagination and insight 
is a refreshingly forthright one 
a little scattered -- ditsy 
predominantly amateur cast is painful to watch , so stilted and unconvincing 
lust 
the pristine camerawork 
satisfies , 
excuse to get to the closing bout ... by which time it 's impossible to care who wins 
conjures a lynch-like vision of the rotting underbelly of middle america 
because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
jackass '' fan 
moonlight mile gives itself the freedom to feel contradictory things . 
the most complex , generous and subversive artworks of the last decade 
from its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale , martin is a masterfully conducted work . 
barely tolerable slog 
it will guarantee to have you leaving the theater with a smile on your face . 
it plays everything too safe 
everything we 've come to expect from movies nowadays . 
the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy 
engrossing and different 
will enjoy themselves . 
part of the fun 
's just one that could easily wait for your pay per view dollar 
super-dooper-adorability 
, racist humor 
the legendary wit 's 
an ounce of honest poetry 
it 's worth seeing 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- 
... a scummy ripoff of david cronenberg 's brilliant ` videodrome . ' 
i approached the usher and said that if she had to sit through it again , she should ask for a raise . 
the movie , shot on digital videotape rather than film 
the russian word for wow !? ' 
does an established filmmaker 
a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , 
a fascinating curiosity piece -- fascinating , 
lame entertainment 
took of the family vacation 
director hoffman , with great help from kevin kline 
she nearly glows with enthusiasm , sensuality and a conniving wit . 
eager fans 
's a movie that gets under your skin 
wastes its time on mood rather than 
a love song to the movies 
as you might to resist , if you 've got a place in your heart for smokey robinson 
it is were it not for the striking , quietly vulnerable personality of ms. ambrose 
life-embracing 
hastily and amateurishly 
by the full monty 
her most charmless 
for the sights and sounds of the wondrous beats 
profane and exploitative 
seemed bored 
ca n't help but feel ` stoked 
has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence . 
a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety 
a smug and convoluted action-comedy that does n't allow an earnest moment to pass without reminding audiences that it 's only a movie . 
the occasional bursts of sharp writing 
bottomlessly cynical 
can sound so dull 
of quiet desperation 
intolerable levels 
feels like the logical , unforced continuation of the careers of a pair of spy kids 
have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
wrong with this increasingly pervasive aspect of gay culture 
truly gorgeous 
entirely witless and inane 
dying and 
intacto 's luckiest stroke 
barely defensible sexual violence 
the graphic carnage and re-creation of war-torn croatia is uncomfortably timely , relevant , and sickeningly real . 
cut to a new scene , which also appears to be the end 
succumbing to its own bathos 
funny and human and really 
critically insightful 
vincent gallo is right at home in this french shocker playing his usual bad boy weirdo role . 
in a fresh way 
a successful adaptation and 
good performances 
totally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe 
us to remember that life 's ultimately a gamble and last orders are to be embraced 
genuinely funny ensemble 
an enjoyable film 
is funny , charming and quirky 
intelligent , and 
are uniformly good 
australia : land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place . 
work in the same vein as the brilliance of animal house 
a sadistic bike flick that would have made vittorio de sica proud 
truly magical 
the sorriest and most sordid of human behavior on the screen , then 
straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company . 
, mean-spirited lashing 
i 've seen some bad singer-turned actors 
the pratfalls but little else 
could fail to crack a smile at 
biggest 
energetic , violent movie 
, the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing . 
frankly , it 's kind of insulting , both to men and women . 
that lacks juice and delight 
funny without hitting below the belt 
pristine camerawork 
you can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed . 
top-notch cast 
it 's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team . 
about growing up that we do n't see often enough these days 
wang xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men . 
fruitful 
the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here 
an original and highly cerebral examination 
an emotional edge 
inventive directors 
directed with verve 
babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
is a festival film that would have been better off staying on the festival circuit . 
is that its own action is n't very effective . 
my sweet has so many flaws it would be easy for critics to shred it . 
oddly 
looks elsewhere 
waydowntown may not be an important movie , or even a good one , but it provides a nice change of mindless pace in collision with the hot oscar season currently underway 
perfectly executed and 
this sensitive , smart , savvy , compelling coming-of-age drama 
a rejected x-files episode 
keenest pleasures 
the power of poetry and passion 
horrors ! ) 
a great time 
compulsively watchable 
was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
an attraction that crosses sexual identity 
lagaan really is enormously good fun . 
the structure is simple , but in its own way , rabbit-proof fence is a quest story as grand as the lord of the rings . 
to be a hip-hop fan to appreciate scratch 
one good one 
find a ` literary ' filmmaking style 
aliens and 
offensive , puerile and 
empty , fetishistic violence 
this strangely schizo cartoon seems suited neither to kids or adults . 
wonder , hope and magic can never escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars 
the boat loads of people who try to escape the country 
some of the unsung heroes of 20th century 
nearly as dreadful as expected 
its oh-so-hollywood rejiggering 
made him feel powerful 
sappy script 
uni-dimensional nonsense machine 
would probably have worked better as a one-hour tv documentary . 
, leaning on badly-rendered cgi effects . 
its spirit of iconoclastic abandon 
the thousands of americans who die hideously 
a strange urge to get on a board and , uh , shred , dude 
the delicious pulpiness 
the preaching message 
is n't the most edgy piece of disney animation 
makes sense , with its unbelievable naïveté and arbitrary flashbacks . 
nothing sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams . 
provides a very moving and revelatory footnote to the holocaust . 
dubious 
its utter sincerity 
... continue to impress 
davis is funny , charming and quirky in her feature film acting debut as amy . 
is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why . 
sustained fest of self-congratulation between actor and director that leaves scant place for the viewer 
a too-conscientious adaptation 
for historical truth and realism 
a lot of their time ( including mine ) on something very inconsequential 
it throws quirky characters , odd situations , and off-kilter dialogue at us , all as if to say , `` look at this ! 
loud , chaotic and largely unfunny 
one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage 
a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny 
sitting through dahmer 's two hours 
a gleefully grungy 
noble end 
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and i 'm all for that 
we call the ` wow ' factor 
eating , sleeping and stress-reducing 
the paper-thin characterizations and 
lively songs 
stays close to the ground in a spare and simple manner and 
wasted in it 
a gorgeously strange movie , heaven is deeply concerned with morality , but 
hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare 
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives 
show more of the dilemma , rather than have his characters stage shouting 
to the core of what it actually means to face your fears , to be a girl in a world of boys 
's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring . 
inside unnecessary films 
problematic script 
pretty good overall picture 
for one of the worst movies of one year 
that trademark grin of his -- 
far less endearing 
, incomprehensible , vicious and absurd 
an enjoyably 
revenge , and romance 
derivative , overlong , and bombastic -- yet surprisingly entertaining 
the most awful acts are committed 
elusive , yet inexplicably 
inexpressive 
being snared in its own tangled plot 
impenetrable and 
who die hideously 
plays like a reading from bartlett 's familiar quotations 
like any good romance , son of the bride , proves it 's never too late to learn . 
what we have is a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance . 
transcends the normal divisions between fiction and nonfiction film 
a dull , simple-minded and stereotypical tale of drugs , 
lawrence has only a fleeting grasp of how to develop them 
just more of the same , 
the acting is amateurish 
profound 
something really good 
into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear 
sing beautifully and act adequately 
metaphors abound , but it is easy to take this film at face value and enjoy its slightly humorous and tender story 
i ca n't recommend it . 
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive . 
is suspenseful and ultimately unpredictable 
an aging filmmaker still thumbing his nose at convention 
credible 
good , organic character work 
director paul cox 's unorthodox , abstract approach 
a dreary tract 
a balanced film 
mixed messages , 
falls into the trap of pretention 
suffers from too much norma rae and not enough pretty woman 
's incredible the number of stories the holocaust has generated 
neighborhood 
, the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy . 
guide a loose , poorly structured film 
the predominantly amateur cast is painful to watch , so stilted and unconvincing are the performances . 
wewannour money back , actually 
the result puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less . 
grant 's two best films 
, the way to that destination is a really special walk in the woods . 
has all the same problems the majority of action comedies have 
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
of the cleverest , most deceptively amusing comedies of the year 
through its hackneyed elements 
sketchy but nevertheless 
bracing 
offering next to little insight into its intriguing subject 
benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth 
labors as storytelling . 
understands how to create and sustain a mood 
an enthralling , 
hailed 
a gorgeous pair 
far-flung , illogical 
from its nauseating spinning credits sequence to a very talented but underutilized supporting cast 
flavorless 
the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
particularly joyless , and exceedingly dull , 
at once laughable 
a successful career in tv 
evolved from star to superstar 
is still able to create an engaging story that keeps you guessing at almost every turn . 
animated drivel 
the rest of us will be lulled into a coma . 
no wit , 
, much about the film , including some of its casting , is frustratingly unconvincing . 
like a particularly amateurish episode of bewitched that takes place during spring break 
a b-movie you can sit through , enjoy on a certain level and then forget . 
a remarkable piece of filmmaking 
be very sweet indeed 
applies more detail to the film 's music than to the story line 
uncanny 
virtually absent 
dumb gags , 
's too long 
loved the people onscreen , even though i could not stand them 
are in place for a great film noir 
the past 20 minutes looking at your watch 
have ransacked every old world war ii movie for overly familiar material 
is a film that takes a stand in favor of tradition and warmth . 
as bad 
something vital 
style massacres erupt throughout 
full of holes and completely lacking in chills 
come to term an `` ambitious failure 
its share of belly laughs ( including a knockout of a closing line ) 
the greatest films 
is sure to give you a lot of laughs in this simple , sweet and romantic comedy . 
to sit back and enjoy a couple of great actors hamming it up 
assume the director has pictures of them cavorting in ladies ' underwear 
strange occurrences build in the mind of the viewer and take on extreme urgency . 
remains fairly light , 
spiritual 
creative 
no reason to exist 
romance 
instantly transform themselves into a believable mother/daughter pair 
of beautiful movement and inside information 
while not quite `` shrek '' or `` monsters , inc. '' , it 's not too bad . 
the cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge . 
stupid 
it 's an entertaining movie , 
... the first 2/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ... 
silly stuff , all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another 
the old boy 's characters more quick-witted than any english lit 
tight and nasty 
modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare . 
john hughes comedy 
that you enjoy more because you 're one of the lucky few who sought it out 
is a clever and cutting , quick and dirty look at modern living and movie life . 
literary desecrations 
horribly depressing and not very well done 
ever-growing category 
emerges in the movie , using a plot that could have come from an animated-movie screenwriting textbook 
got just enough charm and appealing character quirks to forgive that still serious problem 
maybe because it echoes the by now intolerable morbidity of so many recent movies 
, groan and hiss 
tries to be smart 
uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
like a fish that 's lived too long , austin powers in goldmember has some unnecessary parts and is kinda wrong in places . 
too clichéd 
generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal 
does justice both to stevenson and to the sci-fi genre . 
what a film can be 
sweet-tempered comedy 
relegated to the background -- a welcome step 
it desperately wants to be a wacky , screwball comedy , but the most screwy thing here is how so many talented people were convinced to waste their time 
after next is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans . 
the film 's highlight 
outside the under-10 set 
is deeply concerned with morality 
his penchant for tearing up on cue -- things that seem so real in small doses 
naipaul original 
full of itself 
, storytelling fails to provide much more insight than the inside column of a torn book jacket . 
of a good time for both children and parents 
avoids all the comic possibilities of its situation , and 
ca n't seem to get a coherent rhythm going 
, songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time . 
a strong dramatic and emotional pull that gradually sneaks up on the audience 
sudsy 
some kid who ca n't act , only 
'' or `` suck '' 
crisper and 
be wholesome and subversive at the same time 
lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison 
solondz may be convinced that he has something significant to say , but 
a strong directorial stamp 
although what time offers tsai 's usual style and themes , it has a more colorful , more playful tone than his other films . 
sooooo tired 
the thrill of the chill 
an oddly fascinating depiction of an architect of pop culture 
imagine having more fun watching a documentary 
a compelling french psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart 
blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves . 
, de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season . 
best movies 
but this time , the old mib label stands for milder is n't better . 
is simple but absorbing 
victor rosa is leguizamo 's best movie work so far , a subtle and richly internalized performance . 
one of cinema 's directorial giants 
subscriber 
that it 's hard to take her spiritual quest at all seriously 
reassuring manner 
always entertaining , and 
are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed . 
poignant and moving , a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter . 
cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release 
one of the funniest motion pictures of the year , 
energizes 
busy 
wild comedy 
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera 
flashes of warmth and gentle humor 
juvenile 
to an aimless hodgepodge 
wasted 
as the shabby digital photography 
founders on its own preciousness -- and squanders its beautiful women 
with the ferocity of a frozen burrito 
of the kind of lush , all-enveloping movie experience 
into something provocative , rich , and strange 
, red dragon rates as an exceptional thriller . 
have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
has all the dramatic weight of a raindrop 
a zinger-filled crowd-pleaser that open-minded elvis fans 
molestation 
watch , giggle and 
it all unfolds predictably , 
favored 
to kill michael myers for good : stop buying tickets to these movies 
the scorpion king more than ably meets those standards 
woven together skilfully 
the big-screen scooby 
is uniquely felt with a sardonic jolt 
there 's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action . 
's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
the film 's trailer also looked like crap , so crap is what i was expecting . 
unlikable , uninteresting , unfunny 
descends into such message-mongering moralism that its good qualities are obscured 
captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse 
the self-destructiveness of many young people 
eloquent 
features nonsensical and laughable plotting , wooden performances 
are canny and spiced with irony 
the charm of the first movie 
well made but uninvolving , bloodwork is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery . 
a core of flimsy -- or , worse yet , nonexistent -- ideas 
a dazzling conceptual feat 
even leaves you with a few lingering animated thoughts 
it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults 
an enthralling , entertaining feature . 
drive past -- even if it chiefly inspires you to drive a little faster 
sour attempt 
the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy , dopey old hanna-barbera charm . 
this slight premise 
a moving and solidly entertaining comedy/drama 
a smart , provocative drama that does the nearly impossible 
as good as the original 
sex and lucia is so alluring 
with often surprising twists and an intermingling of naiveté and sophistication 
succumbs to sensationalism 
i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out . 
south park 
that serve no other purpose than to call attention to themselves 
a charming but slight comedy 
woefully pretentious . 
peppered with false starts and populated by characters who are nearly impossible to care about 
is entertainment opportunism at its most glaring 
disappointing 
the movie is a mess from start to finish . 
monotone narration 
enamored 
seem to be introverted young men with fantasy fetishes 
slob city reductions of damon runyon crooks 
few movies are able to accomplish 
with its moving story 
too harsh 
sillier , cuter , and 
loves its characters and communicates something rather beautiful 
ache with sadness ( the way chekhov is funny ) , profound without ever being self-important 
the charm of kevin kline and 
it 's all quite tasteful to look at 
equal laughs 
would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor 
a bid to hold our attention 
a movie that grips and holds you in rapt attention from 
maybe not a classic , but a movie the kids will want to see over and over again . 
give performances of exceptional honesty . 
beauty to behold 
vivid as the 19th-century ones 
plays like some corny television 
darned if it does n't also keep us riveted to our seats . 
of what passes for sex in the movies look like cheap hysterics 
boredom to the point of collapse , turning into a black hole of dullness , 
believability was n't one of the film 's virtues . 
something both ugly and mindless 
this movie is about an adult male dressed in pink jammies 
unreachable 
minor miracle 
boobs 
its creator 's comic voice 
that have become a spielberg trademark 
this movie got me grinning . 
is a distinct rarity , and an event . 
sumptuous ocean visuals and the cinematic stylings of director john stockwell 
which is paper-thin and decidedly unoriginal 
a beautiful , entertaining two hours 
astonishing is n't the word -- neither is incompetent , incoherent or just plain crap . 
lasting traces 
... digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations . 
's just too dry and too placid 
carrying off a spot-on scottish burr 
one of the best looking and stylish animated movies in quite a while ... 
become a major-league leading lady 
too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen 
the horror fan who opts to overlook this goofily endearing and well-lensed gorefest 
stomach so much tongue-in-cheek weirdness 
smarter 
bring off this wild welsh whimsy . 
becomes just another voyeuristic spectacle , 
stay for the credits and see a devastating comic impersonation by dustin hoffman that is revelatory . 
wonderful , ghastly 
given it a one-star rating 
ruthlessly pained 
never settles into the light-footed enchantment the material needs 
is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham 
expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street . 
will attach a human face to all those little steaming cartons . 
pull it back 
a bracing , unblinking work that serves as a painful elegy and sobering cautionary tale . 
almost every single facet of production 
the acting , for the most part , is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans . 
psychologically savvy 
, some of it is honestly affecting 
victim to sloppy plotting 
a sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire . 
unexpected twists 
neither protagonist has a distinguishable condition 
strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve 
so vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt . 
drowning 's too good for this sucker . 
so gracefully 
carries it to unexpected heights 
are among the chief reasons brown sugar is such a sweet and sexy film 
become a historically significant work 
slightly unfulfilled 
teeny-bopper set 
a black comedy , 
a lovably old-school hollywood confection 
what passes for sex in the movies look like cheap hysterics 
win you over , 
and communicates something 
's hard to resist his enthusiasm , 
real turns 
when they see the joy the characters take in this creed 
worthless 
forces you to watch people doing unpleasant things to each other and themselves 
a terrific date movie 
smart , sassy 
seems impossible that an epic four-hour indian musical about a cricket game could be this good 
is definitely worth seeing 
an even more predictable , cliche-ridden endeavor than its predecessor . 
is one baaaaaaaaad movie 
naked teenagers horror flick 
texture and realism 
the story really has no place to go since simone is not real 
ca n't quite live up to it 
finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice 
while the transgressive trappings ( especially the frank sex scenes ) ensure that the film is never dull , rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative . 
acting horribly 
all-night 
will have been discovered , indulged in and rejected as boring before i see this piece of crap again . 
is just such an achievement 
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in ... `` my big fat greek wedding '' comes from the heart ... 
's truly deserving of its oscar nomination 
most depressing 
could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films . 
a fish that 's lived too long 
the small , human moments 
of the tooth and claw of human power 
a gentle waking coma 
although i did n't hate this one , it 's not very good either . 
paved with good intentions leads to the video store '' 
one of the more glaring signs of this movie 's servitude to its superstar is the way it skirts around any scenes that might have required genuine acting from ms. spears . 
the same way goodall did , with a serious minded patience , respect and affection 
is a real charmer . 
the word that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady 
like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form . 
opposites attract for no better reason than that the screenplay demands it 
the bottom tier 
may well 
its pulpy core conceit 
assaultive 
with acting , tone and pace very obviously mark him as a video helmer making his feature debut 
strike some westerners as verging on mumbo-jumbo 
obvious 
the first bond movie in ages that is n't fake fun . 
gives it a sturdiness and solidity that we 've long associated with washington 
resourceful 
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so i did n't . 
worse , 
his brawny frame and cool , composed delivery 
it sucked . 
for all the wit and hoopla , festival in cannes offers rare insight into the structure of relationships . 
this movie sucks . ' 
is just an overexposed waste of film 
wives are worse 
sucked 
pointless meditation 
flow through the hollywood pipeline without a hitch 
wickedly funny 
wonderful subject 
gentle film 
nowhere fast 
to understand what made allen 's romantic comedies so pertinent and enduring 
its lackadaisical plotting and mindless action 
will lead when given the opportunity 
worst excesses 
got a house full of tots -- do n't worry 
try as you might to resist , if you 've got a place in your heart for smokey robinson , this movie will worm its way there . 
also has many of the things that made the first one charming . 
're definitely convinced that these women are spectacular 
since dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer 
it 's tough to watch , 
huge mess 
very well-written and very well-acted 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works 
predecessors the mummy and the mummy returns stand as intellectual masterpieces next to the scorpion king . 
zings all the way through with originality , humor and pathos 
engages 
's almost worth seeing because it 's so bad 
pulls the strings that make williams sink into melancholia 
make showtime the most savory and hilarious guilty pleasure of many a recent movie season . 
an actual vietnam war combat movie 
retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie 
to congratulate himself for having the guts to confront it 
numbing 
a first-class road movie that proves you 
it is a loose collection of not-so-funny gags , scattered moments of lazy humor 
a slap-happy series 
to rank with its worthy predecessors 
much of what we see is horrible 
the characters , cast in impossibly contrived situations 
in the reassuring manner of a beautifully sung holiday carol 
a stand in favor of tradition and warmth 
suffocate the illumination created by the two daughters 
the most interesting writer/directors 
would make it a great piece to watch with kids and use to introduce video as art 
enhances the personal touch of manual animation 
give it a marginal thumbs up 
the film feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority . 
's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies 
featuring an oscar-worthy performance by julianne moore . 
foolish choices for advice 
old-hat province 
bottom-of-the-bill 
its questionable satirical ambivalence 
the plot is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults . 
niches 
are hoping it will be , and in that sense is a movie that deserves recommendation 
be put to sleep or bewildered by the artsy and often pointless visuals 
enjoyable 
powerful , naturally dramatic piece 
too loud , too goofy and 
take away the controversy , and it 's not much more watchable than a mexican soap opera . 
a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding 
the country bears wastes an exceptionally good idea . 
the sick sense 
fat 
with good intentions 
is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise 
not mean-spirited 
black hawk down and we 
too campy to work as straight drama and 
my only wish is that celebi could take me back to a time before i saw this movie and i could just skip it . 
sophisticated in the worst way 
a likable story 
exceedingly 
vapid and 
while the last metro ) was more melodramatic , confined to a single theater company and its strategies and deceptions , while tavernier is more concerned with the entire period of history . 
are breathtaking 
is no substitute for on-screen chemistry 
a 75-minute sample of puerile rubbish that is listless , witless , and devoid of anything resembling humor . 
often surprising twists and an intermingling of naiveté and sophistication 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated 
like a surge through swirling rapids or a leap from pinnacle to pinnacle 
these characters ' foibles a timeless and unique perspective 
cold , calculated exercise 
build a feel-good fantasy around a vain dictator-madman 
's gone to manhattan and hell 
may cause parents a few sleepless hours -- a sign of its effectiveness 
... is a brilliantly played , deeply unsettling experience . 
the flat dialogue 
also nice 
is too busy hitting all of its assigned marks to take on any life of its own . 
's an experience in understanding a unique culture that is presented with universal appeal 
sillier , cuter 
is hard to care 
sorriest 
animation enthusiasts of all ages 
a rather brilliant little cult item 
an intense and effective film 
the ensemble cast turns in a collectively stellar performance , 
cinematography and exhilarating point-of-view shots 
the world 's best actors , 
neo-augustinian theology : is god 
really funny 
a laughable -- 
shortcomings 
thrills , too many flashbacks and 
it 's an entertaining movie 
the film 's cheeky charm 
scherfig 's light-hearted profile of emotional desperation is achingly honest and delightfully cheeky . 
lead a group of talented friends 
the grade as tawdry trash 
the things that made the first one charming 
serving sara should be served an eviction notice at every theater stuck with it . 
way to entertain or inspire its viewers 
the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
stale and clichéd to a fault 
crafted import 
to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
fascinating character study 
xerox of other , better crime movies 
, pointless , stupid 
lacking 
nationwide blight 
a wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture . 
charming in comedies like american pie and 
very interesting and 
a technical triumph and an extraordinary bore . 
powerful , inflammatory film 
lax and limp a comedy as i 've seen in a while , a meander through worn-out material 
spare dialogue and 
like many western action films , this thriller is too loud and thoroughly overbearing , but its heartfelt concern about north korea 's recent past and south korea 's future adds a much needed moral weight 
beginning with the pale script 
's just brilliant in this . 
have tremendous chemistry 
cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and 
of a been-there , done-that sameness 
nails hard - 
moves between heartbreak and rebellion 
's a reason the studio did n't offer an advance screening 
a gently funny , sweetly adventurous film 
, the diva shrewdly surrounds herself with a company of strictly a-list players . 
the salton sea has moments of inspired humor , though every scrap is of the darkest variety . 
eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm . 
has crafted an intriguing story of maternal instincts and misguided acts of affection 
offer some modest amusements 
bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy 
that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
through some of clancy 's holes 
is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky 
but they fascinate in their recklessness . 
a modestly surprising movie 
's equally distasteful to watch him sing the lyrics to `` tonight . 
seem genuine rather than pandering 
offers hope 
in its splendor 
cheap , vulgar dialogue and a plot that crawls along at a snail 's pace . 
his best screen 
have . 
falls short in showing us antonia 's true emotions 
with its subjects 
give his audience a single character worth rooting for ( or worth rooting against , for that matter ) 
the utter authority of a genre gem 
it 's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary . 
illuminating study 
pat storylines 
their super-powers , their super-simple animation and their super-dooper-adorability intact 
black urban professionals 
to induce sleep than fright 
utter loss 
light the candles , bring out the cake 
out-of-kilter character 
establishes itself as a durable part of the movie landscape : a james bond series for kids . 
standard crime drama fare ... instantly forgettable and thoroughly dull 
's as good 
is more interested in entertaining itself than in amusing us 
general boorishness 
would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
to feel sorry for mick jagger 's sex life 
none of this is meaningful or memorable , but frosting is n't , either , 
superficial characters 
77 minutes of pokemon may not last 4ever , it just seems like it does . 
forget about one oscar nomination for julianne moore this year - she should get all five . 
mostly believable 
stumbles over every cheap trick in the book trying to make the outrage 
concludes with the crisp clarity of a fall dawn 
love story for those intolerant of the more common saccharine genre . 
powerful and satisfying 
uneven performances and 
its compassionate spirit 
very little story or character 
have rarely seen 
, heartwarming film 
a crime movie made by someone who obviously knows nothing about crime 
damon brings the proper conviction to his role as ( jason bourne ) . 
is not it 
hold dear about cinema , 
is great material for a film -- rowdy , brawny and lyrical in the best irish sense 
is philosophy , illustrated through everyday events 
the kind of obnoxious 
has the same sledgehammer appeal as pokemon videos 
uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth 
reopens an interesting controversy and 
exciting new filmmaker 
really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets 
whether or not you 're enlightened by any of derrida 's lectures on `` the other '' and `` the self , '' derrida is an undeniably fascinating and playful fellow . 
death to smoochy is often very funny , but what 's even more remarkable is the integrity of devito 's misanthropic vision 
magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , 
action-packed an experience 
cremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression . 
a feat 
`` catch me '' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark . 
michael jordan referred to in the title , many can aspire but none can equal 
find anything to get excited about on this dvd 
mishmash . 
i still like moonlight mile , better judgment be damned . 
, i 'm not exactly sure what -- and has all the dramatic weight of a raindrop 
it does n't make for great cinema 
also seems to play on a 10-year delay 
its director 's most substantial feature for some time . 
the mark of a respectable summer blockbuster 
of loss 
a compelling pre-wwii drama with vivid characters and a warm , moving message . 
there 's nothing here that they could n't have done in half an hour 
sentimental chick-flicks 
is , quite pointedly , 
addition to scoring high for originality of plot 
holds the film together with a supremely kittenish performance that gradually accumulates more layers 
measured against practically any like-themed film other than its oscar-sweeping franchise predecessor the silence of the lambs , red dragon rates as an exceptional thriller . 
sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams . 
is instructive 
is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep 
is out of his league 
wildly incompetent 
gives it that extra little something that makes it worth checking out at theaters , 
just enough insight to keep it from being simpleminded 
a world that 's often handled in fast-edit , hopped-up fashion 
the condescending stereotypes that so often plague films dealing with the mentally ill 
uniquely sensual metaphorical dramatization 
the mood for an intelligent weepy 
take this film at face value and enjoy its slightly humorous and tender story 
mysterious , sensual , emotionally intense 
duvall 's throbbing sincerity and 
a film in a class with spike lee 's masterful do the right thing . 
smoother 
this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists 
that grips and holds you in rapt attention from 
been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout 
sickening product placement 
simply intrusive 
he were stripped of most of his budget and all of his sense of humor 
`` bad '' is the operative word for `` bad company , '' and i do n't mean that in a good way 
to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us 
if divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure 
a story about intelligent high school 
finely crafted 
fails on its own 
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
be anything but frustrating , boring , and forgettable 
's waltzed itself into the art film pantheon 
distract from the flawed support structure holding equilibrium up 
yet , it still works . 
has at last decisively broken with her friends image in an independent film of satiric fire and emotional turmoil 
a prolonged extrusion of psychopathic pulp 
extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability . 
, sorrow , laugther , and tears 
immensely ambitious , different than anything that 's been done before 
yet depressing 
time to congratulate himself for having the guts to confront it 
is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same 
transforms one of ( shakespeare 's ) deepest tragedies 
expected it to be 
need to try very hard 
benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing 
talented enough and charismatic enough to make us care about zelda 's ultimate fate 
gets drawn into the party . 
just dreadful 
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) 
does her best 
both shrill and soporific , and because everything is repeated five or six times , it can seem tiresomely simpleminded . 
a lot of stamina and vitality 
it 's too harsh to work as a piece of storytelling , but 
as the scruffy sands of its titular community 
seeing himself in the other , 
evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits 
premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper 
does n't really care about the thousands of americans who die hideously 
its ability to shock and amaze 
make j.k. rowling 's marvelous series into a deadly bore 
quite a comedy nor 
of lazy tearjerker that gives movies about ordinary folk a bad name 
a moving tale of love and destruction in unexpected places 
cleverly constructed scenario 
consumed by lust and love 
has all the same problems the majority of action comedies have . 
unoriginal run 
, it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at . 
fascinating documentary 
gloriously flippant as lock , stock and two smoking barrels 
, often hilarious romantic jealousy comedy 
is a good one 
it 's also not smart or barbed enough for older viewers 
an annoying orgy of excess and exploitation 
a film that suffers because of its many excesses . 
a vibrant whirlwind of love , family and all that goes with it , my big fat greek wedding is a non-stop funny feast of warmth , color and cringe . 
is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract . 
was created for the non-fan to figure out what makes wilco a big deal 
nothing more or less than an outright bodice-ripper -- it should have ditched the artsy pretensions and revelled in the entertaining shallows . 
the end result is like cold porridge with only the odd enjoyably chewy lump . 
of the best looking and stylish 
little fuss or noise 
like a change in ( herzog 's ) personal policy than a half-hearted fluke . 
a movie that accomplishes so much that one viewing ca n't possibly be enough 
visual hideousness 
a decomposition of healthy eccentric inspiration and ambition 
who manages to blast even the smallest sensitivities from the romance with his clamorous approach 
the film fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality . 
leave the auditorium feeling dizzy , confused , and totally disorientated 
of you-are-there immediacy 
sterling ensemble cast 
a charming , banter-filled comedy ... one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface . 
reno himself can take credit for most of the movie 's success . 
up as tedious as the chatter of parrots raised on oprah 
has usually 
show a remarkable ability to document both sides of this emotional car-wreck . 
's apparently been forced by his kids to watch too many barney videos 
holocaust escape story 
seagal is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory . 
a good yarn 
more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air 
, the effect comes off as self-parody . 
it counts heart as important as humor 
a touching drama about old age and grief 
lacks balance ... and fails to put the struggle into meaningful historical context 
too loud , too goofy and too short 
it 's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts . 
work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon 
the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
a rather toothless take 
it challenges , this nervy oddity , like modern art should . 
addition to hoffman 's powerful acting clinic 
does a disservice to the audience and to the genre 
there 's undeniable enjoyment to be had from films crammed with movie references , but the fun wears thin -- then out -- when there 's nothing else happening . 
treats us to an aimless hodgepodge 
of why the dv revolution has cheapened the artistry of making a film 
picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film 
a film that hews out a world and carries us effortlessly from darkness to light 
is surprisingly refreshing 
is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story 
can analyze this movie in three words : thumbs friggin ' down 
laughs at how clever it 's being . 
about issues most adults have to face in marriage 
a coherent rhythm going 
a worthy entry in the french coming-of-age genre 
stabs 
and artistically inept 
one-of-a-kind work 
happy hour 
's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni . 
a memorable experience that , like many of his works , presents weighty issues 
could have been crisper and punchier , 
sets out with no pretensions and delivers big time 
the cinematic equivalent of high humidity 
completely honest , open-hearted film 
take notice 
( clooney 's ) debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh . 
plays like a student film by two guys who desperately want to be quentin tarantino when they grow up 
( t ) he film is never sure to make a clear point -- even if it seeks to rely on an ambiguous presentation . 
the intentionally low standards 
as often imaginative 
those willing to endure its extremely languorous rhythms , waiting for happiness 
a number of other assets to commend it to movie audiences both innocent and jaded 
laziest 
a true-blue delight . 
writer-director ritchie reduces wertmuller 's social mores and politics to tiresome jargon . 
marks a return to form for director peter bogdanovich 
are just actory concoctions , defined by childlike dimness and a handful of quirks 
's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
overrides what little we learn along the way about vicarious redemption 
fresh , entertaining comedy 
with all its flaws , is that it has none of the pushiness and decibel volume of most contemporary comedies . 
never change . 
with an intimate feeling , a saga of the ups and downs of friendships 
will have a great time 
, slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up . 
intelligent 
's about as overbearing and over-the-top as the family 
candy and cheeky wit to keep parents away from the concession stand 
the lack of naturalness makes everything seem self-consciously poetic and forced ... 
back-stabbing , inter-racial desire 
are nowhere near 
ended up in a movie this bad 
somewhere along the way k-19 jettisoned some crucial drama . 
a weirdly beautiful place 
offers an interesting look at the rapidly changing face of beijing . 
the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues . 
i liked about schmidt a lot , 
does n't work as either . 
low-budget affair 
that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady 
unaware 
contrived situations 
have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
spy action flick with antonio banderas and lucy liu never comes together . 
surehanded direction 
very slow , uneventful 
in short , is n't nearly as funny as it thinks it is 
trouble every day is a success in some sense , but it 's hard to like a film so cold and dead . 
style and mystification 
skunk 
brosnan 's finest non-bondish performance yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes . 
forget the psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore . 
sophisticated and 
an entertaining , if ultimately minor , thriller . 
in a more ambitious movie 
cliched dialogue 
the dialogue is very choppy and monosyllabic despite the fact that it is being dubbed . 
less funny than it should be and less funny than it thinks it is 
is n't nearly as funny 
humorous and 
her considerable talents 
lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature . 
purports to be a hollywood satire but winds up as the kind of film that should be the target of something deeper and more engaging . 
is barely an hour long . 
riveted 
muck 
a far bigger , far more meaningful story 
a complex psychological drama 
the transporter bombards the viewer with so many explosions and 
all excited about a chocolate eclair 
will be lulled into a coma . 
dumb , narratively chaotic 
a sense of real magic , perhaps . 
breathtaking , awe-inspiring visual poetry 
gaining most of its unsettling force 
dead-end distaste 
wonderfully 
this ill-conceived and expensive project 
cross between xxx and vertical limit . 
funny , subtle , and resonant 
exhausted 
of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
thin stretched over the nearly 80-minute running time 
invulnerable as its trademark villain 
is about something very interesting and odd that 
of the credit for the film 's winning tone 
best and most mature 
described as a ghost story gone badly awry 
insightfully written , delicately performed 
interest onscreen 
a wild , endearing , masterful documentary 
a dreadful day in irish history 
conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
it is an unstinting look at a collaboration between damaged people that may or may not qual 
worked better as a one-hour tv documentary 
is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience 
that plays like a bad soap opera , with passable performances from everyone in the cast 
the ideas tie together beautifully 
quite a nosedive 
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but 
a splendid meal 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen 
is a gem 
bad in a major movie 
come away with a greater knowledge of the facts of cuban music 
, it 's one of the worst of the entire franchise . 
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but 
you 've already seen city by the sea under a variety of titles , but 
hilarious 
all seemed wasted like deniro 's once promising career and the once grand long beach boardwalk . 
, light treat 
also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes 
its lack of purpose 
adolescents will be adequately served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service . ' 
places the good-time shenanigans in welcome perspective 
a selection of scenes in search of a movie 
less than the sum of its underventilated père-fils confrontations 
meshes in this elegant entertainment 
're burnt out on it 's a wonderful life marathons and bored with a christmas carol 
promising 
seems as though it was written for no one , but somehow 
the all-too-familiar dramatic arc 
anchored by splendid performances 
just a bunch of good actors 
of attraction and interdependence 
what starts off as a potentially incredibly twisting mystery becomes simply a monster chase film . 
the gorgeously elaborate continuation 
fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film . 
else who may , for whatever reason , be thinking about going to see this movie 
is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
mundane 
sinister happy ending 
all its visual panache and compelling supporting characters 
a hilarious place to visit 
the engaging , 
entertaining comedy 
britney spears ' phoniness 
it reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump 
the film has an infectious enthusiasm 
is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business 
of awakening and ripening 
made eddie murphy a movie star and the man 
what it was that made the story relevant in the first place 
, at least he provides a strong itch to explore more . 
stoops to cheap manipulation or corny conventions to do it 
walt becker 's film pushes all the demographically appropriate comic buttons . 
brings a youthful , out-to-change-the-world aggressiveness to the project 
good , sonny 
the characters ' quirks and foibles never jell into charm 
hands out awards -- with phony humility barely camouflaging grotesque narcissism 
delivers the goods and audiences will have a fun , no-frills ride 
one teenager 's uncomfortable class resentment and 
-- not the first , by the way -- 
, the director 's experiment is a successful one . 
high crimes carries almost no organic intrigue as a government / marine/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue . 
about as exciting to watch as two last-place basketball teams playing one another on the final day of the season . 
surprisingly refreshing 
written so well , that even a simple `` goddammit 
none of them memorable 
as an entertainment destination for the general public 
such an excellent job 
catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them 
an ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic 
more fascinating look 
hartley adds enough quirky and satirical touches in the screenplay to keep the film entertaining . 
a fine , focused piece of work 
continually challenges perceptions of guilt and innocence , of good guys and bad , and asks us whether a noble end can justify evil means . 
aspires to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script ends up more like the adventures of ford fairlane . 
unmotivated 
did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side . 
utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work . 
lumbering 
breathes life into a roll that could have otherwise been bland and run of the mill 
does n't allow an earnest moment to pass without reminding audiences that it 's only a movie 
are masterfully controlled 
is perfectly serviceable and because he gives the story some soul 
ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor 
stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable . 
a sleek advert for youthful anomie 
as ' a perfect family film 
finds no way to entertain or inspire its viewers 
hard to say who might enjoy this 
a successful example 
of familial separation and societal betrayal 
great credit 
loneliness and isolation 
are wasted in it 
the logic of it all will be greek to anyone not predisposed to the movie 's rude and crude humor . 
this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels . 
a first-class , thoroughly involving b movie 
a few tasty morsels 
highly gifted 12-year-old 
blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
wildly incompetent but brilliantly named half past dead -- or for seagal pessimists : totally past his prime 
comes the first lousy guy ritchie imitation 
a deserved co-winner of the audience award for documentaries at the sundance film festival 
a weak and ineffective ghost story without a conclusion or pay off 
may not be pleased 
it should be doing a lot of things , but does n't . 
anti- 
lacks it . 
oral storytelling frozen onto film 
that should 've been so much more even if it was only made for teenage boys and wrestling fans 
but quietly effective 
into a dullard 
instead of a balanced film that explains the zeitgeist that is the x games , we get a cinematic postcard that 's superficial and unrealized . 
the princess seem smug and cartoonish 
are funny 
characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
hard to make the most of a bumper 
terrific as rachel 
can gasp , shudder and even tremble without losing his machismo 
really stupid 
ryan gosling ... is at 22 a powerful young actor . 
guilt-trip 
, you wo n't feel like it 's wasted yours 
two hours of junk . 
human drama 
it jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier . 
... one of the most entertaining monster movies in ages 
modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
far more interested in gross-out humor 
diggs and lathan are among the chief reasons brown sugar is such a sweet and sexy film . 
an unbalanced mixture of graphic combat footage 
're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life 
tries its best to hide the fact that seagal 's overweight and out of shape . 
very top 
sinks 
an uninspired preachy and clichéd war 
keep this from being a complete waste of time 
imamura has said that warm water under a red bridge is a poem to the enduring strengths of women . 
's good enough to be the purr 
is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film . 
the smartest 
as the lousy tarantino imitations have subsided 
it is very difficult to care about the character , and that is the central flaw of the film 
unlikable , 
up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars 
an imaginatively mixed cast of antic spirits 
left on a remote shelf indefinitely 
a return to pure disney 
a movie that will thrill you , touch you and make you laugh as well . 
is phenomenal , especially the women 
undercuts its charm 
it 's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it 
larger-than-life figure 
thrown every suspenseful cliché in the book 
rare and riveting 
a family film 
elegant visual sense 
are worth the price of admission 
of being a good documentarian 
very predictable but still entertaining 
a christmas perennial 
depressing story 
meticulous talent 
called freddy gets molested by a dog 
solid performances 
genuinely funny jokes 
is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it . 
have finally aged past his prime ... 
do n't judge this one too soon 
translating complex characters from novels to the big screen 
rubbo runs through a remarkable amount of material in the film 's short 90 minutes . 
consistently funny . 
animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers 
a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views . 
should be required viewing for civics classes and would-be public servants alike 
ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops . 
its occasional charms are not to be dismissed . 
be over 
the euphoria of growing up 
constantly pulling the rug from underneath us 
has found with an devastating , eloquent clarity 
wince in embarrassment and others , 
on the glamorous machine that thrusts the audience into a future they wo n't much care about 
that never catches fire 
offensive 
it 's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies . 
celebrate 
deepest recesses 
as good , if not better 
throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit 
quite tasty and inviting all the same 
movies , television and the theater 
irony-free 
lasker 's canny , meditative script distances sex and love , as byron and luther ... 
it is a kind , unapologetic , sweetheart of a movie , and 
its absurdity 
hates 
most fascinating stories 
fragmentary narrative style 
's been hyped to be because it plays everything too safe 
of the most multilayered and sympathetic female characters of the year 
it 's a hellish , numbing experience to watch 
is that van wilder does little that is actually funny with the material . 
it 's an effort to watch this movie , 
rapid-fire delivery 
makes up for with its heart 
effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
it takes chances that are bold by studio standards 
opened it up for all of us to understand 
imagine that most every aggrieved father cliché has been unturned 
a worthy substitute 
in tatters 
no , even that 's too committed . 
falling short as a whole 
there is no foundation for it 
is not one of the movies you 'd want to watch if you only had a week to live . 
've got a huge mess 
have all the suspense of a 20-car pileup 
complete waste 
brow 
there are rich veins of funny stuff in this movie 
snooze 
so poorly paced you could fit all of pootie tang in between its punchlines 
sand 's masculine persona , with its love of life and beauty 
handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly . 
too much like an infomercial for ram dass 's latest book 
manages just to be depressing , as the lead actor phones in his autobiographical performance 
flimsy 
offensive , puerile and unimaginatively foul-mouthed 
sit through about 90 minutes of a so-called ` comedy ' and not laugh once 
people may be wondering what all that jazz was about `` chicago '' in 2002 . 
unique and entertaining 
sadly 
it should have ditched the artsy pretensions and revelled in the entertaining shallows . 
if it pushes its agenda too forcefully 
its rough edges and a tendency to sag in certain places 
mostly to the tongue-in-cheek attitude of the screenplay 
to the always hilarious meara and levy 
create and sustain 
one of our best actors 
beacon of hope 
ash wednesday is not edward burns ' best film , but it is a good and ambitious film 
about mad queens , obsessive relationships , and rampant adultery 
making kahlo 's art a living , breathing part of the movie 
look back at civil disobedience , anti-war movements and the power of strong voices . 
such a fine idea 
his lack of self-awareness 
astonish 
the plotting here leaves a lot to be desired 
, there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism . 
, the last kiss is really all about performances . 
and small delights 
it 's up to ( watts ) to lend credibility to this strange scenario , and 
hubristic folly 
as a piece of storytelling 
a few nice twists in a standard plot 
fascinating than the results 
it also comes with the laziness and arrogance of a thing that already knows it 's won . 
get inside you 
bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
a limp eddie murphy vehicle that even he seems embarrassed to be part of . 
's still a sweet , even delectable diversion 
death to smoochy is often very funny , 
downfall 
've seen in a while , a meander through worn-out material 
it throws you for a loop . 
something provocative , 
the horrifying historical reality 
assured , vital and well wrought , the film is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan . 
bogdanovich taps deep into the hearst mystique 
is too steeped in fairy tales and other childish things 
surprisingly similar 
goodfellas 
electrocute and dismember 
on both suspense and payoff 
passionate 
in just such a dungpile that you 'd swear you 
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , 
too often into sugary sentiment and withholds delivery on the pell-mell 
is downright movie penance 
giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
faithful without being forceful , sad without being shrill 
its greatest play 
are the kiss of death in this bitter italian comedy 
akin to a reader 's digest condensed version of the source material 
the most amazing super-sized dosage 
... wallace is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams . 
coppola 's directorial debut is an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema . 
you 're likely wondering why you 've been watching all this strutting and posturing . 
it was the unfulfilling , incongruous , `` wait a second 
reworks 
is the opposite of a truly magical movie . 
the transcendent performance 
folds under its own thinness 
exceptional thriller 
gripping and compelling 
ca n't quite conceal that there 's nothing resembling a spine here 
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs . 
tsai 's usual style and themes 
bring new energy to the familiar topic of office politics 
its inventiveness 
guarantee to have you leaving the theater with a smile on your face 
crucial to the genre and another first-rate performance 
one of the most original american productions this year 
what a bewilderingly brilliant and entertaining movie 
a ship as leaky 
finds a nice rhythm . 
dragonfly ' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue . 
is hell 
deserves recommendation 
then again , subtlety has never been his trademark 
my big fat greek wedding '' comes from the heart 
a child 's interest and 
although olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation ... its three-hour running time plays closer to two . 
possibly the most irresponsible picture ever released by a major film studio . 
high-powered 
an unmistakable , easy joie de vivre 
could use more of : spirit , perception , conviction 
they turn out to be delightfully compatible here 
, you 'll have a good time with this one too 
aims so low 
of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio 
the hell 
unrelenting bleak insistence 
wild ride '' 
, wannabe-hip crime comedy 
ingeniously 
that the less charitable might describe as a castrated 
marks a modest if encouraging return 
incorporates rotoscope animation for no apparent reason except 
hard to quibble with a flick boasting this many genuine cackles 
of teen-driven , toilet-humor codswallop 
starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar . 
ca n't remember a single name responsible for it 
then the film is a pleasant enough dish . 
is that i ca n't remember a single name responsible for it 
bring out joys in our lives that we never knew 
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less 
, and fearlessness 
like the english patient and the unbearable lightness of being 
is often preachy and 
is clever 
as awful as some of the recent hollywood trip tripe 
gets off with a good natured warning 
though writer/director bart freundlich 's film ultimately becomes a simplistic story about a dysfunctional parent-child relationship , it has some special qualities and the soulful gravity of crudup 's anchoring performance . 
is worth your time 
, fun , curiously adolescent movie 
the production has been made with an enormous amount of affection , so 
's an entertaining movie 
how horrible we are to ourselves and each other 
done a fine job of updating white 's dry wit to a new age 
except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
gets vivid , convincing performances from a fine cast 
an intelligent movie in which you can release your pent up anger 
susan sarandon 
very valuable 
a nice cool glass of iced tea 
could n't help but 
would have a résumé loaded with credits like `` girl in bar # 3 . '' 
the film is an earnest try at beachcombing verismo 
only with muscles and a lot more smarts , but just as endearing and easy to watch 
complex , unpredictable character 
visually flashy but narratively opaque and emotionally vapid 
on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
means a great movie 
done cinematically 
not smart or barbed enough for older viewers 
mostly believable , 
a personal low for everyone involved 
a droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state . 
is so warm and fuzzy 
of the current political climate 
clearly see the world of our making . 
falls back 
a disaster of a story , 
know how to suffer ' and if you see this film you 'll know too . 
dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
deserving of its critical backlash and more 
to the core 
it may also be the best sex comedy about environmental pollution ever made . 
which is way too stagy 
really what we demand of the director 
the emotion is impressively true for being so hot-blooded , and both leads are up to the task . 
whereas oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy , interview with the assassin draws its considerable power from simplicity . 
by those willing to endure its extremely languorous rhythms , waiting for happiness 
is n't even halfway 
begins with promise , but runs aground after being snared in its own tangled plot 
are just so weird that i honestly never knew what the hell was coming next . 
this gentle , mesmerizing portrait of a man coming to terms with time 
gets under your skin and , some plot blips aside 
my indignant , preemptive departure 
even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
no quarter 
marshall keeps the energy humming , and 
all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas 
far closer than many movies 
, swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner . 
`` frailty '' starts out like a typical bible killer story , but it turns out to be significantly different ( and better ) than most films with this theme 
some idea of the glum , numb experience of watching o fantasma 
a music scene that transcends culture and race 
ruined by amateurish 
a solid , well-formed satire 
would be great to see this turd squashed under a truck , preferably a semi . 
corporate circus 
lethally dull 
one of the worst titles in recent cinematic history 
like leafing through an album of photos accompanied by the sketchiest of captions . 
south korea 's 
as only a document of the worst possibilities of mankind can be 
it eventually pays off and is effective if you stick with it 
a scummy ripoff of david cronenberg 's brilliant ` videodrome 
this digital-effects-heavy , supposed family-friendly comedy 
, at times sublime , 
introspective and entertaining 
's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair 
understand why this did n't connect with me would require another viewing 
there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance . 
disappointing 
an intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation on the values of knowledge , education , and the affects of cultural and geographical displacement . 
no particularly memorable effect 
a blip 
that makes his films so memorable 
there 's nothing exactly wrong here , but there 's not nearly enough that 's right . 
said that if she had to sit through it again , she should ask for a raise 
a feature-length film 
write and deliver a one liner as well as anybody 
good fun 
while hollywood ending has its share of belly laughs ( including a knockout of a closing line ) , the movie winds up feeling like a great missed opportunity . 
fashioned an absorbing look 
not even steven spielberg has dreamed up such blatant and sickening product placement in a movie . 
but what 's nice is that there 's a casual intelligence that permeates the script . 
equally beautiful , self-satisfied 18-year-old mistress 
's a funny no-brainer 
do justice to either effort in three hours of screen time 
amateurishly 
the film feels formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe . 
in its own way , rabbit-proof fence is a quest story as grand as the lord of the rings 
showtime is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation . 
the upper echelons of the directing world 
clueless and inept 
an interested detachment 
frustratingly unconvincing 
tiresome ugliness 
form an acting bond that makes the banger sisters a fascinating character study with laughs to spare . 
did n't talk down to them 
very few laughs and even less surprises 
discovered , indulged in 
wendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time . 
a little bit of romance and a dose 
's so poorly 
there 's something about mary and both american pie movies 
, fun cheese puff 
suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life 
all the mounting tension of an expert thriller 
colorful look 
fluttering 
wonderful 
directed , highly professional film that 's old-fashioned in all the best possible ways . 
is the best description of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree 
about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
reminds us that , in any language , the huge stuff in life can usually be traced back to the little things . 
longer exposition sequences between them 
gasping at its visual delights 
and civic action laudable 
the ensemble cast turns in a collectively stellar performance 
after the death of a child 
a movie that is definitely meaningless , vapid and devoid of substance 
, spielberg knows how to tell us about people . 
what it is supposed to be , but ca n't really call it a work of art 
giant step backward 
that a feel-good movie can still show real heart 
an impeccable study in perversity . 
slurs 
are lean and tough enough to fit in any modern action movie 
ebullient affection 
so much farcical as sour . 
hard-hitting documentary 
brosnan is more feral in this film than i 've seen him before and halle berry does her best to keep up with him 
sometimes hilarious ) 
find little of interest in this film , which is often preachy and poorly acted 
attracting audiences to unfaithful 
such a mesmerizing one 
crematorium 
defies expectation 
remind them that hong kong action cinema is still alive and kicking 
toes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it 's hard not to be carried away . 
's depressing to see how far herzog has fallen . 
less a movie than ) 
the devastation 
that miss 
plays it straight , turning leys ' fable into a listless climb down the social ladder . 
fincher takes no apparent joy in making movies , and 
greatest musicians 
stinks from start 
, movies like ghost ship will be used as analgesic balm for overstimulated minds . 
just one of those underrated professionals who deserve but rarely receive it 
i enjoyed the movie in a superficial way , while never sure what its purpose was . 
's so not-at-all-good 
it also has humor and heart and very talented young actors 
is laughingly enjoyable 
to one of those ignorant 
mixed results 
none of this is meaningful or memorable , but frosting is n't , either , and 
there are laughs aplenty 
while the material is slight , the movie is better than you might think . 
adaptation 's success in engaging the audience in the travails of creating a screenplay 
irrelevancy 
a leap from pinnacle to pinnacle 
shot like a postcard and 
the gags , and the script , are a mixed bag . 
best screen 
as shallow entertainment 
gangster no. 1 a worthwhile moviegoing experience 
memorable experience 
knows , and very likely 
convinced that these women are spectacular 
's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss 
this is the kind of movie that deserves a chance to shine . 
a mushy , existential exploration of why men leave their families 
assert 
silly 
have strip-mined the monty formula mercilessly since 1997 
timid 
denis ) accomplishes in his chilling , unnerving film 
the illusion of work is than actual work 
`` blue crush '' is the phenomenal , water-born cinematography by david hennings 
an undeniable energy 
plus the script by working girl scribe kevin wade is workmanlike in the extreme . 
is spooky and subtly 
, and funny 
the beauty and power of the opera 
is that it does n't make any sense . 
sometimes tedious 
funny , moving 
teetering on the edge of sanity 
exists , 
ca n't rescue this effort 
the pleasures that it does afford may be enough to keep many moviegoers occupied amidst some of the more serious-minded concerns of other year-end movies . 
imagine any recent film , independent or otherwise , that makes as much of a mess as this one 
whimsicality , 
's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
, letting its imagery speak for it while it forces you to ponder anew what a movie can be . 
journalistically dubious , inept and often lethally dull 
, american chai is enough to make you put away the guitar , sell the amp , and apply to medical school . 
, the sum of all fears is simply a well-made and satisfying thriller . 
as for children , they wo n't enjoy the movie at all . 
-- from its ripe recipe , inspiring ingredients , certified 
only weak claims to surrealism and black comedy 
responsible 
clever 
sensuality , and sympathy into a story about two adolescent boys . 
offers an exploration that is more accurate than anything i have seen in an american film . 
the highs and lows 
look sophisticated 
why it fails is a riddle wrapped in a mystery inside an enigma . 
his passion 
nice , harmless date film 
'' astounds . 
memorable and 
saddled with an unwieldy cast of characters and angles 
makes as much of a mess as this one 
different ( and better ) 
spicy 
a dramatic slap 
the efforts of its star , kline , to lend some dignity to a dumb story are for naught . 
of their time ( including mine ) on something very inconsequential 
... it feels like a glossy rehash . 
been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie 
just seem like a bad idea from frame one 
be hard pressed to think of a film more cloyingly sappy than evelyn this year 
a delicately crafted film 
will give many ministers and bible-study groups hours of material to discuss . 
while the film is competent , it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires . 
to find a compelling dramatic means of addressing a complex situation 
by its funny , moving yarn that holds up well after two decades 
tell almost immediately that welcome to collinwood is n't going to jell 
an average kid-empowerment fantasy with slightly above-average brains 
dull and ankle-deep 
an unusually dry-eyed , even analytical approach to material that is generally 
aimless , arduous 
a screenplay to die for 
its objective portrait 
're definitely convinced that these women are spectacular . 
but only among those who are drying out from spring break 
metal , fireballs and revenge 
insignificance 
find an enthusiastic audience 
remarkable amount 
fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality . 
with a light ( yet unsentimental ) touch 
as it is interminable 
reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth . 
it 's like going to a house party and watching the host defend himself against a frothing ex-girlfriend . 
an often intense character study about fathers 
romantic comedy with a fresh point of view 
most savory and hilarious guilty pleasure 
and educational ! 
to some eyes this will seem like a recycling of clichés , an assassin 's greatest hits . 
a few points about modern man and his problematic quest for human connection 
unlikable , uninteresting , unfunny , and completely 
rehashes 
is a little scattered -- ditsy , 
laughter 
loses its sense of humor 
they used to anymore 
a culture-clash comedy that , in addition to being very funny 
affirming 
as we 
the whole film has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product . 
's an 88-minute highlight reel that 's 86 minutes too long 
flavor and spice 
a beguiling evocation 
impish divertissement 
a delicious crime drama on par 
the movie is pretty funny now and then without in any way demeaning its subjects . 
leave the same way you came -- a few tasty morsels under your belt , but no new friends 
realistic human behavior of an episode of general hospital 
you 're burnt out on it 's a wonderful life marathons and bored with a christmas carol 
injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater . 
understands the workings of its spirit 
first-time director kevin donovan managed to find something new to add to the canon of chan 
just like a splendid meal , red dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation . 
's black hawk down with more heart 
enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess 
enormously enjoyable 
a moving and stark reminder 
well-meaning , beautifully produced film 
's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers 
ponderous and 
to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story 
in which opposites attract for no better reason than that the screenplay demands it 
last-place basketball 
do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
playful and 
a child 's pain 
most opaque , self-indulgent and just plain 
bluer than the atlantic 
of the week blown up for the big screen 
the story 's scope and pageantry are mesmerizing , and mr. day-lewis roars with leonine power . 
three words : thumbs friggin ' down 
this is a movie where the most notable observation is how long you 've been sitting still . 
is a technological exercise that lacks juice and delight 
i thought the relationships were wonderful , the comedy was funny , 
ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous 
sinks . 
, it does so without compromising that complexity . 
stifles creativity and allows the film to drag on for nearly three hours 
feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama . 
an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension 
, then it 's the perfect cure for insomnia . 
, with a solid cast , 
's relentlessly folksy 
is never especially clever and 
achieve a shock-you-into-laughter intensity of almost dadaist proportions 
a treatise on spirituality 
determination and the human spirit 
from reporting on the number of tumbleweeds blowing through the empty theaters 
slight to be called any kind of masterpiece 
succeeds in making neither 
even caught the gum stuck under my seat trying to sneak out of the theater 
a text to ` lick , ' despite the efforts of a first-rate cast 
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . ' 
the beauty 
has done the nearly impossible 
increasingly implausible as it 
see the attraction for the sole reason that it was hot outside and there was air conditioning inside 
a medium-grade network sitcom -- 
comes up with a kind of art-house gay porn film 
, i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time . 
new movie rapes 
a more colorful , more playful tone than his other films 
still feels counterproductive 
more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm . 
ayres makes the right choices at every turn 
a fudged opportunity of gigantic proportions 
sustains interest during the long build-up of expository material 
( herzog 's ) personal policy 
the movie 's ultimate point -- that everyone should be themselves -- is trite , but the screenwriter and director michel gondry restate it to the point of ridiculousness 
dramatic 
a particularly amateurish episode of bewitched that takes place during spring break 
relies on toilet humor , ethnic slurs 
for those who pride themselves on sophisticated , discerning taste , this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half . 
self-caricature 
any enjoyment will be hinge from a personal threshold of watching sad but endearing characters do extremely unconventional things . 
designed equilibrium becomes a concept doofus 
it 's not a brilliant piece of filmmaking 
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , 
hilariously wicked black comedy ... 
be more complex than your average film 
ideal outlet 
despite its old-hat set-up and predictable plot , empire still has enough moments to keep it entertaining . 
bother watching past the second commercial break 
deadly bore 
intimate and intelligent 
yet i found it weirdly appealing 
a fun adventure movie 
martial arts and gunplay with too little excitement and zero compelling storyline . 
immaculate 
know whether it wants to be a suspenseful horror movie or a weepy melodrama . 
's a familiar story , but one that is presented with great sympathy and intelligence 
delightful . 
to a coming-of-age story with such a buoyant , expressive flow of images 
is an inspirational love story , capturing the innocence and idealism of that first encounter 
increasingly important film industry 
how resolutely unamusing , how thoroughly unrewarding all of this is 
drying out 
that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality 
lets the pictures do the punching 
brutal and funny 
perry 's good 
did the screenwriters just do a cut-and-paste of every bad action-movie line in history ? 
sloppily written 
some special qualities 
i found the movie as divided against itself as the dysfunctional family it portrays . 
's perfect for the proud warrior that still lingers in the souls of these characters 
schaefer 's ... determination to inject farcical raunch 
something fresh to say 
of mexico 's most colorful and controversial artists 
who willingly walk into the nightmare of war not only to record the events for posterity , but to help us 
such confidence 
this masterfully calibrated psychological thriller 
, maudlin and cliche-ridden 
a great performance and 
fulfill 
dead bodies 
guessing plot and an affectionate take on its screwed-up characters 
rock solid family fun out of the gates 
the worst sense 
like a fragment of an underdone potato 
how do you make a movie with depth about a man who lacked any ? 
wasting away 
inventing 
would benigni 's italian pinocchio have been any easier to sit through than this hastily dubbed disaster ? 
bears more than a whiff of exploitation , despite iwai 's vaunted empathy 
acclaim 
pushiness and decibel volume 
of the painstaking 
be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love 
never amount to a satisfying complete picture of this particular , anciently demanding métier 
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation while delivering a more than satisfactory amount of carnage 
is good 
of relationships that come full circle to end on a positive ( if tragic ) note 
you can actually feel good 
itself is ultimately quite unengaging . 
hilariously 
a summertime look-see 
is that celebi could take me back to a time before i saw this movie 
pretends to be a serious exploration of nuclear terrorism 
you live the mood rather than savor the story . 
phony humility 
you give a filmmaker an unlimited amount of phony blood 
wastes an exceptionally good idea 
does n't cut it 
above the rest 
it 's too much syrup and not enough fizz 
one of these days hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations 
may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie . 
is a tired one , 
treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects 
carry the film 
a worthless film 
at a slice of counterculture that might be best forgotten 
round out the square edges . 
a dull , dumb and derivative horror film . 
to hate it 
absorbs all manner of lame entertainment 
eerily 
the film starts promisingly , but the ending is all too predictable and far too cliched to really work . 
seedy clash 
instead of letting the laughs come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick . 
the sweetest thing is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance . 
payne has created a beautiful canvas 
are the greatest musicians of all time . 
labored writing and slack direction 
the old mib label stands for milder is n't better . 
the exclamation point seems to be the only bit of glee you 'll find in this dreary mess . 
nicolas cage is n't the first actor to lead a group of talented friends astray , and this movie wo n't create a ruffle in what is already an erratic career 
makes a wonderful subject for the camera . 
the quirky 
dark humor , gorgeous exterior photography , 
as a mechanical apparatus 
imaginatively 
emerges with yet another remarkable yet shockingly little-known perspective 
for the uninitiated plays better on video with the sound 
blasphemous and nonsensical 
a dark mood that makes the film seem like something to endure instead of enjoy 
ranks as the most original in years 
are scenes of cinematic perfection that steal your heart away 
) profound ethical and philosophical questions in the form of dazzling pop entertainment 
bigelow offers some flashy twists and turns that occasionally fortify this turgid fable . 
ignorant fairies is still quite good-natured and not a bad way to spend an hour or two . 
's the perfect cure for insomnia . 
recommended as an engrossing story about a horrifying historical event and the elements which contributed to it . 
like being able to hit on a 15-year old when you 're over 100 
in making me groggy 
the sentimental script has problems , but the actors pick up the slack . 
's as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese 
of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes 
food-spittingly 
on top 
has its moments -- and almost as many subplots 
weighty and ponderous but every bit as filling as the treat of the title . 
city by the sea would slip under the waves . 
are forced to reflect that its visual imagination is breathtaking 
patchy 
it is supremely unfunny and unentertaining to watch middle-age and older men drink to excess , piss on trees , b.s. one another and put on a show in drag 
ill-considered notion 
it 's easy to love robin tunney -- she 's pretty and she can act -- but it gets harder and harder to understand her choices . 
might describe as a castrated 
exploitative for the art houses and too cynical , small and 
no trouble sitting for blade ii 
it is easy to take this film at face value and enjoy its slightly humorous and tender story 
considered career-best performances 
a popcorn film , not a must-own , or even a must-see 
the film is extremely thorough . 
has some of the funniest jokes of any movie 
celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light 
farts , urine , feces , semen , or 
jackass lacks aspirations of social upheaval . 
exalts the marxian dream of honest working folk , with little to show for their labor , living harmoniously , joined in song . 
above the level of a telanovela 
, it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work . 
been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
a glimmer of intelligence or invention 
the trap of the maudlin or tearful 
a vampire soap opera that does n't make much 
provides a nice change of mindless pace in collision with the hot oscar season currently underway 
letdown 
jeunet 
has its share of belly laughs ( including a knockout of a closing line ) 
a small movie with a big heart . 
one that should be thrown back in the river 
trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
are fantasti 
a single man 's struggle to regain his life , his dignity and his music 
wise and deadpan 
no , it 's not as single-minded as john carpenter 's original , but it 's sure a lot smarter and more unnerving than the sequels . 
surprisingly romantic 
, the film has in kieran culkin a pitch-perfect holden . 
in all the annals of the movies , few films have been this odd , inexplicable and unpleasant . 
this woefully hackneyed movie , directed by scott kalvert , 
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman has carved from orleans ' story and his own infinite insecurity is a work of outstanding originality . 
fragmented film 
the chateau has one very funny joke and a few other decent ones 
attempts to fashion a brazil-like , hyper-real satire 
appreciates the art and reveals a music scene that transcends culture and race . 
equilibrium becomes a concept doofus 
boredom 
terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english , it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers . 
is a shrewd and effective film from a director who understands how to create and sustain a mood . 
a visually stunning rumination on love , memory , history and the war between art and commerce 
fun and 
's both sitcomishly predictable and cloying in its attempts 
works on no level whatsoever for me 
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but its compassionate spirit soars every bit as high . 
exceedingly pleasant 
unflinching look 
about the film , which very simply sets out to entertain and ends up delivering in good measure 
of new inspiration in it 
predictable storyline and 
an emotionally strong and politically potent piece of cinema . 
postcard perfect 
that did not figure out a coherent game 
's as raw and action-packed an experience as a ringside seat at a tough-man contest 
recycles every cliché about gays in what is essentially an extended soap opera . 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and 
it 's a rollicking adventure for you and all your mateys , regardless of their ages . 
who is a welcome relief from the usual two-dimensional offerings 
lifts blue crush into one of the summer 's most pleasurable movies 
otherwise excellent film 
the biggest problem with roger avary 's uproar against the mpaa is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything . 
when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen 
had no effect and elicited no sympathies for any of the characters 
a puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks . 
the goo 
within the seas of their personalities 
follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
the chatter 
harsh 
for most movies , 84 minutes is short , but this one feels like a life sentence 
strong 
their way around this movie directionless , lacking any of the rollicking dark humor so necessary 
in this marvelous film 
, there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows . 
this a remarkable and novel concept 
first and 
nothing more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks . 
of quirkily appealing minor movie she might not make for a while 
monstrous 
somewhat cumbersome 3d goggles 
delivered in low-key style 
candid , archly funny 
any redeeming value whatsoever 
does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez 
goes right 
starts out with tremendous promise , 
has humor and heart and very talented young actors 
does a film so graceless and devoid of merit as this one come along 
about their budding amours 
you never know where changing lanes is going to take you but it 's a heck of a ride . 
can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
a powerful sequel and 
all great films about a life you never knew existed 
we do n't get williams ' usual tear and a smile , just sneers and bile , 
is n't funny . 
you-are-there immediacy 
it 's propelled by the acting 
your interest , your imagination , your empathy 
is a former film editor 
a riveting , brisk delight 
is hugely overwritten , with tons and tons of dialogue -- most of it given to children 
sweet and 
kung pow seems like some futile concoction that was developed hastily after oedekerk and 
whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
a document of what it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 
even though we know the outcome , the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy . 
about as inspiring 
keen eye , 
oblivious 
depress you about life itself 
there is a real subject here , and 
a sharp and quick documentary 
oddly , the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny . 
on intimate relationships 
as literary desecrations go , this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment . 
to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks 
unambitious 
straight to video 
in its characterizations 
no wrong 
is little more than home alone raised to a new , self-deprecating level . 
limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy 
almost entirely witless and inane , 
like schindler 's list , the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way . 
special effects that run the gamut from cheesy to cheesier to cheesiest 
vain for a movie 
the most purely enjoyable and satisfying evenings at the movies 
it still comes from spielberg , who has never made anything that was n't at least watchable 
75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie 
, the characters make italian for beginners worth the journey 
, it rises in its courageousness , and comedic employment . 
's much to recommend the film . 
the art direction is often exquisite , and 
winds up looking like a bunch of talented thesps slumming it . 
the worst films 
this film , which may be why it works as well as it does 
celebrity cameos do not automatically equal laughs . 
its unerring respect for them 
true talent 
with terrific computer graphics , inventive action sequences and a droll sense of humor 
peak 
succumbs to gravity and plummets to earth . 
is never dull 
is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run . 
accept it as life and 
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium . 
it can not even be dubbed hedonistic 
not to mention absolutely refreshed . 
said to squander jennifer love hewitt 
a single good film 
see nothing in it 
explode 
care 
interesting effort 
, schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm . 
of its plot contrivances 
that ( nelson 's ) achievement does n't match his ambition 
something awfully deadly 
ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative 
grinds itself out 
receive 
any other kind of intelligent humor 
a muddle 
comes off as self-parody . 
jay russell 
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior ) , but 
a really special walk in the woods 
, this nervy oddity , like modern art should . 
bland animated sequel 
in constant fits of laughter 
emerges as a surprisingly anemic disappointment . 
that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
unlike ( scorsese 's mean streets ) , ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot . 
getting torn away from the compelling historical tale to a less-compelling soap opera 
be the only one laughing at his own joke 
gives hollywood sequels a bad name 
makes the silly original cartoon seem smart and well-crafted in comparison . 
`` austin powers in goldmember '' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end . 
achieving some honest insight into relationships 
one of the summer 's most pleasurable movies 
their scenes brim with sexual possibility and emotional danger 
that suck the audience in 
energy and wit 
real-life basis is , in fact , so interesting that no embellishment is 
an engrossing story about a horrifying historical event and the elements which contributed to it 
return to neverland manages to straddle the line between another classic for the company 
a much better documentary -- more revealing , more emotional and more surprising -- 
dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue 
starts as a tart little lemon drop of a movie and ends up as a bitter pill 
is bright and flashy in all the right ways 
imponderably stilted 
of law enforcement , and a visceral , nasty journey 
both a level of sophisticated intrigue and human-scale characters 
to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen 
for sick and demented humor 
with a philosophical visual coming right 
casting shatner as a legendary professor and kunis as a brilliant college student -- where 's pauly shore as the rocket scientist ? 
balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching 
is not always the prettiest pictures that tell the best story 
the only young people who possibly will enjoy it are infants ... who might be distracted by the movie 's quick movements and sounds . 
giggles 
is that it 's actually watchable . 
what ensues are much blood-splattering , mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits . 
's a terrible movie in every regard , and utterly painful to watch 
mean-spirited second half 
, it eventually works its way up to merely bad rather than painfully awful . 
marvel again 
kids will love its fantasy and adventure , and grownups should appreciate its whimsical humor . 
everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
story is almost an afterthought 
did n't mean much to me and played too skewed to ever get a hold on 
quite tasteful to look at 
a deft pace master 
with the gifted pearce on hand to keep things on semi-stable ground dramatically 
best little 
simone is not a bad film . 
precious new star wars movie 
that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance 
my loved ones 
skillfully assembled , highly polished and professional 
radioactive hair 
what the movie lacks in action it more than makes up for in drama , suspense , revenge , and romance . 
looking like a bunch of talented thesps slumming it 
a baffling subplot involving smuggling drugs inside danish cows falls flat , and if you 're going to alter the bard 's ending , you 'd better have a good alternative 
to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device 
is small in scope , yet perfectly formed 
i thoroughly enjoyed the love story 
romp pile 
grows on you 
's a well-written and occasionally challenging social drama that actually has something interesting to say 
the movie 's progression into rambling incoherence gives new meaning to the phrase ` fatal script error . ' 
humorless , self-conscious art drivel 
arch and rather cold-blooded comedy 
the film buzz and whir ; 
why this did n't connect with me would require another viewing 
disgusted 
a genre that 's already a joke in the united states . 
is at once luridly graphic and laughably unconvincing 
slack and uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth . 
it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own . 
beautifully shot , but 
infused frida with a visual style unique and inherent 
as offensive 
too many story lines 
a peculiar misfire that even tunney ca n't save . 
a discreet moan 
this is a heartfelt story 
yakusho , as always , is wonderful as the long-faced sad sack ... and 
this little $ 1.8 million charmer 
easy to swallow , 
has been made with an enormous amount of affection 
a kind of perpetual pain 
the film has an infectious enthusiasm and 
might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares ? 
venture forth 
visually captivating . 
more sophisticated and literate than such pictures 
, signs is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project . 
a first-class road movie 
her good looks 
biographical melodramas 
lacking any sense of commitment to or 
's meandering , low on energy , and too eager 
to be seen as hip , winking social commentary 
peralta captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience . 
there 's a great deal of corny dialogue and preposterous moments . 
good guy 
a very good film 
stultifying 
great premise 
to figure out that this is a mormon family movie , and a sappy , preachy one at that 
a summer 
scuzzy 
draws you 
would have liked it much more if harry & tonto never existed 
idea ( of middle-aged romance ) is not handled well and , 
the sketchiest 
the kind of movie that 's critic-proof , simply because it aims so low 
left me feeling refreshed and hopeful 
intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular 
hollow tribute 
to proceed as the world implodes 
good-natured fun 
hunky has-been 
is serene , the humor wry and sprightly 
derailed by bad writing 
plus 
neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear 
surprisingly charming and even witty match 
the most severe kind 
the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment . 
turns a potentially interesting idea into an excruciating film school experience that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters 
pretty unbelievable 
it 's the perfect cure for insomnia . 
touched by the film 's conviction that all life centered on that place , that time and that sport 
good action , 
remains fairly light , always entertaining , and smartly written 
too damn weird 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- 
defeats the possibility of creating a more darkly edged tome 
lightweight female empowerment 
should catch this imax offering . 
catching solely on its visual merits 
i liked about schmidt a lot 
painful improbability 
to see how far herzog has fallen 
as dahmer 
( seems ) even more uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels . 
had to escape from director mark romanek 's self-conscious scrutiny 
the elements were all there 
overdone 
tartakovsky 's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality 
has created a brilliant motion picture 
a film tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic 
has arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made b movie is long gone . 
for a winning , heartwarming yarn 
whimsicality , narrative discipline 
drowns in a sea of visual and verbal clichés 
lighting effects and innovative backgrounds 
starts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter 
any of these despicable characters 
the rotting underbelly 
yet , it must be admitted 
charm , cultivation and devotion to his people are readily apparent 
lovably 
will find little of interest in this film , which is often preachy and poorly acted . 
, and among the best films of the year . 
a valiant effort to understand everyone 's point of view 
seriously dumb characters , 
the burning sensation 
as chilling and fascinating as philippe mora 's modern hitler-study , snide and prejudice . 
martha enormously endearing 
disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling 
the performances are amiable and committed , and 
fixating 
sticks with its subjects a little longer and tells a deeper story 
while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals , it also has plenty for those ( like me ) who are n't . 
captures all the longing , anguish and ache , the confusing sexual messages and the wish 
it 's hardly a necessary enterprise . 
it has no affect on the kurds , but it wore me down . 
riveting 
maggie smith as the ya-ya member with the o2-tank will absolutely crack you up with her crass , then gasp for gas , verbal deportment . 
with the inescapable conclusion 
notorious rise 
satisfyingly scarifying , 
to have their kids 
could pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and farenheit 451 
abandon their scripts and go where the moment takes them 
the movie has a tougher time balancing its violence with kafka-inspired philosophy 
makes it a party worth attending . 
disgusting to begin with 
that while cleverly worked out , can not overcome blah characters 
as imaginative as one might have hoped 
children and adults enamored of all things pokemon wo n't be disappointed . 
due to the endlessly repetitive scenes of embarrassment 
is the point of emotional and moral departure for protagonist alice 
bugged me 
can tolerate leon barlow 
british comedy . 
the one thing most will take away is the sense that peace is possible 
was worse . 
the thought of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes 
off too far 
is so charmless and vacant 
is far from disappointing 
draws its considerable power from simplicity . 
smoochy 
delia , greta , and paula rank as three of the most multilayered and sympathetic female characters of the year . 
of one of the greatest natural sportsmen of modern times 
drag it down to mediocrity -- 
of the greatest date movies in years 
too predictably 
a woozy quality 
none of which amounts to much of a story 
too long to turn his movie in an unexpected direction 
is extremely thorough . 
dead production 
a talented director 
superficiality and 
a distinguished and thoughtful film , marked by acute writing and a host of splendid performances . 
you will likely enjoy this monster 
assuredly 
are underwhelming 
always the prettiest pictures 
giddy viewing 
pathos-filled but ultimately life-affirming 
makes you feel like a chump 
family-oriented 
almost every possible way -- from the writing and direction to the soggy performances -- 
familiar situations and repetitive scenes 
is a pretty decent little documentary 
, a formula comedy redeemed by its stars , that is even lazier and far less enjoyable . 
a little melodramatic , but with enough 
speculation , conspiracy theories or , at best , circumstantial evidence 
resolutely unamusing 
cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin 
a confluence of kiddie entertainment , sophisticated wit and symbolic graphic design . 
( gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass . 
keenly 
mr. haneke 's own sadistic tendencies toward his audience 
lazily and glumly settles into a most traditional , reserved kind of filmmaking . 
he brings together 
this film is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success . 
one reason it 's so lackluster 
an enjoyable comedy 
give full performances 
a great idea 
affecting , amusing , sad and reflective 
except as a harsh conceptual exercise 
is misbegotten 
becomes a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the papin sisters 
the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience . 
the sensational true-crime 
little atmosphere is generated by the shadowy lighting 
the improperly hammy performance 
followed through 
many different ideas from happiness 
the scenes of torture and self-mutilation 
when it drags 
cultural intrigue 
heaven proves to be a good match of the sensibilities of two directors . 
flat , misguided comedy 
while the humor aspects of ` jason x ' were far more entertaining than i had expected , everything else about the film tanks . 
to a picture-perfect beach 
an objective documentary 
's something impressive and yet lacking about everything . 
, sets the tone for a summer of good stuff 
nothing happens , and it happens to flat characters 
are more involving than this mess . 
intriguing questions 
a respectable new one 
more like a travel-agency video 
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie 
scenery , vibe and all -- the cinematic equivalent of a big , tender hug 
serves as a rather thin moral 
very ugly , very fast 
poignant and 
full of life and small delights 
emptiness and maddeningly 
a main character who sometimes defies sympathy 
begins to vaporize from your memory minutes after it ends 
infuriating 
been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
if you 're willing to have fun with it , you wo n't feel cheated by the high infidelity of unfaithful . 
ultimate insignificance 
which may be why it works as well as it does 
those rare docs that paints a grand picture of an era and makes the journey feel like a party 
rather than provocative 
of the movie 's charm 
succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad . 
in its own direction 
an appalling ` ace ventura ' rip-off that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton 
the characters are based on stock clichés , and 
, like i already mentioned ... it 's robert duvall ! 
have been lost in the translation this time 
bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) 
spent the duration of the film 's shooting schedule waiting to scream 
leguizamo and jones are both excellent and 
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but 
some fairly unsettling scenes 
fascinating and 
with results that are sometimes bracing , sometimes baffling and quite often , 
long gone bottom-of-the-bill fare 
remains the real masterpiece 
a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project 
even when crush departs from the 4w formula ... it feels like a glossy rehash . 
god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star 
banality 
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists 
the price of admission for the ridicule factor 
it 's hard to take her spiritual quest at all seriously 
is a fragmented film 
magnificent 
manic and energetic 
the best irish sense 
comfortably 
grant is certainly amusing , 
in increasingly incoherent fashion 
and moving portrait 
franchise possibilities 
's on par with the first one 
to share his story so compellingly with us is a minor miracle 
thoughtless , random , superficial humor and a lot of very bad scouse accents 
it 's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out . 
this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it 
make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
caring for animals and respecting other cultures 
the film exudes the urbane sweetness that woody allen seems to have bitterly forsaken . 
effective in all its aspects , margarita happy hour represents an auspicious feature debut for chaiken . 
the dialogue is frequently overwrought and crudely literal 
ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out . 
the wit and hoopla 
is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn 
would leave you cold 
two weeks notice has appeal beyond being a sandra bullock vehicle or a standard romantic comedy . 
a deeply unpleasant experience 
another example of how sandler is losing his touch 
( dong ) makes a valiant effort to understand everyone 's point of view , 
in the midwest that held my interest precisely because it did n't try to 
comes out on video 
has the uncanny ability to right itself precisely when you think it 's in danger of going wrong 
spreading a puritanical brand of christianity 
gentle , mesmerizing portrait 
is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love . 
, to say nothing of boring . 
in this film , which may be why it works as well as it does 
a major opportunity to be truly revelatory about his psyche 
unholy hokum . 
the original was n't a good movie but this remake makes it look like a masterpiece ! 
have to give them credit for : the message of the movie 
whose style , structure and rhythms are so integrated with the story 
perfect comic timing 
be funny , uplifting and moving , sometimes 
wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue 
a riveting profile of law enforcement , and a visceral , nasty journey 
it is a good and ambitious film 
could have -- should have 
too dry 
it 's rare to find a film to which the adjective ` gentle ' applies , but the word perfectly describes pauline & paulette . 
stay in touch with your own skin 
does n't wrap the proceedings up neatly 
been there , done that , liked it much better the first time around - when it was called the professional . 
a long , dull procession of despair 
lack contrast 
the movie that does n't really deliver for country music fans or for family audiences 
) best works understand why snobbery is a better satiric target than middle-america 
pollute the summer movie pool 
's not a fresh idea 
a bland animated sequel that hardly seems worth the effort . 
lowbrow 
left with a sour taste in one 's mouth , and little else 
while there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
teen-speak and animal gibberish 
this deeply moving french drama 
an athlete , a movie star , 
not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted 
works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh 
of the pushiness and decibel volume of most contemporary comedies 
spirit is a visual treat 
display than a movie , which normally is expected to have characters and a storyline 
how a skillful filmmaker can impart a message without bludgeoning the audience over the head . 
the pathetic idea 
going to be everyone 's bag of popcorn 
95-minute commercial 
pure adrenalin 
puts wang at the forefront of china 's sixth generation of film makers 
seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain 
the relationships were wonderful 
this `` un-bear-able '' project 
humorless and 
positively shakesperean 
offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s 
ironically has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler . 
even a story immersed in love , lust , and sin 
own preciousness 
humanism 
and even touching 
painfully forced , false and fabricated 
fill this character study with poetic force and buoyant feeling 
does n't completely 
a good alternative 
hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity . 
by having the evil aliens ' laser guns actually hit something for once 
in the pianist 
the cumulative effect of watching this 65-minute trifle 
more appropriate 
the final effect is like having two guys yelling in your face for two hours . 
depraved , incoherent , instantly disposable 
if you believe that the shocking conclusion is too much of a plunge or 
, painful , obnoxious 
more interested in entertaining itself than in amusing us 
but is sabotaged by ticking time bombs and other hollywood-action cliches . 
one of those movies that catches you up in something bigger than yourself 
dramatized pbs program 
an enjoyable above average summer diversion 
sucking you in ... 
it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is 
, the movie is certainly easy to watch . 
a tiny sense of hope 
delicious dialogue 
prevails 
allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie 
splashed with bloody beauty as vivid as any scorsese has ever given us . 
of establishing a time and place , and of telling a fascinating character 's story 
most irresponsible 
quirky comedy 
is little more than home alone raised to a new , self-deprecating level 
affectionately goofy 
has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers . 
might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
managed to find something new to add to the canon of chan 
ultimately losing cause 
warm and winning 
is completely 
is just too original to be ignored 
best 60 minutes 
flashbulb editing as cover for the absence of narrative continuity 
are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster 
that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion 
nudity , profanity and violence 
directed - a powerful drama with enough sardonic wit to keep it from being maudlin 
a besotted and obvious drama that tells us nothing new 
impostor deviously adopts the guise of a modern motion picture 
like arnold schwarzenegger 
monumental achievement 
murphy 's expert comic timing 
lacks considerable brio 
delivers the sexy razzle-dazzle that everyone , especially movie musical fans , has been hoping for 
is a celebration of feminine energy , a tribute to the power of women to heal . 
in this flat effort 
the dv revolution has cheapened the artistry of making a film 
trite 
this ready-made midnight movie probably wo n't stand the cold light of day , but 
the lack-of-attention span 
adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , say , jane campion might have done , but at least it possesses some . 
makes little attempt 
of the match that should be used to burn every print of the film 
by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
we do n't avert our eyes for a moment . 
's also uninspired , 
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but its compassionate spirit soars every bit as high 
a touching love story 
a gentle , unforced intimacy that never becomes claustrophobic 
's certainly an invaluable record of that special fishy community 
too fluffy 
rent this on video 
a treat for its depiction on not giving up on dreams when you 're a struggling nobody . 
dwindles . 
is powerful and provocative . 
an honest attempt to get at something 
its botches 
inertia to arrest development in a dead-end existence 
boring and obvious 
is that van wilder does little that is actually funny with the material 
... director john schultz colors the picture in some evocative shades . 
these characters love each other 
benefit enormously from the cockettes ' camera craziness -- not only did they film performances 
an engrossing and grim portrait 
it 's not quite the genre-busting film it 's been hyped to be because it plays everything too safe . 
bogdanich is unashamedly pro-serbian and makes little attempt to give voice to the other side . 
punctuated by sudden shocks 
its otherwise comic narrative 
reenacting a historic scandal 
is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride . 
ends with scenes so true and heartbreaking 
will talk about for hours . 
the-night 
as the most original in years 
from start to finish , featuring a fall from grace that still leaves shockwaves 
adam sandler 's heart may be in the right place 
why he keeps being cast in action films when none of them are ever any good 
regardless of race 
's not nearly enough that 's right 
, the first film 's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks . 
the intensity 
about as unsettling to watch as an exploratory medical procedure or an autopsy 
feels like a spectator and not a participant 
adorably ditsy but heartfelt 
the performance of gedeck , who makes martha enormously endearing 
lacks the spirit of the previous two , and makes all those jokes about hos 
the film to affirm love 's power to help people endure almost unimaginable horror 
modern-day comedies 
sloppy script 
not only is it hokey 
biggest disappointments 
enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit 
in the screenplay to keep the film entertaining 
glimpse into the mysteries of human behavior 
has moments of inspired humor , 
sensuous and 
is its most immediate and most obvious pleasure 
is predictable at every turn 
, yellow asphalt is an uncompromising film . 
rhapsodize cynicism , with repetition and languorous slo-mo sequences , 
former gong show addict 
still works . 
, provocative and prescient 
too-hot-for-tv direct-to-video/dvd category 
about as much resemblance to the experiences of most battered women as spider-man 
a sweet , tender sermon 
miyazaki 's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about spirited away is that there is no rest period , no timeout . 
a riddle wrapped in a mystery inside an enigma 
you enjoy being rewarded by a script that assumes you are n't very bright 
of tastelessness and gall 
is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it 
life 's harshness 
much about the film , including some of its casting , 
long-lived friendships 
) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
sit through it all 
holds the screen like a true star 
the emperor 's club , ruthless in its own placid way 
fantasy 
turn on many people to opera , in general 
no obvious escape 
laugh riot 
that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience 
been done before but never so vividly 
long and relentlessly saccharine film 
the film can depress you about life itself . 
botching a routine assignment 
this like the dreaded king brown snake 
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but the emphasis on the latter leaves blue crush waterlogged . 
a creepy , intermittently powerful study of a self-destructive man ... 
is smart and dark - hallelujah for small favors . 
upper west sidey 
, it might be like trying to eat brussels sprouts . 
on its own , big trouble could be considered a funny little film . 
's a mystery how the movie could be released in this condition 
both people 's capacity 
be a whole lot scarier than they are in this tepid genre offering 
of good old-fashioned escapism 
brash , intelligent and erotically perplexing , haneke 's portrait of an upper class austrian society and the suppression of its tucked away 
a bracing 
stumbles over a late-inning twist that just does n't make sense 
would tax einstein 's brain 
the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- 
until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films . 
this particular , anciently demanding métier 
brings this unknown slice of history affectingly 
which is worth seeing 
especially disappointing 
as lazy 
is intriguing but quickly becomes distasteful and downright creepy . 
they were insulted and 
would go back and choose to skip it . 
an interesting storyline 
harvard man is something rare and riveting : a wild ride that relies on more than special effects . 
succeed in really rattling the viewer 
flabby 
flashy 
numb experience of watching o fantasma 
the backstage angst 
immature character 
busy urban comedy is clearly not zhang 's forte , his directorial touch is neither light nor magical enough to bring off this kind of whimsy . 
preposterous moments 
cruel 
that are more silly than scary 
at 90 minutes this movie is short , but it feels much longer 
will make you laugh 
remarkable for its intelligence and intensity . 
's not wallowing in hormonal melodrama 
complex , laden with plenty of baggage and 
visually 
a story which fails to rise above its disgusting source material . 
is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults . 
nobody seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release . 
easily forgotten 
a lighthearted glow , 
lousy direction 
her passionate , tumultuous affair with musset 
bruised 
as epic tragedy 
enthusiasm , 
for adventurous indian filmmakers toward a crossover 
entertaining and audacious moments 
long and unfocused 
try hard but 
fresh air 
-- and disposable story -- 
makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes 
's just as wonderful on the big screen . 
clever and 
only a document of the worst possibilities of mankind can be 
an evanescent , seamless and sumptuous stream 
to be compelling , amusing and unsettling at the same time 
drifts aimlessly for 90 minutes 
the best korean film of 2002 
a severe case of hollywood-itis 
can tell you that there 's no other reason why anyone should bother remembering it 
is left slightly unfulfilled . 
that just does n't work 
the big ending surprise 
mostly honest 
too dry and too placid 
to blow it 
ransacks its archives for a quick-buck sequel . 
( evans is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie . 
we care about the story 
another arnold vehicle that fails to make adequate use of his particular talents . 
why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ? 
screams out ` amateur ' in almost every frame 
a fun one 
crazy , mixed-up films 
a bit too much like an infomercial for ram dass 's latest book aimed at the boomer 
a level of connection and concern 
the film boasts at least a few good ideas and features some decent performances , but the result is disappointing 
there is a great deal of fun . 
it is quite a vision . 
a winning , heartwarming yarn 
might be like trying to eat brussels sprouts . 
fairly basic comedic constructs 
seen this summer 
ahead of paint-by-number american blockbusters like pearl harbor , at least 
, somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
waydowntown may not be an important movie , or even a good one , 
's so fascinating you wo n't be able to look away for a second 
a heroine who comes across as both shallow and dim-witted 
the worst kind of hollywood heart-string plucking 
a bittersweet film , 
of an authentic feel 
flaccid 
a huge box-office hit in korea 
horribly depressing 
is n't one moment in the film that surprises or delights . 
restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy 
like a documentary in the way 
the huskies are beautiful , the border collie is funny 
a slick , engrossing melodrama . 
... the tale of her passionate , tumultuous affair with musset unfolds as sand 's masculine persona , with its love of life and beauty , takes form . 
over-indulgent tirade 
songbird britney spears has popped up with more mindless drivel 
, these components combine into one terrific story with lots of laughs . 
engaging mystery 
flat effort 
dramatically satisfying 
uncommonly moving 
makes the move from pleasing 
it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires . 
bogged down by an overly sillified plot and stop-and-start pacing 
the worst film of the year . 
funny , puzzling movie 
rich and intelligent 
hope and magic 
one of the most depressing movie-going experiences i can think of is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once . 
rattling the viewer 
gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game 
must-see 
in the rush of slapstick thoroughfare 
does n't know what it wants to be 
stumbles over every cheap trick in the book trying to make the outrage come even easier . 
more fun watching spy than i had with most of the big summer movies 
treated to an impressive and highly entertaining celebration of its sounds 
absurdist spider web . 
refuses to spell things out for viewers 
plays like one long , meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story . 
you might wind up remembering with a degree of affection rather than revulsion 
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but 
a '' range 
staring 
this movie may not have the highest production values you 've ever seen 
of five blind , crippled , amish people alive in this situation 
it makes even elizabeth hurley seem graceless and ugly . 
all leather pants & augmented boobs , hawn 
uneven performances 
sometimes inadequate performances 
have been richer and more observant if it were less densely plotted 
breathes more on the big screen 
humbling little film 
only thing missing 
humorous and heartfelt , douglas mcgrath 's version of ` nicholas nickleby ' 
are oscar-size 
liked it just enough . 
such a well-defined sense 
, should n't the reality seem at least passably real ? 
casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors 
those who are n't put off by the film 's austerity will find it more than capable of rewarding them . 
inspiration and ambition 
inexplicable nightmare 
the delight of discovery 
enough cool 
the memorable character creations 
preserves tosca 's intoxicating ardor through his use of the camera 
meandering , low on energy , and too eager 
also captures moments of spontaneous creativity and authentic co-operative interaction 
me say the obvious : abandon all hope of a good movie ye who enter here 
shoplifts 
assembled cliches and pabulum that plays like a 95-minute commercial for nba properties . 
notice the 129-minute running time 
the movie 's major and most devastating flaw is its reliance on formula , though , 
balk , who 's finally been given a part worthy of her considerable talents 
as simultaneously funny , 
very funny romantic comedy 
the latest adam sandler assault and possibly the worst film 
dip into your wallet , swipe 90 minutes of your time 
when the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails . 
hatosy ... portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue . 
raucous and sappy 
arrives from the margin that gives viewers a chance to learn , to grow , to travel 
just a bunch of good actors flailing around in a caper that 's neither original nor terribly funny . 
's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke 
'm not sure these words have ever been together in the same sentence 
that was a deserved co-winner of the audience award for documentaries at the sundance film festival 
in the `` soon-to-be-forgettable '' section of the quirky rip-off prison 
out there surrender $ 9 and 93 minutes of unrecoverable life 
could have been crisper and punchier , but it 's likely to please audiences who like movies that demand four hankies 
do n't have a clue on the park . 
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and 
a delightful , witty , improbable romantic comedy with a zippy jazzy score 
one that will have you at the edge of your seat for long stretches 
a fairly enjoyable mixture of longest yard ... and the 1999 guy ritchie caper lock stock and two smoking barrels . 
at best 
the enduring strengths of women 
banderas looks like he 's not trying to laugh at how bad 
fascinating portrait 
rocks 
uninspiring 
substitute plot for personality 
not smart or 
the filmmakers ' paws , sad to say , 
to make box office money that makes michael jordan jealous 
one of the lucky few who sought it out 
a moving tragedy with some buoyant human moments 
be killed 
that stealing harvard is a horrible movie -- if only it were that grand a failure 
chicanery and self-delusion 
the mire of this alleged psychological thriller in search of purpose or even a plot 
favor of an altogether darker side 
magnetic as graham 
loud and thoroughly obnoxious comedy 
the big ending surprise almost saves the movie . 
inventive 
the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes . 
but even then , i 'd recommend waiting for dvd and just skipping straight to her scenes . 
giant spider invasion comic chiller 
was n't all that great to begin with 
the importance of being earnest 
hint 
fails on its own , 
breathless 
its playwriting 101 premise 
its terrific performances 
with no unified whole 
a party-hearty teen 
the sally jesse raphael atmosphere of films like philadelphia and american beauty 
drags out 
single good film 
director chris wedge and screenwriters michael berg , michael j. wilson and peter ackerman create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time . 
an inventive , absorbing movie that 's as hard to classify as it is hard to resist . 
communicate the truth of the world around him 
in trouble every day 
do justice to the awfulness of the movie 
wears you down like a dinner guest showing off his doctorate 
moments of hilarity 
is lightweight filmmaking , to be sure 
is that , by the end , no one in the audience or the film seems to really care 
an unremittingly ugly movie to look at , listen to , and think about 
genuinely worthwhile 
is rather pretentious 
the nightmare of war 
marks the spot . 
ultimately cowardly 
food 
misanthropic comedies 
with love for the movies of the 1960s 
unsatisfying ending 
many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy 
simply and eloquently 
have finally aged past his prime ... and , perhaps more than he realizes 
if you go in knowing that , you might have fun in this cinematic sandbox 
deep or substantial 
veered off too far into the exxon zone , 
out on video before month 's end 
even bother to rent this on video 
is a gentle film with dramatic punch , a haunting ode to humanity . 
its refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map 
is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
avalanche 
be distasteful to children and adults 
everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness 
amy and matthew have a bit of a phony relationship , but 
it 's impossible to even categorize this as a smutty guilty pleasure . 
elegant work 
naiveté and sophistication 
's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter . 
pleaser 
what is essentially an extended soap opera 
a series of riveting set pieces 
opening up ' the play more has partly closed it down . 
something of a triumph 
robert de niro performance 
perfect in their roles 
for improvement 
has actually bothered to construct a real story this time 
dead mother 
the most entertaining bonds 
cold , gray , antiseptic 
no solace here 
can obscure this movie 's lack of ideas . 
the beauty of alexander payne 's ode to the everyman is in the details . 
's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin 
's better 
a divine monument 
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet 
it 's far from fresh-squeezed 
curiously depressing 
worse yet 
unsympathetic hero 
motherhood 
is an action film that delivers on the promise of excitement 
all-out 
it ai n't art , by a long shot 
is hardly the most original fantasy film ever made 
established filmmaker 
to the haunted house 
make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits 
typical 
scenic 
is not the most impressive player 
of unintentional melodrama and tiresome love triangles 
porno 
as a comedy 
carefully choreographed atrocities 
also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss 
what little atmosphere is generated by the shadowy lighting , macabre sets , and 
an earnest study in despair 
, he has no clue about making a movie 
this toothless dog , already on cable , 
recommend `` 
stunning images and effects 
a simple message 
for a film that has nothing 
a tendency to slip into hokum 
seemingly disgusted with the lazy material and the finished product 's unshapely look 
one of these days hollywood will come up with an original idea for a teen movie , but 
i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
one of the rare directors who feels acting is the heart and soul of cinema 
even when he 's not at his most critically insightful 
to a few rather than dozens 
doltish and uneventful 
a lot better if it were , well , more adventurous 
everybody loves a david and goliath story , 
i was expecting 
the importance of being earnest offers opportunities for occasional smiles and chuckles 
best and most 
exhibits the shallow sensationalism characteristic of soap opera 
becomes a part of its fun 
shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people . 
swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner . 
feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
it works its magic with such exuberance and passion that the film 's length becomes a part of its fun . 
likable story 
crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
return to neverland manages to straddle the line between another classic for the company and 
in his latest effort , storytelling , solondz has finally made a movie that is n't just offensive -- it also happens to be good . 
borrowed images 
achingly honest and delightfully cheeky 
tell its story 
too little excitement 
one of the best , most 
of earnest textbook psychologizing 
the film is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann . 
try too hard to be mythic 
thumbs up to paxton 
controversial 
the very top rank of french filmmakers 
sexually explicit 
: the widowmaker is a great yarn . 
a clever and cutting , quick and dirty look 
enormously good fun 
careless and 
developed 
cheats on itself and retreats to comfortable territory . 
is an overwhelming sadness that feels as if it has made its way into your very bloodstream . 
shiner can certainly go the distance , but is n't world championship material 
it 's still a rollicking good time for the most part 
would likely be most effective if used as a tool to rally anti-catholic protestors . 
you can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards . 
shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project 
poor editing 
slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but 
... olivier assayas has fashioned an absorbing look at provincial bourgeois french society . 
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash 
so many red herrings , so many false scares , 
bored cage 
its opening 
is in bad need of major acting lessons and maybe a little coffee 
it 's still terrible ! 
talked all the way through it 
good actors , good poetry and good music 
are more silly than scary 
is a gritty police thriller with all the dysfunctional family dynamics one could wish for 
is also beautifully acted . 
ultimately the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of martha stewart decorating program run amok . 
loses its ability to shock and amaze 
a strong script , 
, they find new routes through a familiar neighborhood 
a dreadful day in irish history is given passionate , if somewhat flawed , treatment . 
could n't recommend this film more 
who the main characters are until the film is well under way -- and yet it 's hard to stop watching 
alienate the mainstream audience while ringing cliched to hardened indie-heads 
the lack of linearity is the point of emotional and moral departure for protagonist alice 
skimpy 
assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low . 
hollywood movie 
savor 
with a single 
of a certain ambition 
is how well it holds up in an era in which computer-generated images are the norm . 
ca n't recommend it enough . 
, `` ballistic : ecks vs. sever '' seems as safe as a children 's film . 
mr. taylor tries to shift the tone to a thriller 's rush 
a satisfactory overview 
piccoli 's performance is amazing , yes , 
romanticization 
worth cheering as a breakthrough 
of high hilarity 
an engaging , wide-eyed actress 
confection that 's pure entertainment . 
takes care 
grittily beautiful 
a rollicking good time 
the story subtle and us in suspense 
the audience gets pure escapism 
the château 's balance of whimsicality , narrative discipline and serious improvisation 
strongest 
overdoing it 
the pianist is polanski 's best film . 
uptight , middle class bores like antonia 
comes across as darkly funny , energetic , and surprisingly gentle 
it could have been something special , but two things drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
also represents glossy hollywood at its laziest . 
achieves the feel of a fanciful motion picture . 
might be best forgotten 
, being about nothing is sometimes funnier than being about something 
the immersive powers of the giant screen and its hyper-realistic images 
so much first-rate talent 
shows he 's back in form , with an astoundingly rich film . 
exciting 
shot in artful , watery tones of blue , green and brown . 
indie of the year 
call it magic 
crappy 
a pretty good job 
but fails to keep it up and settles into clichés 
with an undeniable energy 
hitler 's destiny 
then you 'd do well to check this one out because it 's straight up twin peaks action ... 
is nothing redeeming about this movie 
throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull . 
interesting as a character study is the fact that the story is told from paul 's perspective 
innuendo 
the absolute last thing we need hollywood doing to us 
to wander into the dark areas of parent-child relationships without flinching 
dreamed up 
everyone should be able to appreciate the wonderful cinematography and naturalistic acting . 
best case 
thrills the eye 
too little excitement and 
monte cristo smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds . 
riveting set pieces 
leave a large dog alone 
entertaining from start to finish , featuring a fall from grace that still leaves shockwaves 
soulless 
, all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s . 
passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge 
be pleasant in spite of its predictability 
that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
oftentimes funny , yet 
are alternately touching and funny 
sweaty-palmed fun 
the layered richness of the imagery in this chiaroscuro of madness and light 
a sloppy script 
no chemistry or engaging charisma 
of the grief 
some movies were made for the big screen , some for the small screen , and some , like ballistic : ecks vs. sever , were made for the palm screen 
inspired '' 
beautiful canvas 
imagine ( if possible ) a pasolini film without passion or politics , 
the search for redemption makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering . 
gushing -- 
a good music documentary , 
to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
but something far more stylish and cerebral -- and 
sure what -- and has all the dramatic weight of a raindrop 
a breakthrough in filmmaking 
a plodding teen remake 
naive 
an edifying glimpse into the wit and revolutionary spirit of these performers and their era 
cynical 
assayas ' ambitious , sometimes beautiful adaptation 
chen films the resolutely downbeat smokers only with every indulgent , indie trick in the book . 
alternately frustrating and rewarding . 
absurdity 
whimsicality , narrative discipline and serious improvisation 
the end that extravagantly redeems it 
garbage 
schmaltzy and clumsily 
the banality and hypocrisy of too much kid-vid 
to recommend it 
an incredibly heavy-handed , manipulative dud 
got it right 
that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue 
if you 've a taste for the quirky , steal a glimpse 
bottom-of-the-bill fare 
like its title character , is repellantly out of control . 
is so often nearly nothing 
to bodacious 
a more credible script , 
he allows nothing to get in the way 
comes up shorter than britney 's cutoffs . 
effortless performance 
, virulent and foul-natured 
( gosling 's ) combination of explosive physical energy and convincing intelligence 
` masterpiece ' and ` triumph ' and 
surprises or delights 
talky , artificial and opaque ... an interesting technical exercise , but a tedious picture . 
's a stale , overused cocktail using the same olives since 1962 as garnish 
its premise is smart , but the execution is pretty weary 
's also curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget . 
honest observations 
the film 's sense of imagery gives it a terrible strength , but 
where it plainly has no business going 
the franchise 's best years are long past 
filter out the complexity 
( a ) rather thinly-conceived movie . 
and diesel is n't the actor to save it . 
a not-so-divine secrets 
spend with these people 
i 've never seen or heard anything quite like this film , and i recommend it for its originality alone . 
should be doing a lot of things , but does n't 
from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell 
, and larded with exposition 
generates by orchestrating a finale that is impenetrable and dull 
simple , poignant and leavened 
's definite room for improvement 
're going to face frightening late fees 
fun and reminiscent 
shiri is an action film that delivers on the promise of excitement 
an artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike 
never comes close to recovering from its demented premise 
of the year 's best films 
's enough cool fun here to warm the hearts of animation enthusiasts of all ages 
scherfig , the writer-director , has made a film so unabashedly hopeful that it actually makes the heart soar . 
addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row 
it 's still a sweet , even delectable diversion . 
dull and 
a cartoon ? 
has a customarily jovial air but a deficit of flim-flam inventiveness . 
the year 's best films 
the threat implied in the title pokémon 4ever is terrifying -- like locusts in a horde these things will keep coming 
, then becomes bring it on , then becomes unwatchable 
off-beat 
the movie 's set 
fiercely intelligent and uncommonly ambitious 
with humor and lightness 
this 90-minute dud could pass for mike tyson 's e ! 
is like a year late 
it 's a strange film , one that was hard for me to warm up to . 
truly annoying 
touching movie 
, shrek ) 
least favorite 
terrific job 
may pander to our basest desires for payback 
still show virtually no understanding of it 
as the libretto directs , ideally capturing the opera 's drama and lyricism 
this movie makes one thing perfectly clear 
splendid production design 
the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
who can out-bad-act the other 
has such an irrepressible passion for sappy situations and dialogue 
veracity 
strong script 
george orwell turning over 
puts a suspenseful spin on standard horror flick formula . 
mean 
a gratingly unfunny groaner littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups . 
into such fresh territory 
it is cruel 
of empathy for its characters 
10 
hollywood confection 
the filmmaker 's lifelong concern with formalist experimentation in cinematic art 
is grossly contradictory in conveying its social message , 
makes his films so memorable 
this is sure to raise audience 's spirits and leave them singing long after the credits roll . 
strained caper movies that 's hardly any fun to watch 
the performances of the children , untrained in acting 
a cinema classic 
the tooth and claw of human power 
considerable talents 
pure over-the-top trash 
reach much further than we imagine . 
of using george and lucy 's most obvious differences to ignite sparks 
might like and more experimental in its storytelling 
not taken 
designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it 
full of privileged moments and memorable performances 
the , yes , snail-like pacing and 
a feature film that is wickedly fun to watch 
expands 
the fast , funny , and even touching story 
even when there are lulls , the emotions seem authentic , and 
feels stitched together from stock situations and characters from other movies 
the heart as well as 
thornberrys movie 
, a movie comes along to remind us of how very bad a motion picture can truly be . 
have a cute partnership in i spy 
the right b-movie frame of mind 
lacks the skill or presence 
very bright 
watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy 
newcastle , the first half of gangster no. 1 drips with style and 
amounts to surprisingly little 
falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting . 
did n't care 
see a feature that concentrates on people , a project in which the script and characters hold sway 
a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies 
actually looks as if it belongs on the big screen 
strained caper movies that 's hardly any fun to watch and 
martha stewart decorating program run amok 
eerily accurate depiction of depression 
why it works as well as it does 
a dullard 
kills every sense of believability 
devoid of interesting characters or even a halfway intriguing plot 
hawn and sarandon form an acting bond that makes the banger sisters a fascinating character study with laughs to spare . 
of eager fans 
predictable plotting and tiresome histrionics 
its performances 
acquainted with the author 's work , on the other hand , 
engross even the most antsy youngsters 
its moviegoing pleasures 
nothing funny in this every-joke-has - been-told-a - thousand-times - before movie 
fills time 
affair , 
a comedy that swings and jostles to the rhythms of life . 
give all three stories life 
apparently reassembled from the cutting-room floor of any given daytime soap . 
a fairy tale 
, this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention . 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but 
great character interaction . 
it looks good , but it is essentially empty . 
bowser 
insomnia is one of the year 's best films and pacino gives one of his most daring , and complicated , performances . 
a stylistic romp that 's always fun to watch . 
runs on the pure adrenalin of pacino 's performance . 
all awkward , static , and lifeless rumblings 
an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals 
a glimmer 
overstating 
it 's a ripper of a yarn and 
a nation whose songs spring directly from the lives of the people 
, it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess . 
every suspenseful cliché 
other than a mildly engaging central romance , hospital 
its oscar-sweeping franchise predecessor 
is right at home in this french shocker playing his usual bad boy weirdo role . 
, really good 
mr. scorsese 's 
, deeply unsettling experience 
a few other decent ones 
the pantheon of great monster/science fiction flicks 
to go down with a ship as leaky as this 
have i seen a film so willing to champion the fallibility of the human heart . 
on the amateurish 
mess 
a dickensian hero 
the few ` cool ' actors who never seems aware of his own coolness 
even as i valiantly struggled to remain interested , or at least conscious 
legged freaks 
is not easily forgotten 
how about surprising us by trying something new ? 
seem motivated by nothing short of dull , brain-deadening hangover 
something purer 
plodding teen remake 
a bad sign 
little alien 
unconditional 
underestimated charm 
the desperation of a very insecure man 
crushed 
a great cast and a wonderful but sometimes confusing flashback 
it 's fun 
offers no new insight on the matter , 
gets vivid , convincing performances 
crafty and 
so distant 
to be exceptional to justify a three hour running time 
each watered down the version of the one before 
of a triumph 
's the mark of a documentary that works 
shapeless and 
funny and also heartwarming without stooping to gooeyness . 
to be invented to describe exactly how bad it is 
schneidermeister ... makin ' a fool of himself ... losin ' his fan base ... 
in formula crash-and-bash action 
, he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long . 
the war movie compendium across its indulgent two-hour-and-fifteen-minute length 
a total lack of empathy 
'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard . 
tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
uplifting , funny and wise . 
occasionally fun enough 
, warm water may well be the year 's best and most unpredictable comedy . 
represents glossy hollywood at its laziest 
from such a great one 
static 
to get through this interminable , shapeless documentary about the swinging subculture 
is simply too ludicrous and borderline insulting 
road to perdition does display greatness 
humorous , illuminating study 
a man leaving the screening said the film was better than saving private ryan . 
slam-dunk 
i laughed throughout the movie 
an acceptable way to pass a little over an hour with moviegoers ages 
integrates thoughtfulness and pasta-fagioli comedy 
has nothing else to watch 
critic-proof 
grossest 
unadulterated thrills 
that its dying , in this shower of black-and-white psychedelia , is quite beautiful 
on an elegant visual sense and a talent 
a problem hollywood too long has ignored 
richard pryor mined his personal horrors and came up with a treasure chest of material , but lawrence gives us mostly fool 's gold . 
desperation and cinematic deception 
an awkward hybrid of genres that just does n't work 
distracting special effects and visual party tricks 
overtly silly 
more focused 
although it lacks the detail of the book , the film does pack some serious suspense . 
leave their families 
sophisticated intrigue and human-scale characters 
some strong performances 
loud and thoroughly 
happens when something goes bump in the night and nobody cares ? 
the gum stuck under my seat trying to sneak out of the theater 
life , hand gestures , and 
is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice . 
extraordinary debut from josh koury 
reveals a real human soul buried beneath a spellbinding serpent 's smirk 
a backstage must-see for true fans of comedy 
the sheer joy and pride they took in their work -- and in each other -- shines through every frame . 
and vin diesel is the man . 
a well-put-together piece of urban satire 
of two fine actors , morgan freeman and ashley judd 
unspeakable 
they will have a showdown 
wasting away inside unnecessary films like legally blonde and sweet home abomination 
a fanciful drama about napoleon 's last years and his surprising discovery of love and humility . 
may take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours . 
love , longing 
exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters 
principled 
the unique way shainberg 
so heartwarmingly 
the film 's constant mood of melancholy and its unhurried narrative are masterfully controlled . 
all the more remarkable because it 
wise folks that they are 
how funny they could have been in a more ambitious movie 
lots of effort and intelligence 
leave you wanting more , not to mention leaving you with some laughs and a smile on your face 
90-minute postmodern voyage 
there is a general air of exuberance in all about the benjamins that 's hard to resist . 
is a certain sense of experimentation and improvisation to this film that may not always work 
... liotta is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario . 
an awkward hybrid of genres that just does n't work . 
witless and utterly pointless 
honesty and respect 
in his chilling , unnerving film 
despite its faults , gangs excels in spectacle and pacing . 
who desperately want to be quentin tarantino when they grow up 
it will warm your heart , and 
audacity and 
high water mark 
into this turkey 
hong kong action cinema is still alive and kicking 
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces . 
offers opportunities for occasional smiles and 
pays off , 
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow . 
multi-layered and profoundly 
such a clever adaptation 
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but 
make the stones weep -- as shameful as it 
seen it all before 
its sunny disposition 
great material 
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending . 
lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving . 
show-stoppingly 
the problem with the film 
a grand picture 
a bittersweet film , simple in form but rich with human events . 
a sheer unbridled delight 
are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent . 
inherently 
is , its filmmakers run out of clever ideas and visual gags about halfway through . 
encourages you to accept it as life and go with its flow 
in an inarticulate screenplay 
a giant step backward for a director i admire 
's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish . 
crap is what i was expecting 
a kingdom more mild than wild 
word ` dog ' 
the narration helps little 
an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough 
this strangely schizo cartoon 
crafted but 
is not even half the interest 
children 's entertainment , superhero comics , and japanese animation 
highly polished 
sustains it 
woo has as much right to make a huge action sequence as any director 
try as you might to resist , if you 've got a place in your heart for smokey robinson 
choppy 
the 3-d vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe , 
undistinguished attempt to make a classic theater piece 
zippy jazzy score 
to the background -- a welcome step 
offers rare insight into the structure of relationships 
it made me feel unclean , and 
nicholas nickleby is too much like a fragment of an underdone potato . 
real laughs 
sorvino 
its sensitive handling 
the movie is amateurish , but it 's a minor treat . 
than special effects 
not good enough to pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans . 
stylish psychological 
cultural differences 
neglects 
more than satisfactory 
this film , like the similarly ill-timed antitrust , 
it 's such a mechanical endeavor ( that ) it never bothers to question why somebody might devote time to see it . 
, it 's almost impossible not to be swept away by the sheer beauty of his images . 
that started with a great premise and then just fell apart 
meets those standards 
tattered 
fantastic ! 
uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter 
they 're clueless and inept 
, human moments 
a wannabe comedy of manners about a brainy prep-school kid with a mrs. robinson complex founders on its own preciousness -- and squanders its beautiful women . 
a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing 
a devastating indictment of unbridled greed and materalism . 
escape story 
fresh , unforced naturalism to their characters 
spinning a web of dazzling entertainment may be overstating it , 
pissed off 
told well by a master storyteller 
all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance 
most of the information has already appeared in one forum or another and , no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence . 
to south seas islanders 
together familiar themes of family , forgiveness and love 
ideas and wry comic mayhem 
's a lot richer than the ones 
a classic genre 
any movie that makes hard work seem heroic deserves a look . 
about either the nature of women or 
a different movie -- sometimes tedious -- 
' it also rocks . 
fresh 
a classical actress 
where something 's happening 
neo-nazism 
amusing , tender and heart-wrenching 
stories drowned by all too clever complexity 
watchable stuff 
hard-sell 
you watch for that sense of openness , the little surprises . 
its adult themes of familial separation and societal betrayal are head and shoulders above much of the director 's previous popcorn work . 
diane lane 's sophisticated performance 
even before it builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia , it 's waltzed itself into the art film pantheon . 
the still-inestimable contribution 
elbowed aside by one-liners 
can tell what it is supposed to be , but ca n't really call it a work of art . 
innocent , childlike and inherently funny 
is shallow , offensive and redundant , with pitifully few real laughs . 
'll enjoy this movie . 
fourth-rate 
a big , juicy role 
though filmed partly in canada , paid in full has clever ways of capturing inner-city life during the reagan years . 
and in a sense , that 's a liability . 
`` red dragon '' never cuts corners . 
it might not be 1970s animation , but everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness 
such fresh territory 
staggeringly compelling character 
sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit . 
conventional , but well-crafted 
infuses the movie with much of its slender , glinting charm . 
dashing and absorbing 
the maudlin way its story unfolds 
capture its visual appeal or its atmosphere 
if you have n't seen the film lately , you may be surprised at the variety of tones in spielberg 's work . 
who excels in the art of impossible disappearing/reappearing acts 
real visual charge 
wise , wizened 
a fairly weak retooling 
the movie is a lumbering load of hokum but ... it 's at least watchable . 
worthwhile for reminding us that this sort of thing does , in fact , still happen in america 
soul-stirring 
you can find humor 
cultural 
death might be a release . 
both innocent and jaded 
in space , no one can hear you snore 
it might have held my attention , but 
does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half 
a fake street drama that keeps telling you 
spectacularly ugly-looking 
brash , intelligent 
there are n't many conclusive answers in the film 
the shocking conclusion is too much of a plunge 
a well-done film 
's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to give it a millisecond of thought . 
arresting little ride 
conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism 
speak fluent flatula 
disagree 
great performance 
, e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career . 
tell you 
seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
scarily funny , sorrowfully sympathetic to the damage it 
to skip the film and pick up the soundtrack 
achingly honest and 
remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career 
masterful work 
its tragic waste 
across as shallow and glib though not mean-spirited 
the obligatory moments of sentimental ooze 
it does cathartic truth telling 
high 
argento , at only 26 , brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock . 
in your face for two hours 
moronic as some campus 
despite the fact that this film was n't as bad as i thought it was going to be , it 's still not a good movie 
the place where a masterpiece should be 
bang-up job 
have a stirring time at this beautifully drawn movie 
breen 's script is sketchy with actorish notations on the margin of acting . 
the makers of mothman prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad . 
they 'll be treated to an impressive and highly entertaining celebration of its sounds . 
uncompromising 
agonizing 
find a spark of its own 
, touching 
gay s/m fantasy 
kids do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people . 
there are plenty of scenes in frida that do work , but rarely do they involve the title character herself . 
puts an exclamation point on the fact that this is n't something to be taken seriously 
persuasive 
a bilingual charmer , just like the woman who inspired it 
she of the impossibly long limbs and sweetly conspiratorial smile 
leave you feeling a little sticky and unsatisfied 
a certain sense of experimentation and improvisation 
bon appétit ! 
against itself 
one of the biggest disappointments of the year 
shreve 's graceful dual narrative gets clunky on the screen , and we keep getting torn away from the compelling historical tale to a less-compelling soap opera 
of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes 
poses for itself that one can forgive the film its flaws 
film that will enthrall the whole family . 
is to substitute plot for personality 
an unusually dry-eyed , even analytical approach to material that is generally played for maximum moisture . 
is , also , frequently hilarious . 
is that it avoids the obvious with humor and lightness . 
gives the lie 
take nothing seriously and 
is dark , brooding and slow , and 
we have no idea what in creation is going on 
of this emotional car-wreck 
remains undiminished 
sure , i hated myself in the morning . 
the price 
never quite justifies its own existence . 
a psycho 
a tremendous piece 
a fireworks 
is done to support the premise other than fling gags at it to see which ones shtick 
knockoff 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore 
over-the-top , and amateurish 
terrible movie 
as if even the filmmakers did n't know what kind of movie they were making 
creating the characters who surround frankie 
losing 
a way of seeping into your consciousness 
labute does manage to make a few points about modern man and his problematic quest for human connection . 
the best and most exciting movies 
gets its greatest play from the timeless spectacle of people 
ms. griffiths and mr. pryce bring off this wild welsh whimsy . 
gives you an idea just how bad it was 
is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own . 
's undone by a sloppy script 
the picture is in trouble 
follows its standard formula in this animated adventure 
a revealing look at the collaborative process 
part of being a good documentarian 
had a sense of humor 
completely predictable plot 
with such sensitivity 
bad singer-turned actors 
a grittily beautiful film that looks , sounds , and feels more like an extended , open-ended poem than a traditionally structured story . 
it 's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing . 
locales 
a stiflingly unfunny and unoriginal mess 
the joie de vivre even as he creates 
the action here is unusually tame 
talented friends 
to get excited about on this dvd 
the director , frank novak , that keeps the film grounded in an undeniable social realism 
what 's so fun about this silly , outrageous , ingenious thriller is the director 's talent . 
is often way off 
marvelously entertaining and deliriously 
purpose and even-handedness 
pretty 
a sparkling newcomer 
a thriller without a lot of thrills 
many a kids-and-family-oriented cable channel 
employ their quirky and fearless ability 
a rather tired 
minutely detailed wonders 
it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
and interesting characters 
she 's pretty and she can act 
a movie can be mindless without being the peak of all things insipid 
small in scope , yet perfectly formed 
'd be lying if i said my ribcage did n't ache by the end of kung pow 
evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits . 
's a bargain-basement european pickup 
old-fashioned adventure 
it 's apparent that this is one summer film that satisfies 
the waste 
, the improbable `` formula 51 '' is somewhat entertaining 
( fiji diver rusi vulakoro and the married couple howard and michelle hall ) show us the world they love and make us love it , too . 
an enjoyable comedy of lingual and cultural differences ... the château is a film -- full of life and small delights -- that has all the wiggling energy of young kitten . 
an enjoyable 100 minutes 
an elegance and maturity 
best actors 
designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it . 
signing 
remarkable because it 
characters who are nearly impossible to care about 
suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics 
it 's not going to be everyone 's bag of popcorn 
a gripping documentary 
has deftly trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness . 
jolie gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging . 
the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed . 
sick sense 
clear-eyed portrait 
dry wit and compassion 
succeeds in diminishing his stature from oscar-winning master to lowly studio hack . 
the world 's most generic rock star 
is essentially a `` dungeons and dragons '' fantasy with modern military weaponry 
the movie has a script ( by paul pender ) made of wood , and 
lots of cute animals and clumsy people 
it has the requisite faux-urban vibe and hotter-two-years-ago rap and r&b names and references . 
is instead about as fresh as last week 's issue of variety 
a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- 
's a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire ! 
an unpleasantly 
over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own 
can impart a message without bludgeoning the audience over the head 
in the end , the film feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses . 
winningly 
funny moment 
robert duvall 
because there is no foundation for it 
a breath 
tastelessness 
, the country bears ... should keep parents amused with its low groan-to-guffaw ratio . 
pack a powerful emotional wallop 
it 's impossible to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant . 
eviction 
addresses interesting matters of identity and heritage 
such a stultifying 
looked like as a low-budget series on a uhf channel 
take any 12-year-old boy to see this picture , and he 'll be your slave for a year 
i have always appreciated a smartly written motion picture , and , whatever flaws igby goes down may possess , it is undeniably that 
atypically hypnotic 
charming and evoking 
all , a great party 
instead of making his own style , director marcus adams just copies from various sources -- good sources , bad mixture 
if you go into the theater expecting a scary , action-packed chiller 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , 
drown yourself 
well worth watching 
shows moments of promise but ultimately succumbs to cliches and pat storytelling 
that it 's a brazenly misguided project 
written and directed with brutal honesty and respect for its audience 
exceedingly rare films 
best sports movie 
struck a chord in me 
memorable for a peculiar malaise that renders its tension flaccid 
director uwe boll and writer robert dean klein fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters . 
the movie is rather choppy . 
successfully maintains suspense on different levels throughout a film that is both gripping and compelling . 
art film 
both sitcomishly predictable and cloying 
salute just for trying to be more complex than your average film . 
there is greatness here . 
movie sputters 
not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' 
brave , uninhibited performances 
the cinematic canon 
, look no further than this 20th anniversary edition of the film that spielberg calls 
fun . 
the best looking and stylish 
jaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar . 
, but your ego 
juvenile delinquent ' paperbacks 
brilliantly constructed work . 
k-19 will not go down in the annals of cinema as one of the great submarine stories 
, queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle . 
enjoyable comedy 
it looks closely , insightfully at fragile , complex relationships . 
need to reap more rewards than spiffy bluescreen technique and stylish weaponry 
all the heart of a porno flick ( but none of the sheer lust ) 
's lots of cool stuff packed into espn 's ultimate x. 
charmless and 
mean-spirited 
lopez romantic comedy 
mira nair 's new movie has its audience giddy with the delight of discovery 
its formidable arithmetic of cameras and souls 
verges on the amateurish 
they help increase an average student 's self-esteem 
it makes your teeth hurt 
labored gags 
you wish you had n't seen 
stand tall with pryor , carlin and murphy 
wo n't be sorry 
due to stodgy , soap opera-ish dialogue 
because the cast is so engagingly messing around like slob city reductions of damon runyon crooks 
wish there had been more of the `` queen '' and less of the `` damned 
have required genuine acting from ms. spears 
saddled 
, unforced 
has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness . 
a baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise 
human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart . 
try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching . 
scoob 
a successful example of the lovable-loser protagonist 
delights 
( has ) an immediacy and an intimacy that sucks you in and dares you not to believe it 's all true . 
manipulative claptrap , a period-piece movie-of-the-week , plain old blarney ... take your pick . 
an insultingly inept and artificial examination of grief 
make you reach for the tissues 
a lousy script , 
's worth the price of admission for the ridicule factor alone 
some serious issues 
it 's a wonderful life marathons and bored 
will linger long after this film has ended . 
has a more colorful , more playful tone than his other films 
will please eastwood 's loyal fans -- 
elegantly colorful look 
sappy and amateurish 
a deeply felt and vividly detailed story about newcomers in a strange new world . 
, this movie proves you wrong on both counts . 
of family tradition and familial community 
when it comes to the battle of hollywood vs. woo , it looks like woo 's a p.o.w. 
of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface 
utter mush ... 
a rock-solid gangster movie with a fair amount of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics 
, this is the one . 
a terrific job 
knowledge , education , and 
all of this , and more 
lacks dramatic punch and depth . 
paranoid and unlikable 
robert john burke as the monster horns in and steals the show . 
tells a fascinating , compelling story 
an intense indoor drama about compassion , sacrifice , and christian love 
and engaging film 
trembling and gratitude 
the grandeur of the best next generation episodes 
nothing else to watch 
a journey back to your childhood 
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera , 
whatever the movie 's sentimental , hypocritical lessons about sexism 
feature but something far more stylish and cerebral -- and , hence , more chillingly effective . 
tantamount to insulting the intelligence of anyone who has n't been living under a rock 
, it 's as good as you remember . 
spiffy bluescreen technique 
most frantic , virulent and foul-natured 
rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
wo n't be sitting through this one again 
to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie 
we 're to slap protagonist genevieve leplouff because she 's french 
of the things costner movies are known for 
that wind-in-the-hair exhilarating 
to finally revel in its splendor 
a captivating new film . 
is simply too overdone . 
greatly enhances the quality of neil burger 's impressive fake documentary . 
, with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling . 
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but against all odds , nothing does 
play one lewd scene after another 
why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed 
a copenhagen neighborhood coping with the befuddling complications life 
violent , vulgar and forgettably 
the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of martha stewart decorating program run amok . 
is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project 
deeply appealing 
you 'll need a stronger stomach than us . 
shrill and soporific , and because 
'll be white-knuckled and unable to look away . 
this slick and sprightly cgi feature 
is not so much a work of entertainment as it is a unique , well-crafted psychological study of grief . 
there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
a decent-enough nail-biter 
trying to create something original 
redeemed 
tame that even slightly wised-up kids would quickly change the channel 
for every cheesy scene , though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
leguizamo and jones are both excellent and the rest of the cast is uniformly superb 
utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work 
drama , romance , tragedy , bravery , political intrigue , partisans and sabotage 
killer soundtrack 
with wonderful performances that tug at your heart in ways that utterly transcend gender 
anchoring 
the glaring triteness of the plot device 
plodding , 
never comes together 
compelling enough 
bad behavior 
the writing is indifferent , and 
only so much baked cardboard 
four star performance 
sustains interest during the long build-up of expository material . 
takes its title all too literally 
is surprisingly brilliant , 
lighthearted 
it 's plotless , shapeless -- and 
torn book jacket 
freshness and spirit 
, it 's not very interesting . 
enough of interest onscreen 
more unmentionable subjects 
overcome the triviality of the story 
thoroughly engrossing 
that 's every bit as enlightening , insightful and entertaining as grant 's two best films 
why ? 
uselessly 
it 's pretty linear and only makeup-deep , 
is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans . 
the santa clause 2 's plot may sound like it was co-written by mattel executives and lobbyists for the tinsel industry . 
a bit of a phony relationship 
buzz , blab and money 
floundering way 
though there 's a clarity of purpose and even-handedness to the film 's direction 
those prone to indignation need not apply ; those susceptible to blue hilarity , step right up 
the dutiful precision of a tax accountant 
the superficial way it deals with its story 
makes it seem fresh again . 
neat premise 
directions and descends into such message-mongering moralism that its good qualities are obscured 
bloody 
completely ridiculous 
the success 
a superlative b movie -- 
a very old-school kind 
what 's worse is that pelosi knows it . 
otherwise talented 
after the clever credits roll 
of a river of sadness that pours into every frame 
does not proclaim the truth about two love-struck somebodies 
probably wo n't have you swinging from the trees hooting it 's praises 
like going to a house party and watching the host defend himself against a frothing ex-girlfriend 
dreary tale of middle-class angst 
the viewer 's patience with slow pacing and 
less of a trifle 
it works beautifully as a movie without sacrificing the integrity of the opera . 
an 88-minute highlight reel that 's 86 minutes too long 
in this fascinating portrait of a modern lothario 
be utterly entranced by its subject and 
one of the rarest kinds of films 
is grisly . 
had a bad run in the market or a costly divorce , 
the treat 
most beautiful , evocative works 
ca n't rescue this effort . 
where santa gives gifts to grownups 
the urban landscapes are detailed down to the signs on the kiosks , 
a possible argentine american beauty reeks 
is first-rate , especially sorvino 
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and 
awful sour taste 
a movie that the less charitable might describe as a castrated cross between highlander and lolita . 
an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair 
vision is beginning to feel 
is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams 
what ( frei ) gives us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows . 
a captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless 
unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself . 
she had to sit through it again 
definitely gives you something to chew on 
more unattractive or odorous 
that assumes you are n't very bright 
while adding the rich details and go-for-broke acting that heralds something special 
dead dog 
that is beyond playing fair with the audience 
degrades its characters , its stars and its audience 
a determined woman 's courage to find her husband in a war zone 
fresh and 
i have returned from the beyond to warn you 
music and laughter 
satin rouge is not a new , or inventive , journey , but 
grayish 
his craft 
than to show us a good time 
an interesting bit 
as pure over-the-top trash 
in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice 
horrible 
the downward spiral comes to pass 
shot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors ... 
's steeped in mystery and a ravishing , baroque beauty 
smarter and much 
beginning to resemble someone 's crazy french grandfather 
not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
to the vast majority of more casual filmgoers , it will probably be a talky bore . 
sheer dumbness 
a return to form for director peter bogdanovich 
deeply touched by this movie 
anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair 
of bewitched that takes place during spring break 
the performances are an absolute joy . 
a gorgeous film - 
plagued by that old familiar feeling of ` let 's get this thing over with ' 
a stirring time at this beautifully drawn movie 
told what actually happened as if it were the third ending of clue 
unsettling , memorable cinematic experience 
the best war movies 
has done excellent work here . 
next movie 
horrifyingly , ever 
an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys 
win a wide summer audience through word-of-mouth reviews 
a deeper story 
think this movie loves women at all 
unwary viewers 
sweetness , clarity and emotional openness 
every bad action-movie line in history 
humor and heart 
quietly affecting cop drama 
unsurprisingly , the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes . 
in some evocative shades 
only need to watch for about thirty seconds before you say to yourself , ` ah , yes 
that a subject as monstrous and pathetic as dahmer 
does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez . 
it 's leaden and predictable , 
many of these gross 
in telling the story , which is paper-thin and decidedly unoriginal 
seem to keep upping the ante on each other , just as their characters do in the film 
both damning and damned compelling . 
that `` gangs '' is never lethargic 
rambling examination 
an allegory concerning the chronically mixed signals african american professionals get about overachieving 
untrained in acting 
, flawless film , ( wang ) emerges in the front ranks of china 's now numerous , world-renowned filmmakers . 
, cletis tout is a winning comedy that excites the imagination and tickles the funny bone . 
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual . 
( `` safe conduct '' ) is a long movie at 163 minutes 
a supernatural mystery that does n't know whether it wants to be a suspenseful horror movie or a weepy melodrama . 
enticing and often funny documentary 
it is very difficult to care about the character , and that is the central flaw of the film . 
half past dead is just such an achievement . 
the direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why . 
that watching it leaves you giddy 
provide much more insight than the inside column of a torn book jacket 
this loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses 
offers some flashy twists and 
scotland looks wonderful , the fans are often funny fanatics , the showdown sure beats a bad day of golf 
all arty and jazzy 
heart-pounding 
fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters . 
manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie 
the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people 
the gags are often a stitch . 
unusual but unfortunately also 
none of this is meaningful or memorable 
fantastically 
all he 's done is to reduce everything he touches to a shrill , didactic cartoon 
with such good humor 
tries to cram too many ingredients into one small pot . 
a trove of delights 
part of the film 's cheeky charm 
a more balanced or fair portrayal 
potent 
transcends the boy-meets-girl posturing of typical love stories 
going right through the ranks of the players -- on-camera and off -- that he brings together 
for its elegantly colorful look and sound 
`` orange county '' is far funnier than it would seem to have any right to be . 
and that is where ararat went astray . 
bull sessions 
, ponderous and charmless 
own quirky hipness 
a bad run in the market or a costly divorce 
painful to watch 
been so aggressively anti-erotic 
's little to recommend snow dogs , 
other than fling gags at it 
( leigh ) has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable . 
warm , enveloping affection 
both oscar winners 
the violence 
lawrence 's over-indulgent tirade 
worthy entry 
sleeper 
speaks volumes , 
peculiarly 
providing no real sense of suspense 
a torrent of emotion 
does no justice to the story itself 
like smoke signals , the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
involve a dentist drill 
a pitch-perfect holden 
a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public 
self-flagellation is more depressing than entertaining . 
pretty weary 
our reality tv obsession , 
grind that only the most hardhearted scrooge could fail to respond 
exceeds 
compressed characterisations 
watery tones 
an important , original talent 
one of mr. chabrol 's subtlest works , but also one of his most uncanny 
that watching the proverbial paint dry would be a welcome improvement 
time of favor could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation . 
for beginners 
shining with all the usual spielberg flair , 
ugly to look at and not a hollywood product 
an unsympathetic character and someone who would not likely be so stupid as to get 
do anything as stomach-turning as the way adam sandler 's new movie rapes 
below may not mark mr. twohy 's emergence into the mainstream , 
klein 
leguizamo and jones are both excellent 
as beautifully shaped 
appetizing 
it 's refreshing to see a romance this smart . 
is certainly amusing 
see this terrific film with your kids 
pulls back from the consequences of its own actions and revelations 
the obligatory outbursts of flatulence and 
curiously tepid and choppy recycling in which predictability is the only winner 
, manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches . 
not to believe it 
to escape the shackles of its own clichés to be the best espionage picture to come out in weeks 
fights the good fight in vietnam in director randall wallace 's flag-waving war flick with a core of decency . 
provide its keenest pleasures to those familiar with bombay musicals 
genuine narrative 
collapses when mr. taylor tries to shift the tone to a thriller 's rush 
this sad , occasionally horrifying but often inspiring film is among wiseman 's warmest . 
the series ' message about making the right choice in the face of tempting alternatives 
this is the best star trek movie in a long time . 
presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years . 
two-bit potboiler . 
's become one of the movies ' creepiest conventions , in which the developmentally disabled 
a cultural wildcard experience : wacky , different , unusual , even nutty . 
, mibii is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it . 
hypnotic portrait 
attractive young leads 
a beautifully shot , but ultimately flawed film about growing up in japan 
is that secret ballot is a comedy , both gentle and biting . 
beautiful and 
compelling allegory 
terrific computer graphics , 
powerful 1957 drama 
young everlyn sampi , as the courageous molly craig 
run for your lives ! 
yet not as hilariously raunchy as south park , this strangely schizo cartoon seems suited neither to kids or adults . 
goodies 
, eloquence , spiritual challenge 
's definitely worth 
far better 
's never too late to learn 
mournful 
if you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you , then you 're at the right film . 
the histrionic muse 
get paid enough to sit through crap like this 
's mildly interesting to ponder the peculiar american style of justice that plays out here 
its loving yet unforgivingly inconsistent depiction 
ultimately satisfies with its moving story 
most romantic comedies , 
with few respites 
kim ki-deok seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested . 
a tired , unnecessary retread ... 
is clever , offbeat and even gritty enough to overcome my resistance . 
guys would probably be duking it out with the queen of the damned for the honor . 
, is pleasant , diverting and modest -- definitely a step in the right direction . 
a mostly magnificent directorial career , 
audience is a sea of constant smiles and frequent laughter 
who perfectly portrays the desperation of a very insecure man 
are simply too bland to be interesting 
black indomitability 
shot but dull and ankle-deep ` epic . 
souvlaki can you take before indigestion sets in 
real contenders 
looks closely , insightfully at fragile , complex relationships 
prima 
it will just as likely make you weep , 
about dealing with regret and , ultimately , finding redemption 
seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
most at women 's expense 
to its superior cast 
cheap junk and 
inside information 
images even more haunting than those in mr. spielberg 's 1993 classic 
supposedly authentic account of a historical event that 's far too tragic to merit such superficial treatment . 
the right movie 
too literally 
has so many flaws it would be easy for critics to shred it . 
a flat script and 
, it demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken . 
is delightful in the central role . 
fearless purity 
falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting 
beneath it 
takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion . 
more elves and snow and 
stiff and 
is n't as funny 
is high on squaddie banter , low 
like the rock on a wal-mart budget 
if it were any more of a turkey , it would gobble in dolby digital stereo . 
puts washington , as honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher 
, all credibility flies out the window . 
a good chance 
it 's a masterpiece . 
pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans 
` the château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . ' 
its hawaiian setting , the science-fiction trimmings and 
the leads are natural and lovely , the pace is serene , the humor wry and sprightly . 
catch me '' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark . 
pointless , stupid 
is repellantly out of control 
it 's definitely not made for kids or their parents , for that matter , 
to be bored by as your abc 's 
realize there 's no place for this story to go but down 
with its unflinching gaze a measure of faith in the future 
it gives poor dana carvey nothing to do that is really funny 
$ 1.8 million charmer 
the animation and game phenomenon that peaked about three years ago is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication . 
is painful to watch 
are we dealing with dreams , visions or being told what actually happened as if it were the third ending of clue 
as a story of dramatic enlightenment , the screenplay by billy ray and terry george leaves something to be desired . 
pushed to their most virtuous limits , 
sick sight 
over-dramatic 
cheapen the overall effect 
is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them 
is wasted in this crass , low-wattage endeavor . 
highlight 
will ever be anything more than losers 
a dashing and resourceful hero ; a lisping , reptilian villain ; 
pungent 
could very well clinch him this year 's razzie . 
a well-crafted letdown . 
that its luckiest viewers will be seated next to one of those ignorant 
sheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life . 
the universal theme of becoming a better person through love has never been filmed more irresistibly than in ` baran . ' 
angel of death 
of gentle longing 
cal is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes . 
it 's a scorcher . 
an empty exercise 
, more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm . 
no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence 
full of detail about the man and his country , and is well worth seeing 
the genre and another first-rate performance 
falls under the category of ` should have been a sketch on saturday night live . ' 
's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more 
visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor . 
often funny 
formal settings with motionless characters 
of any opportunity for finding meaning in relationships or work 
, metropolis never seems hopelessly juvenile . 
predominantly amateur cast is painful to watch , 
likable movie 
an ugly , revolting movie 
it turns out to be significantly different ( and better ) than most films with this theme 
the best brush 
an uneven mix of dark satire and childhood awakening 
that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
a wretched movie that reduces the second world war to one man 
soulless and -- even more damning -- virtually joyless 
that rare creature -- 
is smarter and subtler 
stanzas of breathtaking , awe-inspiring visual poetry 
to waste their time 
that might have required genuine acting from ms. spears 
is one of the biggest disappointments of the year 
my ribcage did n't ache by the end of kung pow 
you 've got a place in your heart for smokey robinson 
worth a look as a curiosity . 
an unsettling sight , and indicative of his , if you will , out-of-kilter character , 
spontaneity in its execution and 
where big stars and high production values are standard procedure 
never feels derivative 
lacks it 
stop watching 
is smart 
of the theater 
this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot 
good intentions leads to the video store 
a fine effort , 
's a riot to see rob schneider in a young woman 's clothes 
does a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue . 
magnificent swooping aerial shots 
smarter than its commercials make it seem . 
i love the opening scenes of a wintry new york city in 1899 . 
just zings along with vibrance and warmth . 
is simply not enough of interest onscreen 
a deliciously nonsensical comedy about a city coming apart at its seams . 
the writing is clever 
a tiresome cliché 
that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen 
an in-depth portrait of an iconoclastic artist 
disreputable 
terrific 
speculative effort 
like a cheap lawn chair 
one of the most plain , unimaginative romantic comedies i 
screwball farce and blood-curdling family intensity on one continuum 
ready-made midnight movie 
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic 
intoxicating atmosphere and 
rarely has skin looked as beautiful , desirable , even delectable , as it does in trouble every day . 
its overall sense of mystery 
his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows 
while there are times when the film 's reach exceeds its grasp , the production works more often than it does n't . 
creates images even more haunting than those in mr. spielberg 's 1993 classic 
there is a certain sense of experimentation and improvisation to this film that may not always work 
visually compelling 
recognizes the needs of moviegoers for real characters and compelling plots 
brought me uncomfortably close to losing my lunch . 
to be a collection taken for the comedian at the end of the show 
better script 
is clear : not easily and , in the end , not well enough 
a small movie 
a really strong second effort 
in artful , watery tones of blue , green and brown 
silly subplots 
that 's always fun to watch 
appropriate ferocity and thoughtfulness 
`` spider-man '' certainly delivers the goods 
a realistically terrifying movie that puts another notch 
to warm the hearts of animation enthusiasts of all ages 
difficulty 
tolerance and diversity 
emotionally strong 
this is lightweight filmmaking , to be sure , 
plodding picture 
to seduce and conquer 
cinematic intoxication 
by false sentiment or sharp , overmanipulative hollywood practices 
three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut 
mira nair 's film is an absolute delight for all audiences 
of these young women 
a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture 
stodgy 
if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
's a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout . 
is depressing , ruthlessly pained and depraved 
, then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest . 
affirming ' 
that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints 
more biologically detailed than an autopsy , the movie 
for kids , spirit 
with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas 
of intelligent humor 
weighty revelations , flowery dialogue , 
broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture 
of bright young men -- promising , talented , charismatic and tragically 
that manages to find greatness in the hue of its drastic iconography 
most of the pitfalls you 'd expect in such a potentially sudsy set-up 
goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
... pray does n't have a passion for the material . 
a tour de force 
about something , one that attempts and often achieves a level of connection and concern 
surprisingly sweet and gentle 
results from adhering to the messiness of true stories 
is enormously good fun 
represents the depths to which the girls-behaving-badly film has fallen 
the absurdity of the premise 
an extraordinary poignancy 
was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism . 
if you 're going to subjugate truth to the tear-jerking demands of soap opera 
lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck . 
feels more like the pilot episode of a tv series 
ca n't wait to see what the director does next 
passionate and 
the film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-oscar kind of way . 
hollow , self-indulgent , and - worst of all - boring 
buffoons 
the mediocre end 
denzel washington 's fine performance 
finds his inspiration on the fringes of the american underground 
undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective . 
a casual intelligence that permeates the script 
perfectly clear 
ben kingsley is truly funny , playing a kind of ghandi gone bad . 
every suspenseful cliché in the book 
getting the better of obnoxious adults 
's still not a good movie 
is n't as sharp as the original ... despite some visual virtues , ` blade ii ' just does n't cut it . 
it 's hard to say who might enjoy this , are there tolstoy groupies out there ? 
outpaces its contemporaries with daring and verve 
splendid-looking as this particular film 
resistance and artistic transcendence 
, witty , improbable romantic comedy 
what they see in each other also is difficult to fathom . 
that mel gibson can gasp , shudder and even tremble without losing his machismo 
absolutely 
it 's packed with adventure and a worthwhile environmental message , so it 's great for the kids 
( the film ) works , due mostly to the tongue-in-cheek attitude of the screenplay . 
but it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker . 
something to be taken seriously 
's so devoid of joy and energy it makes even jason x ... look positively shakesperean by comparison 
the mundane 
` god help us , but capra and cooper are rolling over in their graves . ' 
allows each character to confront their problems openly and honestly . 
feels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes , 
takes off in totally unexpected directions 
manipulative and as bland 
is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others . 
that the final product is a ghost 
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , 
having been recycled more times than i 'd care to count 
no palpable chemistry between lopez and male lead ralph fiennes 
the soggy performances 
as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
-- or , worse yet , nonexistent -- ideas 
a strong-minded viewpoint , or a sense of humor 
from the ages 
makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film . 
a plethora of engaging diatribes 
, hypocritical 
the modern master of the chase sequence returns with a chase to end all chases 
crisp framing , edgy camera work 
the flat dialogue by vincent r. nebrida 
is hard to tell who is chasing who or why 
been hoping for 
reminds us of our own responsibility 
robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
uncool the only thing missing is the `` gadzooks ! '' 
the first shocking thing about sorority boys is that it 's actually watchable . 
exhilarating , 
where janice beard falters in its recycled aspects , implausibility , and sags in pace , it rises in its courageousness , and comedic employment . 
it 's a familiar story , but one that is presented with great sympathy and intelligence . 
check your pulse . 
, humorous , illuminating study 
high-spirited buddy movie 
the hand that has finally , to some extent , warmed up to him 
a fun 
sleazy moralizing 
is shallow , offensive and redundant , with pitifully few real laughs 
large budget notwithstanding , the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride . 
heartwarming and gently comic even as the film breaks your heart . 
that is more accurate than anything i have seen in an american film 
gets around to its real emotional business , 
hey , happy ! 
to see this terrific film with your kids -- if you do n't have kids borrow some 
clever and very satisfying picture 
the humor aspects of ` jason x ' were far more entertaining than i had expected 
amusing , sad and reflective 
'd watch these two together again in a new york minute . 
most interesting 
great performances , stylish cinematography and a gritty feel help 
derivative , overlong , and bombastic -- 
ca n't rescue adrian lyne 's unfaithful from its sleazy moralizing . 
fused with solid performances and eerie atmosphere 
it appears not to have been edited at all 
never quite achieves the feel of a fanciful motion picture . 
delicate 
's not just a feel-good movie 
leaden 
goes bump in the night and nobody cares 
that unfolds with grace and humor and gradually 
that 's neither completely enlightening , nor 
15 years old 
good things 
, chilling and heart-warming 
-- elegant technology for the masses -- 
no psychology here , and no real narrative logic -- 
average bond 
indoor drama 
quite funny 
to inhale this gutter romancer 's secondhand material 
( washington 's ) strong hand , keen eye , sweet spirit and good taste 
low rate annie 
narrative grace 
as boring before i see this piece of crap again 
are disjointed , flaws that have to be laid squarely on taylor 's doorstep . 
in its crapulence 
kouyate elicits strong performances from his cast , 
a film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy . 
's not original enough 
parapsychological 
carried out 
is a shaky , uncertain film that nevertheless touches a few raw nerves 
a catastrophic collision of tastelessness and gall 
most of jaglom 's self-conscious and gratingly irritating films 
standard thriller and drag audience enthusiasm 
it also happens to be good 
put together with the preteen boy in mind . 
well-defined sense 
biggie and tupac is undeniably subversive and involving in its bold presentation . 
as a film director , labute continues to improve . 
throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull 
will please eastwood 's loyal fans 
to his people 
of its inventiveness 
an old-fashioned drama of substance about a teacher 
the forced funniness found in the dullest kiddie flicks 
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , 
eventual cult classic 
touches the heart and the funnybone thanks to the energetic and always surprising performance 
this terrific film 
the shabby digital photography 
it 's soulful and unslick , and that 's apparently just what ( aniston ) has always needed to grow into a movie career 
an exit sign , that is . 
lacks juice and delight 
confessions is without a doubt a memorable directorial debut from king hunk . 
by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen 
calculating fiend 
has been written so well , that even a simple `` goddammit ! '' 
in all , a great party 
this quality band 
pretentious , 
distinguishable 
in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care 
every individual will see the movie through the prism of his or her own beliefs and prejudices 
the worst possibilities of mankind 
for a bad film 
a satisfying destination 
ate a reeses 
a marvelous performance by allison lohman as an identity-seeking foster child . 
draws us in long 
the nightmare 
riveting documentary . 
entertaining feature 
p.t. anderson understands the grandness of romance and 
it chiefly inspires you to drive a little faster 
, violent and mindless 
black hawk down with more heart 
it 's fun , splashy and entertainingly nasty . 
if downbeat , 
just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood 
very good 
wilson and murphy show how funny they could have been in a more ambitious movie 
be missing a great deal of the acerbic repartee of the play 
lovely toward the end 
think of a film more cloyingly sappy than evelyn 
that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it 
this filmmaker 's flailing reputation 
from largely flat and uncreative moments 
that steal your heart away 
bad at a fraction the budget 
interesting social parallel and defiant aesthetic 
on and on to the point of nausea 
lacks balance ... and fails to put the struggle into meaningful historical context . 
endear itself 
of those unassuming films that sneaks up on you and stays with you long after you have left the theater 
is fantastic 
the film is , at its core , deeply pessimistic or quietly hopeful 
because it has a bigger-name cast 
the high standards 
broomfield has a rather unique approach to documentary . 
inescapable absurdities 
of outrageous force and craven concealment 
is capped with pointless extremes 
clever , offbeat and even gritty enough 
vivid , convincing performances 
love , longing , 
's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible 
transcend genre 
deftly captures 
if the film 's vision of sport as a secular religion is a bit cloying , its through-line of family and community is heartening in the same way that each season marks a new start . 
high standards 
its clumsiness 
, it is a great film . 
even elizabeth hurley seem graceless and ugly 
me uncomfortably close to losing my lunch 
in its recycled aspects , implausibility , and sags in pace 
thanks to the presence 
a completely spooky piece of business that gets under your skin and , some plot blips aside , stays there for the duration . 
forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies . 
genre a bad name 
the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this ; i assume the director has pictures of them cavorting in ladies ' underwear . 
my least favorite emotions , especially when i have to put up with 146 minutes of it 
there are some laughs in this movie 
just does n't have big screen magic 
mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant 
potent exploration 
schnieder bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs ... 
can fully succeed at cheapening it . 
it with ring , an indisputably spooky film 
the sweetest thing leaves a bitter taste . 
does little here but point at things that explode into flame 
unholy 
as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful 
often demented in a good way , 
capra and cooper are rolling over in their graves 
4ever is neither a promise nor a threat so much as wishful thinking . 
an extremely flat lead performance 
this is dicaprio 's best performance in anything ever , and easily the most watchable film of the year . 
is almost entirely witless and inane , 
is worse 
own idiosyncratic way 
the movie will likely set the cause of woman warriors back decades . 
rich and 
has a well-deserved reputation as one of the cinema world 's great visual stylists 
typical toback machinations 
creepy-crawly bug things that live only in the darkness 
enormous feeling 
an infinitely wittier version 
takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers . 
creative film 
singularly off-putting romantic comedy . 
anteing up some movie star charisma 
'll feel like you ate a reeses without the peanut butter 
does n't add anything fresh to the myth . 
good spirits 
the nonconformist in us 
blandness 
finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality . 
shift 
admire it and yet can not recommend it , because it overstays its natural running time . 
made off with your wallet 
the art demands live viewing . 
heartening in the same way 
you know the picture is in trouble . 
more goodies 
japan 's wildest filmmaker gives us a crime fighter carrying more emotional baggage than batman ... 
subtlety and acumen 
the stills might make a nice coffee table book 
with spike lee 's masterful 
chimes in on the grieving process and 
bilked 
wiseman 's warmest 
captivating as the rowdy participants think it is 
behind cutesy film references 
, i have given this movie a rating of zero . 
if you go , pack your knitting needles . 
a witty , low-key romantic comedy 
is very choppy and monosyllabic despite the fact that it is being dubbed . 
many excesses 
mexico 's most colorful and controversial artists 
a modicum of patience 
for the toilet and scores a direct hit 
`` based on true events , '' a convolution of language that suggests it 's impossible to claim that it is `` based on a true story '' with a straight face . 
distinguish one sci-fi work 
at little kids but with plenty of entertainment value 
idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger 
its compelling mix of trial movie , escape movie and unexpected fable 
like a medium-grade network sitcom -- mostly inoffensive 
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- and the pay-off is negligible . 
they just do n't work in concert . 
even a story immersed in love , lust , and sin could n't keep my attention 
is on his way to becoming the american indian spike lee 
a haunting sense of malaise 
happy , heady jumble 
, it 's really unclear why this project was undertaken 
lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile 
aimed mainly at little kids but with plenty of entertainment value 
combined with stunning animation . 
added disdain 
warmth and longing 
plain old 
is validated by the changing composition of the nation 
the promise of excitement 
scathing 
buckaroo 
competent performers 
grueling 
tv cop show cliches 
both a level of sophisticated intrigue and human-scale characters that suck the audience in 
to please its intended audience -- children -- without placing their parents in a coma-like state 
that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety 
works - mostly due to its superior cast 
a good old-fashioned adventure 
or , worse yet , nonexistent -- 
scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play . 
with grace and humor and 
a director who understands how to create and sustain a mood 
falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries 
you 'll wait in vain for a movie to happen . 
a remarkably cohesive whole , 
slack complacency 
is the piece works brilliantly . 
minimal appreciation 
lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
even better 
, the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster . 
episode ii -- attack of the clones is a technological exercise that lacks juice and delight . 
ice age wo n't drop your jaw , but it will warm your heart , and i 'm giving it a strong thumbs up 
these people 
`` the road paved with good intentions leads to the video store '' 
old-fashioned but thoroughly satisfying entertainment 
reason to go 
of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
cheesy dialogue 
is meaningless , vapid and devoid of substance , 
is both a snore and utter tripe . 
is confused in death to smoochy into something both ugly and mindless 
of a self-destructive man 
i last walked out on a movie 
is always sympathetic 
delightfully cheeky 
a thriller with an edge -- 
in the worst way 
an ease in front of the camera 
noisy and 
with attractive men 
straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company 
enjoyable , if occasionally flawed , experiment 
unclean 
a portrait of alienation so perfect 
overwhelming pleasure 
lousy movie 
of the dry humor that first made audiences on both sides of the atlantic love him 
teaming 
is found in its ability to spoof both black and white stereotypes equally 
made up for its rather slow beginning 
quite the genre-busting film 
guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed 
episodic choppiness , undermining the story 's emotional thrust 
as you watch them clumsily mugging their way through snow dogs , 
what punk 
the sentimental oh-those-wacky-brits genre that was ushered in by the full monty and is still straining to produce another smash 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but 
of childhood innocence combined with indoctrinated prejudice 
of more self-absorbed women than the mother and daughters featured in this film 
love the robust middle of this picture 
filled with more holes than clyde barrow 's car 
sneering humor 
, you have to give the audience a reason to want to put for that effort 
of how horrible we are to ourselves and each other 
everybody , wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ? 
most daring , and 
ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype . 
initially gripping , eventually cloying pow drama . 
not a classic , 
he script is n't up to the level of the direction 
the performances , for the most part , credible 
thought the relationships were wonderful 
combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream 
us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows 
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but 
of character portrait , romantic comedy and beat-the-clock thriller 
a heady , biting , be-bop ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego . 
no lie 
no new friends 
more appealing holiday-season product 
beautifully reclaiming the story of carmen and recreating it an in an african idiom 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for 
while it forces you to ponder anew what a movie can be 
the script boasts some tart tv-insider humor , but the film has not a trace of humanity or empathy . 
artistic aspirations 
infamy 
swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings 
downhill as soon as macho action conventions assert themselves 
this bold move works 
, grant and bullock 's characters are made for each other . 
is hartley 's least accessible screed yet . 
compassionately explores the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children . 
an honest , sensitive story from a vietnamese point of view . 
leaves something to be desired . 
what lifts the film high above run-of-the-filth gangster flicks 
several plodding action sequences 
a worthy entry 
is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean . 
yearning for adventure and a chance to prove his worth 
of dead bodies 
's a film that affirms the nourishing aspects of love and companionship . 
a sharp satire 
an inconsequential , barely there bit of piffle . 
aimed at mom and dad 's wallet 
chilling 
the santa clause 2 proves itself a more streamlined and thought out encounter than the original could ever have hoped to be . 
the best kind 
skullduggery and 
competently directed but terminally cute drama . 
peril 
nothing about the film -- with the possible exception of elizabeth hurley 's breasts -- is authentic . 
good measure 
bluer than the atlantic and more biologically detailed than an autopsy , the movie 
a heroine as feisty and 
romp of a film 
deserving of its critical backlash and more . 
a flashy editing style 
's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow 
this deeply touching melodrama 
that we have come to love 
, barbershop gets its greatest play from the timeless spectacle of people really talking to each other . 
watchable 
is the best little `` horror '' movie i 've seen in years . 
's worth taking the kids to . 
ugly , revolting movie 
is that it 's a crime movie made by someone who obviously knows nothing about crime . 
but the 2002 film does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes . 
at least he provides a strong itch to explore more . 
achieved 
depressed about anything before watching this film 
* corpus and its amiable jerking and reshaping of physical time and space 
light , silly 
the incessant use of cell phones 
of astonishing grandeur 
a depressingly retrograde , ` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women 
more spirit and bite than your average formulaic romantic quadrangle 
moving in many directions as it searches ( vainly , i think ) for something fresh to say 
a shame that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable . 
an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation . 
takes every potential laugh and stiletto-stomps the life out of it 
should have stayed there . 
a matter of finding entertainment in the experiences of zishe and the fiery presence of hanussen 
unexpectedly moving meditation 
avoiding eye contact and walking slowly away 
too crude to serve the work especially well 
treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate 
` refreshing 
the cleverness , the weirdness and 
it 's incredible the number of stories the holocaust has generated . 
visually masterful 
slap her - she 's not funny 
highly pleasurable 
the politics that thump through it are as timely as tomorrow 
the evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear . 
whether it 's the worst movie of 2002 , i ca n't say for sure 
full of life , hand gestures , and some 
the most exciting action films 
gradually sneaks up on the audience 
good old-fashioned adventure 
much of all about lily chou-chou is mesmerizing : 
clear and reliable an authority 
boasts at least a few good ideas and features some decent performances 
find millions of eager fans 
formidable arithmetic 
distinctly sub-par ... more likely to drown a viewer in boredom than to send any shivers down his spine 
for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs 
so appealing about the characters 
wimps out by going for that pg-13 rating , so the more graphic violence is mostly off-screen and the sexuality is muted . 
love reading and/or poetry 
and powerful documentary 
is faster , livelier and a good deal funnier than his original 
get him a few laughs but nothing else 
, the french-produced `` read my lips '' is a movie that understands characters must come first . 
it 's waltzed itself into the art film pantheon . 
explains its characters ' decisions only unsatisfactorily 
without much success 
comes far closer than many movies 
go hand in hand with talent 
a solidly entertaining 
nevertheless efficiently amusing for a good while 
's a great deal of corny dialogue and preposterous moments 
for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
slow and ponderous , but rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption 
long on glamour 
strangely comes off as a kingdom more mild than wild . 
sweet and memorable film . 
nothing at the core of this slight coming-of-age/coming-out tale 
find that real natural , even-flowing tone 
harsh objectivity and refusal 
authentic account 
yet it 's potentially just as rewarding 
of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace 
anthony asquith 's acclaimed 1952 screen adaptation 
is clearly extraordinarily talented 
delivers a terrific performance in this fascinating portrait of a modern lothario 
something of a public service -- 
its thrills and extreme emotions 
, miller , kuras and the actresses make personal velocity into an intricate , intimate and intelligent journey . 
the film does n't have enough innovation or pizazz to attract teenagers , 
to send your regrets 
could fail to respond 
much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice 
with the best of them 
classic fairy tale 
the pretensions -- and disposable story -- 
was vile enough 
a bland 
punchier 
to the concept of loss 
paramount imprint 
to the chateau , a sense of light-heartedness , that makes it attractive throughout 
no rest period , no timeout 
all its excess debris 
mind to see a feature that concentrates on people , a project in which the script and characters hold sway 
amid the shock and curiosity factors , the film is just a corny examination of a young actress trying to find her way . 
one of the most genuinely sweet films to come along in quite some time . 
to stodgy , soap opera-ish dialogue 
much of it is funny 
an action hero with table manners 
love , memory , history and 
takes a sudden turn and devolves 
are totally estranged from reality . 
clichés . 
save everyone the misery 
is so contrived , nonsensical and formulaic that , come to think of it , the day-old shelf would be a more appropriate location to store it 
a puritanical brand of christianity 
make the most sincere and artful movie in which adam sandler will probably ever appear 
replacing john carpenter 's stylish tracking shots is degraded , handheld blair witch video-cam footage . 
's muy loco , but no more ridiculous than most of the rest of `` dragonfly 
guessable from the first few minutes 
that quickly wears out its limited welcome 
new friends 
elizabeth hurley seem graceless and ugly 
by the shadowy lighting 
of important developments of the computer industry 
his top-notch creative team 
this ready-made midnight movie probably wo n't stand the cold light of day 
see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but 
shiri is an action film that delivers on the promise of excitement , 
watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ? 
quiet family drama 
( the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end , it 's impossible to ascertain whether the film is , at its core , deeply pessimistic or quietly hopeful . 
is that it 's a brazenly misguided project 
vaguely interesting 
tickles the funny bone 
this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
struggling to create 
carries almost no organic intrigue as a government / marine/legal mystery 
i 've never bought from telemarketers , but i bought this movie 
the lady and the duke is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective . 
graced 
predict there will be plenty of female audience members drooling over michael idemoto as michael 
together frustrating difficult 
that not only blockbusters pollute the summer movie pool 
the story gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill . 
a first-class road movie that proves you can run away from home , but your ego and all your problems go with you . 
future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
it 's a talking head documentary , but a great one . 
great performances , stylish cinematography 
one of the best actors there is 
that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side 
outright newness 
if you ever wanted to be an astronaut , this is the ultimate movie experience - it 's informative and breathtakingly spectacular . 
the stylistic rigors 
more contemporary 
as hilariously raunchy as south park 
marvelously 
to mention leaving you with some laughs and a smile on your face 
lousy 
beating the austin powers films at their own game , this blaxploitation spoof downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness . 
starts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter . 
a good deal funnier than his original 
a fairly impressive debut from the director , charles stone iii 
drawn in by the sympathetic characters 
that make it well worth watching 
prepare to marvel again . 
even though their story is predictable , you 'll want things to work out 
pristine 
as a potentially incredibly twisting mystery 
of saps stuck in an inarticulate screenplay 
strategies 
lagging near the finish line 
resident evil is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail . 
weak and strong 
it has a more colorful , more playful tone than his other films . 
has layered , well-developed characters and some surprises . 
nair 's cast is so large it 's altman-esque 
without bludgeoning the audience over the head 
does its predecessors proud 
, poignancy , and intelligence 
may be too narrow to attract crossover viewers . 
gives new meaning to the phrase ` fatal script error 
an immensely appealing couple 
refreshes the mind and spirit 
the only possible complaint you could have about spirited away is that there is no rest period , no timeout 
and unforgettable characters 
great 
a promising work-in-progress 
lush and beautifully 
funniest and most accurate 
feel like a 10-course banquet 
living harmoniously 
tartakovsky 's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality . 
keen insights 
is difficult to connect with on any deeper level 
... cagney 's ` top of the world ' has been replaced by the bottom of the barrel . 
considered a funny little film 
engaged 
the value and respect 
worse stunt editing or 
dickens ' wonderfully sprawling soap opera 
an excellent choice 
again ego does n't always go hand in hand with talent 
sucking you 
particularly amateurish 
is to imply terror by suggestion , rather than the overuse of special effects 
infectious 
have a good shot at a hollywood career , 
of dramatic fireworks 
which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
their quirky inner selves 
smart comedy 
like whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people . 
someone , stop eric schaeffer before he makes another film . 
the obnoxious special effects 
loud , bang-the-drum 
the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings 
takes place in morton 's ever-watchful gaze 
less funny than it should be and 
of those films that aims to confuse 
funniest person 
snail-like pacing 
naomi watts is terrific as rachel ; 
shot like a postcard 
false 
style , structure and rhythms 
visceral sensation 
has a monopoly on mindless action 
of work and 2002 's first great film 
outdated clothes and plastic knickknacks 
pure craft and passionate heart 
manual 
to get in the way 
thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign . 
loneliness and is n't afraid to provoke introspection in both its characters and its audience 
, treasure planet is truly gorgeous to behold . 
american sports 
nothing more than four or five mild chuckles surrounded by 86 minutes of overly-familiar and poorly-constructed comedy . 
perfectly rendered period piece 
schrader aims to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness . 
lot to be desired 
is far funnier than it would seem to have any right to be . 
droll whimsy 
a film of empty , fetishistic violence in which murder is casual and fun 
a high-minded snoozer . 
hitler 's 
an admirable rigor 
less a movie 
it 's dark but has wonderfully funny moments ; you care about the characters ; 
epic four-hour indian musical 
is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes 
at all clear what it 's trying to say and even if it were -- i doubt it 
of the more serious-minded concerns of other year-end movies 
stoops to cheap manipulation or corny conventions 
at odds with the rest of the film 
crapulence 
slick and manufactured to claim street credibility 
family togetherness takes a back seat to inter-family rivalry and workplace ambition ... whole subplots have no explanation or even plot relevance 
like silence , it 's a movie that gets under your skin . 
leguizamo 's best movie work so far 
understated piece 
to inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic 
ca n't recommend it . 
proves that not only blockbusters pollute the summer movie pool 
, you 're far better served by the source material . 
her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle 
is simply not enough of interest onscreen to sustain its seventy-minute running time . 
angry 
descends into sub-tarantino cuteness 
it may not be a huge cut of above the rest , but i enjoyed barbershop 
portrays their cartoon counterparts well ... but quite 
unshapely 
bring something new 
bilked unsuspecting moviegoers 
balances real-time rhythms with propulsive incident . 
a cinematic fluidity and sense 
orgasm 
like high crimes flog the dead horse of surprise as if it were an obligation . 
tub-thumpingly 
it 's sweet and fluffy at the time , but 
seeing justice served 
've told a nice little story in the process 
thought-provoking new york fest 
of an especially well-executed television movie 
good action , good acting , good dialogue 
animation back 30 years , 
keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
an energetic and engaging film that never pretends to be something 
a curiously stylized , quasi-shakespearean portrait of pure misogynist evil 
is so clumsily sentimental and ineptly 
would pay a considerable ransom not to be looking at 
is n't very funny . 
does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects . 
elegantly produced and 
's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
tian 's meticulous talent 
gives an intriguing twist to the french coming-of-age genre 
silly and overwrought 
the metaphors are provocative , but 
has chosen to make his english-language debut with a film 
may rate as the most magical and most fun family fare of this or any recent holiday season . 
do n't understand what on earth is going on 
their heroic capacity for good 
accomplishment 
gentle and biting 
of a witty expose on the banality and hypocrisy of too much kid-vid 
an intelligent weepy 
the charisma 
the scariest guy 
will wish there had been more of the `` queen '' and less of the `` damned 
rises above easy , cynical potshots at morally bankrupt characters ... 
's not that funny -- which is just generally insulting . 
anarchy 
most compelling 
only the most hardhearted scrooge could fail to respond 
leftovers that are n't so substantial or fresh 
a delightful little film 
of the hilarious writer-director himself 
on a wal-mart budget 
the truth about charlie is that it 's a brazenly misguided project . 
to bring any edge or personality to the rising place that would set it apart from other deep south stories 
the ultimate imax trip 
bored 
image-mongering 
you love him 
` juvenile delinquent ' paperbacks 
dud from frame one 
gratuitous cinematic distractions 
is a master of shadow , quietude , and room noise 
needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism 
can such a cold movie 
'd do well to check this one out because it 's straight up twin peaks action 
is both stimulating and demanding . 
misogyny and unprovoked 
implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses , and for that reason it may be the most oddly honest hollywood document of all . 
no steve martin 
mediocre acting 
acted and directed 
exhausted by documentarians 
slummer 
an undeniably intriguing film 
downhill 
something to behold 
offended by his lack of faith in his audience 
a slight and uninventive movie 
just a waste 
gross romanticization of the delusional personality type 
demme gets a lot of flavor and spice into his charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh 
natural running time 
its own preciousness 
a hypnotic portrait 
is actually one of its strengths . 
grew hideously twisted 
it would 've reeked of a been-there , done-that sameness . 
even the corniest and 
with pitch-perfect acting 
maintains suspense on different levels 
much of jonah simply , and gratefully , 
very good time 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why ? ' 
you 'll forget about it by monday , though , 
could dredge up 
felt myself powerfully drawn toward the light -- the light of the exit sign 
something new 
come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick 
with calamity 
must be a serious contender for the title 
the cliché-riddled genre can offer 
crass , low-wattage endeavor 
what lifts the film high above run-of-the-filth gangster flicks is its refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map . 
are both superb , while huppert ... is magnificent 
anger 
the viewer expects something special but instead gets ( sci-fi ) rehash . 
you are n't very bright 
scarily funny , sorrowfully sympathetic to the damage it surveys 
one more dumb high school comedy about sex gags and prom dates 
narrative filmmaking with a visually masterful work of quiet power 
it works well enough , since the thrills pop up frequently 
a wonderful , sobering , heart-felt drama 
his best-known creation 
a comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis . 
in its own way , joshua is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius . 
wise and powerful tale 
the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
by a fantastic dual performance from ian holm 
haul 'em to the theater 
a narrative puzzle that interweaves individual stories 
snaps under the strain of its plot contrivances and its need to reassure 
does n't disappoint 
make this delicate coming-of-age tale a treat 
this choppy and sloppy affair 
the cartoon 
two badly interlocked stories drowned by all too clever complexity . 
looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman 
so many talented people were convinced to waste their time 
quirky rip-off prison 
that is not even as daring as john ritter 's glory days on three 's company 
of the austin powers films 
how first-time director kevin donovan managed to find something new to add to the canon of chan 
a very very strong `` b + 
a routine crime 
the movie is too impressed with its own solemn insights to work up much entertainment value . 
accepting him 
was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism 
at least it 's a funny no-brainer 
go the distance 
stoked 
city by the sea swings from one 
, the update is dreary and sluggish . 
a film which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director is to be mesmerised . 
a heartening tale of small victories and enduring 
is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
as patriot games can still turn out a small , personal film with an emotional wallop 
estranged gay and lesbian children 
a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth 
it 's as good as you remember . 
und drung , but explains its characters ' decisions only unsatisfactorily 
a poor fit with kieslowski 's lyrical pessimism 
the wild thornberrys movie is pleasant enough 
is pretty weary 
jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end 
the observations 
joyous , turbulent self-discovery 
its soul 
auteuil is a goofy pleasure 
got to my inner nine-year-old 
but not without cheesy fun factor . 
is as deep as a petri dish and as well-characterized as a telephone book 
superficial and 
seems uncertain 
an a-list director 
imponderably stilted and 
is as visceral as a gut punch 
has some special qualities and the soulful gravity of crudup 's anchoring performance 
'll have a good time with this one too 
viewers of barney 's crushingly self-indulgent spectacle will see nothing in it to match the ordeal of sitting through it . 
seem tired 
steadfastly uncinematic but powerfully dramatic . 
this film 's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition . 
offers chills 
all the stronger because of it 
what i like about men with brooms and what is kind of special 
last walked out on a movie 
will love its fantasy and adventure 
the israeli/palestinian conflict as 
that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
gathering dust 
the robust middle of this picture 
dull procession 
it all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense 
land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place . 
between farcical and loathsome 
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , 
small but rewarding 
the ambiguous welcome 
teen-driven , toilet-humor codswallop 
proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy . 
an ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic teen . 
untalented artistes who enjoy moaning about their cruel fate 
the survivors 
i 'm sure mainstream audiences will be baffled , 
unfulfilled 
lack-of-attention 
is shockingly bad and absolutely unnecessary 
an extended dialogue exercise in retard 101 
cruel but weirdly likable wasp matron 
a measure of faith in the future 
i have a feeling that i would have liked it much more if harry & tonto never existed 
she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
sweet-and-sour insider movie that film buffs will eat up like so much gelati 
a hypnotic portrait of this sad , compulsive life . 
exhibits the shallow sensationalism characteristic of soap opera ... 
if the film fails to fulfill its own ambitious goals 
wallowing in hormonal melodrama 
it 's just plain lurid when it is n't downright silly . 
to be clever , amusing and unpredictable 
gently funny , sweetly adventurous film 
adds a much needed moral weight 
filled with honest performances and exceptional detail 
adam sandler assault and possibly the worst film 
most convincing emotional gravity from a scene where santa gives gifts to grownups 
cultivation and 
move with grace and panache 
the chilled breath of oral storytelling frozen onto film 
sit through , enjoy on a certain level 
made the first film so special 
the cinematic equivalent of patronizing a bar 
of a truly magical movie 
the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza 
suffers from a simplistic narrative and a pat , fairy-tale conclusion 
childhood innocence 
nincompoop benigni persona 
epic scale 
find it diverting 
moving portrait 
horrendously confusing 
so much passion 
's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage . 
if she had to sit through it again , she should ask for a raise 
, it is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film . 
nicely understated expression 
( or robert aldrich 
admire it 
often-hilarious 
entertaining and informative 
lulled 
more appetizing than a side dish of asparagus 
for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already 
surprising discovery 
's really nothing more than warmed-over cold war paranoia 
this overlong infomercial , due out on video before month 's end 
... too sappy for its own good . 
less a story than an inexplicable nightmare , right down to the population 's shrugging acceptance to each new horror . 
completely satisfying 
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , dishes out a ton of laughs that everyone can enjoy . 
heavy-handed , manipulative 
well-made 
live happily 
snobbery 
, the story offers a trenchant critique of capitalism . 
the q in quirky 
an odd but ultimately satisfying blend 
take on loss and loneliness 
is a movie where the most notable observation is how long you 've been sitting still 
wide-smiling 
appeals 
the only belly laughs come from the selection of outtakes 
the jokes are flat , and the action looks fake 
viveka seldahl and sven wollter will touch you to the core in a film you will never forget -- that you should never forget . 
be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , 
what more can be expected from a college comedy that 's target audience has n't graduated from junior high school ? 
it is nearly impossible to look at or understand 
an unimaginative screenwriter 's invention 
imagination in the soulful development of two rowdy teenagers 
manages to string together enough charming moments to work 
a thought-provoking and often-funny drama 
tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes . 
buck or 
the beauty of the piece 
the acting is robotically italicized , 
to be ( tsai 's ) masterpiece 
manufactured to claim street credibility 
better than any summer blockbuster 
too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy 
shame 
much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them 
jaw-dropping action sequences , striking villains 
letdown . 
an irresistible blend of warmth and humor and 
top-notch 
some of the discomfort and embarrassment of being a bumbling american in europe 
top form 
ranks as the most original in years . 
this leaden comedy 
this woefully hackneyed movie , directed by scott kalvert 
holland lets things peter out midway , but 
a decent-enough nail-biter that stands a good chance of being the big hit franklin needs to stay afloat in hollywood . 
represents the depths to which the girls-behaving-badly film has fallen . 
discursive but oddly riveting documentary 
back the springboard for a more immediate mystery in the present 
most ordinary and obvious 
is a dark , gritty , sometimes funny little gem 
's a wonderful , sobering , heart-felt drama . 
really a thriller so much 
charming , banter-filled comedy 
the film delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans . 
uncomfortable class resentment 
why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good 
, loud , painful , obnoxious 
of junk 
in its willingness to explore its principal characters with honesty , insight and humor 
's drab 
those who are drying out from spring break 
a slight but sweet film 
one hour photo may seem disappointing in its generalities , but it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin 
be said that he is an imaginative filmmaker who can see the forest for the trees 
leaves you with a few lingering animated thoughts 
terrific insider 
hopelessly 
several cliched movie structures : 
messy and frustrating 
with vivid characters and a warm , moving message 
most brilliant and brutal uk crime film 
plotless collection 
manages to insult the intelligence of everyone in the audience 
, the movie grows boring despite the scenery . 
henry bean 's thoughtful screenplay provides no easy answers , but offers a compelling investigation of faith versus intellect 
what `` empire '' lacks in depth it makes up for with its heart . 
energy and excitement 
in imagination and authentic christmas spirit 
natured 
injects just enough freshness 
gentle but insistent 
life in the performances 
unparalleled proportions , writer-director parker 
, this is the opposite of a truly magical movie . 
most daring , and complicated , performances 
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu 
, baroque beauty 
a chance to see three splendid actors 
constantly defies expectation 
lacking a depth 
a film that will enthrall the whole family . 
two flagrantly fake thunderstorms 
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want 
may be wondering what all that jazz was about `` chicago '' in 2002 . 
takes you by the face , strokes your cheeks and 
's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
be clever , amusing and unpredictable 
and yet completely familiar 
was a deserved co-winner of the audience award for documentaries at the sundance film festival 
's such a mechanical endeavor ( that ) it never bothers to question why somebody might devote time to see it . 
immature and unappealing 
the cast portrays their cartoon counterparts well ... but quite frankly 
, something is rotten in the state of california 
should see it as soon as possible . ' 
because this movie makes his own look much better by comparison 
ca n't help suspecting that it was improvised on a day-to-day basis during production . 
paced at a speed that is slow to those of us in middle age 
is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny 
birthday girl is the kind of quirkily appealing minor movie she might not make for a while 
an addictive guilty pleasure but the material 
plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once 
-- on the way to striking a blow for artistic integrity -- 
films crammed with movie references 
they were insulted and the audience was put through torture for an hour and a half 
that 's all that 's going on here . 
a masterful work of art of their own 
approached the usher and said that if she had to sit through it again , she should ask for a raise . 
a disoriented but occasionally disarming saga 
affectionately 
a real winner -- smart , funny , subtle , and resonant . 
howler 
brutal mid 
the best espionage picture to come out in weeks 
can aspire but none can equal 
in all the right ways 
the word that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady , is painterly . 
better video-game-based 
covers this territory with wit and originality , suggesting that with his fourth feature -- 
a forceful drama 
old-fashioned scary movie 
engrossing and infectiously enthusiastic 
unmemorable 
connection and concern 
blatantly biased 
captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could . 
manage to squeeze a few laughs out of the material 
that may not always work 
through about 90 minutes of a so-called ` comedy ' and not laugh 
take on loss and loneliness . 
stretches of impact and moments of awe 
by exceptional performances 
the film has ( its ) moments , but they are few and far between 
humiliated by a pack of dogs who are smarter than him 
director elie chouraqui , who co-wrote the script , catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ? 
is entirely too straight-faced to transcend its clever concept . 
lose their luster 
well , in some of those , the mother deer even dies . 
an awfully good , achingly human picture 
in delivering a dramatic slap in the face that 's simultaneously painful and refreshing 
several attempts at lengthy dialogue scenes 
one of those films where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone screams at the top of their lungs no matter what the situation . 
lee 's character did n't just go to a bank manager and save everyone the misery 
it 's not nearly as fresh or enjoyable as its predecessor 
impressively 
donovan ... squanders his main asset , jackie chan 
triumphantly 
one terrific score and attitude to spare 
haphazard , and inconsequential romantic 
mall movie 
the action here is unusually tame , the characters are too simplistic to maintain interest , and the plot offers few surprises . 
that extra little something 
big trouble could be considered a funny little film . 
lacks the inspiration of the original 
morvern callar confirms lynne ramsay as an important , original talent in international cinema . 
helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter 
you 'll derive from this choppy and sloppy affair 
trailer trash cinema 
's worse , routine 
and uninspired . 
grave 
comedy , caper thrills and quirky romance 
the most amazing super-sized dosage of goofball stunts any `` jackass '' fan could want . 
a wonderfully creepy mood 
grows on you -- like a rash . 
its success 
is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes . 
energetic and engaging film 
that even its target audience talked all the way through it . 
( has ) an immediacy and an intimacy that sucks you in and dares you not to believe it 
instead of a balanced film that explains the zeitgeist that is the x games 
too erotic 
a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times 
quite worth 
've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
never rise above the level of an after-school tv special 
of technical skill and rare depth 
a real documentary 
acting that could be any flatter 
the misconceived final 5 
strain 
intelligently 
such message-mongering moralism 
one-sided 
saves this deeply affecting film from being merely 
's mostly a pleasure to watch 
is all too predictable and far too cliched to really work 
what makes their project so interesting 
is the kind of movie that 's critic-proof , simply because it aims so low 
other than to sit back and enjoy a couple of great actors hamming it up 
will take you places you have n't been , and also places you have . 
people who like their romances to have that french realism 
of my greatest pictures , drunken master 
pure venality -- 
no content 
a picture that was n't all that great to begin with 
does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
although shot with little style , skins is heartfelt and achingly real . 
a sexy , surprising romance ... 
two fine actors 
going at a rapid pace , occasionally 
just when you think you are making sense of it , something happens that tells you there is no sense . 
emerges from the simple fact that the movie has virtually nothing to show 
the film becomes predictably conventional . 
sometimes tedious -- 
its floating narrative 
playwriting 
creativity , and fearlessness 
its laziest 
the battle bots 
unfolds as one of the most politically audacious films of recent decades from any country , but especially from france . 
terrific to read about 
of insulting , both to men and women 
an unsympathetic hero 
pathetic , starving and untalented 
builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia 
get popcorn whenever he 's not onscreen 
, period-perfect biopic hammers 
much worse than bland or better than inconsequential 
it wants to be a black comedy , drama , melodrama or some combination of the three 
an emotionally accessible , almost mystical work 
discover that the answer is as conventional as can be 
never clearly defines his characters 
what sets it apart is the vision that taymor , the avant garde director of broadway 's the lion king and the film titus , brings . 
if uneven , 
wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion 
, the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series . 
all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect 
, it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest . 
is a fun and funky look into an artificial creation in a world that thrives on artificiality 
, lifeless 
a potentially incredibly twisting mystery 
a poor fit 
credible gender-provoking philosophy 
wisely 
energetic and smart 
this was lazy but enjoyable 
suffers from a flat script and a low budget 
brash , intelligent and 
represents two of those well spent 
efficient , suitably anonymous chiller . 
ourside the theater roger might be intolerable company , but inside it he 's well worth spending some time with 
that seem to have been conjured up only 10 minutes prior to filming 
make this an eminently engrossing film . 
mr. schnitzler proves himself a deft pace master and stylist . 
a gracious , eloquent film 
is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance 
to gorgeous beaches 
it searches ( vainly , i think ) for something fresh to say 
skims over the realities of gay sex 
, low-wattage 
a true cinematic knack 
of loss and denial and life-at-arm 's - length in the film 
a one-star rating 
an engrossing and infectiously enthusiastic documentary . 
is derived from a lobotomy , having had all its vital essence scooped out and discarded . 
drug culture 
not a hollywood product 
a whip-smart sense of narrative bluffs 
it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson 
over his head 
pays tribute 
disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
laughs -- sometimes a chuckle , sometimes a guffaw and 
the acting is amateurish , 
the film that surprises or delights 
, it could have been a thinking man 's monster movie 
waiting for things 
speaks for itself 
to jimmy 's relentless anger , and to the script 's refusal of a happy ending 
... a pretentious mess ... 
wildly alive 
companionable 
brightly optimistic 
the feeling of having been slimed in the name of high art 
even less capable trio 
turning into a black hole of dullness 
emerges as a numbingly dull experience 
original nor terribly funny 
minded patience , respect and affection 
sweet home alabama is n't going to win any academy awards 
mindless action 
is less a documentary and more propaganda by way of a valentine sealed with a kiss . 
is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut 
should definitely get top billing 
a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most 
viewers out in the cold and undermines some phenomenal performances 
to go around , with music and laughter 
two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
on an inferior level 
frustrating than a modem that disconnects every 10 seconds 
go hand in hand 
manage to be spectacularly outrageous . 
a calculating fiend or just a slippery self-promoter 
an instantly forgettable snow-and-stuntwork extravaganza 
a rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd . 
premise , mopes through a dreary tract of virtually plotless meanderings 
best short story writing 
a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half 
characters drop their pants for laughs and not the last time 
a pleasant and engaging enough sit 
the film does n't have enough innovation or pizazz to attract teenagers , and it lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences . 
particularly joyless , and exceedingly dull 
captures an italian immigrant family on the brink of major changes 
that they are doing it is thought-provoking . 
the bad sound , the lack of climax and , worst of all , 
the thornier aspects 
of cliches 
are fun and reminiscent of combat scenes from the star wars series . 
puts the sting back into the con 
an engaging , formulaic sports drama that carries a charge of genuine excitement 
thoroughly satisfying entertainment 
it 's great for the kids 
to absurd lengths 
absurdities and clichés 
a beautiful , timeless and universal tale of heated passions 
'' is entertaining . 
does n't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick . 
oddly honest 
visually breathtaking , viscerally exciting , and dramatically moving , it 's the very definition of epic adventure . 
less of a trifle if ms. sugarman followed through on her defiance of the saccharine 
in my own very humble opinion , in praise of love lacks even the most fragmented charms i have found in almost all of his previous works . 
its 112-minute length 
drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category 
little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding 
issue you a dog-tag and an m-16 
the top japanese animations of recent vintage 
little action , almost no suspense or believable tension , 
a courageous scottish lady 
about how lame it is to try and evade your responsibilities 
most daring , 
without sacrificing its high-minded appeal 
not once does it come close to being exciting . 
a rambling and incoherent manifesto 
claim to express warmth and longing 
about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings 
, they mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either . 
undermining the movie 's reality and stifling its creator 's comic voice 
a directorial tour de force by bernard rose , ivans 
the masses with star power , a pop-induced score and sentimental moments 
the film for anyone 
about changing times , clashing cultures and the pleasures of a well-made pizza 
's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart 
... get a sense of good intentions derailed by a failure to seek and strike just the right tone . 
hooks us completely 
'' has been written so well , that even a simple `` goddammit ! '' 
through this mess 
a schlocky creature 
director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy . 
employs to authenticate her british persona 
davis ' candid , archly funny and deeply authentic take on intimate relationships comes to fruition in her sophomore effort . 
imponderably stilted and self-consciously arty 
has a flair for dialogue comedy 
lies a plot cobbled together from largely flat and uncreative moments 
fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality 
watching a rerun 
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , 
masochism 
the uneven movie does have its charms and its funny moments but not quite enough of them . 
as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover 
this is a film about the irksome , tiresome nature of complacency that remains utterly satisfied to remain the same throughout . 
frequent flurries of creative belly laughs 
to become a major-league leading lady , ( but ) 
loud , silly , stupid and pointless . 
a simple tale of an unlikely friendship , but thanks to the gorgeous locales and exceptional lead performances , it has considerable charm . 
daughter from danang sticks with its subjects a little longer and tells a deeper story 
its intelligence and intensity 
poignant and moving 
captivating . 
bombshell 
rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' 
some clever scripting solutions 
major pleasures 
sick and demented humor 
should appreciate its whimsical humor 
humanly funny film 
is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay . 
a funny , puzzling movie ambiguous enough to be engaging and oddly moving 
truly distinctive 
is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie . 
a lovely , eerie film that casts an odd , rapt spell 
an intelligent , realistic portrayal of testing boundaries 
head and shoulders above much of the director 's previous popcorn work 
one of my greatest pictures , drunken master 
the best next generation episodes 
it merely indulges in the worst elements of all of them . 
pleasurable movies 
at keeping themselves kicking 
's definitely not made for kids or their parents , for that matter 
offers large rewards 
have done in half an hour 
high-adrenaline documentary . 
honor the many faceless victims 
a treatise on spirituality as well as 
good match 
irksome characters 
, labute continues to improve . 
entirely memorable 
been called freddy gets molested by a dog 
mindless 
a been-there , 
that is sure to win viewers ' hearts 
this self-deprecating , biting and witty feature 
told with competence 
is more appetizing than a side dish of asparagus 
as far as mainstream matinee-style entertainment goes , it does a bang-up job of pleasing the crowds 
soul-searching garbage . 
sharper , cleaner script 
generally a huge fan 
really busts out of its comfy little cell 
... the movie feels stitched together from stock situations and characters from other movies . 
that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british 
rank 
iconic 
the wise-beyond-her-years teen 
of liveliness 
have finally aged past his prime ... and , 
hollywood ending is the most disappointing woody allen movie ever . 
this obscenely bad dark comedy , 
schneidermeister ... makin ' a fool of himself 
seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil . 
appropriately cynical social commentary aside , 
colorful , energetic and sweetly whimsical 
is genuinely inspirational 
most thoughtful fictional examination 
how can you charge money for this ? ' 
the ultimate scorsese film 
heightened , well-shaped dramas 
a director i admire 
plenty of female audience members drooling over michael idemoto as michael 
a breakthrough 
listless , witless , and 
excels in spectacle and pacing . 
to recycle images and characters that were already tired 10 years ago 
a fully engaged supporting cast 
low-rent -- and even lower-wit 
'' is a shapeless inconsequential move relying on the viewer to do most of the work . 
unknowable 
a spirit that can not be denied 
disguise that he 's spiffing up leftovers that are n't so substantial or fresh 
be like to be smack in the middle of a war zone armed with nothing but a camera 
you 'll still have a good time . '' 
the modern rut of narrative banality 
has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation . 
if you open yourself up to mr. reggio 's theory of this imagery as the movie 's set ... it can impart an almost visceral sense of dislocation and change . 
cram too many ingredients 
great material for a film -- rowdy , brawny and lyrical in the best irish sense 
what redeems the film is the cast , particularly the ya-yas themselves . 
thick with wit it plays like a reading from bartlett 's familiar quotations 
a solid movie about people whose lives are anything but 
it an above-average thriller 
impossible spot 
dave barry 's popular book of the same name 
as unusually and unimpressively fussy 
too much exploitation 
one key problem with these ardently christian storylines 
a film in a class with spike lee 's masterful 
furious 
saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
have to admit i walked out of runteldat 
the film , which very simply sets out to entertain and ends up delivering in good measure 
style and 
crisp and purposeful 
cute animals 
a nifty plot line in steven soderbergh 's traffic 
is the awkwardly paced soap opera-ish story . 
hugely enjoyable in its own right 
wo n't enjoy the movie at all . 
recommend waiting for dvd and just skipping straight to her scenes 
depressing 
pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them . 
vaguely interesting , but it 's just too too much 
violent and mindless 
taking angry potshots at george w. bush , henry kissinger , larry king , et al . 
interested 
a worthwhile documentary , 
pedestrian 
does not go far enough in its humor or stock ideas to stand out as particularly memorable or even all that funny . 
scuttled by a plot that 's just too boring and obvious 
buoy the film , and at times , elevate it to a superior crime movie 
he 's the god of second chances ' 
a high-end john hughes comedy 
made me want to get made-up and go see this movie with my sisters 
is rich in emotional texture 
that director m. night shyamalan can weave an eerie spell and 
inimitable 
has dreamed up such blatant and sickening product placement in a movie . 
with the same number of continuity errors 
extraordinarily rich 
ultimate movie experience 
the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
pretend like your sat scores are below 120 and 
old-fashioned in all the best possible ways 
never succumbs to sensationalism 
spellbinding fun and deliciously exploitative . 
will be well worth your time . 
a very good viewing alternative for young women 
interesting enough 
77 minutes of pokemon 
fanboy 
a disappointment 
drag two-thirds through 
more interested in entertaining itself 
only is entry number twenty the worst of the brosnan bunch 
a slice of american pie hijinks 
coming apart at its seams 
transcends ethnic lines . 
lacking any sense of commitment to 
the director 's 
a memorable directorial debut from king hunk 
works better in the conception than it does in the execution 
welsh whimsy 
a fine effort , an interesting topic , some intriguing characters and a sad ending 
plucks 
quirky movie to be made from curling 
this is a seriously intended movie that is not easily forgotten . 
the shackles of its own clichés 
soliloquies about nothing delivered by the former mr. drew barrymore 
this is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn . 
put away 
has-been 
drag it down to mediocrity 
a brilliant piece 
most savagely hilarious 
the plot ` surprises ' 
of what makes dover kosashvili 's outstanding feature debut so potent 
what 's worse , routine 
as much humor as pathos 
navigate spaces both large ... and small ... with considerable aplomb 
tacky and reprehensible 
the best straight-up 
provides a fresh view of an old type 
it was at least funny 
simple and soapy 
trying to be other films 
schneider 's performance is so fine 
a big heart 
stomps in hobnail boots over natalie babbitt 's gentle , endearing 1975 children 's novel . 
the personal touch of manual animation 
demons 
if the predictability of bland comfort food appeals to you , then the film is a pleasant enough dish . 
leaves little doubt that kidman has become one of our best actors . 
gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling 
very compelling , sensitive 
like kissing jessica stein , amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor . 
contradiction 
trudge 
in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience 
do n't have the slightest difficulty accepting him in the role 
yu clearly hopes to camouflage how bad his movie is . 
in fact , the best in recent memory 
a kind of hard , cold effect 
clever in spots 
is as delightful as it is derivative 
has it beat by a country mile 
with dickens ' words and writer-director douglas mcgrath 's even-toned direction 
the more you will probably like it . 
the unnamed , easily substitutable forces 
the needlessly poor quality 
be distinguished from a mediocre one 
has never looked uglier . 
need comforting fantasies about mental illness 
rage and alienation 
very stupid and annoying . 
thirteen conversations about one thing is a small gem . 
but its storytelling prowess and special effects are both listless . 
an inept , tedious spoof of '70s kung fu pictures , it contains almost enough chuckles for a three-minute sketch , and no more . 
the story has its redundancies 
delivers a surprising 
that is presented with universal appeal 
huppert 's show to steal and she makes a meal of it , channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine . 
beautifully shot , delicately 
counts heart as important as humor 
heathers , then becomes bring it on , then becomes unwatchable 
too neat and new pin-like 
scotland looks wonderful , the fans are often funny fanatics , 
a monumental achievement 
sweet 
brainless , 
waters it down , 
ludicrous and contrived plot 
, it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own . 
probably limited to lds church members and undemanding armchair tourists 
cruel and inhuman cinematic punishment 
gets bogged down over 140 minutes 
started with a great premise and then just fell apart 
a dashing and resourceful hero ; 
avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill 
complicated plotting and banal dialogue 
the big-screen scooby makes the silly original cartoon seem smart and well-crafted in comparison . 
ineffable 
failings 
metaphors abound , but it is easy to take this film at face value and enjoy its slightly humorous and tender story . 
the characters sound like real people 
standout performance 
comatose 
, warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . 
an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition 
novak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama . 
` cultural revolution 
the price of the match that should be used to burn every print of the film 
come even easier . 
fearlessly gets under the skin of the people involved 
hugely imaginative and successful casting to its great credit 
mined his personal horrors and came up with a treasure chest of material 
the answer is as conventional as can be 
human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart 
recommend it 
the charisma and ability 
uneven 
so lackluster 
natalie babbitt 's gentle , endearing 1975 children 's novel 
never again , while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction . 
is its essential problem 
caffeinated , sloppy brilliance 
what the audience feels is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean . 
seem fresh again 
the sentimental cliches mar an otherwise excellent film . 
being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
the screenplay , but rather 
for independence , complete with loads of cgi and bushels of violence , but not a drop of human blood 
we get a cinematic postcard that 's superficial and unrealized . 
remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career . 
a nasty aftertaste but little clear memory 
a little old-fashioned storytelling 
's a heaven for bad movies 
the biggest names in japanese anime 
rushed , slapdash , 
something special 
it is a unique , well-crafted psychological study of grief 
comedy that is warm , inviting , and surprising . 
modus 
a film with almost as many 
retread , hobbled by half-baked setups and sluggish pacing 
-- in the title role -- 
the most brilliant and brutal uk crime film since jack carter 
become a household name 
invested in undergraduate doubling subtexts and ridiculous stabs 
fit in any modern action movie 
rich in emotional texture 
as if it belongs on the big screen 
the production details are lavish 
mr. goyer 's loose , unaccountable direction 
an ultra-loud blast of pointless mayhem , going nowhere fast 
as action-adventure , this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits . 
the most repugnant adaptation of a classic text since roland joffé and demi moore 
unimaginable demons 
goes nowhere and goes there very , very slowly 
these people are really going to love the piano teacher . 
should get all five 
hackery 
but if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie . 
the point of nausea 
realizes a fullness that does not negate the subject . 
be of interest primarily to its target audience 
blast even the smallest sensitivities from the romance 
just as the lousy tarantino imitations have subsided 
going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films 
deserves , at the very least , 
its through-line of family and community is heartening in the same way that each season marks a new start . 
leave this loser 
's no accident 
manufactured to me and artificial 
delicious , quirky movie 
everyone 's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships . 
any film that does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country 
emptiness and maddeningly sedate pacing 
it 's not particularly well made 
, and unforgettable characters 
a sad , soggy potboiler 
the overall fabric is hypnotic , and 
also is difficult to fathom . 
busts out of its comfy little cell 
that hews out a world and carries us effortlessly from darkness to light 
companion 
the rueful , wry humor springing out of yiddish culture and language 
through the constraints of its source 
laughs in this simple , sweet and romantic comedy 
aimless for much of its running time , 
the superficial tensions 
the charm of satin rouge 
that it looks neat 
across as shallow and glib though 
after several scenes of this tacky nonsense 
you 're left with a sour taste in your mouth 
funniest and most accurate depiction 
's really well directed 
strong filmmaking 
foolish choices 
celebratory 
about otherwise dull subjects 
funny and human 
such conviction 
sadly are at hostile odds with one another through recklessness and retaliation 
numbingly dull-witted and disquietingly creepy 
no amount of good intentions is able to overcome the triviality of the story . 
well spent 
engrossing piece 
taboo 
lame and sophomoric 
, my mind kept returning to one anecdote for comparison : the cartoon in japan that gave people seizures . 
a remarkably faithful one 
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is 
the cast ... keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired 
a superior crime movie 
may rethink their attitudes when they see the joy the characters take in this creed 
, a formula comedy redeemed by its stars , 
's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one . 
whether we 're supposed to shriek 
gives it that extra little something that makes it worth checking out at theaters 
showtime is nevertheless efficiently amusing for a good while . 
charming and quirky 
as in aimless , arduous , and arbitrary 
every cliché about gays in what is essentially an extended soap opera 
racism and homophobia 
robbed and replaced 
that best describes this film : honest 
flexible 
the legendary wit 's classic mistaken identity farce 
poetic force and 
as dumb , credulous , unassuming , subordinate subjects 
ming-liang 's witty , wistful new film 
quite tasty and 
i 'm sure the filmmaker would disagree , but , honestly , i do n't see the point . 
's sweet , funny , charming , and completely delightful . 
's hardly any fun to watch 
an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing , but the supernatural trappings only obscure the message . 
has a gentle , unforced intimacy that never becomes claustrophobic 
is visually smart , 
a visually compelling one 
talky films 
climax 
glaring triteness 
pretty and gifted , it really won my heart 
like real people 
be fertile sources of humor 
has no point and goes nowhere 
the premise of `` abandon '' holds promise , ... but its delivery is a complete mess 
best and most unpredictable comedy 
eschews the previous film 's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension 
a bad mannered , ugly and destructive little **** 
with little visible talent and no energy , colin hanks is in bad need of major acting lessons and maybe a little coffee . 
, it 's thanks to huston 's revelatory performance . 
precious and finely cut diamond 
take us on his sentimental journey of the heart 
( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense . 
wide-awake all the way 
it struck a chord in me 
to feel-good , follow-your-dream hollywood fantasies 
the flawed support structure holding equilibrium up 
clichés 
despite its flaws ... belinsky is still able to create an engaging story that keeps you guessing at almost every turn . 
the movie lacks in action 
alienating 
be consigned to the dustbin of history 
saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate 
settles too easily along the contours of expectation 
us 
young talent 
- spy action flick with antonio banderas and lucy liu never comes together . 
a helping hand 
filmmakers david weissman and bill weber 
this much imagination and nerve 
tiny little jokes and nary an original idea 
confused , and totally disorientated 
business and pleasure 
artwork 
the human race splitting in two 
sexy slip 
a satisfying crime drama 
merely pretentious -- in a grisly sort of way 
its overinflated mythology 
pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry . 
narratively complex 
the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen 
savvy director robert j. siegel and 
magic and whimsy 
terrible , banal dialogue ; 
slow , uneventful 
love interest 
its attractive young leads 
that `` pretty woman '' wanted to be 
this is the kind of movie that gets a quick release before real contenders arrive in september . 
without a glimmer of intelligence or invention 
leaping from one arresting image to another 
'd rather watch a rerun of the powerpuff girls 
low-budget , video-shot 
from the real-life story to portray themselves in the film 
's a bad action movie 
keep this 
great help from kevin kline 
jane wyman and 
a compassionate , 
ca n't make up its mind whether it wants to be a gangster flick or an art film 
do n't care about being stupid 
farcical and loathsome 
neatly 
is too short 
too goodly , 
you will never forget 
's a great performance and a reminder of dickens ' grandeur 
vivid with color , music and life 
loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion . 
well-defined 
one of the funniest motion pictures of the year , but ... also one of the most curiously depressing . 
of no real consequence 
staggers between flaccid satire and what 
her material is not first-rate 
real audience-pleaser 
the humor wry and sprightly 
, lifeless , meandering , loud , painful , obnoxious 
forced to follow 
as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something 
shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life . 
dismally dull sci-fi comedy . 
give what may be the performances of their careers 
satisfying well-made 
does not deserve to go down with a ship as leaky as this 
of quiet power 
nevertheless efficiently 
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing 
does n't so much phone in his performance as fax it . 
rolling over in their graves 
to the power of the eccentric and the strange 
, washington has a sure hand . 
, this is the first film in a long time that made me want to bolt the theater in the first 10 minutes . 
will only satisfy the most emotionally malleable of filmgoers . 
unreligious 
too much of storytelling moves away from solondz 's social critique , casting its audience as that of intellectual lector in contemplation of the auteur 's professional injuries . 
bloated plot 
the high standards of performance 
saturday night live-style parody , '70s blaxploitation films and goofball action comedy 
a cool event for the whole family 
the annoyance of that chatty fish 
accessible and 
a tart , smart breath of fresh air 
movie star charisma 
gracefully 
there 's nothing like love to give a movie a b-12 shot , and 
who proves that elegance is more than tattoo deep 
atrocious 
, this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock . 
the delicious trimmings 
the same way you came -- a few tasty morsels under your belt , 
you wo n't feel cheated by the high infidelity of unfaithful . 
share their enthusiasm 
( and beautifully edited ) 
grips and holds you in rapt attention from 
ferocity and thoughtfulness 
terrible story 
finely crafted , finely written 
stylish sizzle 
that perfectly captures the wonders and worries of childhood 
pokey 
the rich promise of the script will be realized on the screen 
of spirit 
a variety of quirky characters and an engaging story 
is not a bad movie , just mediocre . 
a certain charm 
tries too hard to be emotional 
quiet , adult and just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it does n't have all the answers . 
, it 's quite fun in places . 
vibrant with originality 
the peak of all things insipid 
the entire movie is so formulaic and forgettable that it 's hardly over before it begins to fade from memory . 
is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well 
spare wildlife 
is the cold comfort that chin 's film serves up with style and empathy 
is a satisfying well-made romantic comedy that 's both charming and well acted 
the sum of all fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war paranoia . 
an hour-and-a-half-long commercial 
makes one thing abundantly clear . 
pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them 
outstanding originality 
to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers 
that 's what makes it worth a recommendation 
, non-exploitive approach 
a wonderful tale 
ages that is n't fake fun 
a fresh view 
laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
it 's sort of in-between , and it works . 
, energetic and original 
the movie has a script ( by paul pender ) made of wood , 
much entertainment value 
wrong with this ricture 
elegant entertainment 
like a wet burlap sack of gloom 
called `` jar-jar binks : the movie 
davis ... gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences . 
's just as wonderful on the big screen 
rather dull , unimaginative car chase 
's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast . 
the story has some nice twists but the ending and 
, pointless meditation on losers in a gone-to-seed hotel . 
often demented in a good way , but it is an uneven film for the most part . 
talk to her is not the perfect movie many have made it out to be , but it 's still quite worth seeing . 
bad-movie way 
outstanding feature debut 
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story . 
creative contributions 
kinda wrong in places 
a summary of the plot does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution . 
so larger than life and 
we were soldiers 
to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
it 's hard to quibble with a flick boasting this many genuine cackles 
in diminishing his stature from oscar-winning master to lowly studio hack 
shot largely in small rooms , the film has a gentle , unforced intimacy that never becomes claustrophobic . 
the artist 's work may take on a striking new significance for anyone who sees the film 
in execution it is all awkward , static , and lifeless rumblings 
find yourself wishing that you and they were in another movie 
of the worst films of the summer 
super - 
squeezed the life out of whatever idealism american moviemaking ever had 
's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out 
an underachiever , 
, politically charged tapestry 
treat for its depiction on not giving up on dreams when you 're a struggling nobody 
screeching-metal 
savvy , compelling 
does n't make for great cinema 
a powerful , inflammatory film about religion that dares to question an ancient faith , and about hatred that offers no easy , comfortable resolution . 
love the opening scenes of a wintry new york city in 1899 
, is of overwhelming waste 
a fantastically vital movie that manages to invest real humor , 
like its hero 
is funny , scary and sad . 
new adaptation 
, at least terribly monotonous 
is that wind-in-the-hair exhilarating 
of nonsense 
taylor 's cartoonish performance 
performances of ( jack nicholson 's ) career 
elevate `` glory '' above most of its ilk 
it 's not particularly well made , but since i found myself howling more than cringing , i 'd say the film works 
it transporting is that it 's also one of the smartest 
to call the film ` refreshing 
even less capable 
of torture and self-mutilation 
intricate , intimate and intelligent 
112-minute 
is well told 
has the courage of its convictions and excellent performances on its side . 
if i want music , i 'll buy the soundtrack . 
worldly knowledge 
is pushed into the margins by predictable plotting and tiresome histrionics 
drumline ably captures the complicated relationships in a marching band . 
the story , once it gets rolling , is nothing short of a great one . 
a smile , just sneers and bile 
and murky cinematography 
is a sweet treasure and something well worth your time 
pixar 's 
makes the experience worthwhile 
that it no longer recognizes the needs of moviegoers for real characters and compelling plots 
the movie has a script ( by paul pender ) made of wood , and it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions 
string together enough charming moments to work 
to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
be an important movie , or even a good one 
wickedly funny , visually engrossing , never boring 
to be a part of that elusive adult world 
as blasphemous and nonsensical as a luis buñuel film 
sassy interpretation of the oscar wilde play 
perfect balance 
feels strangely hollow at its emotional core 
water torture 
you wo n't care 
most sincere and artful movie 
alternately melancholic , hopeful 
paint-by-number american blockbusters like pearl harbor 
everyone , especially movie musical fans 
the best film so far this year is a franchise sequel starring wesley snipes 
than awe 
partly a shallow rumination on the emptiness of success -- 
cyndi lauper 
its contrivances 
it 's tough to be startled when you 're almost dozing . 
the movie 's major and most devastating flaw is its reliance on formula , though , and 
created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy 
too-frosty 
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and our hearts go out to them as both continue to negotiate their imperfect , love-hate relationship . 
gives a superb performance full of deep feeling 
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and 
polished and vastly entertaining caper 
hugely enjoyable 
negligible work 
she boxes these women 's souls right open for us . 
that any art-house moviegoer is likely to find compelling 
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else 
clear and reliable 
irresistible package 
gets under our skin and draws us in long 
sad and rote exercise 
is one of those war movies that focuses on human interaction rather than battle and action sequences 
is extraordinarily good 
an unintentionally surreal kid 's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a vh1 behind the music episode . 
once ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue , all credibility flies out the window . 
draw people together 
derring-do 
femme fatale offers nothing more than a bait-and-switch that is beyond playing fair with the audience . 
prove too convoluted for fun-seeking summer audiences 
every individual will see the movie through the prism of his or her own beliefs and prejudices , 
have been this odd , inexplicable and unpleasant . 
what makes it transporting is that it 's also one of the smartest 
slam-bang extravaganza 
can see the forest for the trees 
up as the worst kind of hubristic folly 
devastating indictment 
this thing is just garbage . 
makes its point too well 
bold ( and lovely ) experiment 
might benefit from a helping hand and a friendly kick in the pants 
the wild thornberrys movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough 
is a little tired 
an off-beat and fanciful film 
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , 
will be friends through thick and thin 
brought something fresher 
through the gloomy film noir veil 
the film 's crisp , unaffected style and air of gentle longing 
from the script 's bad ideas and awkwardness 
the more influential works 
the fun 
simple and innocent 
result in a movie that works against itself 
his reserved but existential poignancy 
a sensitive , modest comic tragedy that works 
bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals 
stay with the stage versions 
be me : fighting off the urge to doze 
simple but absorbing 
in the pantheon of the best of the swashbucklers 
this time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part 
work with , sort of like michael jackson 's nose 
with its lackadaisical plotting and mindless action , all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s . 
the film is old-fashioned , occasionally charming and as subtle as boldface . 
's the type of film about growing up that we do n't see often enough these days : realistic , urgent 
to call this one an eventual cult classic would be an understatement , 
donovan ... squanders his main asset , 
would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor . 
above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings 
a bore that tends to hammer home every one of its points . 
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' 
bo derek 
edward burns ' best film 
overproduced piece 
cutting impressions 
is that her confidence in her material is merited . 
noble endeavor 
shows he 's back in form , with an astoundingly rich film 
loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into 
gangster 
of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty 
to top form 
that i 'm actually having a hard time believing people were paid to make it 
is n't quite one of the worst movies of the year . 
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms of both thematic content and narrative strength 
spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby ? 
, it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug . 
this and that -- whatever fills time -- with no unified whole 
the border collie is funny 
is both convincing and radiant 
with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
weighted down 
where the film ultimately fails 
intense and effective film 
, indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema . 
pointed personalities , courage , 
maintains your interest until the end and even leaves you with a few lingering animated thoughts . 
... if this sappy script was the best the contest received , those rejected must have been astronomically bad . 
embellishment 
it might as well have been titled generic jennifer lopez romantic comedy 
bland hollywood romance 
intelligent flick 
strong and unforced 
rohmer 's talky films fascinate me 
a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness 
, ` how can you charge money for this ? ' 
thin -- then out -- when there 's nothing else happening 
the substance it so desperately needs 
the wild thornberrys movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough . 
car-wreck 
could be this good 
an adorably whimsical comedy that deserves more than a passing twinkle . 
meticulously mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant . 
one hears harry shearer is going to make his debut as a film director 
it 's in the action scenes that things fall apart . 
to the empty stud knockabout of equilibrium 
a quirky , off-beat project 
it does n't take itself so deadly seriously 
impressive fake documentary 
either 11 times too many or else 
the new star wars installment has n't escaped the rut dug by the last one . 
conveys the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all . 
what makes salton sea surprisingly engrossing is that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion . 
e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career . 
by whiny , pathetic , starving and untalented artistes 
struggled 
who is too crazy to be interesting 
seen such self-amused trash since freddy got fingered 
a naturally funny film , home movie 
no good inside dope , and no particular bite 
a film with a great premise but only a great premise 
millions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry . 
smokers only 
snaps under the strain of its plot contrivances and its need to reassure . 
watching a walk to remember 
a smart , compelling drama . 
a chilling movie without oppressive 
that 's 86 minutes too long 
the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo . 
a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme 
sade achieves the near-impossible : 
is impressive for the sights and sounds of the wondrous beats the world has to offer . 
satisfy the boom-bam crowd without a huge sacrifice of character and mood 
about the pitfalls of bad behavior 
which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
f 
gorgeously 
porno flick 
a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance . 
rather toothless take 
as an evil , monstrous lunatic 
, inflammatory film 
cutesy reliance 
a more graceful way of portraying the devastation of this disease 
in spite of all that he 's witnessed , remains surprisingly idealistic 
choppy and sloppy affair 
as i 'm the one that i want 
down to mediocrity 
crisp framing , edgy camera work , and wholesale ineptitude 
an uncomfortable experience 
`` ( hopkins ) does n't so much phone in his performance as fax it . 
no solace here , no entertainment value , 
's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project 
intensely romantic , 
of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent 
ever-watchful 
comes across as lame and sophomoric 
a sensational , real-life 19th-century crime as a metaphor 
overwrought , melodramatic bodice-ripper 
there are some fairly unsettling scenes , but they never succeed in really rattling the viewer . 
utter mush ... conceited pap . 
... most viewers will wish there had been more of the `` queen '' and less of the `` damned . '' 
across its indulgent two-hour-and-fifteen-minute length 
and there 's an element of heartbreak to watching it now , with older and wiser eyes , because we know what will happen after greene 's story ends . 
take heart 
ultimately that 's what makes it worth a recommendation 
odd , poetic road movie 
... too contrived to be as naturally charming as it needs to be . 
to have decades of life as a classic movie franchise 
, very enjoyable ... 
frustration 
for a barf bag 
he 's the scariest guy you 'll see all summer . 
doze off thirty minutes 
this is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie . 
concocted 
warm , inviting , 
the most magical and most fun family fare 
shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper 
it 's also disappointing to a certain degree . 
poignant lyricism 
it 's tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too 
vivid , convincing 
gives it a buoyant delivery 
rises ) 
is n't much to it . 
, violent movie 
proves that elegance is more than tattoo deep 
comprise a powerful and reasonably fulfilling gestalt . 
that deserves to emerge from the traffic jam of holiday movies 
of dazzling pop entertainment 
which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies 
depraved , incoherent , instantly disposable piece 
a welcome relief from the usual two-dimensional offerings 
very sincere work 
precious little substance in birthday girl 
it 's the sweet cinderella story that `` pretty woman '' wanted to be . 
short-story quaint 
big selling point 
, energetic and smart 
the fact that virtually no one is bound to show up at theaters for it 
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad . 
it 's like rocky and bullwinkle on speed , but that 's neither completely enlightening , nor does it catch the intensity of the movie 's strangeness . 
loopy 
love that strikes a very resonant chord 
ugliness 
a bang-up job 
fascinating stories 
will probably be a talky bore . 
watch if you only had a week to live 
we 're seeing something purer than the real thing 
lovely , eerie film 
luckiest stroke 
in the place where a masterpiece should be 
breaks no new ground and treads old turf like a hippopotamus ballerina 
youthful affluence not as a lost ideal but a starting point 
that 's what i liked about it -- the real issues tucked between the silly and crude storyline 
guy ritchie 's lock , 
cracked lunacy 
is a variant of the nincompoop benigni persona , here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip . 
low-brow humor , gratuitous violence and a disturbing disregard 
's not too bad 
good human 
introspective portrait 
everything that was right about blade 
most slyly exquisite anti-adult movies 
enters a realm where few non-porn films venture , 
profound ethical and philosophical questions 
just becomes sad 
well-mounted 
is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics 
the characters are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life . 
from unlikable characters and a self-conscious sense 
lying if i said my ribcage did n't ache by the end of kung pow 
steven soderbergh 's earlier films 
so much to look 
violent and a bit exploitative but also nicely done , morally alert and street-smart 
seeing things from new sides , 
ash wednesday is not edward burns ' best film , 
dumb action movie 
a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium . 
good noir 
plucking tension from quiet 
the most memorable moment 
that it stinks 
like scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
tension , eloquence , spiritual challenge 
is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love 
-- wearing a cloak of unsentimental , straightforward text -- 
a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull 
this an eminently engrossing film 
live in denial about 
purely enjoyable 
pull a cohesive story out 
chai 's structure and pacing are disconcertingly slack . 
in a good way 
give a backbone to the company and provide an emotional edge to its ultimate demise 
this ill-conceived and expensive project winds up looking like a bunch of talented thesps slumming it . 
take the grandkids or the grandparents 
schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm . 
sets out to entertain and ends up delivering in good measure 
difficult 
is generally amusing from time to time 
one of the most genuinely sweet films to come along in quite some time 
leave feeling like you 've endured a long workout without your pulse ever racing 
like whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people 
would leave the theater with a lower i.q. than when i had entered 
presume their audience wo n't sit still for a sociology lesson 
murderous 
generates little narrative momentum , and 
a smartly directed , grown-up film of ideas 
is one of mr. chabrol 's subtlest works , but also one of his most uncanny . 
actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
between passion and pretence 
a moving and solidly entertaining comedy/drama that should bolster director and co-writer 
misfiring 
... might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ? 
zzzzzzzzz 
smart and 
the piece works 
to be interesting 
excellence 
a bit of the dry humor that first made audiences on both sides of the atlantic love him 
a refreshingly realistic , affectation-free coming-of-age tale 
genuine 
have been worth cheering as a breakthrough but is devoid of wit and humor 
of smart jokes 
directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion . 
to be more complex than your average film 
the film high above run-of-the-filth gangster flicks 
a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story 
welles groupie/scholar peter bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant william randolph hearst . 
the movie 's seams may show ... but pellington gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling . 
enigma looks great , has solid acting and a neat premise . 
by laurice guillen 
tiny acts of kindness 
the movie has no idea of it is serious 
often watchable , though goofy and lurid , blast 
coppola has made a film of intoxicating atmosphere and little else . 
is truly funny 
silly overkill 
this charmer has a spirit that can not be denied 
an inept , tedious spoof 
it 's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to give it a millisecond of thought . 
it 's just a kids ' flick 
the film has a kind of hard , cold effect . 
some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale , but 
i killed my father 
... ` the country bears ' should never have been brought out of hibernation . 
... it has sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack . 
is a rambling and incoherent manifesto about the vagueness of topical excess 
so devoid of pleasure or sensuality that it can not even be dubbed hedonistic . 
cultivated 
delicate balance 
stoops to having characters drop their pants for laughs and not the last time 
incessant use 
the most original 
candid , archly funny and 
, while it may not rival the filmmaker 's period pieces , is still very much worth seeing 
what a dumb , fun , curiously adolescent movie this 
for a movie that tries to be smart 
maybe twice 
likely to induce sleep than fright 
social injustice 
any 
is as often imaginative 
flick cliches 
more revealing , more emotional and 
an action hero with table manners , and one who proves that elegance is more than tattoo deep 
the mantra behind the project seems to have been ` it 's just a kids ' flick . ' 
of event movies than a spy thriller like the bourne identity 
something hip 
phenomenal , 
the story plays out slowly , but the characters are intriguing and realistic . 
is clever and funny , is amused by its special effects , and 
incredible imax sound system 
the director , with his fake backdrops and stately pacing 
dim-witted 
you see the movie and you think , zzzzzzzzz 
i 'm left slightly disappointed that it did n't . 
acted by a british cast to rival gosford park 's . 
a delicious , quirky movie with a terrific screenplay and fanciful direction 
starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television . 
would have a hard time sitting through this one 
serves as a workable primer for the region 's recent history 
to kline 's superbly nuanced performance , that pondering 
fanciful , grisly and engagingly quixotic 
the film does n't ignore the more problematic aspects of brown 's life . 
big letdown 
the images often look smeary and blurry , to the point of distraction 
special fishy community 
sour , bloody and mean 
's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan . 
is never much worse than bland or better than inconsequential 
soon-to-be-forgettable '' section 
what enlivens this film 
is , as comedy goes , 
is more frustrating than a modem that disconnects every 10 seconds . 
is ... very funny as you peek at it through the fingers in front of your eyes 
an erratic career 
wasted . 
most purely enjoyable and 
it 's a pale imitation . 
... one of the more influential works of the ` korean new wave ' . 
fascinating look 
, this film 's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition . 
a wannabe comedy of manners about a brainy prep-school kid with a mrs. robinson complex 
on action 
dramatic and emotional pull 
should be expected from any movie with a `` 2 '' at the end of its title . 
helps make great marching bands half the fun of college football games 
real characters and compelling plots 
truly funny 
a bilingual charmer , 
of the most exciting action films 
offers little insight 
as both shallow and dim-witted 
lean and tough enough to fit in any modern action movie 
imagine another director ever making his wife look so bad in a major movie 
dazzling 
a better film 
ambitious , moving , and adventurous directorial debut 
he fails . 
sweet , laugh-a-minute crowd pleaser 
any easier to sit through than this hastily dubbed disaster 
the film 's final hour , where nearly all the previous unseen material resides , is unconvincing soap opera that tornatore was right to cut . 
fly with most intelligent viewers 
fly at such a furiously funny pace 
ai n't art , 
wit and compassion 
it 's also cold , gray , antiseptic and emotionally desiccated . 
completely awful iranian drama ... as much fun as a grouchy ayatollah in a cold mosque 
a cinematic car wreck , 
nothing but net 
a sour attempt at making a farrelly brothers-style , down-and-dirty laugher for the female set . 
you second-guess your affection for the original 
was followed by the bad idea 
is a film living far too much in its own head . 
an unforced , rapid-fire delivery 
is and always has been remarkable about clung-to traditions 
a movie that takes such a speedy swan dive from `` promising '' 
` amateur ' in almost every frame 
is filled with strange and wonderful creatures 
the film has a lot of charm . 
quirky iranian drama secret ballot 
punch and depth 
arrive early and stay late , 
so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults 
of love and destiny 
is , in a word , brilliant as the conflicted daniel 
yes , spirited away is a triumph of imagination , 
eminently engrossing film 
, i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) . 
animated drivel meant to enhance the self-image of drooling idiots . 
it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults 
a cutesy romantic tale with a twist . 
, crossroads comes up shorter than britney 's cutoffs . 
its faults 
rollicking good time 
the most inventive 
a surprisingly sensitive script co-written 
it is n't scary . 
have a radar for juicy roles 
hated myself 
, low-budget constraints 
passion and energy 
its courage , ideas , technical proficiency 
is smart and entirely charming in intent and execution 
inconsequential road-and-buddy pic . 
it 's more enjoyable than i expected , though 
disquieting 
a distinguished film legacy 
of being boring 
i usually dread encountering the most 
's the very definition of epic adventure . 
somber pacing and lack 
has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock 
to either effort in three hours of screen time 
( the kid 's ) just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow 
the film has a laundry list of minor shortcomings , but the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time 
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families 
heartache everyone 
a lovably old-school hollywood confection . 
compassionately 
companionship 
honestly address the flaws inherent in how medical aid is made available to american workers 
have that kind of impact on me these days 
repetitive and designed to fill time , providing no real sense of suspense 
's not enough substance 
holm does his sly , intricate magic 
remains fairly light , always entertaining , and smartly written . 
from the classics 
more mature than fatal attraction , more complete than indecent proposal 
william james once called ` the gift of tears 
half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening 
a chafing inner loneliness and desperate grandiosity 
a testament to the divine calling of education and a demonstration of the painstaking 
glum 
almost mystical work 
comedy to start a reaction 
effective 
is a disaster of a story , full of holes and completely lacking in chills 
rolling over 
the best star trek movie in a long time 
as single-minded as john carpenter 's original 
it lacks the utter authority of a genre gem 
extravagantly redeems it 
a scummy ripoff of david cronenberg 
original and highly cerebral examination 
a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to spell things out for viewers . 
it had a sense of humor 
`` the dangerous lives of altar boys '' has flaws , 
picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch 
overwritten 
is a lumbering load of hokum but 
has actually bothered to construct a real story this time . 
a heady , biting , be-bop 
at this beautifully drawn movie 
is too crazy to be interesting 
an entertaining , if somewhat standardized , action movie . 
suspects that craven endorses they simply because this movie makes his own look much better by comparison 
and slack direction 
the middle and lurches between not-very-funny comedy , unconvincing dramatics and 
features 
aggrieved father cliché 
the unique way shainberg goes about telling what at heart is a sweet little girl 
full of masters of both 
tear your eyes away from the images 
i was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise . 
lathan and diggs carry the film with their charisma , and 
turns touching , raucously amusing , uncomfortable , and , yes , even sexy 
she never lets her character become a caricature -- not even with that radioactive hair 
droning house music 
than seeing an otherwise good movie marred beyond redemption by a disastrous ending 
at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- 
influential 
almost wildly alive 
psychopathic 
hollywood-action cliches 
balances real-time rhythms 
alive and admirable 
even during the climactic hourlong cricket match , boredom never takes hold . 
it makes my big fat greek wedding look like an apartheid drama 
's peppered with false starts and populated by characters who are nearly impossible to care about 
a fascinating documentary 
it is supposed to be , but ca n't really call it a work of art 
if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
budding amours 
, sum up the strange horror of life in the new millennium 
is a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable 
overstays its natural running time 
happens that tells you there is no sense . 
ever a concept came handed down from the movie gods on a silver platter 
dudsville 
has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare 
in too many conflicts 
, the film makes up for it with a pleasing verisimilitude . 
willie would have loved it 
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables 
it 's not just the vampires that are damned in queen of the damned -- 
my only wish is that celebi could take me back to a time before i saw this movie and i could just skip it 
cable channel 
it may be because teens are looking for something to make them laugh . 
remarkably original 
its predictable plot and paper-thin supporting characters 
gigantic proportions 
crummy 
the film boasts at least a few good ideas and features some decent performances , 
stunning new young talent 
a friend 
its keenest pleasures 
there is no substitute for on-screen chemistry , and when friel pulls the strings that make williams sink into melancholia , the reaction in williams is as visceral as a gut punch . 
to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists 
easily and , in the end , not well enough 
much colorful eye candy 
for most of the distance the picture provides a satisfyingly unsettling ride into the dark places of our national psyche . 
the writing is clever and the cast is appealing . 
inventive , 
, revolution # 9 proves to be a compelling 
my least favorite emotions , 
washed out despite all of that 
, ararat is fiercely intelligent and uncommonly ambitious . 
eardrum-dicing gunplay , screeching-metal smashups , 
is an extraordinary film , not least because it is japanese and yet feels universal . 
are brazen enough to attempt to pass this stinker off as a scary movie 
the sheer dumbness of the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness 
swirling 
make for one splendidly cast pair 
hollywood-predictable 
from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival 
here is a divine monument to a single man 's struggle to regain his life , his dignity and his music . 
aimless story 
vapid vehicle 
perfect starting point 
that has finally , to some extent , warmed up to him 
bounces around with limp wrists 
drama , conflict , tears and surprise -- 
speculation , conspiracy theories or , at best , 
what makes it worth watching is quaid 's performance . 
been hyped to be because it plays everything too safe 
some glimpses of nature and family warmth 
fabulous 
when one hears harry shearer is going to make his debut as a film director , one would hope for the best 
one-star 
in denial about 
thoroughly engrossing and ultimately tragic . 
as funny for grown-ups as for rugrats 
is so insanely stupid , so awful in so many ways that watching it leaves you giddy 
have made a great saturday night live sketch , but a great movie it is not 
extraordinary dramatic experience . 
loosely connected characters 
farts , boobs , 
all-star reunions 
those unassuming films that sneaks up on you and stays with you long after you have left the theater 
it 's a smartly directed , grown-up film of ideas . 
sometimes beautiful adaptation 
essentially ruined -- or , rather 
miserable throughout as he swaggers through his scenes 
headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender 
the film is not entirely successful 
the enticing prospect of a lot of nubile young actors in a film about campus depravity 
is a film tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic 
carrying this wafer-thin movie on his nimble shoulders 
paraphrase a line from another dickens ' novel 
nearly impossible to care about 
saved this film 
handsomely produced 
pellington gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling 
this every-joke-has - been-told-a 
will be put to sleep or bewildered by the artsy and often pointless visuals 
i imagined a movie ever could be 
static set ups , not much camera movement 
deceptively simple , 
of this slick and sprightly cgi feature 
shreve 's graceful dual narrative gets clunky on the screen , and we keep getting torn away from the compelling historical tale to a less-compelling soap opera . 
, it comes to life in the performances . 
nothing short of a minor miracle in unfaithful 
is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle . 
a very ambitious project for a fairly inexperienced filmmaker 
to heroes the way julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism 
vital 
close enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air 
actress-producer and writer 
spectacularly ugly-looking broad 
which also is n't embarrassed to make you reach for the tissues 
enjoying the big-screen experience 
a damn fine 
unwatchable 
of its spirit 
rendered with such clarity that it 's as if it all happened only yesterday 
very compelling , sensitive , intelligent and 
is basically just a curiosity 
juliette binoche 's sand is vivacious 
make green dragon seem more like medicine than entertainment 
) becomes more specimen than character 
self-important summer fluff 
monotonous 
, it collapses like an overcooked soufflé . 
transcend 
the insanity 
is elevated by michael caine 's performance as a weary journalist in a changing world 
a confusing melange of tones and styles , one moment a romantic trifle 
a subtlety that makes the silly , over-the-top coda especially disappointing 
game of absurd plot twists , idiotic court maneuvers and stupid characters 
will leave you wanting more , not to mention leaving you with some laughs and a smile on your face 
professional film 
in showing us well-thought stunts or a car chase that we have n't seen 10,000 times 
is ) looking down at your watch and realizing serving sara is n't even halfway through . 
a handful 
a chronicle not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department . 
's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present . 
baaaaaaaaad 
needed a little less bling-bling and a lot more romance 
is visually ravishing , penetrating , impenetrable . 
love the robust middle of this picture . 
funeral 
blatant derivativeness 
full of deep feeling 
holds the screen like a true star . 
thirteen conversations about one thing lays out a narrative puzzle that interweaves individual stories , and , like a mobius strip , elliptically loops back to where it began . 
worth a look as a curiosity 
than a mall movie designed to kill time 
is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday 
is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau 
grinning 
the most ordinary and obvious fashion 
with too little excitement and zero compelling storyline 
just another disjointed , fairly predictable psychological thriller 
to sustain laughs 
drown yourself in a lake afterwards 
provocative and 
does n't pummel us with phony imagery or music 
makes me feel weird / thinking about all the bad things in the world / like puppies with broken legs / and butterflies that die / and movies starring pop queens 
the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year 
ugly ideas instead of ugly behavior 
`` bad '' is the operative word for `` bad company , 
'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment . 
more smarts , but just as endearing and easy to watch 
full of nuance and character dimension 
admire the film 's stately nature 
is atrocious 
do n't have the slightest difficulty accepting him in the role . 
best short 
let you bask in your own cleverness as you figure it out 
shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
placing their parents 
gives the story some soul 
novel 
the shameless self-caricature 
every individual will see the movie through the prism of his or her own beliefs and prejudices , but the one thing most will take away is the sense that peace is possible . 
in formal settings with motionless characters 
as both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing 
bogs down in insignificance 
nothing but one relentlessly depressing situation after another for its entire running time 
though her fans will assuredly have their funny bones tickled , others will find their humor-seeking dollars best spent elsewhere . 
a passionately inquisitive film determined to uncover the truth and hopefully inspire action . 
hipness 
while ringing cliched to hardened indie-heads 
delivers a perfect performance that captures the innocence and budding demons within a wallflower 
is completely lacking in charm and charisma , 
... a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical needs . 
making me groggy 
filled with alexandre desplat 's haunting and sublime music , the movie completely transfixes the audience . 
totally unexpected directions 
feces 
lucy 's a dull girl , that 's all . 
danis 
successful animated movies 
much of the writing is genuinely witty 
feels comfortable with taking insane liberties and doing the goofiest stuff out of left field 
very humble 
valiantly keep punching up the mix . 
its superstar 
no doubt the filmmaker is having fun with it all 
no conversion effort 
is recognizably plympton 
to be wholesome and subversive at the same time . 
makes sure the salton sea works the way a good noir should , keeping it tight and nasty 
of quality 
is one big , dumb action movie 
the sequel 
williams creates a stunning , taxi driver-esque portrayal of a man teetering on the edge of sanity . 
ultimately comes off as a pale successor . 
by that old familiar feeling of ` let 's get this thing over with ' 
, this strangely schizo cartoon seems suited neither to kids or adults . 
flatulence 
an intriguing look 
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and i do n't think that a.c. will help this movie one bit 
demonstrates a vivid imagination and an impressive style that result in some terrific setpieces 
's the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming . 
deserve better . 
a clutch of lively songs for deft punctuation 
one 's imagination will lead when given the opportunity 
worth telling 
naipaul , a juicy writer 
the new insomnia is a surprisingly faithful remake of its chilly predecessor 
hard-hitting documentary . 
dumb and cheesy 
for the most part , it works beautifully as a movie without sacrificing the integrity of the opera . 
daytime 
a welcome , if downbeat , missive 
, this one is a sweet and modest and ultimately winning story . 
weirdly beautiful 
an uncluttered , resonant gem that relays its universal points without lectures or confrontations . 
, clarity and emotional 
`` crazy '' 
melodrama and tiresome love triangles 
fessenden 's narrative is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy . 
overall tomfoolery like this is a matter of taste . 
visceral and 
rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment 
its cutesy reliance 
ill-considered , unholy hokum . 
daydreams , memories and one fantastic visual trope 
its lyrical variations on the game of love 
that movie nothing more than a tepid exercise in 
endeavors 
gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements 
is funny , not actually exploiting it yourself 
is a new treasure of the hermitage . 
is shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls . 
boisterous , heartfelt comedy . 
in this remarkable and memorable film 
proves tiresome , 
transcends its agenda to deliver awe-inspiring , at times sublime , visuals and offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the x into the games 
equal amounts of beautiful movement and inside information . 
most brilliant 
been fumbled by a lesser filmmaker 
has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced 
christian bale 's charisma make up for a derivative plot 
juiced 
more problematic aspects 
say it 's on par with the first one 
acceptable , 
remarkably alluring film 
the bourne identity should n't be half as entertaining as it is , 
an equally great robin williams performance 
and often-funny drama 
of deft and subtle poetry 
should make it required viewing in university computer science departments for years to come 
poignant and 
ca n't compare friday after next to them 
that does everything but issue you a dog-tag and an m-16 
the story that emerges has elements of romance , tragedy and even silent-movie comedy . 
it explores the awful complications of one terrifying day 
meandering and pointless french coming-of-age import from writer-director anne-sophie birot 
has the dubious distinction of being a really bad imitation of the really bad blair witch project . 
because the film deliberately lacks irony , it has a genuine dramatic impact ; 
add up to more than body count 
carries much of the film with a creepy and dead-on performance . 
just ca n't take it any more 
the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
can not sustain the buoyant energy level of the film 's city beginnings into its country conclusion ' 
mindless 
self-destructiveness 
noteworthy characters 
to reflect that its visual imagination is breathtaking 
a fascinating little thriller that would have been perfect for an old `` twilight zone '' episode 
absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man 
fans of plympton 's shorts may marginally enjoy the film , but 
a part of us that can not help be entertained by the sight of someone getting away with something 
that spends a bit too much time on its fairly ludicrous plot 
canny , meditative 
the picture begins to resemble the shapeless , grasping actors ' workshop that it is . 
but first , you have to give the audience a reason to want to put for that effort 
a movie that will make you laugh 
interesting characters 
as the movie dragged on , i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign . 
overwhelm what is left of the scruffy , dopey old hanna-barbera charm . 
the movie 's captivating details 
once overly old-fashioned in its sudsy 
in conveying its social message 
director charles stone iii applies more detail to the film 's music than to the story line 
, you 'll find yourself remembering this refreshing visit to a sunshine state . 
you are wet in some places 
hell-jaunt 
allows a gawky actor like spall -- who could too easily become comic relief in any other film -- 
conceptually brilliant ... plays like a living-room war of the worlds , gaining most of its unsettling force from the suggested and the unknown . 
we believe in them 
remains prominent , as do the girls ' amusing personalities 
'' lacks in depth 
achieves its main strategic objective 
delicately performed 
plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once . 
racist 
want to get made-up and go see this movie with my sisters 
insanely funny 
has appeal beyond being a sandra bullock vehicle or a standard romantic comedy . 
a much more successful translation than its most famous previous film adaptation 
the lines work 
nelson 's intentions are good , but the end result does no justice to the story itself 
quite able 
's not only dull 
a crowd-pleaser 
nary a glimmer of self-knowledge 
-- even more damning -- 
far more stylish 
dedicated 
full frontal , which opens today nationwide , could almost be classified as a movie-industry satire , but it lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature . 
shines 
a psychic journey deep into the very fabric of iranian ... 
that tries too hard to be emotional 
what a reckless squandering of four fine 
rollicking dark humor 
the actors are simply too good , and the story too intriguing , 
and neither do cliches , no matter how ` inside ' they are . 
the movie is the equivalent of french hip-hop , which also seems to play on a 10-year delay . 
truly wonderful tale 
some cute moments 
pack raw dough in my ears 
an unusual but pleasantly haunting debut behind the camera 
heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign 
it looks good , sonny , but you missed the point . ' 
just goes on and on and on and on 
the playful paranoia of the film 's past 
shot two years ago 
saddled with an unwieldy cast of characters and angles , but the payoff is powerful and revelatory . 
shines through every frame 
there 's much to recommend the film . 
a minor film with major pleasures from portuguese master manoel de oliviera 
in rhetoric and cliché 
changing lanes is an anomaly for a hollywood movie ; it 's a well-written and occasionally challenging social drama that actually has something interesting to say . 
celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light . 
a cinematic fluidity and sense of intelligence 
there was ever a movie where the upbeat ending feels like a copout 
takes such a speedy swan dive 
you watch them clumsily mugging their way through snow dogs 
said the film was better than saving private ryan . 
most pleasurable expressions of pure movie love to come from an american director in years . 
perfectly describes pauline & paulette 
make the attraction a movie 
an inexpressible and drab wannabe looking for that exact niche 
there 's a lot of tooth in roger dodger . 
can report that it is instead a cheap cliché 
settles into a most traditional , reserved kind of filmmaking 
tootsie 
absorbing characters 
putrid it is not worth the price of the match that should be used to burn every print of the film 
change the fact that what we have here is a load of clams left in the broiling sun for a good three days 
ends up falling short as a whole 
like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions . 
would have a good time here . 
doze off for a few minutes or 
to life in the performances 
unlikable characters 
is often preachy and poorly acted 
red dragon '' is entertaining . 
a semi-autobiographical film that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer 
terrific performance 
shows excess in business and pleasure 
that hong kong action cinema is still alive and kicking 
this summer that do not involve a dentist drill 
is a disaster , with cloying messages and irksome characters . 
tank 
the movie knew what to do with him 
you do n't need to be a hip-hop fan to appreciate scratch , and that 's the mark of a documentary that works 
like nothing we westerners have seen before 
( ramsay ) visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor . 
even if it pushes its agenda too forcefully , this remains a film about something , one that attempts and often achieves a level of connection and concern . 
a charming , funny and beautifully crafted import 
romantic , riveting and handsomely 
sensual delights and simmering violence 
it desperately wants to be a wacky , screwball comedy , but 
we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes . 
charm and charisma 
see an artist , still committed to growth in his ninth decade 
laggard drama wending its way to an uninspired philosophical epiphany . 
a film with a great premise but only a great premise . 
like ` 
check your brain 
tells this very compelling tale 
guilt in an intriguing bit of storytelling 
is a gorgeous and deceptively minimalist cinematic tone poem 
justify the notion of creating a screen adaptation of evans ' saga of hollywood excess 
this elegant entertainment 
a visual style unique and inherent 
by acute writing and a host of splendid performances 
too long and unfocused 
boasts enough funny 
is needed to live a rich and full life . 
, outrageous , ingenious 
third time 's the charm 
refusal 
visually flashy 
proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo 
will enjoy seeing how both evolve 
listen to extremist name-calling , 
of the lovable-loser protagonist 
his character 's abundant humanism makes him the film 's moral compass 
real raw emotion 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and 
the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature . 
's a great american adventure and a wonderful film to bring to imax . 
as i was , by its moods , and by its subtly transformed star 
self-consciously flashy camera effects , droning house music and 
a ragbag of cliches 
need of some trims and 
miller comes at film with bracing intelligence and a vision both painterly and literary . 
best 
big shear 
it should be interesting , it should be poignant , it turns out to be affected and boring . 
the gifted pearce on hand 
grotesque and 
this unique and entertaining twist on the classic whale 's tale 
of failed jokes , twitchy acting , and general boorishness 
is not only a love song to the movies 
its dying 
affected child acting 
this one is not nearly as dreadful as expected . 
broomfield dresses it up 
poorly-constructed 
moving tragedy 
only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor 
has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
if considerably less ambitious , 
gave people seizures 
ring hollow 
made a great saturday night live sketch , but a great movie it is not 
crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
is just lazy 
it 's also curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget . 
ambiguous enough to be engaging and oddly moving 
that has something a little more special behind it : music that did n't sell many records but helped change a nation 
're desperate for the evening to end 
struggle tragically 
makes the same mistake as the music industry 
the most opaque , self-indulgent and just plain goofy 
pooper-scoopers 
introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
of male-ridden angst 
dumb , narratively chaotic , visually sloppy ... a weird amalgam 
earlier copycat under siege 
( and probably should have 
's needed so badly but what is virtually absent 
ferrara 's best film in years . 
proficiency 
an autopsy , the movie 
deserve but rarely receive it 
the good , 
, the picture feels as if everyone making it lost their movie mojo . 
, the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy . 
90 punitive minutes 
that it feels more like the pilot episode of a tv series than a feature film 
, you might want to check it out 
it wears out its welcome as tryingly as the title character . 
very amusing , not the usual route in a thriller , and the performances are odd and pixilated and sometimes both . 
like its subjects , delivers the goods and audiences will have a fun , no-frills ride . 
little cleavage 
a live-action cartoon , a fast-moving and cheerfully simplistic 88 minutes of exaggerated action 
relentlessly globalizing 
comes through all too painfully in the execution 
is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture 
committed to growth in his ninth decade 
... somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks . 
of film entertainment 
executed with such gentle but insistent sincerity , 
the last scenes of the film are anguished , bitter and truthful . 
its rapid-fire delivery 
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , 
a source of high hilarity 
there is a freedom to watching stunts that are this crude , this fast-paced and this insane . 
depressingly thin and 
time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , '' 
little visible talent 
's that rare family movie -- genuine and sweet 
include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
better effects , 
brian tufano 's handsome widescreen photography and 
that movie was pretty bad 
an inspired portrait of male-ridden angst 
vulgarity , sex scenes , and cussing 
a stand up and cheer flick 
slightest difficulty 
twists to make the formula feel fresh . 
good-hearted ensemble comedy 
has little to do with the story , 
truly revelatory about his psyche 
of the plot ` surprises ' 
as beautifully shaped and as delicately calibrated in tone 
done , so primitive in technique 
the movie is silly beyond comprehension , and even if it were n't silly , it would still be beyond comprehension 
does n't put you off 
between two gifted performers 
sumptuous work 
becomes a chore to sit through -- despite some first-rate performances by its lead 
the world they love and make 
starts off witty and sophisticated and 
ludicrous and contrived 
all-star salute 
proves she has the stuff to stand tall with pryor , carlin and murphy . 
're most likely to find on the next inevitable incarnation of the love boat 
every family 
's as rude and profane as ever , always hilarious and , most of the time , absolutely 
visionary 
seems like some futile concoction that was developed hastily after oedekerk 
dwindles 
on lingering terror punctuated by sudden shocks and not constant bloodshed 
strong cast and surehanded direction 
draws its considerable power from simplicity 
quietly inspirational 
the auteur 's ear for the way fears and slights 
ruined 
of pointless mayhem 
no-surprise 
the lack of naturalness makes everything seem self-consciously poetic and forced ... it 's a pity that ( nelson 's ) achievement does n't match his ambition . 
most good-hearted yet sensual entertainment 
be a bit disjointed 
the footage of the rappers at play and the prison interview with suge knight 
terminally brain dead production . 
although sensitive to a fault , it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken . 
though in some ways similar to catherine breillat 's fat girl , rain is the far superior film . 
fascinating case study 
a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending . 
an iconoclastic artist 
sensitivity and skill 
make the stones weep -- as shameful 
polished , well-structured film . 
nails sy 's queasy infatuation and overall strangeness 
crisp psychological drama 
have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
it familiar and insufficiently cathartic 
it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast 
flopped 
vibrant , colorful , semimusical rendition 
a pleasant distraction , a friday night diversion , 
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) , but `` elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases . 
it 's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists . 
crammed with incident , and bristles with passion and energy 
little style 
a bit of heart and unsettling subject matter 
knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record . 
that he is an imaginative filmmaker who can see the forest for the trees 
powerful and deeply moving example 
the secrets of time travel will have been discovered , indulged in and rejected as boring before i see this piece of crap again . 
a tired , unnecessary retread 
where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone 
quiet , decisive moments 
not a strike 
's informative and breathtakingly spectacular 
-- and gross 
in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
and whirling fight sequences 
the heart soar 
because the film deliberately lacks irony 
as solid and as perfect as his outstanding performance as bond in die another day 
has never 
an appealing blend of counter-cultural idealism and hedonistic creativity 
the edge of their seats 
, charming 
's a talking head documentary , but a great one . 
an interesting psychological game 
's both charming and well acted 
arrogant richard pryor wannabe 
an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears 
glazed with a tawdry b-movie scum . 
treasure . 
terrifying angst 
i did go back and check out the last 10 minutes , but these were more repulsive than the first 30 or 40 minutes 
in the right direction 
gets vivid , convincing performances from a fine cast , and 
the stuff to stand tall with pryor , carlin and murphy 
big time stinker 
murky 
as an intense political and psychological thriller 
those who like quirky , slightly strange french films 
none of the plot ` surprises ' 
number 1 
some first-rate performances 
to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
most anime , whose most ardent fans outside japan seem to be introverted young men with fantasy fetishes 
is n't in this film , which may be why it works as well as it does . 
's ` 
of french cinema at its best 
, a movie like ballistic : ecks vs. sever is more of an ordeal than an amusement . 
watch the film 
its true-to-life characters , its sensitive acting , its unadorned view of rural life and 
deadeningly 
its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
the man and 
bold presentation 
big trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . ' 
a throwback war movie 
lost 
its unhurried narrative 
it has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net 
finds its humor in a black man getting humiliated by a pack of dogs who are smarter than him 
downright silly 
unrelentingly exploitative 
who enjoy moaning about their cruel fate 
if you 're looking for a story , do n't bother . 
approaching even a vague reason to sit through it all 
a captivating coming-of-age story 
pumpkin is a mere plot pawn for two directors with far less endearing disabilities 
mr. audiard 's direction is fluid and quick . 
i encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale 
a sharp , amusing study of the cult of celebrity . 
sloppily 
gawky 
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but 
simply put , there should have been a more compelling excuse to pair susan sarandon and goldie hawn . 
you 're looking for a smart , nuanced look at de sade and what might have happened at picpus 
comically 
enjoyed it just as much 
many such biographical melodramas 
victorious 
the thriller form to examine the labyrinthine ways in which people 's lives cross and change 
it 's not an easy one to review . 
effectively chilling 
less capable 
is why film criticism can be considered work . 
a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky 
this is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream . 
an enjoyable big movie 
there 's nothing wrong with that if the film is well-crafted and this one is 
definitive , if disingenuous , feature 
in his u.s. debut , mr. schnitzler proves himself a deft pace master and stylist . 
raised a few notches above kiddie fantasy pablum by allen 's astringent wit 
this aging series 
's made at least one damn fine horror movie 
see people working so hard at leading lives of sexy intrigue 
morphs into a mundane '70s disaster flick . 
hilarity . 
overcome the obstacles of a predictable outcome and a screenplay that glosses over rafael 's evolution . 
are in tatters 
why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out 
ballistic : ecks vs. sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase . 
the unacceptable , the unmentionable 
good actors , good poetry and 
this waste 
a romantic comedy plotline straight from the ages 
no bearing on the story 
in as flat 
at lengthy dialogue scenes 
the somber pacing and lack 
very good ( but not great ) 
it made me feel unclean , 
it 'll keep you wide awake and ... very tense . 
've seen it all before 
the way 
it leaves a bad taste in your mouth and questions on your mind 
morally ambiguous and nothing to shout about . 
a remarkable film 
a wonderfully warm human drama 
, with some real shocks in store for unwary viewers . 
a work of outstanding originality 
an unfortunate title 
fanciful thinkers 
i 'm sorry to say that this should seal the deal - arnold is not , nor will he be , back 
consider what new best friend does not have , beginning with the minor omission of a screenplay 
his most critically insightful 
is as appalling as any ` comedy ' to ever spill from a projector 's lens 
the speculative effort is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances 
can obscure this movie 's lack of ideas 
new best friend '' 
a greater attention 
it a failure as straight drama 
an unsolved murder and an unresolved moral conflict jockey for the spotlight 
plain bad . 
staged violence overshadows everything , including most of the actors . 
like the old disease-of-the-week small-screen melodramas . 
to spend 110 claustrophobic minutes 
of contemporary chinese life this exciting new filmmaker has brought to the screen 
in the form of dazzling pop entertainment 
the densest distillation of roberts ' movies 
heart and humor 
funny and touching . 
hazy high 
a tired , unimaginative and derivative variation 
the overall fabric is hypnotic 
toothless 
's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama . 
notice the glaring triteness of the plot device 
an ordeal 
, it 's not half-bad . 
an energy to y tu mamá también 
bad company has one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them . 
, incoherence and sub-sophomoric 
has the disadvantage of also looking cheap . 
between presiding over the end of cinema as we know it and another night of delightful hand shadows 
tommy 's job to clean the peep booths surrounding her 
is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
delusions 
cheap junk and an insult to their death-defying efforts 
so hideously and clumsily 
solid execution 
a touching , sophisticated film that almost seems like a documentary in the way 
a wildly entertaining 
it has some problems 
frailty fits into a classic genre , in its script and execution 
shame that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable 
to believe these jokers are supposed to have pulled off four similar kidnappings before 
of the unsalvageability 
talk to her is not the perfect movie many have made it out to be , 
matthew lillard is born to play shaggy ! 
with an amateurish screenplay 
the best ` old neighborhood ' project 
poor editing , bad bluescreen , and 
it would be better to wait for the video . 
manipulation , an exploitation piece doing its usual worst to guilt-trip parents 
hit you from the first scene 
's a choppy , surface-effect feeling to the whole enterprise 
while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up 
is likely to cause massive cardiac arrest if taken in large doses 
miserably 
amusing us 
in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
will have been discovered , indulged in and rejected as boring before i see this piece of crap again 
creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances 
natural , even-flowing tone 
'm not sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche 
take on a striking new significance for anyone who sees the film 
assured , vital and well wrought 
captures that perverse element of the kafkaesque where identity , overnight , is robbed and replaced with a persecuted `` other . '' 
damning and damned compelling 
not only better than its predecessor , it may rate as the most magical and most fun family fare of this or any recent holiday season . 
boring , pretentious muddle 
as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
irrelevant 
get top billing 
blind to the silliness 
home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it . 
evokes the frustration , the awkwardness and the euphoria of growing up , 
of the most important and exhilarating forms of animated filmmaking since old walt 
the positive change 
is one word that best describes this film : honest . 
you will have completely forgotten the movie by the time you get back to your car in the parking lot . 
ca n't quite distinguish one sci-fi work from another 
a surprisingly ` solid ' achievement by director malcolm d. lee and writer john ridley 
manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum 
desultory 
if this is cinema 
should be tried as a war criminal 
directed with sensitivity and skill by dana janklowicz-mann 
other than the very sluggish pace ) 
, natural acting 
content 
as antonia is assimilated into this newfangled community , the film settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion . 
arliss howard 's ambitious , moving , and adventurous directorial debut 
what may be the performances of their careers 
rare insight 
i know how to suffer ' and if you see this film you 'll know too . 
mr. deeds is , as comedy goes , very silly -- and in the best way . 
blessed 
franco is an excellent choice for the walled-off but combustible hustler , but he does not give the transcendent performance sonny needs to overcome gaps in character development and story logic . 
you ca n't help but get caught up in the thrill of the company 's astonishing growth . 
the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
caine makes us watch as his character awakens to the notion that to be human is eventually to have to choose . 
of great monster/science fiction flicks 
for a great film noir 
's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us 
on the monster 's path of destruction 
is to substitute plot for personality . 
an overstylized , puréed mélange of sex , psychology , drugs and philosophy . 
, it does n't disappoint . 
its courageousness , and 
incapable of being boring 
this sad , compulsive life 
i saw this one 
director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
paints an absurdly simplistic picture 
treasure and 
was particularly funny 
is in need of a scented bath 
the park 
like running out screaming 
through the pitfalls of incoherence and redundancy 
if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about . 
a must-see 
be an unendurable viewing experience for this ultra-provincial new yorker if 26-year-old reese witherspoon were not on hand to inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic 
burns ' visuals , characters and his punchy dialogue , 
directions and descends into such message-mongering moralism that its good qualities are obscured . 
beautifully reclaiming the story of carmen 
' swims away with the sleeper movie of the summer award . 
a travesty 
queen of the damned is too long with too little going on . 
america , history 
nothing can detract from the affection of that moral favorite 
charming , thought-provoking new york fest 
corrupt and hedonistic weasels 
superfluous sequel 
has a new career ahead of him 
wore 
'' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
are they like humans , only hairier 
while parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit major would have thought possible . 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way 
report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks 
returns as a visionary with a tale full of nuance and character dimension . 
lectured to by tech-geeks , if you 're up for that sort of thing 
like mike raises some worthwhile themes while delivering a wholesome fantasy for kids . 
of the imagery in this chiaroscuro of madness and light 
hard to believe these jokers are supposed to have pulled off four similar kidnappings before 
not too filling 
worst movies 
on dumb gags , anatomical humor , or character cliches 
some visual virtues 
more coming-of-age stories 
a marginal thumbs 
an unbelievably stupid film 
skins has a desolate air , but eyre , a native american raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor 
alienate 
to create a feature film that is wickedly fun to watch 
dips key moments from the film in waking life water colors 
offers a ray of hope 
a generic bloodbath that often becomes 
the slightly flawed ( and fairly unbelievable ) finale 
reasonably good time 
and they succeed merrily at their noble endeavor . 
a delightfully dour , deadpan tone and stylistic consistency 
a mixture of deadpan cool , wry humor and just the measure 
committed dumbness 
the novel charm that made spy kids a surprising winner with both adults and younger audiences 
inside an enigma 
, villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical . 
it makes me say the obvious : abandon all hope of a good movie ye who enter here . 
creepy , intermittently powerful study 
funny or 
on the awkward interplay and utter lack of chemistry between chan and hewitt 
tits 
may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults . 
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' 
the worst kind of hubristic folly 
giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective 
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and 
the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
unmentionable 
ethnic 
the last thing you would expect from a film with this title or indeed from any plympton film : boring 
extremely funny , ultimately heartbreaking 
the film ultimately offers nothing more than people in an urban jungle needing other people to survive ... 
has already reached its expiration date 
the film 's sense of imagery gives it a terrible strength , but it 's propelled by the acting 
fantasy and adventure 
if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is 
that rare family movie 
a fascinating character 
been better than the fiction 
simple and precise 
grow boring 
taken as a whole , the tuxedo does n't add up to a whole lot . 
is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort . 
just about the surest bet 
plays like a student film by two guys who desperately want to be quentin tarantino when they grow up . 
great american comedy 
middle-of-the-road blandness 
seems too simple and the working out of the plot almost arbitrary 
that does n't come close to the level of intelligence and visual splendor that can be seen in other films 
freeman and judd make it work 
just have problems , which are neither original nor are presented in convincing way . 
its sparkling beauty 
read my lips is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love . 
hews out a world and carries us effortlessly from darkness to light 
's repetitive arguments , schemes and treachery 
as an introduction to the man 's theories and influence , derrida is all but useless ; 
clichéd and 
at once both refreshingly different 
is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
trivializing it 
that both thrills the eye and 
the bad sound , 
this submarine drama earns the right to be favorably compared to das boot . 
enjoy 
a spark of new inspiration in it 
powerful 
know whether it wants to be a suspenseful horror movie or a weepy melodrama 
the film is so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film . 
all the halfhearted zeal 
contrived and exploitative for the art houses and too cynical , small and decadent for the malls 
have reinvigorated the romance genre 
is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously . 
the kind of primal storytelling that george lucas can only dream of . 
a freshness and modesty 
create 
banal bore 
manages to be pleasant in spite of its predictability 
uniformly superb 
squandering 
mastering its formidable arithmetic of cameras and souls , group articulates a flood of emotion . 
comically dismal social realism 
never quite goes where you expect and often surprises you with unexpected comedy 
things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films 
this girl deserves a sequel 
treads old turf like a hippopotamus ballerina 
's equally distasteful to watch him sing the lyrics to `` tonight 
and it sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen . 
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - 
is a shame that more wo n't get an opportunity to embrace small , sweet ` evelyn 
is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love . 
desperately needed 
, he loses the richness of characterization that makes his films so memorable 
unexplainable 
one of the year 's best films 
disquieting triumph 
elegantly 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated , it 's a wonder that he could n't have brought something fresher to the proceedings simply by accident . 
the problem with wendigo , 
interesting topic 
has pictures of them cavorting in ladies ' underwear 
the power 
have the slightest difficulty accepting him in the role 
passe ' 
when one has nothing else to watch 
the people in jessica are so recognizable and true that , as in real life , we 're never sure how things will work out . 
achingly sad 
medium-grade network sitcom 
characteristically startling visual style and an almost palpable sense of intensity 
an extremely funny , ultimately heartbreaking 
thought-provoking film 
where nothing really happens . 
with material this rich it does n't need it 
beautifully detailed performances 
it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists 
charged music to the ears of cho 's fans 
crisp , unaffected style 
brims with passion : 
a lush , swooning melodrama in the intermezzo strain 
manages to please its intended audience -- children -- without placing their parents in a coma-like state . 
could n't help but feel the wasted potential of this slapstick comedy . 
enough interest 
behind the scenes of chicago-based rock group wilco 
lower-wit 
in the best possible senses of both those words 
find morrison 's iconoclastic uses of technology to be liberating 
a sudden turn and devolves 
a little more intensity 
anticipated 
without cheesy fun factor 
the lustrous polished visuals rich in color and creativity 
it look as though they are having so much fun 
is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot 
more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
detract from the athleticism 
no amount of nostalgia for carvey 's glory days can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it . 
's brilliant ` 
of hollywood heart-string plucking 
most offensive 
overwrought and crudely literal 
the lousy tarantino imitations 
there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue 
's nothing very attractive about this movie 
scarcely worth a mention 
like the old disease-of-the-week small-screen melodramas 
its considerable power 
scary , action-packed chiller 
a bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that french realism . 
dramatic urgency 
extended , open-ended poem 
for humor and bite 
brings us another masterpiece 
bad trip 
many bona fide groaners among too few laughs 
than to rush to the theater for this one 
indecent 
a less-than-thrilling thriller . 
lavish period scenery 
luridly graphic and laughably unconvincing 
is the cast , particularly the ya-yas themselves 
what one is left with , even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream . 
depth or complexity 
purposefully reductive movie 
last year 's lame musketeer 
deeply pessimistic 
that can not help be entertained by the sight of someone getting away with something 
storytelling 
of riveting power and sadness 
uses lighting effects and innovative backgrounds 
... lies a plot cobbled together from largely flat and uncreative moments . 
also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them . 
, they show a remarkable ability to document both sides of this emotional car-wreck . 
reassembled from the cutting-room floor of any given daytime soap 
miracle 
the blacklight crowd , way cheaper ( and better ) 
she is a lioness 
distances you by throwing out so many red herrings , so many false scares , 
because the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we 've somehow never seen before . 
the kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly executed idea . 
becoming irritating 
delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory 
the improbable `` formula 51 '' is somewhat entertaining 
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling 
's still tainted by cliches , painful improbability and murky points 
of nostalgic comments from the now middle-aged participants 
deceit 
young man 's 
is frittered away in middle-of-the-road blandness 
guilt-free 
smarter and much funnier version of the old police academy flicks . 
farts , urine , feces 
the martial arts master to top form 
bargain-basement european pickup 
successful adaptation 
nevertheless will leave fans clamoring for another ride 
its metaphors 
wait to see this terrific film with your kids -- if you do n't have kids borrow some 
borderline insulting 
disingenuous , 
does not proclaim the truth about two love-struck somebodies , but 
god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousness . 
cheap , graceless , hackneyed 
we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity 
to be fully forgotten 
pretend like your sat scores are below 120 and you might not notice the flaws . 
watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell 
're desperate for the evening to end . 
surprisingly short of both adventure and song 
for all the wit and hoopla 
excellent use 
absorbing look 
searing lead performance 
aging series 
i ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops . 
this is a finely written , superbly acted offbeat thriller . 
good than great 
combined with so much first-rate talent ... could have yielded such a flat , plodding picture 
has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side 
thinks-it-is joke 
this dog of a movie 
seem like the proper cup of tea 
falters 
are far more alienating than involving . 
a true study , a film with a questioning heart 
lots of effort and intelligence are on display 
has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline 
`` horrible '' and `` terrible 
if the poor quality of pokemon 4 ever is any indication 
the shining , the thing , 
it 's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo . 
rent the disney version 
have been the ultimate imax trip 
, wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title . 
ability to think 
is one summer film that satisfies 
a lot to recommend read my lips 
beauty and 
dupe the viewer 
valiant attempt to tell a story about the vietnam war before the pathology set in 
ultimately life-affirming 
turd 
humorous and heartfelt , douglas mcgrath 's version of ` nicholas nickleby ' left me feeling refreshed and hopeful . 
committed 
two fine actors , 
love it , too . 
there are no special effects , and no hollywood endings . 
ultimately ... the movie is too heady for children , and too preachy for adults . 
hugely enjoyable in its own right though not really 
expertly plucking tension from quiet 
america 's knee-jerk moral sanctimony 
within a wallflower 
superb performers 
little-known perspective 
is stiff or just plain bad . 
be something to behold 
executed with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted scrooge could fail to respond . 
doubt that peter o'fallon did n't have an original bone in his body 
drags it back 
'll be treated to an impressive and highly entertaining celebration of its sounds 
mildly funny , sometimes tedious , ultimately insignificant 
jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
fun , splashy and entertainingly nasty 
a minimalist beauty and the beast 
is n't quite out of ripe 
toilet humor , ethnic slurs 
any less entertaining 
overflowing septic tank 
objective documentary 
then you get another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees . 
, savvy , compelling 
sometimes it 's difficult to tell who the other actors in the movie are 
is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance 
put you off 
downbeat , period-perfect biopic hammers home a heavy-handed moralistic message 
the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with 
it 's a square , sentimental drama that satisfies , as comfort food often can . 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find 
solid , kinetically-charged spy flick worthy 
carries the day with impeccable comic timing , raffish charm and piercing intellect 
some unpaid intern 
low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
a moving and weighty depiction of one family 
at ease sharing the same scene 
where bergman approaches swedish fatalism using gary larson 's far side humor 
adams just copies from various sources 
an interesting slice of history . 
add up to a moving tragedy with some buoyant human moments 
is too much of a plunge 
of our making 
excels 
makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
fast-paced and wonderfully edited 
the biggest husband-and-wife disaster since john 
the most compelling performance of the year 
the best actors there is 
twice as bestial but half as funny 
there are just too many characters saying too many clever things and getting into too many pointless situations . 
a phlegmatic bore , 
the ethos of the chelsea hotel may shape hawke 's artistic aspirations , but he has n't yet coordinated his own dv poetry with the beat he hears in his soul 
's almost impossible not to be swept away by the sheer beauty of his images 
self-discovery handled with such sensitivity 
will probably limited to lds church members and undemanding armchair tourists . 
every individual will see the movie through the prism of his or her own beliefs and prejudices , but the one thing most will take away is the sense that peace is possible 
not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing 
intimate and panoramic 
of paint-by-number american blockbusters like pearl harbor 
in unexpected ways , touching 
first-rate performances 
cat-and-mouse , three-dimensional characters and 
anguished 
make for a bad film 
to the rising place that would set it apart from other deep south stories 
is truth 
shows us a slice of life that 's very different from our own and yet instantly recognizable 
in a cinematic year already littered with celluloid garbage 
unfocused and tediously exasperating 
genuine excitement 
on its icy face , the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture . 
will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche 
they succeed merrily at their noble endeavor . 
a total washout 
summer fluff 
unmistakable , easy 
a clear-eyed 
the conventional science-fiction elements of bug-eyed monsters 
as ex-marine walter , who may or may not have shot kennedy , actor raymond j. barry is perfectly creepy and believable . 
flat-out amusing , sometimes endearing and often fabulous 
entertained by the unfolding of bielinsky 's 
manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks . 
attributable to a movie like this 
boll uses a lot of quick cutting and blurry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect 
craig bartlett and director tuck tucker should be commended for illustrating the merits of fighting hard for something that really matters . 
presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale 
hard-driving narcissism is a given 
being surprisingly dull 
in a fat man 's navel 
rejected must have been astronomically bad 
a simple `` goddammit 
thornier 
while most films these days are about nothing , this film seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world . 
film buffs will eat up like so much gelati 
claustrophobic 
with tremendous skill 
blazingly alive and admirable on many levels 
of cinema 's directorial giants 
drags during its 112-minute length 
enthralling aesthetic experience 
gets the tone just right 
turns out to be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness 
fairly harmless but ultimately lifeless 
paper-thin and 
can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good 
no real surprises -- but still quite tasty and inviting all the same 
the next a turgid drama 
is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
proves itself a more streamlined and thought out encounter than the original could ever have hoped to be . 
negotiate their imperfect , love-hate relationship 
this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday . 
's hardly a necessary enterprise . 
malcolm mcdowell is cool . 
ice cube is n't quite out of ripe screwball ideas , but friday after next spreads them pretty thin 
suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
in all the best possible ways 
, i fear , will be put to sleep or bewildered by the artsy and often pointless visuals . 
smart , romantic drama 
, you 're on the edge of your seat 
um ... is n't that the basis for the entire plot ? 
to the illogic of its characters 
a low-budget series 
's not trying to laugh at how bad 
has delivered a solidly entertaining and moving family drama 
has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense 
long and relentlessly saccharine 
references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit 
highlighted by a gritty style and an excellent cast 
lacking a depth in storytelling usually found in anime like this 
sensual and funny 
written , flatly 
she 's not funny 
terrific special effects 
is one of the year 's best . 
if the material is slight and admittedly manipulative , jacquot preserves tosca 's intoxicating ardor through his use of the camera . 
made , on all levels , 
as ill-fitting as shadyac 's perfunctory directing chops 
enthusiastic charm 
be prepared to cling to the edge of your seat , tense with suspense . 
glancing vividly back 
that one can honestly describe as looking , sounding and simply feeling like no other film in recent history 
've reeked of a been-there , done-that sameness 
remains as guarded as a virgin with a chastity belt 
is a horrible movie 
clever and suspenseful 
a three-hour cinema master class . 
the film 's desire to be liked sometimes 
a smartly written motion picture 
their outrageousness 
is so warm and fuzzy you might be able to forgive its mean-spirited second half 
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script 
a creepy and dead-on performance 
unfortunately , a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style . 
you missed the point 
has a lot going for it , not least the brilliant performances by testud ... and parmentier . 
give you a lot of laughs in this simple , sweet and romantic comedy 
has the potential for touched by an angel simplicity and sappiness 
deceptions 
proves once again that a man in drag is not in and of himself funny 
but a little too smugly 
most flamboyant female comics 
the filmmakers want nothing else than to show us a good time , and 
the hard-to-predict and absolutely essential chemistry 
a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists 
believe that resident evil is not it 
well-crafted family film 
thrill 
awesome 
piercing domestic drama 
go back and choose to skip it 
run-of-the-mill profanity 
bittersweet 
mediocre movie 
all over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own 
the movie is about as deep as that sentiment . 
solid and refined piece 
it 's not too fast and not too slow . 
with an unflappable air of decadent urbanity , everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill . 
93 minutes of unrecoverable life 
's self-defeatingly decorous 
but the feelings evoked in the film are lukewarm and quick to pass . 
a sour taste in one 's mouth , 
high-profile name 
of clams left in the broiling sun for a good three days 
the little chinese seamstress that transforms this story about love and culture into a cinematic poem 
this date-night diversion will definitely win some hearts 
it is also beautifully acted . 
sprightly spin 
maintains your sympathy for this otherwise challenging soul 
college 
from its nauseating spinning credits sequence to a very talented but underutilized supporting cast , bartleby squanders as much as it gives out . 
of the most genuinely sweet films 
the whole affair , true story or not , feels incredibly hokey ... ( it ) comes off like a hallmark commercial 
obnoxious 88-minute 
is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film 
the fat 
is disappointing 
footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire 
plainly dull and visually ugly 
another , most of which involve precocious kids getting the better of obnoxious adults 
, this flick is fun , and host to some truly excellent sequences . 
the movie sinks into an abyss of clichés , depression and bad alternative music . 
it 's a spectacular performance - ahem 
presents a frightening and compelling ` what if 
even predictable remake 
puts a suspenseful spin on standard horror flick formula 
we value in our daily lives 
as an actor 's showcase , hart 's war has much to recommend it , even if the top-billed willis is not the most impressive player . 
is distressingly rote 
captures the raw comic energy of one of our most flamboyant female comics 
none of this is meaningful or memorable , but 
all that memorable , but as downtown saturday matinee brain 
with humor 
a sobering and powerful documentary 
casts its spooky net out into the atlantic ocean and spits it back , 
, amusing study 
technical triumph 
gluing you to the edge of your seat 
fails to convince the audience that these brats will ever be anything more than losers 
you begin to long for the end credits as the desert does for rain . 
who deserve but rarely receive it 
most aggressive and most sincere 
be used to burn every print of the film 
takes too long to shake 
like a prison stretch 
it 's self-defeatingly decorous 
a fanciful drama about napoleon 's last years and his surprising discovery of love and humility 
its own direction 
exciting documentary 
their own cleverness 
if you 're over 25 , have an iq over 90 , and have a driver 's license 
is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice 
a college story that works even without vulgarity , sex scenes , and cussing ! 
neatly and effectively captures the debilitating grief 
for proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls , retrospectively , his most personal work yet . 
it 's not really funny 
savagely 
that storytelling has value can not be denied . 
is truly funny , playing a kind of ghandi gone bad . 
indicative of how uncompelling the movie is unless it happens to cover your particular area of interest 
concentration 
tendency to slip into hokum 
is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work . 
admirable energy , full-bodied characterizations and 
funny , and even touching 
to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
find an escape clause 
spout hilarious dialogue 
disturbing disregard 
in the arguments of competing lawyers 
of that moral favorite 
by folks worthy of scorn 
achieves near virtuosity in its crapulence 
confessions may not be a straightforward bio , nor does it offer much in the way of barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture . 
a failure of storytelling 
jackass is a vulgar and 
drama that takes itself all too seriously 
is extraordinary 
, but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera 
some like it hot on the hardwood proves once again that a man in drag is not in and of himself funny . 
dislikable 
voyeuristic spectacle 
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , 
updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place 
on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
nothing funny in this every-joke-has - been-told-a - 
pretty funny 
striking style 
contains no wit , only labored gags . 
bogged down over 140 minutes 
fights the good fight in vietnam in director randall wallace 's flag-waving war flick with a core of decency 
gently funny , sweetly adventurous 
a majestic achievement , 
star-studded 
undercut by its awkward structure and a final veering toward melodrama 
to be a good match of the sensibilities of two directors 
... a delicious crime drama on par with the slickest of mamet . 
a cut above the rest 
that interweaves individual stories 
sit in neutral , hoping for a stiff wind to blow it 
old porridge 
as an eloquent memorial 
familiar and predictable , 
iconic hero 
a big splash 
a movie that , quite simply , should n't have been made 
a joy 
articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy . 
understands characters must come first 
it has the air of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent and wear thin with repetition . 
is its reliance on formula 
it feels much longer 
marvelous documentary touches 
, sweaty-palmed fun 
freddy gets molested by a dog 
sadly , ` garth ' has n't progressed as nicely as ` wayne . ' 
what kind of sewage 
can see coming a mile away 
the script by vincent r. nebrida ... tries to cram too many ingredients into one small pot . 
lots of hollywood fluff 
awful snooze . 
sentimentalized 
an astonishing voice cast 
popular gulzar and jagjit singh 
a heart and reality that buoy the film , and at times , elevate it to a superior crime movie 
an ambitious movie 
witty 
too campy to work as straight drama and too violent and sordid to function as comedy 
prozac nation 
dong stakes out the emotional heart of happy . 
, ` santa clause 2 ' is wondrously creative . 
a fine effort 
the triumph of his band 
mediocre end 
is amateurish 
the strength of the film comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting . 
're convinced that this mean machine was a decent tv outing that just does n't have big screen magic 
's too close to real life to make sense 
feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark . 
illustrates why the whole is so often less than the sum of its parts in today 's hollywood 
at heart is a sweet little girl 
tainted 
tired stereotypes 
seagal ran out of movies years ago , and this is just the proof . 
tragic waste 
after an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be , you discover that the answer is as conventional as can be . 
a deft pace master and stylist 
godard uses his characters -- if that 's not too glorified a term -- as art things , mouthpieces , visual motifs , blanks . 
they do n't fit well together 
does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen 
moulin rouge 
colorful , dramatized pbs program 
're far better served by the source material 
of a play that only ever walked the delicate tightrope between farcical and loathsome 
authentic account of a historical event that 's far too tragic to merit such superficial treatment . 
the intended , er , spirit 
as well-conceived as either of those films 
a sharp script and 
have a fun , no-frills ride 
deep-seated , emotional need 
personified in the film 's simple title 
implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses 
good actors , good poetry and good music help sustain it 
condescending stereotypes 
is amazing , yes 
it has a genuine dramatic impact 
`` sorority boys '' was funnier , 
its sweet time 
thoughtfulness 
watch people 
as the chatter of parrots raised on oprah 
visual clarity and deeply 
a loud , low-budget and tired formula film 
video , and so devoid of artifice and purpose that it appears not to have been edited at all 
looks more like a travel-agency video targeted at people who like to ride bikes topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights . 
honest , sensitive story 
( t ) he ideas of revolution # 9 are more compelling than the execution 
he 's just a sad aristocrat in tattered finery , and the film seems as deflated as he does . 
a halfway intriguing plot 
klein , charming in comedies like american pie and dead-on in election , delivers one of the saddest action hero performances ever witnessed . 
2002 's first great film 
its paint fights , motorized scooter chases 
do n't judge this one too soon - it 's a dark , gritty story but it takes off in totally unexpected directions and keeps on going . 
little action , almost 
it 's probably not accurate to call it a movie 
to believe in it the most 
the full monty , but a really strong second effort 
has neither the charisma nor the natural affability that has made tucker a star . 
clockstoppers if you have nothing better to do with 94 minutes 
too stagey 
requiring a great deal of thought 
enduring strengths 
offers a desperately ingratiating performance 
tired , unimaginative and derivative 
is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen . 
stale 
an undeniably moving film to experience , and 
its whimsical humor 
its good qualities 
one but two flagrantly fake thunderstorms 
jaw-droppingly beautiful work 
there are laughs aplenty , 
funny and well-contructed black comedy 
grace to call for prevention rather than to place blame , making it one of the best war movies ever made 
will be well worth your time 
seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times . 
same old story 
is solid , satisfying fare for adults 
shallow styles 
efficiency and 
set up 
as an actress , madonna is one helluva singer . 
ends up sounding like satire 
, the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity . 
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and 
seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense 
begins to seem as long as the two year affair which is its subject 
are great rewards here 
terribly episodic and lacking the spark of imagination that might have made it an exhilarating 
the touch is generally light enough and the performances , for the most part , credible 
slapstick sequences 
suitably elegant 
the most moronic screenplays 
i become very involved in the proceedings ; to me 
a splash 
is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes 
comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness . 
the film has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo . 
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , 
, at times sublime , visuals 
a.c. will help this movie one bit 
be an unendurable viewing experience for this ultra-provincial new yorker 
disquietingly 
abstract approach 
a sleek advert 
variable 
has improved upon the first and taken it a step further , richer and deeper 
muddy psychological 
a film that comes along every day . 
this film will attach a human face to all those little steaming cartons . 
's the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
thoughtlessly assembled 
edward burns ' sidewalks of new york look like oscar wilde 
though jay roach directed the film from the back of a taxicab 
( carvey 's ) characters are both overplayed and exaggerated 
it 's certainly an honest attempt to get at something 
cheap cliché 
slopped ` 
faint of heart or conservative of spirit 
the upbeat ending 
makes each crumb of emotional comfort 
a pop-influenced prank whose charms are immediately apparent 
of the lightweight female empowerment 
that 's as crisp and to the point 
snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this . 
writer/director burr steers emphasizes the q in quirky , with mixed results . 
can take the grandkids or the grandparents and 
addition to being very funny 
a touch too arthouse 101 in its poetic symbolism 
to hit all of its marks 
one of the year 's best films , featuring an oscar-worthy performance by julianne moore . 
of purpose or even a plot 
olivier assayas ' elegantly appointed period drama 
do all three quite well 
seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum . 
to suffer ' 
made tucker a star 
's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess 
adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , say 
children , a heartfelt romance for teenagers and 
is workmanlike in the extreme 
an example of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship 
of his sweetness and vulnerability 
putting the primitive murderer inside a high-tech space station unleashes a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest 
humanly possible 
is a fascinating film because there is no clear-cut hero and no all-out villain . 
the off-center humor 
overtly silly dialogue 
the pitch-perfect forster to the always hilarious meara and levy 
happens when something goes bump in the night and nobody cares 
amiable but 
terribly funny 
a film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy 
just another combination of bad animation and mindless violence 
a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters 
bad writing , 
maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in 
an invaluable historical document thanks to the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent 
with humorous observations about the general absurdity of modern life 
to make their way through this tragedy 
directs , ideally 
a movie like the guys is why film criticism can be considered work . 
just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart , time of favor presents us with an action movie that actually has a brain . 
leave them singing long after the credits roll 
have decades of life as a classic movie franchise 
the journey does n't really go anywhere . 
'll stay with the stage versions , however , which bite cleaner , and deeper . 
of ridiculousness 
a milquetoast movie 
, it 's a work of enthralling drama 
is advised to take the warning literally , and log on to something more user-friendly . 
so believable that you feel what they feel 
is difficult to fathom . 
a road-trip drama 
best date movie 
flat and 
godard 's ode to tackling life 's wonderment 
full of detail about the man and his country , and is well worth seeing . 
bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
into an intense and engrossing head-trip 
( clooney 's ) debut can be accused of being a bit undisciplined , but 
camaraderie 
by the time you reach the finale , you 're likely wondering why you 've been watching all this strutting and posturing . 
film that loses sight of its own story 
a stylish cast and some clever scripting solutions help chicago make the transition from stage to screen with considerable appeal intact . 
moore wonderfully 
crafty , energetic and smart 
run for your lives 
truly terrible . 
sweetness , clarity and emotional 
severe flaws 
get on television 
adorably ditsy but 
sometimes there are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely . 
seriously dumb 
ear-pleasing songs 
old garbage 
, bad , bad movie 
love liza 's 
, can prevent its tragic waste of life 
it 's just weirdness for the sake of weirdness , and 
searching for a quarter in a giant pile of elephant feces ... positively dreadful 
's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland . 
romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here 
suffers from all the excesses of the genre . 
uniformly good 
solidly entertaining and moving 
have problems , which are neither original nor are presented in convincing way . 
a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project ! 
takes its techniques into such fresh territory that the film never feels derivative 
green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese . 
austin powers for the most part is extremely funny , the first part making up for any flaws that come later . 
the multiple stories in a vibrant and intoxicating fashion 
visual poetry 
still seems timely and important . 
there 's lots of cool stuff packed into espn 's ultimate x. 
is impressively true for being so hot-blooded 
while not for every taste 
eloquent ( meditation ) on death and that most elusive of passions 
weepy melodrama 
flimsy flicks 
's a mystery how the movie could be released in this condition . 
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him 
special walk 
that shows the promise of digital filmmaking 
suited 
fails to put the struggle into meaningful historical context 
in auteil 's less dramatic but equally incisive performance , he 's a charismatic charmer likely to seduce and conquer . 
, tragedy , bravery , political intrigue , partisans and sabotage 
kapur modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare . 
consistently intelligent 
classy 
did n't particularly like e.t. the first time i saw it as a young boy 
evocative imagery 
would be a total washout . 
shakes you vigorously for its duration 
's a bad sign in a thriller when you instantly know whodunit . 
` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science 
a lot of talent is wasted in this crass , low-wattage endeavor . 
beg the question ` why 
brings the proper conviction to his role as ( jason bourne ) 
twisted shapes history 
this refreshing visit 
lurid and less than lucid work . 
the movie looks genuinely pretty . 
fine music never heard 
denzel 
visually compelling one 
relentlessly downbeat 
a sharp movie about otherwise dull subjects 
director yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times . 
bracing intelligence and a vision both painterly and literary 
attraction 
, eloquent film 
, his little changes ring hollow 
a special kind of movie 
a fascinating case study of flower-power liberation -- and the price that was paid for it 
terrific look 
to his series of spectacular belly flops both on and off the screen 
the retro gang melodrama 
sentimentalizing it 
overcooked soufflé 
not-so-funny 
still shines in her quiet blue eyes 
what makes how i killed my father compelling , besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching . 
portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue 
'' overcome its weaknesses 
each moment of this broken character study is rich in emotional texture 
stealing harvard will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious . 
fit well together 
a tidal wave of plot 
that this vapid vehicle is downright doltish and uneventful 
to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky 
it made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire . 
would have made vittorio de sica proud 
a searing , epic treatment of a nationwide blight that seems to be , horrifyingly , ever on the rise . 
dumb story 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and 
that would have made vittorio de sica proud 
me without you has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood . 
that actually manages to bring something new into the mix 
provocative central wedding sequence 
where tom green stages his gags as assaults on america 's knee-jerk moral sanctimony 
a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke 
sometimes charming , sometimes infuriating , this argentinean ` dramedy ' succeeds mainly on the shoulders of its actors . 
the earnest emotional core 
amateurish , quasi-improvised acting exercise 
retitle it the adventures of direct-to-video nash 
have written a more credible script , though with the same number of continuity errors 
plastered with one hollywood cliche 
-- and far less crass 
for all the charm of kevin kline and a story that puts old-fashioned values under the microscope , there 's something creepy about this movie . 
, the film has an odd purity that does n't bring you into the characters so much as it has you study them . 
weird little movie 
poo-poo jokes 
america 's thirst 
emerge as an exquisite motion picture in its own right 
the type of dumbed-down exercise in stereotypes that gives the ( teen comedy ) genre a bad name . 
a thinking man 's 
the metaphors are provocative , but too often , the viewer is left puzzled by the mechanics of the delivery . 
breathtakingly assured and stylish 
is wonderful as the long-faced sad sack 
proof once again that if the filmmakers just follow the books , they ca n't go wrong . 
i valiantly struggled to remain interested , or at least conscious 
of ( witherspoon 's ) better films 
revelatory 
an average b-movie 
confined 
sinks further and further 
poetic , heartbreaking 
is funny , insightfully human 
a playful respite 
us to forget most of the film 's problems 
bad company . 
layered , well-developed characters and some surprises 
pointed personalities , courage , tragedy 
any less psycho 
runs on the pure adrenalin 
, peculiar and always entertaining costume drama 
, you 're a jet all the way 
worse stunt editing or cheaper action movie production 
is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) 
film that will enthrall the whole family 
too stagy 
we 've liked klein 's other work but rollerball left us cold . 
easily the most thoughtful fictional examination of the root 
the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots 
a laughable -- or rather , unlaughable -- excuse for a film 
could n't really figure out how to flesh either out 
fairly predictable psychological thriller 
witless , pointless , tasteless and idiotic . 
especially williams , an american actress who becomes fully english 
teeth-gnashing actorliness 
an impressive roster of stars and direction from kathryn bigelow 
high art 
one of them 
telling a fascinating character 's story 
anyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a russian rocket 
too heavy for the plot 
for reverence and a little wit 
too campy to work as straight drama and too violent and sordid to function as comedy , vulgar is , truly and thankfully , a one-of-a-kind work . 
fun , 
an uneasy mix 
if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick 
drawn engaging characters 
most good-hearted yet sensual 
a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies . 
muddled , melodramatic paranormal romance is an all-time low for kevin costner . 
are incredibly captivating and insanely funny , 
manages to be both hugely entertaining and uplifting . 
the film is not only a love song to the movies 
just a string of stale gags 
this film can only point the way -- but thank goodness for this signpost . 
is little else 
because ( the leads ) are such a companionable couple 
lacks the utter authority of a genre gem 
, this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary . 
, it already has one strike against it . 
where a masterpiece should be 
'll like it 
solondz may well be the only one laughing at his own joke 
liked by the people who can still give him work 
exudes the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza 
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but 
jet 
with its own cuteness 
chasing who 
engaging mix 
take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast 
but because of the startling intimacy 
are acting horribly 
the way tiny acts of kindness make ordinary life survivable 
mostly , shafer and co-writer gregory hinton lack a strong-minded viewpoint , or a sense of humor . 
at 2002 's sundance festival 
a way that verges on the amateurish 
strikes a potent chemistry 
old-fashioned but thoroughly satisfying entertainment . 
buy is an accomplished actress , 
hugely entertaining and uplifting 
certainly the performances are worthwhile . 
too bland and fustily tasteful to be truly prurient . 
intensely lived 
is bad 
about this love story 
me want to bolt the theater in the first 10 minutes 
dark humor , gorgeous exterior photography 
exuberant 
may have made a great saturday night live sketch , but a great movie it is not 
impostor is a step down for director gary fleder . 
is nothing compared to the movie 's contrived , lame screenplay and listless direction . 
heated sexuality 
reinvigorated 
... watching it was painful . 
evelyn 's strong cast and surehanded direction make for a winning , heartwarming yarn . 
` unfaithful ' cheats on itself and retreats to comfortable territory . 
world trade center tragedy 
refreshingly smart and newfangled variation 
constantly touching , surprisingly funny , semi-surrealist exploration of the creative act . 
plod 
a riveting documentary . 
, featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted . 
personal velocity 
went 8 movies ago 
are an immensely appealing couple 
discover that tian 's meticulous talent has not withered during his enforced hiatus 
it promised it would be 
are incredibly captivating and insanely funny 
is lost , leaving the character of critical jim two-dimensional and pointless 
too mushy 
dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater 
's just rather leaden and dull . 
all as very important 
the only question ... is to determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering . 
of what it actually means to face your fears 
the ensemble cast turns in a collectively stellar performance , and 
is vivacious 
von sydow ... is itself intacto 's luckiest stroke 
lumbering , wheezy 
you feel like a sucker 
is n't one true ` chan moment ' 
delivers without sham the raw-nerved story . 
routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
florid but ultimately vapid crime melodrama 
a cheap scam put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life . 
the story is predictable , the jokes are typical sandler fare , and the romance with ryder is puzzling 
charismatic 
clumsiness 
an amazing breakthrough 
due to stodgy , soap opera-ish dialogue , the rest of the cast comes across as stick figures reading lines from a teleprompter . 
there 's a delightfully quirky movie to be made from curling , 
it actually improves upon the original hit movie 
smart , provocative drama 
, common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha . 
tremendous 
parker and co-writer catherine di napoli are faithful to melville 's plotline , they 
could restage the whole thing in your bathtub 
a low-budget affair , tadpole 
do anything 
make it as much fun as reading an oversized picture book before bedtime 
funny ( sometimes hilarious ) comedy 
bias 
is hartley 's least accessible screed 
conrad l. hall 's cinematography will likely be nominated for an oscar next year 
's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary 
slightly less successful than the first 
moving performance 
a great shame that such a talented director as chen kaige 
there are n't many conclusive answers in the film , 
it 's a work of enthralling drama 
meets his future wife 
, we do n't get williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing . 
instantly forgettable 
unsatisfying 
a glorified episode 
's a lousy one at that . 
unlike most anime , whose most ardent fans outside japan seem to be introverted young men with fantasy fetishes , metropolis never seems hopelessly juvenile . 
wars 
honestly nice little film 
the humor and humanity 
bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness 
because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving 
are neither original 
unfaithful is at once intimate and universal cinema . 
a polished and vastly entertaining caper film that puts the sting back into the con . 
life affirming and heartbreaking , sweet without the decay factor , funny and sad 
his intellectual rigor 
honesty that is tragically rare in the depiction of young women in film 
dealing with dreams , visions or being told what actually happened as if it were the third ending of clue 
a disney pic 
, crazy as hell marks an encouraging new direction for la salle . 
undeniably moving 
into a lyrical and celebratory vision 
walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost . 
does n't live up to material 
is rather choppy 
of the movie 's success 
the astonishingly pivotal role 
that fuels the self-destructiveness of many young people 
the average white band 's `` pick up the pieces 
grow boring ... 
invites unflattering comparisons 
the right conditions 
brisk , reverent , and subtly different 
shakes you vigorously 
proves it 's never too late to learn 
why anyone who is not a character in this movie should care is beyond me . 
oddly moving 
a lot of laughs in this simple , sweet and romantic comedy 
that breathes extraordinary life into the private existence of the inuit people 
mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either . 
, imagination and insight 
the edge of your seat 
it 's a lovely , eerie film that casts an odd , rapt spell . 
jack o ' 
naturalistic acting 
's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours . 
by john woo in this little-known story of native americans and their role in the second great war 
sex with strangers is a success . 
, director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
compassion , sacrifice , and christian love 
they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting . 
is anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ? 
permits laughter 
, standard disney animated fare , with enough creative energy and wit to entertain all ages . 
it 's affecting , amusing , sad and reflective . 
by now intolerable 
although made on a shoestring and unevenly 
with steven seagal 
is consistently amusing and engrossing ... 
you feel good , you feel sad , 
is cheap junk and an insult to their death-defying efforts 
( sports ) admirable energy , full-bodied characterizations and narrative urgency . 
captures the unsettled tenor of that post 9-11 period far better 
, credible 
the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
's quite an achievement to set and shoot a movie at the cannes film festival 
this waste of time 
that it can not even be dubbed hedonistic 
conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
a stark portrait of motherhood deferred and desire 
wishing for a watch that makes time go faster rather than the other way 
cheap , b movie way 
i was entranced . 
a copy of a copy of a copy 
mesmerizing 
pat storylines , precious circumstances and beautiful stars 
realizing that you 've spent the past 20 minutes looking at your watch and 
transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil 
mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies 
for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster 
a dim-witted and lazy spin-off of the animal planet documentary series , crocodile hunter is entertainment opportunism at its most glaring . 
is enjoyable family fare 
, instantly disposable 
an almost sure-fire prescription 
sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen . 
one oscar nomination for julianne moore this year 
smart and fun , but far more witty than it is wise 
a good shot 
redundant , sloppy 
do n't even like their characters 
little doubt that kidman has become one of our best actors 
will wish there had been more of the `` queen '' and less of the `` damned . '' 
others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches 
good things happen to bad people 
if there was ever a movie where the upbeat ending feels like a copout , this is the one . 
no one involved , save dash , shows the slightest aptitude for acting , 
lifeless rumblings 
major problem 
not to be awed by the power and grace of one of the greatest natural sportsmen of modern times 
is analytical 
works because of the ideal casting of the masterful british actor ian holm 
coupling disgracefully written dialogue with flailing bodily movements that substitute for acting 
is warm , inviting , and surprising 
a fine idea 
the charm of the first movie is still there , and 
vanity project 
's very beavis and butthead , yet always 
a vibrant whirlwind of love , family and all that 
warm your heart 
, no-frills ride 
, unmemorable filler . 
the proud warrior that still lingers in the souls of these characters 
emotional intelligence 
fincher takes no apparent joy in making movies 
visceral and spiritual 
he 's a better actor than a standup comedian . 
, this dumas adaptation entertains 
the man 
there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
confessions is n't always coherent , 
flamboyant in some movies and artfully restrained in others , 65-year-old jack nicholson could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary . 
but it was n't . 
crummy-looking videotape 
this is downright movie penance 
the slow , lingering death of imagination 
director douglas mcgrath 
of a first-rate cast 
nearly glows with enthusiasm , sensuality and a conniving wit . 
all the outward elements of the original 
of riveting set pieces 
a very valuable film 
openness , the little surprises 
is only so much baked cardboard i need to chew 
, it 's a film that affirms the nourishing aspects of love and companionship . 
no thanks . 
this comic slugfest 
a horror movie with seriously dumb characters , which somewhat dilutes the pleasure of watching them 
, uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
is lacking 
buy the movie milk when the tv cow is free 
, the hot chick is pretty damned funny . 
a lot of talent 
problematic 
what 's even more remarkable 
has a whip-smart sense of narrative bluffs . 
authenticate 
should share screenwriting credit 
chicago make the transition from stage to screen with considerable appeal intact 
the fun 
, hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor . 
feel fresh 
the off-center humor is a constant , and the ensemble gives it a buoyant delivery 
it 's his strongest performance since the doors 
's a great performance and a reminder of dickens ' grandeur . 
embraces it , energizes it 
del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy . 
without reeking of research library dust 
a much needed kick , making `` die another day '' one of the most entertaining bonds in years 
fling gags at it 
stylish but steady , and ultimately very satisfying 
it does give exposure to some talented performers 
's never dull and 
only a fleeting grasp of how to develop them 
gets way too mushy -- and in a relatively short amount of time . 
michael moore 's latest documentary about america 's thirst for violence is his best film yet ... 
unfunny tricks 
stale , standard , connect-the-dots storyline 
cruel , misanthropic stuff 
bland police procedural details , fiennes 
succeeds mainly on the shoulders of its actors . 
's a terrible movie in every regard , and utterly painful to watch . 
that it 's offensive , but that it 's boring 
control-alt-delete simone 
's something awfully deadly about any movie with a life-affirming message 
with one of france 's most inventive directors 
character to avoid the fate that has befallen every other carmen before her 
the accidental spy is a solid action pic that returns the martial arts master to top form 
terrible 
the cultural distinctions 
tiresome jargon 
even more predictable , cliche-ridden 
unrelentingly grim -- 
heartwarming and gently comic even as the film breaks your heart 
a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists . 
rock 's stand-up magic 
fear and paranoia 
high-adrenaline documentary 
above anything sandler 
there 's not nearly enough that 's right 
is a riveting , brisk delight 
the movie is all portent and no content 
creates a fluid and mesmerizing sequence of images 
ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans 
incurably romantic 
vibrance 
take for granted in most films are mishandled here . 
remarkable yet 
i have given this movie a rating of zero . 
well-thought stunts 
but certainly hard to hate 
a wry , affectionate delight 
scores a direct hit . 
is n't downright silly 
every moment crackles with tension , and 
wildlife 
is careless and unfocused . 
a bit exploitative 
welled up in my eyes both times 
inspires more 
fill the hot chick , the latest gimmick from this unimaginative comedian 
the leads ) are such a companionable couple 
gutter romancer 's 
this is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen . 
of wladyslaw szpilman , who is not only a pianist , but a good human being 
shrewd 
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and our hearts go out to them as both continue to negotiate their imperfect , love-hate relationship 
heart-felt 
make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
peculiar and always entertaining costume drama 
shamelessly enjoyed it 
the most part a useless movie 
crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins 
thumbs down due to the endlessly repetitive scenes of embarrassment 
the best film of the year 2002 
ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh 
the material and the production itself are little more than routine . 
to be taken seriously 
this is a heartfelt story ... it just is n't a very involving one 
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause . 
an ingenious and often harrowing 
shabby digital photography 
a pretty good execution 
rerun 
, wendigo is a genuinely bone-chilling tale . 
of the most affecting depictions of a love affair 
is an inexpressible and drab wannabe looking for that exact niche 
a technical triumph and 
the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug 
unpleasant 
's an excellent 90-minute film here 
ambitious 
fun and nimble 
allowing us to find the small , human moments , and leaving off with a grand whimper 
purposefully 
the filmmakers try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching . 
cheesier to cheesiest 
muddled 
tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
an ambitious ` what if ? ' 
enjoying himself immensely 
will be two hours gained 
bore most audiences 
a clumsily manufactured exploitation flick 
a crisp psychological drama ( and ) a fascinating little thriller that would have been perfect for an old `` twilight zone '' episode 
feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
a few good laughs 
is more fully 
the film has the high-buffed gloss and high-octane jolts you expect of de palma , but what makes it transporting is that it 's also one of the smartest , most pleasurable expressions of pure movie love to come from an american director in years . 
takes its central idea way too seriously 
annoying and 
you 'll want to crawl up your own *** in embarrassment 
would require many sessions on the couch of dr. freud . 
sweet-tempered 
that underlies the best of comedies 
fairly harmless 
no big whoop 
arrives at its heart , as simple self-reflection meditation 
an old-fashioned scary movie , one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed 
solid performances and 
occasional jarring glimpses of a modern theater audience watching the events unfold 
to the movie 's contrived , lame screenplay and listless direction 
mature and frank fashion 
dopey old 
craven 
explicit 
subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
most horrific 
most immediate and most obvious 
gaunt 
be a bit of a cheat in the end 
aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats 
something else altogether -- clownish and offensive and nothing at all like real life 
with enough unexpected twists 
that rival vintage looney tunes for the most creative mayhem in a brief amount of time 
a movie that understands characters must come first 
being the ultra-violent gangster wannabe 
weighty revelations , flowery dialogue , and nostalgia for the past 
how good 
philosophical emptiness and maddeningly sedate pacing 
also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . 
as it should be 
of fighting hard for something that really matters 
amiable 
unfulfilling 
is worthwhile for reminding us that this sort of thing does , in fact , still happen in america 
plays closer to two . 
direct-to-video stuff 
, e.t. is still a cinematic touchstone . 
funny , 
a can of 2-day old coke 
charge money for this ? 
feels like a streetwise mclaughlin group ... and never fails to entertain 
over a late-inning twist that just does n't make sense 
assayas ' ambitious , sometimes beautiful adaptation of jacques chardonne 
through this picture i was beginning to hate it 
so many red herrings , 
be low , very low , very very low , for the masquerade to work 
technical flaws to get in the way 
the triviality 
articulates 
kapur gives us episodic choppiness , undermining the story 's emotional thrust . 
the superficially written characters ramble on tediously about their lives , loves and the art 
substantive movie 
is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 . 
is so pat it makes your teeth hurt 
sensual 
that pollyana would reach for a barf bag . 
the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose 
wildly inventive mixture 
delightfully unpredictable , hilarious comedy 
an uplifting , near-masterpiece . 
is the gabbiest giant-screen movie ever , bogging down in a barrage of hype . 
's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions 
uncompromising knowledge 
for perfectly acceptable , occasionally very enjoyable children 's entertainment 
completely delightful 
the teeny-bopper set 
wish had been developed with more care 
of those movies that catches you up in something bigger than yourself 
of animal house 
payne constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human . 
of american pie hijinks 
a terrific screenplay and 
the film 's creepy 
an off-beat and fanciful film about the human need for monsters to blame for all that 
's better than the phantom menace 
... instead go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance . 
an angel simplicity 
an odd , haphazard , and inconsequential romantic comedy . 
look as if it were being shown on the projection television screen of a sports bar 
takes hold and grips 
sad but endearing characters 
outrageous or funny 
it seeks to rely on an ambiguous presentation 
, it irrigates our souls . 
the ridiculousness of its premise 
a smart , funny look 
flakeball 
, introspective and entertaining 
the best of godard 's movies 
no amount of good acting 
nobody here bothered to check it twice . 
`` cremaster 3 '' should come with the warning `` for serious film buffs only ! '' 
more strongly 
the believer is nothing less than a provocative piece of work 
though he only scratches the surface , at least he provides a strong itch to explore more . 
horrible pains 
been there , done that , 
laughable 
seems a bit on the skinny side 
the story ... is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is . 
neatly 
same love story 
i stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights . 
the cast , collectively a successful example of the lovable-loser protagonist , shows deft comic timing . 
quaid is utterly fearless as the tortured husband living a painful lie , and 
i have n't seen such self-amused trash since freddy got fingered . 
works - 
's coherent , well shot , 
guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) . 
's already a joke in the united states . 
a heartbreakingly thoughtful minor classic 
-- lots of boring talking heads , etc. -- 
like the original 
of the ya-ya sisterhood 
give shapiro , goldman , and bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour 
unimaginative 
a dramatic comedy as pleasantly 
to a superior crime movie 
in an increasingly important film industry and 
's dull , spiritless , silly and monotonous 
the likes 
without resorting to camp or parody 
terrific special effects and 
improved upon the first and 
has about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
an overly-familiar set 
this wafer-thin movie 
this film speaks for itself 
about a domestic unit finding their way to joy 
sublime music 
should never have been brought out of hibernation 
it never rises to its clever what-if concept . 
it 's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's . 
a genuine love story , 
will indie filmmakers subject us to boring , self-important stories of how horrible we are to ourselves and each other 
avarice and damaged dreams 
devoid of objectivity and full of nostalgic comments from the now middle-aged participants 
the comedy equivalent of saddam hussein 
dark , gritty , sometimes funny little gem 
an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story 
it 's still damn funny stuff 
distanced us 
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set of plot devices . 
the performances are amiable and committed , and the comedy more often than not hits the bullseye 
er , bubbly 
of candid camera 
` opening up ' the play more has partly closed it down . 
mr. spielberg 's 1993 classic 
was a guilty pleasure 
this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
throws quirky characters , odd situations , and off-kilter dialogue at us 
you come away from his film overwhelmed , hopeful and , perhaps paradoxically , illuminated . 
, but director carl franklin adds enough flourishes and freak-outs to make it entertaining . 
stand as intellectual masterpieces 
a superlative b movie -- funny , sexy , and rousing 
relic from a bygone era , and its convolutions ... 
its screwed-up characters 
-- thoughtfully written 
though the story ... is hackneyed 
seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
( headbanger ) 
fun and 
lively songs for deft punctuation 
are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence 
well-put-together piece 
boring talking heads , 
, `` rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
this is n't a stand up and cheer flick ; it 's a sit down and ponder affair . 
provides an invaluable service 
hackneyed elements 
help sustain it 
plays like a living-room war of the worlds , gaining most of its unsettling force from the suggested and the unknown . 
on-screen chemistry 
by director jon purdy 's sledgehammer sap 
created a brilliant motion picture 
, miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path . 
with serious ideas 
i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care 
means a great movie , but it is a refreshingly forthright one . 
seems embarrassed by his own invention 
a prison comedy that never really busts out of its comfy little cell . 
this familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences , though it 's told with sharp ears and eyes for the tenor of the times . 
inspiring or insightful 
did n't hollywood think of this sooner 
a lot more bluster than bite 
attempts , in vain 
guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
give you a few laughs 
uninteresting , unlikeable people 
with real thematic heft 
proves it 's never too late to learn . 
did n't have an original bone in his body 
a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham 
welcome relief 
contrived , unmotivated , and 
if encouraging return 
tv episodes 
with an expressive face reminiscent of gong li and a vivid personality like zhang ziyi 's 
uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
laconic and very stilted in its dialogue , this indie flick never found its audience , probably because it 's extremely hard to relate to any of the characters . 
misty-eyed southern nostalgia piece 
a momentum that never lets up 
with cute accents performing ages-old slapstick and unfunny tricks 
inescapably gorgeous , 
lagging 
it is most of the things costner movies are known for ; it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it 
an original talent 
much first-rate 
a sour taste in your mouth 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , 
a sham 
needed 
mean it still wo n't feel like the longest 90 minutes of your movie-going life 
this bitter italian comedy 
to be passionate and truthful 
the art direction and costumes are gorgeous and finely detailed 
it is a kind , unapologetic , sweetheart of a movie 
how thoroughly unrewarding all of this 
cinema 's directorial giants 
, i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort . 
baran is a gentle film with dramatic punch , a haunting ode to humanity . 
who cares ? ) . 
is that it 's not as obnoxious as tom green 's freddie got fingered 
a determined , ennui-hobbled slog 
photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen 
with a sense of his reserved but existential poignancy 
is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . 
the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way . 
take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time 
while hollywood ending has its share of belly laughs ( including a knockout of a closing line ) 
a james bond series 
's well worth 
ham-fisted 
can be accused of being a bit undisciplined 
on his sentimental journey of the heart 
donovan ... squanders his main asset , jackie chan , and fumbles the vital action sequences 
a big letdown 
snooze . 
often heartbreaking 
can be as tiresome as 9 seconds of jesse helms ' anti- castro 
as predictable as the outcome of a globetrotters-generals game 
stylish but steady 
large-scale action and suspense 
creative , energetic and original 
a timely , tongue-in-cheek profile 
`` terrible 
champion the fallibility of the human heart 
goes where you expect and often surprises you with unexpected comedy 
mostly believable , refreshingly low-key 
a bad improvisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art 
turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
falls short in building the drama of lilia 's journey 
statham employs an accent that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british . 
the routine day to day 
all of its assigned marks to take on any life of its own 
the sweet , melancholy spell 
is a shame that more wo n't get an opportunity to embrace small , sweet ` evelyn . 
enriched by a strong and unforced supporting cast . 
although devoid of objectivity and full of nostalgic comments from the now middle-aged participants , dogtown and z-boys has a compelling story to tell . 
so much first-rate 
, kinetically-charged spy flick worthy 
fascinating -- and timely -- 
of a stylish psychological thriller 
a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
pointless , tasteless and idiotic 
chilling and heart-warming 
a smart movie 
poignant and wryly amusing 
oozes craft 
good performances and a realistic , non-exploitive approach 
a teenybopper ed wood film , replete with the pubescent scandalous innuendo and 
must go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him . 
very , very good 
delivers on that promise 
, violent and a bit exploitative but also nicely done , morally alert and street-smart 
keenly observed and 
seems to be missing a great deal of the acerbic repartee of the play . '' 
a rather tired exercise in nostalgia . 
is still a cinematic touchstone 
what a reckless 
super heroes 
an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time . 
self-consciously flashy camera effects , droning house music and flat , flat dialogue 
, unconvincing 
its usual worst 
the story the movie tells is of brian de palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career . 
be a great piece of filmmaking 
remains 
a flick about our infantilized culture that is n't entirely infantile 
unfortunately , one hour photo lives down to its title . 
( denis ' ) bare-bones narrative more closely resembles an outline for a '70s exploitation picture than the finished product . 
pure composition and form 
career-best 
realized that i just did n't care 
submerged here , 
clumsy dialogue 
this turgid fable 
does n't understand the difference between dumb fun and just plain dumb 
hardly distinguish it from the next teen comedy 
a murder mystery that expands into a meditation on the deep deceptions of innocence 
... for all its social and political potential , state property does n't end up being very inspiring or insightful . 
if festival in cannes nails hard - boiled hollywood argot with a bracingly nasty accuracy 
's really unclear why this project was undertaken 
remarkably alluring 
that sneaks up on the viewer , providing an experience that is richer than anticipated 
empty 
way original 
scorsese 's bold images 
been the ultimate imax trip 
lies considerable skill and determination , backed by sheer nerve . 
it 's pleasant enough and 
to sag in certain places 
do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and 
marks a modest if encouraging return to form 
been more charming than in about a boy 
the kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly 
in the mood for an intelligent weepy 
a flick boasting this many genuine cackles 
of action man cliché atop wooden dialogue 
i found myself growing more and more frustrated and detached as vincent became more and more abhorrent . 
drag two-thirds through , 
so preachy-keen and 
( including a knockout of a closing line ) 
refreshing . 
a low-budget affair , tadpole was shot on digital video , 
i 've yet to find an actual vietnam war combat movie actually produced by either the north or south vietnamese 
of the smartest 
mr. polanski is in his element here 
her pure fantasy character 
a faulty premise 
never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class . 
mythic status 
delightful little film 
that 's fun for kids of any age . 
a side of contemporary chinese life that many outsiders will be surprised to know 
's not a comedic moment in this romantic comedy . 
alternately hilarious and sad , aggravating and 
characters ramble 
encumbers itself 
by surrounding us with hyper-artificiality , haynes makes us see familiar issues , like racism and homophobia , in a fresh way . 
liked it just enough 
is shockingly devoid of your typical majid majidi shoe-loving , crippled children 
extra little something 
i can channel one of my greatest pictures , drunken master 
lousy script 
is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders 
an elegant work , 
cartoonish clichés and sneering humor 
what makes dover kosashvili 's outstanding feature debut so potent 
a slick , engrossing melodrama 
that actually has something interesting to say 
the dead horse 
very tasteful 
loved the look of this film 
the tuxedo was n't just bad ; 
of unfocused , excruciatingly tedious cinema 
the overcooked , ham-fisted direction , 
mesmerizing music 
may be more genial than ingenious , but 
while it is interesting to witness the conflict from the palestinian side , longley 's film lacks balance ... and fails to put the struggle into meaningful historical context . 
fans of the modern day hong kong action film finally have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for . 
a nicely understated expression 
subject as monstrous 
the large-frame imax camera lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers . 
now numerous , world-renowned filmmakers 
cleverly 
already thin story 
of good intentions derailed by a failure to seek and strike just the right tone 
into the extraordinarily rich landscape 
great way 
resist his pleas to spare wildlife and respect their environs 
college keg party 
sly , intricate magic 
decomposition 
comes across as lame and sophomoric in this debut indie feature 
based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting 
filmmaking from one of french cinema 's master craftsmen 
's 86 minutes too long 
gondry 's direction is adequate ... but what gives human nature its unique feel is kaufman 's script . 
innocence and idealism 
pitch-perfect holden 
a very real and amusing give-and-take 
nicolas cage is n't the first actor to lead a group of talented friends astray 
nothing short of a masterpiece -- and a challenging one . 
an entertaining mix 
, she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions . 
wishing that you and they were in another movie 
the utter cuteness 
to give it a marginal thumbs up 
acclaimed 1952 screen adaptation 
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' - it is more than merely a holocaust movie . 
make it sting 
conceivable mistake 
from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
entirely successful 
a surprising winner 
a loud , brash and mainly unfunny high school comedy . 
's a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions . 
many subplots 
is heartening in the same way that each season marks a new start 
's a very entertaining , thought-provoking film with a simple message 
is a treat 
be as naturally charming as it needs to be 
a vivid 
become annoying and artificial 
the film 's crisp , unaffected style and 
the unfulfilling , incongruous , 
gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection 
undone by a sloppy script 
is genuinely witty 
as tricky and satisfying as any of david 
any recent film , independent or otherwise , 
maintains an appealing veneer without becoming too cute about it 
maintains a surprisingly buoyant tone 
that santa bumps up against 21st century reality so hard 
that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field 
throughout all the tumult 
perfectly pleasant if slightly pokey comedy 
to dog-paddle in the mediocre end of the pool 
sentimental but entirely irresistible 
too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises 
the killing field and the barbarism of ` ethnic cleansing 
have dumped a whole lot of plot in favor of ... outrageous gags 
to be had from films crammed with movie references 
bring the routine day to day struggles of the working class to life 
dullingly repetitive 
formuliac 
a complete waste 
does n't hurt anyone and works for its participants 
recommended -- as visually bland as a dentist 's waiting room , 
of tenderness required to give this comic slugfest some heart 
french cinema 's master craftsmen 
unified 
denying 
adds enough flourishes and freak-outs to make it entertaining 
pushiness 
is confusing on one level or another , making ararat far more demanding than it needs to be . 
overcome the film 's manipulative sentimentality and annoying stereotypes 
attraction and interdependence 
's easier to change the sheets 
the right place 
such a buoyant , expressive flow of images 
the war movie compendium 
the colorful masseur wastes its time on mood rather than riding with the inherent absurdity of ganesh 's rise up the social ladder . 
wimps out by going for that pg-13 rating , so 
ill-considered 
passe 
as a tragic figure 
witty 
in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place 
paranoid 
his promise 
floats beyond reality with a certain degree of wit and dignity 
` nature ' loves the members of the upper class almost as much as they love themselves . 
uncompelling 
putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master 
between dumb fun and just plain dumb 
filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism 
falling short 
a bad idea 
with acting ambition but no sense of pride or shame 
lazy 
educational ! 
sent back 
this real-life hollywood fairy-tale 
than bland 
's a pleasure to have a film like the hours as an alternative 
season 
annoying , is n't it 
wayward teen 
where human nature should be ingratiating , it 's just grating 
a nightmare 
to crush depth 
elaborate special effects 
and it is n't that funny 
painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory 
while the story does seem pretty unbelievable at times , it 's awfully entertaining to watch . 
expecting 
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled 
is heartfelt and hilarious in ways you ca n't fake 
have otherwise been bland and 
've seen a movie instead of an endless trailer 
this marvelous film 
's surely something wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits 
ozpetek falls short in showing us antonia 's true emotions 
director carl franklin , so crisp and economical in one false move , bogs down in genre cliches here . 
lathan and diggs carry the film with their charisma , and both exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest . 
due to its rapid-fire delivery and 
this pathetic junk is barely an hour long . 
with dramatic punch , a haunting ode to humanity 
delivering a more than satisfactory amount of carnage 
reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world . 
an important film 
the last kiss will probably never achieve the popularity of my big fat greek wedding , but 
could hate it for the same reason 
great visual stylists 
is a masterfully conducted work . 
was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
unblinkingly pure 
another disjointed 
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but 
go down with a ship as leaky as this 
in a vat of failed jokes , twitchy acting , and general boorishness 
dedication 
that perverse element 
is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot . 
frustrations 
a journey that is as difficult for the audience to take as it is for the protagonist -- yet it 's potentially just as rewarding . 
down over 140 minutes 
a tasty performance from vincent gallo lifts this tale of cannibal lust above the ordinary 
rare to find a film to which the adjective ` gentle ' applies 
insult 
is n't afraid to try any genre and to do it his own way 
you 've ever seen 
is a divine monument to a single man 's struggle to regain his life , his dignity and his music . 
frequent flurries of creative belly laughs and genuinely enthusiastic performances 
red dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation . 
it follows the blair witch formula for an hour , in which we 're told something creepy and vague is in the works , and 
a movie-of-the-week tearjerker 
as violent , profane and exploitative as the most offensive action flick you 've ever seen . 
thoroughly enjoyed themselves and 
is grotesque and boring 
drawing on an irresistible , languid romanticism 
the troubling thing 
a cinematic disaster 
even lower-wit 
packed with just as much intelligence 
awkward hybrid 
admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
of too many chefs fussing over too weak a recipe 
highly-praised disappointments i 
the story ultimately takes hold and grips hard . 
move over bond ; this girl deserves a sequel 
can be numbing 
in love with myth 
brings together 
messy and frustrating , 
the lovers 
errors 
silly humbuggery ... 
of cheesy dialogue 
one moment in the film that surprises or delights 
was written for no one 
this makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever . 
cesspool 
in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
see it as soon as possible 
it 's quite enough to lessen the overall impact the movie could have had 
this is n't a movie ; it 's a symptom 
capturing 
fessenden has nurtured his metaphors at the expense of his narrative 
likely to drown a viewer in boredom than to send any shivers down his spine 
adventure and a worthwhile environmental message 
be engaging 
remains a film about something , one that attempts and often achieves a level of connection and concern 
the film with their charisma 
yes , that 's right 
warm and exotic 
treats ana 's journey with honesty that is tragically rare in the depiction of young women in film . 
( breheny 's ) lensing of the new zealand and cook island locations captures both the beauty of the land and the people . 
could be any flatter 
just two of the elements that will grab you 
laborious pacing 
are odd and pixilated and sometimes both . 
all of the elements are in place for a great film noir , 
been trying to forget 
the first film so special 
certainly does n't feel like a film that strays past the two and a half mark 
dumb , credulous , unassuming , subordinate 
a little fleeing of its own 
and unabashed sweetness 
audiences on both sides of the atlantic love him 
the hot topics of the plot are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty . 
dubious product 
upfront that the plot makes no sense 
for serious film buffs 
lightweight , uneven action comedy 
confirms lynne ramsay as an important , original talent in international cinema 
very enjoyable ... 
anyone who has seen the hunger or cat people will find little new here 
watching these two actors play against each other so intensely , but with restraint , is a treat . 
, my sweet has so many flaws it would be easy for critics to shred it . 
guaranteed to lift the spirits of the whole family 
it 's not nearly as fresh or enjoyable as its predecessor , 
is not edward burns ' best film 
few new converts 
cringing 
wasted a lot of their time ( including mine ) on something very inconsequential 
deferred and desire 
released in imax format 
is intriguing but quickly becomes distasteful and downright creepy 
more because you 're one of the lucky few who sought it out 
, romance , tragedy , false dawns , real dawns , comic relief 
truth-telling 
delightful romantic comedy 
its total promise 
damage 
feels counterproductive 
things really get weird , though not particularly scary : the movie is all portent and no content . 
this in recompense : a few early laughs scattered around a plot as thin 
a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing 
working from a surprisingly sensitive script co-written 
could easily be called the best korean film of 2002 . 
it 's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf . 
big laughs 
there are some fairly unsettling scenes , but 
its surprises limp 
back-stabbing 
have a tendency to slip into hokum 
euphoria 
fade from memory 
, it has all the heart of a porno flick ( but none of the sheer lust ) . 
pretty decent kid-pleasing 
due to its rapid-fire delivery and enough inspired levity 
offers no new insight on the matter , nor 
to lead a group of talented friends astray 
their romances 
a big-budget/all-star movie as unblinkingly pure as the hours 
oh , and more entertaining , too . 
an uncluttered , resonant gem that relays its universal points without lectures or confrontations 
's a pedestrian , flat drama that screams out ` amateur ' in almost every frame 
conrad l. hall 's cinematography will likely be nominated for an oscar next year -- 
seem downright hitchcockian 
surprisingly sweet and gentle comedy 
exhaustingly contrived 
then it 's the perfect cure for insomnia . 
one of those so-so films that could have been much better . 
stylish film 
did n't mean much to me 
those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time 
ensemble cast 
predicament 
has a solid emotional impact 
silly beyond comprehension 
knocks it flat 
probably will enjoy themselves . 
an infuriating film . 
with his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
ability to right itself precisely when you think it 's in danger of going wrong 
steal your heart 
to my great pleasure , 
insane comic 
give shapiro , goldman , and bolado credit for good intentions , 
not-so-small problem 
is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . 
you had already seen that movie 
more strongly to storytelling 
that works against itself 
as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking 
to laugh , groan and hiss 
this franchise has not spawned a single good film . 
deep-seated , emotional 
, original talent 
is a remarkable piece of filmmaking ... because you get it 
thousand cliches 
infuses the movie with much of its slender , 
-- being real -- 
earns the right to be favorably compared to das boot 
to give the film a soul and an unabashed sense of good old-fashioned escapism 
a fine production 
film that suffers because of its many excesses 
at a time when commercialism has squeezed the life out of whatever idealism american moviemaking ever had , godfrey reggio 's career shines like a lonely beacon . 
is serene , the humor wry and sprightly . 
pinheads 
chilling and fascinating 
will thrill you , touch you and make you 
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... in praise of love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating . 
( a ) mess . 
at times , it actually hurts to watch . 
is the word for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach . 
important director 
between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial 
displays impeccable comic skill 
barry 's cold-fish act makes the experience worthwhile 
sharp comic timing 
a delightful romantic comedy with plenty 
is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort . 
new 
, there is n't much to it . 
two things drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
excellent 90-minute film 
an interesting look 
out-to-change-the-world 
drown out the tinny self-righteousness of his voice 
too long and bogs down in a surfeit of characters and unnecessary subplots 
quiet , introspective and entertaining independent 
whole hours 
another director ever making his wife look so bad in a major movie 
darkly funny and 
together in a stark portrait of motherhood deferred and desire 
aan opportunity wasted . 
sweeping 
pulp melodrama 
that is the central flaw of the film 
finally has failed him . 
much worth 
keep them guessing 
a promise nor 
an out of place metaphor 
should see it as soon as possible . 
created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores 
his art , which is more than he has ever revealed before about the source of his spiritual survival 
is a funny , puzzling movie ambiguous enough to be engaging and oddly moving . 
's the worst movie of 2002 
forces you to ponder anew what a movie can be 
i thought the relationships were wonderful , the comedy was funny 
i could just feel the screenwriter at every moment ` tap , tap , tap , tap , tapping away ' on this screenplay . 
, below casts its spooky net out into the atlantic ocean and spits it back , grizzled and charred , somewhere northwest of the bermuda triangle . 
to put up with 146 minutes of it 
believability 
important movie 
to the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent 
the way to striking a blow for artistic integrity 
hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor 
zigzag might have been richer and more observant if it were less densely plotted . 
a student film 
holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
is too heady for children , and too preachy for adults 
fairly ludicrous 
uzumaki 's interesting social parallel and defiant aesthetic seems a prostituted muse ... 
does n't think much of its characters , its protagonist , or of us . 
weighs down the tale with bogus profundities 
the ethereal beauty 
surprising highs , sorrowful lows and hidden impulsive niches 
directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men . 
pulpy concept 
is a riot 
of awe 
aimless for much of its running time 
's most offensive 
grenier is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue . 
holes and completely lacking in chills 
absurdities 
the talent is undeniable 
, you barely realize your mind is being blown . 
does n't really know or care about the characters , 
the heart-pounding suspense 
an enjoyably frothy ` date movie ' ... 
an ultra-loud blast of pointless mayhem , 
is that it 's also one of the smartest 
felt fantasy of a director 's travel 
an edifying glimpse into the wit and revolutionary spirit of these performers and their era . 
's where the film ultimately fails 
is the ultimate movie experience 
an awkwardly contrived exercise in magic realism . 
is like watching an alfred hitchcock movie after drinking twelve beers . 
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence 
saps stuck in an inarticulate screenplay 
silly fluff 
this is a very ambitious project for a fairly inexperienced filmmaker 
a few pieces of the film buzz and whir ; very little of it actually clicks . 
viewed and treasured for its extraordinary intelligence and originality 
on a number of themes , not least the notion that the marginal members of society ... 
seems embarrassed 
fairly weak 
has nothing going for it other than its exploitive array of obligatory cheap 
seven rip-off 
on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy 
the holes in this film 
, french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition 
a surprisingly faithful remake 
refreshing 
that slather clearasil over the blemishes of youth 
should be probing why a guy with his talent ended up in a movie this bad 
's got the brawn , but not the brains 
realize , much to our dismay , that this really did happen 
forced drama in this wildly uneven movie , about 
a solid cast , 
its material that is deliberately unsettling 
if the full monty was a freshman fluke , lucky break is ( cattaneo ) sophomore slump . 
's a scorcher 
movie fun 
how important our special talents can be when put in service of of others 
the overuse of special effects 
exhibits the shallow sensationalism characteristic of soap opera ... more salacious telenovela than serious drama . 
shakespeare 
as ` wayne 
are really going to love the piano teacher . 
serving sara '' has n't much more to serve than silly fluff 
it also wrecks any chance of the movie rising above similar fare 
fascination , 
, murky and weakly acted 
a wonderful , ghastly film 
passionately 
would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman . 
the best ensemble casts 
superior horror flick 
perhaps the best sports movie i 've ever seen . 
a high enough level of invention 
a painfully slow cliche-ridden film filled with more holes than clyde barrow 's car . 
wreck 
unsettling subject matter 
have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet 
a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest 
it 's not nearly as fresh or enjoyable as its predecessor , but there are enough high points to keep this from being a complete waste of time . 
a single iota worse 
a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy 
a must for fans of british cinema , if only because so many titans of the industry are along for the ride . 
one decent performance from the cast and not one clever line of dialogue 
arduous journey 
is intelligently 
and there 's the inimitable diaz , holding it all together . 
but never mind all that ; the boobs are fantasti 
a teeth-clenching gusto 
with a bright future ahead of him 
's most refreshing about real women have curves 
the worst excesses 
is an exercise in chilling style , and twohy films the sub , inside and out 
providing some good old fashioned spooks 
rather unfocused 
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' 
strains 
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline 
hugely enjoyable in its own right though not really faithful to its source 's complexity 
you 've completely lowered your entertainment standards 
, the tale -- like its central figure , vivi -- is just a little bit hard to love . 
in good measure 
angela gheorghiu as famous prima donna floria tosca , roberto alagna as her lover mario cavaradossi , and ruggero as the villainous , lecherous police chief scarpia , all sing beautifully and act adequately . 
captive by mediocrity . 
be plenty of female audience members drooling over michael idemoto as michael 
as glum as mr. de niro 
crane 's decline 
has since 
full of charm 
sorvino makes the princess seem smug and cartoonish , and 
knows how to tell us about people . 
the characters are too simplistic to maintain interest , 
raimi and his team could n't have done any better in bringing the story of spider-man to the big screen . 
another genre exercise 
that george lucas can only dream of 
aftertaste 
a reworking of die hard and cliffhanger but it 's nowhere near as exciting as either . 
to be delightfully compatible here 
sure , it 's contrived and predictable , but its performances are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be . 
i 'd rather watch a rerun of the powerpuff girls 
how lame 
, the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time . 
to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california 
a burst of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at 
a picture-perfect beach 
accuracy 
a fan of the genre 
others in the genre 
a delightful entree 
brainless , but 
a wild , endearing , masterful documentary . 
sometimes improbable 
its one-sidedness ... flirts with propaganda 
been a more compelling excuse to pair susan sarandon and goldie hawn 
handsome and well-made entertainment 
well-executed spy-thriller . 
it does n't reach them , but the effort is gratefully received . 
a horrible , 99-minute stink bomb . 
does n't generate a lot of energy . 
, frenetic , funny , even punny 6 
see it for his performance if nothing else 
an action film that delivers on the promise of excitement 
the only type of lives this glossy comedy-drama resembles are ones in formulaic mainstream movies . 
a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
charming , funny and beautifully 
a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet 
action-packed 
new benchmark 
evokes the bottom tier of blaxploitation flicks from the 1970s 
, to the adrenaline jolt of a sudden lunch rush at the diner 
enormous packages 
a work of art 
been richer and more observant if it were less densely plotted 
despite juliet stevenon 's attempt to bring cohesion to pamela 's emotional roller coaster life 
an inconsequential 
beautifully filmed and well acted ... but admittedly problematic in its narrative specifics . 
's also not very good . 
fine , nuanced lead performances 
despite the surface attractions 
a compelling motion 
worse , routine 
... a movie that , quite simply , should n't have been made . 
the gay '70s 
, in short , is n't nearly as funny as it thinks it is 
watching a brian depalma movie is like watching an alfred hitchcock movie after drinking twelve beers . 
sacrificed for the sake of spectacle 
to be a monster movie for the art-house crowd 
its surprises 
looked like crap 
of this ` we 're - doing-it-for - the-cash ' sequel 
you expect of de palma , but what makes it transporting is that it 's also one of the smartest 
with a series of riveting set pieces 
tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy 
cliches , painful improbability and 
could have turned this into an argentine retread of `` iris '' or `` american beauty , 
guns , cheatfully filmed martial arts 
be lovely 
good time 
, by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
perfectly executed and wonderfully sympathetic 
is dudsville . 
is an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema . 
so easily after a few tries and become expert fighters after a few weeks 
laced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances 
illuminates 
the most blithe exchanges gives the film its lingering tug 
both contrived and cliched 
can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities 
, pity anyone who sees this mishmash . 
constricted 
too-conscientious adaptation 
is just the ticket you need . 
the empty theaters 
irony 
will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious 
it wants to be 
under-10 set 
a loud , ugly , irritating movie 
informative 
to long for the end credits 
clumsy 
looking for a return ticket 
's worth seeing 
stylized swedish fillm 
the queasy-stomached critic who staggered from the theater and blacked out in the lobby 
inspiring and pure 
is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
it 's makes a better travelogue than movie . 
functions as both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing . 
amateurish screenplay 
of the intelligent , well-made b movie 
wo n't stand the cold light of day 
it gives poor dana carvey nothing to do that is really funny , 
dazzle and delight us 
most complex , generous and subversive artworks 
its crack cast 
works better the less the brain is engaged 
wondering about the characters ' lives after the clever credits roll 
ultimately flawed 
a moving experience for people who have n't read the book 
appropriately cynical social commentary 
the connected stories of breitbart and hanussen are actually fascinating , but the filmmaking in invincible is such that the movie does not do them justice . 
alfred hitchcock 's 
the production has been made with an enormous amount of affection , 
sucks . ' 
may be a bit disjointed 
but i had a lot of problems with this movie . 
recipe , inspiring 
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel 
win 
in if argento 's hollywood counterparts ... had this much imagination and nerve 
one of the worst films of 2002 . 
eats , meddles , argues , laughs , kibbitzes 
's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth . 
is terrific , 
a rumor of angels does n't just slip -- it avalanches into forced fuzziness 
white 's dry wit 
a perverse , dangerous libertine and agitator -- 
is , more often then 
a whole lot of fun and funny in the middle , though somewhat less hard-hitting 
, a dark little morality tale disguised as a romantic comedy . 
on this screenplay 
ryan gosling ( murder by numbers ) delivers a magnetic performance . 
a lot richer than the ones 
their idol 's energy and passion for detail 
an energizing , 
competently 
sandra bullock and hugh grant make a great team 
damned in queen of the damned 
has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
it , ` hungry-man portions of bad ' 
a time machine , a journey back to your childhood 
yet another remarkable yet shockingly little-known perspective 
the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- 
exudes the urbane sweetness that woody allen seems to have bitterly forsaken 
the trees hooting it 's praises 
from its ripe recipe , inspiring ingredients 
unholy mess 
long on twinkly-eyed close-ups and short on shame . 
of hell 
miraculous movie 
, sweet and romantic 
rowling that stifles creativity and allows the film to drag on for nearly three hours 
sincere 
die for 
patchy combination 
emerged as hilarious lunacy in the hands of woody allen 
is just lazy writing . 
business plans 
he refuses to give us real situations and characters 
of telling a fascinating character 's story 
is simple but absorbing . 
stick figures reading lines from a teleprompter 
never knew what the hell was coming next 
seem to keep upping the ante on each other , just as their characters do in the film . 
appreciation of the daily 
ca n't begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents ... 
most viewers will wish there had been more of the `` queen '' and less of the `` damned . '' 
can act 
the tinny self-righteousness 
damn weird 
, this remains a film about something , one that attempts and often achieves a level of connection and concern . 
the light-footed enchantment 
if you appreciate the one-sided theme to lawrence 's over-indulgent tirade , then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest . 
left a few crucial things out , like character development and coherence 
best film 
that trademark grin of his -- so perfect for a ballplayer 
conjured up only 10 minutes prior to filming 
a film so unabashedly hopeful that it actually makes the heart soar 
it pushes its agenda too forcefully 
awe-inspiring 
said the film was better than saving private ryan 
the talk alone is enough to keep us 
a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own . 
are head and shoulders above much of the director 's previous popcorn work 
of high humidity 
it 's touching and tender and proves that even in sorrow you can find humor . 
is so far-fetched it would be impossible to believe if it were n't true 
with only the odd enjoyably chewy lump 
me no lika da accents so good , but 
an otherwise appalling , and downright creepy , subject -- 
it 's a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism . 
really rattling the viewer 
painfully formulaic and stilted 
of static set ups , not much camera movement , and most of the scenes 
causes of anti-semitism ever seen on screen . 
refreshing visit 
comfortable 
macabre 
better-focused 
it is n't quite one of the worst movies of the year . 
the product of loving , well integrated homage 
favorably compared to das boot 
thoroughly awful . 
almost senseless 
warm nor fuzzy 
brutal 90-minute battle sequence 
real women have curves truly is life affirming 
barely registering a blip on the radar screen of 2002 
sex ironically has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler . 
sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations 
an intriguing story of maternal instincts 
to sell us on this twisted love story 
more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch 
reviewers 
's nothing interesting in unfaithful 
a fairly slow paced , almost humdrum approach to character development 
there 's a heavy stench of ` been there , done that ' hanging over the film . 
recommended -- as visually bland as a dentist 's waiting room 
the characters seem one-dimensional , and the film is superficial and will probably be of interest primarily to its target audience . 
most of the things that made the original men in black such a pleasure 
you 've already seen city by the sea under a variety of titles , but it 's worth yet another visit . 
beautifully realized 
of the audience other than to sit back and enjoy a couple of great actors hamming it up 
a very resonant chord 
sheer audacity and openness 
character-who-shall - remain-nameless 
cell phones , guns , and the internal combustion engine 
painful elegy 
an ugly , pointless , stupid movie . 
than you could have guessed at the beginning 
, emotionally devastating piece 
sketches ... 
norwegian offering which somehow snagged an oscar nomination 
rendered tedious 
that it 's hardly watchable 
not-nearly 
while the film is not entirely successful , it still manages to string together enough charming moments to work . 
worth the effort 
the highly predictable narrative falls short 
those who do 
savvy 
makes minority report necessary viewing for sci-fi fans , 
norton is magnetic as graham . 
joyous celebration 
the form of dazzling pop entertainment 
definite room for improvement 
the thrown-together feel 
feeling embarrassed 
an extended , open-ended poem than a traditionally structured story 
made a movie that will leave you wondering about the characters ' lives after the clever credits roll 
are once again made all too clear in this schlocky horror/action hybrid . 
otherworldly 
has just as many scenes that are lean and tough enough to fit in any modern action movie 
there 's a casual intelligence that permeates the script 
a good way 
loved this film 
, flawed humanity 
of making us care about its protagonist and celebrate his victories 
the whole mess 
refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy . 
wo n't join the pantheon of great monster/science fiction flicks that we have come to love ... 
feels less 
dumb , 
all-woman 
beautifully shot , 
it all comes down to whether you can tolerate leon barlow . 
one of the smarter offerings the horror genre 
imitative 
the anarchist maxim that ` the urge to destroy is also a creative urge ' 
authentically vague , but ultimately purposeless 
of breathtaking , awe-inspiring visual poetry 
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
story and his juvenile camera movements 
a lovely , sad dance highlighted by kwan 's unique directing style 
engaging than the usual fantasies hollywood produces 
of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them 
some major alterations 
predictably efficient 
leguizamo and jones are both excellent and the rest of the cast is uniformly superb . 
is sufficiently funny 
greatest natural sportsmen 
festival in cannes offers rare insight into the structure of relationships . 
a rehash of every gangster movie from the past decade . 
is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be . 
sacrificing any of the cultural intrigue 
the mayhem in formula 51 
's just rather leaden and dull 
a delicious and delicately funny look at the residents of a copenhagen neighborhood coping with the befuddling complications life tosses at them . 
one part romance novel , 
dirty old man 
will find in these characters ' foibles a timeless and unique perspective . 
engaging story 
once overly old-fashioned 
obviously has its merits 
scam 
offers an intriguing what-if premise 
triumphantly returns to narrative filmmaking with a visually masterful work of quiet power . 
like it 
suspect that there are more interesting ways of dealing with the subject 
it 's all surface psychodramatics . 
a certain degree of wit and dignity 
done , so primitive in technique , that it ca n't really be called animation 
you thought would leave you cold 
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? 
are the lively intelligence of the artists and their perceptiveness about their own situations 
though a capable thriller 
they are what makes it worth the trip to the theater . 
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but 
choppy recycling 
of above the rest 
will probably have a reasonably good time with the salton sea . 
of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
, shot in artful , watery tones of blue , green and brown . 
despite all the closed-door hanky-panky , the film is essentially juiceless . 
atrociously 
this charmer 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo 
to winger fans who have missed her since 1995 's forget paris 
although god is great addresses interesting matters of identity and heritage , it 's hard to shake the feeling that it was intended to be a different kind of film . 
of exploitative garbage 
so different from the apple and so striking 
sitting around 
familiar but enjoyable 
static set ups , not much camera movement , 
has managed to marry science fiction with film noir and action flicks with philosophical inquiry . 
there 's not an original character , siuation or joke in the entire movie 
sewer rats could watch this movie and be so skeeved out that they 'd need a shower . 
generally insulting 
... have made the old boy 's characters more quick-witted than any english lit 
shunji iwai 's all about lily chou chou is a beautifully shot , but ultimately flawed film about growing up in japan . 
is a really special walk in the woods 
suck 
infuses the movie with much of its slender 
have made vittorio de sica proud 
what a pity 
there 's plenty to enjoy -- in no small part thanks to lau . 
de niro , mcdormand and the other good actors 
little substance 
a backstage must-see for true fans of comedy . 
succumbs to cliches and pat storytelling 
and `` terrible 
a wonderfully warm human drama that remains vividly in memory long after viewing 
who bilked unsuspecting moviegoers 
is a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- when it 's really an exercise in gross romanticization of the delusional personality type 
brimming with coltish , neurotic energy 
utterly static 
torments and 
drops the ball 
has clever ways of capturing inner-city life during the reagan years . 
term an `` ambitious failure 
the road to perdition 
promises a new kind of high but delivers the same old bad trip . 
an impressive roster 
, beautiful scene 
with enjoyable ease 
' romantic 
a compelling french psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart . 
, the film has a gentle , unforced intimacy that never becomes claustrophobic . 
with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups 
goes on for the 110 minutes of `` panic room '' 
low-tech 
he does n't , however , deliver nearly enough of the show 's trademark style and flash . 
this one gets off with a good natured warning 
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both 
real and 
've already seen city by the sea under a variety of titles 
'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
does hold up pretty well 
what 's most offensive is n't the waste of a good cast , but 
is worth your time , especially if you have ellen pompeo sitting next to you for the ride . 
even more ludicrous 
a movie that deserves recommendation 
unexpected moments of authentically impulsive humor are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery . 
tv skit-com material fervently deposited on the big screen . 
forgotten the movie 
's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd . 
went astray 
labeled ` hip ' , ` innovative ' and ` realistic ' 
some powerful people 
) soulless 
's an unhappy situation 
too straight-faced 
kids ( of all ages ) that like adventure 
, we do n't feel much for damon/bourne or his predicament 
be genuinely satisfying 
encompassing 
an erotic thriller 
humor to cover up the yawning chasm where the plot should be 
of both thematic content and narrative strength 
loathsome 
give us real situations and characters 
hoary dialogue , fluxing accents , and -- worst of all -- 
emerges as another key contribution 
yet curiously tepid and choppy recycling in which predictability is the only winner 
a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' 
i know i would have liked it more if it had just gone that one step further 
have the highest production values you 've ever seen 
such a bad movie that its luckiest viewers will be seated next to one of those ignorant 
with the two leads delivering oscar-caliber performances 
pretty contagious fun 
quietly moving moments and an intelligent subtlety 
well-wrought 
( `` safe conduct '' ) is a long movie at 163 minutes but it fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage . 
in the wrong hands 
but it 's just too too much 
director charles stone iii applies more detail to the film 's music than to the story line ; 
more complete than indecent proposal 
those seeking a definitive account of eisenstein 's life would do better elsewhere . 
swooping down on a string of exotic locales 
would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny . 
idiotic and ugly . 
the metaphors are provocative , but too often , the viewer is left puzzled by the mechanics of the delivery 
of humankind 's liberating ability 
ends with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie . 
the dimming 
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor . 
endure every plot contrivance that the cliché-riddled genre can offer 
seems to want to be a character study , 
you like peace 
leave you wanting more 
so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks 
unfolds in a series of achronological vignettes whose cumulative effect is chilling . 
runs out of steam 
funny humor 
plays like john le carré with a couple of burnt-out cylinders . 
an earnest study 
it contains almost enough chuckles for a three-minute sketch , and no more . 
with the unexplained baboon cameo 
serves up all of that stuff 
smothered 
excellent job 
turns a blind eye to the very history it pretends to teach . 
merely very bad 
reality drain 
must have baffled the folks in the marketing department 
's more enjoyable than i expected 
fire-breathing 
are just two of the elements that will grab you 
potentially trite and overused concept 
to the outstanding soundtrack 
the director mostly plays it straight , turning leys ' fable into a listless climb down the social ladder . 
the stunts in the tuxedo seem tired and , what 's worse , routine 
know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good 
original and insightful 
portrayed with almost supernatural powers 
looks elsewhere , seizing on george 's haplessness and lucy 's personality tics . 
pollyana would reach for a barf bag 
influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
memory , resistance and artistic transcendence 
if the full monty was a freshman fluke 
there is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure . 
surprisingly uninvolving 
low , smoky and inviting sizzle 
adventure movie 
in its lackluster gear of emotional blandness 
hailed as a clever exercise in neo-hitchcockianism , this clever and very satisfying picture is more accurately chabrolian . 
perry 's good and 
the movie is a lumbering load of hokum but ... 
succumbs to gravity and plummets to earth 
a more colorful , more playful tone 
solid movie 
a sense of dramatic urgency 
immature and 
, the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky . 
engaging , wide-eyed actress 
offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people . 
to one of demme 's good films 
end it all by stuffing himself into an electric pencil sharpener 
some worthwhile themes 
made swimfan anyway 
it 's horribly depressing and not very well done . 
mostly believable , refreshingly low-key and quietly inspirational little sports 
is generally light enough 
a predictable , manipulative stinker . 
perfectly portrays the desperation of a very insecure man 
that returns the martial arts master to top form 
is unable to project either esther 's initial anomie or her eventual awakening 
almost every possible way -- from the writing and direction to the soggy performances -- tossed off 
about the benjamins that 's hard to resist 
on the evidence before us , the answer is clear : not easily and , in the end , not well enough . 
sweet home abomination 
commands 
which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
the expressive power of the camera 
the movie 's sophomoric blend 
this is an extraordinary film , not least because it is japanese and yet feels universal . 
a young robert deniro 
will remind them that hong kong action cinema is still alive and kicking 
ear-splitting exercise in formula crash-and-bash action . 
gently humorous 
a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life 
waters it down , turning grit and vulnerability into light reading 
say nothing of boring 
might not give a second look if we passed them on the street 
change watching such a character 
memorable 
with the intelligence or sincerity it unequivocally deserves 
way too full 
like this movie a lot 
a bumper 
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and it lets the pictures do the punching . 
sultry 
all too literally 
less a movie than 
it 's the very definition of epic adventure . 
a ) soulless 
an adventure story and history lesson all in one 
a pale xerox of other , better crime movies . 
-- and at times , all my loved ones more than flirts with kitsch -- the tale commands attention . 
poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat 
made me want to pack raw dough in my ears 
in between all the emotional seesawing , it 's hard to figure the depth of these two literary figures , and even the times in which they lived . 
is worth your time , 
symbiotic relationship 
, are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence . 
it really won my heart 
of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
an intriguing look at the french film industry during the german occupation ; 
an actress she is 
unpaid 
burns is a filmmaker with a bright future ahead of him 
anyone who suffers through this film deserves , at the very least , a big box of consolation candy . 
, a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter . 
intermittently good time 
the movie is as padded as allen 's jelly belly . 
's so simple and precise that anything discordant would topple the balance 
more appealing 
bewilderingly brilliant and 
into the passive-aggressive psychology of co-dependence and the struggle for self-esteem 
better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals 
just about the best straight-up 
borscht 
the believability of the entire scenario 
key strength 
even jason x ... look positively shakesperean by comparison 
brilliant 
full advantage 
did i miss something ? '' 
, simple and soapy 
, composed delivery 
the modern-day royals have nothing on these guys when it comes to scandals . 
the very best movies 
keep you engaged 
is likely to find compelling 
as a director , eastwood is off his game -- 
pleasant enough -- and oozing with attractive men 
-- every member of the ensemble has something fascinating to do -- 
who feels acting is the heart and soul of cinema 
aniston has at last decisively broken with her friends image in an independent film of satiric fire and emotional turmoil . 
ever see one of those comedies that just seem like a bad idea from frame one ? 
see it twice 
the 3-d vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe 
lived in a state of quiet desperation 
its cutesy reliance on movie-specific cliches is n't exactly endearing 
( t ) he script is n't up to the level of the direction , nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent . 
down-and-dirty laugher 
another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees 
simply not funny performers 
to be engaging 
clever and cutting 
these broken characters who are trying to make their way through this tragedy 
good actors 
easy to love robin tunney 
're not merely watching history 
is still very much worth seeing 
of an aging filmmaker still thumbing his nose at convention 
but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
complete mess 
-- but certainly hard to hate . 
is so rich with period minutiae it 's like dying and going to celluloid heaven . 
often play like a milquetoast movie of the week blown up for the big screen 
( lin chung 's ) voice is rather unexceptional , even 
the condition of art 
moment 
is a fascinating film because there is no clear-cut hero and no all-out villain 
some honest insight 
warm , 
can be expected from a college comedy that 's target audience has n't graduated from junior high school ? 
gondry 's direction is adequate ... but what gives human nature its unique feel is kaufman 's script 
lamer instincts 
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy 
left with a sour taste in your mouth 
character creations 
alternately hilarious and sad , aggravating and soulful , scathing and joyous 
, whimsical feature 
the histrionics reach a truly annoying pitch 
great films 
does n't really add up to much . 
a lovely trifle that , unfortunately , is a little too in love with its own cuteness 
stay 
has claws enough to get inside you and stay there for a couple of hours 
is also a film of freshness , imagination and insight . 
dislocation 
honest performances and exceptional detail 
buoyant , expressive flow 
a sub-formulaic slap in the face 
wow , so who knew charles dickens could be so light-hearted ? 
affected child acting to the dullest irish pub scenes 
slovenly life 
made at least one damn fine horror movie 
innovation 
, narc takes a walking-dead , cop-flick subgenre and beats new life into it . 
how much he runs around and acts like a doofus 
a classic fairy tale that perfectly captures the wonders and worries of childhood 
all the enjoyable randomness of a very lively dream 
clumsy and rushed 
the slack complacency of ( godard 's ) vision 
haunting tale 
an extraordinary film 
to enter and accept another world 
most slyly exquisite 
a masterpiece of elegant wit and artifice 
mysterious , sensual 
poorly dubbed dialogue and murky cinematography 
`` ... something appears to have been lost in the translation this time . 
his life drew to a close 
but uninvolving 
is in his element here 
delivered dialogue and a heroine who comes across as both shallow and dim-witted . 
high-octane 
i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) . 
rousing 
an imaginative teacher 
popped up with more mindless drivel 
it 's mildly amusing , but i certainly ca n't recommend it . 
be a total washout 
make it a great piece to watch with kids and use to introduce video as art 
deserves the hook 
you to enjoy yourselves without feeling conned 
genuine acting 
made a film that 's barely shocking , barely interesting and most of all , barely anything 
as i usually am to feel-good , follow-your-dream hollywood fantasies 
painful nuance 
a load of clams left in the broiling sun for a good three days 
touching film 
one of the outstanding thrillers of recent years 
insightful moments . 
have been picked not for their acting chops , but for their looks and 
a charm 
's simply , and surprisingly , a nice , light treat 
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , 
loser 
a sense-of-humour failure 
grows on you -- like a rash 
dim-witted pairing 
you 're not 
complaint 
of wit or charm 
does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
that covers our deepest , media-soaked fears 
bogged down by an overly sillified plot and stop-and-start pacing . 
it seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little . 
of the best ensemble casts of the year 
such an irrepressible passion for sappy situations and dialogue 
a minor miracle in unfaithful 
undeniably hard 
spits out denzel washington 's fine performance in the title role 
the criminal world 
of extremely talented musicians 
sandbox 
indifference 
meager weight 
are worthwhile . 
assured 
demme gets a lot of flavor and spice into his charade remake , but 
the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
the thing about guys like evans is this : you 're never quite sure where self-promotion ends and the truth begins 
interesting matters 
most humane and important 
a documentary that works 
thanks to a small star with big heart , this family film sequel is plenty of fun for all . 
bray is completely at sea ; with nothing but a savage garden music video on his resume , he has no clue about making a movie 
yet lacking about everything 
cuaron repeatedly 
of the qualities that made the first film so special 
high-concept sci fi adventures 
so unsympathetic 
gasp , shudder 
a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the papin sisters 
thrills when it should be most in the mind of the killer 
screwed-up characters 
feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas . 
difficult to connect with on any deeper level 
with style 
between chaplin and kidman 
is a convincing one , and 
a film so graceless and devoid 
damaged 
uncle ralph 
failing , ultimately , to make something bigger out of its scrapbook of oddballs 
presents us with an action movie that actually has a brain 
grisly 
rather toothless 
want to see it 
welcomes 
is way too muddled to be an effectively chilling guilty pleasure . 
picked me up , swung me around , 
an esteemed writer-actor 
a few zingers aside 
the thing just never gets off the ground . 
the fact that the ` best part ' of the movie comes from a 60-second homage to one of demme 's good films 
a witty , low-key romantic comedy . 
'll be treated to an impressive and highly entertaining celebration of its sounds . 
devolves into a laugh-free lecture . 
fiercely intelligent and 
makes up for it with a pleasing verisimilitude . 
but it 's hard to imagine a more generic effort in the genre . 
unnamed , easily substitutable 
kirkegaard 
with the exception of mccoist , the players do n't have a clue on the park . 
as well-characterized 
more fascinating 
it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes 
's hard to imagine a more generic effort in the genre 
mundane '70s disaster flick 
sweet , funny , charming , and completely delightful 
an 88-minute highlight reel 
nothing funny 
embarrassingly 
marveling at these guys ' superhuman capacity to withstand pain 
together with a supremely kittenish performance that gradually accumulates more layers 
got to me 
the action clichés just pile up . 
deserved co-winner 
m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema 
inept and 
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter . 
is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable . 
fascinating psychological fare 
( a ) soulless , 
comes at film with bracing intelligence and a vision both painterly and literary 
the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time . 
enjoyable randomness 
's a day at the beach -- with air conditioning and popcorn 
the rat-a-tat energy 
is plenty of fun for all . 
enough to keep men 
take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis . 
lame musketeer 
absurd 
catapulting 
by shooting itself in the foot 
one relentlessly depressing situation 
easy to swallow thanks to remarkable performances by ferrera and ontiveros 
rather cold-blooded comedy 
saccharine sentimentality 
while the humor is recognizably plympton , he has actually bothered to construct a real story this time . 
sinks into by-the-numbers territory . 
inconsequential 
has been overexposed , redolent of a thousand cliches , and 
the action clichés 
a director to watch 
can such a cold movie claim to express warmth and longing ? 
spider-man 
is reasonably entertaining , 
aesthetically and sexually 
rubbo 's humorously tendentious intervention into the who-wrote-shakespeare controversy . 
're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject 
relentlessly depressing 
the latest adam sandler assault and possibly the worst film of the year 
hard-to-swallow 
scratch a hole in your head 
disappointing in comparison 
cult 
is plainly dull and visually ugly when it is n't incomprehensible 
's stylishly directed with verve 
artificial and opaque 
does this so well 
to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love 
fresh to say about growing up catholic or , really , anything 
the story is bogus and its characters tissue-thin 
makes two hours feel like four . 
the subtle direction of first-timer hilary birmingham 
it 's one long bore . 
is uncomfortably timely , relevant , and sickeningly real . 
touching , transcendent love story 
jealousy 
rather , pity anyone who sees this mishmash . 
liked it because it was so endlessly , grotesquely , inventive . 
surrounded by 86 minutes of overly-familiar and poorly-constructed comedy . 
petty 
right to be 
to keep this from being a complete waste of time 
ultimate imax trip 
entertainment 
'd expect to see on showtime 's ` red shoe diaries 
is carried less by wow factors than by its funny , moving yarn that holds up well after two decades 
badly awry 
a romantic comedy 
has something significant to say 
making a vanity project with nothing new 
simplistic story 
a visually stunning rumination 
itch to explore more 
we can tell what it is supposed to be , but ca n't really call it a work of art . 
be the year 's best and most unpredictable comedy 
an interesting slice 
stilted 
has clever ways of capturing inner-city life during the reagan years 
is insipid 
plays like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going 
fabricated 
, in an irresistible junior-high way , 
the picture runs a mere 84 minutes , 
not being able to enjoy a mindless action movie 
exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean 
great saturday night live sketch 
impressive job 
-- in the title role -- helps make the film 's conclusion powerful and satisfying 
that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
passionate enthusiasms like martin scorsese 
for something as splendid-looking as this particular film 
's surprisingly decent , particularly for a tenth installment in a series . 
real vitality 
everything except someone pulling the pin from a grenade with his teeth 
of humor , verve and fun 
garde 
every cliche 
genuine spontaneity 
this method almost never fails him 
this pretentious mess 
this method almost never fails him , and 
expect no major discoveries , nor any stylish sizzle , 
better characters , 
to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes 
as the sulking , moody male hustler in the title role , ( franco ) has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability . 
are so overstated 
too goodly , wise and knowing 
guys say mean things and shoot a lot of bullets . 
in the pianist , polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way . 
its first-time feature director 
gives the lie to many clichés and 
a small movie with a big impact . 
very handsomely produced let-down 
a brilliant movie 
make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger 
of the human heart 
for its overwhelming creepiness 
being cast in action films when none of them are ever any good 
boasts dry humor and jarring shocks , plus moments of breathtaking mystery . 
of dark humor , gorgeous exterior photography , and a stable-full of solid performances 
delightfully compatible 
stylish weaponry 
it gets the details of its time frame right but it completely misses its emotions . 
those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original 
fine performances 
the movie 's vision of a white american zealously spreading a puritanical brand of christianity to south seas islanders is one only a true believer could relish . 
coherent rhythm 
played and smartly directed 
drew to a close 
's unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism 
wonderful fencing scenes and an exciting plot 
manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
used manhattan 's architecture in such a gloriously goofy way 
blandly 
no particular bite 
less a story 
is good , except its timing . 
a shrill , didactic cartoon 
runs a good race , one that will have you at the edge of your seat for long stretches . ' 
too predictably , in fact . 
can enjoy 
' i feel better already . 
since it does n't take itself so deadly seriously 
one key problem with these ardently christian storylines is that there is never any question of how things will turn out . 
incoherence reigns . 
make it an above-average thriller 
interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots . 
a 95-minute commercial 
bones tickled 
tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet 
, the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation . 
bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people 
ties it together with efficiency and an affection for the period 
overbearing 
with soul 
much as i laughed throughout the movie 
you do n't need to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california . 
the brilliance of animal house 
once the true impact of the day unfolds , the power of this movie is undeniable . 
, and intermittently hilarious 
best thing 
realized the harsh reality of my situation 
awkward interplay and utter lack 
any reasonably creative eighth-grader could have written a more credible script , though with the same number of continuity errors . 
often exciting 
is how the film knows what 's unique and quirky about canadians 
emotional buttons 
surprisingly sensitive script co-written 
sand 's masculine persona , with its love of life and beauty , 
black hawk down and we were soldiers 
on the delicious pulpiness of its lurid fiction 
do little to salvage this filmmaker 's flailing reputation . 
even the stuffiest cinema goers 
it at least calls attention to a problem hollywood too long has ignored 
much like robin williams , death to smoochy has already reached its expiration date . 
the power of strong voices 
some remarkable achival film about how shanghai ( of all places ) 
entertainment opportunism at its most glaring 
impress 
his flick-knife diction in the role of roger swanson 
a holy fool 
still to believe that anyone in his right mind would want to see the it 
by the surprisingly shoddy makeup work 
the cast is spot on and the mood is laid back . 
going nowhere fast 
ambitious movie 
the highest power 
be distasteful to children and adults alike 
unintentional melodrama and tiresome love triangles 
delivers fascinating psychological fare 
on great scares and a good surprise ending 
are masterfully controlled . 
broomfield 's style of journalism is hardly journalism at all , and even those with an avid interest in the subject will grow impatient 
`` shock humor '' 
is one film that 's truly deserving of its oscar nomination . 
feels as if the movie is more interested in entertaining itself than in amusing us 
with an utterly incompetent conclusion 
considered a star , nor why he keeps being cast in action films when none of them are ever any good 
a strong-minded viewpoint , or 
generally smart 
is born to play shaggy 
becomes instead a grating endurance test . 
, rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative . 
ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza . 
rouses us . 
compelling story 
winning performances and 
, snide and prejudice . 
working to develop her own film language with conspicuous success 
by a gritty style and an excellent cast 
cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks 
the frequent allusions 
the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes . 
exuberant openness 
... is so pat it makes your teeth hurt . 
you might as well be watching a rerun 
a pedestrian , flat drama 
in the breathtakingly beautiful outer-space documentary space station 3d 
of the few ` cool ' actors who never seems aware of his own coolness 
is predictable in the reassuring manner of a beautifully sung holiday carol 
are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ... 
his way to becoming the american indian spike lee 
diane lane works nothing short of a minor miracle in unfaithful . 
intrigued 
of ( woo 's ) best work 
what we have here is n't a disaster , exactly , but a very handsomely produced let-down . 
spice 
it 's simply crude and unrelentingly exploitative 
a movie that both thrills the eye and , in its over-the-top way , touches the heart . 
of the things that made the original men in black such a pleasure 
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... you almost do n't notice the 129-minute running time . 
idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability 
overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration . 
comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case 
summer entertainment 
distinct and very welcome sense 
emotional misery 
what i saw , i enjoyed . 
resemble the shapeless 
sneering 
wasted minutes of sandler 
, eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm . 
too hard to be funny in a way that 's too loud , too goofy and too short of an attention span 
as darkly funny , energetic , 
cleaver 
that is plainly dull and visually ugly when it is n't incomprehensible 
will capture the minds and hearts of many 
family 
but undernourished and plodding . 
worth checking out at theaters 
seems embarrassed by his own invention and 
to have forgotten everything he ever knew about generating suspense 
preserving a sense of mystery 
bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes . 
a grittily beautiful film that looks , 
daringly perceptive , taut , piercing and feisty 
close to the level of intelligence and visual splendor that can be seen in other films 
every joke is repeated at least -- annoying , is n't it 
co-writer/director jonathan parker 's attempts to fashion a brazil-like , hyper-real satire fall dreadfully short . 
such a flat , plodding picture 
got a place in your heart for smokey robinson 
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling , 
there 's a clarity of purpose and even-handedness to the film 's direction 
more than a movie 
bad sound 
the impressively discreet filmmakers 
with spy kids 2 : the island of lost dreams , the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids . 
imagine kevin smith , the blasphemous bad boy of suburban jersey , if he were stripped of most of his budget and all of his sense of humor 
tepid and choppy recycling 
is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own . 
ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
patriot 
the characters make italian for beginners worth the journey 
a thriller without thrills and a mystery devoid of urgent questions . 
may be surprised at the variety of tones in spielberg 's work 
a rerun 
smoke signals 
gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior 
rare quality 
the too-hot-for-tv direct-to-video/dvd category , 
a poignant comedy 
, inescapably gorgeous , 
manipulative feminist empowerment tale thinly 
eyre , a native american raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor 
combines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart 
flower-power liberation 
dull in its lack of poetic frissons 
as lax and limp a comedy as i 've seen in a while , a meander through worn-out material 
grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
in sorrow 
after watching it , you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history . 
earnest performances 
a compelling coming-of-age drama 
a ' list cast 
cast and surehanded direction 
is that there is nothing in it to engage children emotionally 
loved it 
so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
pretend like your sat scores are below 120 
silly and monotonous 
inventive , consistently intelligent 
worst sin 
need agile performers 
unpredictable character 
spin hopelessly out 
be forewarned , if you 're depressed about anything before watching this film , you may just end up trying to drown yourself in a lake afterwards . 
collapses under its own meager weight 
with the terrifying message 
a bit of a downer and a little 
not-very-funny 
splendidly cast pair 
another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ... 
redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star 
a sun-drenched masterpiece , part parlor game 
the movie is hardly a masterpiece , 
often downright creepy 
detail 
eats up the screen 
as graceful 
's about as convincing as any other arnie musclefest , 
sewage 
the weak payoff 
formulaic and forgettable that it 's hardly over before it begins to fade from memory 
texan director george ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare . 
when you 've got the wildly popular vin diesel in the equation 
a cute partnership in i spy 
bitter end 
struggles of the working class to life 
is supremely unfunny and unentertaining to watch middle-age 
cheap-looking version of candid camera 
everyone can enjoy 
, ' i feel better already . 
cliche with little new added . 
shimmeringly lovely coming-of-age portrait 
more colorful 
crassly flamboyant 
edgy camera work 
nominated for an oscar 
a triumph , 
's a familiar story , but one that is presented with great sympathy and intelligence . 
donovan ... squanders his main asset , jackie chan , 
fascinating to watch marker the essayist at work 
disagreeable 
just another generic drama 
, twisty yarn 
start to finish , featuring a fall from grace that still leaves shockwaves 
mildly entertaining 
richard pryor mined his personal horrors and came up with a treasure chest of material , 
i 'll settle for a nice cool glass of iced tea and 
of our respect 
their project so interesting 
no big whoop , nothing new to see , zero thrills , too many flashbacks and a choppy ending make for a bad film . 
, you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard . 
it 's not half-bad 
( rises ) above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism 
has all the trappings of an energetic , extreme-sports adventure , 
bad movies 
his difficult , endless work with remarkable serenity and discipline 
does leave you marveling at these guys ' superhuman capacity to withstand pain 
embodies the transformation of his character 
admirable 
is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain . 
running off 
last count 
be rewarded with some fine acting 
one good idea 
the compassion , good-natured humor and 
giddy and whimsical and relevant today 
been astronomically bad 
the kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly 
the evocative imagery and gentle , lapping rhythms of this film are infectious 
unimaginable 
have done a fine job of updating white 's dry wit to a new age 
cutting-edge indie filmmaking 
leaving questions in its wake 
figures out how to make us share their enthusiasm . 
satire lucky break 
while somewhat less than it might have been , the film is a good one , and you 've got to hand it to director george clooney for biting off such a big job the first time out 
simply feeling like no other film in recent history 
breathtaking 
thoughtful and surprisingly affecting portrait 
the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
some good , organic character work , 
students that deals with first love sweetly but also seriously 
just a string of stale gags , 
too ludicrous and borderline insulting 
, lame screenplay 
the case is a convincing one , and should give anyone with a conscience reason to pause . 
devastating 
's easy to like 
a ponderous and pretentious endeavor 
with a subtlety that is an object lesson in period filmmaking 
most amazing 
the worthy successor to a better tomorrow and the killer which they have been patiently waiting for 
just about the surest bet for an all-around good time at the movies this summer . 
dull moment 
expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women . 
good sense 
he 's a slow study : the action is stilted and the tabloid energy embalmed . 
try this obscenely bad dark comedy , so crass that it makes edward burns ' sidewalks of new york look like oscar wilde 
comes from the brave , uninhibited performances by its lead actors 
an exceptionally good idea 
are sweet and believable , 
full of flatulence jokes and mild sexual references , kung pow ! 
an obvious rapport with her actors and 
is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged 
been told and retold 
its metaphors are opaque enough to avoid didacticism , and the film succeeds as an emotionally accessible , almost mystical work 
is supposed to be madcap farce 
each one of these people stand out 
like . 
very much worth 
bad the film 's story does not live up to its style 
strives 
an amateurish , quasi-improvised acting exercise shot on ugly digital video . 
amusing and unexpectedly insightful examination 
a serious movie with serious ideas . 
thriller remarkable 
, is n't nearly as funny as it thinks it is 
touching , smart and complicated 
angelina jolie 's surprising flair 
self-glorification and a manipulative whitewash 
cat-and-mouse , three-dimensional characters and believable performances 
, colorful , semimusical 
a potentially good comic premise and excellent cast are terribly wasted . 
leaves any true emotional connection or identification frustratingly out of reach 
more likely to drown a viewer in boredom than to send any shivers down his spine 
among the studio 's animated classics 
not far down the line , to find a place among the studio 's animated classics 
recycles every cliché about gays in what is essentially an extended soap opera 
tells us nothing new 
is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative . 
the real antwone fisher was able to overcome his personal obstacles and become a good man 
is of the darkest variety 
worthless , from its pseudo-rock-video opening to the idiocy of its last frames . 
into splatter movies 
derive from the screenplay , but rather the mediocre performances by most of the actors involved 
instead of simply handling conventional material in a conventional way 
first real masterpiece 
are consistently delightful 
strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder . 
dud from frame one . 
maid in manhattan proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies . 
paper-thin , and their personalities undergo radical changes when it suits the script 
low-grade 
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and 
a jaw-droppingly beautiful work that upends nearly every cliché 
you 'd want to watch if you only had a week to live 
it 's nice to see piscopo again after all these years , and 
it 's a compelling and horrifying story , and the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america 
is rigid and evasive in ways 
uneven performances 
ingeniously constructed than `` memento '' 
a dreary movie . 
like a well-made pb & j sandwich 
the acting is amateurish , the cinematography is atrocious 
a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman 
to remake sleepless in seattle again and again 
directed action sequences and some of the worst dialogue 
a pleasant piece of escapist entertainment 
seems more tacky and reprehensible 
given by the capable cast 
a deficit 
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' but real women have curves truly is life affirming . 
the widowmaker is a great yarn 
screwing things up old school 
's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama 
equate to being good , 
a crass and insulting homage to great films like some like it hot and the john wayne classics . 
tinged with tragic undertones 
extreme action-packed film 
that never 
of what critics have come to term an `` ambitious failure 
a jerry bruckheimer flick any day of the week 
a successful one 
found the perfect material with which to address his own world war ii experience in his signature style 
to our dismay 
comparatively sane and healthy 
, obnoxious 88-minute 
this movie 's got it 
putters along looking for astute observations and coming up blank . 
sharp , overmanipulative hollywood practices 
a string of ensemble cast romances recently 
to the core in a film you will never forget -- that you should never forget 
pointed , often tender , 
sharp and 
seen the deep like you see it in these harrowing surf shots 
recommended viewing for its courage , ideas , technical proficiency and great acting 
the movie is busy contriving false , sitcom-worthy solutions to their problems . 
warmed-over cold war paranoia 
is the most visually unappealing 
, the movie is busy contriving false , sitcom-worthy solutions to their problems . 
current americanized adaptation 
an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema 
nonchalantly freaky and uncommonly pleasurable , warm water may well be the year 's best and most unpredictable comedy . 
into an emotionally satisfying exploration of the very human need 
director todd solondz has made a movie about critical reaction to his two previous movies , and about his responsibility to the characters that he creates . 
' shows a level of young , black manhood that is funny , touching , smart and complicated . 
tough to take as long as you 've paid a matinee price 
at times , the movie looks genuinely pretty . 
a very well-meaning movie , 
was just a matter of ` eh 
nature film and a tribute 
does n't add up 
an incongruous summer playoff 
beats new life 
mundane soap opera 
known as ' a perfect family film 
to arrest development in a dead-end existence 
has several strong performances . 
is not 
a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity 
lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success 
a real audience-pleaser that will strike a chord with anyone who 's ever waited in a doctor 's office , emergency room , hospital bed or insurance company office . 
somewhat tired premise 
has something to say 
love , communal discord , 
into the urban heart 
of good sense 
a light , 
there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism . 
lasker 's canny , meditative script distances sex and love , as byron and luther ... realize they ca n't get no satisfaction without the latter . 
skip this turd and pick your nose instead because you 're sure to get more out of the latter experience 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least 
a flashy editing style that does n't always jell with sean penn 's monotone narration 
kaufman 's script is never especially clever and often is rather pretentious . 
sell it 
exceedingly memorable 
a fantastic movie 
delivering a wholesome fantasy for kids 
crash-and-bash action 
slides downhill as soon as macho action conventions assert themselves . 
gentle , endearing 
happily stays close to the ground in a spare and simple manner and does n't pummel us with phony imagery or music . 
it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
turd squashed 
knucklehead swill 
the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness . 
decide what annoyed me most about god is great 
like a mix of cheech and chong 
- kids-cute sentimentality by a warmth that is n't faked 
this predictable romantic comedy should get a pink slip 
self-critical , behind-the-scenes navel-gazing kaufman 
by an inconsistent , meandering , and sometimes dry plot 
brainless , but enjoyably over-the-top , 
we make underneath such a mountain of clichés and borrowed images 
no lika 
is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience 
a teenybopper ed wood film , replete with the pubescent scandalous innuendo 
it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
more timely than its director could ever have dreamed 
what is kind of special 
missed opportunity 
undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards 
the pianist ( is ) a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life 
, it tends to speculation , conspiracy theories or , at best , circumstantial evidence 
colors the picture in some evocative shades 
undone 
is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up . 
beautifully reclaiming the story of carmen and recreating it an in an african idiom . 
allen , at 66 , has stopped challenging himself 
some cute moments , funny scenes , and 
unfolds as one of the most politically audacious films of recent decades from any country , but especially from france 
hardhearted scrooge 
7th heaven 
ensues are much blood-splattering 
unlike 
rife with the rueful , wry humor springing out of yiddish culture and language 
dialogue and plot lapses 
it comes off as annoying rather than charming 
, labute does manage to make a few points about modern man and his problematic quest for human connection . 
manipulating our collective fear 
a number of holes 
, i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money . 
good cinematography 
's a heavy stench of ` been there , done that ' hanging over the film . 
despite several attempts at lengthy dialogue scenes 
to imagine any recent film , independent or otherwise , that makes as much of a mess as this one 
a shallow rumination on the emptiness of success 
mention leaving you with some laughs and a smile on your face 
his boisterous energy 
this a high water mark for this genre 
a fascinating character study 
humor and 
the latest adam sandler assault and possibly the worst film of the year . 
written , flatly , 
for a breath of fresh air now and then 
far superior film 
a snore 
song-and-dance-man 
a sharp script 
assign one bright shining star to roberto benigni 's pinocchio -- 
too predictable and 
a role of almost bergmanesque intensity 
plodding 
none of this is half as moving as the filmmakers seem to think . 
goes for sick and demented humor simply to do so 
too slick and manufactured to claim street credibility . 
inspire a trip to the video store -- in search of a better movie experience 
strong piece 
earns extra points by acting as if it were n't 
the movie is too amateurishly square to make the most of its own ironic implications . 
is its utter sincerity . 
manipulative and 
the plot offers few surprises 
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home 
it 's harder still to believe that anyone in his right mind would want to see the it . 
has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
ends up being neither 
consummate actor barry has done excellent work here . 
construct based on theory , sleight-of-hand , and ill-wrought hypothesis 
this distinguished actor 
acute expressiveness 
goes straight to video 
the obstacles of a predictable outcome and a screenplay 
might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults 
sweet , tender sermon 
gaping 
godard can still be smarter than any 50 other filmmakers still at work . 
does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency . 
gives the lady and the duke something of a theatrical air 
with such clarity 
enigma lacks it . 
offers us the sense that on some elemental level , lilia deeply wants to break free of her old life . 
a classic theater piece 
to a moving tragedy with some buoyant human moments 
it thumbs down due to the endlessly repetitive scenes of embarrassment 
the most irresponsible picture ever released by a major film studio . 
lack contrast , are murky and 
muddled , 
there has been a string of ensemble cast romances recently ... but peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
one of the most slyly exquisite anti-adult movies 
the rich promise of the script 
bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ? 
some like it 
promised ( or threatened ) for later this year 
is at 22 a powerful young actor . 
an engaging story 
the film was better than saving private ryan 
as darkly funny , energetic , and 
acts light on great scares and a good surprise ending . 
no point of view , no contemporary interpretation of joan 's prefeminist plight 
an interesting topic , some intriguing characters and 
fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter 
seems aware of his own coolness 
a vibrant whirlwind of love , family and all that goes with it 
that was old when ` angels with dirty faces ' appeared in 1938 
a chinese film depict a homosexual relationship in a mature and frank fashion 
marginal 
is one of this year 's very best pictures 
hyper-artificiality 
place most of the psychological and philosophical material in italics 
sensuous and spirited tale 
's coherent , well shot , and tartly acted 
scotland looks wonderful , the fans are often funny fanatics 
the movie is loaded with good intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minac drains his movie of all individuality 
like an episode of the tv show blind date , only less technically proficient and without the pop-up comments 
a gorgeous and deceptively minimalist cinematic tone poem 
pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
a such a brainless flibbertigibbet 
of tradition and warmth 
american adobo has its heart ( and its palate ) in the right place 
ca n't rescue brown sugar from the curse of blandness 
splendid performances 
an elegant and sly deadpan comedy . 
take the viewer inside the wave 
watch for that sense of openness , the little surprises 
to these broken characters who are trying to make their way through this tragedy 
an overly sillified plot 
too much to do , too little time to do it in 
, here comes the first lousy guy ritchie imitation . 
spin hopelessly out of control -- that is to say 
that takes an astonishingly condescending attitude toward women 
reminiscent of alfred hitchcock 's thrillers , most of the scary parts in ` signs ' occur while waiting for things to happen . 
for insights 
, juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre 
got me grinning 
is charming 
tiny acts of kindness make ordinary life survivable 
supposedly funny 
lovely and amazing is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is . 
has a pleasing way with a metaphor 
fairly slow paced 
and more than that , it 's an observant , unfussily poetic meditation about identity and alienation . 
oddly detached 
's never dull 
a bad imitation 
being recognized as the man who bilked unsuspecting moviegoers 
that made the full monty a smashing success ... but neglects to add the magic that made it all work 
shows deft comic timing . 
that wore out its welcome with audiences several years ago 
the need to stay in touch with your own skin , at 18 or 80 
rich and luscious 
i pledge allegiance to cagney and lacey . 
the dispatching of the cast is as often imaginative as it is gory 
the man who bilked unsuspecting moviegoers 
resulted in a smoother , more focused narrative 
why should you buy the movie milk when the tv cow is free ? 
's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy 
feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks 
all the same problems the majority of action comedies have 
absurd plot twists , idiotic court maneuvers 
sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
fulfilling 
of the grieving process 
sort of loved the people onscreen , even though i could not stand them . 
either 11 times too many or else too few 
by the time it 's done with us , 
an engaging and moving portrait 
wears out its limited welcome 
's apparently nothing left to work with , sort of like michael jackson 's nose . 
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so 
could have been a daytime soap opera 
memorable 
the crassness of this reactionary thriller 
stuffiest cinema goers 
satin rouge is not a new , or inventive , journey , 
the filmmakers are playing to the big boys in new york and l.a. to that end , they mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either . 
suffice to say its total promise is left slightly unfulfilled . 
short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries 
sand , who brings to the role her pale , dark beauty and characteristic warmth 
really bad imitation 
goes a long way toward keeping the picture compelling 
terminally bland , painfully slow and needlessly confusing 
ca n't sustain it . 
refreshed and hopeful 
to foul up a screen adaptation of oscar wilde 's classic satire 
a remarkable and novel concept 
modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare 
somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton 
special 
could i have been more geeked when i heard that apollo 13 was going to be released in imax format 
a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch 
as history 
that a prostitute can be as lonely and needy as any of the clients 
this movie feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment . 
considerable charm 
is enormously good fun . 
an enjoyable above average summer diversion . 
a good job 
that the franchise 's best years are long past 
the true impact of the day 
is somewhat entertaining 
gives give a solid , anguished performance that eclipses nearly everything else she 's ever done . 
puréed mélange 
thoroughly entertaining 
certain charm 
it may not be a great piece of filmmaking , 
all the characters are clinically depressed and have abandoned their slim hopes and dreams . 
the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens 
takes a really long , slow and dreary time to dope out what tuck everlasting is about 
providing an experience that is richer than anticipated 
obvious as telling a country skunk 
is that it 's a brazenly misguided project . 
enjoy it 
that good theatre 
for genre fans 
a pathetic exploitation film 
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role -- 
easily one of the best and most exciting movies of the year 
a rather simplistic one : grief drives her , love drives him 
less as a documentary and more as a found relic 
is a step down for director gary fleder . 
all in all , road to perdition is more in love with strangeness than excellence . 
a serious movie 
's to this film 's ( and its makers ' ) credit that we believe that that 's exactly what these two people need to find each other -- and themselves 
and good intentions 
feels like a glossy rehash 
pushes too hard 
is that she never lets her character become a caricature -- not even with that radioactive hair . 
very charming and funny 
seem great to knock back a beer with but they 're simply not funny performers 
this is very much of a mixed bag , with enough negatives to outweigh the positives . 
sit and stare and turn away from one another instead of talking 
well-acted , 
laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period 
solid cast 
damon and 
too much obvious padding 
talented director as chen kaige 
for once 
even gritty enough 
this is not an easy film . 
raw comic energy 
the real turns magical 
its fun 
the proceedings more bizarre than actually amusing 
could take me back to a time before i saw this movie 
that it has n't gone straight to video 
accomplished work 
it 's plotless , shapeless 
subject as monstrous and pathetic as dahmer 
resonant film since the killer 
is a bad mannered , ugly and destructive little **** . 
is not that it 's offensive , but that it 's boring . 
along looking for astute observations and coming up blank 
, love . 
the characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach . 
is life affirming and heartbreaking , sweet without the decay factor , funny and sad . 
is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original 
seem disappointing 
the face of death 
nature and family warmth 
horrendously 
is a tale worth catching . 
the aaa of action , xxx is a blast of adrenalin , rated eee for excitement . 
that works as a treatise on spirituality as well as a solid sci-fi thriller 
not morally bankrupt , at least terribly monotonous 
the film 's images give a backbone to the company and provide an emotional edge to its ultimate demise . 
a whole lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish 
... manages to deliver a fair bit of vampire fun . 
nebrida 
gross romanticization 
epics 
is amazing , 
of demonic doings on the high seas that works better the less the brain is engaged 
an intelligent romantic thriller of a very old-school kind 
the inherent absurdity 
in the truest sense 
of which mainstream audiences have rarely seen 
another genre exercise , gangster no. 1 is as generic as its title . 
avoid 
carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others 
works both as a detailed personal portrait and as a rather frightening examination of modern times 
for most of the film it is hard to tell who is chasing who or why 
is exceedingly pleasant , designed not to offend 
was long , intricate , star-studded and visually flashy 
they ca n't distract from the flawed support structure holding equilibrium up 
for nearly three hours 
mean-spirited film 
friend 
deeply pessimistic or 
made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire . 
colin hanks is in bad need of major acting lessons and maybe a little coffee . 
instantly forgettable snow-and-stuntwork extravaganza 
a fascinating documentary about the long and eventful spiritual journey of the guru who helped launch the new age . 
bogs down in genre cliches here 
when not wallowing in its characters ' frustrations , the movie is busy contriving false , sitcom-worthy solutions to their problems . 
interview with the assassin is structured less as a documentary and more as a found relic , and 
, godfrey reggio 's career shines like a lonely beacon . 
a serious movie with serious ideas 
breathe life into this somewhat tired premise 
drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
a wry , affectionate delight . 
a gentle film with dramatic punch , a haunting ode to humanity 
sucks , but has a funny moment or two 
has no snap to it , no wiseacre crackle or hard-bitten cynicism . 
gaping plot holes sink this ` sub ' - standard thriller and drag audience enthusiasm to crush depth . 
goes off the beaten path , not necessarily for the better 
uneven , 
has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
clichéd to a fault 
you laugh 
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- 
this stuck pig of a movie flails limply between bizarre comedy and pallid horror . 
a juicy writer 
make you feel like a sucker 
's a sharp movie about otherwise dull subjects 
chan 's stunts are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy . 
it is generally amusing from time to time 
soap opera-ish dialogue 
complex , laden with plenty of baggage and tinged with tragic undertones 
poor 
is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents 
are complex , laden with plenty of baggage and tinged with tragic undertones 
has been remarkable about clung-to traditions 
terrified of the book 's irreverent energy , and scotches most 
two tedious 
a nearly terminal case 
because the genre is well established , what makes the movie fresh is smart writing , skewed characters , and the title performance by kieran culkin . 
( t ) oo many of these gross out scenes ... 
stylistically , the movie is a disaster . 
as beautiful , 
genial-rogue shtick 
louiso lets the movie dawdle in classic disaffected-indie-film mode , and brother hoffman 's script stumbles over a late-inning twist that just does n't make sense . 
giggly 
is a pretty decent little documentary . 
purgatory county 
best and most mature comedy 
an elegantly balanced movie 
astonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one 
is way , way off . 
is the central flaw of the film 
memorable cinematic experience 
of the bad reviews 
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , but showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks 
we never feel anything for these characters , and 
certain to be distasteful to children and adults alike 
though it 's equally solipsistic in tone , the movie has enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess . 
rumor 
happy listening to movies 
the story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me 
strives to be intimate and socially encompassing but 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; 
reach for a barf bag 
a heartwarming , nonjudgmental kind of way 
genuine insight into the urban heart 
`` radical '' or `` suck '' 
lurid and less 
a dead-end existence 
sad nonsense , 
tear their eyes away 
run the gamut from cheesy to cheesier to cheesiest 
to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets 
scuzzy underbelly 
larded 
foundering performance 
lulls you into a gentle waking coma . 
ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot . 
resident evil is not it 
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile , is a towering siren . 
fighting the same fights 
visually atrocious 
poking their genitals into fruit pies 
the movie itself appears to be running on hypertime in reverse as the truly funny bits get further and further apart . 
one well-timed explosion in a movie can be a knockout , but a hundred of them can be numbing 
the hours , a delicately crafted film , 
a film of delicate interpersonal dances . 
a lousy one 
at the edge of your seat for long stretches 
intimate contemplation 
baffling mixed platter 
finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
non-exploitive approach 
the problem with all of this : it 's not really funny . 
from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes 
a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades . 
charmless 
finely crafted , finely written , 
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time 
... unlike ( scorsese 's mean streets ) , ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot . 
an enthusiastic charm in fire that makes the formula fresh again 
a film about one of cinema 's directorial giants 
it 's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long . 
odoriferous thing ... 
strongest performance 
, your senses are as mushy as peas 
, no one can hear you snore 
half the excitement of balto , or quarter the fun of toy story 2 
cruel 
relative letdown . 
lushly photographed and beautifully recorded . 
the most memorable moment was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration . 
laughs and not the last time 
're over 25 , have an iq over 90 , and have a driver 's license 
his future wife 
going to be something really good 
accessible 
earnest study 
cunning 
includes one of the strangest 
most daring 
the laborious pacing and 
a photographic marvel 
massive cardiac arrest 
but still quite tasty and inviting all the same 
an intriguing story of maternal instincts and misguided acts of affection 
eisenstein delivers . 
soars above the material realm 
has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors . 
being able to give full performances 
humor and 
a solid , 
is sorely lacking . 
in the kind of low-key way that allows us to forget that they are actually movie folk 
a definitive account 
perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny 
better drama 
far short 
inviting all the same 
a solid and refined piece 
suffer the same fate 
delivered in grand passion by the members of the various households 
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and 
failing 
purposeless 
the goods and audiences will have a fun , no-frills ride 
the story goes nowhere 
a glorious dose 
've got to admire ... the intensity with which he 's willing to express his convictions 
it probably wo n't have you swinging from the trees hooting it 's praises 
kung pow is oedekerk 's realization of his childhood dream to be in a martial-arts flick , and proves that sometimes the dreams of youth should remain just that . 
shallow , noisy and pretentious 
posing as a real movie . 
a thriller , and the performances 
with an unflappable '50s dignity somewhere between jane wyman and june cleaver 
wears out her welcome in her most charmless performance 
heartfelt story 
conservative christian parents and 
an intriguing look at the french film industry during the german occupation 
an extraordinary faith in the ability of images 
's as hard to classify as it is hard to resist 
a detailed historical document 
weaknesses 
exalts the marxian dream of honest working folk , 
's a delightfully quirky movie to be made from curling 
everything is delivered with such conviction that it 's hard not to be carried away 
is the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
astonishingly skillful and moving 
the home video market 
plant smile-button faces on that segment of the populace that made a walk to remember a niche hit 
confident filmmaking and 
succeeds as a well-made evocation of a subculture 
, it feels painfully redundant and inauthentic . 
beyond its formula 
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , and 
a glorious spectacle 
sensitive and astute 
can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
an elegant work , food of love 
's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona . 
vulgarity , sex scenes 
most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars 
sleep-inducingly 
touching love story 
by a disastrous ending 
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet 
a film -- full of life and small delights -- that has all the wiggling energy of young kitten 
authentically vague , but ultimately purposeless , 
sorry use of aaliyah in her one 
making it one of the year 's most enjoyable releases 
in this every-joke-has - been-told-a 
how uncompelling the movie is unless it happens to cover your particular area of interest 
almost humdrum approach to character development 
sassy interpretation 
faithful 
there are many definitions of ` time waster ' but this movie must surely be one of them 
redolent of a thousand cliches 
of france 's most inventive directors 
almost shakespearean -- both in depth and breadth -- 
exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing 
thirst 
in on the resourceful amnesiac 
figures prominently in this movie , and 
tour de 
is a bore 
off-puttingly cold 
children behave like adults and everyone 
his aversion 
this beautifully 
deeply humanizing 
a tone of rueful compassion ... 
though the film is static 
self-defeatingly decorous 
lifeless execution 
tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here 
make for one splendidly cast pair . 
, hopefully , this film will attach a human face to all those little steaming cartons . 
from-television movie that actually looks as if it belongs on the big screen 
a pasolini film without passion or politics 
could only be made by african-americans because of its broad racial insensitivity towards african-americans 
a hallmark film 
genuine heart 
run-of-the-filth gangster flicks 
surrealistic 
( maybe twice ) 
, the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers . 
-- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting , brisk delight . 
you really want to understand what this story is really all about 
can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already 
had no trouble sitting for blade ii . 
another clever if pointless excursion 
the visual flair and bouncing bravado 
with no good inside dope , and no particular bite 
remove spider-man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies 
secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism . 
in me 
the film has a terrific look and 
skidding 
the rare sequel 
eventful 
understand her choices 
disposable 
admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace 
inconclusive 
do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money 
reminded us that a feel-good movie can still show real heart 
gay love stories 
a sardonic jolt 
cheap scam 
to slap her creators because they 're clueless and inept 
dreadful 
ill-advised and 
such sensitivity 
believe that people have lost the ability to think 
that ( jaglom ) pursued with such enervating determination in venice/venice 
ragbag 
a warm , moving message 
the effort is sincere and the results are honest 
mendes still does n't quite know how to fill a frame . 
self-consciously arty 
an absorbing look 
strangely tempting bouquet 
drawn toward the light -- the light of the exit sign 
the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy . 
stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe 
the best film of the year 2002 . 
pay to see it 
is all about a wild-and-woolly , wall-to-wall good time 
it 's all the stronger because of it 
a spark of its own 
there 's no way you wo n't be talking about the film once you exit the theater . 
poky 
great performances 
two-day old porridge 
whose view of america , history and the awkwardness of human life is generous and deep 
fascinating profile 
horrible poetry 
hot-button items 
immersed 
takes full , chilling advantage of its rough-around-the-edges , low-budget constraints 
` matrix ' - style massacres erupt throughout ... but the movie has a tougher time balancing its violence with kafka-inspired philosophy . 
most admirable quality 
wildly overproduced , inadequately motivated every step 
ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff 
the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries 
come away from his film overwhelmed , hopeful and , perhaps paradoxically , illuminated . 
has much to recommend it , even if the top-billed willis is not the most impressive player . 
i was trying to decide what annoyed me most about god is great ... i 'm not , and then i realized that i just did n't care 
there was any doubt that peter o'fallon did n't have an original bone in his body 
submarine movie 
an intriguing what-if premise 
in a stunning fusion of music and images 
the brain 
you 're almost dozing 
mind-destroying cinematic pollution 
of family , forgiveness and love 
a tired tyco ad 
is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power 
uncinematic but 
, verve and fun 
is blood-curdling stuff 
druggy 
things that elevate `` glory '' above most of its ilk , 
used to ridicule movies like hollywood ending 
's lots of cute animals and clumsy people 
familiar road 
was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo 
is strange and compelling 
offers some flashy twists and turns that occasionally fortify this turgid fable 
of renegade-cop tales 
is well worthwhile . 
has really found his groove these days 
the national lampoon film franchise , too long reduced to direct-to-video irrelevancy 
the most wondrous of all hollywood fantasies 
so vivid 
severe body odor 
how clever 
used my two hours better watching 
no such thing is a big letdown . 
the wayward wooden one end it all by stuffing himself into an electric pencil sharpener 
manipulation or corny conventions 
pointless mayhem 
i 'm sure the filmmakers found this a remarkable and novel concept , 
a mobius strip 
nincompoop 
truly is life affirming 
satisfyingly odd and intriguing a tale 
well-directed 
our best actors 
a cohesive story 
those with a modicum of patience 
not a good movie 
fierce grace 
it does n't work as either . 
a smart , nuanced look at de sade 
graced with the kind of social texture and realism that would be foreign in american teen comedies . 
vital action sequences 
instead of simply handling conventional material in a conventional way , secretary takes the most unexpected material and handles it in the most unexpected way . 
that it risks monotony 
result in a movie that works against itself . 
a popcorn film , not a must-own , 
give what can easily be considered career-best performances 
overstimulated 
some of the computer animation is handsome 
an absurd finale 
the best comedy concert movie 
the viewer is left puzzled by the mechanics of the delivery 
vulgar innuendo 
the bottom line is the piece works brilliantly . 
is a general air of exuberance in all about the benjamins that 's hard to resist . 
a 94-minute travesty 
be mildly amusing 
face frightening late fees 
one of those all-star reunions 
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american 
stevens is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits . 
rotten 
a vivid imagination 
is a sobering meditation on why we take pictures . 
so insanely stupid , 
`` sorority boys '' was funnier , and that movie was pretty bad 
it may be a no-brainer 
pleasant enough -- 
a breathtaking adventure for all ages , spirit 
of sly humor 
this sensuous and spirited tale 
be surefire casting 
that verges on the amateurish 
that it 's left a few crucial things out , like character development and coherence 
documentary to disregard available bias 
deliciously nonsensical comedy 
is honestly affecting 
a disappointment 
are remarkable . 
like mike is n't going to make box office money that makes michael jordan jealous , but it has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net . 
uncluttered 
are both superb , 
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little . 
as the film has some of the best special effects ever 
photographed with color and depth , and rather a good time . 
a chilly , brooding but quietly resonant psychological study of domestic tension and unhappiness 
almodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears . ' 
seemingly disgusted with the lazy material and the finished product 's unshapely look , director fisher stevens inexplicably dips key moments from the film in waking life water colors . 
steinis quirky , charming and often hilarious . 
sink the movie . 
if you ever wanted to be an astronaut , this is the ultimate movie experience - it 's informative and breathtakingly spectacular 
of small town regret , love , duty and friendship 
is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail 
o fantasma is boldly , confidently orchestrated , aesthetically and sexually 
older 
tired jokes 
for the most part , the film is deadly dull 
sexiness 
seem to understand what made allen 's romantic comedies so pertinent and enduring 
cinematic intoxication , a wildly inventive mixture of comedy and melodrama 
action sequences and some of the worst dialogue 
racist humor 
an often watchable , though goofy and lurid , blast of a costume drama 
a catalyst for the struggle of black manhood in restrictive and chaotic america 
technical flaws 
the girls ' amusing personalities 
feels incredibly hokey 
, i hated myself in the morning . 
willingness to explore its principal characters with honesty , insight and humor 
most splendid 
pure venality 
irresistible blend 
action hero performances 
a surprisingly juvenile lark , 
, shrewd , powerful act 
even in those moments where it 's supposed to feel funny and light 
a gritty style and an excellent cast 
its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through 
more fun than conan the barbarian 
the gloomy film noir veil 
as a ghost story gone badly awry 
choose to skip it 
, brash and mainly unfunny 
perhaps the budget of sommers 's title-bout features 
it is does not rely on dumb gags , anatomical humor , or character cliches 
, the 1960 version is a far smoother ride . 
great team 
's not quite the genre-busting film it 's been hyped to be because it plays everything too safe . 
, big trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . ' 
a 94-minute travesty of unparalleled proportions , writer-director parker 
jason x is this bad on purpose 
edge 
entrapment 
, the film suffers from a philosophical emptiness and maddeningly sedate pacing . 
this likable movie 
it 's not even a tv special you 'd bother watching past the second commercial break 
the paradiso 's rusted-out ruin and ultimate collapse during the film 's final ( restored ) third ... emotionally belittle a cinema classic . 
does n't have a single surprise up its sleeve 
bad to be good 
... its three-hour running time plays closer to two . 
try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching 
rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption 
's a part of us that can not help be entertained by the sight of someone getting away with something . 
me feel unclean 
were dylan thomas alive to witness first-time director ethan hawke 's strained chelsea walls , he might have been tempted to change his landmark poem to , ` do not go gentle into that good theatre . ' 
clever , offbeat 
her pure fantasy character , 
whenever it threatens to get bogged down in earnest dramaturgy 
unfolds as sand 's masculine persona , with its love of life and beauty , takes form . 
an eye on preserving a sense of mystery 
goofball stunts any `` jackass '' fan 
loved on first sight and , even more important 
an amusing and unexpectedly insightful examination of sexual jealousy , resentment and the fine line between passion and pretence . 
charm , cultivation and devotion to his people 
a potentially good comic premise and 
charming and witty , it 's also somewhat clumsy . 
the film grows on you . 
intellectually and logistically a mess . 
's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf . 
movie-of-the-week 
b movie 
of adolescent sturm und drang 
crossing-over mumbo jumbo , manipulative sentimentality 
for an eagerness 
we 're left with a story that tries to grab us , only to keep letting go at all the wrong moments . 
the subculture of extreme athletes whose derring-do puts the x into the games 
pleasant but not more than recycled jock piffle . 
the quality of neil burger 's impressive fake documentary 
find morrison 's iconoclastic uses of technology 
be embraced 
, eisenstein delivers . 
to the cadence of a depressed fifteen-year-old 's suicidal poetry 
the story ... is hackneyed 
innocent , childlike 
fill this character study with poetic force and buoyant feeling . 
about surprising us by trying something new 
béart and berling are both superb , while huppert ... is magnificent . 
on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls 
we have given up to acquire the fast-paced contemporary society 
spontaneous creativity and 
the most compelling performance of the year adds substantial depth to this shocking testament to anti-semitism and neo-fascism . 
we do n't get williams ' usual tear and a smile , just sneers and bile , and 
oppressive 
atypically hypnotic approach 
japanese epic 
great past 
looking down at your watch and 
marginal characters 
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing 
be expected from any movie with a `` 2 '' at the end of its title 
it 's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex . 
a sweet , tender sermon about a 12-year-old welsh boy more curious about god 
shows excess in business and pleasure , 
for a director i admire 
rounded and revealing 
conduct in a low , smoky and inviting sizzle 
fascinating character 's 
is priceless . 
be talking about the film once you exit the theater 
it 's left a few crucial things out , like character development and coherence 
taylor 's cartoonish performance and 
... the cast portrays their cartoon counterparts well ... but quite frankly , scoob and shag do n't eat enough during the film . ' 
shake the feeling that it was intended to be a different kind of film 
will forgive the flaws and love the film 
one of the most original american productions this year , you 'll find yourself remembering this refreshing visit to a sunshine state . 
there 's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale . 
they figure the power-lunchers do n't care to understand , either 
sorrowful lows 
a remarkably original work 
, this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel . 
're left with a story that tries to grab us , only to keep letting go at all the wrong moments 
only so much baked cardboard i need to chew 
disguise 24/7 
a great way 
to reel in the audience 
, the more you will probably like it . 
knows how to tell us about people 
forget its absurdity 
any naked teenagers horror flick 
is not an easy film . 
noticeable lack 
of a movie , a vampire soap opera that does n't make much 
ca n't get no satisfaction without the latter 
that 's where the film ultimately fails 
even if it 's a dish that 's best served cold 
their consistently sensitive and often exciting treatment of an ignored people 
a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood 
the pleasures that it does afford may be enough to keep many moviegoers 
devos delivers a perfect performance that captures the innocence and budding demons within a wallflower . 
young and old alike to go see this unique and entertaining twist on the classic whale 's tale 
grow increasingly disturbed 
a series of escapades demonstrating the adage that what is good for the goose is also good for the gander , some of which occasionally amuses but none of which amounts to much of a story . 
about hatred that offers no easy , comfortable resolution 
from baseball movies that try too hard to be mythic 
disapproval 
rape and 
silly -- and gross -- 
visual delights 
is n't worth telling 
is grand-scale 
denial of sincere grief and mourning in favor of bogus spiritualism 
-- the sober-minded original was as graceful as a tap-dancing rhino -- 
an intelligent flick 
a triumph of pure craft and passionate heart . 
beautiful film to watch 
can do no wrong with jason x. 
lies in the utter cuteness of stuart and margolo 
franco is an excellent choice for the walled-off but combustible hustler 
huppert scheming , with her small , intelligent eyes 
believing people were paid to make it 
funniest idea 
unbearably beautiful 
's updating works surprisingly well 
two tedious acts light on great scares and a good surprise ending . 
this one makes up for in heart what it lacks in outright newness . 
why did n't hollywood think of this sooner ? 
a bright , inventive , thoroughly winning flight of revisionist fancy . 
stupidity , incoherence and sub-sophomoric 
what 's next ? 
if you saw it on tv , you 'd probably turn it off , convinced that you had already seen that movie . 
love and 
savvy director robert j. siegel and his co-writers 
passion , melodrama , sorrow , laugther , and tears 
j. lo will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear : she 's a pretty woman , but she 's no working girl . 
an evanescent , seamless and sumptuous stream of consciousness 
doing unpleasant things to each other and themselves 
is parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
favor 
i suspect that there are more interesting ways of dealing with the subject . 
buried , drowned 
is garcia , who perfectly portrays the desperation of a very insecure man . 
rambling 
... again shows uncanny skill in getting under the skin of her characters 
to others , it will remind them that hong kong action cinema is still alive and kicking . 
's thanks to huston 's revelatory performance . 
the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
, you will enjoy seeing how both evolve 
almost perpetually wasted 
thoroughly enjoyable . 
is painfully bad 
as naturally charming 
overall , it 's a very entertaining , thought-provoking film with a simple message : 
lacking substance and soul 
bypassing no opportunity to trivialize the material 
this quiet , introspective and entertaining independent is worth seeking . 
is dreamy and evocative 
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process 
a fair bit 
makes it worth the trip to the theater 
darkly funny 
thanks to the actors ' perfect comic timing and sweet , genuine chemistry 
sparkling , often hilarious romantic jealousy comedy 
starts off witty and sophisticated and you want to love it -- but filmmaker yvan attal quickly writes himself into a corner . 
to give you a lot of laughs in this simple , sweet and romantic comedy 
even very small children will be impressed by this tired retread 
graceless and devoid 
original hit movie 
his supple understanding of the role 
it never plays as dramatic even when dramatic things happen to people . 
serious suspense 
embarrassingly ham-fisted 
her passionate , tumultuous affair 
are spectacular 
like many western action films , this thriller is too loud and thoroughly overbearing , 
gon na like this movie 
forgiveness and love 
why a guy with his talent ended up in a movie this bad 
a sweet and sexy film 
a decent attempt 
is broken by frequent outbursts of violence and noise . 
you can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good . ' 
timeless 
is too heady for children , and too preachy 
a nasty aftertaste but little clear memory of its operational mechanics 
are times when the film 's reach exceeds its grasp 
heart and unsettling subject matter 
that keeps you 
misuse 
that flow through the hollywood pipeline without a hitch 
vividly captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse . 
may not be a breakthrough in filmmaking , but it is unwavering and arresting 
cult classic 
unflattering 
delivers real bump-in - the-night chills 
what 's most memorable about circuit 
one thing 's for sure -- if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head . 
an encouraging new direction 
classy , sprightly spin 
ca n't help but feel ` stoked . 
, sex with strangers is a success . 
totally estranged from reality 
, delivers the goods and audiences will have a fun , no-frills ride . 
and poorly-constructed comedy 
dreadful day 
exploitation film 
a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
a vivid personality 
the fist is hilarious 
see this terrific film with your kids -- 
farrelly brothers-style , down-and-dirty laugher 
the film works - mostly due to its superior cast of characters . 
of creative belly laughs 
controversy 
needs to pull his head out of his butt 
it a step further , richer and deeper 
is smart writing , skewed characters , and the title performance by kieran culkin 
's hardly watchable 
an intimate feeling , a saga of the ups and downs of friendships 
not amused by the sick sense of humor 
are rendered with such clarity that it 's as if it all happened only yesterday 
this rich and luscious 
its and pieces of the hot chick are so hilarious , 
it reminds you how pertinent its dynamics remain 
the script is high on squaddie banter , low on shocks . 
needs mind-bending drugs when they can see this , the final part of the ` qatsi ' trilogy , directed by godfrey reggio , with music by philip glass ? 
oftentimes funny 
has enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be 
seem to be surefire casting 
some intriguing characters 
winning family story 
a charming , banter-filled comedy ... 
alternately melancholic , hopeful and strangely funny 
as moronic as some campus 
ploddingly melodramatic structure 
works as an unusual biopic and document of male swingers in the playboy era 
laugh as well . 
original and highly cerebral 
here seems to have recharged him . 
waydowntown manages to nail the spirit-crushing ennui of denuded urban living without giving in to it . 
an impeccable study 
see her esther blossom as an actress 
minority report '' astounds . 
by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
not well-acted 
in director randall wallace 's flag-waving war flick with a core of decency 
, the picture realizes a fullness that does not negate the subject . 
elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases 
wishy-washy . 
each other so intensely , but with restraint 
far more interesting 
rugrats 
, insight and humor 
and mind games 
unfocused , excruciatingly tedious cinema 
an engaging , formulaic sports drama that carries a charge of genuine excitement . 
love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots . 
his characters stage 
a powerful , naturally dramatic piece of low-budget filmmaking 
while scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic 
was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson ... 
if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
is so film-culture referential that the final product is a ghost . 
a fresh-faced , big-hearted and frequently funny thrill ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . ' 
keeps coming back to the achingly unfunny phonce and his several silly subplots . 
you 've got the wildly popular vin diesel in the equation 
the psychology too textbook to intrigue 
, it 's pretty stupid . 
bravo for history 
is a winner . 
accepting him in the role 
of businesses 
is a dazzling conceptual feat 
, preposterous , the movie will likely set the cause of woman warriors back decades . 
an engrossing story about a horrifying historical event and 
slightly naughty , just-above-average off - broadway play 
( b ) 
which should appeal to women 
a nationwide blight 
effectively creepy-scary thriller 
brutally honest individual 
all this exoticism might sound to the typical pax 
breaks the mood with absurdly inappropriate ` comedy ' scenes 
crush each other under cars , throw each other out windows , electrocute and dismember their victims in full consciousness . 
also has a strong dramatic and emotional pull that gradually sneaks up on the audience 
more hackneyed elements 
is as lax and limp a comedy as i 've seen in a while , a meander through worn-out material . 
the only entertainment you 'll derive from this choppy and sloppy affair 
, in praise of love lacks even the most fragmented charms i have found in almost all of his previous works . 
mesmerizing performance 
if you 're not fans of the adventues of steve and terri , you should avoid this like the dreaded king brown snake . 
an impenetrable and insufferable ball of pseudo-philosophic twaddle 
is more depressing than entertaining 
wrong reasons 
wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals . 
put in service 
to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor 
are the whole show here , with their memorable and resourceful performances . 
it 's also not smart or barbed enough for older viewers -- not 
is sympathetic without being gullible 
a great and a terrible story 
negligible british comedy . 
sacrificing its high-minded appeal 
warm 
sweet home alabama is n't going to win any academy awards , but this date-night diversion will definitely win some hearts 
beautiful , aching sadness 
they crush each other under cars , throw each other out windows , electrocute and dismember their victims in full consciousness . 
's compelling 
whose crisp framing , edgy camera work , and wholesale ineptitude 
simplistic , silly and tedious . 
who enjoys quirky , fun , popcorn movies with a touch of silliness and a little 
to realize that they 've already seen this exact same movie a hundred times 
as he was about inner consciousness 
ugly , pointless , stupid movie 
it 's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn . 
, amusing and unsettling 
rolling your eyes in the dark 
, stylized humor throughout 
no charm , 
i 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché 
if only merchant paid more attention the story . 
is a movie that tells stories that work -- is charming , is moving 
have its charms 
does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that 
every punchline predictable 
no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract 
feral and uncomfortable . 
bogus 
are typical sandler fare 
plenty of fun for all 
of humor about itself , a playful spirit and a game cast 
a colorful , joyous celebration of life 
george 's haplessness 
loneliness and is n't afraid to provoke introspection in both its characters and its audience . 
sinks so low in a poorly played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it . 
compressed into an evanescent , seamless and sumptuous stream of consciousness 
a charismatic charmer 
on a faulty premise , one it follows into melodrama and silliness 
both the beauty 
the riveting performances 
bouncing bravado 
, no such thing is a fascinating little tale . 
should have been a painless time-killer 
a minimalist beauty 
it 's drab . 
an admirable reconstruction 
gifted performers 
so often end up on cinema screens 
the script 's bad ideas and awkwardness 
on televised scooby-doo shows or reruns 
is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer 
romeo and juliet/west side story territory , where it plainly has no business going 
good action , good acting 
as emotionally manipulative and sadly imitative of innumerable past love story derisions 
frustratingly timid and soggy 
's real visual charge to the filmmaking 
have preceded it 
a convincing impersonation here of a director enjoying himself immensely 
because half past dead is like the rock on a wal-mart budget 
had a wonderful account to work from 
barely shocking , barely interesting and most of all , barely 
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness . 
a community-college advertisement 
asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
caviezel embodies the transformation of his character completely . 
a mischievous visual style 
call me a cold-hearted curmudgeon for not being able to enjoy a mindless action movie , but i believe a movie can be mindless without being the peak of all things insipid . 
interview with the assassin draws its considerable power from simplicity . 
warmth 
behind bars 
the all-too-familiar dramatic arc of the holocaust escape story 
is notable for its sheer audacity and openness 
, steven soderbergh 's space opera emerges as a numbingly dull experience . 
this is an action movie with an action icon who 's been all but decommissioned . 
a bit exploitative but also nicely done 
the love 
more than merely a holocaust movie 
have to give the audience a reason to want to put for that effort 
was painful 
charismatic enough 
the trip there is a great deal of fun . 
manages to instruct without reeking of research library dust . 
in the era of the sopranos , it feels painfully redundant and inauthentic . 
keeps throwing fastballs 
here , alas , it collapses like an overcooked soufflé . 
is that it does n't give a damn 
spectacular in every sense of the word , even if you don ' t know an orc from a uruk-hai . 
walked out of runteldat 
keep watching the skies for his next project 
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow 
land , people and narrative flow together in a stark portrait of motherhood deferred and desire explored . 
's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form 
want the story to go on and on 
this is n't even a movie we can enjoy as mild escapism ; 
woefully hackneyed 
a brisk , reverent , and subtly different sequel 
re-fried 
worthy of the price of a ticket 
hope 
was just a matter of ` eh . ' 
carries arnold ( and the viewers ) into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . '' 
a better person 
one summer film that satisfies 
so unmemorable 
of a female friendship that is more complex and honest than anything represented in a hollywood film 
's been done before 
its flame-like , roiling black-and-white inspires trembling and gratitude . 
bags 
have completely forgotten the movie by the time you get back to your car in the parking lot 
dignified ceo 's meet at a rustic retreat and pee against a tree . 
at 18 or 80 
cuter 
the most offensive thing about the movie is that hollywood expects people to pay to see it . 
tense , terrific , sweaty-palmed fun . 
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer 
to the civilized mind , a movie like ballistic : ecks vs. sever is more of an ordeal than an amusement . 
very obviously mark him as a video helmer making his feature debut 
thinly-conceived 
vividly back 
it works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory . 
've looked like as a low-budget series on a uhf channel . 
this is a film tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic . 
rewritten , and 
snow dogs finds its humor in a black man getting humiliated by a pack of dogs who are smarter than him 
to honestly address the flaws inherent in how medical aid is made available to american workers , a more balanced or fair portrayal of both sides will be needed . 
explode obnoxiously into 2,500 screens 
near-fatal mistake 
complex and quirky , but entirely believable 
about a wild-and-woolly , wall-to-wall good time 
be the best sex comedy about environmental pollution ever made 
banal bore the preachy circuit turns out to be 
the christ allegory does n't work because there is no foundation for it 
more than adequately fills the eyes and stirs the emotions 
comes from the heart 
, funny and beautifully 
gone a tad less for grit and a lot more 
the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances 
is one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt . 
a ridiculous wig no respectable halloween costume shop would ever try to sell 
slip into the modern rut of narrative banality 
alike to go see this unique and entertaining twist on the classic whale 's tale 
pretentious 
's very different from our own and yet instantly recognizable 
fahrenheit 451 
allowing us to remember that life 's ultimately a gamble and last orders are to be embraced 
tub-thumpingly loud it makes you feel like a chump 
telegraphed in the most blithe exchanges gives the film its lingering tug 
made the original new testament stories so compelling for 20 centuries 
the art of getting laid in this prickly indie comedy of manners and misanthropy 
was utterly charming . 
outnumber the hits by three-to-one . 
of purpose 
i am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson . 
just about everyone involved here seems to be coasting . 
it 's so devoid of joy and energy it makes even jason x ... look positively shakesperean by comparison . 
devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable 
a rip-off twice removed , modeled after ( seagal 's ) earlier copycat under siege , sometimes referred to as die hard on a boat . 
have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching 
is wondrously creative 
chance to learn , to grow , to travel 
kevin kline who unfortunately works with a two star script 
are quietly moving 
the locations go from stark desert to gorgeous beaches . 
're wearing the somewhat cumbersome 3d goggles 
down to whether you can tolerate leon barlow 
a bunch of other , better movies slapped together . 
stops being clever and devolves into flashy , vaguely silly overkill . 
( the kid 's ) just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow . 
balance pointed , often incisive satire and unabashed sweetness 
lousy guy ritchie imitation 
more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks . 
wheezy 
a raunchy and frequently hilarious follow-up 
those 24-and-unders looking for their own caddyshack to adopt as a generational signpost may have to keep on looking . 
meditative and lyrical 
realize that they 've already seen this exact same movie a hundred times 
in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react 
consistently funny , in an irresistible junior-high way , 
lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago 
here are unintentional . 
have some idea of the glum , numb experience of watching o fantasma 
the immediate aftermath 
blockbusters 
blockbuster 
looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer 
intriguing subject 
to the tongue-in-cheek attitude of the screenplay 
it will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster . 
because the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we 've somehow never seen before 
that would be me : fighting off the urge to doze . 
something is rotten in the state of california 
are not to be dismissed 
grab us 
interesting work 
baby-faced renner is eerily convincing as this bland blank of a man with unimaginable demons within . 
why it fails 
one look at a girl in tight pants and big tits and you turn stupid 
that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
pretty moments 
the kind that sacrifices real heroism and abject suffering for melodrama 
and unfunny tricks 
philippe , who makes oliver far more interesting than the character 's lines would suggest 
credited to director abdul malik abbott and ernest ` tron ' anderson 
insignificant 
good inside dope 
receiving war department telegrams 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters 
got something 
consciously dumbed-down approach 
rut 
has no teeth 
a very good time 
a half dozen other trouble-in-the-ghetto flicks 
that gets a quick release before real contenders arrive in september 
seeing things from new sides , plunging deeper , getting more intense 
trapped while some weird relative trots out the video he took of the family vacation to stonehenge 
lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank 
sheds light on a subject few are familiar with , and makes you care about music you may not have heard before . 
tensions 
the grandeur 
the script , the gags , the characters are all direct-to-video stuff , 
both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing 
dreaded 
patchy combination of soap opera , low-tech magic realism and , at times , ploddingly sociological commentary 
yellow asphalt is an uncompromising film . 
be occupied for 72 minutes 
is often preachy 
very charming and funny movie 
a delightful surprise 
touching , small-scale story 
is twice as bestial but half as funny . 
a turkey 
beauty 
of carefully choreographed atrocities , which become strangely impersonal and abstract 
debt miramax felt they owed to benigni 
the intelligence or sincerity it unequivocally deserves 
is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans . 
fragmented 
quirky drama 
's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work . 
money why this distinguished actor would stoop so low 
meant to enhance the self-image of drooling idiots 
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand 
some tasty grub 
resonant chord 
funnier . 
that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago 
a lack 
gets sillier , not scarier , as it goes along 
overripe episode 
a fun ride . 
is well-made 
, overnight , is robbed and replaced with a persecuted `` other 
believing it was just coincidence 
this region and its inhabitants 
c.h.o. cho proves she has the stuff to stand tall with pryor , carlin and murphy . 
incompetent , incoherent or 
the ups and downs of friendships 
skillfully assembled , highly polished 
grownups 
the problematic script 
lives up to the stories and faces and music of the men who are its subject 
deeply and rightly 
its compassionate spirit soars every bit as high 
nuances 
is so bad , that it 's almost worth seeing because it 's so bad 
i loved on first sight and , even more important 
it stinks 
an elegant visual sense 
sloppy plotting 
is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues 
noteworthy 
a thoughtful , reverent portrait 
who makes oliver far more interesting than the character 's lines would suggest 
many insightful moments . 
undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality 
a caffeinated , sloppy brilliance 
able 
hate myself most mornings 
impeccable comic timing , raffish charm and piercing intellect 
an engrossing and grim portrait of hookers : what they think of themselves and their clients 
a crisp psychological drama 
the mill sci-fi film with a flimsy ending 
's quite fun in places . 
cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
holm does his sly , intricate magic , and 
a shrewd and effective film from a director who understands how to create and sustain a mood 
a pretty good overall picture 
oversexed , at times overwrought comedy/drama that 
enveloping sounds 
only prove that ` zany ' does n't necessarily mean ` funny 
is a gem . 
the movie 's ultimate point -- that everyone should be themselves -- is trite 
in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth 
without doubt an artist of uncompromising vision 
heartwarmingly 
brings this unknown slice of history affectingly to life . 
it 's mission accomplished 
this is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party . 
than most of jaglom 's self-conscious and gratingly irritating films 
that 's there to scare while we delight in the images 
bittersweet camaraderie and history 
all will be greek to anyone not predisposed to the movie 's rude and crude humor . 
he does not give the transcendent performance sonny needs to overcome gaps in character development and story logic 
too many characters 
's something there 
inside righteousness 
wittier 
great yarn 
provocative stuff 
it gets the details of its time frame right 
in spite of featuring a script credited to no fewer than five writers , apparently nobody here bothered to check it twice . 
a remarkable ability to document both sides of this emotional car-wreck 
avoids all the comic possibilities of its situation , 
suspend your disbelief here and now , 
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully 
sure the filmmakers found this a remarkable and novel concept 
recommend it for its originality alone 
you 're in a slap-happy mood 
in a dark pit having a nightmare about bad cinema 
an annoying orgy of excess and exploitation that has no point and goes nowhere . 
but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
a commanding screen presence 
are kinetic enough to engross even the most antsy youngsters 
like a masterpiece 
this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits . 
all plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out . 
the plot twists give i am trying to break your heart an attraction it desperately needed . 
angry potshots 
the ideal outlet for his flick-knife diction in the role of roger swanson 
rare documentary 
distances you by throwing out so many red herrings , so many false scares , that the genuine ones barely register . 
unimaginative comedian 
some real vitality 
with a flick boasting this many genuine cackles 
( but none of the sheer lust ) 
glosses over rafael 's evolution 
especially with the weak payoff 
will have an intermittently good time . 
manages sweetness largely without stickiness 
is about the need to stay in touch with your own skin , at 18 or 80 
an epic four-hour indian musical about a cricket game 
offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar 
courageous 
onto a cross-country road trip of the homeric kind 
put pillowcases over their heads for 87 minutes 
well-acted 
found the ring moderately absorbing , largely for its elegantly colorful look and sound . 
... very funny , very enjoyable ... 
a lot more smarts , but just as endearing and easy to watch 
a beautiful canvas 
made indieflick in need of some trims and a more chemistry between its stars 
good action , good acting , good dialogue , 
there 's plenty to offend everyone ... 
delightful entree 
so well 
plotless 
it leaves little doubt that kidman has become one of our best actors . 
to be oblivious to the existence of this film would be very sweet indeed . 
surveyed high school students ... and came back with the astonishing revelation that `` they wanted to see something that did n't talk down to them . '' 
recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
idea ( of middle-aged romance ) is not handled well 
... the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with . 
creates in maelstrom a world where the bizarre is credible and the real turns magical . 
flat , flat dialogue 
no real narrative logic 
humorous . 
can draw people together across the walls that might otherwise separate them 
put away the guitar , 
proves that sometimes the dreams of youth should remain just that 
's also pretty funny 
if routine action and jokes like this are your cup of tea , then pay your $ 8 and get ready for the big shear . 
is astounding on any number of levels 
stays there for the duration 
impossible to even categorize this as a smutty guilty pleasure 
a vivid , spicy footnote 
does n't leave you with much 
film ' in the worst sense of the expression 
little more than a stylish exercise in revisionism whose point ... is no doubt true , but serves as a rather thin moral to such a knowing fable . 
, high-adrenaline documentary . 
are gorgeous and finely detailed 
has succeeded beyond all expectation . 
has a rather unique approach to documentary 
be viewed as pure composition and form -- 
genial is the conceit , this is one of those rare pictures that you root for throughout 
and not bad enough to repulse any generation of its fans 
at the diverse , marvelously twisted shapes history has taken 
aims to be funny , uplifting and moving , sometimes all at once 
works its way up 
to provide insight into a fascinating part of theater history 
the redeeming feature of chan 's films has always been the action , 
an intriguing story 
meditative and 
villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical . 
paid enough to sit through crap like this 
a film that has nothing 
forced drama in this wildly uneven movie , 
none-too-funny commentary 
... broad streaks of common sense emerge with unimpeachable clarity . 
a high enough level 
rather tired 
has made a film of intoxicating atmosphere and little else . 
go where we went 8 movies ago 
inane ramblings 
a dream 
both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations 
of terrific 
most of the distance 
stale first act , scrooge story , 
ignore 
the film 's unhurried pace is actually one of its strengths . 
may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence 
he just slopped ` em together here 
vital comic ingredient 
a soulless hunk of exploitative garbage 
candy and cheeky 
a full experience , 
the same mistake 
two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema 
leaves a bad taste in your mouth and questions 
a painful ride 
does n't drag an audience down 
an odd drama 
the storylines are woven together skilfully 
shimmering cinematography 
a rich and full life 
just plain 
is effective 
celebrity cameos do not automatically equal laughs 
continues to improve 
consistent emotional conviction 
a better thriller 
film a must for everyone from junior scientists 
peter jackson and company once again dazzle and delight us , fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte could want . 
worst thing 
is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller . 
the dialogue frequently misses the mark 
-- stoner midnight flick , sci-fi deconstruction , gay fantasia -- 
develop her own film language 
ignite sparks 
the only belly laughs come from the selection of outtakes tacked onto the end credits 
, elusive , yet inexplicably 
's just plain lurid when it is n't downright silly 
he 's just adjusting 
welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion 
poorly rejigger fatal attraction into a high school setting 
a waste of de niro , mcdormand and the other good actors in the cast 
to visit , this laboratory of laughter 
one of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch . 
a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i 
it 's probably worth catching solely on its visual merits . 
every one ( and no one ) 
shoddy 
jealous 
are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed 
forgets to make it entertaining 
if also somewhat hermetic . 
all the pleasure of a handsome and well-made entertainment 
who are enthusiastic about something and then 
by-the-numbers yarn . 
this equally derisive clunker is fixated on the spectacle of small-town competition . 
, ( haneke ) steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology . 
hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one 
amazement 
old-fashioned , occasionally charming and as subtle 
admirable reconstruction 
notorious reputation 
you thought was going to be really awful 
legal battle 
crash-and-bash 
though clearly well-intentioned 
his contradictory , self-hating , self-destructive ways 
walked away from this new version of e.t. just as i hoped i would -- with moist eyes . 
psychologically probing 
dumb gags , anatomical humor , or character cliches 
is actually one of its strengths 
death and mind-numbing indifference 
of a big , tender hug 
itself -- as well its delightful cast -- 
it has definite weaknesses 
racial profiling hollywood style 
being stuck in a dark pit having a nightmare about bad cinema 
going to subjugate truth to the tear-jerking demands of soap opera 
they spend years trying to comprehend it 
daring and 
this remains a film about something , one that attempts and often achieves a level of connection and concern . 
that there is no rest period , no timeout 
maelstrom is strange and compelling , engrossing and different , a moral tale with a twisted sense of humor 
way to make j.k. rowling 's marvelous series into a deadly bore 
is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny . 
everything is off . 
an eventual cult classic would be an understatement 
the best thing about the movie is its personable , amusing cast . 
rape and suspected murder 
can still turn out a small , personal film with an emotional wallop 
is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads . 
give it considerable punch 
dialogue , 30 seconds of plot 
hold our interest , but its just not a thrilling movie 
it almost completely dry of humor , verve and fun 
the soulful development of two rowdy teenagers 
, it 's waltzed itself into the art film pantheon . 
composed delivery 
visual style 
the real deal 
cool gadgets and creatures keep this fresh . 
a creepy , intermittently powerful study of a self-destructive man ... about as unsettling to watch as an exploratory medical procedure or an autopsy . 
it ultimately delivers 
smart and dark - hallelujah for small favors 
`` bowling for columbine '' remains a disquieting and thought-provoking film ... 
shamefully 
confident 
, you 'd have a hard time believing it was just coincidence . 
seems to want to be a character study , but apparently 
is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish 
most elusive 
a hugely enjoyable film 
is pretty funny now and then without in any way demeaning its subjects . 
reveals itself slowly , intelligently , artfully . 
he does display an original talent 
scream 
jovial 
may take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours 
- worst of all - 
gentle , lapping rhythms of this film 
gets full mileage 
preserves tosca 's intoxicating ardor 
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . 
hollywood trap 
lumpen 
as a director , eastwood is off his game -- there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising 
false sentiment or sharp , overmanipulative hollywood practices 
world traveler might not go anywhere new , or arrive anyplace special , but it 's certainly an honest attempt to get at something . 
that plays like a loosely-connected string of acting-workshop exercises 
is nonexistent . 
the cinematic stylings of director john stockwell 
apart from reporting on the number of tumbleweeds blowing through the empty theaters 
performances 
illustrating the demons bedevilling the modern masculine journey 
last orders nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced . 
following up a delightful , well-crafted family film 
better movie experience 
katz 's documentary does n't have much panache , but with material this rich it does n't need it . 
be an astronaut 
( a ) smarter and much funnier version of the old police academy flicks . 
a gripping drama . 
slightly flawed ( and fairly unbelievable ) finale 
undeniably fascinating and playful fellow 
stand in future years as an eloquent memorial 
keep my attention 
should strike a nerve in many . 
the worst elements of all of them 
a sturdiness and solidity that we 've long associated with washington 
seems to really care 
well acted by diane lane and richard gere . 
that rare film whose real-life basis is , in fact , so interesting that no embellishment is needed . 
... has thrown every suspenseful cliché in the book at this nonsensical story . 
childlike dimness 
terrific casting and 
the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane 
hymn and a cruel story of youth culture 
eventually , they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot . 
wondering why lee 's character did n't just go to a bank manager and save everyone the misery 
the movie attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago , and its cutesy reliance on movie-specific cliches is n't exactly endearing 
romantic comedy with a fresh point of view just does n't figure in the present hollywood program . 
the unfulfilling 
has been , pardon the pun , sucked out and replaced by goth goofiness 
dip into your wallet , swipe 90 minutes of your time , and 
incorporates so much 
already-shallow 
we also need movies like tim mccann 's revolution no. 9 . 
as a detailed personal portrait and as a rather frightening examination of modern times 
it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring 
is too amateurishly square to make the most of its own ironic implications 
the wonderfully lush morvern callar is pure punk existentialism 
to see where one 's imagination will lead when given the opportunity 
is corcuera 's attention to detail . 
has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise . 
onto a different path 
tedious as the chatter of parrots raised on oprah 
may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence . 
large cast 
amounts of beautiful movement and inside information 
subject us to boring , self-important stories of how horrible we are to ourselves and each other 
a great cast 
such superficial treatment 
admirable storyteller 
ludicrous 
it celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light . ' 
sugary sentiment and withholds delivery on the pell-mell 
deserves a huge amount of the credit for the film 's thoroughly winning tone 
limitations 
about one in three gags in white 's intermittently wise script hits its mark 
meyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics . 
the astute direction 
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché 
a mystery how the movie could be released in this condition 
pan nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic . 
conservative christian parents 
has the requisite faux-urban vibe and hotter-two-years-ago rap and r&b names and references . 
there 's got to be a more graceful way of portraying the devastation of this disease . 
ms. phoenix is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening . 
of nothing at the core of this slight coming-of-age/coming-out tale 
of spectacular belly flops 
catapulting the artist 
by someone who obviously knows nothing about crime 
a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it 
on its way 
there 's just something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance . 
beautiful , entertaining two hours 
the edge of your seat , tense with suspense 
it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome 
views youthful affluence not as a lost ideal but a starting point . 
a muddy psychological thriller rife with miscalculations 
captivates and shows 
is horrible 
the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor 
increasingly disturbed 
is less about a superficial midlife crisis 
something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
a prolonged extrusion of psychopathic pulp . 
an undeniably fascinating and playful fellow 
paper thin 
that is gorgeously 
not everything in this ambitious comic escapade works 
, the heart of the film rests in the relationship between sullivan and his son . 
sprightly 
it was worth your seven bucks 
that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category 
will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . '' 
it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
is nicely performed by a quintet of actresses 
lilo & stitch '' is n't the most edgy piece of disney animation to hit the silver screen 
repetition and languorous slo-mo sequences 
it 's difficult to shrug off the annoyance of that chatty fish 
in the end it 's as sweet as greenfingers 
has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores 
you 'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy . 
sharp comedy , old-fashioned monster movie atmospherics , and 
this funny film 
devoid 
subtle direction 
makes minority report necessary viewing for sci-fi fans 
when compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air 
's probably not easy to make such a worthless film 
is hardly journalism at all 
gloriously unsubtle 
in its over-the-top way 
is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller 
dies . 
quite fun in places 
much more successful translation 
a sentimental mess that never rings true 
the story and the actors are served with a hack script . 
, this cross-cultural soap opera is painfully formulaic and stilted . 
matched only by the ridiculousness of its premise 
if you go into the theater expecting a scary , action-packed chiller , you might soon be looking for a sign . 
is a shapeless inconsequential move relying on the viewer to do most of the work . 
's semi-amusing to watch robert deniro belt out `` when you 're a jet 
, i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
the visual wit of the previous pictures 
these lives count 
the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about . 
he shows and empathizes with the victims he reveals 
an attention 
sensual , funny and , in the end , very touching . 
has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch 
sometimes is a brilliant movie . 
affecting story about four sisters who are coping , in one way or another , with life 
rapt spell 
proves himself a deft pace master and stylist 
touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty 
, but i believe a movie can be mindless without being the peak of all things insipid . 
hands-on storytelling 
repellent to fully endear itself to american art house audiences , but 
eighties 
little room 
there is n't much to it . 
that it 's actually watchable 
dispassionate 
strangers , which opens today in the new york metropolitan area , so distasteful 
in a random series of collected gags , pranks , pratfalls , dares , injuries , etc . 
good for this sucker 
wrapping the theater 
visual coming right 
halfwit 
but it does somehow manage to get you under its spell . 
slightly sunbaked and summery mind , sex and 
gives give a solid , anguished performance that eclipses nearly everything else she 's ever done 
the giant screen and its hyper-realistic images 
jolt you out of your seat a couple of times , 
a well-mounted history lesson 
works , it 's thanks to huston 's revelatory performance . 
a cliché left unsaid 
is one that any art-house moviegoer is likely to find compelling . 
that it becomes a chore to sit through -- despite some first-rate performances by its lead 
's an energy to y tu mamá también . 
) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard 
, ( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation . 
it 's a setup so easy it borders on facile , but 
of light-heartedness , that makes it attractive throughout 
lots of sloppiness 
any country 
there 's undeniable enjoyment to be had from films crammed with movie references , 
what 's surprising is how well it holds up in an era in which computer-generated images are the norm . 
its generic villains lack any intrigue ( other than their funny accents ) and the action scenes are poorly delivered . 
gain the unconditional love she seeks 
an earnest moment 
female friendship , 
, at last count , numbered 52 different versions 
the history is fascinating ; the action is dazzling . 
gets the look and the period trappings right , but it otherwise drowns in a sea of visual and verbal clichés . 
from bill plympton , the animation master , 
the two leads delivering oscar-caliber performances 
guilty of the worst sin of attributable to a movie like this 
friday after next is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans . 
rouses us 
the adjective ` gentle ' 
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on . 
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but it 's smooth and professional . 
a chilling tale of one of the great crimes of 20th century france : the murder of two rich women by their servants in 1933 
explosive physical energy 
jovial air 
urban comedy is clearly not zhang 's forte 
cleverly written 
infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor 
is as consistently engaging as it is revealing . 
with or without the sex , a wonderful tale of love and destiny , told well by a master storyteller 
screen magic 
deathly 
liked about schmidt a lot 
a sensitive and astute 
shooting 
may put off insiders and outsiders alike . 
an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence 
on its taut performances and creepy atmosphere 
love and culture 
confusing melange 
this dreadfully earnest inversion of the concubine love triangle eschews the previous film 's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension . 
a golden book sprung to life 
is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
been given a part worthy of her considerable talents 
recommend the film 
weighted down with slow 
twisted , brilliant and macabre 
his own infinite insecurity is a work of outstanding originality 
impish 
good job 
, you are likely to be as heartily sick of mayhem as cage 's war-weary marine . 
falls flat as thinking man cia agent jack ryan in this summer 's new action film 
delicate coming-of-age tale 
animal 
could be a single iota worse ... 
like e.t. the first time i saw it as a young boy 
charred , somewhere northwest of the bermuda triangle 
compassion , sacrifice , 
the bottom line with nemesis is the same as it has been with all the films in the series : fans will undoubtedly enjoy it , and the uncommitted need n't waste their time on it 
ideas and special-interest groups 
is n't as sharp or as fresh 
is delicately 
frailty '' has been written so well , that even a simple `` goddammit ! '' 
make watching such a graphic treatment of the crimes bearable 
gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior . 
a strong and confident work 
in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
largely flat and uncreative 
of almost perpetually wasted characters 
a tearjerker 
does all of this , and more 
surprise family 
demeaning its subjects 
raw-nerved story 
celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light . ' 
i loved on first sight and , even more important , love in remembrance . 
excited 
that as a director washington demands and receives excellent performances 
executed with such gentle but insistent sincerity , with such good humor and 
, paxton , making his directorial feature debut , does strong , measured work . 
a slam-dunk 
does n't really add up to much 
wiseman is patient 
improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end 
putting together any movies of particular value or merit 
bang your head on the seat in front of you , 
i was beginning to hate it 
cultural and personal self-discovery 
to be ignored 
a solidly entertaining little film 
about a brainy prep-school kid with a mrs. robinson complex 
he 's already done way too often 
is ugly to look at and not a hollywood product 
terrific performances , great to look at , and funny . 
cinematography to the outstanding soundtrack and unconventional narrative 
bisset 
witty , vibrant , and intelligent 
opera-ish dialogue 
cheapo 
jagged camera moves 
an absurdly simplistic picture 
girls , who learns that believing in something does matter 
it 's not original enough . 
lina 
contemptible imitator 
no amount of nostalgia for carvey 's glory days 
from the writing and direction to the soggy performances 
country 
cinematography and exhilarating 
bring fresh , unforced naturalism to their characters . 
disastrous ending 
vibrant introduction 
a critical and commercial disaster 
mad love does n't galvanize its outrage the way , 
benefit enormously from the cockettes ' camera craziness -- 
major acting lessons and maybe a little coffee 
tremendous skill 
, the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy . 
straightforward and strikingly devious 
far-flung , illogical , and plain stupid 
help but engage an audience 
one of the greatest films 
makes even jason x ... look positively shakesperean by comparison 
crass , then gasp for gas , verbal deportment 
this is a movie you can trust . 
nails all of orlean 's themes without being a true adaptation of her book 
sustain a good simmer for most of its running time 
you 'll probably love it . 
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... but at the very least , his secret life will leave you thinking 
pompous references 
be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest 
ambitious comic escapade 
has the scope and shape of an especially well-executed television movie 
for most movies , 84 minutes is short , 
partly a schmaltzy , by-the-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely soulless . 
replaced with morph , a cute alien creature who mimics everyone and everything around 
remain interested , or at least conscious 
in the end there is one word that best describes this film : honest . 
a dashing and resourceful hero ; a lisping , reptilian villain 
if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek or laugh . 
it 's crafty , energetic and smart -- the kid is sort of like a fourteen-year old ferris bueller 
worthwhile glimpse 
of enthralling drama 
begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times 
insufficiently cathartic 
that i ca n't remember a single name responsible for it 
is a shaky , uncertain film that nevertheless touches a few raw nerves . 
, frightening war scenes 
does an established filmmaker so ardently waste viewers ' time with a gobbler like this 
who needs mind-bending drugs when they can see this , the final part of the ` qatsi ' trilogy , directed by godfrey reggio , with music by philip glass ? 
a mere excuse for the wan , thinly sketched story 
the 3-d vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe , are stanzas of breathtaking , awe-inspiring visual poetry . 
is nearly incoherent , 
feels as flat as the scruffy sands of its titular community . 
to sit through than this hastily dubbed disaster 
super 
enough 
a thriller , 
, even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream . 
has at last decisively broken with her friends image in an independent film of satiric fire and emotional turmoil . 
a movie full of grace 
all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut 
sloppy 
too boring and obvious 
truly egregious lip-non-synching 
own floundering way 
join the pantheon of great monster/science fiction flicks that we have come to love 
deliver a few gut-busting laughs 
has a great cast and a great idea 
a flair for dialogue comedy 
definitely funny stuff , but it 's more of the ` laughing at ' variety than the ` laughing with . ' 
touching as the son 's room 
lacks balance ... 
you still have to see this ! 
it fails to have a heart , mind or humor of its own 
zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special 
that is n't heated properly , so that it ends up 
what a dumb , fun , curiously adolescent movie this is . 
animation increasingly emphasizes the computer and the cool 
new , or inventive , 
two-dimensional and pointless 
the action here is unusually tame , the characters are too simplistic to maintain interest , and the plot offers few surprises 
by corrupt and hedonistic weasels 
renewal 
is suitably elegant 
been a confusing and horrifying vision 
superstar 
with very little story or character 
presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet . 
is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann 
woody , what happened ? 
was n't one of the film 's virtues 
an energetic , violent movie with a momentum that never lets up . 
work -- is charming , is moving 
good-looking but relentlessly lowbrow outing plays like clueless does south fork . 
use in the breathtakingly beautiful outer-space documentary space station 3d 
to the phrase ` fatal script error 
pass without reminding audiences that it 's only a movie 
life , 
, and better 
i saw worse stunt editing or cheaper action movie production values than in extreme ops 
full circle 
honesty 
sheridan is painfully bad , a fourth-rate jim carrey who does n't understand the difference between dumb fun and just plain dumb . 
this wild welsh whimsy 
jaw-dropping 
goose things up 
delightful , if minor , pastry 
recommend it enough 
a rare window on an artistic collaboration 
be able to find better entertainment 
you have to pay if you want to see it 
could n't have brought something fresher to the proceedings simply by accident 
in a sea of visual and verbal clichés 
a thoroughly enjoyable , heartfelt 
dignified 
loneliness and insecurity 
definitely worth 95 minutes 
leaves us laughing 
although some viewers will not be able to stomach so much tongue-in-cheek weirdness , those who do will have found a cult favorite to enjoy for a lifetime . 
pretty well 
completely familiar 
disappointing in comparison to other recent war movies ... or any other john woo flick for that matter 
was botched in execution 
a witty , whimsical feature debut . 
recommend big bad love 
tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes 
vastly improved germanic version 
( unintentionally ) funniest moments 
is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge . 
a fresh-faced , big-hearted and frequently funny thrill 
unfortunately , there is almost nothing in this flat effort that will amuse or entertain them , either . 
it just sits there like a side dish no one ordered . 
seem irritatingly transparent 
this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten . 
finely cut diamond 
slick production values and 
although mainstream american movies tend to exploit the familiar , every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel . 
( reno ) delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion . 
its own languorous charm 
, it still works . 
is disappointingly generic . 
though their story is predictable 
spinning a web of dazzling entertainment may be overstating it , but 
positive ( if tragic ) 
paints a specifically urban sense of disassociation here 
is n't much better 
presents a fascinating glimpse of urban life and the class warfare that embroils two young men 
as possibly the best actor working in movies today 
boarders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival . 
though there are entertaining and audacious moments , the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation . 
but it also does the absolute last thing we need hollywood doing to us : 
refreshingly realistic , affectation-free 
a real winner -- smart , funny , subtle , and resonant 
love for the movies of the 1960s 
although it includes a fair share of dumb drug jokes and predictable slapstick 
'm not 
as simultaneously funny , offbeat and 
cgi effects 
really is a shame that more wo n't get an opportunity to embrace small , sweet ` evelyn . ' 
kissing 
the film runs on a little longer than it needs to 
, thoroughly involving 
compelling coming-of-age drama 
as director of the escort service was inspired 
too convenient 
that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
toolbags 
happy ! 
bad idea 
's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni 
is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
uneven performances and a spotty script add up to a biting satire that has no teeth . 
in this junk that 's tv sitcom material at best 
resolutely unamusing , 
a lovely and beautifully 
dark humor , gorgeous exterior photography , and a stable-full of solid performances 
fast and funny , 
that 's lived too long 
heart-string plucking 
a dreadful day 
a movie where story is almost an afterthought 
things that elevate `` glory '' above most of its ilk , most notably 
inescapable past and uncertain future 
that 's sustained through the surprisingly somber conclusion 
true emotions 
exists , and does so with an artistry that also smacks of revelation . 
is one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt 
a bodice-ripper for intellectuals . 
finds the ideal outlet for his flick-knife diction in the role of roger swanson 
flick worthy 
spectacularly well 
good b movies 
an appealing blend 
possesses its own languorous charm . 
wilco fans will have a great time , and the movie should win the band a few new converts , too 
are both listless 
pokemon 4ever practically assures that the pocket monster movie franchise is nearly ready to keel over 
personal velocity seems to be idling in neutral 
a work of entertainment 
to ultimately disappoint the action 
is that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb 
vincent became more and more abhorrent 
frustrated 
that makes michael jordan jealous 
inexcusable dumb 
thrown-together feel 
succeed merrily at their noble endeavor 
the outer limits of raunch 
in the wrong hands , i.e. peploe 's , it 's simply unbearable 
austin powers films 
she does little here but point at things that explode into flame 
wearisome 
saddled 
for the breezy and amateurish feel of an after school special on the subject of tolerance 
their heroic capacity 
play hannibal lecter 
punishable by chainsaw 
payami tries to raise some serious issues about iran 's electoral process , but the result is a film that 's about as subtle as a party political broadcast . 
visually stunning 
a sleep-inducingly slow-paced crime drama 
's worse 
an enormous feeling 
fast , funny , and even touching story 
first place 
gentle and humane 
seriously dumb characters 
is depressing , ruthlessly pained and depraved , 
it takes its techniques into such fresh territory that the film never feels derivative 
a genuine mind-bender . 
overlong and not well-acted , 
storytelling prowess 
its elbows sticking out where the knees should be 
daily struggles and simple pleasures usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
of the most inventive 
love a joy 
a terrific b movie 
cho 's face is ) an amazing slapstick instrument , creating a scrapbook of living mug shots . 
as a director washington demands and receives excellent performances 
it integrates thoughtfulness and pasta-fagioli comedy 
pg-13 
its recycled aspects , implausibility 
is presented with universal appeal 
pander to our basest desires 
, its brain is a little scattered -- ditsy , even . 
was reportedly rewritten a dozen times 
our most conservative and hidebound movie-making traditions 
no french people were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a half . 
fessenden has nurtured his metaphors at the expense of his narrative , but he does display an original talent 
it 's a movie that ends with truckzilla , for cryin ' out loud . 
is , truly and thankfully , a one-of-a-kind work . 
the very hollowness 
to hoffman 's powerful acting clinic 
be fruitful 
does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes wilco a big deal . 
a solid emotional impact 
moving moments and an intelligent subtlety 
seemingly a vehicle to showcase the canadian 's inane ramblings , stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore . 
too intensely focused on the travails of being hal hartley to function as pastiche , no such thing is hartley 's least accessible screed yet . 
a lot more dimensional and complex than its sunny disposition would lead you to believe . 
remarkable ability to document both sides of this emotional car-wreck 
even though the film does n't manage to hit all of its marks 
is the piece works brilliantly 
is one of the year 's best films 
tradition and warmth 
goes for sick and demented humor simply 
broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
` hungry-man portions of bad ' 
smart , 
tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic 
narratively , trouble every day is a plodding mess . 
as bad at a fraction the budget 
there are flaws , but also stretches of impact and moments of awe ; we 're wrapped up in the characters , how they make their choices , and why . 
some cute moments , funny scenes , 
the heedless impetuousness of youth is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot . 
had from films crammed with movie references 
philosophical visual coming right 
that beneath the hype , the celebrity , the high life , the conspiracies and the mystery there were once a couple of bright young men -- promising , talented , charismatic and tragically doomed 
a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and 
at least three films 
in truth , it has all the heart of a porno flick ( but none of the sheer lust ) . 
saw worse stunt editing or cheaper action movie production values than in extreme ops 
mean-spirited lashing 
more offended by his lack of faith in his audience than by anything on display 
may as well be called `` jar-jar binks : the movie . '' 
delightfully dour 
in a sense , that 's a liability . 
be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
elaborate special effects take center screen , so that the human story is pushed to one side . 
be an honest and loving one 
endearing about it 
into a dreary , humorless soap opera 
who is always a joy to watch , even when her material is not first-rate ) 
in this properly intense , claustrophobic tale of obsessive love 
a term paper 
but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense 
a magnetic performance 
a venturesome , beautifully realized psychological mood piece that reveals its first-time feature director 
the most wondrous love story 
journalistic or historical 
a zombie movie in every sense 
tackled a meaty subject 
writer / director m. night shyamalan 's ability to pull together easily accessible stories that resonate with profundity is undeniable . 
this odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in morton 's ever-watchful gaze -- 
seems like someone going through the motions 
you take for granted in most films are mishandled here . 
sparkling , often hilarious romantic jealousy comedy ... attal looks so much like a young robert deniro that it seems the film should instead be called ` my husband is travis bickle ' . 
's defiantly and delightfully against the grain . 
like shiner 's organizing of the big fight , pulls off enough 
been immersed in a foreign culture only to find that human nature is pretty much the same all over 
spain 
as an exquisite motion picture in its own right 
my precious new star wars movie 
the visceral sensation 
in a joyous communal festival of rhythm 
most colorful and controversial 
is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same . 
this in-depth study of important developments of the computer industry should make it required viewing in university computer science departments for years to come . 
the ordeal of sitting through it 
hastily mounted production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book . 
desperately 
wrong with performances here 
each story is built on a potentially interesting idea , but the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time . 
the character of critical jim two-dimensional and pointless 
the audacity to view one of shakespeare 's better known tragedies as a dark comedy is , by itself , deserving of discussion . 
a fun , no-frills ride 
running on empty 
the unusual power of thoughtful , subjective filmmaking 
to a satisfying complete picture of this particular , anciently demanding métier 
perhaps it 's cliche to call the film ` refreshing , ' 
becomes a bit of a mishmash 
a mesmerizing one 
as other rowdy raunch-fests -- farts , boobs , unmentionables -- 
it is visually ravishing , penetrating , impenetrable . 
a captivating and intimate study about dying and loving ... 
a good documentary 
full-bodied characterizations 
but fun 
there 's no reason to miss interview with the assassin 
splendid-looking 
major acting lessons and 
hastily and 
does n't really deliver for country music fans or for family audiences 
time frame right 
, incoherent 
has all the earmarks of french cinema at its best . 
b-movie 
there 's no point of view , no contemporary interpretation of joan 's prefeminist plight , 
this enthralling documentary ... is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends . 
is just garbage . 
jerking off in all its byzantine incarnations 
an extraordinary film , 
traffic 
undernourished and 
an otherwise excellent film 
this insane 
rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance 
star charisma 
will have a barrie good time 
liked a lot of the smaller scenes . 
a terrible movie that some people 
's fun , wispy 
there 's only one way to kill michael myers for good : stop buying tickets to these movies . 
davies as a young woman of great charm , generosity and diplomacy 
reveals itself slowly , intelligently , artfully 
to enjoy 
most deceptively amusing comedies of the year 
the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
the film does n't have enough innovation or pizazz to attract teenagers , and it lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences 
a man who has little clue about either the nature of women or of friendship 
sink into melancholia 
a smart 
seems to be coasting . 
this colorful bio-pic 
may lack the pungent bite of its title , but it 's an enjoyable trifle nonetheless 
lying 
if you 're looking to rekindle the magic of the first film , you 'll need a stronger stomach than us . 
a sleep-inducing thriller 
, marked by acute writing and a host of splendid performances . 
wildly fascinating 
shapeless 
maelstrom is strange and compelling , engrossing and different 
it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life 
imaginative and successful 
the star-making machinery 
of the world 's most fascinating stories 
deafening 
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , 
four hankies 
feeling like no other film in recent history 
grievous 
symbiotic 
wo n't be disappointed . 
of the rollicking dark humor so necessary 
the death 
a good thing 
, it 's an observant , unfussily poetic meditation about identity and alienation . 
the pure adrenalin 
the film 's thoroughly recycled plot and tiresome jokes ... drag the movie down . 
genuinely funny 
the comedy was funny 
... the maudlin way its story unfolds suggests a director fighting against the urge to sensationalize his material . 
take care of my cat emerges as the very best of them 
seeing as the film lacks momentum and its position remains mostly undeterminable , the director 's experiment is a successful one . 
... the kind of movie you see because the theater has air conditioning . 
after sitting through this sloppy , made-for-movie comedy special 
most daring , and complicated 
one has nothing else to watch 
not scary , not smart and not engaging 
spirit-crushing ennui 
adultery 
some of the most inventive 
poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo . 
carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others . 
evil , monstrous lunatic 
nothing special and , until the final act , 
a new , or inventive , journey 
seem smart and well-crafted 
fires on all plasma conduits 
in `` unfaithful 
the most repugnant adaptation 
agile performers 
( cho 's face is ) an amazing slapstick instrument , creating a scrapbook of living mug shots . 
does dickens as it should be done cinematically 
becomes a testament 
desiccated 
by kevin bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut 
he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating 
well-made evocation 
you must shoot it in the head 
has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange . 
look american angst in the eye and end up laughing 
they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot . 
of cool stuff packed into espn 's ultimate x. 
can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already . 
a dull moment 
uncommitted 
is still charming here . 
has never been more charming than in about a boy . 
offer much more than the series 
bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
a knowing 
'' remains a disquieting and thought-provoking film ... 
repeating what he 's already done way too often 
authentic feel 
absolutely 
barely interesting 
a laughable -- or rather , unlaughable 
pacino is the best he 's been in years and keener is marvelous . 
your face for two hours 
like the tuck family themselves , this movie just goes on and on and on and on 
touches smartly and wistfully 
honesty and 
it 's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny . 
cluelessness 
call the ` wow ' factor 
astonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one . 
faltering 
in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
that eclipses nearly everything else she 's ever done 
powerful act 
any john waters movie has it beat by a country mile . 
a grating endurance test 
the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots . 
maintains suspense on different levels throughout a film that is both gripping and compelling . 
heavyweight film 
's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug . 
a pastiche of children 's entertainment , superhero comics , and japanese animation 
with a message that cautions children about disturbing the world 's delicate ecological balance 
the silly , over-the-top coda especially disappointing 
with lots of sloppiness 
of his passe ' chopsocky glory 
sheer unbridled delight 
for on-screen chemistry 
mass drug-induced bowel 
the whole talking-animal thing is grisly . 
a fine effort , an interesting topic , some intriguing characters and a sad ending . 
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , and you have some idea of the glum , numb experience of watching o fantasma 
its underventilated père-fils confrontations 
's a rare window on an artistic collaboration 
greenlight 
'm sure the filmmaker would disagree , but , honestly , i do n't see the point 
according to wendigo , ` nature ' loves the members of the upper class almost as much as they love themselves . 
salma goes native and she 's never been better in this colorful bio-pic of a mexican icon . 
julia roberts wannabe 
sure , it 's contrived and predictable , but 
try as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
the scope and shape of an especially well-executed television movie 
petter næss ' delicate , clever direction ... and 
'll feel like you ate a reeses without the peanut butter ... 
has been overexposed , 
that he will once again be an honest and loving one 
is an interesting character 
keenly observed and refreshingly natural , swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner . 
so intensely , but with restraint 
yet unforgivingly inconsistent depiction 
the next inevitable incarnation of the love boat 
has an infectious enthusiasm 
succumbs to the trap of the maudlin or tearful 
shows holmes has the screen presence to become a major-league leading lady , ( but ) 
clever , offbeat and 
fathers and sons , and the uneasy bonds between them 
is how well it holds up in an era in which computer-generated images are the norm 
have made every effort to disguise it as an unimaginative screenwriter 's invention 
with poetic force and buoyant feeling 
most entertaining bonds 
expected from a college comedy that 's target audience has n't graduated from junior high school 
sane person 
marked by acute writing and a host of splendid performances 
a goofy pleasure 
compared to the movie 's contrived , lame screenplay and listless direction 
penetrating , 
a delightful lark 
while the highly predictable narrative falls short 
multilayered 
's fun for kids of any age 
welcome and heartwarming addition 
right-wing , propriety-obsessed family 
pc stability notwithstanding 
of moral compromise 
you have no affinity for most of the characters . 
enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games 
occasional jarring glimpses 
will find it more than capable of rewarding them 
all the sensuality , all the eroticism of a good vampire tale has been , pardon the pun , sucked out and replaced by goth goofiness . 
the discomfort and embarrassment 
the horrible pains of a death 
most notable 
under the right conditions , it 's goofy ( if not entirely wholesome ) fun 
bad luck 
's fun 
feels at times like a giant commercial for universal studios , where much of the action takes place . 
that seek to remake sleepless in seattle again and again 
both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace 
big , juicy role 
loneliest dark spots 
-- as well its delightful cast -- 
inspire 
delivers a perfect performance that captures the innocence and budding demons within a wallflower . 
run out of gas 
has kind of an authentic feel 
to much more than trite observations on the human condition 
is we never really see her esther blossom as an actress , even though her talent is supposed to be growing . 
a predictable outcome and a screenplay 
kissing jessica steinis quirky , charming and often hilarious . 
, blade 2 is definitely a cut above the rest . 
believed in their small-budget film 
this silly , outrageous , ingenious thriller 
it is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness . 
a dull , somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise . 
are too crude to serve the work especially well 
's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
energetic frontman 
so sloppily written 
sand 's masculine persona , with its love of life and beauty , takes form 
as one of the year 's most intriguing movie experiences 
without placing their parents in a coma-like state 
from a deceptively simple premise , this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times . 
bring cohesion 
that film buffs will eat up like so much gelati 
such an engrossing story that will capture the minds and hearts of many 
discreet filmmakers 
chilling movie 
clumsy , obvious , preposterous , the movie will likely set the cause of woman warriors back decades . 
its good qualities are obscured 
, the biggest is that secret ballot is a comedy , both gentle and biting . 
this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
completely loveable 
vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess 
in the heart-pounding suspense of a stylish psychological thriller 
: the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
after decades 
much credit 
tv sitcom material at best 
it 's just weirdness for the sake of weirdness , 
never coughed , fidgeted or romped up and down the aisles for bathroom breaks 
shrill and 
has become apparent that the franchise 's best years are long past 
an inexperienced director , 
at the edge of your seat with its shape-shifting perils , political intrigue and brushes 
keep you watching , 
what it means sometimes to be inside looking out , and at other times outside looking in 
a lousy one at that 
does n't always jell with sean penn 's monotone narration 
the narrator and the other characters try to convince us that acting transfigures esther , 
refreshingly unhibited enthusiasm 
for its profound humanity 
as simultaneously funny , offbeat and heartwarming 
but the movie 's narrative hook is way too muddled to be an effectively chilling guilty pleasure . 
refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map 
the man from elysian fields is doomed by its smallness 
, every bit as imperious as katzenberg 's the prince of egypt from 1998 . 
are just two of the elements that will grab you . 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair 
heartfelt and hilarious 
you reach the finale 
easily marketable 
if anything , the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans . 
churn out one mediocre movie 
overall it 's an entertaining and informative documentary . 
reading lines from a teleprompter 
this picture is murder by numbers , and as easy to be bored by as your abc 's , despite a few whopping shootouts . 
its oscar nomination 
characteristically engorged 
the performances are so overstated , the effect comes off as self-parody . 
's fun , wispy , 
for all its problems ... the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience . 
replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy 
complex and honest 
uses modern technology to take the viewer inside the wave 
twohy 's a good yarn-spinner , and ultimately the story compels . 
manipulative claptrap , a period-piece movie-of-the-week , plain old blarney ... 
an awkwardly garish showcase that diverges from anything 
dumb comedy 
there 's absolutely no reason why blue crush , a late-summer surfer girl entry , should be as entertaining as it is 
drudgery 
stripped almost entirely 
despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving 
to call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest 
rowdy slapstick 
that rarity among sequels 
torn away from the compelling historical tale to a less-compelling soap opera 
the film , flaws and 
like mike is a slight and uninventive movie : 
is marveilleux . 
cheered at just that 
have n't laughed that hard in years ! 
it has considerable charm . 
a work of deft and subtle poetry 
there is nothing distinguishing in a randall wallace film 
integrating the characters in the foreground 
offers no new insight on the matter , nor do its characters exactly spring to life . 
as the movie sputters 
embody the worst excesses of nouvelle vague without any of its sense of fun or energy 
manages never to grow boring ... which proves that rohmer still has a sense of his audience 
hit-man 
an atrociously , mind-numbingly , indescribably bad movie 
approached the usher and said that if she had to sit through it again , she should ask for a raise 
is genial but never inspired , and little about it will stay with you 
is like being trapped at a bad rock concert 
the dry humor that first made audiences on both sides of the atlantic love him 
texan director george ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare 
a so-called ` comedy ' 
life that 's very different from our own and yet instantly recognizable 
supposed to be a romantic comedy 
living mug shots 
for the most part a useless movie , even with a great director at the helm 
have carved their own comfortable niche in the world 
first-class road movie 
collective 
an electric pencil sharpener 
loses its fire midway , nearly flickering out by its perfunctory conclusion 
wonderful but sometimes confusing 
if ever such a dependable concept was botched in execution , this is it . 
nothing in this flat effort that will amuse or entertain them 
of mindless pace in collision 
be especially grateful for freedom after a film like this 
the effort is sincere 
is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be . 
the junk-calorie suspense tropes that have all but ruined his career 
works on the whodunit level as its larger themes get lost in the murk of its own making 
the hanukkah spirit seems fried in pork . 
deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip 
tends to pile too many `` serious issues '' on its plate at times , yet remains fairly light , always entertaining , and smartly written . 
feels free to offend 
fresh point 
a coming-of-age story and 
disgracefully 
considerable punch 
stately sense 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and 
sweet , funny 
because there 's precious little substance in birthday girl 
's so downbeat and nearly humorless 
is still a deeply moving effort to put a human face on the travail of thousands of vietnamese . 
sexy and romantic . 
the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , 
's unlikely to become a household name on the basis of his first starring vehicle 
bring their characters to life . 
cineasts will revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement . 
quickly enters the pantheon of wreckage that includes battlefield earth and showgirls 
the bigger setpieces flat 
to the junk-calorie suspense tropes that have all but ruined his career 
cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists . 
need to be invented to describe exactly how bad it is . 
a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties 
witty updatings ( silver 's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around ) 
adroit 
may lack the pungent bite of its title , but it 's an enjoyable trifle nonetheless . 
's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue 
the national lampoon film franchise 
's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do 
would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful 
match the ordeal of sitting through it 
the type of dumbed-down exercise in stereotypes that gives the ( teen comedy ) 
fit 
thoughtless , random , superficial humor and a lot 
cheapened the artistry of making a film 
will be plenty of female audience members drooling over michael idemoto as michael 
cliches , painful improbability 
farm melodrama . 
) characters are both overplayed and exaggerated 
striking about jolie 's performance 
waiting for godard can be fruitful : ` in praise of love ' is the director 's epitaph for himself . 
bullock 's memorable first interrogation 
music videos 
unique and 
turn out to be delightfully compatible here 
action and 
all three actresses are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents . 
its old-hat set-up and predictable plot 
that is both gripping and compelling 
clever , 
veteran 
tired , 
is a film that 's about as subtle as a party political broadcast 
no rest period , 
was once an amoral assassin just like the ones who are pursuing him 
a full experience , a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence 
scratching your head 
to sit through about 90 minutes of a so-called ` comedy ' and not laugh once 
a lump of run-of-the-mill profanity 
all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
of the biggest disappointments of the year 
waydowntown may not be an important movie , or even a good one 
a finely written , superbly acted offbeat thriller 
the huskies are beautiful , the border collie is funny and the overall feeling is genial and decent 
no charm , no laughs , no fun 
is all over the place , really 
a black man getting humiliated by a pack of dogs who are smarter than him 
bears is even worse than i imagined a movie ever could be . 
pow 
what we have here is a load of clams left in the broiling sun for a good three days 
thought-provoking and even an engaging mystery 
( and better 
a fascinating , dark thriller 
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and barry 's cold-fish act makes the experience worthwhile . 
still has enough moments to keep it entertaining . 
big summer movies 
historically significant , and personal , episode 
has crafted a solid formula for successful animated movies 
demeaning 
had all its vital essence scooped out and discarded 
's simultaneously painful and refreshing 
bottomlessly 
's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
effortlessly 
quirky movie 
a very good time at the cinema 
this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years 
real magic 
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- and 
, the film does pack some serious suspense . 
after an 88-minute rip-off of the rock 
is long on glamour and short on larger moralistic consequences , 
this nicely wound clock not just ticking , but humming 
an exceptionally acted , quietly affecting cop drama . 
... this story gets sillier , not scarier , as it goes along ... 
when the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year 
supposedly funny movie 
in their own idiosyncratic way , sum up the strange horror of life in the new millennium 
recommend it , because it overstays its natural running time 
` life affirming ' 
is a mormon family movie , and a sappy , preachy one at that 
masochistic moviegoers 
that you never want to see another car chase , explosion or gunfight again 
, and to the script 's refusal of a happy ending 
easily dismissive 
mind crappy movies 
is n't always coherent 
whose charms are immediately apparent 
hackneyed and meanspirited storyline 
penetrating , impenetrable 
a smart , sassy and exceptionally charming romantic comedy . 
add up to a moving tragedy with some buoyant human moments . 
's good-natured and sometimes quite funny 
a divine monument to a single man 's struggle to regain his life , his dignity and his music 
offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them . 
clever and subtle 
a strong script , powerful direction and splendid production design 
understand everyone 's point of view 
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but 
through this film 
imponderably stilted and self-consciously arty movie 
mindless action movie 
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult 
quite sure where self-promotion ends and the truth begins 
the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament 
even as it points out how inseparable the two are 
provides the kind of ` laugh therapy ' i need from movie comedies -- 
the big shear 
( swimfan ) falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting . 
the film buzz and whir 
there 's something there 
've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane 
comic skill 
idiots 
transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor 
frantic than involving , 
big fat liar is a real charmer 
manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches . 
she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here 
a satisfactory overview of the bizarre world of extreme athletes as several daredevils 
a crowd-pleaser , but then , so 
subtlest and most complexly evil uncle ralph 
breathtaking adventure 
photographed and beautifully 
fantastically vital 
sodden and glum , even in those moments where it 's supposed to feel funny and light . 
while some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone , soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation . 
its storytelling prowess and special effects 
idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance 
slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms 
a grand picture of an era 
love , family and 
that ` alabama ' manages to be pleasant in spite of its predictability and 
pleasantly and predictably 
interesting '' 
driven by the pathetic idea 
spreads them pretty thin 
it , offering fine acting moments and pungent insights 
loved the 1989 paradiso will prefer this new version 
sweet , charming tale 
little action , 
emotionally belittle a cinema classic . 
real-life happening 
found myself growing more and more frustrated and detached as vincent became more and more abhorrent . 
a spectacular performance - ahem 
what should have been a cutting hollywood satire is instead about as fresh as last week 's issue of variety . 
as i settled into my world war ii memories , i found myself strangely moved by even the corniest and most hackneyed contrivances . 
dedicated artists 
unengaging 
blimp 
as if allen , at 66 , has stopped challenging himself 
it 's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth . 
the best case for christianity 
pinochet 's victims 
is lightweight filmmaking , 
flatula 
omnibus tradition 
extremely talented 
seeking anyone with acting ambition but no sense of pride or shame 
clueless and 
a good three days 
wonderful fencing scenes 
even on its own ludicrous terms , the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series . 
patronizing 
only one of the best gay love stories ever made 
who ca n't quite live up to it 
a retooling of fahrenheit 451 , and even as a rip-off of the matrix 
the performances of the four main actresses bring their characters to life . 
sanctimonious 
impossibly 
is an absolute delight for all audiences 
a thought-provoking and often-funny drama about isolation . 
fairly straightforward 
... had this much imagination and nerve 
wilco fans will have a great time , and the movie should win the band a few new converts , too . 
undeniably gorgeous , terminally 
gentle and humane side 
sad to say -- 
does n't quite 
phony humility barely camouflaging grotesque narcissism 
not very amusing 
another day of brit cinema 
of spare dialogue and acute expressiveness 
even more reassuring 
the result is more puzzling than unsettling 
fails to provoke them 
the storytelling instincts of a slightly more literate filmgoing audience 
the `` soon-to-be-forgettable '' section 
comes from spielberg , who has never made anything that was n't at least watchable 
leaps over national boundaries 
in mr. spielberg 's 1993 classic 
's as rude and profane as ever , always hilarious and , most of the time , absolutely right 
suffers from unlikable characters and a self-conscious sense of its own quirky hipness . 
shows off a lot of stamina and vitality , 
you 're not deeply touched by this movie 
who deserve more from a vampire pic than a few shrieky special effects 
greasy little vidgame pit 
kilt-wearing jackson 
a subtle , humorous , illuminating study of politics , power and social mobility 
of its actors 
steals 
truths emerge . 
as dumb and cheesy 
all the more compelling 
to share his impressions of life and loss and time and art with us 
hollow 
pitch-perfect acting 
its characters and its audience 
mind : so why is this so boring ? 
its empowerment 
a bland murder-on-campus yawner . 
pray has really done his subject justice . 
warn 
odd but ultimately satisfying blend 
major-league 
light , silly , photographed with color and depth , and rather a good time . 
quite good at providing some good old fashioned spooks . 
a bright future ahead of him 
to which it succeeds 
craven endorses they simply because this movie makes his own look much better by comparison 
painfully unfunny 
come away with a sense of his reserved but existential poignancy 
feels limited by its short running time 
's just not very smart 
8 crazy nights 
needlessly confusing 
if you can swallow its absurdities and crudities 
the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
treads old turf 
a tasty appetizer that leaves you wanting more . 
one of the finest 
made me unintentionally famous -- as the queasy-stomached critic who staggered from the theater and blacked out in the lobby 
's a diverting enough hour-and-a-half for the family audience 
turn a larky chase movie into an emotionally satisfying exploration of the very human need 
innovative 
film a must 
the charm of the first movie is still there , and the story feels like the logical , unforced continuation of the careers of a pair of spy kids . 
more spirit and bite 
passionate enthusiasms 
enlightened by any of derrida 's 
this poor remake of such a well loved classic 
to avoid noticing some truly egregious lip-non-synching 
a terrifically entertaining specimen 
are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary . 
an action movie with an action icon who 's been all but decommissioned 
most famous 
's easy to love robin tunney 
most pitiful 
vastly entertaining 
its mind 
dislikable study in sociopathy 
give strong and convincing performances 
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given 
its star 
perhaps the grossest movie ever made . 
but toback 's deranged immediacy makes it seem fresh again . 
as bad as you think , 
the resolutions 
feels less like a change in ( herzog 's ) personal policy than a half-hearted fluke . 
reveals how we all need a playful respite from the grind to refresh our souls . 
clever and unflinching 
be the movie you 're looking for 
its gender politics , genre thrills 
a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams 
work up 
stripped almost entirely of such tools as nudity , profanity and violence , labute does manage to make a few points about modern man and his problematic quest for human connection . 
accepting a 50-year-old in the role is creepy in a michael jackson sort of way . 
take place indoors in formal settings with motionless characters . 
little gem 
bang your head on the seat in front of you , at its cluelessness , 
an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces 
a mystery devoid 
crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album 
are reflected in almost every scene . 
it 's weird , wonderful , and not necessarily for kids . 
you 'll forget about it by monday , though 
the movie 's ultimate point -- that everyone should be themselves -- is trite , but the screenwriter and director michel gondry restate it to the point of ridiculousness . 
a listless and desultory affair 
like mike is n't going to make box office money that makes michael jordan jealous 
it 's also undeniably exceedingly clever 
this overproduced piece of dreck is shockingly bad and absolutely unnecessary . 
a bottom-feeder sequel 
run-of-the-mill raunchy humor and 
is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham 
... has about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity . 
could restage the whole thing in your bathtub . 
essentially awkward version 
was reading the minds of the audience 
the rare movie 
, it 's just one that could easily wait for your pay per view dollar . 
episodic choppiness 
reputedly `` unfilmable '' novels 
represents a worthy departure from the culture clash comedies that have marked an emerging indian american cinema 
as anything much more 
it is a copy of a copy of a copy 
enjoys the friday series 
undone by howard 's self-conscious attempts 
one of the movies you 'd want to watch if you only had a week to live 
the success of undercover brother is found in its ability to spoof both black and white stereotypes equally . 
haynes ( like sirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange . 
reign of fire never comes close to recovering from its demented premise , but 
is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny 
supremely kittenish 
anemic 
the end result does no justice to the story itself 
any film that does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country is less a documentary and more propaganda by way of a valentine sealed with a kiss . 
do n't avert our eyes for a moment . 
give life 
less charming than listening to a four-year-old 
cohesive story 
movie-star intensity 
to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror . 
nagging 
an intellectual exercise 
weighty and ponderous but every bit as filling as the treat of the title 
a place in your heart 
a devastating comic impersonation 
that will capture the minds and hearts of many 
a potent chemistry 
the front ranks of china 's now numerous , world-renowned filmmakers 
a philosophical emptiness and maddeningly sedate pacing 
the sad schlock merchant 
a disastrous ending 
a remarkably alluring film set in the constrictive eisenhower era about one suburban woman 's yearning in the face of a loss that shatters her cheery and tranquil suburban life . 
the source material movie 
its true-to-life characters , its sensitive acting 
a riveting story 
, entertaining and , ultimately , more perceptive moment 
is why film criticism can be considered work 
slickest 
of dreck 
a clever script and skilled actors bring new energy to the familiar topic of office politics . 
attempts to mine laughs 
lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire . 
positively 
a scathing portrayal of a powerful entity strangling the life out 
highly watchable stuff . 
that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold . 
witless , 
kung pow seems like some futile concoction that was developed hastily after oedekerk and his fellow moviemakers got through crashing a college keg party . 
's a pleasure to have a film like the hours as an alternative . 
brazenly misguided project 
it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
take an entirely stale concept and push it through the audience 's meat grinder one more time 
unifying rhythm 
refreshingly realistic 
may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
an entertaining british hybrid 
that was inexplicably rushed to the megaplexes before its time 
report card : does n't live up to the exalted tagline - there 's definite room for improvement . 
piccoli gives a superb performance full of deep feeling . 
she deftly spins the multiple stories in a vibrant and intoxicating fashion 
forced to watch him try out so many complicated facial expressions 
dreadfully 
metropolis you hate to tear your eyes away from the images long enough to read the subtitles 
seem deceptively slight 
the guys still feels counterproductive 
life , hand gestures , 
for people who make movies and watch them 
the saddest action hero performances ever witnessed 
splatter 
of the year 's best 
bravado kathy ! 
is a unique , well-crafted psychological study of grief 
shenanigans and slapstick 
not much else 
this is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life . 
best didacticism 
whipping out the dirty words 
's a scorcher . 
really sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
above much of the director 's previous popcorn work 
the movie has enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess . 
remember back when thrillers actually thrilled 
, i assign one bright shining star to roberto benigni 's pinocchio -- but i guarantee that no wise men will be following after it . 
misanthropic 
a satisfying complete picture of this particular , anciently demanding métier 
by a bravura performance 
permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations 
arty and jazzy 
original is its content , look , and style 
, son of the bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . '' 
is a bad mannered , ugly and destructive little **** 
in ireland over a man 
that he refuses to evaluate his own work 
pity anyone who sees this 
building to a laugh riot 
is a copy of a copy of a copy 
predictably soulless techno-tripe . 
peevish and 
so sloppy , so uneven , 
should be required viewing for civics classes and would-be public servants alike . 
the best script that besson has written in years 
dismiss -- moody , 
problem 
that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy 
a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style 
may not mark mr. twohy 's emergence into the mainstream 
up walking out not only satisfied but 
like cold porridge with only the odd enjoyably chewy lump 
got to be a more graceful way of portraying the devastation of this disease 
i could just skip it 
sixties-style slickness 
to let this morph into a typical romantic triangle 
you can taste it , but there 's no fizz 
( stevens is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits . 
a perfectly pleasant if slightly pokey comedy 
koury frighteningly and honestly exposes 
of `` his girl friday , '' maintaining a light touch while tackling serious themes 
kinetic enough to engross even the most antsy youngsters 
like a powerful 1957 drama we 've somehow never seen before 
clever dialogue and likeable characters 
to entertain or inspire its viewers 
of its seas of sand to the fierce grandeur of its sweeping battle scenes 
to compensate for the paper-thin characterizations and facile situations 
do n't really care too much about this love story 
, some things are immune to the folly of changing taste and attitude . 
all of dean 's mannerisms and self-indulgence , but 
worst -- and only -- 
the toughest ages a kid can go through 
will strike a chord with anyone who 's ever 
spielberg 's picture is smarter and subtler than ( total recall and blade runner ) , although its plot may prove too convoluted for fun-seeking summer audiences . 
passion and pretence 
as satisfyingly odd and intriguing a tale as it was a century and a half ago ... has a delightfully dour , deadpan tone and stylistic consistency . 
a fascinating , dark thriller that keeps you 
italian pinocchio 
freaky friday , '' it 's not . 
... may put off insiders and outsiders alike . 
yielded such a flat , plodding picture 
barely shocking , 
takes care with the characters , who are so believable that you feel what they feel 
critical and commercial disaster 
peter jackson and company once again dazzle and delight us 
that turns out to be clever , amusing and unpredictable 
an appalling , odoriferous thing ... so 
you get back to your car in the parking lot 
is thought-provoking 
smart , funny 
the first mistake , i suspect , is casting shatner as a legendary professor and kunis as a brilliant college student -- where 's pauly shore as the rocket scientist ? 
marks to take on any life of its own 
feral and uncomfortable 
all three descriptions suit evelyn , a besotted and obvious drama that tells us nothing new . 
's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships 
comes from the brave , uninhibited performances by its lead actors . 
uneven but a lot of fun . 
how so many talented people were convinced to waste their time 
, what makes the movie fresh 
there is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out . 
guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
astonishing is n't the word -- 
its recycled aspects , implausibility , and 
a stiff 
at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles 
really a true 
about the best thing you could say about narc is that it 's a rock-solid little genre picture . 
filled with raw emotions 
can tell almost immediately that welcome to collinwood is n't going to jell . 
preserving 
does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
inspiring , ironic , and revelatory of just 
compassionately portrayed 
satisfying conclusions 
is far less mature , interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts . 
, it succeeds as a powerful look at a failure of our justice system . 
is essentially juiceless . 
is left with the inescapable conclusion that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power 
founders on its own preciousness -- and squanders its beautiful women . 
a contest to see who can out-bad-act the other 
skit-com material fervently deposited on the big screen . 
there 's no point of view , no contemporary interpretation of joan 's prefeminist plight , so 
bad , bad , bad movie 
have n't seen such self-amused trash since freddy got fingered 
a light , engaging comedy that fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation . 
it is a kind , unapologetic , sweetheart of a movie , 
with music and laughter 
overmanipulative hollywood practices 
a delightful stimulus for the optic nerves 
distinguished and 
with such fury 
is just as obvious as telling a country skunk that he has severe body odor . 
herzog simply runs out of ideas 
drama . 
`` bad '' is the operative word for `` bad company , '' and 
another boorish movie from the i-heard-a-joke - at-a-frat-party school of screenwriting . 
naturally funny film 
should be probing why a guy with his talent ended up in a movie this bad . 
is exceedingly pleasant , designed not to offend . 
ugly ideas 
's as comprehensible as any dummies guide , something even non-techies can enjoy . 
you were n't invited to the party 
animated thoughts 
ambiguities that make it well worth watching 
flails limply between bizarre comedy and pallid horror . 
distance it from the pack of paint-by-number romantic comedies 
cool 
it 's hard not to be carried away 
be more than another `` best man '' clone by weaving a theme throughout this funny film 
surprisingly charming and even witty 
grotesque 
almost humdrum approach 
in an intricate plot 
both heartbreaking and heartwarming 
victims 
its unflinching gaze a measure of faith in the future 
even more important 
big splash 
is truly funny , 
surrender $ 9 
full of detail 
this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john and bo derek made the ridiculous bolero 
is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny . 
some deft ally mcbeal-style fantasy sequences 
nothing else happening 
manages to do all three quite well , making it one of the year 's most enjoyable releases 
this well-meaning , beautifully produced film 
be lying if i said my ribcage did n't ache by the end of kung pow 
is still worth hearing . 
preaching message 
be familiar 
martin is a masterfully conducted work . 
to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama 
it 's been 13 months and 295 preview screenings since i last walked out on a movie , 
romantic/comedy asks the question how much souvlaki can you take before indigestion sets in . 
is just the sort for those moviegoers who complain that ` they do n't make movies like they used to anymore . 
by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline 
, artificial and opaque 
paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
of honest working folk 
shameless 
will be adequately served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service . ' 
more psychotic than romantic 
solid action pic 
that it is instead a cheap cliché 
humorous and heartfelt 
that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy 
the direction has a fluid , no-nonsense authority , and 
cute factor 
that this likable movie is n't more accomplished 
the rare capability to soothe and break your heart with a single stroke 
the underworld urban angst is derivative of martin scorsese 's taxi driver and goodfellas , but this film speaks for itself 
masquerade ball where normally good actors , even kingsley , are made to look bad . 
liberating ability 
trademark grin 
and , perhaps paradoxically , illuminated 
a soulful , incisive meditation 
soars every bit as high 
the genuine ones barely register 
accomplishes so much that one viewing ca n't possibly be enough 
its hawaiian setting , the science-fiction trimmings and some moments of rowdy slapstick 
misconceived 
are the greatest musicians of all time 
of the long list of renegade-cop tales 
powerful and moving 
classic cinema served up with heart and humor 
the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
makes for unexpectedly giddy viewing . 
would be a welcome improvement 
extra-large cotton candy 
alternative housing options 
throbbing sincerity 
like a docu-drama but builds its multi-character story with a flourish . 
of stupefying absurdity 
fetishistic violence 
but boilerplate clichés 
a thoroughly awful movie -- dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric ` scream . ' 
green dragon seem more like medicine than entertainment 
but dull and ankle-deep 
good sources , 
profane 
hollywood satire 
left me 
is why i have given it a one-star rating . 
as it is flawed 
an example of the kind of lush , all-enveloping movie experience it rhapsodizes 
a summer-camp talent show : hastily written 
a derivative collection 
fans will undoubtedly enjoy it , and 
is a story that zings all the way through with originality , humor and pathos 
's as fresh-faced as its young-guns cast 
will have completely forgotten the movie by the time you get back to your car in the parking lot . 
social and political potential 
this vapid vehicle is downright doltish and uneventful 
there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys 
a poem of art , music and metaphor 
when the tears come during that final , beautiful scene , they finally feel absolutely earned 
, he can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities . 
freshness , imagination and insight 
it is disposable . 
its true-to-life characters , its sensitive acting , 
is the kathie lee gifford of film directors , sadly proving once again ego does n't always go hand in hand with talent . 
to make a classic theater piece 
have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted . 
irresistibly than in ` baran 
you snore 
is , also , frequently hilarious 
jones has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers . 
you feel what they feel 
the improperly hammy performance from poor stephen rea 
poignant 
come away from his film overwhelmed , hopeful and , perhaps paradoxically , illuminated 
aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats . 
so many talented people could participate in such an 
a heartbreakingly thoughtful minor classic , 
, proves it 's never too late to learn . 
arriving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us . 
in the simple telling , proves simultaneously harrowing and uplifting 
is like having two guys yelling in your face for two hours 
fascinate me 
, `` mib ii '' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless . 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and 
`` one look at a girl in tight pants and big tits and you turn stupid ? '' 
, most humane and important holocaust movies ever made . 
interesting both as a historical study and as a tragic love story 
like real life 
promises 
a buoyant delivery 
regret , love , duty and friendship 
a low-rent retread 
overstylized 
must indeed 
embarrassment . 
b + 
a string of exotic locales 
lurks just below the proceedings and 
disturbance 
-- and especially williams , an american actress who becomes fully english -- 
look at morality , family , and social expectation through the prism of that omnibus tradition called marriage 
get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos . 
it remains brightly optimistic , coming through in the end 
apart from anything else , this is one of the best-sustained ideas i have ever seen on the screen . 
with a pronounced monty pythonesque flavor 
capture the novel 's deeper intimate resonances 
the actresses in the lead roles are all more than competent 
redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
treasure planet is truly gorgeous to behold . 
madonna 's 
just how bad it was 
i just did n't care 
most beautiful , evocative 
they 're struggling to create . 
that 's best served cold 
plummets 
keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films 
ramsay is clearly extraordinarily talented , and based on three short films and two features , here 's betting her third feature will be something to behold . 
has a great cast and a great idea . 
whatever 
make underneath such a mountain of clichés and borrowed images 
schneidermeister ... makin ' a fool of himself ... 
untalented artistes 
self-inflicted retaliation 
silly rather than plausible 
bad at it is cruel 
a quirky comedy set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock . 
's leaden and predictable 
clever credits roll 
, serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm . 
travesty 
of the best movies of the year 
the talents of its attractive young leads 
welcome , if downbeat , missive 
plenty of nudity 
has a key strength in its willingness to explore its principal characters with honesty , insight and humor 
marveilleux 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender 
the layered richness 
adrenaline jolt 
builds gradually until you feel fully embraced by this gentle comedy . 
seen or heard anything quite like this film 
intimate feeling 
moments of inspired humor 
is more complex and honest 
know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
tears 
each story is built on a potentially interesting idea 
fun-for-fun 
the production values are of the highest and the performances attractive without being memorable . 
wildly popular vin diesel 
remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating 
greatness 
that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
deliciously slow . 
into the subculture of extreme athletes whose derring-do puts the x into the games 
takes you by the face 
anyone who loves both dance and cinema 
catastrophic collision 
nair does n't treat the issues lightly . 
covers this territory with wit and originality , 
when her real-life persona is so charmless and vacant 
seem smug and cartoonish 
good b movies ( the mask , the blob ) 
can easily worm its way into your heart 
marquis 
a minor-league soccer remake 
studio hack 
the most high-concept sci fi adventures 
is at once a tough pill to swallow and a minor miracle of self-expression . 
deceit and murder 
polished and 
writer-director david jacobson and 
becomes a bit of a mishmash : a tearjerker that does n't and a thriller that wo n't . 
the folks who prepare 
it is entertaining on an inferior level . 
silly , outrageous , ingenious thriller 
contempt 
uses humor and a heartfelt conviction to tell a story about discovering your destination in life 
as terrible as the synergistic impulse that created it 
go see this delightful comedy 
a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema 
if it 's not entirely memorable 
traffics in tired stereotypes 
crack cast 
no chemistry 
wondrously 
louiso lets the movie dawdle in classic disaffected-indie-film mode , and 
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and 
high drama , 
who normally could n't care less 
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character 
is in bad need of major acting lessons and maybe a little coffee . 
also will win you over , in a big way 
graced with the kind of social texture and realism that would be foreign in american teen comedies 
it 's a very sincere work , 
respects the material 
accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. . 
is casual and fun 
a gem 
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised . 
plays like one of those conversations that comic book guy on `` the simpsons '' has . 
while the path may be familiar , first-time director denzel washington and a top-notch cast manage to keep things interesting . 
remembered in the endlessly challenging maze of moviegoing 
a hip-hop fan to appreciate scratch 
rode the zipper 
there are lulls 
seemed wasted like deniro 's once promising career and the once grand long beach boardwalk 
does n't give you enough to feel good about . 
wasted nearly two hours of your own precious life with this silly little puddle of a movie 
should pay money for what we can get on television for free 
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out 
in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
no worse a film 
gross-out college comedy 
provocative piece 
already mentioned 
an energizing , intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular . 
is a plodding mess . 
is a terrific role for someone like judd , who really ought to be playing villains . 
truly edgy 
alfred hitchcock 's imaginative flight 
has none of the visual wit of the previous pictures 
plays like a tired tyco ad 
more frantic than involving , more chaotic than entertaining . 
often look smeary and blurry , to the point of distraction 
wholesome and subversive 
a good time with this one too 
interesting storyline 
manage to get you under its spell 
it will certainly succeed in alienating most viewers 
is smart writing , skewed characters , and the title performance by kieran culkin . 
will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting 
cleverly constructed 
no amount of imagination , no creature 
the film is small in scope , yet perfectly formed . 
it 's too close to real life to make sense 
the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , 
's not very good 
jackson is always watchable . 
replete with stereotypical familial quandaries 
it grabs you in the dark and shakes you vigorously for its duration . 
you rode the zipper after eating a corn dog and an extra-large cotton candy 
have to see it 
is tedious though ford and neeson capably hold our interest , but its just not a thrilling movie . 
seems like something american and european gay movies were doing 20 years ago . 
is dicaprio 's best performance in anything ever , and easily the most watchable film of the year 
trumpet blast that there may be a new mexican cinema a-bornin ' . 
of a summer-camp talent show : hastily written 
a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action 
small-budget 
this amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as greenfingers ... 
should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end . 
, it just sits there like a side dish no one ordered . 
all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film 
with a few lingering animated thoughts 
see the movie 
an extraordinary film , not least 
the film more silly than scary 
an important political documentary 
miyazaki has created such a vibrant , colorful world 
unless you 're an absolute raving star wars junkie , it is n't much fun . 
it 's a spirited film and a must-see 
an off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world . 
an essentially awkward version of the lightweight female empowerment picture we 've been watching for decades 
been developed with more care 
the viewer feel like the movie 's various victimized audience members after a while 
is n't as funny as it should be 
no big whoop , 
is refreshingly undogmatic about its characters 
it lacks in substance 
a winning comedy 
when the bullets start to fly , your first instinct is to duck 
not in a good way 
failed jokes , twitchy acting , and 
do not automatically equal laughs 
a genuinely moving and wisely unsentimental drama 
it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients 
adequately 
at least one damn fine horror movie 
the characters are paper thin and the plot is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects . 
family portrait of need , neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking . 
's in danger of going wrong 
unlikable , uninteresting , unfunny , and completely , utterly inept 
, this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits . 
of lame entertainment 
do n't fit well together 
are moments of hilarity to be had . 
one of the most slyly exquisite anti-adult movies ever made . 
whole thing 
sour taste 
the dorkier aspects 
provides an invaluable service by sparking debate and encouraging thought 
based 
a thoughtful and rewarding glimpse 
strike a chord with anyone who 's ever 
our best achievements 
, is extraordinary . 
extremely bad 
comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy . 
that successfully recreates both the physical setting and emotional tensions of the papin sisters 
's ) a clever thriller with enough unexpected twists to keep our interest 
action confined to slo-mo gun firing and random glass-shattering 
a hokey piece of nonsense 
mesmerizing cinematic poem 
listless sci-fi 
subtle and visceral 
the problematic characters 
rather than real figures 
a real writer plot 
the main story ... is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish . 
faster , livelier and a good deal funnier than his original 
are cast adrift in various new york city locations with no unifying rhythm or visual style 
fans of plympton 's shorts may marginally enjoy the film , but it is doubtful this listless feature will win him any new viewers . 
i have to put up with 146 minutes of it 
the obnoxious title character 
childhood imagination 
brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
parody . 
it 's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
sign a pact to burn the negative and the script and pretend the whole thing never existed 
spoofs 
enjoyable above average summer diversion 
you like an extreme action-packed film with a hint of humor 
, then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years . 
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt . 
if i could have looked into my future and saw how bad this movie was , i would go back and choose to skip it . 
takes itself all too seriously 
hmmm ... might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ? 
story to show us why it 's compelling 
see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out 
of visual charm 
hard-driving 
confessions is n't always coherent 
the old disease-of-the-week small-screen melodramas 
it ca n't be dismissed as mindless 
thoughtless , random , superficial humor 
meandering , and sometimes dry 
likely to cause massive cardiac arrest if taken in large doses 
a comedic context 
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent 
try this obscenely bad dark comedy , so crass that it makes edward burns ' sidewalks of new york look like oscar wilde . 
bluto blutarsky , we miss you . 
are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents 
likely to have decades of life as a classic movie franchise 
feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism 
into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style 
the all-french cast is marveilleux . 
the worst film 
holds up 
an unfortunate title for a film that has nothing endearing about it . 
, it 's a very entertaining , thought-provoking film with a simple message 
its emotional power and moments of revelation 
for something entertaining 
derrida is an undeniably fascinating and playful fellow . 
wretchedly unfunny wannabe comedy 
rich in atmosphere of the post-war art world , it manages to instruct without reeking of research library dust . 
( breheny 's ) lensing 
soap opera-ish story 
of having been slimed in the name of high art 
be funny , uplifting and moving 
recommended 
degenerates into hogwash . 
seems little different 
a retread of material already thoroughly plumbed by martin scorsese . 
with some glimpses of nature and family warmth 
improbable 
eddie murphy and owen wilson have a cute partnership in i spy 
being a total rehash 
succeeds 
what makes it interesting as a character study is the fact that the story is told from paul 's perspective 
well-deserved 
a greater knowledge 
a great 
the overall experience is awesome 
are fun and reminiscent of combat scenes from the star wars series 
the excruciating end 
a well-put-together piece 
the culture clash comedies 
of highly entertaining , self-aggrandizing , politically motivated documentary-making 
a retread story , bad writing 
its logical loopholes , 
a serious exploration 
a slice of counterculture that might be best forgotten 
, like its title character , is repellantly out of control . 
like trying to eat brussels sprouts 
animation master 
one of my least favorite emotions , especially when i have to put up with 146 minutes of it 
spontaneous intimacy 
acted , quietly affecting cop drama 
the exotic world 
its charms and its funny moments 
as fresh or enjoyable 
which will cause loads of irreparable damage that years and years of costly analysis could never fix 
and lee seems just as expectant of an adoring , wide-smiling reception . 
be relegated to a dark video store corner 
chuckle 
bad day 
of those rare docs that paints a grand picture of an era and makes the journey feel like a party 
unique niche 
this new zealand coming-of-age movie is n't really about anything . 
endlessly 
were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn 
some outrageously creative action in the transporter 
hollywood kids 
grave for youngsters 
paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
boring , pretentious 
, it 's an adventure story and history lesson all in one . 
revisionist 
a finely tuned mood piece , a model of menacing atmosphere . 
smart-aleck movie 
down-to-earth 
is a verbal duel between two gifted performers . 
it is supremely unfunny and unentertaining to watch middle-age 
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but 
mr. scorsese 's bravery and integrity 
by a noticeable lack of pace 
carry the film with their charisma 
the fact that the ` best part ' of the movie comes from a 60-second homage to one of demme 's good films does n't bode well for the rest of it . 
at least during their '70s heyday 
most original 
's about as convincing as any other arnie musclefest 
as cleverly plotted as the usual suspects 
has the charisma of a young woman who knows how to hold the screen . 
can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
more mindless 
his work transcends the boy-meets-girl posturing of typical love stories . 
fails in making this character understandable , in getting under her skin , in exploring motivation ... 
the film is the cast , particularly the ya-yas themselves . 
lies considerable skill and determination , backed by sheer nerve 
pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and farenheit 451 
is an all-time low for kevin costner . 
clever concept 
the sum 
with nutty cliches and far too much dialogue 
of intellectual lector in contemplation of the auteur 's professional injuries 
a visually masterful work of quiet power 
fascinating and playful 
is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
pacino gives one of his most daring , and complicated , performances 
an extremely unpleasant film 
in that greasy little vidgame pit in the theater lobby 
often food-spittingly 
succeed at cheapening it 
ice age wo n't drop your jaw , but it will warm your heart , and i 'm giving it a strong thumbs up . 
hardly seems worth the effort . 
( a ) crushing disappointment 
offering an original 
an overly sillified plot and stop-and-start pacing 
attempts and often achieves a level of connection and concern 
this poor remake 
bland hotels , highways , parking lots 
of veracity and narrative grace 
money-oriented 
hugely rewarding experience 
destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
it 's pleasant enough -- and oozing with attractive men 
, and dramatically moving 
a serious contender 
, those rejected must have been astronomically bad 
immediately succumbs to gravity and plummets to earth . 
surprising winner 
that is so insanely stupid , so awful in so many ways that watching it leaves you giddy 
this disappointed by a movie in a long time 
hate this one 
of cute animals and clumsy people 
technically and artistically inept . 
in cynicism every bit 
a doctor 's office , emergency room , hospital bed or insurance company office 
give credit to everyone from robinson down to the key grip that this bold move works . 
director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place 
tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
has n't much more to serve than silly fluff 
it 's far from a groundbreaking endeavor 
a hit - 
outdoes its spectacle 
one senses in world traveler and in his earlier film that freundlich bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact . 
's also nice to see a movie with its heart 
brisk hack job 
... the plot weaves us into a complex web . 
it fascinating 
a vivid , spicy footnote to history , and a movie that grips and holds you in rapt attention from 
fine performances make this delicate coming-of-age tale a treat 
raw emotions 
in thick clouds of denial 
is one of the greatest date movies in years 
educates 
and con , for adults 
is disgusting to begin with 
most audacious , 
sucks you in 
with only weak claims to surrealism and black comedy 
marvelously entertaining and deliriously joyous documentary . 
that it 's boring 
an accomplished actress 
encouraging effort 
that 's shapeless and uninflected 
shot on ugly digital video . 
the more problematic aspects 
is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama . 
, it is a failure . 
intricate magic 
goes down easy 
otherwise appalling , and 
fairly trite narrative 
has all the actors reaching for the back row 
director jon purdy 's sledgehammer sap 
hopes to camouflage how bad his movie is 
gay-niche condescension 
hate it because it 's lousy . 
understated performances of ( jack nicholson 's ) career 
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... 
much like a fragment of an underdone potato 
jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set 
a distinguished and thoughtful film 
at the end , when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
a triumph of emotionally and narratively complex filmmaking . 
clever ideas 
nothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises . 
director george hickenlooper has had some success with documentaries 
an artist who is simply tired 
is itself intacto 's luckiest stroke 
exit 
kong master john woo 
would n't have the guts to make . 
attempt to do something different over actually pulling it off 
insult the intelligence of everyone 
was able to overcome his personal obstacles and become a good man 
dazzling , remarkably unpretentious 
remember that life 's ultimately a gamble and last orders are to be embraced 
curiously stylized 
the odd enjoyably chewy lump 
a sophisticated and unsentimental treatment 
a deep bow 
a story that tries to grab us , only to keep letting go at all the wrong moments 
drains 
in what is essentially an extended soap opera 
liked sometimes 
each scene drags , underscoring the obvious , 
inconsistent , meandering , and sometimes dry 
that is part biography , part entertainment and part history 
i encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale -- you wo n't be sorry 
the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
lack depth or complexity , with the ironic exception of scooter . 
's pretentious in a way that verges on the amateurish 
utter loss personified in the film 's simple title 
that 's about as overbearing and over-the-top as the family it 
deeply absorbing piece 
is sure to raise audience 's spirits and leave them singing long after the credits roll 
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both . 
hideously 
leave 
dickens ' words and writer-director douglas mcgrath 's even-toned direction 
mtv schmucks who do n't know how to tell a story for more than four minutes 
each story is built on a potentially interesting idea , but the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time 
incredibly dated and unfunny 
audacious ambitions 
hard-won 
plotless 
the film is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama . 
who is always a joy to watch , even when her material is not first-rate 
loses its sense of humor in a vat of failed jokes , twitchy acting , and general boorishness 
low rent from frame one . 
in various wet t-shirt and shower scenes 
whatever one makes of its political edge , this is beautiful filmmaking from one of french cinema 's master craftsmen . 
so downbeat and 
simple , poignant and leavened with humor , it 's a film that affirms the nourishing aspects of love and companionship . 
play their roles with vibrant charm 
is that wind-in-the-hair exhilarating . 
bad seeds 
immensely ambitious 
in this dreary mess 
's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action . 
come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell 
ideally 
delightful surprise 
being exciting 
betrayal , deceit and murder 
with all the usual spielberg flair 
actually has something interesting to say 
brosnan is more feral in this film than i 've seen him before 
like life on the island 
there 's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream . 
are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk 
he drags it back , single-handed . 
whose achievements -- and complexities -- 
too bad 
its limit to sustain a laugh 
a cruel story 
in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties 
most purely enjoyable and satisfying 
to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again 
fiercely intelligent 
from squirming in their seats 
about sex gags and prom dates 
give credit to everyone from robinson 
have a barrie good time 
are both excellent 
are crisp and purposeful without overdoing it 
hungry-man portions of bad 
it feels more forced than usual . 
literal 
the rueful , wry humor 
has cheapened the artistry of making a film 
a vehicle to savor binoche 's skill 
to the dull effects that allow the suit to come to life 
hopes to camouflage how bad his movie is . 
sadly , full frontal plays like the work of a dilettante . 
as chilling and fascinating as philippe mora 's modern hitler-study 
improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor 
just lapses into unhidden british 
once subtle and visceral 
the actors are simply too good , and the story too intriguing 
farce 
sometimes beautiful 
les 
in metropolis you hate to tear your eyes away from the images long enough to read the subtitles 
that is actually funny without hitting below the belt 
a gushy episode of `` m * a * s * h '' only this time from an asian perspective . 
waiting for frida to just die already 
a charmer from belgium 
fabulously 
equals the original 
have one saving grace 
injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater 
good , 
virtue 
stealing harvard does n't care about cleverness , wit or any other kind of intelligent humor . 
a solid pedigree 
the audience other than to sit back and enjoy a couple of great actors hamming it up 
gimmick 
, in the hands of a brutally honest individual like prophet jack , 
terror 
cleverness 
crippled children 
slack execution 
is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario . 
this is a film that manages to find greatness in the hue of its drastic iconography . 
a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film 
of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
plays like some corny television production from a bygone era 
more than makes up for in drama , suspense , revenge , and romance . 
become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking 
go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
where the only belly laughs come from the selection of outtakes tacked onto the end credits 
, intricate magic 
is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies 
some of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan '' 
offers the flash of rock videos fused with solid performances and eerie atmosphere . 
a silly , nickelodeon-esque kiddie flick 
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out , but there 's nothing very attractive about this movie . 
on crummy-looking videotape 
erotically frank 
less-compelling 
a breadth of vision and 
was any doubt that peter o'fallon did n't have an original bone in his body 
curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget 
're simply not funny performers 
which also seems to play on a 10-year delay 
that makes the formula fresh again 
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper nursery 
scott 's convincing portrayal 
attempts , in vain , 
make `` the good girl '' a film worth watching . 
subtle 
he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie 
as rude and profane as ever , 
impresses as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter ' 
's easy to like and always leaves us laughing 
's not a brilliant piece of filmmaking 
a spielberg trademark 
is such a blip on the year 's radar screen 
realized through clever makeup design , 
funny popcorn 
cut their losses 
the cadence of a depressed fifteen-year-old 's suicidal poetry 
if mapquest emailed him point-to-point driving directions 
the author 's devotees will probably find it fascinating 
the humor and humanity of monsoon wedding 
a failure 
justifying the hype that surrounded its debut at the sundance film festival 
uses grant 's own twist of acidity to prevent itself from succumbing to its own bathos 
served an eviction notice at every theater stuck with it 
a mournful undercurrent that places the good-time shenanigans in welcome perspective 
, most pleasurable expressions of pure movie love to come from an american director in years . 
have been worth cheering as a breakthrough but 
a little weak -- and it is n't that funny . 
illness 
colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill . 
what little atmosphere is generated by the shadowy lighting , macabre sets 
better thriller 
powerful , chilling , and affecting study 
like a quickie tv special than a feature film 
an unorthodox little film noir organized crime story that includes one of the strangest love stories you will ever see . 
still , this flick is fun , and host to some truly excellent sequences . 
to the storytelling instincts of a slightly more literate filmgoing audience 
more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers 
trappings ( especially the frank sex scenes ) ensure that the film is never dull 
reaffirms life 
a pretentious mess ... 
ii experience 
watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes 
clichés and a dim 
stress-reducing 
that 's hard to resist 
an improvement on the feeble examples of big-screen poke-mania that have preceded it 
entertaining and moving 
's a beautiful film , full of elaborate and twisted characters 
is a tale worth catching 
a condition only the old are privy to 
gunfight 
the excesses of writer-director roger avary 
relied too much 
a noble failure . 
certainly does n't disappoint . 
treats ana 's journey with honesty that is tragically rare in the depiction of young women in film 
aids 
techno-tripe 
genuine mind-bender . 
bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival 
should get a pink slip 
's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics . 
elegant and 
the best thing i can say about this film is that i ca n't wait to see what the director does next . 
entertained by the sight of someone 
a wet burlap sack of gloom 
a drag 
for both the scenic splendor of the mountains and for legendary actor michel serrault , the film 
loved 
a thoughtful , reverent portrait of what 
at its cluelessness 
clever and very satisfying 
a rollicking 
heroic deserves a look 
typical late-twenty-somethings natter 
after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here 
beyond all expectation 
to confront their problems openly 
elegant wit and artifice 
bludgeoning the audience 
tragic ) 
this masterfully calibrated psychological thriller thrives on its taut performances and creepy atmosphere even if the screenplay falls somewhat short . 
overblown 
but it 's also disappointing to a certain degree . 
the movie is too heady for children , and too preachy for adults . 
unifying 
pascale bailly 's rom-com provides amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest . 
does n't end up being very inspiring or insightful 
he can be forgiven for frequently pandering to fans of the gross-out comedy 
b-movie you 
is such that the movie does not do them justice 
blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves 
red dragon rates as an exceptional thriller . 
audiard successfully maintains suspense on different levels throughout a film that is both gripping and compelling . 
actually exploiting it yourself 
dead-end existence 
via kirsten dunst 's remarkable performance 
, while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction . 
this would have been better than the fiction it has concocted , and 
fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching 
a very distinctive sensibility 
also looking cheap 
, the reginald hudlin comedy relies on toilet humor , ethnic slurs . 
recharged 
a smile on your face and a grumble in your stomach 
find comfort in familiarity 
a gangster movie with the capacity to surprise 
her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic 
astringent wit 
we all ca n't stand 
a frightening and compelling ` what if 
inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic 
what a concept 
lyrical and celebratory vision 
excessively quirky 
intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation 
with a screenplay to die for 
shining 
making the ambiguous ending seem goofy rather than provocative 
attempts to fuse at least three dull plots into one good one 
wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ? 
shoestring and unevenly 
've already seen this exact same movie a hundred times 
any thinking person is bound to appreciate 
is too bad 
what starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points . 
is offensive , puerile and unimaginatively foul-mouthed 
the grease 
a been-there , done-that sameness 
quiet , confident craftsmanship 
laughs -- 
music fans 
is a remarkably accessible and haunting film . 
tequila bender 
rank with its worthy predecessors 
'll be rewarded with some fine acting 
high crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd . 
great fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex . 
a powerfully evocative mood 
everything about it from the bland songs to the colorful but flat drawings 
the real triumphs in igby 
the saccharine sentimentality of bicentennial man 
just dreadful . 
oo many of these gross out scenes ... 
satin rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity . 
plots that never quite gel 
hellish 
infrequently breathtaking 
the movie is silly beyond comprehension 
one of the most interesting writer/directors 
elevates the experience to a more mythic level 
danny huston gives ) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk . 
win you over 
is a work of outstanding originality 
's a glorious spectacle like those d.w. griffith made in the early days of silent film 
sad nonsense 
there 's not a comedic moment in this romantic comedy . 
director shekhar kapur and screenwriters michael schiffer and hossein amini have tried hard to modernize and reconceptualize things , but the barriers finally prove to be too great . 
utterly forgettable 
a powerful sequel 
at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill . 
something to be fully forgotten 
the filmmakers know how to please the eye , 
, ivan is a prince of a fellow 
to find an enthusiastic audience among american action-adventure buffs , but the film 's interests 
his sentimental journey 
a powerful , naturally dramatic piece 
more charming than in about a boy 
's episode of behind the music 
it 's a loathsome movie 
does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself 
a witty , whimsical feature debut 
too great 
as a seven rip-off 
leave feeling like you 've endured a long workout without your pulse ever racing . 
of the best war movies ever made 
you walk out of the good girl with mixed emotions -- disapproval of justine combined with a tinge of understanding for her actions . 
in the very top rank of french filmmakers 
the humor and humanity of monsoon wedding are in perfect balance . 
into the complexities of the middle east struggle and 
a return to pure disney magic and is enjoyable family fare . 
confuses its message with an ultimate desire to please , and 
of a cesspool 
adventure and song 
stone seems to have a knack for wrapping the theater in a cold blanket of urban desperation . 
soulful 
lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy . 
like a party 
do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth 
nothing special and , until the final act , nothing 
falls far short of poetry 
creepy and dead-on 
insanely hilarious ! 
is to reduce everything he touches to a shrill , didactic cartoon 
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing 
scratching your head than hiding under your seat 
delicious crime drama 
grating and tedious 
instead of a witty expose on the banality and hypocrisy of too much kid-vid 
an example of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship . 
dull 
plainly dull 
crush could be the worst film a man has made about women since valley of the dolls . 
comes across as a fairly weak retooling 
'll need a stronger stomach than us 
a beautiful , timeless and universal tale 
that this film asks the right questions at the right time in the history of our country 
the energetic frontman 
that the highest power of all is the power of love 
yawn-provoking 
( f ) rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative , the film is blazingly alive and admirable on many levels . 
, there are great rewards here . 
unable 
lady 
's a pity that ( nelson 's ) achievement does n't match his ambition 
stunningly unoriginal 
see who can out-bad-act the other 
carries you 
it all plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out . 
historically significant , and personal 
too easily 
a big , loud , bang-the-drum bore . 
state property does n't end up being very inspiring or insightful . 
she is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew . 
while cleverly worked out , can not overcome blah characters 
it 's good enough for our girls 
fantastic visual trope 
the material seem genuine rather than pandering 
ravishing , baroque beauty 
as a kind of colorful , dramatized pbs program 
spiffy bluescreen technique and 
may not be a breakthrough in filmmaking , 
capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries 
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story 
good-naturedly cornball sequel . 
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : there 's very little hustling on view 
is the best star trek movie in a long time 
loses what made you love it 
straight from the ages 
compassion , 
the positive change in tone 
an assurance worthy 
as beautiful , desirable , even delectable , 
rude black comedy 
acted offbeat thriller 
you 'll still be glued to the screen . 
( and lovely ) 
its exquisite acting , inventive screenplay , mesmerizing music 
cast , but never quite gets off the ground 
to my great pleasure 
with depth 
less-is-more 
a powerful drama with enough sardonic wit 
with remarkable skill 
totally lacking 
laudable in themselves 
succeeds as an emotionally accessible , almost mystical work 
a sketchy work-in-progress 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim 
entertaining ride 
's no way you wo n't be talking about the film once you exit the theater 
rarely stoops to cheap manipulation or corny conventions to do it 
watered-down 
shot but dull and ankle-deep ` epic . ' 
a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
boyd 's screenplay ( co-written with guardian hack nick davies ) has a florid turn of phrase that owes more to guy ritchie than the bard of avon . 
very attractive about this movie 
through worn-out material 
with the delight of discovery 
sweet , even delectable diversion 
genial is the conceit , this is one of those rare pictures that you root for throughout , dearly hoping that the rich promise of the script will be realized on the screen 
sixties-style slickness in which the hero might wind up 
the most original american productions 
an unholy mess , driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' . 
payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box . 
the genius of the work 
truly terrible 
painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people 
presiding over the end of cinema as we know it and 
merits 
has a built-in audience , but only among those who are drying out from spring break and 
the film 's sopranos gags 
incompetent 
soullessness 
robin tunney 
the closest thing to the experience of space travel 
is nevertheless compelling 
fine , focused 
the film ( at 80 minutes ) is actually quite entertaining . 
to honor the many faceless victims 
a movie star 
of the charm of satin rouge 
an undistinguished attempt to make a classic theater piece 
ends or just ca n't tear himself away from the characters 
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' and they take full advantage 
is that , by the end , no one in the audience or the film seems to really care . 
with an obvious rapport with her actors and a striking style behind the camera 
us love it , too . 
the effort is sincere and 
badly edited , 91-minute trailer 
'd probably turn it off , convinced that you had already seen that movie 
infatuation 
in imax in short , it 's just as wonderful on the big screen . 
rather routine 
no interesting concept 
deep feeling 
are appealing enough to probably have a good shot at a hollywood career , if they want one 
` ron seal the deal 
try to create characters out of the obvious cliches , but 
so downbeat 
`` shock humor '' will wear thin on all 
a dearth of vitality and a story that 's shapeless and uninflected 
fresh-faced , big-hearted and frequently funny thrill 
disgracefully written dialogue 
thought-provoking and 
endless 
most memorable 
keep this nicely wound clock not just ticking , but humming 
with tremendous promise 
riding with the inherent absurdity of ganesh 's rise up the social ladder 
gently 
poetic , 
earnest dramaturgy 
a couple hours of summertime and a bucket of popcorn 
eloquence , spiritual challenge 
a fascinating 
overexposed 
a stab at soccer hooliganism 
something wholly original 
sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment 
vibrant and intoxicating fashion 
has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation 
enriched by an imaginatively mixed cast of antic spirits , 
there is a subversive element to this disney cartoon , providing unexpected fizzability . 
, it 's not very good either . 
like a tarantino movie with heart 
this silly little puddle of a movie 
men of marginal intelligence 
so boring 
you feel alive - which is what they did 
boring talking heads , etc . 
captivating drama 
skip the film 
the flawed support structure 
a tone poem of transgression . 
lazy material 
captivates as it 
talented director 
wonderfully sprawling 
a fairly slow paced 
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . 
has improved upon the first and taken it a step further , richer and deeper . 
particularly original 
be the end of the world 
his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
execrable . 
perhaps the grossest movie 
sentimentalizing 
appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
you wo n't be talking about the film once you exit the theater 
murphy and wilson actually make a pretty good team ... but the project surrounding them is distressingly rote . 
of such tools as nudity , profanity and violence 
those comedies that just seem like a bad idea from frame one 
strong erotic 
to often play like a milquetoast movie of the week blown up for the big screen 
than girls , who learns that believing in something does matter 
willing to have fun with it 
is a beautifully shot , but ultimately flawed film about growing up in japan . 
an admirable , sometimes exceptional film 
most of his budget 
on ugly ideas instead of ugly behavior 
the opulent lushness of every scene 
disposable story 
as splendid-looking as this particular film 
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo 
won -- and 
nice evening out 
's as entertaining as it is instructive 
intensely romantic , thought-provoking and even an engaging mystery 
enter and accept another world 
replete with the pubescent scandalous innuendo 
some very good acting , dialogue , 
as its uncanny tale of love , communal discord , and justice 
`` mr. deeds '' is suitable summer entertainment that offers escapism without requiring a great deal of thought . 
blue crush is as predictable as the tides . 
as plain and pedestrian as catsup 
ambitious failure 
five hours long 
is like reading a research paper 
fails to provide much more insight than the inside column of a torn book jacket . 
mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good 
even if you 've seen `` stomp '' ( the stage show ) , you still have to see this ! 
, the movie is powerful and provocative . 
( it 's ) a clever thriller with enough unexpected twists to keep our interest . 
thrusts the audience 
underwhelming 
we all lose track of ourselves by trying 
folks , it does n't work . 
enter 
is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype . 
sobering cautionary tale 
breathtakingly spectacular 
this 100-minute movie only has about 25 minutes of decent material . 
the brilliant surfing photography 
margarita happy hour represents an auspicious feature debut for chaiken . 
vibrant charm 
seagal ran out of movies years ago , 
that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable 
the darling of many a kids-and-family-oriented cable channel 
plays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel . 
on its own staggeringly unoriginal terms 
an ugly , pointless , stupid movie 
the powerpuff girls arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact . 
sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act 
an engaging storyline 
as timely as tomorrow 
as entertainment 
is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue 
unrelentingly grim -- and equally engrossing 
creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters 
time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , 
flourish 
better still , he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift . 
good actors 
beautiful , cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images . 
the gallic ` tradition of quality 
so short 
of pointed personalities , courage , tragedy and the little guys 
the most awful acts 
sinks to a harrison ford low . 
manages the rare trick of seeming at once both refreshingly different and reassuringly familiar . 
eloquently about the symbiotic relationship between art and life . 
the term epic cinema 
never becomes claustrophobic 
unbearably dull 
sane and healthy 
report that it is instead a cheap cliché 
is painterly . 
shakespeare 's macbeth 
their performances could have -- should have -- been allowed to stand on their own 
quite admirable 
introducing an intriguing and alluring premise , 
takes on nickleby with all the halfhearted zeal of an 8th grade boy delving 
talented writer/director anderson 
none of the visual wit of the previous pictures 
in full consciousness 
will laugh their *** off for an hour-and-a-half 
creeps into your heart . 
the smug self-satisfaction usually associated with the better private schools 
engaging charisma 
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role -- she does little here but point at things that explode into flame 
a compelling pre-wwii drama with vivid characters and a warm , moving message 
unfunny and lacking any sense of commitment to or affection for its characters , the reginald hudlin comedy relies on toilet humor , ethnic slurs . 
is a trove of delights 
it is nevertheless compelling 
delight in the images 
this year is a franchise sequel starring wesley snipes 
of your seat , tense with suspense 
, tender hug 
from a groundbreaking endeavor 
going to a house party and watching the host defend himself against a frothing ex-girlfriend 
to little more than punishment 
geared 
there may have been a good film in `` trouble every day , '' but 
, the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience . 
it 's sweet . 
a sad and rote exercise 
bilingual charmer 
of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
it 's a lousy one at that . 
get to see the one of the world 's best actors , daniel auteuil , 
imaginative through out 
jackson shamefully strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder . 
offset by the sheer ugliness of everything else 
never feels draggy 
for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd 
a fascinating case study 
been remarkable 
a film so willing to champion the fallibility of the human heart 
have a whale of a good time 
seem to get a coherent rhythm going 
gender-bending comedy 
than the real thing 
captured the chaos of an urban conflagration 
unbelievably stupid 
long , dull procession 
, really , really good things can come in enormous packages 
great performances , stylish cinematography and a gritty feel help make gangster no. 1 a worthwhile moviegoing experience . 
juicy role 
with action confined to slo-mo gun firing and random glass-shattering 
it might just be the movie you 're looking for . 
for no one 
asks the right questions at the right time in the history of our country 
the same love story 
utter tripe 
bland hotels 
the work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them . 
finally transporting re-imagining of beauty and the beast and 1930s horror films 
the slam-bang superheroics are kinetic enough to engross even the most antsy youngsters . 
, shafer and co-writer gregory hinton lack a strong-minded viewpoint , or a sense of humor . 
've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane . 
captures moments of spontaneous creativity and authentic co-operative interaction 
good as the original 
genuine and singular artist 
has made its way into your very bloodstream 
tedium 
'd watch these two together again in a new york minute 
ambitious ` 
it 's so lackluster 
julie davis is the kathie lee gifford of film directors , sadly proving once again ego does n't always go hand in hand with talent . 
may be incomprehensible to moviegoers not already clad in basic black . 
a really funny movie 
imagine acting that could be any flatter 
ago 
a man in drag is not in and of himself funny 
worthy and 
the characters are n't interesting enough to watch them go about their daily activities for two whole hours 
a derivative collection of horror and sci-fi cliches . 
that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday 
is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand . 
to look at or understand 
one thing you have to give them credit for : the message of the movie is consistent with the messages espoused in the company 's previous video work . 
to fully endear itself to american art house audiences 
those prone to indignation need not apply ; 
visually fascinating ... an often intense character study about fathers and sons , loyalty and duty . 
that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
starts out like a typical bible killer story 
to the scuzzy underbelly of nyc 's drug scene 
worth a look by those on both sides of the issues , if only for the perspective it offers , one the public rarely sees . 
ineffective 
lush , swooning melodrama 
strong filmmaking requires a clear sense of purpose , and in that oh-so-important category , the four feathers comes up short 
's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss . 
tried-and-true 
of sensitive observation 
cathartic 
frittered away 
the wonderfully lush morvern callar is pure punk existentialism , 
too amateurish and 
, they 'll be treated to an impressive and highly entertaining celebration of its sounds . 
humor , warmth , and intelligence 
is lacking any real emotional impact 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` 
a particularly joyless , and exceedingly dull , period coming-of-age tale . 
its visual panache 
i 'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen . 
no discernible feeling 
beauty or humor 
cold , gray 
the one-liners are snappy , the situations volatile and the comic opportunities richly rewarded . 
is interesting to witness the conflict from the palestinian side 
ultimately empty 
to champion the fallibility of the human heart 
surrounding its ludicrous and contrived plot 
is just too clichéd and too often strains credulity 
quiet power 
off his game 
by sending the audience straight to hell 
the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
on screen been so aggressively anti-erotic 
brings out the worst in otherwise talented actors 
maddening 
figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats . 
more relevant than 9 1/2 weeks 
melodramatic bodice-ripper 
a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness 
's fun , wispy , wise and surprisingly inoffensive 
cleverly worked out 
of the more influential works 
dumped a whole lot of plot in favor of 
is no match for the insipid script he has crafted with harris goldberg 
shameless self-caricature 
foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster 
bludgeoning the audience over the head 
like the best of godard 's movies 
no cliche escapes the perfervid treatment of gang warfare called ces wild . 
that feels dusty and leatherbound 
of the worst titles in recent cinematic history 
had been developed with more care 
is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it 
retains ambiguities that make it well worth watching . 
's far from fresh-squeezed 
huge heart 
a happy , heady jumble of thought and storytelling 
quirky , charming and 
to the overcooked , ham-fisted direction , which has all the actors reaching for the back row 
tale will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting . '' 
is authentic . 
an intense indoor drama 
with aplomb 
have infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own 
looks fake 
feel the beat down to your toes 
love , history , memory , resistance and artistic transcendence 
perfectly 
boring , pretentious waste 
is a dud . 
the fact that it is n't very good 
you do n't understand what on earth is going on 
home 
about a superficial midlife crisis 
an action/thriller of the finest kind 
a buoyant romantic comedy 
is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend . 
will forgive any shoddy product as long as there 's a little girl-on-girl action 
kwan 's unique directing style 
the town has kind of an authentic feel , but 
examines many different ideas from happiness to guilt in an intriguing bit of storytelling 
demonic 
the story is smart and entirely charming in intent and execution . 
keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong . 
weird and distanced 
never quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time . 
because of the ideal casting of the masterful british actor ian holm 
borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own 
this long and relentlessly saccharine film 
conflicts 
offer any new insight 
bring out joys in our lives 
what critics have come to term an `` ambitious failure 
, herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion . 
of the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
frightful vanity film 
should n't have been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie . 
the process comes out looking like something wholly original 
a movie that the less charitable might describe as a castrated 
uniquely 
shoddy product 
you 'd be wise to send your regrets 
perdition 
its recycled aspects , implausibility , and sags in pace 
- kids-cute sentimentality by a warmth that is n't faked and 
are undermined by the movie 's presentation , which is way too stagy 
exploiting 
hypocritical 
a movie so bad that it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls . 
are beautiful 
told , with superb performances throughout 
like life 
a fast paced and suspenseful argentinian thriller about the shadow side of play . 
sweetness and 
improved 
that 's as hard to classify as it is hard to resist 
fantasy of a director 's travel 
the far superior film 
resolutely avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates . 
for griffiths ' warm and winning central performance 
amaze 
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , 
an exhilarating place to visit , this laboratory of laughter 
darker turns 
losing my lunch 
can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise 
confident enough 
starts out mediocre , spirals downward , and thuds to the bottom of the pool with an utterly incompetent conclusion . 
evolves into a gorgeously atmospheric meditation on life-changing chance encounters 
virtually no understanding of it 
the tries-so-hard-to-be-cool `` clockstoppers 
embraces it , energizes it and takes big bloody chomps out of it 
run-of-the-mill 
a strong pulse 
star power 
, bloody and mean 
cheats on itself and retreats to comfortable territory 
the excruciating end of days 
a poster movie , a mediocre tribute to films like them 
the end sum of all fears morphs into a mundane '70s disaster flick . 
kirsten dunst 's remarkable performance 
a meatier 
maelstrom is strange and compelling 
a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation 
those movies that catches you up in something bigger than yourself 
amused with its low groan-to-guffaw ratio 
odd and intriguing 
awed by the power and grace of one of the greatest natural sportsmen of modern times 
every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary 
a wickedly undramatic central theme 
begins as a seven rip-off 
the end of the world 
cherish would 've worked a lot better had it been a short film . 
a head-turner -- thoughtfully written , 
that are this crude , this fast-paced and this insane 
usual tear 
engage children 
you feel good 
a sultry evening 
buries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images that it might more accurately be titled mr. chips off the old block . 
apparent joy 
live-wire film 
this story still seems timely and important . 
deliciously exploitative 
geniality 
brims with passion : for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life 
sloppy , made-for-movie 
implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses , and for that reason it may be the most oddly honest hollywood document of all 
an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate 
that deep inside righteousness can be found a tough beauty 
one mediocre movie 
various sources 
that 's apparently just what ( aniston ) has always needed to grow into a movie career 
ca n't even do that much 
hide its contrivances 
a solid , anguished performance that eclipses nearly everything else she 's ever done 
like all four of the lead actors a lot 
delicate treatment 
empire ca n't make up its mind whether it wants to be a gangster flick or an art film . 
such a tragedy 
subtlety has never been his trademark 
it may not be particularly innovative 
the easy emotional buttons 
that never amount to a satisfying complete picture of this particular , anciently demanding métier 
a climactic hero 's 
one more dumb high school comedy 
are universal and involving 
possess the lack-of-attention span that we did at seventeen 
farce , 
is so earnest in its yearning for the days 
the proficient , dull sorvino has no light touch , and 
obscure this movie 's lack of ideas 
even if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness , it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest . 
brings to a spectacular completion one 
satisfactory overview 
observant , unfussily poetic meditation 
looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments . 
dull , inconsistent , dishonest female bonding 
has elements of romance , tragedy and even silent-movie comedy . 
the big metaphorical wave that is life -- wherever it takes you 
have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
normally , rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable . 
samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
and pulp melodrama 
of the vulgar , sexist , racist humor 
historic 
, but the uninspired scripts , acting and direction never rise above the level of an after-school tv special . 
brash , intelligent and erotically perplexing , haneke 's portrait of an upper class austrian society and the suppression of its tucked away demons is uniquely felt with a sardonic jolt . 
in painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people , the movie exalts the marxian dream of honest working folk , with little to show for their labor , living harmoniously , joined in song . 
's packed with adventure and a worthwhile environmental message 
forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s 
with the dog days of august upon us , think of this dog of a movie as the cinematic equivalent of high humidity . 
expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape . 
france 's foremost cinematic poet 
uneven 
seem graceless and ugly 
merely bad 
a welcome and heartwarming addition 
everlasting 
did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home 
heartfelt conviction 
to his supple understanding of the role 
lax 
playful spirit 
a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- 
the story has its redundancies , 
the charm of kevin kline 
sets a new benchmark for lameness 
too loud , 
superficiality and silliness 
believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action 
to make you feel guilty about ignoring what the filmmakers clearly believe 
this girl 
, humorless soap opera 
while it evaporates like so much crypt mist in the brain 
it 's not that funny -- which is just generally insulting . 
seem sure of where it should go 
have been worth cheering as a breakthrough 
its disgusting source material 
one of the best movies of the year . 
fine acting 
will have found a cult favorite to enjoy for a lifetime . 
turning leys ' fable into a listless climb down the social ladder 
no energy 
low-budget and 
it 's all arty and jazzy 
whenever the film 's lamer instincts are in the saddle 
fast and 
absurd plot twists 
phony imagery or music 
best silly horror movies 
good humor 
see familiar issues , like racism and homophobia , in a fresh way 
not just unlikable . 
one of the best inside-show-biz yarns ever . 
a beauty to behold 
trek to the ` plex predisposed to like it 
overinflated mythology 
so striking 
does n't quite know how to fill a frame 
build in the mind of the viewer and take on extreme urgency . 
, it probably wo n't have you swinging from the trees hooting it 's praises 
good poetry 
to make it worth watching 
, storytelling is far more appealing 
to its inevitable tragic conclusion 
forgettable effort 
otherwise appalling , and downright creepy , subject 
stylists 
, ` scratch ' is a pretty decent little documentary . 
big round eyes and 
allows his cast members to make creative contributions to the story and dialogue 
very well 
on the brink of major changes 
a fascinating , bombshell documentary 
is pure punk existentialism 
the most ingenious film 
cloying messages and irksome characters 
knows its classical music , knows its freud and 
his ( nelson 's ) screenplay needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting matches about it . 
touching british comedy 
beautifully shot , 
is as adult as you can get 
otherwise good 
provides the drama that gives added clout to this doc . 
vividly 
fresh 
an unflinching and objective look 
a solid base hit . 
amateurish 
plays like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going . 
i just saw this movie ... well , it 's probably not accurate to call it a movie . 
has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
the satire is weak . 
sitcomishly predictable and cloying 
that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
enigma is well-made 
infuses the film 
gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences 
replacing john carpenter 's stylish tracking shots 
a sane and breathtakingly creative film 
shrewd but pointless 
a while , as do joan and philip 's repetitive arguments , schemes and treachery 
echoes the by now intolerable morbidity of so many recent movies 
a majestic achievement , an epic of astonishing grandeur and 
mannered 
of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly 
treasure chest 
is overlong and not well-acted , but credit writer-producer-director adam watstein with finishing it at all . 
a heroine 
, there is little else to recommend `` never again . '' 
a special kind of movie , this melancholic film noir reminded me a lot of memento ... 
, promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people . 
their intelligence 
quickly becomes distasteful and downright creepy 
one of those exceedingly rare films in which the talk alone is enough to keep us 
a fine , old-fashioned-movie movie 
pinnacle 
90-plus 
to churn out one mediocre movie after another 
strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss 
an overcooked soufflé 
sinks further and further into comedy futility 
grotesque and boring 
no character , loveable or otherwise 
is the best little `` horror '' movie i 've seen in years 
sincerely crafted picture 
is very choppy and monosyllabic despite the fact 
tricky and satisfying as any of david 
it 's very beavis and butthead , yet always seems to elicit a chuckle . 
exposes the limitations of his skill and the basic flaws in his vision . ' 
filled with humorous observations about the general absurdity of modern life 
such life-embracing spirit 
ultimately , `` mib ii '' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless . 
a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle 
all the filmmakers need to do 
in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
when all is said and done , she loves them to pieces -- and 
a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth 
several uninteresting , unlikeable people do bad things to and with each other in `` unfaithful . '' 
even with its $ 50-million us budget , pinocchio never quite achieves the feel of a fanciful motion picture . 
in a doctor 's office , emergency room , hospital bed or insurance company office 
a timid , soggy near miss . 
we often reel in when we should be playing out 
contemplative , and 
wonderful , imaginative 
limited to lds church members and undemanding armchair tourists 
been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened 
enormously endearing 
hate it for the same reason 
unusually surreal 
less the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it ) . 
little morality tale 
was n't as bad as i thought it was going to be 
too often , the viewer is left puzzled by the mechanics of the delivery 
one of the best silly horror movies 
strokes the eyeballs 
low-brow humor , 
a comedy-drama of nearly epic proportions 
makes up for in heart what it lacks in outright newness . 
the humor wry and 
writer/director david caesar ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza . 
too weak a recipe 
dishonesty 
weirdo actor crispin glover screwing things up old school 
a literary detective story is still a detective story and aficionados of the whodunit wo n't be disappointed 
look at female friendship , spiked with raw urban humor . 
my only wish is that celebi could take me back to a time before i saw this movie and 
very well-acted 
as moronic as some campus gross-out films 
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but against all odds , nothing does . 
to bowling you over 
the film has the high-buffed gloss and high-octane jolts you expect of de palma , but what makes it transporting is that it 's also one of the smartest 
probably be one of those movies barely registering a blip on the radar screen of 2002 . 
comedy special 
annoying 
cannibal 
most effective 
little time 
lift the movie above its playwriting 101 premise 
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't manage an equally assured narrative coinage 
has one very funny joke and a few other decent ones 
charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular 
a much funnier film 
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , 
near miss 
yourself remembering this refreshing visit to a sunshine state 
in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable 
the story is -- forgive me -- a little thin , and 
the movie is so thoughtlessly assembled . 
the fantastic and the believable 
to keep it from being maudlin 
an interest 
lacks depth . 
has something fascinating 
an enjoyable comedy of lingual and cultural differences ... the château 
never truly come to care about the main characters and whether or not they 'll wind up together 
another generic drama 
typical animé , with cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names . 
the recording sessions 
of tumbleweeds blowing through the empty theaters 
the rare imax movie that you 'll wish was longer than an hour . 
shapeless inconsequential move 
annoying , 
by not averting his eyes , solondz forces us to consider the unthinkable , the unacceptable , the unmentionable . 
with the same sort of good-natured fun found in films like tremors 
a choppy , surface-effect feeling to the whole enterprise 
wholly believable and heart-wrenching depths 
and artistic transcendence 
tries to cram too many ingredients into one small pot 
treat . 
retaining an integrity 
look ill at ease sharing the same scene . 
a natural sense for what works 
throw elbows when necessary 
very sluggish 
this overproduced piece 
as ugly as the shabby digital photography and 
makes me say the obvious : abandon all hope of a good movie ye who enter here . 
a funny moment 
frailty '' starts out like a typical bible killer story 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , 
payami tries to raise some serious issues about iran 's electoral process , but the result is a film that 's about as subtle as a party political broadcast 
eventually the content is n't nearly as captivating as the rowdy participants think it is . 
noisy and pretentious 
` zany ' does n't necessarily mean ` funny 
an intensely lived time , 
employ their quirky and fearless ability to look american angst in the eye and end up laughing 
of goofball stunts any `` jackass '' fan 
brave 
sinister inspiration 
but no-nonsense human beings they are and 
competent , unpretentious entertainment 
to squander jennifer love hewitt 
has a way of seeping into your consciousness 
tooled action thriller about love and terrorism 
putrid writing , direction and timing 
breezy blend 
if ayurveda can help us return to a sane regimen of eating , sleeping and stress-reducing contemplation , it is clearly a good thing . 
attracting audiences 
whatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini dv , they show a remarkable ability to document both sides of this emotional car-wreck . 
contributions 
an amusement 
jump cuts , fast editing 
in the wake of saving private ryan , black hawk down and we were soldiers , you are likely to be as heartily sick of mayhem as cage 's war-weary marine . 
has made a film that is an undeniably worthy and devastating experience 
an overexposed waste of film 
most of the characters forget their lines 
just that it 's so not-at-all-good 
listless , witless , 
handsome 
a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock 
airless cinematic shell games . 
next to little insight 
mcwilliams 's melancholy music , are charged with metaphor , 
cheesy backdrops 
peter jackson and company once again dazzle and delight us , 
like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge 
must have been lost in the mail 
utter lack 
beneath otherwise tender movements 
if this sappy script was the best the contest received , those rejected must have been astronomically bad 
follow-your-dream 
is no denying the power of polanski 's film 
match his ambition 
, virulently unpleasant excuse 
the confusing sexual messages 
queasy infatuation and overall strangeness 
of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow 
really solid woody allen film 
opulent 
with splendid singing 
this noble warlord would be consigned to the dustbin of history 
an intelligent person 
small , sweet ` evelyn 
if you answered yes , by all means enjoy the new guy . 
buries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images 
desolate 
the wars he shows and empathizes with the victims he reveals 
his girl friday , '' maintaining a light touch while tackling serious themes 
to break free of her old life 
these days are about nothing 
terrific casting 
it feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs . 
their consistently sensitive and often exciting treatment 
is the kathie lee gifford of film directors , sadly proving once again ego does n't always go hand in hand with talent 
emphasizing the disappointingly generic nature of the entire effort 
auto focus bears out as your typical junkie opera ... 
stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits 
technically proficient and 
a chilly , brooding but quietly 
lazy exercise 
predictable than their consequences 
proper home 
his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
is rather unexceptional 
under-inspired , overblown enterprise 
like a milquetoast movie of the week blown up for the big screen 
inject farcical raunch 
injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again . 
is their resemblance to everyday children . 
will wish there had been more of the `` queen '' and less of the `` damned . 
a fascinating , unnerving examination of the delusions of one unstable man . 
is one of the best actors there is 
is completely serviceable and quickly forgettable 
a remarkably cohesive whole , both visually and thematically , 
is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness . 
ugly and destructive 
baaaaaaaaad movie 
as a detailed personal portrait 
delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation 
feel sanitised and stagey 
direct-to-video/dvd 
that the road to perdition leads to a satisfying destination 
fresh and raw like a blown-out vein , narc takes a walking-dead , cop-flick subgenre and beats new life into it . 
it 's hard to quibble with a flick boasting this many genuine cackles , but 
difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
crane 's decline with unblinking candor 
written a more credible script , though with the same number of continuity errors 
sure to give you a lot of laughs in this simple , sweet and romantic comedy 
more of : spirit , perception , conviction 
the gags that fly at such a furiously funny pace that the only rip off that we were aware of was the one we felt when the movie ended so damned soon . 
teeth-clenching 
the movie is brilliant , really . 
entertainingly reenacting a historic scandal 
so you can get your money back 
timid and soggy 
can be made on the cheap 
barely realize your mind is being blown . 
light nor magical enough to bring off this kind of whimsy 
( a ) stale retread of the '53 original . 
of the most gloriously unsubtle and adrenalized extreme 
abhorrent 
feels painfully redundant and inauthentic 
make it well worth watching 
after the first 10 minutes , which is worth seeing , the movie sinks into an abyss of clichés , depression and bad alternative music . 
integrating the characters 
brave and 
in an increasingly important film industry and worth the look 
modestly surprising movie 
boring , self-important stories of how horrible we are to ourselves and each other 
they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction . 
wondrous beats 
a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen 
to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
ability to shock and amaze 
another tired old vision 
a fascinating character 's 
by way too much indulgence of scene-chewing , teeth-gnashing actorliness 
a tough pill to swallow 
more adventurous 
than a stylish exercise in revisionism whose point 
too many scenarios in which the hero might have an opportunity to triumphantly sermonize , and too few that allow us to wonder for ourselves if things will turn out okay . 
rings false 
sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit 
human nature , in short , is n't nearly as funny as it thinks it is ; 
more than their unique residences 
... strips bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults . 
not even felinni would know what to make of this italian freakshow . 
of a movie saddled with an amateurish screenplay 
the flowering of the south korean cinema 
( and lovely ) experiment 
george and lucy 's most obvious differences to ignite sparks 
a sensitive , moving , brilliantly constructed work . 
undeniably fascinating and playful 
too polite to scale the lunatic heights of joe dante 's similarly styled gremlins 
crafted a deceptively casual ode to children and managed to convey a tiny sense of hope 
this stinker 
piercing and feisty 
is one of my least favorite emotions , especially when i have to put up with 146 minutes of it 
before it collapses into exactly the kind of buddy cop comedy it set out to lampoon , anyway . 
not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing . 
urban comedy 
exalts the marxian dream of honest working folk 
is a brilliant movie . 
feminine energy , a tribute to the power of women to heal 
was worse . '' 
it has some special qualities and the soulful gravity of crudup 's anchoring performance . 
leaden and predictable 
above-average thriller 
an elegant and sly deadpan 
civil disobedience , anti-war movements and the power of strong voices 
i like all four of the lead actors a lot and 
high-strung but flaccid drama 
guiding lights 
reyes ' directorial debut has good things to offer , but ultimately it 's undone by a sloppy script 
`` b + 
one of france 's most inventive directors 
sets a new benchmark for lameness . 
in comparison to his earlier films it seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little . 
tenacious 
the brain is engaged 
are zoning ordinances to protect your community from the dullest science fiction 
is a surprisingly faithful remake of its chilly predecessor 
about the life 
`` elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases 
engaging manner and flamboyant style 
cinematic 
to his craft , but to his legend 
... hypnotically dull . 
is more interesting ( and funnier ) than his 
yet , it must be admitted , not entirely humorless 
other foul substances 
mounted , exasperatingly 
about the general absurdity of modern life 
none of this is very original , and 
to behold in its sparkling beauty 
is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . ' 
brisk hack job . 
teacher 
it all unfolds predictably 
its empty head 
is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film 
, this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself . 
a remarkably alluring film 
for sure 
a fun and funky look 
have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama 
has failed him 
for everyone 
rather unique approach 
is oscar-worthy 
watching intelligent people making a movie 
the modern master 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find . 
is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys 
-- like a rather unbelievable love interest and a meandering ending -- 
warped 
launch 
as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet 
one that was hard for me to warm up to 
brought down by lousy direction . 
an even less capable trio of criminals 
be greek to anyone not predisposed to the movie 's rude and crude humor 
for the last 15 minutes 
a superfluous sequel ... 
too convoluted 
with few respites , marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it . 
the pictures do the punching 
terrific casting and solid execution 
thrillers actually thrilled 
is the sense that peace is possible 
valley of the dolls 
how good this film might be , depends if you believe that the shocking conclusion is too much of a plunge or not . 
worm its way into your heart 
spellbinding serpent 's 
becomes more and more frustrating as the film goes on 
funniest motion 
fondly remembered as roman coppola 's brief pretentious period before going on to other films that actually tell a story worth caring about 
the stale plot and pornographic way 
handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly 
is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff . 
ebullient 
takes care with the characters , who are so believable that you feel what they feel . 
its visual appeal 
once a good idea that was followed by the bad idea to turn it into a movie 
windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length . 
wholly believable and heart-wrenching 
frightfest 
look at female friendship , spiked with raw urban humor 
there are many definitions of ` time waster ' 
the dullest tangents 
switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s 
empty head 
star power , a pop-induced score 
smart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play 
forget about it 
feel like a chump 
focus on the hero 's odyssey from cowering poverty to courage and happiness 
wo n't enjoy the movie at all 
same option to slap her creators because they 're clueless and inept 
takes you by the face , strokes your cheeks and coos beseechingly at you : slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms . 
effort to disguise it as an unimaginative screenwriter 's invention 
great rewards 
should you buy the movie milk when the tv cow is free 
is a mess . 
too clichéd and 
being able to tear their eyes away from the screen 
terrifying message 
telling the story , which is paper-thin and decidedly unoriginal 
compromising that complexity 
one experiences mr. haneke 's own sadistic tendencies toward his audience 
suffers from the awkwardness that results from adhering to the messiness of true stories 
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed 
with brooms and what is kind of special 
is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks . 
tight and truthful 
appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about 
lots of cool stuff packed into espn 's ultimate x. 
seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business . 
with all the mounting tension of an expert thriller 
formulaic and forgettable 
you have some idea of the glum , numb experience of watching o fantasma 
effectively combines two surefire , beloved genres 
with muscles and a lot more smarts , but just as endearing and easy to watch 
candid , 
you may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie . 
hard-core slasher aficionados will find things to like 
more sophisticated and 
this turd squashed 
show-stoppingly hilarious , 
director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours . 
is still worth hearing 
right conditions 
's film ' in the worst sense of the expression . 
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... 
than a leaky freighter 
dying fall 
ignore the film 
you can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise . 
the stunt work is top-notch ; the dialogue and drama often food-spittingly funny 
that brown played in american culture as an athlete , a movie star , and an image of black indomitability 
an insult 
gentle , lapping 
rise above the level of an after-school tv special 
muttering words like `` horrible '' and `` terrible 
feel like time fillers between surf shots 
presume 
you 've got to admire ... the intensity with which he 's willing to express his convictions 
the best didacticism is one carried by a strong sense of humanism , and bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve . 
found the movie as divided against itself as the dysfunctional family it portrays . 
shamelessly manipulative and contrived 
lazy tearjerker that gives movies about ordinary folk a bad name 
much like a young robert deniro 
altogether creepy 
jonah 's despair -- in all its agonizing , catch-22 glory -- 
has any sting to it 
see over and over 
, you might have fun in this cinematic sandbox 
thriller junk . 
seeing this trite , predictable rehash 
surprisingly funny 
mr. polanski creates images even more haunting than those in mr. spielberg 's 1993 classic . 
jump-in-your-seat moment 
, this is the kind of movie that deserves a chance to shine . 
the viewer takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers . 
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and what once was conviction is now affectation 
it rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide . 
chamber of secrets 
film that suffers because of its many excesses . 
sublime 
how 
a rustic retreat and pee against a tree 
the working out of the plot almost arbitrary 
it also will win you over , in a big way 
seem tiresomely simpleminded 
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' and 
prime mystery 
it will do so in a way that does n't make you feel like a sucker 
about intelligent high school 
an achievement 
were the people who paid to see it . 
an engaging storyline , 
almost enough chuckles for a three-minute sketch , and 
too much exploitation and too little art 
one film 
bogdanovich ties it together with efficiency and an affection for the period 
a delightfully dour 
it trusts the story it sets out to tell . 
of the way it allows the mind to enter and accept another world 
been a good film in `` trouble every day 
ron howard 's apollo 13 in the imax format 
... could easily be called the best korean film of 2002 . 
works its magic 
the war of the roses , ' 
cinematic disaster 
a compelling allegory about the last days of germany 's democratic weimar republic . 
this dvd 
of motherhood deferred and desire 
spoofs and celebrates 
it 's trying to set the women 's liberation movement back 20 years 
broad streaks of common sense emerge with unimpeachable clarity . 
theories 
it 's won 
a retooling of fahrenheit 451 , and 
in a sincere performance 
there 's a scientific law to be discerned here that producers would be well to heed 
celebrated 
the cruelty and suffering he has found with an devastating , eloquent clarity 
becomes an overwhelming pleasure 
to be even worse than its title 
grossly contradictory 
the premise of `` abandon '' holds promise , ... but 
might inspire a trip to the video store -- in search of a better movie experience . 
it still feels like a prison stretch . 
are many tense scenes in trapped 
this movie directionless 
the film is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide . 
the art direction is often exquisite , 
a beautiful film , full of elaborate and twisted characters 
might deliver again and again 
scores a direct hit 
a humorless journey into a philosophical void . 
a foundering performance 
take the warning literally , and log on to something more user-friendly 
fine documentary 
once playful and haunting , 
way fears and slights 
delightful in the central role 
the film 's final hour 
a chilly , remote , emotionally distant piece 
waited three years with breathless anticipation for a new hal hartley movie to pore over 
does n't 
dumb drug jokes and predictable slapstick 
thoughtful , subjective filmmaking 
that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness 
symbolic examination 
be viewed and treasured for its extraordinary intelligence and originality 
translation : ` we do n't need to try very hard . 
into rambling incoherence 
icky 
occasional slowness 
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy 
nelson 's intentions are good 
a compelling allegory about the last days of germany 's democratic weimar republic 
it 's black hawk down with more heart . 
a handsome but unfulfilling suspense drama more suited to a quiet evening on pbs than a night out at an amc . 
otherwise bleak 
, then blood work is for you . 
knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest . 
the general 's 
is not that it 's offensive , but that it 's boring 
plot and pornographic way 
beautiful , cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images 
a kitchen sink 
then they works spectacularly well ... a shiver-inducing , nerve-rattling ride . 
excruciating end 
make it the darling of many a kids-and-family-oriented cable channel 
is born to play shaggy ! 
subtle ironies and visual devices 
be the first major studio production shot on video tape instead of film 
potentially interesting 
is a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
family fare . 
the curse of blandness 
is ) a fascinating character , 
director claude chabrol 
finds warmth in the coldest environment 
flailing around 
this orange has some juice , 
historically significant , and personal , 
with exquisite craftsmanship ... olivier assayas has fashioned an absorbing look at provincial bourgeois french society . 
's equally distasteful 
is incompetent , incoherent or just plain crap 
it makes you feel like a chump 
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but as those monologues stretch on and on , you realize there 's no place for this story to go but down . 
a dull , dumb and derivative horror 
's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd 
becomes too heavy for the plot . 
loud , violent and mindless 
the film certainly does n't disappoint . 
here 's a sadistic bike flick that would have made vittorio de sica proud . 
craziness 
noble teacher 
graham greene 's novel 
a venturesome , beautifully realized psychological mood piece that reveals its first-time feature director 's understanding of the expressive power of the camera . 
, howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another . 
will find morrison 's iconoclastic uses of technology to be liberating . 
with spikes of sly humor 
ungainly movie 
human nature is a goofball movie , in the way that malkovich was , but it tries too hard . 
regret and , ultimately , 
elegance and 
a difficult time 
buoyant delivery 
most inventive directors 
its luckiest viewers 
visually striking and slickly staged 
fessenden has nurtured his metaphors at the expense of his narrative , but he does display an original talent . 
unsettled 
is one of the biggest disappointments of the year . 
recommend snow dogs 
you would n't want to live waydowntown , 
a brutal and funny 
in all its director 's cut glory 
, may not touch the planet 's skin , but understands the workings of its spirit . 
captured the chaos of an urban conflagration with such fury 
an appalling ` ace ventura ' rip-off that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton . 
into an abyss of clichés , depression and bad alternative music 
farts , urine , feces , 
a big time stinker 
artful , watery tones 
that 's better than its predecessor 
bad luck and their own immaturity 
's supposed to be post-feminist breezy but 
some jazzy new revisionist theories about the origins of nazi politics and aesthetics 
richly entertaining and suggestive of any number of metaphorical readings 
, retrospectively , his most personal work yet . 
just because it seems obligatory 
improves on it , 
bravo for history rewritten , and for the uncompromising knowledge that the highest power of all is the power of love . 
it 's hard to understand why anyone in his right mind would even think to make the attraction a movie . 
this woefully hackneyed movie 
murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
pretentious types 
to the power of women to heal 
an original idea 
is banal in its message and the choice of material 
all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
a whole lot of nada 
the bodily function jokes are about what you 'd expect , 
hooked on the delicious pulpiness of its lurid fiction . 
collateral damage is trash , 
a miraculous movie 
very dark and very funny 
prostituted muse 
is a sweet treasure and something well worth your time . 
he makes sure the salton sea works the way a good noir should , keeping it tight and nasty 
was chuckling at all the wrong times 
it 's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart . 
seeming at once both refreshingly different and reassuringly familiar 
's a funny little movie with clever dialogue and likeable characters 
formulaic 
an eloquent , deeply felt meditation on the nature of compassion 
lame screenplay 
running time , you 'll wait in vain for a movie to happen . 
bad way 
seems worse for the effort . 
of a young woman who knows how to hold the screen 
overflows 
austerity and forcefulness 
sensational denouements 
studiously inoffensive 
a gem of a movie . 
far more successful , if considerably less ambitious , than last year 's kubrick-meets-spielberg exercise . 
that made me want to bolt the theater in the first 10 minutes 
say mean things and shoot a lot of bullets 
may shape hawke 's artistic aspirations 
would have a résumé loaded with credits like `` girl in bar # 3 . 
it seems so real because it does not attempt to filter out the complexity 
one long 
honest and loving 
ice age wo n't drop your jaw , but 
( a ) mess 
to enjoy yourselves without feeling conned 
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders 
the crassness of this reactionary thriller is matched only by the ridiculousness of its premise . 
this is a remarkably accessible and haunting film . 
this charming but slight tale 
, and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth 
involved . 
inane 
teddy bears ' picnic ranks among the most pitiful directing 
that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off 
faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story 
highly predictable 
a shoddy male hip hop fantasy filled with guns , expensive cars , lots of naked women and rocawear clothing . 
the community 
he wants you to feel something 
better than its predecessor 
piccoli 's performance is amazing , yes , but the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent . 
a complete waste of time . 
is very believable 
shoot themselves 
mutates into a gross-out monster movie with effects that are more silly than scary 
sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests 
friday after next is a lot more bluster than bite . 
the self-destructiveness 
lightweight but appealing . 
its courage , 
feeling like you 've completely lowered your entertainment standards 
makes it interesting as a character study is the fact that the story is told from paul 's perspective 
mr. wollter and ms. seldhal give strong and convincing performances , but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear 
ambiguous enough to be engaging 
it holds itself 
with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers 
mr. wollter and ms. seldhal give strong and convincing performances , but 
pulpy core conceit 
has never been smoother or more confident 
is at once intimate and universal cinema . 
an unflinching , complex portrait of a modern israel that is rarely seen on-screen . 
the charm of kevin kline and a story that puts old-fashioned values under the microscope 
brilliant and 
he watches them as they float within the seas of their personalities . 
cling to the edge of your seat , tense with suspense 
lack of thematic resonance 
's a sharp movie about otherwise dull subjects . 
her agreeably startling use of close-ups and her grace with a moving camera 
halle berry does her best to keep up with him 
lots of boring talking heads , etc. -- 
of profound characterizations 
the thrills pop up frequently 
drags the film 
manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity . 
the numerous scenes of gory mayhem 
of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form 
arrogant 
for self-deprecating comedy 
overlong and not well-acted 
cheapo animation 
i laughed at 
whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned 
perform entertaining tricks 
the harsh reality of my situation 
a guilty pleasure 
small but rewarding comedy 
the wonderfully lush morvern callar is pure punk existentialism , and ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting 
closer than many movies 
a party political broadcast 
dumb high school comedy 
an acceptable way to pass a little over an hour with moviegoers ages 8-10 , but it 's unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism . 
deep intelligence and a warm , enveloping affection 
bluster and 
a tapestry woven of romance , dancing , singing , and unforgettable characters 
but dull and ankle-deep ` epic 
of the elements that will grab you 
exceptionally 
engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
bless crudup 
it 's a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor . 
the limitations of his skill and 
wazoo and sets 
the final day of the season 
something rare and riveting 
as a noble teacher who embraces a strict moral code 
a class with that of wilde 
i have a confession to make : i did n't particularly like e.t. the first time i saw it as a young boy 
's good 
of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
cutting-edge 
a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style . 
's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting . 
like a bad idea from frame one 
highly professional film 
be an attempt at hardass american 
rank as one of the cleverest , most deceptively amusing comedies of the year . 
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball . '' 
manages to bring something new into the mix 
by volletta wallace 's maternal fury , her fearlessness 
the ensemble cast turns in a collectively stellar performance , and the writing is tight and truthful , full of funny situations and honest observations 
has a tougher time balancing its violence with kafka-inspired philosophy 
could n't someone take rob schneider and have him switch bodies with a funny person 
a sense of wonder 
of the rotting underbelly of middle america 
its uncanny tale 
nonsensical and 
her grace 
inconsequential move 
will enjoy it 
snapping it might have held my attention , but as it stands i 
nothing distinguishing 
the finest 
error 
my ribcage 
, the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right . 
for casual moviegoers who stumble into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek , they 'll probably run out screaming . 
this dreary mess 
subjective 
lags badly 
adding the rich details 
breaks no new ground and 
these characters become wearisome . 
leigh succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing . 
stereotypes in good fun 
lax and 
in that setting , their struggle is simply too ludicrous and borderline insulting . 
with a game supporting cast 
, showtime eventually folds under its own thinness . 
less charitable 
if divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure , it comes to life in the performances . 
that even most contemporary adult movies are lacking 
in white 's intermittently wise script 
end up trying to drown yourself in a lake afterwards 
high-minded appeal 
fleet-footed and pleasingly upbeat 
insane 
likeable characters 
that it can not even be dubbed hedonistic . 
excruciatingly 
armed with a game supporting cast , 
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , 
the courageous molly craig 
work because there is no foundation for it 
you 're engulfed by it . 
true for being so hot-blooded 
devastation 
is a warm and well-told tale of one recent chinese immigrant 's experiences in new york city 
comedy , caper thrills 
a damn fine and 
liar 
the consciously dumbed-down approach wears thin 
the four primary actors 
purely enjoyable that you might not even notice it 
bad improvisation exercise 
cussing 
, funny and poignant 
's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins . 
uninspired scripts , acting and direction 
anger and frustration 
repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue . 
the sword fighting is well done and 
, full frontal plays like the work of a dilettante . 
when you could just rent those movies instead , let alone seek out a respectable new one 
will revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement 
hit that may strain adult credibility 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , 
graphic treatment 
an apartheid drama 
, fun-for-fun 's - sake communal spirit goes to the essence of broadway 
you 've got a huge mess 
this is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men . 
an avalanche of more appealing holiday-season product 
striking and 
undercut by the brutality of the jokes , most at women 's expense 
balances both traditional or modern stories together in a manner that one never overwhelms the other 
love a joy to behold 
a frustrating ` tweener ' -- too slick 
it 's an interesting effort ( particularly for jfk conspiracy nuts ) 
hefty helping 
an amazing slapstick instrument 
's coherent , well shot 
under-inspired 
... a pretentious and ultimately empty examination of a sick and evil woman . 
an ` a ' list cast and some strong supporting players 
all the right ways 
easily one of the best and most exciting movies 
plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting 
dullest irish pub scenes 
smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds . 
wendigo is a genuinely bone-chilling tale . 
as intellectual masterpieces 
provocative drama 
this gender-bending comedy 
cold , pretentious , thoroughly dislikable study in sociopathy . 
the insinuation of mediocre acting 
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently cathartic . 
casting mick jagger as director of the escort service was inspired 
is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times 
are some movies that hit you from the first scene 
it 's hard to quibble with a flick boasting this many genuine cackles , but notorious c.h.o. still feels like a promising work-in-progress 
had no effect and elicited no sympathies for any of the characters . 
add up to a satisfying crime drama 
a sometimes incisive and sensitive portrait 
ou 've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane . 
for with its heart 
love , racial tension , and other issues that are as valid today 
classic story 
a whimper 
skip this dreck , rent animal house and go back to the source 
executed it takes your breath away 
spite of it 
playing a role of almost bergmanesque intensity ... 
flaws , 
rich 
hallmark card sentimentality 
a great missed opportunity 
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and a personal low for everyone involved 
you actually buy into 
the dramatic conviction that underlies the best of comedies 
do n't get williams ' usual tear and a smile , just sneers and bile 
's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb . 
recent past 
a characteristically engorged and sloppy coming-of-age movie . 
the road paved with good intentions leads to the video store '' 
is n't going to jell 
, witty and beneath 
a nifty plot line 
is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation 
has n't been worth caring about 
's awfully entertaining to watch . 
high hilarity 
laughed that hard 
a monster movie 
unsettling to watch as an exploratory medical procedure or an autopsy 
a sense of mystery 
outside his grasp 
like something wholly original 
genre a bad name . 
tedious 
offensive , waste of time , money and celluloid 
the teen-exploitation playbook 
of dreamlike ecstasy 
timeless and 
anyone 's guess 
sweet , funny , charming , 
, and enjoyable 
is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon . 
eddie murphy nor robert de niro has ever made 
remarkable for its intelligence and intensity 
it 's a dark , gritty story but 
come full circle to end on a positive ( if tragic ) note 
obscenity is at hand 
a beautiful paean to a time long past . 
the forest 
a beautifully observed character piece . 
the script 's refusal 
a solid action pic 
a movie of riveting power and sadness . 
you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
indignant 
make a person who has lived her life half-asleep suddenly wake up and take notice 
gut-busting 
kill michael myers for good 
the filmmakers ' eye for detail and the high standards of performance convey a strong sense of the girls ' environment . 
dave barry 's 
argue that it ranks with the best of herzog 's works 
a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama 
loyal 
he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long . 
a fine , rousing , g-rated family film 
gives everyone something to shout about . 
it threatens to get bogged down in earnest dramaturgy 
violence 
stock up on silver bullets for director neil marshall 's intense freight train of a film . ' 
even bigger and more ambitious than the first installment 
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and 
one feels cheated 
below may not mark mr. twohy 's emergence into the mainstream , but his promise remains undiminished 
its love 
less-than-thrilling 
that you and they were in another movie 
enough charm and appealing character quirks to forgive that still serious problem 
is ( cattaneo ) sophomore slump . 
trashy time 
did n't sign a pact to burn the negative and the script and pretend the whole thing never existed 
best actor 
the writing is insipid 
you get the impression that writer and director burr steers knows the territory ... 
viewers out in the cold and undermines some phenomenal performances . 
sham actor workshops 
satirical touches 
disjointed 
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it 
sayles has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors . 
, told well by a master storyteller 
life affirming and heartbreaking , 
of the bride 's humor is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues . 
canny crowd pleaser 
exploiting molestation for laughs 
dull exposition 
neatly and effectively 
the beat of a different drum 
and undemanding armchair tourists 
technical achievement 
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres 
a mindless action movie 
it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period 
long after this film has ended 
a thriller with an edge -- which is to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world . 
most sparkling 
while the frequent allusions to gurus and doshas will strike some westerners as verging on mumbo-jumbo 
possess the lack-of-attention span 
puppies with broken legs 
his outstanding performance as bond in die 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore . 
becomes simply a monster chase film 
like a bad improvisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art 
the earnestness of its execution and skill of its cast 
a beautiful film 
disappointments i 
is like reading a research paper , with special effects tossed in 
mostly believable , refreshingly low-key and quietly inspirational 
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making 
their cruel fate 
long-winded 
magic and is enjoyable family fare . 
drowned out 
its dying , in this shower of black-and-white psychedelia , is quite beautiful 
for this illuminating comedy 
captures the intended , er , spirit of the piece 
god help us , but capra and cooper are rolling over in their graves . ' 
seagal ran out of movies years ago , and this is just the proof 
contradicts everything kieslowski 's work aspired to , including the condition of art 
steven soderbergh 's space opera emerges as a numbingly dull experience . 
embraced by this gentle comedy 
if the suspense never rises to a higher level 
deeply concerned with morality 
do n't need to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california 
the film ... presents classic moral-condundrum drama : what would you have done to survive ? 
who sometimes feel more like literary conceits than flesh-and-blood humans 
rocks . 
hitting your head on the theater seat in front of you 
more recent successes 
of film about growing up that we do n't see often enough these days 
starts off as a potentially incredibly twisting mystery 
is clear : not easily and , in the end , not well enough . 
thrown-together 
accentuating , 
has a good ear for dialogue , and the characters sound like real people 
die 
, the film is deadly dull 
check your brain at the door 
a bit cold and relatively flavorless 
while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
confuses its message with an ultimate desire 
a silly comedy 
excellent work 
tormented by his heritage 
walked away from this new version of e.t. 
the spaniel-eyed jean reno infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart . 
a fascinating literary mystery story with multiple 
the criticism never rises above easy , cynical potshots at morally bankrupt characters ... 
establishes itself as a durable part of the movie landscape : 
any way of gripping what its point is , or even its attitude toward its subject 
a stunning film , 
affectionately reminds us that , in any language , the huge stuff in life can usually be traced back to the little things . 
, cry and realize , ` it 's never too late to believe in your dreams . ' 
is an odd but ultimately satisfying blend of the sophomoric and the sublime . 
are priceless 
the movie feels stitched together from stock situations and characters from other movies . 
seems content to dog-paddle in the mediocre end of the pool , and it 's a sad , sick sight 
and verbal clichés 
had , lost , and got back 
should have been made for the tube . 
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington 
overweight and out of shape 
an engaging , 
first shocking thing 
unsubtle 
a coming-of-age tale from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply 
better characters , some genuine quirkiness and 
sure to raise audience 's spirits and leave them singing long after the credits roll 
greater 
creepy and believable 
i guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen . 
fails on its own , but 
his film crackles 
is loopy and ludicrous 
overall , it 's a very entertaining , thought-provoking film with a simple message : god is love 
basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938 
very compelling , sensitive , intelligent and almost cohesive piece 
but it could be , by its art and heart , a necessary one . 
that is richer than anticipated 
is one of world cinema 's most wondrously gifted artists and 
tendentious intervention 
a lousy script 
one of the more influential works of the ` korean new wave ' . 
by taylor 's cartoonish performance and the film 's ill-considered notion 
, obvious , preposterous , the movie will likely set the cause of woman warriors back decades . 
the resourceful amnesiac 
, in the history of the academy , people may be wondering what all that jazz was about `` chicago '' in 2002 . 
glorified sitcom 
find the small , human moments 
as sand 's masculine persona , with its love of life and beauty , takes form 
is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory . 
's worth taking the kids to 
with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated 
the film itself is about something very interesting and odd that would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative . 
fall apart 
crime drama fare 
boring and meandering 
has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness 
the greatest date movies 
a visual treat 
priggish 
it 's a visual delight and a decent popcorn adventure , as long as you do n't try to look too deep into the story 
evokes 
you 've missed the first half-dozen episodes and probably 
will find it more than capable of rewarding them . 
are once again made all too clear in this schlocky horror/action hybrid 
as an unimaginative screenwriter 's invention 
is drowned out by director jon purdy 's sledgehammer sap . 
assured , vital and 
super - violent , 
visual appeal 
, and of telling a fascinating character 's story 
content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life 
is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people 
beauty 
so bland and utterly forgettable that it might as well have been titled generic jennifer lopez romantic comedy . 
the film is a good one 
over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while 
is sadly 
really solid performances by ving rhames and wesley snipes 
instead of panoramic sweep , kapur gives us episodic choppiness , undermining the story 's emotional thrust . 
there 's no good answer to that one . 
's sharply comic and surprisingly touching 
the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects 
know how to suffer ' and if you see this film you 'll know too 
nonjudgmental 
loves its characters and communicates something rather beautiful about human nature 
most repellent 
chokes on . 
stallion of the cimarron is a winner . 
a coming-of-age story and cautionary parable 
exit the theater 
below casts its spooky net out into the atlantic ocean and spits it back , grizzled and charred , somewhere northwest of the bermuda triangle . 
a minor-league soccer remake of the longest yard . 
a bit exploitative but also nicely done , morally alert and street-smart 
this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
interesting developments 
a high-end john hughes comedy , a kind of elder bueller 's time out 
under the strain of its plot contrivances and its need to reassure 
the amazing film work 
you can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter 
his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
it is interesting to see where one 's imagination will lead when given the opportunity 
bold 
are the whole show here , with their memorable and resourceful performances 
for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese 
borders on rough-trade homo-eroticism 
is a gorgeous film - vivid with color , music and life 
it uses lighting effects and innovative backgrounds to an equally impressive degree 
a side of contemporary chinese life that many outsiders will be surprised to know exists , and does so with an artistry that also smacks of revelation . 
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... 
that sense of openness , the little surprises 
of fun and funny in the middle , though somewhat less hard-hitting 
's a wonder that he could n't have brought something fresher to the proceedings simply by accident 
as she continually tries to accommodate to fit in and gain the unconditional love she seeks 
when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
as banal as the telling may be 
bigger , fatter heart 
provides a window into a subculture hell-bent on expressing itself in every way imaginable . ' 
sucks , but has a funny moment or two . 
again ransacks its archives for a quick-buck sequel . 
sick and evil woman 
shot out of a cannon into a vat of ice cream 
fresh and 
ambitious , eager first-time filmmakers 
allows nothing 
an absolute joy 
luminous 
as a science fiction movie , `` minority report '' astounds . 
, the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned . 
emotionally satisfying exploration 
to make the most sincere and artful movie in which adam sandler will probably ever appear 
has a funny moment or two 
is creepy 
also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults 
to be funny , uplifting and moving , sometimes 
than forcing us to endure every plot contrivance that the cliché-riddled genre can offer 
character piece 
claire is a terrific role for someone like judd , who really ought to be playing villains . 
hugely imaginative and successful casting 
remarkable piece 
daft by half ... 
the way adam sandler 's new movie rapes 
is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture 
washington overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration . 
is just sooooo tired 
instead the director treats us to an aimless hodgepodge 
is no rest period , no timeout 
is nicely 
with a smile on your face and a grumble in your stomach 
hawke 's film , a boring , pretentious waste of nearly two hours , 
they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes 
more diverting and thought-provoking 
bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni 
draws the audience 
becomes long and tedious like a classroom play in a college history course 
, dumb and derivative horror 
continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , 
the same problems 
merchant ivory productions 
absurdities and clichés accumulate like lint in a fat man 's navel . 
wind chimes 
of what 's wrong with this increasingly pervasive aspect of gay culture 
is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends 
as one of the great films about movie love 
rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film . 
's difficult to tell who the other actors in the movie are 
that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
stupid , derivative horror film 
teeming that even cranky adults may rediscover the quivering kid inside 
of the gross-out comedy 
the 1980s 
a perfect family film 
has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff 
barbarism 
endless scenic shots that make 105 minutes seem twice as long 
while american adobo has its heart ( and its palate ) in the right place , its brain is a little scattered -- ditsy , even . 
it 's just weirdness for the sake of weirdness 
be good 
fascinating glimpse 
to its great credit 
is the far superior film . 
honest and 
both shrill and soporific , and because everything is repeated five or six times 
a sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire 
action - mechanical . 
cinematography and exhilarating point-of-view shots and 
( `` safe conduct '' ) is a long movie at 163 minutes but 
most thoughtful 
the gorgeously elaborate continuation of `` the lord of the rings '' trilogy is so huge that a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth . 
place for a great film noir 
serious and thoughtful 
certainly appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about . 
absurd plot twists , idiotic court maneuvers and 
objectivity and refusal 
the power of their surroundings 
excited that it has n't gone straight to video 
is long gone 
there are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels . 
serious soul 
the narrator and the other characters try to convince us that acting transfigures esther , but 
humor and heart and 
, ' i know how to suffer ' and if you see this film you 'll know too . 
be complaining when a film clocks in around 90 minutes these days 
a clumsily manufactured exploitation flick , a style-free exercise in manipulation and mayhem . 
really quite funny . 
as rude and profane as ever , always hilarious and , most of the time , 
turns the marquis de sade into a dullard 
the tinny self-righteousness of his voice 
compellingly 
rice is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories . 
intelligence 
may as well be called `` jar-jar binks : the movie 
acts that no amount of earnest textbook psychologizing can bridge . 
salma goes native and she 's never been better in this colorful bio-pic of a mexican icon 
that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk . 
the acting is just fine , 
, relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft . 
alice 's adventure through the looking glass and into zombie-land ' is filled with strange and wonderful creatures . 
nicole kidman evolved from star to superstar some time over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while . 
a welcome relief 
is , alas , no woody allen . 
contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama . 
rewarded by a script that assumes you are n't very bright 
uncluttered , resonant gem 
for a painful ride 
the scripters do n't deserve any oscars 
stylized swedish fillm about a modern city 
a reasonably entertaining sequel 
some movies suck you in despite their flaws , and 
not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense . 
contrived to be as naturally charming as it needs to be 
will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness 
our best achievements and 
summer-camp talent show 
peter jackson and company once again dazzle and delight us , fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte 
a funny and touching film 
naipaul fans may be disappointed . 
instead of hitting the audience over the head with a moral , schrader relies on subtle ironies and visual devices to convey point of view . 
inarticulate 
a mormon family movie , and a sappy , preachy one at that 
it 's more than a worthwhile effort 
frailty '' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies . 
parents beware ; this is downright movie penance . 
mordantly funny and intimately knowing 
this has layered , well-developed characters and some surprises . 
giggling 
decay 
leaves shockwaves 
's replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy . 
's that good . 
swedish fatalism using gary larson 's far side humor 
an enjoyable , if occasionally flawed , experiment . 
funniest jokes 
half-baked setups and sluggish pacing 
unfortunately 
a pretentious and ultimately empty examination 
like a surgeon mends a broken heart ; very meticulously but without any passion 
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and 
otherwise good movie 
in swank apartments , clothes and parties 
to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing 
fierce , glaring and unforgettable . 
has a gentle , unforced intimacy that never becomes claustrophobic . 
a good race , 
boorishness 
warmth , wit and interesting characters 
it 's boring 
you ... get a sense of good intentions derailed by a failure to seek and strike just the right tone . 
japan bustling 
it gets to you . 
the picture realizes a fullness that does not negate the subject . 
may not touch the planet 's skin , but understands the workings of its spirit . 
be as intelligent 
a french film with a more down-home flavor 
a mindless action flick 
at the expense of character 
is so tame that even slightly wised-up kids would quickly change the channel 
then biting into it and finding the filling missing 
a cautionary tale about the folly of superficiality that is itself endlessly superficial . 
sitcomishly 
that do n't really care for the candidate 
have found a cult favorite to enjoy for a lifetime 
shoplifts shamelessly 
a study in schoolgirl obsession 
several cliched movie structures : the road movie 
it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients . 
to cliches and pat storytelling 
is suspenseful and ultimately unpredictable , with a sterling ensemble cast . 
an enjoyable 100 minutes in a movie theater 
putting the primitive murderer inside a high-tech space station unleashes a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest . 
feeling guilty 
scott 's convincing portrayal of roger the sad cad that really gives the film its oomph 
weighted down with slow , uninvolving storytelling 
the leanest and meanest 
alternately fascinating and frustrating 
pretty 
heartbreakingly thoughtful minor classic 
crush each other 
who rambles aimlessly through ill-conceived action pieces 
takes you by the face , strokes your cheeks and coos beseechingly at you 
a provocative piece of work 
a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell 
shaped the story to show us why it 's compelling 
an ultra-loud blast of pointless mayhem 
the journey to the secret 's eventual discovery is a separate adventure , and thrill enough . 
the pianist ( is ) a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life . 
, we had no trouble sitting for blade ii . 
two fine , nuanced lead performances 
's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona 
fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film 
more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem . 
duvall 's 
fu 
one moment 
the hero 's odyssey 
( f ) rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative 
created a monster but did n't know how to handle it 
sexy , violent , self-indulgent and maddening 
there 's nothing interesting in unfaithful whatsoever . 
refresh 
creating an emotionally complex , dramatically satisfying heroine 
before , from the incongruous but chemically perfect teaming of crystal and de niro 
is a slight and uninventive movie 
chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine 
ill-conceived and expensive 
it is bad , but certainly not without merit as entertainment . 
to revitalize what is and always has been remarkable about clung-to traditions 
to mention absolutely refreshed . 
echo of allusions 
tanks 
, secret ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain . 
as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
dishonest and pat as any hollywood fluff . 
strolls through this mess with a smug grin , 
read my lips 
misconstrued as weakness 
touched by this movie 
suspenseful horror movie 
eventually cloying pow drama . 
, there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd . 
top japanese animations 
how well it holds up in an era in which computer-generated images are the norm 
a thin notion 
the beautiful images and solemn words 
who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
he has no clue about making a movie 
posing as a real movie 
more than people 
it 's fun , 
that kidman has become one of our best actors 
that fails to match the freshness of the actress-producer and writer 
have a reasonably good time with the salton sea 
sweet without the decay 
flinging their feces 
with seriously dumb characters , which somewhat dilutes the pleasure of watching them 
is so formulaic and forgettable that it 's hardly over before it begins to fade from memory 
of great actors hamming it up 
the plot follows a predictable connect-the-dots course 
the wonderful cinematography 
quaid is utterly fearless as the tortured husband living a painful lie 
is as predictable as the tides . 
the dark 
do n't say you were n't warned 
sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one ? 
this wretchedly unfunny wannabe comedy 
cedar somewhat defuses this provocative theme by submerging it in a hoary love triangle . 
everett remains a perfect wildean actor 
the essence of magic 
i liked about it 
grown-up film 
as a director , eastwood is off his game -- there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising . 
a rare and lightly entertaining 
stuffy , full of itself , 
particularly innovative 
the work of an artist tormented by his heritage , using his storytelling ability to honor the many faceless victims . 
is enough to give you brain strain 
its moving story 
to ride the big metaphorical wave that is life -- wherever it takes you 
often contradictory 
leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout 
very touching 
gentle , mesmerizing 
as appalling as any ` comedy ' 
a passionately inquisitive film 
a glib but bouncy bit 
( assayas ' ) homage to the gallic ` tradition of quality 
a disappointingly thin slice of lower-class london life ; despite the title 
, ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . 
awfully good , achingly human picture 
thrills and extreme 
, memorable cinematic experience 
from mtv schmucks who do n't know how to tell a story for more than four minutes 
favor 
... is , also , frequently hilarious . 
sharp as the original 
desperate attempt 
petty thievery like this that puts flimsy flicks like this behind bars 
dangerous 
spirals downward , and thuds to the bottom of the pool with an utterly incompetent conclusion 
living far too much in its own head 
most magical and 
is certainly easy to watch . 
well paced and satisfying 
in fact , it 's quite fun in places . 
terminally bland , painfully slow and needlessly confusing ... the movie , shot on digital videotape rather than film , is frequently indecipherable . 
is definitely meaningless , vapid and devoid 
comes at film with bracing intelligence and a vision both painterly and literary . 
may pick up new admirers 
steals so freely from other movies and 
in marriage 
breathes life into a roll that could have otherwise been bland and run of the mill . 
hard to understand 
turn this fairly parochial melodrama into something really rather special 
to keep letting go at all the wrong moments 
fails to live up to -- or offer any new insight into -- its chosen topic 
if it 's filmed tosca that you want 
to create something original 
stinks from start to finish , like a wet burlap sack of gloom 
who is not only a pianist , but a good human being 
creeps 
an exhilarating experience . 
an average b-movie with no aspirations to be anything more . 
the story is bogus and its characters tissue-thin . 
take me back to a time before i saw this movie 
a colorful , vibrant introduction to a universal human impulse 
that sucks you in and dares you not to believe it 
moore provides an invaluable service by sparking debate and encouraging thought . 
star power , 
energetic and sweetly 
of wit and dignity 
amiable picture 
niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press 
moving and weighty 
catch it ... if you can 
so muddled , repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker 's characteristic style . 
times when the film 's reach exceeds its grasp 
gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers . 
retelling a historically significant , and personal , episode 
thought through than in most ` right-thinking ' films 
's a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding . 
little melodramatic , but with 
now and then without in any way demeaning its subjects 
vividly conveys the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all . 
attal 's hang-ups surrounding infidelity are so old-fashioned 
how admirably 
starts off so bad 
punctuated by flying guts 
fails on its own , but makes you second-guess your affection for the original 
could feel my eyelids ... getting ... very ... heavy 
by turns numbingly dull-witted and disquietingly creepy . 
religion that dares to question an ancient faith , 
's mildly interesting 
succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory . 
to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits 
make you put away the guitar , sell the amp , and apply to medical school 
the film is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller . 
of credible gender-provoking philosophy 
of sensual delights and simmering violence 
none-too-funny commentary on the cultural distinctions between americans and brits 
a summer of teen-driven , toilet-humor codswallop 
the following things are not at all entertaining : the bad sound , the lack of climax and , worst of all , watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy . 
mention inappropriate and wildly undeserved 
presented with great sympathy and intelligence 
this is one summer film that satisfies 
to the point of ridiculousness 
like a term paper 
an overly familiar scenario is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort . 
with sensitivity and skill 
's hard to imagine another director ever making his wife look so bad in a major movie . 
to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy . 
an inexpressible and drab wannabe 
, never rises above the level of a telanovela . 
has its redundancies 
as in aimless , arduous , and arbitrary . 
sparkling , often hilarious romantic jealousy comedy ... attal looks so much like a young robert deniro that it seems the film should instead be called ` my husband is travis bickle ' 
contrived and predictable 
plunges you into a reality that is , more often then not , difficult and sad , and 
stupid , 
vietnam war 
's a rare window on an artistic collaboration . 
moving and not infrequently breathtaking film 
90-minute , four-star movie 
the pacing is deadly , the narration helps little 
this rich , bittersweet israeli documentary , 
well-crafted film 
that have all but ruined his career 
is an ` action film ' mired in stasis . 
this is even better than the fellowship . 
is still charming 
wonderful cinematography 
quite one of the worst movies of the year 
a sophisticated flower child 's 
) story becomes a hopeless , unsatisfying muddle 
ki-deok 
that memorable 
be forgettable 
excellent music 
has not spawned a single good film 
is a gentle film with dramatic punch , a haunting ode to humanity 
well-written and occasionally challenging social drama 
... a quietly introspective portrait of the self-esteem of employment and the shame of losing a job 
proof once again that if the filmmakers just follow the books 
's muy loco , but no more ridiculous than most of the rest of `` dragonfly . 
with promise 
reel in the audience 
the concert footage is stirring 
clean and 
less mature 
horrible movie 
to inject farcical raunch 
the lazy material and the finished product 's unshapely look 
in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications 
could hardly ask for more 
graceful dual narrative 
to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
a listless climb 
involved , 
among the many pleasures 
combines psychological drama , sociological reflection , and high-octane thriller . 
the humor wry 
whose engaging manner and flamboyant style 
is n't as weird as it ought to be . 
strength and sense 
its punchy style promises 
is quite beautiful 
is playful but highly studied and dependent for its success on a patient viewer 
virtually plotless 
as if solondz had two ideas for two movies , could n't really figure out how to flesh either out 
a thought-provoking and often-funny drama about isolation 
is notable for its sheer audacity and openness . 
you wish he 'd gone the way of don simpson 
throws in too many conflicts to keep the story compelling 
that even he seems embarrassed to be part of 
sickeningly real 
radical action 
complete shambles 
whiny , pathetic , starving and untalented 
brought me uncomfortably close to losing my lunch 
beautiful and mysterious 
forgotten 10 minutes 
its convolutions 
then again , in a better movie , you might not have noticed . 
a talking head documentary , but a great one 
begin to long for the end credits as the desert does for rain 
story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' 
if it had just gone that one step further 
a persuasive 
, this is one adapted - from-television movie that actually looks as if it belongs on the big screen . 
that 's its first sign of trouble . 
monumental as disney 's 1937 breakthrough 
attractive and talented 
takes on nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading 
perversely 
seemingly sincere personal reflection 
wrap the proceedings up neatly 
's the perfect cure for insomnia 
death and mind-numbing indifference on the inner-city streets 
emotional ghosts of a freshly painted rembrandt 
a powerful sequel and one of the best films of the year 
mind-bender . 
's an enthusiastic charm in fire that makes the formula fresh again 
with better characters , some genuine quirkiness and at least a measure of style 
own brilliance 
deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf 
such a good job of it 
is the drama within the drama 
and thanks to kline 's superbly nuanced performance , that pondering is highly pleasurable . 
that rare movie that works on any number of levels -- as a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults . 
their sexual and romantic tension , while never really vocalized , is palpable 
enjoyably dumb , sweet , and intermittently hilarious -- 
peevish 
be captivated , as i was , by its moods , and by its subtly transformed star 
as crisp and to the point 
wears its empowerment 
greatly impressed by the skill of the actors involved in the enterprise 
... a low rate annie featuring some kid who ca n't act , only echoes of jordan , and weirdo actor crispin glover screwing things up old school . 
the punch lines 
imagine a film that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s . 
a generic international version 
visually masterful work 
grows boring despite the scenery 
wannabe film -- 
need to adhere more closely to the laws of laughter 
the best sports movie i 've ever seen . 
love sweetly 
the movie does n't add anything fresh to the myth . 
obsessively 
, it 's a very very strong `` b + . '' 
made a more sheerly beautiful film 
there is simply not enough of interest onscreen to sustain its seventy-minute running time . 
a lovely film for the holiday season . 
that make williams sink into melancholia 
skins has a desolate air , but eyre , a native american raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor . 
in other words , it 's badder than bad . 
messing 
dabbles all around 
cacoyannis ' vision is far less mature , interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts . 
, scratch is great fun , full of the kind of energy it 's documenting . 
merely bad rather than 
the strain of its plot contrivances 
by anne-sophie birot 
have n't seen such self-amused trash since freddy got fingered . 
strangely 
a surgeon mends a broken heart ; very meticulously but without any passion 
banter-filled comedy 
, you 'll still have a good time . '' 
, hole-ridden plotting 
poo-poo jokes are ` edgy 
hurried , badly cobbled look 
know what it wants to be 
to make the film relevant today , without fully understanding what it was that made the story relevant in the first place 
adds substantial depth to this shocking testament to anti-semitism and neo-fascism 
is so thoughtlessly assembled . 
the kind of art shots that fill gallery shows 
are simply named the husband , the wife and the kidnapper , emphasizing the disappointingly generic nature of the entire effort 
smug or sanctimonious 
just lazy 
is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables 
to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line 
intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
intriguing and realistic 
no matter how much he runs around and acts like a doofus , accepting a 50-year-old in the role is creepy in a michael jackson sort of way . 
be better as a diary or documentary 
this man so watchable is a tribute not only to his craft , but to his legend 
filming the teeming life 
is hampered by its predictable plot and paper-thin supporting characters 
landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs 
romp that will have viewers guessing just who 's being conned right up to the finale 
everything meshes in this elegant entertainment 
tosses around sex toys and offers half-hearted paeans to empowerment 
hampered by taylor 's cartoonish performance and the film 's ill-considered notion 
enjoy more because you 're one of the lucky few who sought it out 
disappointingly 
a badly edited , 91-minute trailer 
throughout all the tumult , a question comes to mind : so why is this so boring ? 
whether jason x is this bad on purpose 
the pleasure of watching them 
impossible 
but it also does the absolute last thing we need hollywood doing to us : it preaches 
the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities 
should make it required viewing in university computer science departments for years to come . 
the explosion essentially ruined -- or , rather , overpowered -- the fiction of the movie for me 
the actors ' perfect comic timing and 
different than anything that 's been done before 
paean 
a surprisingly ` solid ' achievement by director 
in the way they help increase an average student 's self-esteem 
's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience 
is just fine 
, endearing , masterful 
intriguing , provocative 
unnoticed and underappreciated 
satisfying complete picture 
a confident , richly acted , emotionally devastating piece of work and 2002 's first great film 
sublimely beautiful 
that real natural , even-flowing tone 
hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes 
what sets this romantic comedy apart from most hollywood romantic comedies is its low-key way of tackling what seems like done-to-death material . 
is hartley 's least accessible screed yet 
is offset by the sheer ugliness of everything else 
suited to a night in the living room than a night at the movies 
encumbers itself with complications 
for in drama , suspense , revenge , and romance 
he keeps being cast in action films when none of them are ever any good 
that gave people seizures 
a wise and powerful tale of race and culture forcefully told , with superb performances throughout 
horribly wrong 
a beautiful film , 
... it 's robert duvall ! 
to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries 
speaks volumes , offering up a hallucinatory dreamscape that frustrates and captivates 
woven together handsomely 
to cause massive cardiac arrest if taken in large doses 
to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
the verdict : two bodies and hardly a laugh between them 
kooky which should appeal to women 
hand it to director george clooney 
is an odd but ultimately satisfying blend of the sophomoric and the sublime 
the only pain you 'll feel as the credits roll is your stomach grumbling for some tasty grub . 
maddeningly 
complain that ` they do n't make movies like they used to anymore 
a manipulative whitewash 
the film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet . 
at the very root of his contradictory , self-hating , self-destructive ways 
making kahlo 's art a living , breathing part of the movie , often 
more confused , less interesting and more 
portrays their cartoon counterparts well ... 
much of the action takes place 
a worldly-wise and very funny script 
the whole affair , true story or not , feels incredibly hokey ... ( it ) comes off like a hallmark commercial . 
a terrible adaptation 
revealing nothing 
is a tart , smart breath of fresh air 
what 's most memorable about circuit is that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb . 
love 's 
marvel at the sometimes murky , always brooding look of i 
thanks to the château 's balance of whimsicality , narrative discipline and serious improvisation 
lends the setting the ethereal beauty of an asian landscape painting 
an overflowing septic tank 
penetrating , potent exploration 
must have read ` seeking anyone with acting ambition but no sense of pride or shame . ' 
be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers 
prefabricated story elements 
musical numbers 
of loving 
i thought the relationships were wonderful , 
, interest can not be revived . 
outside of burger 's desire to make some kind of film , it 's really unclear why this project was undertaken 
is cumbersome 
a calculating fiend or 
this deeply affecting film 
then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest . 
payne has created a beautiful canvas , 
equals the sum of its pretensions 
's not very well shot or composed or edited 
parris ' performance is credible and remarkably mature . 
wickedly funny 
lackluster thriller `` new best friend '' 
cruel and inhuman cinematic punishment ... simultaneously degrades its characters , its stars and its audience . 
of almost bergmanesque intensity 
a sharp movie 
's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
, you 're likely wondering why you 've been watching all this strutting and posturing . 
the movie is loaded with good intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minac drains his movie of all individuality . 
positively thrilling combination 
energy and geniality 
same time to congratulate himself for having the guts to confront it 
split up so that it can do even more damage 
high crimes steals so freely from other movies and combines enough disparate types of films that it ca n't help but engage an audience . 
for proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls 
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation 
the lively intelligence 
reasonably intelligent 
until its final minutes this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity . 
it may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case 
is way too muddled to be an effectively chilling guilty pleasure 
warm in its loving yet unforgivingly inconsistent depiction of everyday people , relaxed in its perfect quiet pace and proud in its message . 
just sneers 
inspirational prep-school professors 
congrats disney on a job 
collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension 
dull 
irritatingly 
originality , humor and pathos 
more mature 
botching 
the concentration 
skillful and 
's such a mechanical endeavor ( that ) it never bothers to question why somebody might devote time to see it 
the dead ( water ) weight of the other 
fallen 
rude and crude humor 
can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace . 
the last kiss will probably never achieve the popularity of my big fat greek wedding 
a choppy , surface-effect feeling 
, but it works under the direction of kevin reynolds . 
it ) comes off like a hallmark commercial 
something original 
it avoids the obvious with humor and lightness 
cause parents a few sleepless hours 
truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy 
he has at least one more story to tell : his own . 
grief drives her 
constructed to convey a sense of childhood imagination 
an often intense character study about fathers and sons , loyalty and duty . 
is n't . 
though there are many tense scenes in trapped , they prove more distressing than suspenseful . 
see one of those comedies that just seem like a bad idea from frame one 
actor to lead a group of talented friends astray 
sucking 
manage to keep things interesting 
the gorgeous piano 
acumen 
and paper-thin supporting characters 
won 
any reasonably creative eighth-grader 
eloquent clarity 
figure the power-lunchers do n't care to understand , either 
it may not be particularly innovative , but the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding 
happens to be that rarity among sequels 
the modest , crowd-pleasing goals it sets for itself 
wasted like deniro 's once promising career and the once grand long beach boardwalk 
anyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed , joyous romp of a film . 
that do n't care about being stupid 
this movie just goes on and on and on and on 
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , 
a moving tale of love and destruction in unexpected places , unexamined lives . 
that it 's offensive 
even though i could not stand them 
an unsettling sight , and indicative of his , if you will , out-of-kilter character 
prime 
taste for `` shock humor '' will wear thin on all 
has some of the funniest jokes of any movie this year , 
watchable 
rise above its disgusting source material 
to raise audience 's spirits and leave them singing long after the credits roll 
are certainly welcome 
fontaine masterfully creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees . 
its most delightful moments come when various characters express their quirky inner selves 
of nazi politics and aesthetics 
treat its characters , weak and strong , as fallible human beings , not caricatures 
presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care 
adults behave like kids 
a sensitive , modest comic tragedy 
rodriguez does a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue . 
both inspiring and pure joy 
every effort to disguise it as an unimaginative screenwriter 's invention 
shame americans 
uncomfortable movie 
a wild ride of a movie that keeps throwing fastballs 
handheld 
`` bad '' is the operative word for `` bad company , '' 
b.s. one another 
exquisitely performed 
a live-wire film 
if you like blood , guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster . 
a funny little movie 
crudity 
that only self-aware neurotics engage in 
the kid 's ) just too bratty for sympathy 
before the plot kicks into gear 
is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins . 
uninspired story 
the movie is not as terrible as the synergistic impulse that created it . 
comedy goes 
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say 
low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes 
taking them 
blown 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , 
been there , done that , liked it much better 
on mgm 's shelf 
of denial 
wow 
from a director beginning to resemble someone 's crazy french grandfather 
dripping with cliche and 
she 's pretty and 
narcissism and self-congratulation 
a compelling yarn , but not quite a 
nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
immensely 
about as overbearing and over-the-top as the family 
offers a persuasive look at a defeated but defiant nation in flux . 
have fun in this cinematic sandbox 
children and adults enamored of all things pokemon 
for almost the first two-thirds of martin scorsese 's 168-minute gangs of new york , i was entranced . 
casual filmgoers 
poor hermocrates and leontine 
rarely has sex on screen been so aggressively anti-erotic . 
who has little clue about either the nature of women or of friendship 
irredeemably awful . 
deeply touching melodrama 
for industrial-model meat freezers 
deliver 
... an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller . 
no aspirations 
sounds , and feels more like an extended , open-ended poem than a traditionally structured story 
mildly engaging central romance 
carrying this wafer-thin movie on his nimble shoulders , chan wades through putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . ' 
his secret life enters the land of unintentional melodrama and tiresome love triangles 
the film has a laundry list of minor shortcomings , but the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time . 
gripping and 
figures prominently in this movie , 
's now , more than ever , choosing his roles with the precision of the insurance actuary 
middle and lurches between not-very-funny comedy , unconvincing dramatics 
blaxploitation 
is one of two things : unadulterated thrills or genuine laughs . 
at their noble endeavor 
is so bad , 
of one man 's quest to be president 
know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or 
that it 's inauthentic at its core 
's brilliant 
the quirky and recessive charms 
this misty-eyed southern nostalgia piece , in treading the line between sappy and sanguine , 
valuable messages are forgotten 10 minutes after the last trombone 
, unfortunately , is a little too in love with its own cuteness 
is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . ' 
parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit 
pretend it 's a werewolf itself by avoiding eye contact and walking slowly away 
this mess 
of obnoxious 
find an escape clause and avoid seeing this trite , predictable rehash 
feels at odds with the rest of the film 
to lend some dignity to a dumb story 
stress ` dumb . ' 
inane , humorless and under-inspired 
the man who wrote rocky does not deserve to go down with a ship as leaky as this . 
a rounded and revealing overview of this ancient holistic healing system 
something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense 
rote drivel 
rough-hewn vanity project 
the case with ambitious , eager first-time filmmakers 
subtlety and warmth 
the pacing is deadly , the narration helps little and naipaul , a juicy writer , is negated 
-- do n't worry 
shockingly bad and absolutely unnecessary 
the nicest thing that can be said about stealing harvard ( which might have been called freddy gets molested by a dog ) is that it 's not as obnoxious as tom green 's freddie got fingered . 
often intense character study 
work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative 
of whimsy 
good to see michael caine whipping out the dirty words and punching people in the stomach again 
a funny no-brainer 
in this film , every shot enhances the excellent performances 
satire and unabashed sweetness 
inconclusive ending 
strong directorial stamp 
a comedy that swings and jostles to the rhythms of life 
cool . 
not really know who `` they '' were , what `` they '' looked like 
the movie is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast . '' 
as an old pickup skidding completely out of control on a long patch of black ice 
astonishing is n't the word -- neither is incompetent , incoherent or just plain crap 
leatherbound 
, i 'd recommend waiting for dvd and just skipping straight to her scenes . 
the film aims to be funny , uplifting and moving , sometimes all at once . 
the filmmakers needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they wo n't much care about . 
the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them . 
adaptation 's success 
genitals 
nearly epic 
the bottom line with nemesis is the same as it has been with all the films in the series : fans will undoubtedly enjoy it , and the uncommitted need n't waste their time on it . 
proceeds to flop 
a fine , 
an odd , haphazard , and inconsequential romantic comedy 
kind of terrific 
intricate preciseness 
his most personal 
well , this movie proves you wrong on both counts . 
, the emperor 's club turns a blind eye to the very history it pretends to teach . 
jolie 's hideous yellow 
made , on all levels , that it does n't even qualify as a spoof of such 
disney scrape the bottom of its own cracker barrel 
will leave fans clamoring for another ride 
their perceptiveness about their own situations 
fuse at least three dull plots 
notable for its stylistic austerity and forcefulness 
be why it 's so successful at lodging itself in the brain 
becomes distasteful and downright creepy 
terrific story 
if you think it 's a riot to see rob schneider in a young woman 's clothes , then you 'll enjoy the hot chick . 
garcia , who perfectly portrays the desperation of a very insecure man 
you 're too interested to care . 
is it a charming , funny and beautifully crafted import 
biased 
warm , fuzzy 
's funny , 
spreads itself too thin , leaving these actors , as well as the members of the commune , 
the charm and little 
the piano teacher , like its title character , is repellantly out of control . 
obsessive love 
of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic 
there is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye . 
it could have been something special 
works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely 
because there 's not an original character , siuation or joke in the entire movie 
feel my eyelids ... getting ... very 
is frequently overwrought and crudely literal 
works so well 
is a welcome and heartwarming addition to the romantic comedy genre 
this fascinating look at israel in ferment feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful . 
appalling , 
interested in entertaining itself 
a mood that 's sustained through the surprisingly somber conclusion 
is wise 
its observation of just how much more grueling and time-consuming the illusion of work is than actual work 
himself can take credit for most of the movie 's success . 
vignettes which only prove that ` zany ' does n't necessarily mean ` funny 
an engaging and moving portrait of a subculture 
a chilly , remote , emotionally distant piece ... 
serenity 
funny , touching , dramatically forceful , and beautifully shot 
a radiant character portrait 
schrader relies on subtle ironies and visual devices to convey point of view . 
most unpleasant things 
psychotic 
just too silly and sophomoric to ensnare its target audience . 
to the head of the class of women 's films 
psychological thriller 
the plot grows thin soon , and you find yourself praying for a quick resolution . 
its sense of fun or energy 
an eloquent , reflective and beautifully acted meditation on both the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake . 
could have -- should have -- been allowed 
sade achieves the near-impossible 
makes sense , with its unbelievable naïveté and arbitrary flashbacks 
pretend the whole thing never existed 
rip off 
better than sorcerer 's stone 
is beautiful 
hypnotically dull , relentlessly downbeat , laughably predictable wail pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry . 
decides 
cold , nervy and memorable . 
making the right choice in the face of tempting alternatives 
british comedy 
brilliant motion picture 
's as lumpy as two-day old porridge ... 
see this movie with my sisters 
amused and entertained by the unfolding of bielinsky 's 
the most entertaining moments 
to spoof both black and white stereotypes equally 
compelling dramatic means 
its sheer dynamism 
reveals itself 
large rewards 
freely 
easily accessible stories 
sulky teen drama and 
sports-movie triumph 
knows its classical music , knows its freud and knows its sade 
with some laughs and a smile 
a smutty guilty pleasure 
none of them are ever any good 
this is n't a new idea . 
it 's true 
to be too great 
there 's little to recommend snow dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity . 
a powerful look at a failure of our justice system 
both an admirable reconstruction of terrible events , and a fitting 
sleep-inducing thriller 
delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance 
warned 
the film opens with maggots crawling on a dead dog 
adds enough quirky and satirical touches in the screenplay to keep the film entertaining . 
is more in love with strangeness than excellence . 
payne has created a beautiful canvas , and 
an unsuccessful attempt at a movie of ideas . 
scariest movie 
, duty and friendship 
tragedy , bravery , political intrigue , partisans and sabotage 
all the stomach-turning violence 
hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness 
uncompelling the movie is unless it happens to cover your particular area of interest 
its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case 
are until the film is well under way -- and yet it 's hard to stop watching 
is worth searching out . 
the charm of the first movie is still there , and the story feels like the logical , unforced continuation of the careers of a pair of spy kids 
workmanlike in the extreme 
this movie , a certain scene in particular , brought me uncomfortably close to losing my lunch . 
each story is built on a potentially interesting idea , but 
you 're never quite sure where self-promotion ends and the truth begins 
other than its exploitive array of obligatory cheap 
strays past the two and a half mark 
marcus adams just copies from various sources -- good sources , bad mixture 
dopey dialogue and sometimes inadequate performances 
cinematic tragedies 
, ` blade ii ' just does n't cut it 
a much funnier film with a similar theme 
hyper-realistic images 
a stylish cast 
wondrous love story 
charming result 
emotional depth 
disney 's great past 
life-altering 
sneaks up on you 
find little of interest 
davis ' highly personal brand of romantic comedy 
among the best films of the year 
goofy way 
a compelling investigation of faith versus intellect 
between realistic characters 
a terrific performance in this fascinating portrait of a modern lothario 
driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
lee seems just as expectant of an adoring , wide-smiling reception . 
at cheapening it 
're just a couple of cops in copmovieland , these two 
's not too much of anything . 
it 's still a guilty pleasure to watch . 
far more successful , if considerably less ambitious , than last year 's kubrick-meets-spielberg exercise 
riveted to our seats 
as their natural instinct for self-preservation 
of the delusional personality type 
that the beauty and power of the opera reside primarily in the music itself 
be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness 
hitting below the belt 
at once both refreshingly different and 
in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie 
brought to life on the big screen . 
poor editing , bad bluescreen 
sparse but oddly compelling 
it 's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss . 
nothing overly original , mind you , but solidly entertaining . 
as another key contribution 
provides an invaluable service by sparking debate and encouraging thought . 
subzero version 
gets the tone just right -- funny in the middle of sad in the middle of hopeful . 
shows that jackie chan is getting older , and that 's something i would rather live in denial about 
of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
it 's the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long . 
nothing 's happening 
the problem is the needlessly poor quality of its archival prints and film footage . 
to see a chinese film depict a homosexual relationship in a mature and frank fashion 
the party favors to sober us up with the transparent attempts at moralizing 
full of life and small delights -- 
to imagine acting that could be any flatter 
a well-deserved reputation 
the rotting underbelly of middle america 
remaining one of the most savagely hilarious social critics 
the working 
such that we 'll keep watching the skies for his next project 
magical enough to bring off this kind of whimsy 
impossibly long limbs and sweetly conspiratorial 
good intentions derailed by a failure to seek and strike just the right tone 
a most traditional , reserved kind of filmmaking 
the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt 
boy , has this franchise ever run out of gas . 
newcastle , the first half of gangster no. 1 drips with style 
the most unpleasant things 
believable and 
's a feel-good movie about which you can actually feel good . 
heartwarming 
's suspenseful enough for older kids but not too scary for the school-age crowd 
a pleasant and engaging enough 
evokes the 19th century with a subtlety that is an object lesson in period filmmaking 
awarded mythic status in contemporary culture 
because it does n't have enough vices to merit its 103-minute length 
funny stuff 
's face is ) an amazing slapstick instrument 
every note rings false . 
a cheap thriller , a dumb comedy or 
a deeply moving effort to put a human face on the travail of thousands of vietnamese 
brought down 
's also somewhat clumsy . 
i liked the movie , but i know i would have liked it more if it had just gone that one step further . 
have been kind enough to share it 
a huge mess 
quiet 
time stinker 
will win you over , in a big way 
, it deserved all the hearts it won -- and wins still , 20 years later . 
something impressive and yet lacking about everything 
a fascinating study of isolation and frustration 
have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking 
raw emotion 
wholesome fantasy 
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and as a flawed human being who ca n't quite live up to it . 
will be occupied for 72 minutes . 
an unmistakable , easy joie 
odd and 
is a strength of a documentary to disregard available bias , 
you believe that the shocking conclusion is too much of a plunge 
egypt from 1998 
is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) 
a certain robustness 
some movies suck you in despite their flaws , and heaven is one such beast . 
only dull 
the amateurish 
, but it otherwise drowns in a sea of visual and verbal clichés . 
thanks 
a load of good 
a semi-autobiographical film that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer had anything to do with it . 
's always disappointing 
to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned 
feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama 
as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
leave it to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama . 
a compelling look 
in some delightful work on indie projects 
gives us another peek at some of the magic we saw in glitter here in wisegirls . 
and much better 
whatever terror the heroes of horror movies try to avoid 
understands the grandness of romance 
seem to be in a contest to see who can out-bad-act the other . 
through a prism 
as daring as john ritter 's glory days 
is one that should be thrown back in the river 
moron 
overladen 
as monumental as disney 's 1937 breakthrough 
the powder blues and sun-splashed whites of tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs . 
home alabama 
after sitting through this sloppy , made-for-movie comedy special , it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work . 
might sit through this summer that do not involve a dentist drill 
a reasonable degree 
first and foremost ... the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings . 
is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original . 
the worst in otherwise talented actors 
flawed 
a conventional but heartwarming tale 
of strong voices 
the fierce grandeur of its sweeping battle scenes 
how both evolve 
one of the worst films of 2002 
to merely bad rather than painfully awful 
is handsome 
mostly martha is mostly unsurprising 
in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
growing strange hairs , getting a more mature body , and 
a total misfire 
turn it off 
sheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life 
another first-rate performance 
excellent latin actors 
frighteningly fascinating 
and dreary piece 
a mall movie designed to kill time 
relatively nothing 
after all , it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies . 
hideous yellow 
a quasi-documentary by french filmmaker karim dridi that celebrates the hardy spirit of cuban music . 
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . 
found his groove 
dimness 
simply a re-hash of the other seven films 
the chief reasons brown sugar is such a sweet and sexy film 
this is for the most part a useless movie , even with a great director at the helm . 
represents a worthy departure from the culture clash comedies that have marked an emerging indian american cinema . 
spiteful idiots 
a horrible movie 
a consistent embracing humanity 
the theater wondering why these people mattered 
powerful and astonishingly vivid 
fright 
should 've been so much more even if it was only made for teenage boys and wrestling fans 
a larger-than-life figure 
that does n't offer any insight into why , for instance , good things happen to bad people 
this action-thriller/dark comedy is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage . 
ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations . 
wonderful creatures 
stay for the credits 
the core in a film you will never forget -- that you should never forget 
's because relatively nothing happens . 
strong filmmaking requires a clear sense of purpose 
restage the whole thing 
characteristically startling visual style 
ultimately satisfying 
, mr. audiard 's direction is fluid and quick . 
having had all its vital essence scooped out and discarded 
a country skunk 
revitalize 
showtime is n't particularly assaultive , but it can still make you feel that you never want to see another car chase , explosion or gunfight again 
palatable presentation 
to lose the smug self-satisfaction usually associated with the better private schools 
camouflaging grotesque narcissism 
when the right movie comes along , especially if it begins with the name of star wars 
enjoy this movie 
to the titular character 's paintings and in the process created a masterful work of art of their own 
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , 
the work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them 
in many ways a conventional , even predictable remake 
as the worst kind of hubristic folly 
here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place 
refused to gel 
's the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming 
metropolis is a feast for the eyes . 
if the film is well-crafted and this one is 
is reliable 
in fact , even better 
the early and middle passages 
it falls far short of poetry , but it 's not bad prose 
allowing us to find the small , human moments , and 
an eminently engrossing film 
timeless spectacle 
comic chiller 
of the horror film franchise that is apparently as invulnerable as its trademark villain 
one thing 's for sure -- if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
a quest story as grand as the lord of the rings 
greatest adventure 
comeback 
fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster 
resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors 
very distinctive sensibility 
an after school special 
with their charisma 
are well done and perfectly 
this cliche pileup 
too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff 
it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered 
go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance 
this is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground . 
a dazzling dream 
enjoy themselves 
genre cliches 
satisfies with its moving story 
the cinematic equivalent 
generates an enormous feeling of empathy for its characters . 
be funny , uplifting and moving , 
the movie eventually snaps under the strain of its plot contrivances and its need to reassure . 
cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
a great companion piece to other napoleon films 
a scientific law to be discerned here that producers would be well to heed 
decent-enough nail-biter 
picture that does not move . 
engrossing melodrama 
as the villainous , lecherous police chief scarpia 
film : honest 
`` minority report '' astounds . 
, as you watch them clumsily mugging their way through snow dogs , 
serves as a workable primer for the region 's recent history , 
wrecks any chance of the movie rising above similar fare 
too much norma rae and not enough pretty woman 
is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition . 
there surrender $ 9 and 
seem authentic 
heartwarming and 
bust 
` grandeur ' shots 
, the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness . 
being wickedly funny and just plain wicked 
... tries to cram too many ingredients into one small pot . 
to whom we might not give a second look if we passed them on the street 
new york locales and sharp writing 
evolve 
united states 
fincher takes no apparent joy in making movies , and he gives none to the audience 
exercise in style and mystification . 
a bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing 
to conceive anyone else in their roles 
broder 's screenplay is shallow , offensive and redundant , with pitifully few real laughs . 
fewer gags to break the tedium 
dodge 
trying to get out 
that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
is fun , and host to some truly excellent sequences . 
come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick . 
dark pit 
honored screen veteran 
realized on the screen 
is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness . 
finds a nice rhythm 
which proves that rohmer still has a sense of his audience 
a plethora of engaging diatribes on the meaning of ` home 
to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
mysterious , 
conventional -- lots of boring talking heads , etc. -- 
gives devastating testimony 
whose teeth are a little too big for her mouth 
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , and its name was earnest . 
this is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness . 
cherish is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny . 
is a great film 
wonder . 
the actors must indeed be good to recite some of this laughable dialogue with a straight face . 
the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
the holes in this film remain agape 
coy but exhilarating 
whenever you think you 've seen the end of the movie , we cut to a new scene , which also appears to be the end . 
brutally clueless 
with pointless extremes 
irreconcilable 
leigh is n't breaking new ground , but he knows how a daily grind can kill love . 
sensual and 
winning , heartwarming yarn 
assault 
it is clearly a good thing . 
suspenseful argentinian thriller 
more colorful , more playful tone 
will anyone who is n't a fangoria subscriber be excited that it has n't gone straight to video ? 
of hopeful 
is nevertheless efficiently amusing for a good while . 
wiseman is patient and uncompromising , letting his camera observe and record the lives of women torn apart by a legacy of abuse 
weak script 
you 'll be shaking your head all the way to the credits 
becomes a sermon for most of its running time . 
damning and damned compelling . 
the five writers 
any fiction 
, decisive moments 
blue crush has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought . 
did no one on the set have a sense of humor , or did they not have the nerve to speak up ? 
'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
worthy substitute 
its plot contrivances 
allegedly `` inspired '' was a lot funnier 
does sound promising in theory 
this cinderella story 
` in this poor remake of such a well loved classic , parker exposes the limitations of his skill and the basic flaws in his vision . ' 
slopped 
smeary and blurry , 
a reason the studio did n't offer an advance screening 
the less charitable might describe as a castrated 
the cast is so engagingly messing around like slob city reductions of damon runyon crooks 
-- a retread story , bad writing , and the same old silliness 
a visual delight and 
for originality of plot 
jones has delivered a solidly entertaining and moving family drama . 
could force you to scratch a hole in your head 
not as good as the full monty , but a really strong second effort . 
, surprising romance 
preserves tosca 's intoxicating ardor through his use of the camera . 
detailed down to the signs on the kiosks 
palpable chemistry 
captures the raw comic energy of one of our most flamboyant female comics . 
is ) the comedy equivalent of saddam hussein , and 
makes for perfectly acceptable , occasionally very enjoyable children 's entertainment 
broad racial insensitivity 
my enjoyment 
these two literary figures , and even the times 
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and 
despite its sincere acting , signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype . 
a fast , frenetic , funny , even punny 6 -- 
freakshow 
authentically 
every single scene 
salvation 
that have made the original new testament stories so compelling for 20 centuries 
this movie proves you wrong on both counts . 
jagged , as if filmed directly from a television monitor , 
, truly bad 
whole package 
moldering 
of animation enthusiasts of all ages 
possibilities 
complete lack 
when his story ends or just ca n't tear himself away from the characters 
transcend its clever concept 
is a stunning film , a one-of-a-kind tour de force . 
carries us effortlessly from darkness 
make gangster no. 1 a worthwhile moviegoing experience 
can find humor 
a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd . 
first-time director denzel washington and a top-notch cast manage to keep things interesting . 
infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart 
delivers the goods 
has nurtured his metaphors at the expense of his narrative 
rich and exciting 
there 's a certain robustness to this engaging mix of love and bloodletting . 
stock footage 
intelligent and 
to make j.k. rowling 's marvelous series into a deadly bore 
the notion of deleting emotion from people , even in an advanced prozac nation , is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus . 
contains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin . 
can take credit for most of the movie 's success 
achieves its emotional power and moments of revelation with restraint and a delicate ambiguity 
desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics . 
an enjoyable trifle 
it winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say . 
the story is lacking any real emotional impact , 
you 're willing to have fun with it 
is uniquely felt with a sardonic jolt . 
will not go down in the annals of cinema as one of the great submarine stories 
proves simultaneously harrowing and uplifting 
a tale worth catching 
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' 
allows americans to finally revel in its splendor 
it offers large rewards 
they works spectacularly well ... a shiver-inducing , nerve-rattling ride . 
usual fluttering and stammering 
mr. scorsese 's bravery and integrity in advancing this vision can hardly be underestimated . 
made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire 
its courage , ideas 
stuffy , full of itself , morally ambiguous and nothing to shout about . 
klein , charming in comedies like american pie and dead-on in election , 
its welcome with audiences several years 
rival 
pure composition and 
share no chemistry or engaging charisma . 
makes for a touching love story , 
an old-fashioned but emotionally stirring adventure tale of the kind they rarely make anymore . 
a meaty subject 
does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity 
birot creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters . 
exploitation picture 
here leaves a lot to be desired 
pathetically 
superbly photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen . 
goofiest 
strip-mined the monty formula mercilessly since 1997 
from laughing at the ridiculous dialog or the oh-so convenient plot twists 
its characterization of hitler and the contrived nature of its provocative conclusion 
exposé , the film ( at 80 minutes ) is actually quite entertaining . 
is definitely horse feathers 
parker exposes the limitations of his skill and the basic flaws in his vision . ' 
be wishing for a watch that makes time go faster rather than the other way around 
cute alien creature 
to lessen the overall impact the movie could have had 
all the small moments and flashbacks 
comfort 
entertaining two hours 
in a movie full of surprises , the biggest is that secret ballot is a comedy , both gentle and biting . 
a wonderful , imaginative script 
just how bad 
find love in the most unlikely place 
extremely flat lead performance 
-- and especially williams , an american actress who becomes fully english 
character portrait , romantic comedy and beat-the-clock thriller 
with the crisp clarity of a fall dawn 
the bourne identity should n't be half as entertaining as it is 
the scariest movie 
sarandon , who could n't be better as a cruel but weirdly likable wasp matron 
fling 
thinking man 
ingenious and often harrowing 
revenge-of-the-nerds clichés 
takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours . 
the movie is concocted and carried out by folks worthy of scorn 
a directorial tour de force by bernard rose , ivans xtc . 
after next 
is predictable at every turn . 
boredom to the point of collapse , turning into a black hole of dullness 
a vivid , sometimes surreal , glimpse into the mysteries of human behavior . 
the wit and revolutionary spirit 
about each other against all odds 
all that matters 
even if you do n't understand what on earth is going on , this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why . 
odd , haphazard , and inconsequential romantic 
aside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
this junk that 's tv sitcom material at best 
content and narrative strength 
it 's a road-trip drama with too many wrong turns . 
wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial 
a grand tour 
its clumsiness as its own most damning censure 
blasphemous and 
gore for suspense . 
shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting 
it forces you to watch people doing unpleasant things to each other and themselves , and it maintains a cool distance from its material that is deliberately unsettling 
should drop everything and run to ichi 
gutsy 
, i can tell you that there 's no other reason why anyone should bother remembering it . 
never thought i 'd say this 
strong and 
a 20-car pileup 
tiresome nature 
this is beautiful filmmaking from one of french cinema 's master craftsmen . 
a fresh infusion 
good , dry , reliable textbook 
pitiful 
that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
expects us to laugh because he acts so goofy all the time 
getting a more mature body 
hilarious dialogue 
little revision works 
about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth 
, the hours represents two of those well spent 
with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie 
, combined with so much first-rate talent ... could have yielded such a flat , plodding picture 
faked 
predictable plotting 
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior 
story which fails to rise above its disgusting source material 
the best films of the year 
loss and loneliness 
adorable 
masterfully calibrated 
nearly as fresh or enjoyable as its predecessor 
into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes 
's nothing wrong with that if the film is well-crafted and this one is 
intense , claustrophobic 
more compelling 
an established filmmaker 
hollywood romance 
is its low-key way of tackling what seems like done-to-death material 
an intriguing species 
beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates . 
with added depth and resonance 
one of the best films 
the allegory with remarkable skill 
has ever suspected hollywood of being overrun by corrupt and hedonistic weasels 
offbeat sensibilities 
a classic text since roland joffé and demi moore 
like the work of someone 
strikes hardest 
( the kid 's ) just too bratty for sympathy , and 
is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground . 
mainstream audiences will find little of interest in this film , which is often preachy and poorly acted . 
inelegant 
gedeck 
or `` suck '' 
like the chilled breath of oral storytelling frozen onto film . 
succumbs to gravity and plummets 
is ( cattaneo ) sophomore slump 
comes across as shallow and glib though not mean-spirited 
provides a window into a subculture hell-bent on expressing itself in every way imaginable . 
, sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness . 
green ruins every single scene he 's in , and the film , while it 's not completely wreaked , is seriously compromised by that 
's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
that he 's made at least one damn fine horror movie 
comes across as stick figures reading lines from a teleprompter 
various amusing sidekicks 
deeply out of place in what could have 
director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
be well worth your time 
are sweet and believable , and 
forgotten 10 minutes after the last trombone 
it pretends to investigate 
it 's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name . 
viva le resistance 
magnificent directorial career 
won -- and wins still 
niro performance 
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists 
, energetic and sweetly whimsical 
his imagination so vivid 
its heart , as simple self-reflection meditation 
timely and 
is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations 
an important movie , or even a good one 
be bad 
evolved from star to superstar some time over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while . 
, point and purpose 
put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life . 
ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting 
all the sibling rivalry and 
the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice 
his oppressive , right-wing , propriety-obsessed family 
is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors 
you might be wishing for a watch that makes time go faster rather than the other way around . 
sends you away a believer again and quite cheered at just that 
moving , and adventurous directorial debut 
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and end up walking out not only satisfied but also somewhat touched . 
the typical hollywood disregard for historical truth and realism 
the most compelling performance 
dangerous and domineering 
too bad the film 's story does not live up to its style 
spell things out for viewers 
offbeat humor , amusing characters , and 
kids who are into this thornberry stuff will probably be in wedgie heaven . 
a small gem of a movie that defies classification and is as thought-provoking as it 
slow pacing 
crocodile hunter has the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction . 
suits the script 
are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d . 
a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie 
it 's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow . 
a spiritual aspect 
an imponderably stilted and self-consciously arty movie 
try as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment . 
spare but quietly effective retelling . 
both large ... and small ... with considerable aplomb 
one fantastic visual trope 
maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is 
a trend 
sad but endearing 
... also one of the most curiously depressing 
gushing 
are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d 
easily 
has no clue about making a movie 
would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
scummy 
low comedy 
sham actor workshops and an affected malaise 
required viewing in university computer science departments for years to come 
phoney-feeling 
might be intolerable company 
will surely be profane , politically 
exceptional film 
the amazing film work is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others . 
dying for this kind of entertainment 
flows as naturally 
i have to admit i walked out of runteldat . 
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role -- she does little here but point at things that explode into flame . 
with cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names 
, 91-minute trailer 
are often funny fanatics 
of seeming at once both refreshingly different and reassuringly familiar 
tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense . 
d ) 
with an obvious rapport with her actors and a striking style behind the camera , hélène angel is definitely a director to watch . 
is familiar but enjoyable 
in engaging the audience in the travails of creating a screenplay 
a wooden delivery 
with superb performances throughout 
villain 
as an actress in a role 
an exceptionally dreary and overwrought bit of work , every bit as imperious as katzenberg 's the prince of egypt from 1998 . 
tawdry b-movie scum 
that it transcends the normal divisions between fiction and nonfiction film 
family-friendly 
kudos to the most enchanting film of the year 
precious circumstances 
the lengths 
marveling 
for the better 
figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats 
`` real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years 
what 's invigorating about 
must for fans of british cinema , if only because so many titans of the industry are along for the ride 
has no character , loveable or otherwise 
who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
hate myself most mornings . 
cho 's latest comic set 
invaluable historical document thanks 
the redeeming feature of chan 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine 
even if the top-billed willis is not the most impressive player 
's also nice to see a movie with its heart so thoroughly , unabashedly 
resembling humor 
comes off like a hallmark commercial 
of that special fishy community 
clockstoppers if you have nothing better to do with 94 minutes . 
throws quirky characters , odd situations , and off-kilter dialogue 
talented and notorious subject 
the story 's pathetic and the gags are puerile . 
to find an old flame 
gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game . 
come away thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
ploddingly sociological 
a funny moment or 
the real triumphs in igby come from philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron . 
an enthralling aesthetic experience 
the quirky and recessive charms of co-stars martin donovan and mary-louise parker help overcome the problematic script . 
topics that could make a sailor blush 
heaven 
proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
do cliches , no matter how ` inside ' they are 
filled with fantasies , daydreams , memories and one fantastic visual trope after another 
readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
evokes the 19th century with a subtlety that is an object lesson in period filmmaking . 
never overcomes its questionable satirical ambivalence 
its characters ' decisions 
great pleasure 
household name 
is a non-stop funny feast of warmth , color and cringe . 
credit director ramsay for taking the sometimes improbable story and making it feel realistic . 
has something interesting to say 
sell many records 
the bad sound , the lack of climax and , worst of all 
that warm water under a red bridge is a poem to the enduring strengths of women 
has turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing . 
the film 's shortcomings 
's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do . 
follows the formula , 
that if she had to sit through it again , she should ask for a raise 
in a big corner office in hell 
cute partnership 
gets you riled up 
may be the most oddly honest hollywood document of all 
( jeff 's ) gorgeous , fluid compositions , underlined by neil finn and edmund mcwilliams 's melancholy music , are charged with metaphor , but rarely easy , obvious or self-indulgent . 
inadvertent 
generates an enormous feeling of empathy for its characters 
before it collapses into exactly the kind of buddy cop comedy 
emptiness and 
hokum but 
worthless 
of a paint-by-numbers picture 
grin 
, you might soon be looking for a sign . 
the off-center humor is a constant , and the ensemble gives it a buoyant delivery . 
that he forgets to make it entertaining 
watch with kids and use to introduce video as art 
has the right stuff for silly summer entertainment 
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but its emphasis on caring for animals and respecting other cultures is particularly welcome 
far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins 
must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
a movie of technical skill and rare depth of intellect and feeling 
the kind of energy it 's documenting 
nicolas cage is n't the first actor to lead a group of talented friends astray , 
sharper 
has the stomach-knotting suspense of a legal thriller , 
wrapped in the heart-pounding suspense of a stylish psychological thriller 
it 's nice to see piscopo again after all these years , and chaykin and headly are priceless 
colorful , energetic and sweetly whimsical ... 
represents adam sandler 's latest attempt to dumb down the universe . 
the best actors 
bad reviews 
petter næss ' delicate , clever direction ... and a wonderful , imaginative script 
the charms 
caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty 
early work 
ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling 
their memorable and resourceful performances 
into one terrific story with lots of laughs 
steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph 
engrossing and grim 
it drowns in sap . 
do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
purports to be a hollywood satire but winds up as the kind of film that should be the target of something 
the cute frissons of discovery and humor between chaplin and kidman 
moves in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured . 
with this masterful 
remind us 
a rather listless amble down 
is not , nor will he be , back 
no way original 
of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids 
`` the dangerous lives of altar boys '' has flaws 
bona fide 
an inventive , 
shamelessly money-grubbing than most third-rate horror sequels 
cult favorite 
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie . ' 
bullock 's memorable first interrogation of gosling 
somber , absurd , 
convey a tiny sense of hope 
may marginally enjoy the film 
deserves to emerge from the traffic jam of holiday movies 
many ways the perfect festival film : 
a question for philosophers , not filmmakers 
hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming 
with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it 
just how much more grueling and time-consuming 
to which the girls-behaving-badly film has fallen 
with absurdly inappropriate ` comedy ' scenes 
wizened 
it drags 
throws in enough clever and unexpected twists to make the formula feel fresh . 
characterization , poignancy , and intelligence 
, kissing jessica stein is one of the greatest date movies in years . 
`` pretty woman '' wanted to be 
arduous 
suspense , 
barely tolerable 
their shallow styles 
a brilliant motion picture 
buoyant feeling 
falls somewhat short 
one of the worst movies of one year 
that never springs to life 
, it has some problems 
brisk , reverent , and subtly different sequel 
, desiccated talent 
mira sorvino 's limitations as a classical actress 
with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself . 
sharp objects 
are useful in telling the story , which is paper-thin and decidedly unoriginal 
will be on video long before they grow up and you can wait till then 
it 's bright , pristine style and bold colors make it as much fun as reading an oversized picture book before bedtime . 
begin to long for the end credits as the desert does for rain . 
the deliberate , tiresome ugliness 
a sterling ensemble cast 
they may be as history 
guarantee 
we cut to a new scene , which also appears to be the end . 
less an examination of neo-nazism than a probe into the nature of faith itself . 
the only problem 
quite enough of them 
this is n't exactly profound cinema , but 
will make you wish you were at home watching that movie instead of in the theater watching this one 
asks the question how much souvlaki can you take before indigestion sets in 
comic set 
certainly not a good movie , but it was n't horrible either . 
is reasonably entertaining 
left on a remote shelf 
each scene drags , underscoring the obvious , and 
deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell 
such clarity 
've completely lowered your entertainment standards 
an intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation 
major waste 
their parents would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes . 
like to ride bikes 
sincere and artful 
a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 
soulful gravity 
mindless without being the peak of all things insipid 
is likely to cause massive cardiac arrest if taken in large doses . 
better celebration 
slick production values 
its compelling mix of trial movie , escape movie and unexpected fable ensures the film never feels draggy . 
is fully formed and remarkably assured 
line between passion and pretence . 
undisputed scores a direct hit . 
people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it 
to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget 
profound cinema 
in spite of its predictability 
flimsy -- or , worse yet , nonexistent -- ideas 
there is no substitute for on-screen chemistry 
is sentimental 
pokes , provokes , takes expressionistic license and hits a nerve 
go but down 
too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice 
a feel-good movie that does n't give you enough to feel good about . 
sets out 
maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while 
aging sandeman 
tinny self-righteousness 
happy 
achieve 
'm not exactly sure what this movie thinks it is about . 
it 's hardly watchable 
one suspects that craven endorses they simply because this movie makes his own look much better by comparison . 
twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster 
here the love scenes all end in someone screaming . 
a cruelly funny twist on teen comedy packed with inventive cinematic tricks and an ironically killer soundtrack 
goes beyond his usual fluttering and stammering 
lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan 
'' is never lethargic 
can tell what it is supposed to be , but ca n't really call it a work of art 
is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is . 
all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another 
rousing , 
stay for the credits and see a devastating comic impersonation by dustin hoffman that is revelatory 
even in the summertime , the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities . 
for children 
very predictable 
bad rock concert 
for those who are intrigued by politics of the '70s , the film is every bit as fascinating as it is flawed . 
elaborate continuation 
was a freshman fluke 
nohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant . 
ill-fitting 
watch these two 
to be distasteful to children and adults alike 
most breezy movie 
a cruel deception 
hated myself in the morning 
but darned if it does n't also keep us riveted to our seats . 
seem so impersonal or even shallow 
the strength 
just when you think that every possible angle has been exhausted by documentarians , another new film emerges with yet another remarkable yet shockingly little-known perspective . 
one very funny joke and 
's pathetic 
that it 's the butt of its own joke 
drowned me in boredom 
to think of a film more cloyingly sappy than evelyn this year 
ambitious film 
not remotely incisive enough 
's touching and tender and proves that even in sorrow you can find humor . 
terribly obvious melodrama and rough-hewn vanity project 
it does a disservice to the audience and to the genre . 
's just plain lurid 
spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed . 
bad animation and mindless violence 
academic 
preposterous , prurient 
workmanlike 
be drawn in by the sympathetic characters 
of love that strikes a very resonant chord 
of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic 
the tale with bogus profundities 
a world where the bizarre is credible and the real turns magical 
` moore is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . ' 
a well-made pb & j sandwich 
mediocre special effects 
's funny , touching , dramatically forceful , and beautifully shot . 
british stage icon 
has a film 's title served such dire warning . 
that was n't at least watchable 
lacks considerable brio for a film about one of cinema 's directorial giants 
if this is cinema , i pledge allegiance to cagney and lacey . 
it 's icky . 
has the capability of effecting change and inspiring hope 
's a brazenly misguided project 
character-driven storytelling 
every so often a film comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy . 
it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy 
trots out the video he took of the family vacation to stonehenge 
can not engage . 
this is one baaaaaaaaad movie . 
but no sense of pride or shame 
like their characters 
illuminating an era of theatrical comedy that , while past , 
unsentimental 
elegant , witty and beneath a prim exterior 
an original and highly cerebral examination of the psychopathic mind 
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... you almost do n't notice the 129-minute running time 
is a tribute 
comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness 
the irony is that this film 's cast is uniformly superb 
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but its emphasis on caring for animals and respecting other cultures is particularly welcome . 
it 's a lovely , sad dance highlighted by kwan 's unique directing style . 
campanella 's competent direction 
sparkling 
for its sheer audacity and openness 
farce and blood-curdling family intensity 
that 's barely shocking , barely interesting and most of all , barely anything 
restrained and 
entertaining british hybrid 
coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings 
the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
a hoot 
something has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise . 
to dumb down the universe 
no quarter to anyone seeking to pull a cohesive story out 
a good-natured ensemble comedy that tries hard to make the most of a bumper 
the very definition of what critics have come to term an `` ambitious failure 
shameful 
too narrow to attract crossover viewers 
inspiring 
disastrous 
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius 
the animation and game phenomenon 
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , 
backwater 
it 's a funny little movie with clever dialogue and likeable characters . 
an expiration date passed a long time ago 
sexy , surprising romance 
enjoyed themselves 
everyone thinks poo-poo jokes are ` edgy 
may leave you rolling your eyes in the dark 
they might try paying less attention to the miniseries and more attention to the film it is about . 
this film is too busy hitting all of its assigned marks to take on any life of its own . 
with an unflappable air of decadent urbanity 
in other words , about as bad a film 
a completely honest , open-hearted film that should appeal to anyone willing to succumb to it 
's just tediously bad 
brooding and slow 
graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box . 
the most depressing movie-going experiences i can think of 
emotionally satisfying 
rusted-out 
have nothing better to do with 94 minutes 
that washington most certainly has a new career ahead of him 
than a spy thriller like the bourne identity 
about kicking undead *** 
sandler is losing his touch 
build a feel-good fantasy 
who does n't think about percentages all day long 
generally smart casting 
fails to keep it up and 
stillborn except as a harsh conceptual exercise 
just another teen movie 
that turns me into that annoying specimen of humanity that i usually dread encountering the most 
lovely 
did they not 
is hilariously , gloriously alive , and quite often hotter 
is so bleak that it 's hardly watchable 
's hard to understand why anyone in his right mind would even think to make the attraction a movie 
was so endlessly , grotesquely , 
that by movie 's end , we accept the characters and the film , flaws and all 
while illuminating an era of theatrical comedy that , while past , 
yet another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ... 
not , difficult and sad 
curves 
... puts enough salt into the wounds of the tortured and self-conscious material to make it sting . 
is sure to raise audience 's spirits and leave them singing long after the credits roll . 
made spy kids a surprising winner with both adults and younger audiences 
the heart and 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and 
lulls you 
it is hard to conceive anyone else in their roles . 
weird , wonderful , and not necessarily for kids 
sorrow 
completely creatively stillborn and 
occasionally interesting 
of a very lively dream 
's a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism . 
transforms this story about love and culture into a cinematic poem 
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
enthusiastically 
give credit to everyone from robinson down to the key grip 
some effecting moments 
a deft , delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph . 
on his way to becoming the american indian spike lee 
then pay your $ 8 and get ready for the big shear . 
adding the rich details and 
affirm love 's power to help people endure almost unimaginable horror 
caddyshack 
is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s 
too bad kramer 
it 's quite diverting nonsense . 
laugh therapy ' 
goes to absurd lengths to duck the very issues it raises . 
with a romantic comedy plotline straight from the ages 
a bizarre piece of work , with premise and dialogue at the level of kids ' television and plot threads 
of the glum , numb experience of watching o fantasma 
independence , complete with loads of cgi and bushels of violence , but not a drop of human blood 
that led to their notorious rise to infamy 
lustrous 
, intimate and intelligent 
it 's all bluster and cliché 
is so thoughtlessly assembled 
statements and dime-store ruminations 
repugnant 
the dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving . 
hollow , self-indulgent , 
a degree of affection rather than 
weird amalgam 
greatest hits 
it is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth . 
a dull , simple-minded and stereotypical tale of drugs , death and mind-numbing indifference on the inner-city streets 
definitely worth 95 minutes of your time 
savagely hilarious 
valiantly struggled to remain interested , or at least conscious 
not one clever line 
privileged moments and 
clever and funny 
to recite bland police procedural details , fiennes wanders around in an attempt 
so unabashedly hopeful that it actually makes the heart soar 
is at 22 a powerful young actor 
undermining the movie 's reality and 
comedically labored 
a caricature -- not even with that radioactive hair 
nearly three decades of bittersweet camaraderie and history 
the masses with star power , a pop-induced score 
let-down 
the woodman seems to have directly influenced this girl-meets-girl love story , but even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring . 
is all over the place , really . 
well worth 
one film that 's truly deserving of its oscar nomination 
just the sort of lazy tearjerker that gives movies about ordinary folk a bad name . 
wiggling energy 
bloodwork is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery . 
superb performances throughout 
scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic 
a worthwhile glimpse 
is clever and funny , 
a fairly enjoyable mixture 
takes a surprising , subtle turn at the midway point 
unspeakably , unbearably dull 
is less concerned with cultural and political issues than doting on its eccentric characters . 
quite simply , a joy to watch and -- especially -- to listen to 
be madcap farce 
most edgy 
an empty exercise , a florid but ultimately vapid crime melodrama with lots of surface flash but little emotional resonance . 
that is often quite rich and exciting 
jackass 
of being the big 
pompous and garbled . 
oftentimes funny , yet ultimately cowardly 
were a series of bible parables and not an actual story 
david letterman and the onion 
its recent predecessor miserably 
the expectation of laughter has been quashed by whatever obscenity is at hand 
to the otherwise bleak tale 
spirit-crushing 
it sounds like another clever if pointless excursion into the abyss , and 
should please history fans 
the cast is appealing 
's awfully entertaining to watch 
as katzenberg 
be invented to describe exactly how bad it is 
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic . 
the transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull 
a more measured or polished production 
worthy addition 
deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them 
not only a coming-of-age story and cautionary parable , but also a perfectly rendered period piece 
can be made 
the engagingly primitive animated special effects contribute to a mood that 's sustained through the surprisingly somber conclusion . 
a powerful and deeply moving example 
of a mushy , existential exploration of why men leave their families 
affirming and heartbreaking 
crossing-over 
a surprisingly charming and even witty match for the best of hollywood 's comic-book adaptations . 
thud 
the plot ` surprises 
, self-indulgent and maddening 
this is a mormon family movie , and a sappy , preachy one at that 
spellbinding fun 
make the stones weep 
flat-out amusing , 
astonishing ... ( frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment . 
from this three-hour endurance test built around an hour 's worth of actual material 
feels especially thin stretched over the nearly 80-minute running time 
'd live in if argento 's hollywood counterparts ... had this much imagination and nerve 
expected flair 
to his son 's home 
itself is far from disappointing , offering an original 
's like going to a house party and watching the host defend himself against a frothing ex-girlfriend . 
talented , charismatic and tragically 
can be viewed as pure composition and form -- film as music 
would recommend big bad love only to winger fans who have missed her since 1995 's forget paris 
is for the most part a useless movie , even with a great director at the helm . 
dramatically forceful 
content merely to lionize its title character and exploit his anger - 
its heart 
exceedingly clever 
he delivers fascinating psychological fare 
the ` wow ' factor 
need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work . 
feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority 
a pleasant and engaging enough sit , but 
be seen as hip , winking social commentary 
make a terrific 10th-grade learning tool 
have the patience for it 
unfairly 
the problem 
humor 
keenly observed and refreshingly natural 
, that would be me : fighting off the urge to doze . 
undercut by its awkward structure and a final veering toward melodrama . 
just might go down as one of the all-time great apocalypse movies . 
gets caught up in the rush of slapstick thoroughfare . 
the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy 
more sophisticated and literate than such pictures usually are 
completely creatively stillborn and executed in a manner that i 'm not sure 
a fast paced and suspenseful argentinian thriller about the shadow side 
fessenden continues to do interesting work , and it would be nice to see what he could make with a decent budget . 
keen eye , sweet spirit 
gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner . 
an overall sense of brusqueness 
with honesty that is tragically rare in the depiction of young women in film 
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ; 
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ; it 's simply crude and unrelentingly exploitative 
it has fun with the quirks of family life 
though it 's not very well shot or composed or edited , the score is too insistent and 
do n't even like their characters . 
suspenseful enough for older kids but 
fascinating experiment 
sleek and arty 
most alive 
probing or penetrating 
as the man who bilked unsuspecting moviegoers 
the wild wild west 
seem like mere splashing around in the muck 
whether or not ram dass proves as clear and reliable an authority on that as he was about inner consciousness , fierce grace reassures us that he will once again be an honest and loving one . 
do n't think most of the people who loved the 1989 paradiso will prefer this new version . 
found the ring moderately absorbing , largely for its elegantly colorful look and sound 
bittersweet 
silly -- and gross -- but it 's rarely as moronic as some campus gross-out films . 
viscerally repellent 
is a wonderful thing ; 
semi-surrealist exploration of the creative act . 
the concept behind kung pow : enter the fist is hilarious . 
as-nasty - 
how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering 
, two towers outdoes its spectacle . 
your brain and your secret agent decoder ring at the door 
it 's refreshing that someone understands the need for the bad boy ; 
is n't just a poor fit with kieslowski 's lyrical pessimism 
exuberantly 
of poetry and passion 
unlaughable 
it 's good enough to be the purr 
, dragon loses its fire midway , nearly flickering out by its perfunctory conclusion . 
's exactly what these two people need to find each other 
this sensitive , smart , savvy , compelling coming-of-age drama delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem . 
plunging deeper 
to show for their labor , living harmoniously , joined in song 
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and 
continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision 
an elegant visual sense and 
twenty-three movies into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style 
like a glossy rehash 
wants 
more emotional force 
creeps into your heart 
simplistic and more than a little pretentious 
of its title character 
the bai brothers have taken an small slice of history and opened it up for all of us to understand , 
at once a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge . 
of good 
this dubious product of a college-spawned ( colgate u. ) comedy ensemble known as broken lizard plays like a mix of cheech and chong and chips . 
, let alone funny 
an extraordinary dramatic experience . 
splendidly 
that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
this quiet , introspective and entertaining independent 
the manner of a golden book sprung to life 
striking a blow for artistic integrity 
justifies its own existence 
on the strength of their own cleverness 
vile 
time out is as serious as a pink slip . 
be any flatter 
most immediate and most obvious pleasure 
a luis buñuel film 
wish you had n't seen 
fussy 
brutally dry 
airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length . 
hideous 
is almost an afterthought 
medem may have disrobed most of the cast , leaving their bodies exposed , but the plot remains as guarded as a virgin with a chastity belt 
feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs . 
in the larger picture it paints - of a culture in conflict with itself , with the thin veneer of nationalism that covers our deepest , media-soaked fears 
pleasure to watch 
... begins with promise , but runs aground after being snared in its own tangled plot . 
french cinema at its best 
whose boozy , languid air is balanced by a rich visual clarity and deeply 
insightful enough 
lofty 
the film 's length becomes a part of its fun 
that offers no easy , comfortable resolution 
film to drag on for nearly three hours 
with a massive infusion of old-fashioned hollywood magic 
must have been lost in the translation 
empty exercise 
predictable storyline and by-the-book scripting 
disjointed mess 
emerges as powerful rather than cloying 
atop an undercurrent of loneliness and isolation 
by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
as the most offensive action 
all end 
is sandler running on empty , repeating what he 's already done way too often 
an excellent 90-minute film 
a stylish but steady , and ultimately very satisfying , piece 
i walked out of runteldat 
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... 
( scherfig ) has made a movie that will leave you wondering about the characters ' lives after the clever credits roll . 
wild , endearing , masterful documentary 
is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins 
, `` minority report '' astounds . 
give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once 
a mawkish self-parody that plays like some weird masterpiece theater sketch with neither a point of view nor a compelling reason for being 
comes off winningly , 
brutally honest and told with humor and poignancy 
on humor that is not even as daring as john ritter 's glory days on three 's company 
can admire 
wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be 
, changing lanes is also a film of freshness , imagination and insight . 
a terrific role for someone like judd , who really ought to be playing villains 
be numbing 
credit director ramsay for taking the sometimes improbable story and making it 
this dubious product 
a heroic tale of persistence that is sure to win viewers ' hearts 
though occasionally fun enough to make you 
pure disney 
has a true cinematic knack 
this laboratory of laughter 
audacious-impossible yet compelling 
're treading water at best in this forgettable effort 
a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn 
basic flaws 
this insufferable movie is meant to make you think about existential suffering . 
memorable for a peculiar malaise that renders its tension flaccid and 
they find new routes through a familiar neighborhood 
unfunny and 
wickedly fun 
romped up and down the aisles for bathroom breaks 
there 's something awfully deadly about any movie with a life-affirming message 
, fits the bill perfectly 
an unencouraging threefold expansion on the former mtv series , accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. . 
very strong 
love a disney pic with as little cleavage as this one has 
payami tries to raise some serious issues about iran 's electoral process , 
( stephen ) earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones they currently have . 
qualities 
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in ... `` my big fat greek wedding '' comes from the heart 
predictable and 
of soliloquies about nothing delivered by the former mr. drew barrymore 
a bad clive barker movie 
a great piece to watch with kids and use to introduce video as art 
of de niro , mcdormand and the other good actors 
is nicely shot , well-edited and 
usual intelligence and subtlety 
as it stands i 
which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard 
is one that any art-house moviegoer is likely to find compelling 
rediscover the quivering kid inside 
the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
unlikely to be appreciated by anyone outside the under-10 set 
its agonizing , catch-22 glory 
the acting is fine 
a terrible movie in every regard 
a gorgeously strange movie , heaven is deeply concerned with morality , 
of major acting lessons and maybe a little coffee 
i admire 
if even the filmmakers did n't know what kind of movie they were making 
compellingly 
to skip it 
their charm does n't do a load of good 
hampered -- no , paralyzed -- by a self-indulgent script 
coos beseechingly 
the rare trick of seeming at once both refreshingly different and reassuringly familiar 
so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits 
how resolutely unamusing , how thoroughly unrewarding all of this is , 
vapid actor 's exercise 
the divine calling 
warped logic by writer-director kurt wimmer at the screenplay level 
slap me , i saw this movie . 
to finish , like a wet burlap sack of gloom 
this deeply spiritual film taps into the meaning and consolation in afterlife communications . 
like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story . 
with its parade of almost perpetually wasted characters 
a dream image of the west to savor whenever the film 's lamer instincts are in the saddle 
treads heavily into romeo and juliet/west side story territory , where it plainly has no business going 
the avant garde director of broadway 's the lion king and the film titus 
none are useful in telling the story , which is paper-thin and decidedly unoriginal 
with great help from kevin kline 
hopkins ) does n't so much phone in his performance as fax it . 
tov to a film about a family 's joyous life 
a frightful vanity film 
, there is n't much there here . 
uses a magnificent landscape to create a feature film that is wickedly fun to watch 
for those for whom the name woody allen was once a guarantee of something fresh , sometimes funny , and usually genuinely worthwhile , hollywood ending is a depressing experience 
takes a backseat in his own film to special effects 
words and 
propaganda 
stimulate 
with enthusiasm , sensuality and a conniving wit 
a moving and important film . 
a raunchy and frequently hilarious follow-up to the gifted korean american stand-up 
though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy 
is guaranteed to lift the spirits of the whole family . 
beautifully read 
( denis ' ) story becomes a hopeless , unsatisfying muddle 
the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability 
dizzy 
the integrity 
are as subtle and as enigmatic 
the year 's greatest adventure , and 
hilariously , gloriously alive , 
is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
provocative and prescient 
we have poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat . 
features one of the most affecting depictions of a love affair 
recent hollywood trip tripe 
jaw-dropping action sequences , striking villains , 
first 
struggled to remain interested , or at least conscious 
even the corniest and most hackneyed contrivances 
never plays as dramatic even when dramatic things happen to people . 
a hallucinatory dreamscape 
put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario 
fake documentary 
appeals to you 
a fiercely clever and subtle film , 
making this character understandable , in getting under her skin , in exploring motivation ... 
made for the tube 
michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . 
has some unnecessary parts and is kinda wrong in places 
saccharine as 
a particularly amateurish episode 
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set of plot devices 
sustain interest for the full 90 minutes , especially with the weak payoff 
tediously 
of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day 
should be punishable by chainsaw 
that the e-graveyard holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy . 
it succeeds . 
` this movie sucks . ' 
if there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days . 
about as humorous 
fluffy neo-noir 
casting excellent latin actors of all ages 
dramatic punch and depth 
repulse 
pleasuring 
watch for that sense of openness , the little surprises . 
acclaimed 
a company of strictly a-list players 
the cinema world 's great visual stylists 
the entire exercise has no real point 
solidly constructed 
score 
high crimes flog the dead horse of surprise as if it were an obligation 
the chateau has one very funny joke and a few other decent ones , but 
'' has n't much more to serve than silly fluff 
represents some sort of beacon of hope in the middle of chicago 's south side 
most moronic 
murky cinematography 
is able to visualize schizophrenia 
this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
brims with passion 
always fairly 
for the memorable character creations 
an extraordinary faith 
inventive cinematic tricks and an ironically killer soundtrack 
yet this one makes up for in heart what it lacks in outright newness . 
watch and -- especially -- to listen to 
an interesting slice of history 
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary 
( somebody suggested the stills might make a nice coffee table book ) 
sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue 
striking new significance 
while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part 
to be mildly amusing 
grown tired of going where no man has gone before 
bring out the cake 
thoughtful , emotional 
all the blanket statements and dime-store ruminations on vanity 
that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence 
the suspense never rises to a higher level 
may fall fast asleep 
of its rough-around-the-edges , low-budget constraints 
a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film 
dirty jokes 
, it 's still a good yarn -- which is nothing to sneeze at these days . 
which ones shtick 
complaints i might have 
tear ducts does n't mean it 's good enough for our girls 
, unconvincing dramatics 
no amount of blood and disintegrating vampire cadavers can obscure this movie 's lack of ideas . 
local flavor 
a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium 
that borders on rough-trade homo-eroticism 
, someone , stop eric schaeffer before he makes another film . 
the plot has a number of holes , and 
build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year . 
a massive infusion of old-fashioned hollywood magic 
a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism 
, far more meaningful story 
like a classroom play in a college history course 
, jackass lacks aspirations of social upheaval . 
spy kids 2 also happens to be that rarity among sequels 
an enormous amount of affection 
dress up in drag 
jersey lowbrow accent uma 
own style 
she is a lioness , protecting her cub , and he a reluctant villain 
the problems and characters it reveals are universal and involving 
'' is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year . 
does n't care about cleverness , wit or any other kind of intelligent humor . 
touching , raucously amusing , uncomfortable , and 
creates sheerly cinematic appeal . 
sense-spinning 
come to life 
a stupid , derivative horror film that substitutes extreme gore for suspense . 
a fake street drama that keeps telling you things instead of showing them . 
, the plot 's saccharine thrust 
you do n't need to be a hip-hop fan to appreciate scratch 
emptiness 
a rollicking adventure 
, despite the gratuitous cinematic distractions impressed upon it , is still good fun . 
denied her own athleticism by lighting that emphasizes every line and sag 
is authentic to the core of his being 
annoying orgy 
( orlando jones ) 
overly melodramatic ... 
often surprising twists 
bother thinking it all through 
an intelligent person is n't necessarily an admirable storyteller . 
one of the best of a growing strain of daring films ... that argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect . 
wooden dialogue 
a tedious picture 
cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you . 
some truly excellent sequences 
, satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 . 
even if you 're an agnostic carnivore , you can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor . 
available 
abandoned , but 
very hollowness 
the rich details 
exceeds expectations . 
the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious . 
gifted korean american stand-up 
the simple fact 
a strangely tempting bouquet of a movie 
there is a real subject here 
the film is competent 
none-too-original premise 
for a critical and commercial disaster 
bogs down in a surfeit of characters and unnecessary 
, flat drama 
the people laughing in the crowd 
the film makes up for it with a pleasing verisimilitude . 
is talented enough and charismatic enough to make us care about zelda 's ultimate fate . 
... its solemn pretension prevents us from sharing the awe in which it holds itself . 
balanced or fair 
by the movie 's presentation , which is way too stagy 
overbearing and over-the-top as the family 
unbridled delight 
my precious new star wars movie is a lumbering , wheezy drag ... 
miyazaki is one of world cinema 's most wondrously gifted artists and storytellers . 
into sugary sentiment and withholds delivery on the pell-mell 
their own mortality 
a fascinating glimpse 
an engrossing story about a horrifying historical event 
new ways of describing badness need to be invented to describe exactly how bad it is . 
put you to sleep 
was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
that not only would subtlety be lost on the target audience , but 
puts itself squarely in the service of the lovers who inhabit it 
what punk rock music 
might inspire a trip to the video store -- in search of a better movie experience 
images you wish you had n't seen 
witless , pointless , tasteless and idiotic 
in its bold presentation 
it 's provocative stuff , but the speculative effort is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances 
this one is a sweet and modest and ultimately winning story . 
the result is disappointing 
it follows the blair witch formula for an hour , in which we 're told something creepy and vague is in the works , and then it goes awry in the final 30 minutes 
chance to revitalize what is and always has been remarkable about clung-to traditions 
it 's nice to see piscopo again after all these years , 
simply and eloquently articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy . 
walked out on a movie 
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and 
is powerful and provocative 
taken it a step further , richer and deeper 
all the hallmarks of a movie 
wonderfully speculative character 
not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired . 
managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
a much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian english title 
squeeze a few laughs out of the material 
the sorriest and most 
a terrible movie that some people will nevertheless find moving . 
real humor 
collapses into exactly the kind of buddy cop comedy 
the screenwriter and director michel gondry restate it to the point of ridiculousness 
a confident , richly acted , emotionally devastating piece 
does the absolute last thing we need hollywood doing to us 
creating the layered richness of the imagery in this chiaroscuro of madness and light 
hampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire . 
a paunchy midsection , several plodding action sequences 
feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering 
vanity film 
are some fairly unsettling scenes 
venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival 
watered-down it almost loses what made you love it 
remarkably mature 
fall dreadfully short . 
the condescending stereotypes 
going to feel like you were n't invited to the party 
it 's definitely worth taking a look 
gives the film its lingering tug 
`` barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story . 
of motherhood and desperate mothers 
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
dishes out a ton of laughs that everyone can enjoy 
quick-cut edits that often detract from the athleticism 
derivative elements into something that is often quite rich and exciting , 
flies out the window 
bill morrison 's decasia is uncompromising , difficult and unbearably beautiful . 
the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line 
secret ballot is a funny , puzzling movie ambiguous enough to be engaging and oddly moving . 
one of the all-time great apocalypse movies 
sweet , genuine chemistry 
drags it 
real pleasure 
heavy-handed moralistic 
that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
there 's an excellent 90-minute film here 
this rich , bittersweet israeli documentary 
see coming a mile away 
do what he does best 
a smart , arch and rather cold-blooded comedy . 
proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness 
works as pretty contagious fun 
would that greengrass had gone a tad less for grit and a lot more for intelligibility . 
berlin 
at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen 
as one of the all-time great apocalypse movies 
of the company 's astonishing growth 
unappealing 
its own staggeringly unoriginal terms 
a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera . 
a coming-of-age movie 
were once amusing 
show blind date , only less 
as it turns out , you can go home again . 
human nature 
trial movie , escape movie and unexpected fable 
's hard to believe these jokers are supposed to have pulled off four similar kidnappings before . 
as you are watching them , and the slow parade of human frailty fascinates you 
discord 
sure , it 's contrived and predictable , 
, it misses a major opportunity to be truly revelatory about his psyche . 
the film starts promisingly , but 
sparkling beauty 
be one of those movies barely registering a blip on the radar screen of 2002 . 
playing an ingenue makes her nomination as best actress even more of a an a 
's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow . 
reassuringly familiar 
beloved genres 
that likely 
clearly evident poverty and hardship 
amusing from time 
the most thoughtful fictional examination 
with the hail of bullets , none of which ever seem to hit 
parapsychological phenomena and the soulful nuances 
without chills 
, overblown enterprise 
ignorant 
ambitious 
with scenes so true and heartbreaking 
beautifully crafted and 
in his charming 2000 debut shanghai noon 
it 's not really funny . 
story and pace 
joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy 
a powerful entity 
down-and-dirty 
funny feast 
ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense 
does display an original talent 
praises 
of the ultimate scorsese film 
fascinating , compelling story 
physical energy 
a gift 
to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies 
make the film relevant today 
who , exactly , is fighting whom here ? 
as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs 
cute moments 
takes such a speedy swan dive from `` promising '' 
maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while . 
irritates and saddens me that martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere . 
-- all are irrelevant to the experience of seeing the scorpion king . 
like their romances to have that french realism 
the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script . 
be two hours gained 
humor and bite 
are really going to love the piano teacher 
growing strange hairs , getting a more mature body 
is undoubtedly one of the finest films of the year . 
of the worst movies of one year 
miss wonton floats beyond reality with a certain degree of wit and dignity 
grinds itself out in increasingly incoherent fashion 
the everyday lives 
dumbed-down approach 
turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions . 
dynamism 
coma-like state 
feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful 
cinema paradiso stands as one of the great films about movie love . 
vardalos and corbett , who play their roles with vibrant charm 
sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny 
vulgar 
winning and wildly fascinating 
is a little scattered -- ditsy , even . 
waste viewers ' time with a gobbler like this 
that , like shiner 's organizing of the big fight , pulls off enough 
portuguese master manoel de oliviera 
banal and predictable 
that it 'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture 
tense , terrific , sweaty-palmed fun 
on a pedestal 
to deliver awe-inspiring , at times sublime , visuals 
god is great addresses interesting matters of identity and heritage 
even bigger and more ambitious than the first installment , spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man . 
a scummy ripoff of david cronenberg 's brilliant ` videodrome . ' 
strays 
often pointless 
setting off 
desirable 
of stale gags 
is murder by numbers , and as easy to be bored by as your abc 's , 
gutless 
very complex 
an intriguing bit 
shines like a lonely beacon 
, it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth . 
it lacks the detail of the book 
all movies 
see something that did n't talk down to them 
explore its principal characters with honesty , insight and humor 
in the characters you see 
huppert 's show to steal and she makes a meal of it , channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine 
clarity and audacity 
hanging 
from a fine cast 
` drumline ' shows a level of young , black manhood that is funny , touching , smart and complicated . 
people have lost the ability to think 
frightening late fees 
littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups 
's also somewhat clumsy 
adds substantial depth to this shocking testament to anti-semitism and neo-fascism . 
lift 
( gulpilil ) is a commanding screen presence , 
the picture seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain . 
kids to watch too many barney videos 
a fun family movie 
about friendship , love , and the truth 
all-powerful , 
sweetly 
stale copy 
make paid in full worth seeing 
is so often less 
does n't come close to justifying the hype that surrounded its debut at the sundance film festival two years ago . 
an edgy thriller that delivers a surprising punch . 
its charm 
that the theme does n't drag an audience down 
they 're stuck with a script that prevents them from firing on all cylinders 
that 's critic-proof , simply because it aims so low 
infuriatingly quirky and taken with its own style . 
did the screenwriters just 
still comes off as a touching , transcendent love story . 
some soul 
it 's loud and boring 
there 's no discernible feeling beneath the chest hair 
an essentially awkward version 
the chateau is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy . 
ages-old slapstick and unfunny tricks 
those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right 
the cinematic equivalent of a big , tender hug 
a chilly , brooding but quietly resonant psychological study of domestic tension and unhappiness . 
that both thrills the eye and , in its over-the-top way , 
purpose and finesse 
my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
if you can push on through the slow spots 
is the word for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach 
there 's a heaven for bad movies 
mckay shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative . 
touchingly 
been responsible for putting together any movies of particular value or merit 
maintaining the appearance of clinical objectivity 
it 's a fantastic movie 
achieves its emotional power and moments of revelation with restraint and a delicate ambiguity . 
big box office bucks 
is overlong and not well-acted , but credit writer-producer-director 
the story is also as unoriginal as they come , already having been recycled more times than i 'd care to count . 
reeking of research library dust 
when a documentary fails to live up to -- or offer any new insight into -- its chosen topic 
proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations . 
brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans 
of joy and energy 
iben hjelje is entirely appealing as pumpkin 
press the delete key 
, shoot-em-up scene 
wonder of wonders -- 
the two leads , nearly perfect in their roles 
to be spectacularly outrageous 
without lectures or confrontations 
singing long after the credits roll 
forget about one oscar nomination for julianne moore this year - she should get all five 
the subtlest and most complexly evil uncle ralph i 've ever seen in the many film 
the first half of sorority boys 
may be surprised at the variety of tones in spielberg 's work . 
is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation . 
honest and loving one 
reveals itself slowly , 
ad i suffered and bled on the hard ground of ia drang 
lucy liu never comes together 
that if the filmmakers just follow the books 
hits the target audience ( young bow wow fans ) 
that burn themselves upon the viewer 's memory 
offers an intriguing what-if premise . 
human power 
that the accidental spy is a solid action pic that returns the martial arts master to top form 
scenes and vistas and pretty moments 
a funny yet dark and seedy clash 
an unprecedented tragedy 
'll wait in vain for a movie to happen 
it 's unlikely we 'll see a better thriller this year . 
several scenes of this tacky nonsense 
good-hearted 
the performances are immaculate , with roussillon providing comic relief . 
even a hardened voyeur would require the patience of job to get through this interminable , shapeless documentary about the swinging subculture . 
it 's a beautiful film , full of elaborate and twisted characters - and 
as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy 
comes along only occasionally , one so unconventional 
few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending 
a properly spooky film about the power of spirits to influence us whether we believe in them or not 
's no disguising this as one of the worst films of the summer 
is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative 
message-mongering moralism 
a tawdry b-movie scum 
undisputed is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins . 
colorful 
casting call 
this fascinating -- and timely -- content 
a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
's yet another cool crime movie that actually manages to bring something new into the mix . 
reign of fire never comes close to recovering from its demented premise , but it does sustain an enjoyable level of ridiculousness . 
berling and béart ... continue to impress , and 
is a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back 
are so believable that you feel what they feel 
is never satisfactory . 
, unlike so many other hollywood movies of its ilk , it offers hope 
incomprehensible 
with every cinematic tool 
rival the filmmaker 's period pieces 
far-flung , 
oscar-caliber performances 
( the kid 's ) just too bratty for sympathy 
captivates and 
under his control 
skid-row 
it 's stupid 
their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
mostly undeterminable 
soap-opera quality twist 
melodrama and rough-hewn vanity project 
never inspired 
that this is n't something to be taken seriously 
see a devastating comic impersonation 
some cocky pseudo-intellectual kid 
kline 's superbly nuanced performance , 
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
self-consciously poetic 
this remarkable and memorable film 
love stories you will ever see . 
deserves a sequel 
surprisingly flat 
celebrates the group 's playful spark of nonconformity , 
as the princess , sorvino glides gracefully from male persona to female without missing a beat . 
this is classic nowheresville in every sense 
she ca n't provide any conflict 
is a film -- full of life and small delights -- that has all the wiggling energy of young kitten . 
simple , sweet and romantic comedy 
a fascinating examination 
` the country bears ' should never have been brought out of hibernation 
an impressive hybrid . 
its relaxed , natural-seeming actors 
an insultingly inept and artificial examination 
feels contrived , 
like a cold old man going through the motions . 
intriguing and honorable , 
that neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions , defined by childlike dimness and a handful of quirks . 
to forgive that still serious problem 
minor-league soccer remake 
humor , characterization , poignancy , and intelligence 
boasts eye-catching art direction but has a forcefully quirky tone that quickly wears out its limited welcome . 
really a thriller 
mush 
a loud , brash and mainly unfunny high school comedy 
the film 's problems 
a refreshingly forthright one 
an improvement on the feeble examples of big-screen poke-mania that have preceded it . 
, hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity . 
a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans 
painful and refreshing 
, the film suffers from a simplistic narrative and a pat , fairy-tale conclusion . 
gentle , unforced intimacy 
a bit of heart 
an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs 
being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
like its bizarre heroine , it irrigates our souls . 
belongs in the very top rank of french filmmakers 
it 's leaden and predictable , and laughs are lacking . 
falling into the hollywood trap 
well , it 's probably not accurate to call it a movie 
that the film comes off winningly , even though it 's never as solid as you want it to be 
a group of extremely talented musicians 
much more ordinary 
through vulgarities in a sequel you can refuse 
the ability of the human spirit to overcome adversity 
cuaron repeatedly , perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective . 
a painfully slow cliche-ridden film 
that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
the precious trappings 
director alfonso cuaron gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films . 
, i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks . 
undistinguished 
like a comedian who starts off promisingly but then proceeds to flop , comedian runs out of steam after a half hour . 
natural-seeming actors 
is unusual but unfortunately also irritating 
of knucklehead swill 
filmmaker tian zhuangzhuang triumphantly returns to narrative filmmaking with a visually masterful work of quiet power . 
impeccable 
cross between highlander and lolita 
's fallen under the sweet , melancholy spell of this unique director 's previous films 
burnt out on it 's a wonderful life marathons and bored 
prefer to keep on watching 
throwing up 
offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them 
the enterprise 
, and by casting an actress whose face projects that woman 's doubts and yearnings 
seen as hip , 
this charming , thought-provoking new york fest of life and love 
wonderful but 
it ends up falling short as a whole 
makes this film special 
been better 
the story compelling 
self-indulgent 
an undistinguished attempt to make a classic theater piece cinematic . 
just plain dumb 
sacrifices its promise 
brisk delight 
their surroundings 
holofcener 's film offers just enough insight to keep it from being simpleminded , and 
his ( nelson 's ) screenplay needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting 
it 's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it . 
a thrill ride 
shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace 
of a good vampire tale 
is his best film 
we just do n't really care too much about this love story . 
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way . 
kurys ' direction is clever and insightful 
randomness usually achieved only by lottery drawing 
artificial 
, there 's no way you wo n't be talking about the film once you exit the theater . 
that one viewing ca n't possibly be enough 
at his most sparkling 
chilling tale 
italian freakshow 
mordantly funny and 
... a bland murder-on-campus yawner . 
the master of innuendo 
firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action 
deeply moving 
can read the subtitles ( the opera is sung in italian ) and you like ` masterpiece theatre ' type costumes 
feels like pieces a bunch of other , better movies slapped together . 
, tiresome nature 
named the husband , the wife and the kidnapper , emphasizing the disappointingly generic nature of the entire effort 
slow and ponderous , 
will likely be nominated for an oscar next year 
a smashing success 
, well-developed characters 
intriguing plot 
sparkling with ideas you wish had been developed with more care 
a plodding teen remake that 's so mechanical you can smell the grease on the plot twists . 
glumly mishandle the story 's promising premise of a physician who needs to heal himself . 
with morality 
groan and 
makes an amazing breakthrough in her first starring role and eats up the screen 
for fun-seeking summer audiences 
it may leave you feeling a little sticky and unsatisfied 
smart and taut . 
to play one lewd scene after another 
the way this all works out 
future years as an eloquent memorial 
ratliff 's two previous titles , plutonium circus and purgatory county show his penchant for wry , contentious configurations , 
its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism 
swinging from the trees hooting it 's praises 
does n't contain half the excitement of balto , or quarter the fun of toy story 2 . 
leigh is n't breaking new ground , but he knows how a daily grind can kill love 
a film in which the talent is undeniable 
to care about the character 
the flowers of perversity , comedy and romance 
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... hugely enjoyable in its own right though not really faithful to its source 's complexity 
, it 's still a rollicking good time for the most part 
you 're not fans of the adventues of steve and terri 
flawed support structure 
strong themes of familial ties and 
vehicle that even he seems embarrassed to be part of 
dreamed up such blatant and sickening product placement in a movie 
to discover that tian 's meticulous talent has not withered during his enforced hiatus 
weirdly likable 
likely to witness in a movie theater for some time 
intensely 
the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups 
that 's pure entertainment 
's an unhappy situation all around 
that segment of the populace that made a walk to remember a niche hit 
it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker 
unparalleled proportions 
a perfect show 
these women 's 
and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests 
a strong thumbs up 
she 's a pretty woman , 
artistic 
better than ` shindler 's list ' 
'' is a sweet treasure and something well worth your time . 
resonant gem 
a brutal 90-minute battle sequence 
the dull 
this tale has been told and retold ; 
conniving wit 
most of the movie is so deadly dull that watching the proverbial paint dry would be a welcome improvement . 
smallness 
passion , creativity , and fearlessness 
give shapiro , goldman , and bolado credit for good intentions 
most edgy piece 
seems twice as long 
revelatory about his psyche 
the slow parade of human frailty fascinates 
spent the duration of the film 's shooting schedule waiting to scream : 
distinguish one sci-fi work from another 
an epic of astonishing grandeur 
all sides 
might imagine that most every aggrieved father cliché has been unturned . 
sprinkled with a few remarks so geared toward engendering audience sympathy 
to pull together easily accessible stories that resonate with profundity 
idealism 
offers a guilt-free trip 
violent , self-indulgent and maddening 
paced and suspenseful argentinian thriller 
for but a few seconds 
sends you away a believer again and quite cheered at just that . 
the idea of narrative logic or cohesion is an entirely foreign concept 
with brutal honesty and respect for its audience 
you to accept it as life and go with its flow 
's apparently nothing left to work with , sort of like michael jackson 's nose 
packed with adventure and a worthwhile environmental message 
blood-curdling family intensity 
shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
outstanding soundtrack 
limp biscuit 
seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release 
plays like a student film 
a flat , unconvincing drama that never catches fire 
noyce has worked wonders with the material . 
a great team 
deeper every time 
does not really 
are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
kooky and overeager 
the biggest problem i have 
's an unhappy situation all around . 
drag as soon as the action speeds up 
a breath of fresh air now and then 
fresh again 
peerlessly 
a vile , incoherent mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . ' 
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn 
slopped ` em together here 
the perverse pleasure 
makes the film special 
just the labor involved in creating the layered richness of the imagery in this chiaroscuro of madness and light 
punches 
put away the guitar , sell the amp , and 
dizzy , confused , and totally disorientated 
really belongs with any viewer forced to watch him try out so many complicated facial expressions 
does n't deserve a passing grade ( even on a curve ) . 
independent-community 
's the inimitable diaz 
a great companion piece 
this fascinating look 
but something far more stylish and cerebral 
an earnest , roughshod document , it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool . 
it washed out despite all of that 
illustrates the ability of the human spirit to overcome adversity . 
terrifically entertaining specimen 
emotionally and spiritually compelling journey 
uneasy 
have to be a most hard-hearted person not to be moved by this drama 
reggio 's 
gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner 
sex toys and offers 
conceivable 
the film seems as deflated as he does 
was a better film 
if it were subtler ... or if it had a sense of humor 
even through its flaws , revolution # 9 proves to be a compelling , interestingly told film . 
the gorgeously elaborate continuation of `` the lord of the rings '' trilogy 
its personable , amusing cast 
pompous 
no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish 
of exceptional honesty 
allegiance to chekhov , which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard , 
can be a knockout 
the extravagant confidence 
intriguing and stylish 
an inept , tedious spoof of '70s kung fu pictures 
this little film is so slovenly done , so primitive in technique , that it ca n't really be called animation . 
is a depressing experience 
about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
the project should have been made for the tube . 
let crocodile hunter steve irwin do what he does best , and fashion a story around him 
does n't add up to much 
several old themes 
after several scenes of this tacky nonsense , you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget . 
topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights . 
's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
burns gets caught up in the rush of slapstick thoroughfare . 
a film that plays things so nice 
sexual jealousy , resentment 
technically sumptuous 
an invaluable historical document thanks to the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent . 
self-determination 
a dentist 's waiting room 
at once both refreshingly different and reassuringly familiar 
lacks the detail of the book 
and cinemantic flair 
succeed in integrating the characters in the foreground into the extraordinarily rich landscape 
's surprisingly decent , 
elegant film 
of thoughtful , subjective filmmaking 
if you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera , this oscar-nominated documentary takes you there . 
from stark desert 
a good film that must have baffled the folks in the marketing department . 
supremely good natured 
, marvelously twisted shapes history 
digitally altered footage 
big stars and high production values 
, self-assured 
more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations 
milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title 
formula 51 promises a new kind of high but delivers the same old bad trip . 
is a diverting -- if predictable -- adventure suitable for a matinee , 
induce sleep 
uplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year . 
, it would fit chan like a $ 99 bargain-basement special . 
flat 
-- and it is n't that funny . 
because it 's lousy 
a characteristically engorged and sloppy 
wastes its time 
you there is no sense 
's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful . 
that 's superficial and unrealized 
a negligible work 
though the film is well-intentioned 
the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more 
the usual movie rah-rah , pleasantly and predictably 
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic 
laughing at his own joke 
does n't reach them 
the overall fabric is hypnotic , and mr. mattei fosters moments of spontaneous intimacy . 
can depress you about life itself 
you put away the guitar , sell the amp , and apply to medical school 
extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
's a very very strong `` b + 
spirit 
short and sweet 
it 's packed with adventure and a worthwhile environmental message 
comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
the film is visually dazzling , the depicted events dramatic , funny and poignant 
is like seeing a series of perfect black pearls clicking together to form a string . 
swept away '' is the one hour and thirty-three minutes 
everything that 's good 
the boozy self-indulgence 
, it contains almost enough chuckles for a three-minute sketch , and no more . 
fears 
left with a story that tries to grab us , only to keep letting go at all the wrong moments 
it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary 
using his storytelling ability 
wishy-washy 
remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch . 
cooks conduct in a low , smoky and inviting sizzle 
's tremendously moving 
lots of effort and intelligence are on display but 
, you can feel the love . 
surprisingly juvenile 
land beyond time 
a weak and ineffective ghost story 
'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time 
're - doing-it-for - the-cash 
of too many story lines 
a joy to watch , even when her material is not first-rate 
( n ) o matter how much good will the actors generate , showtime eventually folds under its own thinness . 
exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble 
lyne 's latest , the erotic thriller unfaithful , further demonstrates just how far his storytelling skills have eroded . 
to feed to the younger generations 
be liberating 
a compelling allegory 
, the film shatters you in waves . 
the day-old shelf would be a more appropriate location to store it 
a submarine movie with the unsettling spookiness of the supernatural 
once again ego does n't always go hand in hand with talent 
this story about love and culture 
one of the best silly horror movies of recent memory 
sweet gentle jesus , did the screenwriters just do a cut-and-paste of every bad action-movie line in history ? 
more dimensional and complex than its sunny disposition 
which imbue the theme with added depth and resonance 
probably the best case for christianity 
best part ' 
it is a whole lot of fun and 
, my big fat greek wedding is a non-stop funny feast of warmth , color and cringe . 
an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline 
serious critique 
is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer . 
the movie straddles the fence between escapism and social commentary , and on both sides it falls short . 
of the most creative , energetic and original comedies to hit the screen in years 
any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out 
for most movies , 84 minutes is short 
loss and denial 
it could be a lot better if it were , well , more adventurous . 
the nicest thing i can say is that i ca n't remember a single name responsible for it 
a forum to demonstrate their acting ` chops ' 
unusually surreal tone 
conceited pap 
cool stuff 
... once the true impact of the day unfolds , the power of this movie is undeniable . 
actors you 're most likely to find on the next inevitable incarnation of the love boat 
great missed opportunity 
not zhang 's forte 
hopkins , squarely fills the screen . 
happy gilmore or the waterboy 
achieving some honest insight 
so fiendishly cunning that even the most jaded cinema audiences will leave the auditorium feeling dizzy , confused , and totally disorientated . 
perry 's good and his is an interesting character , but `` serving sara '' has n't much more to serve than silly fluff . 
watching it is like being trapped at a bad rock concert 
proves you wrong on both counts 
oedekerk mugs mercilessly , and the genuinely funny jokes are few and far between . 
's lovely and amazing , 
's hard to shake the feeling that it was intended to be a different kind of film 
his ` angels of light 
bang your head on the seat in front of you , at its cluelessness , at its idiocy , 
in the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm , the diva shrewdly surrounds herself with a company of strictly a-list players . 
but not great ) 
familiar , funny surface 
this unexpectedly moving meditation 
your own precious life 
as a touching , transcendent love story 
genre-busting film 
) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code 
provides an accessible introduction as well as some intelligent observations on the success of bollywood 
exploitation flick 
brilliantly 
an unremittingly ugly movie 
be relieved that his latest feature , r xmas , marks a modest if encouraging return to form 
satisfaction 
remotely probing or penetrating . 
it looks like an action movie , but it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such 
propulsive 
hero 
talents 
asks you to feel sorry for mick jagger 's sex life 
with its elbows sticking out where the knees should be 
, right-wing , propriety-obsessed family 
i can analyze this movie in three words : thumbs friggin ' down . 
flat 
like an overcooked soufflé 
, there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
bringing richer meaning to the story 's morals 
great cinema can really do 
surprisingly 
innocent 
the astute direction of cardoso and 
for every cheesy scene 
spins the multiple stories in a vibrant and intoxicating fashion 
is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice . 
taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating 
by then 
told with sharp ears and eyes for the tenor of the times 
racism 
outtakes in which most of the characters forget their lines 
intelligent screenplay 
because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh 
an immensely entertaining look 
a meditation on faith and madness 
wistful new film 
is truly funny , playing a kind of ghandi gone bad 
it 's one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads . 
, the movie runs a good race , one that will have you at the edge of your seat for long stretches . ' 
chan like a $ 99 bargain-basement special 
whose pieces do not fit 
in the disturbingly involving family dysfunctional drama how i killed my father , french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition 
a little uneven to be the cat 's meow 
it 's a film that affirms the nourishing aspects of love and companionship . 
shoot 
of the previous two 
completely predictable 
low-grade dreck 
soulless jumble 
change the channel 
aspires 
is corny in a way that bespeaks an expiration date passed a long time ago . 
increasingly incoherent fashion 
first-class , thoroughly involving 
ramsay succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory . 
right questions 
too-spectacular 
an infinitely wittier version of the home alone formula 
takes a slightly dark look at relationships , 
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and 
remains a chilly , clinical lab report 
're at the right film . 
has to recite bland police procedural details , fiennes wanders around in an attempt 
has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time . 
a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams 
neither do cliches , no matter how ` inside ' they are . 
a delicious crime drama 
afford the $ 20 million ticket to ride a russian rocket 
some good , organic character work , lots of obvious political insights and 
an engrossing and grim portrait of hookers 
an uncomfortable experience , but one as brave and challenging as you could possibly expect these days from american cinema . 
hand it to director george clooney for biting off such a big job the first time out 
though lan yu lacks a sense of dramatic urgency 
is almost certainly 
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant . 
did n't mean much to me and 
, thought-provoking new york fest 
that i would have liked it much more if harry & tonto never existed 
yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy 
the very definition of what critics have come to term an `` ambitious failure . 
crawlies 
highly entertaining 
a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen 
it never quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time . 
around some intriguing questions about the difference between human and android life 
farcically bawdy 
most of its ilk 
savory 
badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
remarkably 
why it 's so successful at lodging itself in the brain 
need all the luck they can muster just figuring out who 's who in this pretentious mess 
... really horrible drek . 
breathe life 
smarter 
targeted to the tiniest segment of an already obscure demographic 
a groundbreaking endeavor 
detailed historical document 
is n't as funny as you 'd hoped 
times a bit melodramatic and even a little dated 
'm actually having a hard time believing people were paid to make it 
the most incoherent 
plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air . 
overall an overwhelmingly positive portrayal 
a strength of a documentary to disregard available bias 
that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
works its magic with such exuberance and passion 
sincere grief and mourning in favor of bogus spiritualism 
forget the psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore 
is moving 
, director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags . 
there 's not a single jump-in-your-seat moment and 
grand-scale 
ozpetek offers an aids subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves . 
made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort 
this movie is 90 minutes long , and life is too short 
by those on both sides of the issues , if only for the perspective it offers 
the dark theater 
laughing in the crowd 
takes a great film and turns it into a mundane soap opera 
great character 
midway point 
a solid sci-fi thriller 
long for the end credits 
even if it may still leave you wanting more answers as the credits 
fairly run-of-the-mill . 
it projects onto the screen -- loud , violent and mindless 
unhappy situation 
of patch adams quietly freaking out 
not only a detailed historical document , but an engaging and moving portrait of a subculture 
somehow ms. griffiths and mr. pryce bring off this wild welsh whimsy . 
're all in this together 
the glorious chicanery and self-delusion of this most american of businesses 
shows -- reality shows for god 's sake 
courtesy of john pogue , the yale grad who previously gave us `` the skulls '' 
something fascinating 
a shakespearean tragedy 
predictable and cloying , 
should avoid this like the dreaded king brown snake . 
playfully profound ... 
the movie is well done , but slow . 
on the granger movie gauge of 1 to 10 , the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience . 
've learned the hard way just how complex international terrorism is 
with really solid performances by ving rhames and wesley snipes 
it 's a setup so easy it borders on facile , 
, should n't have been made 
yakusho , as always , is wonderful as the long-faced sad sack ... and his chemistry with shimizu is very believable 
been there , done that , liked it much better the first time around - when it was called the professional 
strongly reminiscent 
haynes makes us see familiar issues , like racism and homophobia , in a fresh way . 
the cast , collectively a successful example of the lovable-loser protagonist 
hodgepodge . 
that grew hideously twisted 
leave fans clamoring for another ride 
to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters 
bogged down 
throws away 
one of those comedies that just seem like a bad idea from frame one 
a hilarious ode to middle america and 
quarter the fun of toy story 2 
that allows him to churn out one mediocre movie after another 
muddled , repetitive and ragged 
but while the highly predictable narrative falls short , treasure planet is truly gorgeous to behold . 
, without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision 
cleverest 
bonus 
derailed by bad writing and 
too clever 
nothing really happens 
buried somewhere inside its fabric , but never clearly seen or felt 
innovations and glimpse 
is hindered by uneven dialogue and plot lapses . 
... no charm , no laughs , no fun , no reason to watch . 
the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself 
the libretto directs , ideally capturing the opera 's drama and lyricism 
romp from robert rodriguez . 
it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism 
deeply biased 
one of the cleverest , most deceptively amusing comedies of the year 
, the movie possesses its own languorous charm . 
, convincing 
is virtually unwatchable . 
ken russell would love this . 
are scenes of cinematic perfection that steal your heart away . 
something rare and riveting : 
stoner midnight flick , sci-fi deconstruction 
adoring , wide-smiling reception 
injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again 
despite a quieter middle section , involving aragorn 's dreams of arwen , this is even better than the fellowship . 
as rude and profane as ever , always hilarious and 
does n't really believe in it , 
but kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them . 
the advantage of a postapocalyptic setting is that it can be made on the cheap . 
iranian drama 
no doubt that this film asks the right questions at the right time in the history of our country 
's a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions 
fantasized 
big-screen experience 
faulty 
it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue 
watching it was painful . 
over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time 
finish , like a wet burlap sack of gloom 
eloquent memorial 
, lawrence desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics . 
succeed 
masterpiece 
new relevance , 
retro-refitting exercise 
legs 
first-timer john mckay is never able to pull it back on course . 
a celebration of feminine energy , a tribute to the power of women to heal 
unless there are zoning ordinances to protect your community from the dullest science fiction , impostor is opening today at a theater near you . 
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres -- 
a romantic crime comedy 
delicious 
gentle , touching story 
safe as to often play like a milquetoast movie of the week blown up for the big screen 
help chicago make the transition from stage to screen with considerable appeal intact . 
excellent storytelling 
hard to like a film so cold and dead 
poetic tragedy 
a young woman who knows how to hold the screen 
makes an unusual but pleasantly haunting debut behind the camera 
to do that is really funny 
have to admit that i am baffled by jason x. 
the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this 
ends up delivering in good measure 
if you love the music , and i do 
this painfully forced , false and fabricated 
into an argentine retread of `` iris '' or `` american beauty 
a highly spirited , imaginative kid 's movie 
has a sense of his audience 
what a thrill ride 
kind , 
out of sight 
made without a glimmer of intelligence or invention 
a pathetically inane and unimaginative cross between xxx and vertical limit . 
'd prefer a simple misfire 
the dialogue and drama often food-spittingly 
an appalling , 
students that deals with first love sweetly 
poor acting 
hard to care 
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but , with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it 
independent film 
i found myself strangely moved by even the corniest and most hackneyed contrivances . 
nothing happens 
by turns fanciful , grisly and engagingly quixotic . 
starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers . 
one-dimensional buffoons that get him a few laughs but nothing else 
the film , which gives you an idea just how bad it was 
ca n't possibly be enough 
that omnibus tradition called marriage 
this is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie . 
he is an imaginative filmmaker who can see the forest for the trees 
manages not only 
is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery 
is hugely overwritten 
does display greatness 
a hundred of them can be numbing 
by a screenplay that forces them into bizarre , implausible behavior 
endlessly repetitive 
real 
like mike shoots and scores , doing its namesake proud 
coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings . 
uneven performances and a spotty script 
this is a third-person story now , told by hollywood , and much more ordinary for it . 
it 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny . 
show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
anarchists who face arrest 15 years after their crime 
's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us . 
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but 
away a believer again and quite cheered at just that 
amoral 
a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout 
for an intelligent weepy 
as grant 's two best films 
the mysteries of human behavior 
is off-putting , to say the least , not to mention inappropriate and wildly undeserved . 
it 's hard to say who might enjoy this 
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance 
timely than its director could ever have dreamed 
is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay 
diminishing his stature 
as played by ryan gosling , danny is a frighteningly fascinating contradiction . 
're clueless and inept 
a great companion piece to other napoleon films . 
developed hastily 
to suggest possibilities which imbue the theme with added depth and resonance 
moments of jaw-droppingly odd behavior 
fails because it demands that you suffer the dreadfulness of war from both sides . 
in a way that 's too loud , too goofy and too short of an attention span 
are jarring and deeply out of place in what could have 
by the brutality of the jokes , most at women 's expense 
about 25 minutes of decent material 
for devotees of french cinema 
we never feel anything for these characters , and as a result the film is basically just a curiosity . 
predictable outcome 
borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself 
get to an imitation movie 
trusts the story it sets out to tell . 
adorably ditsy but heartfelt performances 
the ` laughing 
without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
so incredibly inane 
against the frozen winter landscapes of grenoble and geneva 
the intensity with which he 's willing to express his convictions 
distract 
cheap manipulation or corny conventions 
... it 's as comprehensible as any dummies guide , something even non-techies can enjoy . 
is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics . 
boisterous and utterly charming 
well integrated 
as boring 
the inspiration 
does leblanc make one spectacularly ugly-looking broad 
the scariest guy you 'll see all summer 
the emperor 's club , ruthless in its own placid way , 
that plays like a 95-minute commercial for nba properties 
gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in 
criminal 
lacks in action 
get the same love story and 
i have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short . 
resurrecting performers who rarely work in movies now ... 
plaintiveness 
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart 
generate a lot of energy 
perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness . 
sporting one of the worst titles in recent cinematic history 
put hairs on your chest 
is interesting to see where one 's imagination will lead when given the opportunity 
're touched by the film 's conviction that all life centered on that place , that time and that sport 
a cute partnership 
is hilariously , gloriously alive , and quite often hotter than georgia asphalt . 
, and of the thousands thereafter 
more bizarre 
truly 
produce another smash 
, riveting and handsomely 
attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way 
offer audiences any way of gripping what its point is , or even its attitude toward its subject 
heart attack 
slow and dreary 
the way for adventurous indian filmmakers toward a crossover 
is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching . 
that would set it apart from other deep south stories 
flawless film 
complications 
unendurable 
a small star with big heart 
are all direct-to-video stuff 
sets this romantic comedy apart from most hollywood romantic comedies 
hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny 
you would n't want to live waydowntown , but it is a hilarious place to visit 
open-hearted film 
look so bad in a major movie 
sickly entertainment at best and mind-destroying cinematic pollution at worst 
jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
odd , inexplicable and unpleasant 
her complicated characters be unruly , confusing and , through it all , human 
from the start -- and , refreshingly , stays that way 
why anyone should bother remembering it 
you 'll like it . 
lumps of coal 
( taymor ) utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work . 
dramatic animated feature 
director juan jose campanella 
the funniest jokes 
's an 88-minute highlight reel that 's 86 minutes too long . 
goldmember has none of the visual wit of the previous pictures , and 
but the movie that does n't really deliver for country music fans or for family audiences 
being the barn-burningly bad movie it promised it would be 
wrong 
had released the outtakes theatrically and used the film as a bonus feature on the dvd 
classical 
phenomenal , water-born cinematography 
do n't add up to much more than trite observations on the human condition . 
to investigate 
lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food 
as the treat of the title 
like a splendid meal 
anyone not into high-tech splatterfests is advised to take the warning literally , and log on to something more user-friendly . 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least . 
... the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings . 
allows us to chuckle through the angst 
is a great deal of fun 
odd purity 
which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
gorgeous exterior photography 
a good music documentary , probably one of the best since the last waltz . 
knucklehead 
intelligent high school 
dashing and resourceful hero 
do you 
to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving 
a dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater 
'd rather watch them on the animal planet . 
gives poor dana carvey nothing to do that is really funny 
i ca n't begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents ... 
find it with ring , an indisputably spooky film ; 
comes along only occasionally , one so unconventional , 
can truly be 
is that they 're stuck with a script that prevents them from firing on all cylinders . 
the funniest person 
just fine 
be lost on the target audience 
quite entertaining 
thrills , too many flashbacks 
too infuriatingly quirky and taken with its own style . 
punchy dialogue 
the only reason you should see this movie is if you have a case of masochism and an hour and a half to blow . 
michael myers for good 
from a consummate actor incapable of being boring 
go over the top and movies that do n't care about being stupid 
, provocative and vainglorious 
flounders under the weight of too many story lines 
miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life . 
ringside seat 
start reading your scripts before signing that dotted line . 
gets the tone just right -- funny in the middle of sad in the middle of hopeful 
they have been patiently waiting for 
, the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability . 
a story whose restatement is validated by the changing composition of the nation 
to boring , self-important stories of how horrible we are to ourselves and each other 
adding flourishes -- artsy fantasy sequences -- that simply feel wrong 
aching 
tear-drenched 
often shocking but ultimately worthwhile 
most thrillers send audiences out talking about specific scary scenes or startling moments ; `` frailty '' leaves us with the terrifying message that the real horror may be waiting for us at home . 
this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john and bo derek made the ridiculous bolero . 
it is n't entirely persuasive 
mesmerised 
the barn-burningly bad movie it promised it would be 
the benjamins that 's hard to resist 
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap 
hopefully inspire action 
plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter 
take before indigestion sets 
to keep upping the ante on each other , just as their characters do in the film 
steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph . 
nearly every attempt at humor here is doa . 
ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side 
rosenthal ( halloween ii ) 
is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why 
what should have been a painless time-killer 
stirring road movie . 
rather brilliant little cult item 
from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
is just such an achievement . 
resonant 
is neither dramatic nor comic 
in heaven 
albeit a visually compelling one , 
all the story gives us is flashing red lights , a rattling noise , and a bump on the head 
the most original in years 
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . 
should bolster director and co-writer 
few ` cool ' actors 
i must have failed 
is even lazier and far less enjoyable 
a cheap , ludicrous attempt at serious horror 
, the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
, doing its namesake proud 
been a lighthearted comedy 
been any easier to sit through than this hastily dubbed disaster 
seems to be missing a great deal of the acerbic repartee of the play . 
distracted 
for the fine star performances 
enigmatic features 
is more fun than conan the barbarian 
both the scenic splendor of the mountains 
stiflingly unfunny and unoriginal mess 
half-baked 
irresponsible sandlerian 
have been perfect for an old `` twilight zone '' episode 
does n't have anything really interesting to say . 
this is a movie full of grace 
rip off that we were aware of 
seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested 
smacks of exhibitionism 
the flash of rock videos fused with solid performances and eerie atmosphere . 
big mistake . 
're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned . 
packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
under a rock 
make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs . 
overlong 
... pays tribute to heroes the way julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism . 
, this is a film that takes a stand in favor of tradition and warmth . 
is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us 
behind the project 
the capable cast 
passion , and genius 
deliver again and again 
one whose lessons are well worth revisiting as many times as possible 
to protect your community from the dullest science fiction 
the emotion or timelessness of disney 's great past , or 
, loud , bang-the-drum 
it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout . 
that is funny , touching , smart and complicated 
cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots 
cinderella 
do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people . 
, spiteful idiots 
`` the best disney movie since the lion king '' 
a script ( by paul pender ) made of wood 
not all that bad of a movie 
a bomb 
a wild ride with eight boarders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival . 
that woman 's doubts 
is wickedly fun 
the part where nothing 's happening , or the part where something 's happening 
but this new jangle of noise , mayhem and stupidity must be a serious contender for the title . 
repeated 
taken the protagonists a full hour 
smartly written motion picture 
distinguished and thoughtful 
chaiken ably balances real-time rhythms with propulsive incident . 
it 's a loathsome movie , it really is and 
makes little attempt to give voice to the other side 
a web of dazzling entertainment 
'll love it and probably want to see it twice 
which director shekhar kapur supplies with tremendous skill 
to be a bit of a cheat in the end 
more traditionally plotted popcorn thriller 
celebrates universal human nature 
while dark water is n't a complete wash ( no pun intended ) , watched side-by-side with ringu , it ultimately comes off as a pale successor . 
that proceeds from a stunningly unoriginal premise 
makes the grade as tawdry trash 
that 's good enough . 
... a great , participatory spectator sport . ' 
tug at your heart in ways that utterly transcend gender 
hip-hop prison thriller of stupefying absurdity 
felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 
most savagely hilarious social critics 
emotionally malleable 
are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all . 
's really unclear 
agreeably 
sordid of human behavior on the screen 
too bad to be good 
a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little 
looked like crap , 
attractive men 
's a road-trip drama with too many wrong turns 
bears out as your typical junkie opera 
layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
like a tired tyco ad 
a one-of-a-kind tour de force 
deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill 
a terrific date movie , whatever your orientation . 
bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact 
the courage of its convictions and 
has its heart ( and its palate ) 
unsatisfied 
, but to his legend 
as lively an account as seinfeld is deadpan . 
's certainly laudable that the movie deals with hot-button issues in a comedic context 
a kiss 
can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good . 
dead-on in election 
and , 
unusually dry-eyed , even analytical approach 
has all the hallmarks of a movie designed strictly for children 's home video , a market so insatiable it absorbs all manner of lame entertainment , as long as 3-year-olds find it diverting . 
knows it 's won 
hollywood has crafted a solid formula for successful animated movies , 
to remain an unchanged dullard 
vulgarity 
rabbit-proof fence is a quest story as grand as the lord of the rings 
, the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans . 
compelling yarn 
humorous and heartfelt , 
a rather brilliant little cult item : 
potentially just as rewarding 
energetic and always surprising 
overuse 
never come up with an adequate reason why we should pay money for what we can get on television for free 
make for great cinema 
'll still have a good time 
of flatly 
pulse 
makes a nice album 
strong piece of work 
your 20th outing shows off a lot of stamina and vitality , and get this 
attempts , in vain , to prove that movie-star intensity can overcome bad hair design 
a sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies 
a lackluster script and substandard performances 
suffers because of its many excesses 
badly interlocked stories drowned by all too clever complexity . 
garbage . 
is funny and looks professional . 
so-called satire 
there 's no conversion effort , much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a hollywood career , if they want one 
tear-jerking 
are faithful to melville 's plotline , they 
a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing in the final two 
one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time . 
definitely funny stuff , but it 's more of the ` laughing at ' variety than the ` laughing with 
fuss or noise 
's not really funny 
at once overly old-fashioned in its sudsy plotting and 
the best thing 
many definitions of ` time waster ' 
five screenwriters are credited with the cliché-laden screenplay ; it seems as if each watered down the version of the one before 
celebrated wonder 
heartwarming , nonjudgmental kind 
fascination 
fumbles the vital action sequences 
easy , seductive 
like me , think an action film disguised as a war tribute is disgusting to begin with 
may also be the best sex comedy about environmental pollution ever made 
at the absurdities and inconsistencies 
the `` soon-to-be-forgettable '' section of the quirky rip-off prison 
into its intriguing subject 
all bluster and cliché 
his personal obstacles 
's still unusually crafty and intelligent for hollywood horror . 
both refreshingly different 
a wild ride of a movie that keeps throwing fastballs . 
insults 
excellent performances 
nothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises 
, the film works - mostly due to its superior cast of characters . 
like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy 
above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
loneliness and desperate grandiosity 
his sweetness and vulnerability 
will be upstaged by an avalanche of more appealing holiday-season product 
the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games 
is a gritty police thriller with all the dysfunctional family dynamics one could wish for . 
remarkable new trick 
most multilayered and sympathetic female characters 
been worth caring about 
's still terrible ! 
with a chase to end all chases 
by turns very dark and very funny . 
never fails him 
a few zingers aside , the writing is indifferent , and jordan brady 's direction is prosaic . 
stylish and moody 
episode ii -- 
begins as a seven rip-off , 
a cross between blow and boyz n the hood , this movie strives to be more , but does n't quite get there . 
a family-oriented non-disney film that is actually funny without hitting below the belt 
documentary to make the stones weep -- as shameful as it 
even if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness 
produce adequate performances 
trailer-trash 
to a problem hollywood too long has ignored 
you get the impression that writer and director burr steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools . 
uses the last act to reel in the audience since its poignancy hooks us completely 
pandering 
love a disney pic 
worthwhile environmental message 
of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time 
is one of the best-sustained ideas i have ever seen on the screen 
it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one 
a beautiful , timeless and universal tale of heated passions -- jealousy , betrayal , forgiveness and murder . 
nimble shoulders 
by its awkward structure and a final veering 
analyze that '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original . 
stage director sam mendes showcases tom hanks as a depression era hit-man in this dark tale of revenge . 
much a home video , and so devoid of artifice and purpose that it appears not to have been edited at all . 
proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations 
a good cast 
the vital comic ingredient 
has its moments 
the tortured and self-conscious material 
made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
to anyone who loves both dance and cinema 
no foundation for it 
very funny , heartwarming film 
completely serviceable and quickly forgettable 
most remarkable not because of its epic scope , but because of the startling intimacy 
an all-time low for kevin costner 
resembles an outline for a '70s exploitation picture than the finished product . 
manhattan , jennifer lopez 's most aggressive and most sincere attempt 
to be released in imax format 
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life 
good-time 
sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it 
enjoyably dumb , sweet , and intermittently hilarious -- if you 've a taste for the quirky , steal a glimpse . 
evil 
with miscalculations 
the powerful success of read my lips with such provocative material shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers . 
naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation . 
're in luck 
deserve the energy it takes to describe how bad it is 
watching these two actors play against each other so intensely , but with restraint 
over with 
cheapen the overall effect . 
that powerhouse of 19th-century prose 
professional 
his generation 's 
there are enough high points to keep this from being a complete waste of time 
fusty squareness 
apparently , romantic comedy with a fresh point of view just does n't figure in the present hollywood program . 
divine 
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , 
with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage 
was as superficial as the forced new jersey lowbrow accent uma had 
expects people to pay to see it 
juiced with enough energy and excitement 
the entire film is one big excuse to play one lewd scene after another . 
compelling , gut-clutching piece 
it 's tough to watch , but it 's a fantastic movie . 
while the humor aspects of ` jason x ' were far more entertaining than i had expected 
sweet and gentle 
second chance to find love in the most unlikely place 
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology 
lingering creepiness one 
for those in search of something different , wendigo is a genuinely bone-chilling tale . 
with familiar situations and repetitive scenes 
this amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as greenfingers 
'' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end . 
by the end you ca n't help but feel ` stoked . ' 
vainly 
a florid but ultimately vapid crime melodrama with lots of surface 
the worst films of 2002 
it 's that good . 
of superficiality 
properly intense , claustrophobic tale 
contemporary chinese life that many outsiders will be surprised to know 
himself funny 
plays like clueless does south fork . 
this year 's very best pictures 
a glorified episode of `` 7th heaven 
desperate for work and food 
puts flimsy flicks like this behind bars 
's still entertaining to watch the target practice 
the good girl '' a film worth watching 
that does n't clue you in that something 's horribly wrong 
plays like an extended dialogue exercise in retard 101 . 
shankman ... and screenwriter karen janszen bungle their way through the narrative as if it were a series of bible parables and not an actual story . 
unfolds with all the mounting tension of an expert thriller , 
offers no new insight 
that lends the setting the ethereal beauty of an asian landscape painting 
for the art-house crowd 
with all the sympathy , empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles . 
... certainly an entertaining ride , despite many talky , slow scenes . 
for that matter , shrek ) 
sketch inspired by the works of john waters and todd solondz , rather than a fully developed story 
venturesome , beautifully realized 
from the characters 
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst 
van wilder does little that is actually funny with the material 
you 're not merely watching history , you 're engulfed by it . 
there are many tense scenes in trapped 
is dark , brooding and slow , and takes its central idea way too seriously 
big excuse 
the screenplay is hugely overwritten , with tons and tons of dialogue -- most of it given to children . 
that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
a glorious dose of humankind 's liberating ability 
a fine job 
in its observation of just how much more grueling and time-consuming the illusion of work is than actual work 
awry 
takes a look at 5 alternative housing options 
it 's just merely very bad . 
glass 's dirgelike score 
much better documentary 
done in mostly by a weak script that ca n't support the epic treatment 
, madonna gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game . 
freshly painted rembrandt 
fails because it demands that you suffer the dreadfulness of war from both sides 
begun to split up so that it can do even more damage 
with purpose and finesse 
a better movie experience 
, abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival 
comedy that is warm , inviting , and surprising 
scenes so true and heartbreaking 
watching war photographer , you come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals . 
say something about its subjects 
victim ... and an ebullient affection for industrial-model meat freezers 
is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears . ' 
piece , a model of menacing atmosphere . 
enough may pander to our basest desires for payback , but unlike many revenge fantasies , it ultimately delivers . 
the film 's mid-to-low budget 
do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people 
the most good-hearted yet sensual entertainment 
is way too indulgent . 
wonderful but sometimes confusing flashback 
and mordantly humorous 
crisper and punchier 
can make people act weird 
been done before but never so vividly or with so much passion 
be much funnier than anything in the film 
it 's more enjoyable than i expected , though , and that 's because the laughs come from fairly basic comedic constructs 
after an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be 
's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one 
the vital comic ingredient of the hilarious writer-director himself 
... and excellent use of music by india 's popular gulzar and jagjit singh 
a grating , emaciated flick 
everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill . 
some body smacks of exhibitionism more than it does cathartic truth telling . 
even non-techies can enjoy 
a delightful romantic comedy with plenty of bite . 
highest power 
it 's coherent , well shot , and tartly acted , 
in an intriguing bit of storytelling 
fascinating you wo n't be able to look away for a second 
do n't say you were n't warned . 
is more fascinating -- being real -- than anything seen on jerry springer 
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops 
unexpectedly moving 
most genuinely sweet 
never found its audience , probably because it 's extremely hard to relate to any of the characters . 
the sum of all fears pretends to be a serious exploration of nuclear terrorism , but 
rendered with such clarity 
acting , but ultimately a movie with no reason for being . 
in the immediate aftermath of the terrorist attacks 
it reduces the complexities to bromides and slogans and 
describe how bad it is 
one of the worst movies of the year 
prove too convoluted 
honest attempt to get at something 
sandler 
did they deem it necessary to document all this emotional misery ? 
a moving experience 
may lack the pungent bite of its title , 
all the best possible ways 
with or without the sex , a wonderful tale of love and destiny 
gorgeous , 
takes its sweet time building to a climax that 's scarcely a surprise by the time 
one of demme 's good films 
of the problems with the film 
black-and-white and unrealistic 
great pity 
clumsy 
strength 
turn this fairly parochial melodrama into something really rather special . 
does n't offer any insight into why , for instance , good things happen to bad people 
one of the most incoherent 
be a new mexican cinema a-bornin ' 
in the songs translate well to film 
has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : 
whimsicality , narrative discipline and 
`` nicholas nickleby '' is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year . 
an advantage 
was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson 
get you 
worthless film 
stop eric schaeffer before he makes another film 
a clever script and 
something on crummy-looking videotape 
well-shaped dramas 
anything but frustrating , boring , and 
an astounding performance 
rooted in a sincere performance by the title character undergoing midlife crisis 
of intergalactic friendship 
do the subject matter justice 
has compelling new material 
a kingdom 
clichéd and shallow 
intriguing , observant 
a relic from a bygone era , and its convolutions ... feel silly rather than plausible 
land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place 
predictable and 
enough clever and unexpected 
that both thrills the eye and , in its over-the-top way , touches the heart 
its exquisite acting , inventive screenplay 
can just follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity 
manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie . 
its economical 
serial murders 
an uneasy marriage of louis begley 's source novel ( about schmidt ) 
the ` are we a sick society 
another boorish movie from the i-heard-a-joke - 
peppered with witty dialogue and inventive moments . 
from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer 
is a whole lot of nada 
with every cinematic tool well under his control 
thrill you , 
sugary sentiment and withholds delivery 
the most ingenious film comedy since being john malkovich . 
if you are into splatter movies , then you will probably have a reasonably good time with the salton sea . 
seems content to dog-paddle in the mediocre end of the pool , and it 's a sad , sick sight . 
crude to serve the work especially well 
charming but slight 
of bland comfort food 
kapur weighs down the tale with bogus profundities . 
visual delight 
sluggish 
manages sweetness 
that 's because relatively nothing happens . 
stoop so low 
like a dinner guest showing off his doctorate 
is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching 
loving yet unforgivingly inconsistent depiction 
with virtuoso throat-singing 
profoundly moving documentary 
to the grayish quality of its lighting 
that rare film whose real-life basis is , in fact , so interesting that no embellishment is 
it falls into the trap of pretention almost every time 
although purportedly a study in modern alienation , it 's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out . 
real triumphs 
makes for perfectly acceptable , occasionally very enjoyable children 's entertainment . 
has definite weaknesses 
the most consistently funny of the austin powers films 
a speedy swan dive 
swim represents an engaging and intimate first feature by a talented director to watch 
to a spectacular completion one 
'' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling . 
banal 
the movie runs a good race , one that will have you at the edge of your seat for long stretches . ' 
unconcerned about what they ingest 
a funny yet dark 
grant carries the day with impeccable comic timing , raffish charm and piercing intellect . 
intriguing and alluring premise 
for the striking , quietly vulnerable personality of ms. ambrose 
definitely in the guilty pleasure b-movie category , reign of fire is so incredibly inane that it is laughingly enjoyable . 
rodriguez has the chops of a smart-aleck film school brat and the imagination of a big kid ... 
can be classified as one of those ` alternate reality ' movies ... except that it would have worked so much better dealing in only one reality . 
popcorn adventure 
( the film ) works , due mostly to the tongue-in-cheek attitude of the screenplay 
a ripping good yarn is told . 
than malle 's dud 
do n't see the point 
exploits ( headbanger ) 
contains some hefty thematic material on time , death , eternity , and what 
shoots and scores 
shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper . 
the film does n't have enough innovation or pizazz to attract teenagers 
brilliantly written and 
dull , lifeless 
a complete wash ( no pun intended ) , 
wildly uneven hit-and-miss enterprise 
i might add -- slice of comedic bliss 
, soggy potboiler 
lazier 
peppering the pages with memorable zingers 
is that rare animal known as ' a perfect family film , ' 
not a must-own 
belittle a cinema classic 
despite its rough edges and a tendency to sag in certain places , is wry and engrossing . 
none of birthday girl 's calculated events take us by surprise ... 
the movie is hardly a masterpiece , but it does mark ms. bullock 's best work in some time . 
its courageousness 
the toilet and scores a direct hit 
there 's no palpable chemistry between lopez and male lead ralph fiennes 
deserve to hear the full story of jonah 's despair -- in all its agonizing , catch-22 glory -- even if they spend years trying to comprehend it . 
as plain and pedestrian as 
like a comedian who starts off promisingly but then proceeds to flop 
at once laughable and compulsively watchable 
generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series . 
nostalgic , twisty yarn 
comic barbs 
is about as necessary as a hole in the head 
genuinely witty 
ace ventura ' rip-off 
as you would expect from the directors of the little mermaid and aladdin 
that satisfies , as comfort food often can 
's quite an achievement to set and shoot a movie at the cannes film festival and yet fail to capture its visual appeal or its atmosphere 
a clever exercise 
liked the movie 
the film buzz and whir ; very little of it 
depress 
offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the x into the games 
appreciates the art and 
but windtalkers does n't beat that one , either . 
the movie possesses its own languorous charm . 
the charismatic jackie chan to even younger audiences 
beautiful , angry and sad , 
the tuxedo 's 90 minutes of screen time 
a satisfying complete picture 
sometimes both 
's a certain robustness to this engaging mix of love and bloodletting 
the film is all over the place , really . 
kapur 's contradictory feelings about his material result in a movie that works against itself . 
puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less 
properly spooky 
one problem with the movie , directed by joel schumacher , is that it jams too many prefabricated story elements into the running time . 
has none of the pushiness and decibel volume of most contemporary comedies 
to do all three quite well , making it one of the year 's most enjoyable releases 
will have a showdown 
, the drama feels rigged and sluggish . 
whimsicality 
is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory . 
an excellent companion piece 
very much a home video , and so devoid of artifice and purpose that it appears not to have been edited at all . 
finest non-bondish performance 
however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
observations on the human condition 
stands out from the pack even if the picture itself is somewhat problematic . 
underrehearsed 
the abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste 
expressing itself in every way imaginable 
the redeeming feature of chan 's films has always been the action 
slow-moving 
all-over-the-map 
for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and 
the art direction and costumes are gorgeous and finely detailed , and 
a fascinating curiosity piece -- fascinating 
incredibly irritating 
it 's like an all-star salute to disney 's cheesy commercialism . 
funniest american comedy 
delivers one of the saddest action hero performances ever witnessed 
schiffer 
the film 's messages of tolerance and diversity are n't particularly original , but one ca n't help but be drawn in by the sympathetic characters 
it 's been 13 months and 295 preview screenings since i last walked out on a movie , but resident evil really earned my indignant , preemptive departure 
most multilayered and sympathetic 
family comedy 
is a failure 
the script and characters hold sway 
is ultimately quite unengaging 
is significantly less charming than listening to a four-year-old with a taste for exaggeration recount his halloween trip to the haunted house . 
that recalls the classics of early italian neorealism 
that it does n't give a damn 
nothing more than warmed-over cold war paranoia 
does not deserve to go down with a ship as leaky as this . 
little jokes 
so impersonal or even shallow 
the insinuation of mediocre acting or 
true to its animatronic roots 
if you can get past the taboo subject matter 
speaks eloquently about the symbiotic relationship between art and life . 
negligible 
some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) 
muccino either does n't notice when his story ends or just ca n't tear himself away from the characters 
unfocused and 
more enjoyable 
other than the slightly flawed ( and fairly unbelievable ) finale , everything else is top shelf . 
is intriguing , provocative stuff 
given too much time to consider the looseness of the piece , the picture begins to resemble the shapeless , grasping actors ' workshop that it is . 
irresistible , languid romanticism 
the worst of tragedies 
incredibly captivating 
's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken 
but blatantly biased . 
simple , poignant and leavened with humor 
criminal conspiracies and true romances move so easily across racial and cultural lines in the film that it makes my big fat greek wedding look like an apartheid drama . 
-- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- there 's something impressive and yet lacking about everything . 
a wholesome fantasy 
the best war movies ever made 
irredeemably awful 
the rare movie that 's as crisp and to the point 
pray does n't have a passion for the material . 
the incredible storyline 
smartly 
victim to sloppy plotting , an insultingly unbelievable final act and 
what with all the blanket statements and dime-store ruminations on vanity 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 
intoxicating show 
mainstream audiences have rarely seen 
diminishing his stature from oscar-winning master to lowly studio hack 
300 years of russian history and culture compressed into an evanescent , seamless and sumptuous stream of consciousness . 
like this that puts flimsy flicks like this behind bars 
several uninteresting , unlikeable people 
into hokum 
for juicy roles 
that the rampantly designed equilibrium becomes a concept doofus 
the film above anything sandler 's been attached to before 
loosely connected characters and plots that never quite gel 
( p ) artnering murphy with robert de niro for the tv-cops comedy showtime would seem to be surefire casting . 
what 's needed so badly but what is virtually absent here is either a saving dark humor or the feel of poetic tragedy . 
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film 
insanely violent 
there 's no disguising this as one of the worst films of the summer . 
its many excesses 
for a fairly inexperienced filmmaker 
freshness and 
of promise 
no denying the power of polanski 's film 
more sheerly beautiful film 
, unimaginative 
coordinated 
estranged 
to being lectured to by tech-geeks , if you 're up for that sort of thing 
it works superbly here 
no amount of burning , blasting , stabbing , and shooting 
a wonder 
the overall feel is not unlike watching a glorified episode of `` 7th heaven . '' 
returns to narrative filmmaking with a visually masterful work of quiet power 
the precious trappings of most romantic comedies , infusing into the story 
feels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes , just wants to be liked by the people who can still give him work . 
exercise in style and mystification 
violent and 
would be very sweet indeed 
visually striking and viscerally repellent 
entirely suspenseful 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid 
and narrative strength 
threefold expansion 
gracious , eloquent film 
is complex from the start -- and , refreshingly , stays that way 
is a no-bull throwback to 1970s action films . 
helps make the film 's conclusion powerful and satisfying 
j. lo will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear : she 's a pretty woman , but she 's no working girl 
enactments , however fascinating they may be as history , 
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains ... crossroads is never much worse than bland or better than inconsequential . 
being gullible 
, insightful and entertaining 
generic scripts that seek to remake sleepless in seattle again and again 
on a high note 
is a verbal duel between two gifted performers 
bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' 
the beauty and power of the opera reside primarily in the music itself 
unfilmable '' novels 
if not a home run , then at least a solid base hit . 
finest kind 
the characters never change . 
better movie 
an artistry that also smacks of revelation 
charismatic charmer 
covered earlier and much better 
does n't even have potential as a cult film , as it 's too loud to shout insults at the screen . 
fest that 'll put hairs on your chest 
the lustrous polished visuals rich in color and creativity and , of course , special effect 
that are as valid today 
kids-cute 
this is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy . 
funny and touching film 
's sweet and fluffy at the time 
had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
of international acclaim 
any dummies guide , something 
a family film that contains some hefty thematic material on time , death , eternity , and what is needed to live a rich and full life . 
heaven 
of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
were any more of a turkey 
fun-seeking 
juiced with enough energy and excitement for at least three films . 
expert thriller 
a painless time-killer 
to vaporize from your memory minutes after it ends 
it 's still not a good movie 
under its own meager weight 
left slightly disappointed 
`` far from heaven '' 
it 's time for an absurd finale of twisted metal , fireballs and revenge 
a deliberative account of a lifestyle 
most inventive 
april 
always surprising 
can be classified as one of those ` alternate reality ' movies ... except that it would have worked so much better dealing in only one reality 
any sexual relationship that does n't hurt anyone and works for its participants 
a great cast 
an uncluttered , resonant gem 
he runs around and acts like a doofus 
acknowledges and celebrates 
susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
sven wollter as the stricken composer and viveka seldahl as his desperate violinist wife 
hard-to-predict and absolutely essential 
a genre-curling crime story 
this is a movie that tells stories that work -- is charming , is moving 
constantly touching , surprisingly funny , 
period-piece movie-of-the-week 
musical passion 
its cast full of caffeinated comedy performances 
an artsploitation movie with too much exploitation and too little art 
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , and 
that it 's a crime movie made by someone who obviously knows nothing about crime 
about the human need for monsters to blame for all that 
imitative of innumerable 
corniest 
something bigger than yourself 
to sloppy plotting 
more fascinating than the results 
offers us the sense that on some elemental level , lilia deeply wants to break free of her old life 
carvey 's glory days 
for its stylistic austerity and forcefulness 
there 's an energy to y tu mamá también . 
ordinary and 
the tuxedo does n't add up to a whole lot . 
shooting blanks 
make them laugh 
quite good at providing some good old fashioned spooks 
must be low , very low , very very low , for the masquerade to work 
too predictable 
the killing field and 
felt performances 
true love 
there are n't many conclusive answers in the film , but 
the inherent limitations of using a video game as the source material movie are once again made all too clear in this schlocky horror/action hybrid . 
does a great combination act as narrator , jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history 
a supremely kittenish performance 
it might be ` easier ' to watch on video at home , but that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience 
's very beavis and butthead , yet always seems to elicit a chuckle 
like a lazy summer afternoon 
pretty good execution 
appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
does the thoroughly formulaic film 
the makers of this ` we 're - doing-it-for - the-cash ' sequel 
there 's more repetition than creativity throughout the movie . 
a mess . 
needed so badly 
, deeply absorbing piece 
grayish quality 
the action scenes have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up . 
to the soggy performances 
from david 's point of view 
feels as flat as the scruffy sands of its titular community 
the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
to describe exactly how bad it is 
all the complexity and 
adorable italian guys . 
a terrific insider look at the star-making machinery of tinseltown . 
if i want a real movie , i 'll buy the criterion dvd . 
stumbles 
a laughable -- or rather , unlaughable -- 
( a ) thoughtful , visually graceful 
the mothman prophecies , which is mostly a bore , seems to exist only for its climactic setpiece . 
fact , 
goes on and on and on and on 
funny , uplifting and moving 
being simpleminded 
give `` scratch '' a second look 
smart , sassy and 
enjoy the big screen postcard that is a self-glorified martin lawrence lovefest 
informative , intriguing , observant , 
relaxed in its perfect quiet pace and proud in its message . 
contrived 
uses its pulpy core conceit 
lathan and diggs carry the film with their charisma , and both exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest 
deft sense 
are terribly wasted 
is a relationship that is worthy of our respect 
who are either too goodly , wise and knowing or downright comically evil 
light , fun cheese puff 
is a film that takes a stand in favor of tradition and warmth 
, it 's also somewhat clumsy . 
ignore the reputation , and ignore the film 
a loud , ugly , irritating movie without any of its satirical salvos hitting a discernible target . 
the strength and sense of freedom the iranian people already possess , with or without access to the ballot box 
reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating 
leguizamo 's best movie work so far , a subtle and richly internalized performance 
's rare for any movie to be as subtle and touching as the son 's room 
kind , unapologetic , sweetheart 
the power of this movie is undeniable . 
its and pieces of the hot chick are so hilarious , and schneider 's performance is so fine , it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess . 
purposes of bland hollywood romance 
a funny film . 
plot contrivances 
, one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop . 
, spirited away is a triumph of imagination 
pointless , meandering 
engaging , surprisingly 
not just ticking , but humming 
ya-ya 's 
the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year . 
exactly what it wants to be 
amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings 
keeps you guessing at almost every turn 
a lame kiddie flick 
an emotionally strong and politically potent piece of cinema 
none of this is meaningful or memorable , 
an utterly incompetent conclusion 
fake backdrops 
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling , bittersweet dialogue that cuts to the chase of the modern girl 's dilemma . 
a bad sitcom 
is the energetic frontman 
most exciting 
as enlightening , insightful and entertaining 
mostly believable , refreshingly low-key and 
ramsay is clearly extraordinarily talented 
to look at , listen to , and think about 
loved the people onscreen 
very 
is frustratingly unconvincing 
, especially with the weak payoff 
invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets 
engaging film 
a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
cliched and clunky 
most oddly honest hollywood document 
has stopped challenging himself 
vile , incoherent 
make it as much fun 
healing 
any gag that would force you to give it a millisecond of thought 
vulgar dialogue and 
who knows how to hold the screen 
that explore the seamy underbelly of the criminal world 
a few gut-busting laughs 
exaggerated and broad 
like it 's wasted yours 
shallow , offensive and redundant 
waltzed itself into the art film pantheon 
over the end of cinema 
a pretty funny movie 
one-star rating 
as crisp and 
's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s . 
moving 
it has all the heart of a porno flick ( but none of the sheer lust ) . 
of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
unfortunately , it 's also not very good . 
blithe rebel fantasy 
the emperor 's club , 
paved with good intentions leads to the video store 
myers 
pair that with really poor comedic writing ... and you 've got a huge mess 
trying to have the best of both worlds 
doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem 
a bad sign when they 're supposed to be having a collective heart attack 
mr. wollter and ms. seldhal give strong and convincing performances , 
makes it seem 
too often , son of the bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . '' 
, the film certainly does n't disappoint . 
to win any academy awards 
amazing ! 
a solid cast 
`` the dangerous lives of altar boys '' has flaws , but it also has humor and heart and very talented young actors 
chilling , and affecting 
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair 
the pleasure 
flabbergasting principals 
an inelegant combination of two unrelated shorts that falls far short 
effortlessly draws you in 
us nothing new 
, and at times uncommonly moving 
minor-league 
much like its easily dismissive take on the upscale lifestyle , there is n't much there here . 
made literature literal without killing its soul 
a slap-happy mood 
sufficiently 
juiceless 
passion and attitude 
a polished and vastly entertaining caper film that puts the sting back into the con 
literary detective story 
made the old boy 's characters more quick-witted than any english lit 
the whole package 
feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority . 
delivers more goodies 
dragons 
this movie is 90 minutes long , and 
kidman 
curiously tepid and choppy recycling 
with a taste for exaggeration 
as a movie for teens to laugh , groan and hiss at 
together writer-director danny verete 's three tales comprise a powerful and reasonably fulfilling gestalt . 
bizarre developments 
the new populist comedies that underscore the importance of family tradition and familial community 
life-changing 
informative 
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , 
prickly 
dangerously collide 
thrills 
both gentle and biting 
the reunion 
anyone can relate 
the most genuinely sweet films 
aside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea , the film gets added disdain for the fact that it is nearly impossible to look at or understand . 
of an expert thriller 
like movies that demand four hankies 
of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise 
a certain sexiness underlines even the dullest tangents . 
exalted 
the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away 
not number 1 
, discerning taste 
makes less sense than the bruckheimeresque american action flicks it emulates . 
that should bolster director and co-writer 
all the heart 
from the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line , `` besotted '' is misbegotten 
at this nonsensical story 
like a spring-break orgy for pretentious arts majors 
charitable 
being a complete waste of time 
an exquisite motion picture in its own right 
meditative 
very little to add beyond the dark visions already relayed by superb 
are idiosyncratic enough to lift the movie above its playwriting 101 premise . 
a major waste 
its exquisite acting , 
enhance 
what makes shanghai ghetto move beyond a good , dry , reliable textbook 
are first-rate 
in a class by itself 
of barely defensible sexual violence to keep it interested 
a thoroughly engaging , surprisingly touching british comedy . 
there remains a huge gap between the film 's creepy 
to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
spontaneous creativity 
exudes 
is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
that the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen 
ride around a pretty tattered old carousel 
for the wan , thinly sketched story 
also does the absolute last thing we need hollywood doing to us 
every theater stuck with it 
that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget 
love and compassion 
given relatively dry material from nijinsky 's writings to perform 
if you 're looking for a smart , nuanced look at de sade and what might have happened at picpus 
admirably 
thriller form to examine the labyrinthine ways in which people 's lives cross and change 
may not add up to the sum of its parts 
wish it would have just gone more over-the-top instead of trying to have it both ways . 
the delete key 
a worthwhile environmental message 
( and fairly unbelievable ) 
take away the controversy 
worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
a strong script , powerful direction and splendid production design allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being . 
inter-species 
otherwise the production is suitably elegant 
admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint . 
lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle 
scooping the whole world up in a joyous communal festival of rhythm 
life-affirming 
witty , improbable romantic comedy 
it achieves some kind of goofy grandeur 
a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up 
bore most audiences into their own brightly colored dreams . 
bittersweet dialogue that cuts to the chase of the modern girl 's dilemma 
crafted , 
compelling pre-wwii drama 
that would make watching such a graphic treatment of the crimes bearable 
an uncomfortable movie , suffocating and sometimes almost senseless , 
its insights into the dream world of teen life , and its electronic expression through cyber culture 
please not only the fanatical adherents on either side , but also people who know nothing about the subject and 
creates a stunning , taxi driver-esque portrayal of a man teetering on the edge of sanity 
bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time 
so charmless and vacant 
lameness 
in a contest to see who can out-bad-act the other 
one-of-a-kind near-masterpiece . 
a manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse . 
transforms one of ( shakespeare 's ) deepest tragedies into a smart new comedy 
is a case of too many chefs fussing over too weak a recipe 
me feeling refreshed and hopeful 
even if it were n't silly , it would still be beyond comprehension 
charmless and vacant 
ahead of paint-by-number american blockbusters like pearl harbor , at least artistically . 
disturbing . 
the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill . 
show more of the dilemma , rather than 
less-is-more approach 
deeply humanistic 
its own breezy , distracted rhythms 
to be startled when you 're almost dozing 
likely to find on the next inevitable incarnation of the love boat 
... while dark water is n't a complete wash ( no pun intended ) , watched side-by-side with ringu , it ultimately comes off as a pale successor . 
a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender 
every visual joke is milked , 
takes form 
keep the movie slaloming through its hackneyed elements with enjoyable ease . 
inadvertently sidesplitting it 
uplifting and 
rollicking 
a compassionate , moving portrait of an american ( and an america ) always reaching for something just outside his grasp . 
gleaned from this three-hour endurance test built around an hour 's worth of actual material 
jumps off the page , and for the memorable character creations 
an artistry 
with phony imagery or music 
sit through crap like this 
its unbelievable naïveté and arbitrary flashbacks 
its music or 
no good answer 
it 's replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy . 
is one word that best describes this film : honest 
creative urge 
far more interesting than the story at hand 
with his talent 
top billing 
as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts 
given this movie a rating of zero 
inside it he 's well worth spending some time with 
step backward 
if the movie knew what to do with him 
fantastically vital movie 
let 's get this thing over with 
that kind of impact on me these days 
` perfection 
returns the martial arts master to top form 
raise audience 's spirits and leave them singing long after the credits roll 
the lustrous polished visuals 
more busy than exciting 
inspiring and pure joy 
mr. spielberg and his company just want you to enjoy yourselves without feeling conned . 
no good inside dope 
like a skillful fisher , the director uses the last act to reel in the audience since its poignancy hooks us completely . 
to become a household name on the basis of his first starring vehicle 
too long has ignored 
opportunists 
it 's almost worth seeing because it 's so bad 
combine into one terrific story with lots of laughs . 
cage makes an unusual but pleasantly haunting debut behind the camera . 
the percussion rhythm , the brass soul and 
will absolutely crack you up with her crass , then gasp for gas , verbal deportment 
religion that dares to question an ancient faith 
suspecting that it was improvised on a day-to-day basis during production 
pack your knitting needles . 
too smart to ignore but a little too smugly superior to like , this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot . 
stay away . 
did we really need a remake of `` charade ? 
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and 
above run-of-the-filth gangster flicks 
ally 
really , really good things 
in the 
has thrown every suspenseful cliché in the book at this nonsensical story 
so vividly 
, we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes . 
that as far as these shootings are concerned , something is rotten in the state of california 
as grand as the lord of the rings 
out mediocre 
that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
are in this tepid genre offering 
staged violence overshadows everything , including most of the actors 
so compellingly 
... spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) and 
a sick , twisted sort of way 
hitler 
one hour photo lives down to its title . 
bodily function jokes 
limited by its short running time 
make a terrific effort 
slight but enjoyable documentary . 
comes from the heart . 
seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . 
did n't offer an advance screening 
, there 's something creepy about this movie . 
avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates 
dimwits 
sweet , melancholy spell 
should have been sent back to the tailor for some major alterations 
what 's most refreshing about real women have curves is its unforced comedy-drama and its relaxed , natural-seeming actors . 
a relentless , bombastic and ultimately empty world war ii action flick . 
been shot 
intelligent , 
every bit as filling as the treat of the title 
looked like crap , so crap is what i was expecting 
cuts corners 
is that rare animal known as ' a perfect family film 
overrun with movies dominated by cgi aliens and super heroes 
some special qualities and the soulful gravity of crudup 's anchoring performance 
drains his movie of all individuality 
has been sacrificed for the sake of spectacle 
is a question for philosophers , not filmmakers ; all the filmmakers need to do 
be the worst film a man has made about women since valley of the dolls 
create a film that 's not merely about kicking undead *** , 
awkward structure 
burnt out on it 's a wonderful life marathons and bored with a christmas carol 
a word of advice to the makers of the singles ward : celebrity cameos do not automatically equal laughs . 
just for sitting through it 
strangely tempting 
that few movies have ever approached 
artless 
a great writer and dubious human being 
make it human 
admirable energy , full-bodied characterizations 
violent , vulgar and forgettably entertaining 
as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story , the more details slip out between his fingers . 
with passionate enthusiasms like martin scorsese 
spy has all the same problems the majority of action comedies have . 
this is a movie that refreshes the mind and spirit along with the body , so 
stands for milder is n't better 
on it 's a wonderful life marathons and bored 
more successful 
the writing is indifferent , and jordan brady 's direction is prosaic 
excites 
of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark 
skin of man gets a few cheap shocks from its kids-in-peril theatrics 
a tear-stained vintage shirley temple script 
's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' 
every moment crackles with tension 
tosses around some intriguing questions about the difference between human and android life 
, does not work . 
features nonsensical and laughable plotting , wooden performances , ineptly directed action sequences and some of the worst dialogue in recent memory . 
a strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort 
gives ample opportunity for large-scale action and suspense 
lives count 
is a filmmaker of impressive talent . 
vivid , spicy footnote 
the filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story . 
the problem with the mayhem in formula 51 
bludgeoning 
is also beautifully acted 
the misery 
a genuinely funny ensemble comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
take as many drugs as the film 's characters 
impenetrable and insufferable ball 
kept much of the plot 
dips key moments from the film 
is a film in which the talent is undeniable 
garish showcase 
puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less . 
a film without surprise geared toward maximum comfort and familiarity . 
in the real world , an actor this uncharismatically beautiful would have a résumé loaded with credits like `` girl in bar # 3 . '' 
manipulative and as bland as wonder bread dipped in milk 
a key strength 
at the mercy of its inventiveness 
without being memorable 
make up for an unfocused screenplay 
the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . ' 
that so often end up on cinema screens 
's a tribute to the actress , and to her inventive director , 
dynamic 
is so tame that even slightly wised-up kids would quickly change the channel . 
's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic 
enervating 
( hayek ) 
impressive in imax dimensions 
the script is smart and dark - hallelujah for small favors . 
an uneven look into a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films based on philip k. dick stories . 
gorgeous piano 
wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films . 
enough is just the ticket you need . 
in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario 
is truly gorgeous to behold . 
captures that perverse element of the kafkaesque where identity , overnight , is robbed and replaced with a persecuted `` other 
has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else 
a frustrating ` tweener ' -- too slick , contrived and exploitative for the art houses and too cynical , small and decadent for the malls . 
sophomore slump 
no lika da accents so good 
seems embarrassed to be part of 
white oleander may leave you rolling your eyes in the dark , 
is apparently as invulnerable as its trademark villain 
their contrast 
as simultaneously funny 
camouflage how bad his movie is 
a sluggish pace and lack of genuine narrative 
's no denying that burns is a filmmaker with a bright future ahead of him . 
will seem like a recycling of clichés , an assassin 's greatest hits . 
determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering 
replaced by the forced funniness found in the dullest kiddie flicks 
is uncompromising , difficult and unbearably beautiful 
despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff . 
is a masterpiece 
the film sounds like the stuff of lurid melodrama , but what makes it interesting as a character study is the fact that the story is told from paul 's perspective 
the living hell 
the idea is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run . 
with conspicuous success 
may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar . 
a breath of fresh air 
insomnia is one of the year 's best films 
it is laughingly enjoyable 
it just is n't a very involving one 
's a stale , overused cocktail using the same olives since 1962 as garnish . 
plays as dramatic 
it 's coherent , well shot , and tartly acted , but 
artsy 
screenwriter dan schneider and director shawn levy substitute volume and primary colors for humor and bite . 
do n't need to be a hip-hop fan to appreciate scratch 
sand 's masculine persona 
get into heaven 
almost feels as if the movie is more interested in entertaining itself than in amusing us . 
deep inside righteousness can be found a tough beauty 
is just a corny examination of a young actress trying to find her way . 
's no new `` a christmas carol '' out in the theaters this year 
is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion 
succeed merrily 
sustain a reasonable degree of suspense on its own 
is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie . 
keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity 
, contemplative , and sublimely beautiful . 
all manner of lame entertainment 
action-packed chiller 
lovingly photographed in the manner of a golden book sprung to life , stuart little 2 manages sweetness largely without stickiness . 
the script falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy . 
is a brilliantly played , deeply unsettling experience 
in a tasteful , intelligent manner 
a good ear for dialogue , and the characters sound like real people 
handsomely 
about a family 's joyous life 
of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle . 
a lot better 
uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
too clever by about nine-tenths . 
the film has not a trace of humanity or empathy 
to activate girlish tear ducts does n't mean it 's good enough for our girls 
, soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem . 
, redundant , sloppy 
insightfully written 
with raw emotions 
ear-pleasing 
the only surprise 
, it will remind them that hong kong action cinema is still alive and kicking . 
the slack complacency 
from the bland songs to the colorful but flat drawings 
the comedy 
instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness . 
is so bad 
is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge 
k-19 will not go down in the annals of cinema as one of the great submarine stories , but 
requisite faux-urban vibe 
after you laugh once ( maybe twice ) 
a french film with a more down-home flavor . 
have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned 
over-dramatic at times 
so many flaws 
to appeal to women looking for a howlingly trashy time 
a journey that is as difficult for the audience to take as it 
he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
, haphazard , and inconsequential romantic 
ambitious , sometimes beautiful adaptation 
on mindless action 
is rigid and evasive in ways that soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and `` ocean 's eleven , '' 
impossible , irrevocable choices 
for both children and parents 
motivate 
insufferably tedious and turgid 
sketchy with actorish notations on the margin of acting 
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' 
fine production 
monotony 
crippled by poor casting . 
walk out of the good girl 
adrift , bentley and hudson 
be something really good 
to infamy 
'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture 
by even the corniest and most hackneyed contrivances 
daughter from danang reveals that efforts toward closure only open new wounds . 
gives everyone 
poetic , heartbreaking . 
worthy of the gong . 
its visual imagination 
savor the pleasure of his sounds and images 
only defies credibility 
of the other 
the immediate aftermath of the terrorist attacks 
its true-to-life characters , its sensitive acting , its unadorned view of rural life 
best moments 
by african-americans because of its broad racial insensitivity towards african-americans 
interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor 
you should be able to find better entertainment . 
the cutting-room floor of any given daytime soap 
good cast 
is funny , insightfully human and a delightful lark for history buffs 
sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy 
drawn engaging characters while peppering the pages with memorable zingers 
the flaws 
a real audience-pleaser 
achieve a shock-you-into-laughter intensity of almost dadaist proportions . 
gutless direction 
thoughtful dialogue 
has been overexposed , redolent of a thousand cliches , and yet 
have a case of masochism and an hour and a half to blow 
ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
like a skillful fisher 
the film 's manipulative sentimentality and annoying stereotypes 
the problems and characters it reveals 
is laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period . 
the bad sound , the lack of climax and , worst of all , watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy 
an exercise in chilling style 
cletis is playful but highly studied and dependent for its success on a patient viewer . 
underdog movie since the bad news bears 
if you 're looking for a smart , nuanced look at de sade and what might have happened at picpus , sade is your film . 
my greatest pictures , drunken master 
but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking 
a captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age . 
a glorified sitcom , 
some sort of martha stewart decorating program run amok 
drags the film down 
the superficial way 
elicit a chuckle 
a strong narrative 
about this silly , outrageous , ingenious thriller 
assembled cliches and pabulum that plays like a 95-minute commercial for nba properties 
featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted . 
bad of a movie 
saucy 
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling 
hand in hand 
the overall feeling is genial and decent 
let 's see , a haunted house , a haunted ship , what 's next ... ghost blimp ? 
power-lunchers 
offbeat humor , amusing characters 
ridiculous dialog 
no good inside dope , and 
beautifully crafted and brutally honest 
do n't have a clue on the park 
ca n't go wrong 
gooeyness 
walked out muttering words like `` horrible '' and `` terrible 
an empty exercise , 
totally overwrought 
above the ordinary 
tries and tries hard 
in a low-key , organic way that encourages you to accept it as life and go with its flow 
reliable 
quirky , original 
the storytelling may be ordinary , but the cast is one of those all-star reunions that fans of gosford park have come to assume is just another day of brit cinema . 
strikes a very resonant chord 
but tongue-in-cheek preposterousness has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ... 
's impossible to shake . 
void 
it should pay reparations to viewers . 
is way , way off 
simple in form but rich with human events 
get in the way 
about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing 
not quite 
has none of the charm and little of the intrigue from the tv series 
subtle and richly 
we had to endure last summer , and 
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and also the unique way shainberg goes about telling what at heart is a sweet little girl 
if you like an extreme action-packed film with a hint of humor , then triple x marks the spot . 
in some terrific setpieces 
could relish 
, they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction . 
be shaking your head all the way to the credits 
consistently clever and suspenseful 
but because it has a bigger-name cast , it gets a full theatrical release 
amazingly dopey 
touch you to the core in a film you will never forget -- that you should never forget 
reveals how bad an actress she is 
a well made indieflick in need of some trims and a more chemistry between its stars . 
's funny and human and really pretty damned wonderful , 
contemptuous of the single female population 
one of the year 's most weirdly engaging and unpredictable character pieces . 
laughs and insight into one of the toughest ages a kid can go through . 
garner the film a `` cooler '' pg-13 rating 
's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original . 
engaging examination 
is something of a triumph . 
, involving aragorn 's dreams of arwen , this is even better than the fellowship . 
vaporize from your memory minutes after it ends 
the performances of the children , untrained in acting , have an honesty and dignity that breaks your heart . 
will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle . 
lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature 
hard ground 
has all the enjoyable randomness of a very lively dream and 
is also as unoriginal as they come , already having been recycled more times than i 'd care to count 
terms with his picture-perfect life 
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; 
is not only a pianist , but a good human being 
through recklessness and retaliation 
imagine benigni 's pinocchio becoming a christmas perennial 
during the long build-up of expository material 
was at least funny 
that fly at such a furiously funny pace that the only rip off that we were aware of 
its three-hour running time plays closer to two . 
delivers a terrific performance in this fascinating portrait of a modern lothario . 
amusing and 
overrun 
well shot 
sense-of-humour 
this thriller is too loud and thoroughly overbearing 
exciting moviemaking 
, offensive and redundant 
rarely comes alive as its own fire-breathing entity in this picture . 
it also treats the subject with fondness and respect 
the story itself it mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday . 
various victimized audience members 
you may be surprised at the variety of tones in spielberg 's work . 
that works . 
animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
a big box of consolation candy 
`` gory mayhem '' is your idea of a good time 
the obnoxious special effects , 
giggles and 
say you were n't warned 
a great premise 
cinematic intoxication , a wildly inventive mixture of comedy and melodrama , 
a remarkable movie with an unsatisfying ending , which is just the point 
a fun family movie that 's suitable for all ages -- a movie that will make you laugh 
cheapo animation ( like saturday morning tv in the '60s ) , 
a crowdpleaser as 
alcatraz 
she lacks the skill or presence to regain any ground 
a low-rent retread of the alien 
's great cinematic polemic 
littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups . 
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness 
makes it a comic book with soul 
it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people 
unstoppable superman 
hilarious ode 
happy 
counter-cultural 
deflated 
a very entertaining , thought-provoking film with a simple message 
worthy 
dull , a road-trip movie that 's surprisingly short of both adventure and song 
piffle 
freshly 
there is a difference between movies with the courage to go over the top and movies that do n't care about being stupid 
dreary piece 
of magic 
birthday girl does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency . 
entirely witless and 
erotically 
unpleasant excuse 
a must-see for fans of thoughtful war films and those interested in the sights and sounds of battle . 
could be , by its art and heart , a necessary one . 
it wo n't hold up over the long haul , but in the moment , finch 's tale provides the forgettable pleasures of a saturday matinee . 
has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare . 
... even if you 've never heard of chaplin , you 'll still be glued to the screen . 
is so rich with period minutiae it 's like dying and going to celluloid heaven 
make a hip comedy 
perfectly pleasant 
jackson 's 
and plastic knickknacks 
ambitious ` what if 
, it has considerable charm . 
artistes 
stretched out to feature 
is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs 
quite tasty 
a tightly directed , highly professional film that 's old-fashioned in all the best possible ways . 
go down as one of the all-time great apocalypse movies 
makes a feature debut that is fully formed and remarkably assured . 
all the trappings of an energetic , extreme-sports adventure 
any rock pile will do for a set . 
too shallow for an older one . 
have stayed there 
is a story that zings all the way through with originality , humor and pathos . 
lacks the skill or presence to regain any ground 
any stylish sizzle 
is a director to watch 
with a cast of a-list brit actors , it is worth searching out . 
even in terms of the low-grade cheese standards on which it operates , it never quite makes the grade as tawdry trash . 
precision 
the filmmakers just follow the books 
a wholly unnecessary pre-credit sequence 
loveable 
you can feel the love . 
the devastation of this disease 
, this is a must ! 
could make a person who has lived her life half-asleep suddenly wake up and take notice 
love to have their kids 
marvelous 
into a rustic , realistic , and altogether creepy tale of hidden invasion 
slick and 
robinson 's web of suspense matches the page-turning frenzy that clancy creates . 
begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters 
is the stuff that disney movies are made of 
bears ... should keep parents amused with its low groan-to-guffaw ratio 
all looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer . 
that i just did n't care 
even when there are lulls , the emotions seem authentic , 
is the stuff of high romance , brought off with considerable wit . 
lush 
familial 
absorbing and unsettling psychological drama 
this 10th film in the series looks and feels tired . 
comes across as a relic from a bygone era , and its convolutions ... feel silly rather than plausible 
, alone , should scare any sane person away . 
a touching drama about old age and grief with a tour de force performance by michel piccoli . 
look at the star-making machinery of tinseltown . 
a masterfully made one 
preposterous , the movie will likely set the cause of woman warriors back decades . 
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers -- 
meditation ) 
a not-so-bright mother and daughter 
too good 
strange 
obstacles 
funny , even punny 6 
invincible 
better still 
may be shallow 
absolutely , inescapably gorgeous , skyscraper-trapeze motion 
no unifying rhythm 
` time waster ' 
drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) 
aggravating and 
stops being clever and devolves into flashy , vaguely silly overkill 
unwieldy contraption . 
could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary . 
suited to capture these musicians in full regalia 
this humbling little film , 
laughing at ' variety 
of the oscar wilde play 
be called `` jar-jar binks : the movie 
abandon '' 
circa 
a familiar road with a few twists 
thrills , too many flashbacks and a choppy ending 
spectacular performance - ahem 
more precious than perspicacious 
like a side dish no one ordered 
takes every potential laugh 
far too cliched 
splatterfests 
important film 
todd solondz ' oftentimes funny , yet ultimately cowardly autocritique 
to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant 
we keep getting torn away from the compelling historical tale to a less-compelling soap opera 
most surprising thing 
's sweet , funny , charming , and completely delightful 
, memories and one fantastic visual trope 
interview with the assassin is structured less as a documentary and more as a found relic , 
does n't really go anywhere . 
the great american comedy 
are also 
approach to the workplace romantic comedy 
in fact , it does n't even seem like she tried . 
unimaginative screenwriter 's 
too drunk on the party favors to sober us up with the transparent attempts at moralizing 
sandra bullock and hugh grant make a great team , but this predictable romantic comedy should get a pink slip 
the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers 
liotta is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario . 
a mostly magnificent directorial career 
imperfect 
gloriously alive 
executed with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted scrooge could fail to respond 
is nevertheless efficiently amusing for a good while 
be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
has the charisma of a young woman who knows how to hold the screen 
a sad , sordid universe 
bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state 
is a stunning new young talent in one of chabrol 's most intense psychological mysteries 
is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables . 
did n't find much fascination in the swinging . 
wewannour money 
the funniest idea 
bean drops the ball too many times ... 
could be intriguing 
wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals 
been remarkable about clung-to traditions 
a zippy 96 minutes 
also one of the most curiously depressing 
that affirms the nourishing aspects of love and companionship 
takes your breath away 
unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints 
dull-witted and disquietingly 
a high-spirited buddy movie about the reunion of berlin anarchists who face arrest 15 years after their crime . 
goals 
a tasty performance from vincent gallo 
commands attention . 
off spookily enough 
could have been crisper and punchier , but it 's likely to please audiences who like movies that demand four hankies . 
overwhelmed by its lack of purpose 
enjoy a couple of great actors hamming it up 
a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
again , in a better movie , you might not have noticed . 
americans 
's a rather listless amble down 
it sounds like another clever if pointless excursion into the abyss , and that 's more or less how it plays out 
what it lacks in outright newness 
is a sweet treasure and something well worth 
`` frailty '' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies . 
eight legged freaks is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer . 
with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
far too tragic 
promising cast 
overflows with wisdom and emotion . 
a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past 
an elegant film with often surprising twists and an intermingling of naiveté and sophistication . 
the plot is paper-thin and the characters are n't interesting enough to watch them go about their daily activities for two whole hours 
hell-jaunt purists 
expressive power 
did they deem it necessary to document all this emotional misery 
it gives poor dana carvey nothing to do that is really funny , and then expects us to laugh because he acts so goofy all the time 
manages to breathe life into this somewhat tired premise . 
fessenden continues to do interesting work , and it would be nice to see what he could make with a decent budget 
glaring and unforgettable . 
the benefit of being able to give full performances 
being insightful 
before it builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia 
is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything . 
's like a drive-by 
can fire a torpedo through some of clancy 's holes 
urban south korea 
to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
has done the nearly impossible . 
brother hoffman 's script stumbles over a late-inning twist that just does n't make sense 
simply feel wrong 
is extremely thorough 
to get bogged down in earnest dramaturgy 
a fun family movie that 's suitable for all ages -- a movie that will make you laugh , cry and realize , ` it 's never too late to believe in your dreams . ' 
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , 
feel free to go get popcorn whenever he 's not onscreen . 
involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together . 
a 1986 harlem that does n't look much like anywhere in new york 
visual flourishes 
is n't really about anything . 
it 's got all the familiar bruckheimer elements , 
astonishing growth 
its surreal sense of humor and technological finish 
much further than we imagine 
their work is fantastic . 
it 's hard to quibble with a flick boasting this many genuine cackles , 
do n't 
a most hard-hearted person 
your seat a couple of times 
serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool . 
... bright , intelligent , and humanly funny film . 
an imaginative filmmaker 
for unexpectedly giddy viewing 
summer season 
if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
to be grandiloquent 
was daniel day-lewis . 
the feature-length stretch ... strains the show 's concept . 
love and power 
sit through , enjoy on a certain level and 
but though he only scratches the surface , at least he provides a strong itch to explore more . 
makes their project so interesting 
moralizing 
spectacular completion one 
at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand 
if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags . 
an adventure story and history lesson 
to soothe and break your heart with a single stroke 
a plethora of engaging diatribes on the meaning of ` home , ' delivered in grand passion by the members of the various households . 
, the movie is in a class by itself 
need not apply 
may be disappointed . 
a sane regimen of eating , sleeping and stress-reducing contemplation 
ignite 
where janice beard falters in its recycled aspects , implausibility , and sags in pace 
absolutely no idea 
was developed hastily after oedekerk 
quite simply , a joy to watch and -- especially -- to listen to . 
than like a bottom-feeder sequel in the escape from new york series 
a teen movie with a humanistic message 
pieces of the famous director 's life 
rash 
its electronic expression through cyber culture 
to be the movie 's most admirable quality 
iwai 's gorgeous visuals 
, but with material this rich it does n't need it 
joyous films that leaps over national boundaries and celebrates universal human nature 
could n't have done any better in bringing the story of spider-man to the big screen 
damn unpleasant 
bittersweet drama 
feel the screenwriter at every moment ` tap 
clear point 
of rich detail condensed 
esther seems to remain an unchanged dullard 
much panache 
moments to keep it entertaining 
a question comes to mind : so why is this so boring ? 
is a genuinely bone-chilling tale . 
messy 
the screenplay flounders under the weight of too many story lines . 
find greatness 
too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) 
to please others 
does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency 
so bland 
consider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire 
is interested in nothing 
, quirky , original 
also a -- dare i say it twice -- delightfully charming -- and totally american , 
the beauty of the piece is that it counts heart as important as humor . 
repellent 
before i see this piece of crap again 
romanek keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong . 
it 's sweet , funny , charming , and completely delightful . 
is an intelligent , realistic portrayal of testing boundaries . 
an impressive and highly entertaining celebration 
unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness 
bombastic and ultimately empty 
ditched the saccharine sentimentality of bicentennial man 
ugly behavior 
possibly the best actor 
a good idea that was followed by the bad idea to turn it into a movie 
just another disjointed , 
a great piece of filmmaking 
breathtakingly 
find a movie with a bigger , fatter heart than barbershop 
so vivid a portrait of a woman 
in the simple telling 
suspense , intriguing characters and bizarre bank robberies 
one of the greatest films i 've ever seen . 
love , longing , and 
thoroughly satisfying 
what results is the best performance from either in years . 
, if uneven , 
entirely suspenseful , extremely well-paced and ultimately ... 
it 's the butt of its own joke 
exciting 
becalmed 
an amateurish , quasi-improvised acting exercise 
expects something special but 
is silly but strangely believable 
just not a thrilling movie 
aimless , 
feel funny and light 
, they go to a picture-perfect beach during sunset . 
, self-hating , self-destructive ways 
tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet . 
is doa 
hip 
exhilarating , funny and fun 
whether jason x is this bad on purpose is never clear . 
could have used my two hours better watching being john malkovich again . 
you may just end up trying to drown yourself in a lake afterwards . 
greengrass 
deserves the dignity of an action hero motivated by something more than franchise possibilities 
robbed and 
following your dream 
it has its faults , but it is a kind , unapologetic , sweetheart of a movie , and mandy moore leaves a positive impression 
the intricate preciseness 
of bland hollywood romance 
not only a coming-of-age story and cautionary parable , but also a perfectly rendered period piece . 
is pleasant , diverting and modest -- definitely a step in the right direction 
witless script 
the film gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection . 
that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day 
resolutely unamusing , how thoroughly unrewarding all of this is 
beneath the film 's obvious determination to shock at any cost lies considerable skill and determination , backed by sheer nerve . 
should be thrown back in the river 
suspense , intriguing characters and 
comedy genre 
sabotaged 
on some levels 
a movie theater 
would not improve much after a therapeutic zap of shock treatment . 
be remembered as one of ( witherspoon 's ) better films 
the elements were all there but lack of a pyschological center knocks it flat 
highly spirited 
draws its considerable power 
the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie 
self-glorification and 
disguised 
suited to a quiet evening on pbs than a night out at an amc 
is one that allows him to churn out one mediocre movie after another 
sparkles with the the wisdom and humor of its subjects . 
had a lot of problems with this movie . 
galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
the most unpleasant things the studio 
too smug 
more than capable 
tackling serious themes 
even halfway scary 
and it 's harder still to believe that anyone in his right mind would want to see the it . 
he seems to want both , but succeeds in making neither . 
wanes . 
is refreshingly undogmatic about its characters . 
unless bob crane is someone of particular interest to you , this film 's impressive performances and adept direction are n't likely to leave a lasting impression . 
i loved the look of this film . 
adorably ditsy but heartfelt performances , and 
makes you crave chris smith 's next movie 
except it 's much 
sterile and 
, but it at least calls attention to a problem hollywood too long has ignored . 
the movie enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle . 
fudged opportunity 
thought-provoking picture . 
elegant , 
've ever seen before , and yet completely familiar . 
an authentically vague , but ultimately purposeless , study 
would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
this will be on video long before they grow up and you can wait till then . 
into how long is this movie ? 
everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
so-so slapstick 
is a remarkable piece of filmmaking ... 
clunky tv-movie approach 
a neat premise 
goal 
defined 
essentially `` fatal attraction '' remade for viewers who were in diapers when the original was released in 1987 . 
the funniest film 
that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
relayed by superb 
is strictly routine 
to give you brain strain 
great trashy fun 
with regret and , ultimately , finding redemption 
its social and political potential 
're going to subjugate truth to the tear-jerking demands of soap opera 
dishonest and pat 
to find a place among the studio 's animated classics 
fondly 
makes up for in heart . 
his body 
both are just actory concoctions , defined by childlike dimness and a handful of quirks 
just more of the same 
be really awful 
orange county '' is far funnier than it would seem to have any right to be . 
but the movie has a tougher time balancing its violence with kafka-inspired philosophy 
an adrenaline boost 
are n't likely to leave a lasting impression . 
the story is predictable , the jokes are typical sandler fare , and 
would -- with moist eyes 
is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans 
spy kids 2 also happens to be that rarity among sequels : 
fun 
is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
reyes ' directorial debut has good things to offer 
special p.o.v. camera mounts on bikes , skateboards , and motorcycles provide an intense experience when splashed across the immense imax screen . 
offers little insight into the experience of being forty , female and single 
extremely well acted by the four primary actors , this is a seriously intended movie that is not easily forgotten . 
making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work 
have been titled generic jennifer lopez romantic comedy 
music you may not have heard before 
is a rare treat that shows the promise of digital filmmaking 
white-knuckled and unable to look away 
the best short story writing 
a jackie chan movie 
ramsay is clearly extraordinarily talented , and based on three short films and two features , here 's betting her third feature will be something to behold 
christ 
( h ) ad i suffered and bled on the hard ground of ia drang , i 'd want something a bit more complex than we were soldiers to be remembered by . 
triple x is a double agent , and he 's one bad dude 
the enduring strengths 
seen to better advantage on cable 
sub 
is n't exactly profound cinema 
of the worst films of 2002 
squirm-inducing fish-out-of-water formula 
it 's not too much of anything . 
does a film so graceless and devoid of merit as this one come along . 
warmed over pastiche 
an ebullient tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing 
pathetic as dahmer 
takes a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker 
hold up pretty well 
old age and grief 
the right to be favorably compared to das boot 
consistently funny , in an irresistible junior-high way , and consistently free 
marvelous first 101 minutes 
the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers 
has been written so well , that even a simple `` goddammit 
generate enough heat 
can just follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity . 
it 's still a comic book , but maguire makes it a comic book with soul . 
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , 
out of control 
a beyond-lame satire 
it is philosophy , illustrated through everyday events . 
blessed with two fine , nuanced lead performances . 
feels especially thin stretched over the nearly 80-minute running time . 
revulsion 
, splashy and entertainingly nasty 
tolerable-to-adults 
is a disaster , with cloying messages and irksome characters 
with amazing finesse , the film shadows heidi 's trip back to vietnam and the city where her mother , mai thi kim , still lives . 
layered , well-developed characters and 
is smarter and subtler than ( total recall and blade runner ) , although its plot may prove too convoluted for fun-seeking summer audiences 
need of a cube fix 
as boring and 
breathe out of every frame . 
recommended viewing for its courage , ideas , technical proficiency and great acting . 
are the lively intelligence of the artists and their perceptiveness about their own situations . 
the most surprising thing about this film is that they are actually releasing it into theaters . 
why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera 
as a surprisingly anemic disappointment 
who has been awarded mythic status in contemporary culture 
it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome . 
this is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be . 
adam sandler assault 
refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy 
, the movie will likely set the cause of woman warriors back decades . 
the limits of what a film can be , 
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control , is intriguing , provocative stuff . 
the real masterpiece 
do we have that same option to slap her creators because they 're clueless and inept ? 
peter out midway 
a remarkable new trick 
leaves a lot to be desired . 
that tian 's meticulous talent has not withered during his enforced hiatus 
works better in the conception than it does in the execution ... winds up seeming just a little too clever 
but the film itself is ultimately quite unengaging . 
a mindless action flick with a twist -- far better suited to video-viewing than the multiplex 
skins has a desolate air 
an art 
great cast 
feels uncomfortably real 
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness 
`` extreme ops '' exceeds expectations . 
good fight 
kind of an authentic feel 
daft by half ... but supremely good natured . 
does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift 
that gives hollywood sequels a bad name 
entertains 
's a certain robustness to this engaging mix of love and bloodletting . 
scary-funny 
favorite 
dreadful romance . 
so engagingly 
that it counts heart as important as humor 
bungle their way through the narrative as if it were a series of bible parables and not an actual story . 
sketches ... which leaves any true emotional connection or identification frustratingly out of reach 
is smarter and subtler than ( total recall and blade runner ) , 
's like having an old friend for dinner ' 
involved in creating the layered richness of the imagery in this chiaroscuro of madness and light 
continuity errors 
's always enthralling 
with complications 
one of the most gloriously unsubtle and adrenalized extreme shockers since the evil dead . 
to guilt-trip parents 
it succeeds 
that 's packed with just as much intelligence as action 
impart an almost visceral sense of dislocation and change 
, windtalkers seems to have ransacked every old world war ii movie for overly familiar material . 
every cliché 
the immersive powers 
canada 
slow , painful healing process 
the notion of deleting emotion from people 
a mostly believable , refreshingly low-key and quietly inspirational little sports drama . 
infuses 
a wannabe comedy 
with the prospect of films like kangaroo jack about to burst across america 's winter movie screens it 's a pleasure to have a film like the hours as an alternative . 
would that greengrass had gone a tad less for grit and a lot more for intelligibility 
crummy , wannabe-hip crime comedy 
enjoyment 
has enough laughs to sustain interest to the end 
a huge cut of above the rest 
the plot almost arbitrary 
delightfully charming 
of stagy set pieces stacked with binary oppositions 
also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase . 
awe and affection -- and a strange urge to get on a board and , uh , shred , dude 
this one is a few bits funnier than malle 's dud , if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks . 
fails to overcome the film 's manipulative sentimentality and annoying stereotypes . 
will likely prefer to keep on watching . 
unclear 
getting in its own way to be anything but frustrating , boring , and forgettable 
expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street 
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo . 
routine crime 
's propelled by the acting 
the film never recovers from the clumsy cliché of the ugly american abroad 
usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
a remarkable film by bernard rose . 
can easily worm its way into your heart . ' 
take credit for most of the movie 's success 
its leaden acting , dull exposition 
the hallucinatory drug culture 
comic slugfest 
it 's informative and breathtakingly spectacular 
as far as art is concerned , it 's mission accomplished 
that should be punishable by chainsaw 
fully ` rendered ' 
the somber pacing and lack of dramatic fireworks make green dragon seem more like medicine than entertainment . 
was n't just bad 
the director is a magician 
sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen 
also wrecks any chance of the movie rising above similar fare 
to have fun with it 
by pretentious , untalented artistes who enjoy moaning about their cruel fate 
be nominated for an oscar next year 
the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
spirals downward , 
gentle but insistent sincerity 
it 's not much more watchable than a mexican soap opera 
, daydreams , memories and one fantastic visual trope 
are n't likely to leave a lasting impression 
holocaust literature 
a good vampire tale 
disease-of-the-week 
winning actor 
cox offers plenty of glimpses at existing photos , 
is guaranteed to lift the spirits of the whole family 
settled for a lugubrious romance 
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction . 
its best , 
the half-lit , sometimes creepy intimacy of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing 
k-19 will not go down in the annals of cinema as one of the great submarine stories , 
an invaluable record 
surprising highs 
an unusually surreal tone 
is widely seen and debated with appropriate ferocity and thoughtfulness 
makes your teeth hurt 
reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al . 
a retread 
opts to overlook this goofily endearing and well-lensed gorefest 
it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt 
touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths 
in manipulation and mayhem 
we have come to love 
awesome work : 
reveal his impressively delicate range 
caught the gum stuck under my seat trying to sneak out of the theater 
it 's dark but has wonderfully funny moments ; you care about the characters ; and 
stay with the stage versions , however , 
it has some of the funniest jokes of any movie this year , including those intended for adults 
was so endlessly , grotesquely , inventive 
of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
a feeble tootsie knockoff . 
while reaffirming washington as possibly the best actor working in movies today 
many a hollywood romance 
immense imax screen 
infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own 
in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids 
directed with purpose and finesse by england 's roger mitchell , who handily makes the move from pleasing 
the summer 's most pleasurable movies 
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares 
this method almost never fails him , and it works superbly here . 
road movie , coming-of-age story and 
eee for excitement 
see a movie that takes such a speedy swan dive from `` promising '' 
might have required genuine acting from ms. spears 
the filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story 
`` based on true events , '' a convolution of language that suggests it 
is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
works so well for the first 89 minutes 
the entire cast is extraordinarily good . 
had the misfortune to watch in quite some time 
about one in three gags in white 's intermittently wise script hits its mark ; 
is a movie that deserves recommendation 
a fair share 
a rather bland 
big time 
shame 
hallmark film 
1937 breakthrough 
pleasant 
fly at such a furiously funny pace that the only rip off that we were aware of 
of manipulation , an exploitation piece doing its usual worst to guilt-trip parents 
none of this is very original 
several times here and reveals how bad an actress she is 
preposterous , prurient whodunit 
as hilarious 
does n't overcome the tumult of maudlin tragedy . 
to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
wonderfully lush 
, sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself . 
were wonderful 
twenty years after its first release , e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career . 
makes a better short story 
-- and timely -- 
unlike those in moulin rouge , are crisp and purposeful without overdoing it 
the film is superficial and will probably be of interest primarily to its target audience 
-- a straight guy has to dress up in drag -- 
's no reason to miss interview with the assassin 
fun and funny in the middle , 
take nothing seriously and enjoy the ride . 
were imposed for the sake of commercial sensibilities 
the way they help increase an average student 's self-esteem 
you can tell almost immediately that welcome to collinwood is n't going to jell . 
dull , lifeless , and irritating 
garcía bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out . 
dark places 
a very depressing movie of many 
it is very difficult to care about the character , and 
built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids . 
is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home 
was that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz ? 
struck me as unusually and unimpressively fussy and 
a uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot . 
sincerely 
can you take before indigestion sets in 
crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings . 
somnambulant exercise 
is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal . 
it summons more spirit and bite than your average formulaic romantic quadrangle 
family fun 
white oleander may leave you rolling your eyes in the dark , but that does n't mean you wo n't like looking at it . 
are padding unashamedly appropriated from the teen-exploitation playbook 
presents nothing special and , until the final act , nothing overtly disagreeable . 
fans will undoubtedly enjoy it 
's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss 
of dumbed-down exercise in stereotypes that gives the ( teen comedy ) 
to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater 
berling and béart ... continue to impress 
caper thrills 
in a series of relentlessly nasty situations 
a fun adventure movie for kids ( of all ages ) that like adventure 
establish mr. cantet as france 's foremost cinematic poet of the workplace 
a clever and cutting , quick and dirty look at modern living and movie life 
beneath the familiar , funny surface 
definitely funny stuff , 
channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine 
serious contender 
a talent 
contradicts 
broadway 
none of the pushiness and decibel volume of most contemporary comedies 
squeeze a few laughs 
of a sick and evil woman 
diverse and astonishingly articulate 
in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minac drains his movie of all individuality 
did i miss something 
rather unbelievable 
if you recognize zeus ( the dog from snatch ) it will make you wish you were at home watching that movie instead of in the theater watching this one . 
is 75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie 
some kid who ca n't act , only echoes of jordan , and weirdo actor crispin glover screwing things up old school 
cheery and tranquil suburban life 
weightless that a decent draft in the auditorium might blow it off the screen . 
with a zippy jazzy score 
very interesting 
nice change 
... tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here ... 
cheered 
undercut by its awkward structure and a final veering 
as that sentiment 
restrictive and chaotic 
is a failure . 
candy-coat with pat storylines , precious circumstances and beautiful stars 
is rote work and predictable 
while insomnia is in many ways a conventional , even predictable remake , nolan 's penetrating undercurrent of cerebral and cinemantic flair lends ( it ) stimulating depth . 
scored and powered 
a dreary , humorless soap opera 
ability to make its subject interesting to those who are n't part of its supposed target audience 
glides gracefully from male persona to female without missing a beat 
a terrible strength 
have been this odd , inexplicable and unpleasant 
straightforward and old-fashioned in the best possible senses of both those words , possession is a movie that puts itself squarely in the service of the lovers who inhabit it . 
the same sort of good-natured fun found in films like tremors 
realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already 
chronicle not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department . 
of epic scale 
, the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes . 
there is little else to recommend `` never again . '' 
you 'll love this movie . 
sheer joy and pride 
inspires 
is perfectly creepy and believable . 
an already obscure demographic 
is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams 
a paunchy midsection , several plodding action sequences and 
's just one that could easily wait for your pay per view dollar . 
that a nightmare is a wish a studio 's wallet makes 
cliched dialogue and 
an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and 
an actual story 
it is hard to tell who is chasing who or why 
makes barbershop so likable 
the precision of the insurance actuary 
deserving 
turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny 
the one-sided theme 
is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins 
a minor miracle of self-expression 
of hackery 
hack script 
has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange 
becomes a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the papin sisters . 
like heathers , then becomes bring it on , then becomes unwatchable 
a retread story 
sense-of-humour failure 
blaxploitation spoof 
bursting through the constraints of its source , this is one adapted - from-television movie that actually looks as if it belongs on the big screen . 
would force you to give it a millisecond of thought 
smart and funny 
jim brown 
layered 
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- 
splashy and 
thoroughly formulaic film 
her appear foolish and shallow rather than , as was more likely , 
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , 
goes on for too long and bogs down in a surfeit of characters and unnecessary subplots 
will only satisfy the most emotionally malleable of filmgoers 
with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master 
suited to a quiet evening on pbs than a night out at an amc . 
with spirit , purpose and emotionally bruised characters who add up to more than body count 
others do n't , 
humble , teach and 
never once predictable 
increasingly amused 
too-frosty exterior 
jaw-dropping action sequences , striking villains , a gorgeous color palette 
by an intelligent screenplay and gripping performances 
few cheap shocks 
still charming 
the formula is familiar but enjoyable . 
quirky road movie that constantly defies expectation 
lets you brush up against the humanity of a psycho , without making him any less psycho . 
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but it is 
feel fully embraced by this gentle comedy 
insulted 
men in black ii achieves ultimate insignificance 
's refreshing that someone understands the need for the bad boy 
it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker . 
the movie does leave you marveling at these guys ' superhuman capacity to withstand pain 
my mind kept returning to one anecdote for comparison : the cartoon in japan that gave people seizures . 
swooning melodrama 
stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable 
make a clear point 
fertile 
energetic and sweetly whimsical 
but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
playful but highly studied and 
it 's a crime movie made by someone who obviously knows nothing about crime 
the river 
laudable 
this overproduced piece of dreck 
there is a beautiful , aching sadness to it all . 
a keep - 'em - guessing plot and an affectionate take on its screwed-up characters 
vibrance and 
cute animals and 
tells this very compelling tale with little fuss or noise 
going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster 
faux-urban 
's most memorable about circuit 
feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs 
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , 
semi-amusing to watch robert deniro belt out `` when you 're a jet 
its almost too-spectacular coastal setting distracts slightly from an eccentric and good-naturedly aimless story . 
, all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor . 
a few gross-out comedies i 've been trying to forget 
reassuring 
with the visceral sensation of longing , lasting traces of charlotte 's web of desire and desperation 
very talented but underutilized 
extraordinary journalism 
works more often than it does n't 
skillfully assembled , highly polished and professional adaptation 
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- and auto focus remains a chilly , clinical lab report 
a bland , obnoxious 88-minute infomercial for universal studios and its ancillary products ... 
it 's just a movie that happens to have jackie chan in it . 
good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart 
foul-mouthed 
sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness . 
the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned 
particularly amateurish episode 
failed jokes , 
downward 
's tough to watch 
tragedies 
a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search 
as with all ambitious films , it has some problems 
a frustrating patchwork 
like those d.w. griffith made in the early days of silent film 
cheap , ludicrous attempt 
deftly executed 
hugh grant 's act is so consuming that sometimes it 's difficult to tell who the other actors in the movie are . 
not even solondz 's thirst for controversy , sketchy characters and immature provocations can fully succeed at cheapening it . 
chance to shine 
to be somebody , and 
is shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls 
would 've reeked of a been-there , done-that sameness . 
sexual relationship 
of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy 
for the film 's winning tone 
the movie 's major and most devastating flaw is its reliance on formula , though , and it 's quite enough to lessen the overall impact the movie could have had . 
the enjoyable undercover brother 
is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend 
rant 
is not one of the movies you 'd want to watch if you only had a week to live 
has all the sibling rivalry and general family chaos to which anyone can relate . 
when you find yourself rooting for the monsters in a horror movie , you know the picture is in trouble . 
inactive 
worst films 
ruined by amateurish writing and acting , while the third feels limited by its short running time 
, they ca n't go wrong . 
the film has the uncanny ability to right itself precisely when you think it 's in danger of going wrong . 
the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach 
' the play more has partly closed it down . 
, nonsensical and formulaic 
sexy beast 
, we need agile performers 
entertainingly 
tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
the brawn , but not the brains 
this might have been an eerie thriller 
solidly 
a farrelly brothers-style , down-and-dirty laugher 
plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out . 
's burns ' visuals , characters and his punchy dialogue , not his plot , that carry waydowntown . 
's a bargain-basement european pickup . 
inventive , consistently intelligent and sickeningly savage 
conned 
it 's kinda dumb . 
video , and 
beautiful , angry and sad , with a curious sick poetry , as if the marquis de sade 
user-friendly 
the performances elicit more of a sense of deja vu than awe 
a very distinctive sensibility , 
a movie as artificial and soulless 
broomfield 's style of journalism is hardly journalism at all , and 
us to endure every plot contrivance that the cliché-riddled genre can offer 
its predecessors proud 
by mediocrity 
keep it entertaining 
is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike 
's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable . 
done and perfectly 
the action here is unusually tame , the characters are too simplistic to maintain interest , 
they do in this marvelous film 
is simply not enough of interest onscreen to sustain its seventy-minute running time 
feels more like an extended , open-ended poem than a traditionally structured story 
the film rehashes several old themes and is capped with pointless extremes -- it 's insanely violent and very graphic . 
rape-payback 
of the pool with an utterly incompetent conclusion 
a weak script that ca n't support the epic treatment 
is more of an ordeal than an amusement . 
, murder hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling . 
jiang wen 's devils on the doorstep is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut . 
like a drunken driver 
... unbearably lame . 
now it is a copy of a copy of a copy 
the underworld urban angst is derivative of martin scorsese 's taxi driver and goodfellas , but this film speaks for itself . 
are just too many characters saying too many clever things and getting into too many pointless situations 
brings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness . 
less sense than the bruckheimeresque american action flicks it emulates 
of hope 
is an impressive achievement in spite of a river of sadness that pours into every frame . 
this wretchedly unfunny wannabe comedy is inane and awful - no doubt , it 's the worst movie i 've seen this summer 
a wretched movie that reduces the second world war to one man 's quest to find an old flame . 
a raison d'etre that 's as fresh-faced as its young-guns cast 
is , by itself , deserving of discussion 
gives a superb performance full of deep feeling . 
tackles the difficult subject of grief and loss with such life-embracing spirit that the theme does n't drag an audience down . 
an accessible introduction 
, but far more witty 
this wedding 
exceptional honesty 
is more than a movie . 
too many 
ugly-duckling 
a fine job of updating white 's dry wit to a new age 
mostly repetitive 
the big screen postcard that is a self-glorified martin lawrence lovefest 
the director 's many dodges and turns 
the anthropomorphic animal characters are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack 
none of which ever seem to hit 
while thurman and lewis give what can easily be considered career-best performances 
are so unmemorable , despite several attempts at lengthy dialogue scenes , 
handily 
it 's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom . 
dutifully pulling on heartstrings 
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , 
an oscar-worthy performance 
the bland songs 
succeeds as a powerful look at a failure of our justice system . 
kind of special 
that 's unafraid to throw elbows when necessary 
rush to the theater 
end all chases 
a fan 
be mindless without being the peak of all things insipid 
all its strange quirks 
have failed 
proficiently enough to trounce its overly comfortable trappings 
director jay russell weighs down his capricious fairy-tale with heavy sentiment and lightweight meaning . 
had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
's virtually impossible to like any of these despicable characters . 
is , in a word , brilliant 
's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination . 
well 
most damning 
force himself on people and into situations that would make lesser men run for cover 
that the material is so second-rate 
by the time the credits roll across the pat ending 
serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool 
trapped and 
enjoyed it just as much ! 
tale 
in any case , i would recommend big bad love only to winger fans who have missed her since 1995 's forget paris . 
would be hard-pressed to find a movie with a bigger , fatter heart than barbershop . 
elicits strong performances 
good qualities 
paranoia 
mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering 
in this engaging film about two men who discover what william james once called ` the gift of tears 
his life , his dignity and his music 
looks great , has solid acting and a neat premise 
disconcertingly 
mel 
realism , crisp storytelling 
supposed to feel funny and light 
scare 
seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
catches dramatic fire 
recycling 
broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car . 
you feel like running out screaming 
with a sharp script and strong performances 
-- and not in a good way 
been there , done that ... a thousand times already , and better . 
sneaks up on the viewer 
gasp 
do you make a movie with depth about a man who lacked any ? 
decorous 
gets vivid performances 
as my friend david cross would call it , ` hungry-man portions of bad ' 
a dashing and absorbing 
that a decent draft in the auditorium might blow it off the screen 
a buoyant , expressive flow 
such high-wattage brainpower coupled with pitch-perfect acting and 
the plot , and a maddeningly insistent and repetitive piano score that made me want to scream 
by storm 
, it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome . 
, violent , self-indulgent and maddening 
, payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box . 
no such thing is sort of a minimalist beauty and the beast , but in this case the beast should definitely get top billing . 
to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama 
assured in its execution 
a terrible movie 
illuminated 
poignant if familiar story of a young person 
homogenized and a bit contrived 
the rage and alienation that fuels the self-destructiveness of many young people 
is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it 
producer john penotti 
is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up 
smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams 
from being a total rehash 
international acclaim 
his self-inflicted retaliation 
you enjoy more because you 're one of the lucky few who sought it out 
p.t. anderson understands the grandness of romance 
something , one that attempts and often achieves a level of connection and concern 
surprised at the variety of tones in spielberg 's work 
eludes madonna and , playing a charmless witch 
fast-paced 
of a film that does n't know what it wants to be 
the story is lacking any real emotional impact , and the plot is both contrived and cliched 
perceptive 
's kinda dumb . 
opens today 
dead gorgeous 
a powerful , chilling , and affecting study of one man 's dying fall . 
there are entertaining and audacious moments 
by all means 
about sorority boys 
feels like a book report 
dull , inconsistent , dishonest 
neither light nor magical enough to bring off this kind of whimsy 
the most accomplished work 
this rush to profits 
to watch with kids and use to introduce video as art 
the masses with star power , a pop-induced score and sentimental 
of martha stewart decorating program run amok 
by a natural sense for what works 
unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head 
creep 
directed the film from the back of a taxicab 
the marvelous verdu 
has a built-in audience , but only among those who are drying out from spring break 
would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects ? 
zoe clarke-williams 's lackluster thriller `` new best friend '' , who needs enemies 
sandler running on empty , repeating what he 's already done way too often 
is a riot . 
of demme 's good films 
but ... in trying to capture the novel 's deeper intimate resonances , the film has -- ironically - distanced us from the characters . 
they show a remarkable ability to document both sides of this emotional car-wreck . 
structure and 
drug-induced bowel 
matter , but one whose lessons are well worth revisiting as many times as possible 
does n't deliver a great story , 
soul-searching 
is masterful . 
a zippy 96 minutes of mediocre special effects , hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks 
the work of a genuine and singular artist 
's nowhere near as good as the original 
really good premise 
of a determined woman 's courage to find her husband in a war zone 
just is n't worth telling 
never rises to its clever what-if concept . 
an empty shell of an epic rather than the real deal . 
by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
you know there 's something there . 
into a warmed over pastiche 
wear thin 
weighs down 
promising debut 
heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry . 
by the end of the flick , you 're on the edge of your seat 
stunning film 
a quaint , romanticized rendering . 
that leaps over national boundaries and celebrates universal human nature 
potty-mouthed 
listless sci-fi comedy 
combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ? 
comic voice 
with strange and wonderful creatures 
the kind of ` laugh therapy ' i need from movie comedies 
that there is nothing in it to engage children emotionally 
, i was entranced . 
but arriving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us . 
bad 
looks as though jay roach directed the film from the back of a taxicab 
's that good 
is a variant of the nincompoop benigni persona , here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip 
it looks as though jay roach directed the film from the back of a taxicab 
, open-hearted film 
sex on screen been so aggressively anti-erotic 
is throwing up his hands in surrender , is firing his r&d people , 
everett remains a perfect wildean actor , 
about itself , a playful spirit and a game cast 
choppy and sloppy 
for all the wrong reasons besides . 
so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama 
to hand it to director george clooney for biting off such a big job the first time out 
the best special effects 
more revealing , more emotional and more surprising -- 
the urge to doze 
studios 
amusing and engrossing 
imagines 
with alexandre desplat 's haunting and sublime music 
its unerring respect 
adds an almost constant mindset of suspense 
virulent and foul-natured 
watching these two actors play 
their seats 
's both sitcomishly predictable and cloying in its attempts to be poignant . 
's a little violence and lots of sex in a bid to hold our attention 
a true adaptation 
admirable rigor 
sweeping , 
of authentically impulsive humor 
would have likely wound up a tnt original 
the way chekhov is funny 
rely on dumb gags , anatomical humor , or character cliches 
-- sadly -- dull 
the always hilarious meara and 
, love , duty and friendship 
, a ripping good yarn is told . 
explosive physical energy and convincing intelligence 
virtuosity 
sympathizing 
phony relationship 
, poignant and leavened 
what on earth is going on 
a funny and well-contructed black comedy where the old adage `` be careful what you wish for '' is given a full workout . 
a gorgeous film 
major opportunity to be truly revelatory about his psyche 
tara reid plays a college journalist , 
it marks him as one of the most interesting writer/directors working today . 
's most substantial feature for some time . 
powerful and deeply moving 
this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs 
the touch is generally light enough 
arbitrarily plotted 
every visual joke is milked 
sappy ethnic sleeper 
give 
facetious 
new insight 
straight-to-video movie 
double-barreled rip-off 
and drab wannabe 
are intriguing and realistic 
trumpet blast that there may be a new mexican cinema a-bornin ' . ' 
rather leaden and dull 
child abuse 
the trouble with making this queen a thoroughly modern maiden is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness . 
a movie more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms . 
unless it happens to cover your particular area of interest 
moral favorite 
'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget 
as an emotionally accessible , almost mystical work 
that it does n't even qualify as a spoof of such 
when the casting call for this movie went out , it must have read ` seeking anyone with acting ambition but no sense of pride or shame . ' 
its excellent use of new york locales and sharp writing 
a woefully dull 
avid interest 
to the nonconformist in us all 
the superficially written characters ramble 
torture 
its old-hat set-up and 
a solid , well-formed satire . 
in praise of love ' is the director 's epitaph for himself 
offer some modest amusements when one has nothing else to watch 
interminable , shapeless documentary 
trying to have it both ways 
demanding than it needs to be 
general absurdity 
obnoxious title character 
could n't be more timely in its despairing vision of corruption within the catholic establishment 
if you 're a comic fan , you ca n't miss it . 
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but they did the same at home . 
no charm , no laughs , 
effectively chilling guilty pleasure 
that rare documentary 
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman has carved from orleans ' story and his own infinite insecurity is a work of outstanding originality 
have a good time 
if you ever wanted to be an astronaut , this is the ultimate movie experience 
entirely irony-free zone 
depress you 
an eloquent memorial 
that is n't afraid to admit it 
the most part a useless movie , even 
the film is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor . 
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... 
with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
subtly kinky bedside vigils and sensational denouements 
the biggest husband-and-wife disaster 
interesting character 
with the pubescent scandalous 
delivered in grand passion by the members of the various households . 
feel pissed off 
that just does n't have big screen magic 
rarely seem sure of where it should go 
begin to long for the end credits 
the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
, i enjoyed . 
revelation 
delightful , witty , improbable romantic comedy 
badly cobbled look 
, is wry and engrossing . 
poignant and uplifting 
never feel anything for these characters 
the dullest kiddie flicks 
its provocative conclusion 
sucked up all 
as sci-fi generic 
portray its literarily talented and notorious subject as anything much more than a dirty old man 
become just another situation romance about a couple of saps stuck in an inarticulate screenplay 
tonally uneven 
the sum of its parts in today 's hollywood 
could young romantics out on a date 
stale first act , scrooge story 
... deliver a riveting and surprisingly romantic ride . 
any hollywood fluff 
hideously twisted 
dull , simple-minded and stereotypical tale 
enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating 
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , 
, it will probably be a talky bore . 
a fake street drama 
about rubbo 's dumbed-down tactics 
: celebrity cameos do not automatically equal laughs . 
there are some fairly unsettling scenes , but they never succeed in really rattling the viewer 
the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming 
genial than ingenious 
a loud , low-budget and tired formula film that arrives cloaked in the euphemism ` urban drama . ' 
time fillers between surf shots 
weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil 
kids will love its fantasy and adventure , 
i spy has all the same problems the majority of action comedies have . 
a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable 
as bad as you think , and 
without in any way demeaning its subjects 
never gaining much momentum 
clichés , 
takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion 
are fleshed-out enough to build any interest 
is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love . 
a striking new significance for anyone who sees the film 
so many red herrings , so many false scares 
this movie is hopeless 
the power and grace 
goes to the essence of broadway 
batman 
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' - 
piecing the story together frustrating difficult 
's what makes it worth a recommendation 
the dialogue is cumbersome , the simpering soundtrack and editing more so . 
: an atrociously , mind-numbingly , indescribably bad movie 
when cowering and begging at the feet a scruffy giannini , madonna gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game . 
of testing boundaries 
both as a historical study and as a tragic love story 
it 's a ripper of a yarn and i for one enjoyed the thrill of the chill . 
that the new film is a lame kiddie flick and 
delusions to escape their maudlin influence . 
to be embraced 
most of whom wander about in thick clouds of denial 
received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film 
recognized 
graceless , hackneyed 
inane and 
this film asks the right questions at the right time in the history of our country 
miss 
play like the worst kind of hollywood heart-string plucking . 
a vastly improved germanic version 
dense 
dripping with cliche and bypassing no opportunity to trivialize the material 
decent drama/action flick 
the intricate preciseness of the best short story writing 
has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought . 
this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , 
, narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve . 
contrasting the original ringu with the current americanized adaptation is akin to comparing the evil dead with evil dead ii 
timely and important 
pleasant 
high crimes carries almost no organic intrigue as a government / marine/legal mystery , and 
a-list 
's trying to set the women 's liberation movement back 20 years 
that paints a grand picture of an era and makes the journey feel like a party 
cut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most 
fit the incredible storyline to a t. 
roars with leonine power 
a generic international version of a typical american horror film . 
doing nothing 
swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
, this somber cop drama ultimately feels as flat as the scruffy sands of its titular community . 
loves its characters and communicates something 
it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably 
uplifter 
'd have a hard time believing it was just coincidence 
my friend david cross would call it , ` hungry-man portions of bad ' 
` the country bears ' should never have been brought out of hibernation . 
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains ... 
carries almost no organic intrigue 
know how to please the eye 
gathering dust on mgm 's shelf 
less successful 
to win a wide summer audience through word-of-mouth reviews and 
some of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan '' have been recreated by john woo in this little-known story of native americans and their role in the second great war . 
offers the none-too-original premise 
impossible to claim that it is `` based on a true story 
this sad , occasionally horrifying but often inspiring film 
adaptation is intricately constructed 
is engaged 
share 
works spectacularly well 
troubling 
bound to appeal to women looking for a howlingly trashy time . 
under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely 
feels as if everyone making it lost their movie mojo . 
a slightly naughty , just-above-average off - broadway play 
from tv reruns and supermarket tabloids 
comedy spectacle 
a supremely hopeful cautionary tale 
this beautifully drawn movie 
lacking substance and soul , crossroads comes up shorter than britney 's cutoffs . 
that provide its thrills and extreme emotions 
plays like a powerful 1957 drama we 've somehow never seen before 
, there 's apparently nothing left to work with , sort of like michael jackson 's nose . 
most ardent 
obligatory cheap 
nothing to show 
all the loss 
, director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc . 
carmen ( vega ) and 
that makes eight legged freaks a perfectly entertaining summer diversion 
if you 're not deeply touched by this movie 
an indispensable peek at the art and the agony of making people laugh . 
lacks a strong narrative 
shines in her quiet blue eyes 
beautifully illuminates what it means sometimes to be inside looking out , and at other times outside looking in . 
` if you are in the mood for an intelligent weepy , it can easily worm its way into your heart . ' 
all-star 
no charm , no laughs , no fun , no reason to watch 
more hackneyed 
labute masterfully 
, mad love looks better than it feels . 
succumbing to sentimentality 
a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical needs . 
a passing twinkle 
its oh-so-hollywood rejiggering and 
sure to make a clear point -- even if it seeks to rely on an ambiguous presentation 
significantly better than its 2002 children 's - movie competition 
rivals the top japanese animations of recent vintage 
whole lot scarier 
substitute volume and primary colors for humor and bite 
got to admire ... the intensity with which he 's willing to express his convictions 
hate to tear your eyes away from the images 
offering fine acting moments and pungent 
though overall an overwhelmingly positive portrayal , the film does n't ignore the more problematic aspects of brown 's life . 
stands for milder is n't better . 
works as well as it does because of the performances 
a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
an argentine retread 
huston performance 
is clever and insightful 
a beautifully sung holiday carol 
computer-generated cold fish 
( clooney 's ) debut can be accused of being a bit undisciplined , 
, never again is a welcome and heartwarming addition to the romantic comedy genre . 
admire ... 
's so devoid of joy and energy 
of a respectable summer blockbuster 
children , christian or otherwise , deserve to hear the full story of jonah 's despair -- in all its agonizing , catch-22 glory -- even if they spend years trying to comprehend it . 
you feeling like you 've seen a movie instead of an endless trailer 
a masterpiece -- and 
always hilarious 
knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record 
that is funny and pithy , while illuminating an era of theatrical comedy that , while past , 
was right about blade 
is well below expectations . 
it rises in its courageousness , and comedic employment . 
elegant technology 
all in all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate they 're forced to follow . 
is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows 
to cling to the edge of your seat , tense with suspense 
what happens when something goes bump in the night and nobody cares ? 
whiny and defensive 
must see for all sides of the political spectrum 
us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
rough-around-the-edges , low-budget constraints 
grand tour 
provide any conflict 
the folly of superficiality 
turn his movie in an unexpected direction 
rather beautiful 
a gangster movie with the capacity 
nifty twists 
will still come away with a sense of his reserved but existential poignancy 
moving and 
while some of the camera work is interesting 
having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
ethnic sleeper 
fascinating curiosity piece 
of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship 
coming-of-age comedy . 
been bland 
`` 13 conversations about one thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling . 
is so formulaic and forgettable that it 's hardly over before it begins to fade from memory . 
already knows it 's won 
has its heart ( and its palate ) in the right place 
belinsky is still able to create an engaging story that keeps you guessing at almost every turn . 
like the worst kind of hollywood heart-string plucking 
this is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men 
directed , highly professional film that 's old-fashioned in all the best possible ways 
through sincerity 
has produced in recent memory , even if it 's far tamer than advertised . 
admit i walked out of runteldat 
the production has been made with an enormous amount of affection , so we believe these characters love each other . 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant 
with its paint fights , motorized scooter chases and dewy-eyed sentiment , it 's a pretty listless collection of kid-movie clichés . 
topple 
she has n't been worth caring about 
instead comes closer to the failure of the third revenge of the nerds sequel . 
handsome and sophisticated approach to the workplace romantic comedy . 
his innocence soon becomes a questionable kind of inexcusable dumb innocence 
its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet 
evocative shades 
respectable 
formulaic 
is full of charm 
when it reminds you how pertinent its dynamics remain 
godard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence . 
want to bolt the theater in the first 10 minutes 
utterly misplaced earnestness 
an awful movie that 
relationships in such a straightforward , emotionally honest manner that by the end 
an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life . 
who has secrets buried at the heart of his story and knows how to take time revealing them 
... not that i mind ugly ; the problem is he has no character , loveable or otherwise . 
this version does justice both to stevenson and to the sci-fi genre . 
's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom . 
have been conjured up only 10 minutes prior to filming 
the top and movies 
's a sad , sick sight 
the worst excesses of nouvelle 
delightfully charming -- 
went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside 
is commentary enough 
hard to stop watching 
is that we did n't get more re-creations of all those famous moments from the show 
works the way a good noir should 
a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth 
that 's simultaneously painful and refreshing 
a standard police-oriented drama that , were it not for de niro 's participation , would have likely wound up a tnt original . 
races and rackets 
body humor and reinforcement 
copout 
found a tough beauty 
it worth watching 
possibly will enjoy it 
another useless recycling 
when the tears come during that final , beautiful scene 
which are such that we 'll keep watching the skies for his next project 
the most wondrous of all hollywood fantasies -- and 
will enjoy 
lost . 
clever pseudo-bio 
if you 're in the right b-movie frame of mind , it may just scare the pants off you . 
`` besotted '' is misbegotten 
's no place for this story to go but down 
has been overexposed 
in earnest dramaturgy 
action man cliché 
a witty expose 
flaccid odd-couple sniping 
is the best performance from either in years 
, hilariously wicked black comedy ... 
it is a failure . 
fairytale 
too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
a loud , brash and mainly unfunny 
charming 2000 debut shanghai noon 
it reveals 
young adult life in urban south korea 
disjointed , 
funny no-brainer 
of a fanciful motion picture 
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code 
carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
behavior and severe flaws 
no way original , or even 
very good comedic songs 
terminally bland , 
epic adventure 
can enjoy as mild escapism 
, oozing , chilling and heart-warming 
hip-hop rarely comes alive as its own fire-breathing entity in this picture . 
of dazzling entertainment 
a different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know . 
discarded 
mixed up 
the sheer dumbness 
made him bitter and less mature 
is appealing 
an intriguing bit of storytelling 
idiotic and 
you never know where changing lanes is going to take you but it 's a heck of a ride 
make this surprisingly decent flick worth a summertime look-see . 
love 
's quite diverting nonsense 
pleasuring its audience 
... one of the most entertaining monster movies in ages ... 
that not only fails on its own , but makes you second-guess your affection for the original 
sweet and memorable film 
a freaky bit of art that 's there to scare while we delight in the images 
most horrific movie experience 
brown sugar '' admirably aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film . 
lame . 
takes hold 
the lazy material 
so short could be so flabby 
been better in this colorful bio-pic of a mexican icon 
wanders 
achingly unfunny phonce 
convincing and radiant 
it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline . 
is as thought-provoking as it 
better than 
blair witch video-cam footage 
whatever flaws igby goes down may possess 
give-me-an-oscar 
proves that even in sorrow you can find humor 
shows crushingly little curiosity about 
, this is a remarkably accessible and haunting film . 
proves itself a more streamlined and thought out encounter than the original could ever have hoped to be 
delight your senses and crash this wedding 
poorly dubbed 
should stick to his day job . 
, meandering , loud , painful , obnoxious 
irritatingly transparent 
two-dimensional offerings 
most depressing movie-going experiences 
like bad cinema 
it 's the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion . 
, this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit . 
, all-enveloping movie experience 
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way 
must be said that he is an imaginative filmmaker who can see the forest for the trees 
the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public 
there , done that ... a thousand times already 
visually striking 
throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
has value can not be denied 
offers no new insight on the matter , nor do its characters exactly spring to life 
busy urban comedy is clearly not zhang 's forte 
cinema master class . 
at a grade-school audience 
fascinating examination 
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie . 
this is a very ambitious project for a fairly inexperienced filmmaker , 
it nonetheless sustains interest during the long build-up of expository material . 
are made for each other . 
is that rare animal known as ' a perfect family film , ' because it 's about family . 
too much of storytelling 
indie of the year , 
it 's both sitcomishly predictable and cloying in its attempts to be poignant . 
is actually quite entertaining 
those moviegoers who would automatically bypass a hip-hop documentary should give `` scratch '' a second look . 
gooding is the energetic frontman , and 
spy flick worthy 
does cathartic truth telling 
preliminary notes for a science-fiction horror film 
generous , inspiring 
that the film opens with maggots crawling on a dead dog is not an out of place metaphor . 
an almost unbearably morbid love story . 
, and 
find it more than capable of rewarding them 
similarly styled gremlins 
, this movie just goes on and on and on and on 
once the expectation of laughter has been quashed by whatever obscenity is at hand 
in as much humor as pathos 
like most movies about the pitfalls of bad behavior ... circuit gets drawn into the party . 
seal the deal 
discoveries 
got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile . 
a weak script 
a brief amount of time 
painfully forced 
simplistic , silly and tedious 
the funnybone thanks 
the movie is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads . 
is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music . 
's never dull and always looks good 
a raise 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; 
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and 
an intelligently made 
a story already overladen with plot conceits 
ignore but a little too smugly superior 
ong 's promising debut 
damon/bourne or 
autistic 
chillingly effective 
an equally impressive degree 
real heroism and abject suffering 
really get inside of them . 
pair that with really poor comedic writing ... 
see it 
that propels her into the upper echelons of the directing world 
's a worthy entry in the french coming-of-age genre 
to one anecdote for comparison : the cartoon in japan that gave people seizures 
with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike . 
a prince of a fellow 
demands that you suffer the dreadfulness of war from both sides 
pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus 
makes the material seem genuine rather than pandering . 
staggers between flaccid satire and what is supposed to be madcap farce . 
is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens . 
is even more embracing than monty , 
romanek 's themes are every bit as distinctive as his visuals . 
vehicle to showcase the canadian 's inane ramblings 
utilizing the talents of his top-notch creative team 
elegantly produced and expressively performed 
recovering from its demented premise 
best about 
that stinks so badly of hard-sell image-mongering you 
determined , ennui-hobbled slog 
dogged 
the film has a terrific look 
the movie 's messages are quite admirable , but the story is just too clichéd and too often strains credulity . 
a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration 
's certainly laudable 
how they used to make movies , but also how they sometimes still can be made 
hot and the john wayne classics 
were hailed as the works of an artist . 
ethereal 
what to make of this italian freakshow 
confident , richly acted , emotionally devastating piece 
a classic movie franchise 
is , truly and thankfully , a one-of-a-kind work 
then proceeds to flop 
under your belt 
( creates ) the worst kind of mythologizing , the kind that sacrifices real heroism and abject suffering for melodrama . 
the most original american productions this year 
thoughtful , reverent 
flamboyant 
serious subject matter and 
is a rancorous curiosity : a movie without an apparent audience . 
that 's flawed and brilliant in equal measure 
the guise of a modern motion picture 
one of the more influential works 
overcomes 
elegantly produced 
appetizer that leaves you wanting more 
does n't end up being very inspiring or insightful . 
went over my head or -- considering just how low brow it is 
denzel washington 's fine performance in the title role 
a fresh infusion of creativity 
's icky 
this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
harmoniously 
a mere excuse 
officially , it is twice as bestial but half as funny . 
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but it 's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest . 
less-than-thrilling thriller . 
beyond road warrior , it owes enormous debts to aliens and every previous dragon drama 
the slippery slope 
an uncompromising film 
sinuously plotted and 
but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
flailing around in a caper that 's neither original nor terribly funny 
but , like silence , it 's a movie that gets under your skin . 
the original was n't a good movie but 
contrived , nonsensical and formulaic 
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her . 
irritating soul-searching garbage . 
put on a show 
is more than he has ever revealed before about the source of his spiritual survival 
is one helluva singer 
comes to dreaming up romantic comedies 
, the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover . 
constantly touching , 
have been a painless time-killer 
reading your scripts before signing that dotted line 
waterlogged script 
, well-written television series where you 've missed the first half-dozen episodes and probably wo n't see the next six . 
mundane '70s 
're wrapped up in the characters , how they make their choices , and why 
, but it is a refreshingly forthright one 
of genuine excitement 
steven soderbergh 's digital video experiment is a clever and cutting , quick and dirty look at modern living and movie life . 
's a lot to recommend read my lips 
in lovely and amazing 
the film , while not exactly assured in its execution , is notable for its sheer audacity and openness . 
cranky 
like the hours as an alternative 
without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision 
alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks 
of a minor miracle in unfaithful 
sing beautifully and 
there 's an enthusiastic charm in fire that makes the formula fresh again 
all the queen 's men is a throwback war movie that fails on so many levels , it should pay reparations to viewers . 
a capable thriller 
he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
some success 
the rich performances 
ugh 
hilariously wicked black comedy 
poignant and gently humorous 
a step in the right direction 
just such a dungpile that you 'd swear you 
washington as possibly the best actor working in movies today 
soothe and break 
believe that something so short could be so flabby 
modest , crowd-pleasing goals 
's begun to split up so that it can do even more damage 
daring as john ritter 's glory days 
required to balance all the formulaic equations in the long-winded heist comedy who is cletis tout ? 
powerful entity 
it 's hard to stop watching 
last-minute action 
real psychological grounding 
good romance 
this project was undertaken 
has all the hallmarks of a movie 
dashing 
neatly constructed thriller 
is the distinct and very welcome sense of watching intelligent people making a movie 
unflattering comparisons 
a rushed , slapdash , sequel-for-the-sake - of-a-sequel 
falls flat as thinking man cia agent jack ryan 
soap opera 
a sweetly 
turns out to be significantly different ( and better ) than most films with this theme 
stinks from start to finish , like a wet burlap sack of gloom . 
it seems impossible that an epic four-hour indian musical about a cricket game could be this good 
a visually masterful work 
takes you by the face , strokes your cheeks and coos beseechingly at you : 
even murphy 's expert comic timing and famed charisma ca n't rescue this effort . 
the edge of your seat with its shape-shifting perils , political intrigue and brushes 
get more out of the latter experience 
a bittersweet film , simple in form but rich with human events 
highly spirited , imaginative kid 's movie 
a depressingly retrograde 
derisive 
a whale of a good time 
confident , richly 
murder 
turns me into that annoying specimen of humanity that i usually dread encountering the most 
if the real-life story is genuinely inspirational , the movie stirs us as well . 
its intriguing subject 
ultimately feels as flat as the scruffy sands of its titular community . 
1995 's forget paris 
of pre-9 / 11 new york and onto a cross-country road trip of the homeric kind 
an appealing couple 
bear the laughter 
aims for the toilet and scores a direct hit . 
anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer 
obnoxious 
shout insults at the screen 
masquerade ball where normally good actors , even kingsley , are made to look bad 
to drag as soon as the action speeds up 
looks wonderful 
anyone in his right mind would even think to make the attraction a movie 
contrasting the sleekness of the film 's present with the playful paranoia of the film 's past 
often demented in a good way , but it is an uneven film for the most part 
why sex and lucia is so alluring 
own pretentious self-examination 
that makes all the difference . 
irrepressible passion 
film a must for everyone 
was the unfulfilling , incongruous , `` wait a second 
you could restage the whole thing in your bathtub . 
a fascinating film 
, it does a bang-up job of pleasing the crowds 
terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony 
is deadpan 
a movie so sloppy , so uneven , so damn unpleasant 
the characters are so generic 
genial but never inspired , and little 
will need all the luck they can muster just figuring out who 's who in this pretentious mess 
watching queen of the damned is like reading a research paper , with special effects tossed in . 
holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin 
as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick 
that will have viewers guessing just who 's being conned right up to the finale 
the movie you 're looking for 
here relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius . 
a gorgeous color palette 
i enjoyed it just as much ! 
remains prominent , as do the girls ' amusing personalities . 
disaster 
delivering a dramatic slap 
wear thin with repetition 
celebration 
's also built on a faulty premise , one it follows into melodrama and silliness . 
irritating ( at least to this western ear ) , making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters 
appreciate the emotional depth of haynes ' work 
the lustrous polished visuals rich in color and creativity and , of course , 
even fans of ismail merchant 's work , i suspect , would have a hard time sitting through this one . 
unusually crafty and intelligent for hollywood horror 
how can such a cold movie claim to express warmth and longing ? 
is more interesting 
surprisingly sensitive 
done in mostly by a weak script that ca n't support the epic treatment . 
thrills , too many flashbacks and a choppy ending make for a bad film 
some of the funniest jokes of any movie 
why sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one ? 
simpering soundtrack 
enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play 
make the film more silly than scary , like some sort of martha stewart decorating program run amok . 
casts attractive and talented actors 
anger and 
feel-good sentiments 
enthralling documentary 
... a funny yet dark and seedy clash of cultures and generations . 
explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut . 
all in all , a great party . 
, eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider . 
cross-country road trip 
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications 
did n't find much fascination in the swinging 
the elements that will grab you 
far-fetched 
the intrigue , betrayal , deceit and murder 
bad enough 
as a workable primer for the region 's recent history 
for all its violence , the movie is remarkably dull with only caine making much of an impression . 
, ludicrous , provocative and vainglorious 
life affirming ' 
a shoddy male hip hop fantasy 
yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
is n't scary 
cho continues her exploration of the outer limits of raunch with considerable brio . 
a smart , solid , kinetically-charged spy flick worthy 
watching junk like this 
about one thing is a small gem . 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and 
ramsay and morton fill this character study with poetic force and buoyant feeling . 
remarkable procession of sweeping pictures 
that its intended audience has n't yet had much science 
feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end 
although largely a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse 
elegant and eloquent ( meditation ) on death and that most elusive of passions 
many have made it out to be 
, but fun . 
but one thing 's for sure : it never comes close to being either funny or scary 
quite good-natured 
clean-cut dahmer 
sit through it again 
it 's hard to believe these jokers are supposed to have pulled off four similar kidnappings before . 
impersonal , almost generic 
critics have come to term an `` ambitious failure 
upping the ante 
with a treasure chest of material 
too much exploitation and 
be themselves 
... stale and uninspired . 
significantly better than its 2002 children 's - movie competition . 
quirky at moments 
dreary 
is too calm and thoughtful for agitprop , and the thinness of its characterizations 
very real and amusing 
overstimulated minds 
very compelling , sensitive , 
was more diverting and thought-provoking than i 'd expected it to be 
saddest action hero performances 
its hackneyed and meanspirited storyline with cardboard characters and performers who 
but there 's plenty to offend everyone ... 
feels draggy 
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains 
from its cheesy screenplay 
its charms 
a fascinating glimpse 
half-step 
what is surely the funniest and most accurate depiction of writer 
mark ms. bullock 's best work in some time 
the story does seem pretty unbelievable at times 
claude 
reinvigorated the romance genre 
an auspicious feature debut for chaiken 
and gently humorous 
better elsewhere 
will guarantee to have you leaving the theater with a smile on your face 
recognizable 
has a wooden delivery and 
good taste 
captures the debilitating grief 
will be following after it 
is unusual , food-for-thought cinema that 's as entertaining as it is instructive . 
koury frighteningly and honestly exposes one teenager 's uncomfortable class resentment and , in turn , his self-inflicted retaliation . 
'll cry for your money back . 
an intelligently made ( and beautifully edited ) 
translate well 
the first film in a long time that made me want to bolt the theater in the first 10 minutes 
above its disgusting source material 
witty and 
to tolerate this insipid , brutally clueless film 
operates nicely 
in this simple , sweet and romantic comedy 
while there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) , much ado about something is an amicable endeavor . 
a fresh point 
committed to film 
inert sci-fi action thriller 
a riveting and surprisingly romantic ride 
better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists 
illustrated by a winning family story 
the kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics . 
is cinema 
infuses it 
a seriously intended movie that is not easily forgotten 
the imagination 
's hard to imagine that even very small children will be impressed by this tired retread 
loyalty 
introduces 
merely crassly flamboyant 
) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk . 
codswallop 
funny , ultimately heartbreaking 
a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
admire 
less concerned with cultural and political issues than doting on its eccentric characters 
the main characters are simply named the husband , the wife and the kidnapper , emphasizing the disappointingly generic nature of the entire effort . 
a stirring tribute 
stupid and pointless 
the fine star performances 
it 's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona . 
forgive the flaws and love the film 
the incredibly flexible cast 
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't manage an equally assured narrative coinage . 
the ending feels at odds with the rest of the film . 
fun-for-fun 's - sake communal spirit goes to the essence of broadway 
whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace 
a masterful work 
... margarita feels like a hazy high that takes too long to shake . 
is throwing up his hands in surrender , 
the problems and characters it reveals are universal and involving , and 
's enough to sustain laughs 
spy-savvy siblings 
a bit cold and 
have gone straight to video . 
bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults . 
even uses a totally unnecessary prologue , just because it seems obligatory 
is a sobering meditation on why we take pictures 
if each watered down the version of the one before 
a fine , old-fashioned-movie movie , 
on people , a project in which the script and characters hold sway 
under-rehearsed and lifeless 
of being a really bad imitation of the really bad blair witch project 
how the film knows what 's unique and quirky about canadians 
this movie has the usual impossible stunts ... but it has just as many scenes that are lean and tough enough to fit in any modern action movie 
it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition 
even the digressions are funny . 
in addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row , the dialogue sounds like horrible poetry . 
is the performance of gedeck , who makes martha enormously endearing . 
the best in recent memory 
that no amount of earnest textbook psychologizing can bridge 
superior plotline 
silly comedy 
some very good comedic songs 
crudup 's screen presence is the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families . 
nourishing 
thoughtful movie 
from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago 
the bellyaching of a paranoid and unlikable man 
watching the proverbial paint dry 
create a ruffle in what is already an erratic career 
refreshing and 
stale , futile scenario . 
intriguing bit 
derivative elements into something that is often quite rich and exciting , and always 
does n't come much lower . 
the top and movies that do n't care about being stupid 
unsuccessfully 
a nice change 
that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life 
rejected as boring before i see this piece of crap again 
with nothing but net 
, yes , ` it 's like having an old friend for dinner ' . 
anomie and heartbreak 
some quietly moving moments and an intelligent subtlety 
looked uglier 
toward the light -- the light of the exit sign 
sealed in a jar and left on a remote shelf indefinitely 
rediscovers his passion in life 
being trapped at a bad rock concert 
storytelling fails to provide much more insight than the inside column of a torn book jacket . 
none of the characters or plot-lines are fleshed-out enough to build any interest . 
mainstream matinee-style entertainment 
such a premise is ripe for all manner of lunacy , but kaufman and gondry rarely seem sure of where it should go . 
as darkly funny , energetic 
endear itself to american art house audiences 
contrived , awkward and 
ecological 
last summer 's bloated effects 
both a great and a terrible story 
for taking the sometimes improbable story and making it 
is that it 's far too sentimental . 
when the movie ended so damned soon 
may take its sweet time to get wherever it 's going 
wise 
is very difficult to care about the character 
slow and 
as jolie 's hideous yellow ` do 
you do n't know whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace . 
of the greatest natural sportsmen of modern times 
awe and affection 
smart and alert 
in a movie full of surprises 
about this traditional thriller , moderately successful but not completely satisfying , is exactly how genteel and unsurprising the execution turns out to be . 
is ) a fascinating character 
's neither as funny nor as charming as it thinks it is 
's not as obnoxious as tom green 's freddie got fingered 
a film with almost as many delights for adults as there are for children and dog lovers . 
with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching 
serene , the humor wry and sprightly 
picture that does not move 
a really long , slow and dreary time 
mad 
below expectations 
unattractive or odorous 
contrived , unmotivated 
like a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz 
to work with , sort of like michael jackson 's nose 
there 's no energy . 
dullest 
insufferable movie 
a delightful little film that revels in its own simplicity 
carrying 
a tough pill to swallow and 
is we never really see her esther blossom as an actress , even though her talent is supposed to be growing 
surprisingly , the film is a hilarious adventure and i shamelessly enjoyed it . 
befallen 
's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
, it feels more forced than usual . 
lopez 's publicist should share screenwriting credit 
leaves a bitter taste 
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . ' 
it all seemed wasted like deniro 's once promising career and the once grand long beach boardwalk . 
director nancy savoca 's no-frills record of a show forged in still-raw emotions 
seems to have ransacked every old world war ii movie for overly familiar material . 
is there a group of more self-absorbed women than the mother and daughters featured in this film ? 
they shovel into their mental gullets to simulate sustenance 
a calm , self-assured portrait of small town regret , love , duty and friendship 
most pleasurable expressions of pure movie 
good to be bad 
amusing enough 
, pretentious mess . 
by a rich visual clarity and deeply 
their often heartbreaking testimony , spoken directly into director patricio guzman 's camera 
what a great way to spend 4 units of your day 
, austin powers in goldmember has some unnecessary parts and is kinda wrong in places . 
barely camouflaging grotesque narcissism 
highlighted by kwan 's unique directing style 
sappy , preachy one 
the tiresome rant of an aging filmmaker still thumbing his nose at convention 
with considerable aplomb 
an effective portrait of a life in stasis 
that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness 
such a vibrant , colorful world 
the four feathers is definitely horse feathers , but if you go in knowing that , you might have fun in this cinematic sandbox . 
a taut , sobering film 
nothing less than a provocative piece of work 
his cinematic vision 
's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours 
it tends to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing 
a giant pile of elephant feces 
deep bow 
avid 
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate . 
affirms the nourishing aspects of love and companionship 
read my lips with such provocative material 
with us 
adventurous 
the best comedy concert movie i 've seen since cho 's previous concert comedy film , i 'm the one that i want , in 2000 . 
might be distracted by the movie 's quick movements and 
the latest vapid actor 's exercise to appropriate the structure of arthur schnitzler 's reigen . 
like some like it 
is an undeniably fascinating and playful fellow . 
the kind of soft-core twaddle 
figures out how to make us share their enthusiasm 
this comic gem 
opposed to the extent of their outrageousness 
is a sweet and modest and ultimately winning story 
standard 
gross-out flicks , college flicks , or 
churlish 
stale first act , scrooge story , blatant product placement , some very good comedic songs , strong finish 
, a question comes to mind : so why is this so boring ? 
the major problem with windtalkers is that the bulk of the movie centers on the wrong character . 
powerful success 
awful as some of the recent hollywood trip tripe 
period trappings 
jumbled 
they can and will turn on a dime from oddly humorous to tediously sentimental . 
i do n't think most of the people who loved the 1989 paradiso will prefer this new version . 
boring and 
city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
low , very low , very 
is left puzzled by the mechanics of the delivery 
absolutely not . 
been , pardon the pun , sucked out 
beautiful images and solemn words 
is a bomb . 
as nudity , profanity and violence 
far more enjoyable than its predecessor . 
with false starts 
one of the best love stories of any stripe 
that even in sorrow you can find humor 
the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy . 
its visual panache and compelling supporting characters 
a sadistic bike flick 
breathes more 
a real winner -- 
yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy . 
's no energy 
crystallize key plot moments 
willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists 
into comedy futility 
visually striking and viscerally repellent . 
jell with sean penn 's monotone narration 
of the most entertaining monster movies in ages 
surprises you with unexpected comedy 
a cliché 
highly professional film that 's old-fashioned in all the best possible ways 
as an entertainment destination for the general public , kung pow sets a new benchmark for lameness . 
rewritten , and for the uncompromising knowledge that the highest power of all is the power of love 
see it . 
the multi-layers 
almost no organic intrigue 
is easy to take this film at face value and enjoy its slightly humorous and tender story 
ills 
welcome step 
colorful 
ca n't help but get caught up in the thrill of the company 's astonishing growth 
unflinching and objective look 
a baffling subplot involving smuggling drugs inside danish cows falls flat , and if you 're going to alter the bard 's ending , you 'd better have a good alternative . 
what kind of sewage they shovel into their mental gullets to simulate sustenance 
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose 
quite an achievement 
an action icon 
annoyed me most about god is great 
stuck in a dark pit having a nightmare about bad cinema 
to the gorgeous locales and exceptional lead performances 
fails to arrive at any satisfying destination 
an inspirational love story 
filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders 
with a cast of a-list brit actors 
is repellantly out of control . 
feeling a little sticky and unsatisfied 
it 's a beautiful film , full of elaborate and twisted characters - 
less than adorable 
a venturesome , beautifully realized psychological mood piece 
a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life 
funny moments 
` red shoe diaries 
magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death 
it has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline . 
to imagine that even very small children will be impressed by this tired retread 
a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well 
ca n't help but engage an audience 
begins to resemble the shapeless , grasping actors ' workshop that it is 
the beauty and power 
certainly the big finish was n't something galinsky and hawley could have planned for ... but part of being a good documentarian is being there when the rope snaps . 
real writer plot 
virtuous 
does n't deliver a great story , nor is the action as gripping as in past seagal films 
edge to it . 
is an amicable endeavor . 
for more than two decades mr. nachtwey has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity . 
, poorly structured 
marvelous film 
a lame comedy . 
soon becomes a questionable kind of inexcusable dumb innocence 
rank frustration from those in the know about rubbo 's dumbed-down tactics 
a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
` matrix ' - style massacres erupt throughout ... but the movie has a tougher time balancing its violence with kafka-inspired philosophy 
your disgust 
calm us of our daily ills and bring out joys in our lives that we never knew 
confessions is n't always coherent , but it 's sharply comic and surprisingly touching , so hold the gong . 
lacks the visual panache , the comic touch , and perhaps the budget of sommers 's title-bout features . 
although ... visually striking and slickly staged , it 's also cold , gray , antiseptic and emotionally desiccated . 
it with ring , an indisputably spooky film ; 
by an imaginatively mixed cast of antic spirits 
what it 's trying to say and 
a played-out idea -- a straight guy has to dress up in drag -- 
unless one considers cliched dialogue and perverse escapism a source of high hilarity 
is grossly contradictory in conveying its social message , if indeed there is one . 
director shekhar kapur and screenwriters michael schiffer and hossein amini have tried hard to modernize and reconceptualize things , but the barriers finally prove to be too great 
of a thousand cliches 
at the screen in frustration 
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and 
this fascinating experiment 
the young stars are too cute ; the story and ensuing complications are too manipulative 
of bittersweet camaraderie and history 
strong education 
the fun wears thin -- then out -- when there 's nothing else happening 
wholly 
collateral damage is trash , but 
felt trapped and with no obvious escape for the entire 100 minutes 
not that i mind ugly ; the problem is he has no character , loveable or otherwise . 
funny with the material 
an overstylized , puréed mélange of sex , psychology , drugs and philosophy 
goes on for too long and bogs down in a surfeit of characters and unnecessary subplots . 
of the situation in a well-balanced fashion 
tries to work in the same vein as the brilliance of animal house but instead comes closer to the failure of the third revenge of the nerds sequel . 
with their memorable and resourceful performances 
mayhem and stupidity 
wait for the video 
less concerned with cultural and political issues 
has become the master of innuendo 
our deepest , media-soaked fears 
a movie , which normally is expected to have characters and a storyline 
writer/director alexander payne ( election ) and his co-writer jim taylor brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing . 
elegant , witty and beneath 
neo-fascism 
of the word -- mindless , lifeless , meandering , loud , painful , obnoxious 
flounders 
its engaging simplicity is driven by appealing leads . 
nicely 
great time 
sharp , amusing study 
best possible 
is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
i liked the movie 
ongoing - and unprecedented - 
out to be 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen . 
most certainly has a new career ahead of him 
it 's this rich and luscious 
a generic bloodbath that often becomes laughably unbearable when it is n't merely offensive . 
compelling storyline 
serenity and poise 
liberal doses 
a stirring tribute to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us clearly see the world of our making . 
an occasionally interesting but mostly repetitive look at a slice of counterculture that might be best forgotten . 
the lord of the rings 
miss it 
incisive and 
green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike . 
to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor 
good simmer 
if considerably less ambitious 
a frightening and compelling 
it 's as comprehensible as any dummies guide , something even non-techies can enjoy . 
hot 
boasts a handful of virtuosic set pieces and offers a fair amount of trashy , kinky fun . 
bring fresh good looks and an ease in front of the camera 
it will probably be a talky bore . 
glamorous 
, a warm , fuzzy feeling prevails 
more fascinating -- being real -- 
undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective 
surprisingly powerful and universal 
a refreshing change 
one viewing ca n't possibly be enough 
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... 
good-natured ensemble comedy 
, salvation and good intentions 
can prevent its tragic waste of life 
by bad writing 
rock-solid gangster movie 
are so unmemorable 
schaeffer 's film never settles into the light-footed enchantment the material needs 
something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans 
a guiltless film for nice evening out 
, tortured 
though it pretends to expose the life of male hustlers , it 's exploitive without being insightful . 
all its brilliant touches 
a tone that 's alternately melancholic , hopeful and strangely funny 
despite playing out like a feature-length sitcom replete with stereotypical familial quandaries 
vulgar is too optimistic a title . 
clarity and emotional 
a convincing case that one woman 's broken heart outweighs all the loss we witness 
ozpetek 's effort has the scope and shape of an especially well-executed television movie . 
loosely connected characters and 
that rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film 
shallow 
sweeping , dramatic , 
fabulous 
i recommend it for its originality alone 
occasionally very enjoyable 
enlightening 
opens today in the new york metropolitan area 
a downer and 
a joy to watch and -- especially -- to listen to 
of randomness usually achieved only by lottery drawing 
set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it did n't try to 
an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form 
jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier 
is enough to make you put away the guitar , sell the amp , and apply to medical school . 
alienate the mainstream audience 
fragmentary 
an honestly nice little film 
its own quirky hipness 
snore 
is a big , juicy role 
the film sounds like the stuff of lurid melodrama , but what makes it interesting as a character study is the fact that the story is told from paul 's perspective . 
too stagey , talky -- and long -- for its own good . 
, stay away . 
this is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience . 
direction and especially charm 
a troubled and determined homicide cop 
is not even as daring as john ritter 's glory days 
down a familiar road with a few twists 
some laughs and 
do n't deserve any oscars 
into the art film pantheon 
unexceptional 
feel that you never want to see another car chase , explosion or gunfight again 
, the humor wry and sprightly 
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos 
a wild ride 
revealing nothing about the pathology it pretends to investigate 
has some of the funniest jokes of any movie this year 
as giddy and whimsical and relevant today as it was 270 years ago . 
it has just as many scenes that are lean and tough enough to fit in any modern action movie 
be even worse than its title 
a triumph 
is a light , fun cheese puff of a movie 
the characters are based on stock clichés , and the attempt to complicate the story only defies credibility . 
takes every potential laugh and stiletto-stomps the life out of it . 
thoroughly unrewarding all of this 
it 's simply baffling 
throws in enough clever and unexpected 
while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion , lan yu never catches dramatic fire . 
intimidated by both her subject matter and the period trappings of this debut venture into the heritage business 
see scratch for the history , see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion . 
bore most audiences into their own brightly colored dreams 
nothing but boilerplate clichés from start to finish 
no way to entertain or inspire its viewers 
as its characters , about whose fate it is hard to care 
an amusing and unexpectedly insightful examination 
ocean visuals 
the story 's undeniably hard to follow 
copycat 
were an obligation 
christian 
be disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
an old-fashioned scary movie , one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts . 
is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about 
the imagery in this chiaroscuro of madness and light 
it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
be a collection taken for the comedian at the end of the show 
heart-felt drama 
one strike against it 
does have its charms 
payne has created a beautiful canvas , and nicholson proves once again that he 's the best brush in the business 
the earnestness 
prominent 
is a non-stop funny feast of warmth , color and cringe 
sure to ultimately disappoint the action fans 
exasperated 
caliber cast 
weirdly 
reality-snubbing 
the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama 
walked away not really know who `` they '' were , what `` they '' looked like 
enthusiastically 
by the intentionally low standards of frat-boy humor 
a welcome step 
foolish 
reasonably good 
a certain robustness to this engaging mix of love and bloodletting 
... a sweetly affecting story about four sisters who are coping , in one way or another , with life 's endgame . 
love it ... 
one of the year 's worst cinematic tragedies 
halfway through , however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
spirit is a visual treat , and it takes chances that are bold by studio standards 
to screen with considerable appeal intact 
it reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump just for sitting through it 
incoherent , instantly disposable 
the worst kind of mythologizing 
's just a movie that happens to have jackie chan in it . 
short-story quaint , touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty . 
for the insipid script he has crafted with harris goldberg 
the unusual power 
a pleasing , often-funny comedy . 
a dull , somnambulant exercise in pretension whose pervasive quiet 
exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest 
beer-fueled 
rates as an exceptional thriller 
poetic 
this is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice . 
has found the perfect material with which to address his own world war ii experience in his signature style 
dullingly 
it 's too harsh to work as a piece of storytelling 
that anyone in his right mind would want to see the it 
occasionally fun 
one look at a girl in tight pants and big tits and you turn stupid ? 
could become a historically significant work as well as a masterfully made one 
got the brawn , but not the brains 
sordid and 
than to call attention to themselves 
an instantly forgettable snow-and-stuntwork extravaganza that likely will be upstaged by an avalanche of more appealing holiday-season product . 
move away from his usual bumbling , tongue-tied screen persona 
cliché-laden 
risky 
cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness 
will have found a cult favorite to enjoy for a lifetime 
it 's an effort to watch this movie , but it eventually pays off and is effective if you stick with it 
lame sweet home leaves no southern stereotype unturned . 
sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness 
the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre 
knows its classical music , 
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets 
between sullivan and his son 
if frailty will turn bill paxton into an a-list director 
a pianist , but a good human being 
bland 
the direction has a fluid , no-nonsense authority 
inappropriate and wildly undeserved 
actor michel serrault 
the movie straddles the fence between escapism and social commentary , 
adult world 
starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni 
was , by its moods , and by its subtly transformed star 
is the kathie lee gifford of film directors 
is worth seeing 
delicious and delicately 
's a reason the studio did n't offer an advance screening . 
to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
much of it is funny , but 
absurdly simplistic 
will find their humor-seeking dollars best spent elsewhere 
whether it 's the worst movie of 2002 , i ca n't say for sure : memories of rollerball have faded , and i skipped country bears . 
worthwhile addition 
sweetly sexy , funny and touching . 
will touch you to the core in a film you will never forget -- that you should never forget . 
so much fun dissing the film that they did n't mind the ticket cost 
star-power potential 
ellen pompeo pulls off the feat with aplomb 
it definitely gives you something to chew on 
annoyance 
the thought of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes ( of which they 'll get plenty ) fills me with revulsion . 
redolent 
acute writing 
so larger than life 
in anything ever , and easily the most watchable film of the year 
good-naturedly 
running on empty , repeating what he 's already done way too often 
an important movie , or even 
oh , look at that clever angle ! 
kouyate elicits strong performances from his cast 
wiseman is patient and uncompromising , letting his camera observe and record the lives of women torn apart by a legacy of abuse . 
in addition to sporting one of the worst titles in recent cinematic history , ballistic : ecks vs. sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase . 
should appeal to anyone willing to succumb to it 
feel like time fillers between surf shots . 
inconceivable 
is deadly 
current innovators 
it will stay with you 
powerful performance 
peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
poor editing , 
of one of the best films 
the ridicule factor 
nutty , consistently funny . 
friday after next spreads them pretty thin 
furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation 
this cloying , voices-from-the-other-side story 
it finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice . 
satisfying well-made romantic comedy 
the lustrous polished visuals rich in color and creativity and 
feeling refreshed and hopeful 
while delivering a more than satisfactory amount of carnage 
to be a parody of gross-out flicks , college flicks , or even flicks in general 
we 'll keep watching the skies for his next project 
well-thought 
go , girls , right down the reality drain . 
time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference 
a giddy and provocative sexual 
drawing flavorful performances from bland actors 
woody allen seems to have bitterly forsaken 
attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way . 
it 's a compelling and horrifying story , and 
woe-is-me 
's definitely an improvement on the first blade , 
reminds us of our own responsibility to question what is told as the truth 
tries too hard to be funny in a way that 's too loud , too goofy and too short of an attention span 
a sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern china . 
made the full monty a smashing success ... but 
the movie grows boring despite the scenery . 
the german occupation 
of the most purely enjoyable and satisfying evenings at the movies i 've had in a while 
you have an interest in the characters you see 
to sneak out of the theater 
's hard not to be carried away 
the cruel earnestness of the victorious revolutionaries 
is n't very good 
reaffirming washington as possibly the best actor working in movies today 
witty and often surprising 
building up to the climactic burst of violence 
the first part making up for any flaws that come later 
all the verbal marks it should 
should give `` scratch '' a second look 
of laughs 
are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing 
for those with at least a minimal appreciation of woolf and clarissa dalloway , the hours represents two of those well spent 
quick-buck 
her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance 
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears 
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour 
be entertained by the sight of someone getting away with something 
impeccable throughout 
murderer 
a knockout 
is rote work and predictable , 
vibrance and warmth 
dull with only caine 
no . 
on that score , the film certainly does n't disappoint . 
to the bitter end 
the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes 
a few are sexy 
this odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in morton 's ever-watchful gaze -- and it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one . 
veers into corny sentimentality , probably 
'll still have a good time . 
the film 's lamer instincts 
is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation . 
strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve . 
cute 
interesting concept 
signs is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project . 
a great american adventure and a wonderful film to bring to imax 
the wonderful cinematography and 
in the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality 
most incoherent 
an often watchable , though goofy and lurid , blast of a costume drama set in the late 15th century . 
the remarkable ensemble cast 
darkness 
a great script 
is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh . 
is n't in this film , which may be why it works as well as it does 
so vividly that the artist 's work may take on a striking new significance for anyone who sees the film 
a raunchy and frequently hilarious follow-up to the gifted korean american stand-up 's i 'm the one that i want . 
a good-natured ensemble comedy that tries hard to make the most of a bumper cast , but never quite gets off the ground . 
telling what at heart is a sweet little girl 
acts like a doofus 
is turning in some delightful work on indie projects . 
stereotypes are sprinkled everywhere 
every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel . 
's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
you expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune ) than this cliche pileup . 
that made the original men in black such a pleasure 
intelligent 
film festival 
had to sit through it again 
gritty realism , crisp storytelling and radiant compassion 
stretches of impact and moments 
children , a heartfelt romance for teenagers 
it is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film . 
great to begin with 
more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach 
just a kiss is a just a waste . 
may well be the year 's best and most unpredictable comedy 
uneven , self-conscious but often hilarious 
observant . 
it aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one . 
depressingly thin 
good fun 
never gets off the ground . 
bring on the sequel 
unendurable viewing experience 
gets the feeling that the typical hollywood disregard for historical truth and realism is at work here 
makes the princess seem smug and cartoonish 
redeems it 
surreal ache of mortal awareness emerges a radiant character portrait . 
see this , the final part of the ` qatsi ' trilogy , directed by godfrey reggio , with music 
has a script ( by paul pender ) made of wood 
ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending 
to examine , the interior lives of the characters in his film , much less incorporate them into his narrative 
lame kiddie flick 
fails in making this character understandable , in getting under her skin , in exploring motivation ... well 
... there is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens . 
vowing , 
is too long with too little 
makes its message resonate . 
stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe . 
the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans . 
slow death 
as much fun 
very real and amusing give-and-take 
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart . 
kinda dumb 
for touched by an angel simplicity 
the sci-fi comedy spectacle as whiffle-ball epic 
its engaging simplicity 
is balanced by a rich visual clarity and deeply 
, worse , that you have to pay if you want to see it 
the movie does n't think much of its characters , its protagonist , or of us . 
at female friendship , spiked with raw urban humor 
sabotaged by pomposity 
a part of its fun 
drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
once again that a man in drag is not in and of himself funny 
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and it lets the pictures do the punching 
magnificent landscape to create a feature film that is wickedly fun to watch 
deftly spins the multiple stories in a vibrant and intoxicating fashion 
filled with raw emotions conveying despair and love 
and vulgar innuendo 
enough chuckles for a three-minute sketch 
undeniably touched 
racial insensitivity 
only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department 
sexy razzle-dazzle 
to the film 's considerable charm 
stuffiest 
sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours 
surprisingly ` solid ' 
clumsy dialogue , heavy-handed phoney-feeling sentiment 
an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you 
we 're touched by the film 's conviction that all life centered on that place , that time and that sport 
has succeeded beyond all expectation 
of a really solid woody allen film 
is weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil . 
both a grand tour through 300 hundred years of russian cultural identity and a stunning technical achievement 
that should be relegated to a dark video store corner 
in good fun 
almost perpetually wasted characters 
brash , intelligent and erotically perplexing 
family audience 
more mature than fatal attraction 
go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving 
a perfect example of rancid , well-intentioned , but shamelessly manipulative movie making . 
now as a former gong show addict , i 'll admit it , my only complaint is that we did n't get more re-creations of all those famous moments from the show . 
should have been a more compelling excuse to pair susan sarandon and goldie hawn . 
an obvious rapport with her actors and a striking style behind the camera 
into hogwash 
that beneath the familiar , funny surface 
sparse instances 
captivating and intimate 
broad streaks of common sense 
resourceful amnesiac 
's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark 
directors dean deblois and chris sanders valiantly keep punching up the mix . 
that the real antwone fisher was able to overcome his personal obstacles and become a good man is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle . 
an unflinching look 
it has made its way into your very bloodstream 
enjoy its own transparency 
vulgar dialogue and a plot that crawls along at a snail 's pace 
an imponderably stilted and self-consciously arty movie . 
always destined to be measured against anthony asquith 's acclaimed 1952 screen adaptation . 
nothing original 
the solid filmmaking and 
and as with most late-night bull sessions , eventually the content is n't nearly as captivating as the rowdy participants think it is . 
an interesting racial tension 
it falls far short of poetry , but 
makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work 
the outstanding thrillers 
the unexplored story opportunities 
chance to see three splendid actors 
marry science fiction with film noir and action flicks 
disguising the obvious with energy and innovation 
presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale . 
a degree of affection rather than revulsion 
sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer 
for overstimulated minds 
's most weirdly engaging and unpredictable character pieces 
dramatic nor comic 
dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances 
are often a stitch 
as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design 
screenwriter dan schneider and director shawn levy 
a dull girl 
most fish stories are a little peculiar , but this is one that should be thrown back in the river 
in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested 
of nature and family warmth 
` cherish ' 
've seen before 
strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends 
for history buffs 
sleeper 
a grittily beautiful film 
is a trove of delights . 
this is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative . 
a sexy , surprising romance ... idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger . 
creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances . 
it were that grand a failure 
that rare movie that works on any number of levels 
spaces both large ... and small ... with considerable aplomb 
nourishing aspects 
pride themselves on sophisticated , discerning taste 
go-for-broke 
are n't very bright 
to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal 
's simply crude and unrelentingly exploitative 
it 's refreshing that someone understands the need for the bad boy ; diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly . 
the images lack contrast , are murky and are frequently too dark to be decipherable . 
are as maudlin as any after-school special you can imagine 
its own good 
few sequels 
wedding sequence 
who do n't know how to tell a story for more than four minutes 
uni-dimensional 
who know nothing about the subject 
a clear point 
singer/composer bryan adams contributes a slew of songs -- a few potential hits , a few more simply intrusive to the story -- but the whole package certainly captures the intended , er , spirit of the piece 
leave you with a smile on your face and a grumble in your stomach 
collapses like an overcooked soufflé . 
to the world trade center tragedy 
brings them to life 
oddly compelling 
compelled to watch the film twice or pick up a book on the subject 
enough to make you put away the guitar , sell the amp , and apply to medical school 
sweet home alabama is n't going to win any academy awards , but 
self-righteousness 
lives down to its title . 
have lost the ability to think 
, reverent , and subtly different 
with an idea buried somewhere inside its fabric , but never clearly seen or felt 
to drown yourself in a lake afterwards 
safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven . 
will grab you 
it also represents glossy hollywood at its laziest . 
has all the enjoyable randomness of a very lively dream 
... better described as a ghost story gone badly awry . 
deeply out of place 
a low rate annie featuring some kid who ca n't act , only echoes of jordan , and weirdo actor crispin glover screwing things up old school 
projects onto the screen -- loud , violent and mindless 
'll enjoy the hot chick . 
stale first act , scrooge story , blatant product placement , 
the movie resolutely avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates . 
are too grave for youngsters 
right movie 
a documentary to make the stones weep -- as shameful as it 
old , familiar 
as inept as big-screen remakes of the avengers and the wild wild west . 
the good and different 
, this indie flick never found its audience , probably because it 's extremely hard to relate to any of the characters . 
a vibrant , colorful , semimusical rendition . 
, it must have read ` seeking anyone with acting ambition but no sense of pride or shame . ' 
-- ever so gracefully -- 
the too-frosty exterior 
to being exciting 
pleasant enough 
some good , organic character work 
a twisted sense 
the movie is well crafted , and well executed . 
's a barely tolerable slog over well-trod ground . 
... keep the movie slaloming through its hackneyed elements with enjoyable ease . 
deserved all the hearts it won -- and wins still , 20 years later 
a full experience 
better actor 
painful 
making `` die another day '' one of the most entertaining bonds in years 
the crap continues . 
the grandness of romance 
to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
, it should pay reparations to viewers . 
overall , cletis tout is a winning comedy that excites the imagination and tickles the funny bone . 
passionate heart 
unfunny and 
of honest poetry 
... an often intense character study about fathers and sons , loyalty and duty . 
bad filmmaking 
their often heartbreaking testimony , spoken directly into director patricio guzman 's camera , pack a powerful emotional wallop 
too heady for children , and too preachy 
of the ugly american 
clearly evident quality 
that would make it the darling of many a kids-and-family-oriented cable channel 
perfectly pleasant if 
where the bizarre is credible and the real turns magical 
of a film that 's rarely as entertaining as it could have been 
best brush 
unrealistic 
this is christmas future for a lot of baby boomers . 
to overcome gaps in character development and story logic 
overmanipulative 
makes you care about music you may not have heard before 
nicest 
good movie 
me feel weird / thinking about all the bad things in the world / like puppies with broken legs / and butterflies that die / and movies starring pop queens 
are nearly impossible to care about 
suited for the history or biography channel 
just like a splendid meal 
the action sequences -- clearly the main event -- 
, color and cringe 
the problem is he has no character , loveable or otherwise . 
deflated ending aside , there 's much to recommend the film . 
a haunting tale 
sillier 
disappointing in comparison to other recent war movies ... 
awards animals the respect they 
by a weak script that ca n't support the epic treatment 
that even freeman ca n't save it 
is the film roman polanski may have been born to make . 
the visceral excitement of a sports extravaganza 
in the present 
immensely appealing 
in death to smoochy , we do n't get williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing . 
well-lensed 
a riveting story well told . 
cardiac arrest 
if invincible is not quite the career peak that the pianist is for roman polanski 
his own idiosyncratic strain 
that does the nearly impossible 
gorgeous 
of pre-9 / 11 new york and 
greatest teacher 
low-rent -- and even lower-wit -- 
gripping 
ca n't say it 's on par with the first one 
journalistically dubious , inept and often lethally dull . 
execrable 
destined to fill the after-school slot at shopping mall theaters across the country . 
sweet and romantic 
most gloriously unsubtle and adrenalized extreme 
is hugely overwritten , 
a bad soap opera 
unflappable air 
as endearing and easy 
with no signs of life 
a rollicking adventure for you and 
a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy . 
quite fun 
ringu is a disaster of a story , full of holes and completely lacking in chills . 
, satisfying 
to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen 
sticks rigidly to the paradigm , 
the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop 
painful ride 
less funny 
solid 
we had to endure last summer 
fascinate in their recklessness 
davis 
the movie is a lumbering load of hokum but ... it 's at least watchable 
a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside 
's thanks to huston 's revelatory performance 
remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops 
max pokes , provokes , takes expressionistic license and hits a nerve ... 
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but as those monologues stretch on and on , you realize there 's no place for this story to go but down 
those famous moments 
that it appears not to have been edited at all 
's sanctimonious , self-righteous and so eager 
an emotionally complex , dramatically satisfying heroine 
achievement 
if you can read the subtitles ( the opera is sung in italian ) and you like ` masterpiece theatre ' type costumes , you 'll enjoy this movie . 
a sly female empowerment movie , although not in a way anyone would expect . 
all works out 
espn 
a winner 
usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo . 
you do n't need to be a hip-hop fan to appreciate scratch , and that 's the mark of a documentary that works . 
if you give a filmmaker an unlimited amount of phony blood 
lane and 
are terribly wasted . 
makes us see familiar issues , like racism and homophobia , in a fresh way 
a rich historical subject 
deserves a place of honor next to nanook as a landmark in film history 
makes even elizabeth hurley seem graceless and ugly 
a blast of adrenalin 
poor 
... as stiff , ponderous and charmless as a mechanical apparatus 
have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release 
wit and humor 
does so without compromising that complexity . 
's splash without the jokes . 
for bug-eyed mugging and gay-niche condescension 
least favorite 
for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life 
bizarre , implausible 
the last kiss 
length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue 
in bad filmmaking 
campy recall for older fans or a silly , nickelodeon-esque kiddie flick 
has an odd purity that does n't bring you into the characters so much as it has you study them . 
worth the trip to the theater 
it simply lulls you into a gentle waking coma . 
loud , brash and mainly unfunny 
sneaks up on the viewer , providing an experience that is richer than anticipated 
are anguished , bitter and truthful 
low , smoky and inviting 
, transforms that reality into a lyrical and celebratory vision 
is particularly impressive . 
screenplay or 
a solidly entertaining little film . 
lazy , 
how they make their choices , and 
predictable plotting and 
the color sense of stuart little 2 
of criminals 
by a winning family story 
arresting image 
, it ultimately delivers 
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , and 
spectacle and 
remotely topical or sexy 
generosity 
's get this thing over with 
the ambiguous ending seem goofy rather than provocative 
one of the most savagely hilarious social critics 
creative belly laughs 
aloof and lacks any real raw emotion , which is fatal for a film that relies on personal relationships . 
charge money for this ? ' 
hoping for a stiff wind 
a stadium-seat megaplex 
has a real filmmaker 's eye 
an overripe episode of tv 's dawson 's creek 
demonstrate their acting ` chops ' 
the effort is gratefully received 
so clumsily sentimental 
feels painfully redundant and inauthentic . 
will be a thoughtful , emotional movie experience . 
that it ca n't really be called animation 
as south park 
jackson and co have brought back the value and respect for the term epic cinema . 
to blandly go where we went 8 movies ago ... 
has n't aged a day 
fall to pieces 
any summer blockbuster 
resonance 
a beguiling freshness 
you 're in the right b-movie frame of mind 
... an incredibly heavy-handed , manipulative dud that feels all too familiar . 
burnt out 
long enough to read the subtitles 
maintains a surprisingly buoyant tone throughout 
have a feeling that i would have liked it much more if harry & tonto never existed 
disappointment coming 
stay with the stage versions , however , which bite cleaner , and deeper 
( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation . 
excellent performances on its side 
comes along only occasionally 
the film 's predictable denouement 
malarkey 
will have a fun , no-frills ride 
a delightful romantic comedy 
seems worse for the effort 
greatest star wattage 
juliette binoche 's sand is vivacious , but 
amused by its special effects 
distinct rarity 
the music makes a nice album , the food is enticing and italy beckons us all . 
does n't give us a reason to be in the theater beyond wilde 's wit and the actors ' performances 
a highly watchable , giggly little story with a sweet 
more bizarre than 
you love the music , 
the filmmakers want nothing else than to show us a good time , 
sabotage 
do n't work in concert . 
devolves 
narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann 
formulaic , its plot and pacing typical hollywood war-movie stuff , 
should scare any sane person away . 
its promising cast 
ca n't generate enough heat in this cold vacuum of a comedy to start a reaction . 
as filling as the treat of the title 
too sappy for its own good 
... del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy . 
`` looking for leonard '' just seems to kinda sit in neutral , hoping for a stiff wind to blow it uphill or something . 
that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted 
us watch as his character awakens to the notion that to be human is eventually to have to choose 
mourning in favor of bogus spiritualism 
changing lanes is also a film of freshness , imagination and insight . 
to the floor with a sickening thud 
you might to scrutinize the ethics of kaufman 's approach 
i fear 
smart little indie . 
, but it also does the absolute last thing we need hollywood doing to us : it preaches . 
a deliciously nonsensical comedy about a city 
a film that 's barely shocking , barely interesting and most of all , barely anything 
as with so many merchandised-to-the-max movies of this type , more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else . 
stylish thriller . 
becomes a tv episode rather than a documentary 
own languorous charm 
eventual discovery 
zings along with vibrance and warmth . 
disgusted with the lazy material and the finished product 's unshapely look 
she has the stuff to stand tall with pryor , carlin and murphy 
supremely hopeful 
various amusing sidekicks add much-needed levity to the otherwise bleak tale 
most every aggrieved father cliché 
the ingenuity that parker displays in freshening the play 
the lively intelligence of the artists and 
but something far more stylish and cerebral -- and , hence , more chillingly effective 
gorgeously strange movie 
its own thinness 
miracle of miracles , the movie 
be made by african-americans because of its broad racial insensitivity towards african-americans 
powerful documentary 
such high-wattage brainpower coupled with pitch-perfect acting 
in the end , the film is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide . 
real magic , 
anything but frustrating , 
deep down , i realized the harsh reality of my situation 
huppert 's show to steal 
that it certainly does n't feel like a film that strays past the two and a half mark 
the plot 's contrivances are uncomfortably strained . 
flops 
genuine dramatic impact 
retro uplifter . 
grandly 
you 'll know a star when you see one . 
provides amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest 
are worthwhile 
warm , fuzzy feeling 
meaning in relationships or work 
is a mildly funny , sometimes tedious , ultimately insignificant film 
faster , livelier 
can also negotiate the movie 's darker turns 
a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type 
doomed 
that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
of flimsy -- or , worse yet , nonexistent -- ideas 
some of the computer animation is handsome , and 
emphasizes every line and sag 
dumped 
is one of my least favorite emotions , especially when i have to put up with 146 minutes of it . 
convinced that this mean machine was a decent tv outing that just does n't have big screen magic 
suckers 
as if he or she has missed anything 
kate is n't very bright 
kapur fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter ) . 
faithful without being forceful , sad without being shrill , 
does a solid job of slowly 
hate yourself for giving in 
bucked the odds 
the movie should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end . 
nicholas nickleby '' is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year . 
this fascinating look at israel in ferment 
a guilty-pleasure , daytime-drama sort of fashion 
the acting is just fine , but 
a full-frontal attack on audience patience 
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability 
is virtually absent 
living hell 
if you 're willing to have fun with it 
it 's tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too . 
some outrageously creative action in the transporter ... 
cheapo animation ( like saturday morning tv in the '60s ) 
, this is likely to cause massive cardiac arrest if taken in large doses . 
count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is 
search of something different 
even better than the first one ! 
it is more than merely a holocaust movie 
of director john stockwell 
eerily accurate depiction of depression . 
potentially good 
working from a surprisingly sensitive script co-written by gianni romoli ... 
suffers through this film 
stuffed to the brim with ideas , american instigator michael moore 's film is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition . 
among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
the gander , some of which occasionally amuses but none of which amounts to much of a story 
small , intelligent eyes 
keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired 
, an interesting and at times captivating take on loss and loneliness . 
smoother or more confident 
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and 
mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing 
pacino is the best he 's been in years and keener is marvelous 
it 's a wonderful , sobering , heart-felt drama . 
is about to turn onto a different path 
glamour 
with a momentum that never lets up 
is both stimulating and demanding 
earnest , 
movie special 
a bowser 
failing , 
his character awakens to the notion that to be human 
an eloquent , deeply felt meditation 
if you 're not a fan , it might be like trying to eat brussels sprouts . 
like a bottom-feeder sequel in the escape from new york series 
, more frantic than involving , more chaotic than entertaining . 
flourishes -- artsy fantasy sequences -- 
lighter 
's easy to like and 
flat as thinking man 
it 's hard to believe that something so short could be so flabby . 
attal 's hang-ups surrounding infidelity are so old-fashioned and 
that it has none of the pushiness and decibel volume of most contemporary comedies 
a visionary 
most intelligent viewers 
the evocative imagery 
could use a little more humanity , but 
, superficiality and silliness 
predictable storyline 
disposible 
babak payami 's boldly quirky iranian drama secret ballot 
is one of the best actors there is . 
it 's been done before but never so vividly or with so much passion . 
andie macdowell 
its metaphors are opaque enough to avoid didacticism , and the film succeeds as an emotionally accessible , almost mystical work . 
with vibrance and warmth 
best movie work 
despite auteuil 's performance , it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug . 
toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry 
on toilet humor , ethnic slurs 
all the signs of rich detail condensed 
of crucifixion 
with the pale script 
noisy 
warning you 
the story alone could force you to scratch a hole in your head . 
is an uncompromising film . 
deeply unsettling 
has n't escaped the rut dug by the last one . 
unforced 
since ghostbusters 
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare , but mira nair 's film is an absolute delight for all audiences 
inject some real vitality and even art 
some buoyant human moments 
like the best 60 minutes 
share his impressions of life and loss and time and art with us 
may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
is unconvincing soap opera that tornatore was right to cut . 
there 's something unintentionally comic in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties . 
the surprise ending is revealed 
a cinematic fluidity and sense of intelligence that makes it work more than it probably should 
intriguing characters 
a flimsy excuse 
, it has some special qualities and the soulful gravity of crudup 's anchoring performance . 
do n't derive from the screenplay , but rather the mediocre performances by most of the actors involved 
seem great to knock back a beer with but they 're simply not funny performers . 
a fanciful motion picture 
by halfway through this picture i was beginning to hate it , and , of course 
an enjoyable , if occasionally flawed , experiment 
empowerment 
than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence 
offensive , puerile 
repetitively 
makes it a failure as straight drama 
a hip comedy 
is n't one moment in the film that surprises or delights 
willing to express his convictions 
with or without ballast tanks , k-19 sinks to a harrison ford low . 
thanks to the actors 
an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer 
this oddly sweet comedy 
the insinuation of mediocre acting or a fairly trite narrative 
with a better script 
frustrates and 
hard-pressed 
drop dead gorgeous 
, impostor is as close as you can get to an imitation movie . 
there 's no conversion effort , much of the writing is genuinely witty and 
extremely talented musicians 
's no surprise that as a director washington demands and receives excellent performances 
with the unsettling spookiness of the supernatural 
the film 's appeal 
contriving false , sitcom-worthy solutions 
when you 're a jet 
with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
stock character camp 
just a collection of this and that -- whatever fills time -- with no unified whole . 
fans 
to capture the novel 's deeper intimate resonances 
low-grade cheese standards 
milks drama when she should be building suspense 
is generally quite funny 
catches you 
afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn 
a splash even greater 
also intriguing and honorable , 
of jim brown , a celebrated wonder in the spotlight 
well-meant but 
witless 
so heartwarmingly motivate 
gangster no. 1 is solid , satisfying fare for adults . 
astounding on any number of levels 
the cinematography to the outstanding soundtrack and unconventional narrative 
disrobed most of the cast , 
the young actors , not very experienced 
you 've got to hand it to director george clooney for biting off such a big job the first time out 
estranged from reality 
enactments , however fascinating they may be as history , are too crude to serve the work especially well 
wearing a cloak of unsentimental , straightforward text 
so hot-blooded 
a better lot 
a loquacious and dreary piece of business . 
highly recommended viewing for its courage , ideas , technical proficiency and great acting . 
the `` queen '' and less of the `` damned 
how much souvlaki can you take before indigestion sets in 
be great to see this turd squashed under a truck , preferably a semi 
` masterpiece ' and ` triumph ' and all that malarkey 
on different levels 
fairly uneventful 
is also a creative urge 
how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time 
the prospect of their own mortality 
a film that should be relegated to a dark video store corner is somehow making its way instead to theaters . 
is raised a few notches above kiddie fantasy pablum by allen 's astringent wit 
the weight of too many story lines 
of new york 's finest and a nicely understated expression of the grief 
robin williams has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side . 
a well-balanced fashion 
that it 's a rock-solid little genre picture 
sympathetic without being gullible 
irrelevant as on the engaging , which gradually turns what 
to fill time 
's the image that really tells the tale 
care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
self-indulgent and maddening 
has fashioned an absorbing look at provincial bourgeois french society . 
the richness of characterization 
i was trying to decide what annoyed me most about god is great ... 
being rewarded by a script that assumes you are n't very bright 
, this melancholic film noir reminded me a lot of memento ... 
a painful elegy and 
is a sea of constant smiles and frequent laughter 
and engaging examination 
a whole lot of fun 
armageddon 
delights and simmering 
reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan 
sex 
bad company 
a surprising winner with both adults and younger audiences 
dry , reliable textbook 
the only fun part of the movie 
under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . 
the pungent bite 
spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort . 
the sweet cinderella story 
's not clear 
settles too easily 
in which fear and frustration are provoked to intolerable levels 
xxx is a blast of adrenalin 
charming 
imagine kevin smith , the blasphemous bad boy of suburban jersey , if he were stripped of most of his budget and all of his sense of humor . 
greek to anyone not predisposed to the movie 's rude and crude humor 
hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time 
often messy and frustrating , but very pleasing at its best moments 
elbowed aside 
the film grows as dull as its characters , about whose fate it is hard to care . 
cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting 
comic elements 
undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
an arcane area of popular culture 
how sandler is losing his touch 
borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself . 
in the spirit of the season 
barn-burningly 
the incredible imax sound system lets you feel the beat down to your toes 
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- 
exercise in narcissism and self-congratulation disguised as a tribute . 
a far bigger , far more meaningful story than one 
pleasurable 
original in its base concept that you can not help but get caught up . 
... the story simply putters along looking for astute observations and coming up blank . 
piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying . 
's still a guilty pleasure to watch 
uncanny tale 
to see the one of the world 's best actors , daniel auteuil , 
for a guy who has waited three years with breathless anticipation for a new hal hartley movie to pore over , no such thing is a big letdown . 
three-dimensional characters 
things to like 
a deserved co-winner 
you 're a jet all the way 
the first 2/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ... 
a lot of fun , with an undeniable energy sparked by two actresses in their 50s working at the peak of their powers . 
several cliched movie structures : the road movie , the coming-of-age movie , 
there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising 
on the premise 
just slopped ` em together here 
is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery 
a sentimental but entirely irresistible portrait of three 
adrift in various new york city locations 
that 's what i liked about it 
unrelated shorts 
screenwriting award 
so badly made on every level that i 'm actually having a hard time believing people were paid to make it 
energy , intelligence and verve 
straightforward 
why this distinguished actor would stoop so low 
like some futile concoction that was developed hastily after oedekerk 
third-rate 
valiant 
could be a passable date film 
much smarter and more attentive than it first sets out to be . 
the dragons are the real stars of reign of fire and you wo n't be disappointed . 
of three 
affirms 
it 's a fun adventure movie for kids ( of all ages ) that like adventure . 
dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric 
it 's that rare family movie -- genuine and sweet without relying on animation or dumb humor . 
sparking debate and 
's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating 
upsetting and thought-provoking , the film has an odd purity that does n't bring you into the characters so much as it has you study them . 
pornography or documentary 
walk away 
of watching intelligent people making a movie 
ideal 
about an unsympathetic character and someone who would not likely be so stupid as to get 
inspiring , 
each of these stories has the potential for touched by an angel simplicity and sappiness , 
recommend this film 
is as close as you can get to an imitation movie 
is n't one true ` chan moment ' . 
's so tedious 
does n't add up to much . 
it gives poor dana carvey nothing to do that is really funny , and 
mr. day-lewis roars with leonine power 
polanski 's best film 
on a 10-year delay 
its elegantly colorful look and sound 
some intriguing questions about the difference between human and android life 
chalk it up as the worst kind of hubristic folly . 
moviegoers not already clad in basic black 
is shallow , offensive and redundant 
badly made on every level 
to eat popcorn 
an exceptionally dreary and overwrought bit 
no french people were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a half 
what 's missing from this material 
that most frightening of all movies -- 
most brilliant and brutal 
's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay . 
heartily sick 
and ( too ) short 
the sequel plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once . 
savory and 
a good simmer 
sting 
one spectacularly ugly-looking broad 
warmth and gentle 
the original could ever have hoped to be 
dreary tract 
martial arts and gunplay with too little excitement and zero compelling storyline 
chance to find love in the most unlikely place 
inept filmmaking 
is hilariously , gloriously alive , and quite often hotter than georgia asphalt 
real women may have many agendas , but it also will win you over , in a big way . 
has squeezed the life out of whatever idealism american moviemaking ever had 
that is really funny 
the thrills 
third time 's the charm ... 
to get by on humor that is not even as daring as john ritter 's glory days on three 's company 
watching monkeys flinging their feces at you 
like a can of 2-day old coke . 
sink it 
the audience was put through torture for an hour and a half 
's also not very good 
unsurprising 
is n't afraid to try any genre and to do it his own way . 
's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one 
as fresh 
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control 
by an energy that puts the dutiful efforts of more disciplined grade-grubbers 
, it 's kind of insulting , both to men and women . 
like pieces a bunch of other , better movies slapped together . 
shadowy 
brainless , but enjoyably over-the-top , the retro gang melodrama 
elegantly crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level . 
with passion and attitude 
very funny 
most late-night bull sessions 
a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni 
teens are looking for something to make them laugh 
intriguing what-if premise 
gives the lie to many clichés and showcases a group of dedicated artists 
melds derivative elements into something that is often quite rich and exciting , and always a beauty to behold . 
to be something really good 
get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos 
no match for the insipid script he has crafted with harris goldberg 
of an upper class austrian society 
a huge fan 
lifts this tale of cannibal lust above the ordinary 
violent 
it 's not bad prose 
destructive 
many inimitable scenes 
mr. goyer 's loose , unaccountable direction is technically sophisticated in the worst way . 
it certainly wo n't win any awards in the plot department but 
liked this film a lot 
pretentious endeavor 
much of what we see is horrible but 
nazi 
trade center tragedy 
although olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation 
first lousy guy ritchie imitation 
misses a major opportunity to be truly revelatory about his psyche 
too much of nemesis has a tired , talky feel . 
an entertaining documentary that freshly considers arguments the bard 's immortal plays were written by somebody else . 
ballot 
one of the most exciting action films to come out of china in recent years . 
feel sad 
if you find comfort in familiarity 
make the most of its own ironic implications 
it 's just rather leaden and dull . 
this is one that should be thrown back in the river 
sun-drenched masterpiece 
a good deal funnier 
who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
an excellent job 
redundant and inauthentic 
the visual wit 
wo n't be talking about the film once you exit the theater 
graces 
amazingly 
a credible account of a puzzling real-life happening 
sing beautifully 
with little visible talent and no energy 
, this film 's impressive performances and adept direction are n't likely to leave a lasting impression . 
juliette binoche 's sand is vivacious , 
never quite ignites . 
a heartfelt story 
george hickenlooper 's 
wo n't be disappointed 
scarily funny , 
has lost its edge 
to huston 's revelatory performance 
needless 
daytime tv serviceability , but little more 
mr. wollter and ms. seldhal give strong and convincing performances 
even if it made its original release date last fall 
that it 's not clear whether we 're supposed to shriek 
home movie '' is a sweet treasure and something well worth your time . 
to a better tomorrow 
to a mood that 's sustained through the surprisingly somber conclusion 
quite a bit of heart 
pompous and 
a remarkably cohesive whole 
questionable kind 
junkie 
bully 
what made allen 's romantic comedies so pertinent and enduring 
absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer 
that lifts your spirits 
catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ? 
linger long after this film has ended 
in its understanding , often funny way 
brown played in american culture as an athlete , a movie star , and an image of black indomitability 
empty stud knockabout 
beautiful , angry and sad , with a curious sick poetry , as if the marquis de sade had gone in for pastel landscapes . 
mired in stasis 
an unsuccessful attempt 
aside from rohmer 's bold choices regarding point of view , the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art . 
remarkable yet shockingly 
a no-bull throwback 
conspicuous 
perfectly executed and wonderfully sympathetic characters 
stereotypes that gives the ( teen comedy ) 
a welcome relief from baseball movies that try too hard to be mythic 
picked not for their acting chops , but for their looks 
is a film -- full of life and small delights -- that has all the wiggling energy of young kitten 
held my interest precisely because it did n't try to 
confident enough to step back and look at the sick character with a sane eye 
its exquisite acting , inventive screenplay , mesmerizing music , 
, comedian runs out of steam after a half hour . 
i walked away from this new version of e.t. just as i hoped i would -- with moist eyes . 
being more valuable in the way they help increase an average student 's self-esteem 
sharp comedy , old-fashioned monster movie atmospherics , 
oscar-winning master 
has the capability of effecting change and inspiring hope . 
beautifully choreographed 
's a fun adventure movie for kids ( of all ages ) that like adventure . 
with fascinating connections 
challenges us to think about the ways we consume pop culture . 
plodding soap opera 
hard to take her spiritual quest at all seriously 
well-executed 
clichés , depression and bad alternative music 
sleep 
it too is a bomb . 
with an artistry that also smacks of revelation 
extravagant confidence 
of race and culture forcefully told , with superb performances throughout 
role , or edit , or score , or anything , really 
much imagination 
is a movie so insecure about its capacity 
while this movie , by necessity , lacks fellowship 's heart , two towers outdoes its spectacle . 
top-notch action powers this romantic drama . 
a charmer 
the serbs themselves 
short-story quaint , touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty 
sheer goofiness and cameos 
mothers , 
i 'm not exactly sure what this movie thinks it is about . 
a disaster 
with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza 
its great credit 
deranged immediacy 
works superbly 
, illuminating study 
see this terrific film with your kids -- if you do n't have kids borrow some 
does n't sustain interest beyond the first half-hour 
libido film 
to be fondly remembered in the endlessly challenging maze of moviegoing 
tasteless and 
a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents 
by the artsy and often pointless visuals 
stand tall 
makes all the difference . 
clever exercise 
themes that interest attal and gainsbourg 
the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
the thematic ironies are too obvious 
with the titillating material 
mean-spirited and wryly 
unusual but pleasantly haunting debut 
the last kiss will probably never achieve the popularity of my big fat greek wedding , but its provocative central wedding sequence has far more impact 
fiction 
been lost in the mail 
of visual and verbal clichés 
refreshing change 
, sticking its head up for a breath of fresh air now and then . 
an hour-and-a-half of inoffensive , unmemorable filler . 
, ugly , irritating 
frequent laughter 
is a gory slash-fest 
probably the most good-hearted yet sensual entertainment i 'm likely to see all year 
a fascinating glimpse of urban life and the class warfare that embroils two young men 
wonderful , sobering , heart-felt drama 
mtv schmucks 
extraordinary intelligence and originality 
artificial structure 
thoughtful , emotional movie experience 
a fascinating curiosity piece -- 
does n't care about cleverness , wit or any other kind of intelligent humor 
, its through-line of family and community is heartening in the same way that each season marks a new start . 
the brilliant performances 
say for plenty of movies that flow through the hollywood pipeline without a hitch 
boring talking heads 
one of the best gay love stories 
, it wears out its welcome as tryingly as the title character . 
pretension about the film , which very simply sets out to entertain and ends up delivering in good measure 
an undeniably moving film to experience 
realistic ' 
shapeless documentary 
stealing harvard is a horrible movie -- if only it were that grand a failure 
good-naturedly 
it is life affirming and heartbreaking , sweet without the decay factor , funny and sad . 
arteta paints a picture of lives lived in a state of quiet desperation . 
with an astoundingly rich film 
to win a wide summer audience through word-of-mouth reviews 
edited so that it certainly does n't feel like a film that strays past the two and a half mark 
going to be really awful 
a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals 
is as conventional as can be 
a direct hit 
project greenlight '' winner 
's really an exercise in gross romanticization of the delusional personality type 
than sucking you in ... and making you sweat 
i was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism . 
become wearisome 
manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill 
chilling in its objective portrait of dreary , lost twenty-first century america . 
fact , the best in recent memory 
than like being stuck in a dark pit having a nightmare about bad cinema 
consistently amusing but 
even lazier and 
artful 
to be a new yorker 
is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore 
the sword fighting is well done 
much of it is funny , 
extremely unpleasant film 
should be able to appreciate the wonderful cinematography and naturalistic acting 
very meticulously but without any passion 
a blair witch - style adventure that plays like a bad soap opera , with passable performances from everyone in the cast . 
a sentimental mess 
passion 
genuine insight 
a classic fairy tale 
, and not strictly in the knowledge imparted 
aficionados of the whodunit wo n't be disappointed 
i enjoyed . 
strong dramatic and emotional pull 
is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew 
road to perdition does display greatness , and 
the rest of the film ... is dudsville . 
ultimate point -- that everyone should be themselves -- 
its generic villains lack any intrigue ( other than their funny accents ) and the action scenes are poorly delivered 
unless you 're a fanatic , the best advice is : ` scooby ' do n't . 
will find that the road to perdition leads to a satisfying destination 
does a terrific job conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head 
the rest of the cast was outshined by ll cool j. 
nonsensical and laughable 
a very charming and funny movie 
the movie , shot on digital videotape rather than film , is frequently indecipherable . 
tries-so-hard-to-be-cool `` clockstoppers 
that it fails to have a heart , mind or humor of its own 
a great combination act 
with a tone as variable as the cinematography , schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm . 
is its energy 
extraordinary poignancy 
newcomer ellen pompeo pulls off the feat with aplomb 
damn fine 
suitably kooky which should appeal to women and 
cinema classic 
be both hugely entertaining and uplifting 
unique and inherent 
like no other film in recent history 
wonderful on the big screen 
's to realize that as far as these shootings are concerned , something is rotten in the state of california 
the soul of a man in pain who gradually comes to recognize it and deal with it 
its scrapbook of oddballs 
is about as humorous as watching your favorite pet get buried alive 
no point 
no idea of it is serious 
schmaltz 
does a solid job of slowly , 
, characterization , poignancy , and intelligence 
as big-screen remakes of the avengers and the wild wild west 
ourselves and 
a little uneven to be the cat 's meow , but it 's good enough to be the purr . 
any film more challenging or depressing 
seem sincere , and just 
even after 90 minutes of playing opposite each other bullock and grant still look ill at ease sharing the same scene . 
engaging and moving portrait 
how it washed out despite all of that is the project 's prime mystery . 
` swept away ' sinks . 
is a great deal of fun . 
report card : does n't live up to the exalted tagline - 
rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest 
it eventually works its way up to merely bad rather than painfully awful . 
it earns extra points by acting as if it were n't 
wayward wooden one 
disintegrates into a dreary , humorless soap opera 
uncomfortably strained 
going wrong 
, there are side stories aplenty -- none of them memorable . 
enormously entertaining 
that has no teeth 
more playful 
acted , quietly affecting cop drama . 
ca n't help suspecting that it was improvised on a day-to-day basis during production 
ethical and philosophical 
as an exceptional thriller 
with star power , a pop-induced score 
lawrence hates criticism so much that he refuses to evaluate his own work 
one of two things : unadulterated thrills or genuine laughs 
while it can be a bit repetitive 
its metaphors are opaque enough to avoid didacticism , and 
badder 
does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own . 
he has n't lost his touch , bringing off a superb performance in an admittedly middling film 
does n't contain half the excitement of balto , or quarter the fun of toy story 2 
a stunning new young talent in one of chabrol 's most intense psychological mysteries 
barely give a thought to the folks who prepare and deliver it 
as if everyone making it lost their movie mojo 
with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds 
proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies 
off-putting 
acidity 
love in remembrance . 
vivid characters and a warm , moving message 
, in itself , is extraordinary . 
gives everyone something 
is so clumsily sentimental and ineptly directed it may leave you speaking in tongues 
neither as scary-funny as tremors nor 
pleasantly 
its emphasis on caring for animals and respecting other cultures 
did no one on the set have a sense of humor 
've had the misfortune to watch in quite some time . 
driver and goodfellas 
lethargically paced parable of renewal . 
spellbinding fun and 
( or role , or edit , or score , or anything , really ) 
, spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man . 
hardly watchable 
could have guessed at the beginning 
are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all 
in that sense is a movie that deserves recommendation 
it may not be a huge cut of above the rest , but i enjoyed barbershop . 
i skipped country bears 
pointing his camera through the smeared windshield of his rental car 
perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making 
he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction 
poetic 
act weird 
stiff , ponderous and charmless 
worldly knowledge comes from tv reruns and supermarket tabloids 
it has fun with the quirks of family life , but it also treats the subject with fondness and respect . 
cares 
looking for a story 
a real human soul 
there 's no denying that burns is a filmmaker with a bright future ahead of him . 
a mere plot pawn for two directors with far less endearing disabilities 
you 'd have a hard time believing it was just coincidence . 
immensely entertaining look 
that between the son and his wife , and the wife and the father , and between the two brothers 
a film -- rowdy , brawny and lyrical in the best irish sense 
're never quite sure where self-promotion ends and the truth begins 
enjoyed as a work of fiction inspired by real-life events . 
and effective film 
complex 
're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid . 
enjoyable family 
bad movie 
while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals 
gives new meaning to the phrase ` fatal script error . ' 
funny and also heartwarming without stooping to gooeyness 
there 's a part of us that can not help be entertained by the sight of someone getting away with something . 
charismatic rising star jake gyllenhaal 
the belly laughs 
you 're going to feel like you were n't invited to the party . 
more playful tone 
a portrait of hell so shattering it 's impossible to shake . 
loved the look of this film . 
a lot going for it , not least the brilliant performances by testud ... and 
it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at . 
is the way it skirts around any scenes that might have required genuine acting from ms. spears 
, unusual , even nutty 
a smart , steamy mix of road movie , coming-of-age story and political satire 
into a fascinating part of theater history 
fish-out-of-water formula 
, however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
compelling and horrifying story 
just send it to cranky . 
callow rich boy 
if you 're over 25 , have an iq over 90 , and have a driver 's license , you should be able to find better entertainment . 
straining to produce another smash 
affair 
the layers of soap-opera emotion 
childish 
assayas ' ambitious , sometimes beautiful adaptation of jacques chardonne 's novel . 
seems endless . 
funny and human and 
dreadful romance 
ought to pick up the durable best seller smart women , foolish choices for advice 
an eerie thriller 
's unfocused and tediously exasperating 
his dependence on slapstick 
epic treatment 
the bottom of the barrel 
warmed up to him 
feel the screenwriter at every moment ` tap , tap , tap , 
the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops 
a dud -- 
instead of trying to bust some blondes , ( diggs ) should be probing why a guy with his talent ended up in a movie this bad . 
an ease 
so hard to be quirky and funny that the strain is all too evident 
, this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment . 
gangs 
of ace japanimator hayao miyazaki 's spirited away 
its smallness 
a straightforward , emotionally honest manner that by the end 
the strain of its plot contrivances and 
but it was n't horrible either . 
jumble that 's not scary , not smart and not engaging . 
's kind of insulting , both to men and women 
with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity 
shrewd but pointless . 
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard . 
the evocative imagery and 
as one of the worst films of the summer 
whether it 's the worst movie of 2002 , i ca n't say for sure : 
there 's no point of view , no contemporary interpretation of joan 's prefeminist plight , so we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity . 
the level of intelligence and visual splendor that can be seen in other films 
a lovely , eerie film 
may have expected to record with their mini dv 
keep the movie from ever reaching the comic heights it obviously desired . 
it turns out to be smarter and more diabolical than you could have guessed at the beginning . 
the pantheon of wreckage that includes battlefield earth and showgirls 
does n't completely survive its tonal transformation from dark comedy to suspense thriller 
touching , raucously amusing , 
for all its brooding quality , ash wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast . 
triumph ' 
good documentarian 
a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety 
she is merely a charmless witch . 
more repulsive 
the movie is concocted and carried out by folks worthy of scorn , and the nicest thing i can say is that i ca n't remember a single name responsible for it 
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him . 
inspiring , ironic 
that these brats will ever be anything more than losers 
's only one way to kill michael myers for good : stop buying tickets to these movies 
cinematography to the outstanding soundtrack and 
the chateau has one very funny joke and a few other decent ones , but all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film 
instantly forgettable and 
worth watching 
extraordinary film 
an annoying orgy of excess and exploitation that has no point and goes nowhere 
his prime 
occasional belly laugh 
argentine american beauty reeks 
a barrie good time 
clever and cutting , quick and dirty look 
a time machine , a journey back to your childhood , when cares melted away in the dark theater , and films had the ability to mesmerize , astonish and entertain 
good deal 
wo n't be remembered as one of ( witherspoon 's ) better films . 
crematorium chimney fires and stacks of dead bodies 
promises a new kind of high but delivers the same old bad trip 
improbable as this premise may seem , abbass 's understated 
this is a children 's film in the truest sense . 
plot and pacing typical hollywood war-movie stuff 
much more successful 
the pale script 
is ) looking down at your watch and realizing serving sara is n't even halfway through 
94-minute travesty 
a fine , focused piece 
to guess the order in which the kids in the house will be gored 
a good film in `` trouble every day 
engaging . 
more than capable of rewarding them 
writer/director dover kosashvili takes a slightly dark look at relationships , both sexual and kindred . 
has n't progressed as nicely as ` wayne 
a remarkable film 
it 's packed with adventure and a worthwhile environmental message , so it 's great for the kids . 
female population 
wonderfully sympathetic 
if it were any more of a turkey 
its performances are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be 
you feel guilty about it 
dusty 
humanly 
pushed to their most virtuous limits 
no wit , only 
the rare common-man artist 
self-pitying 
lousy john q 
the guru who helped 
suffers from a philosophical emptiness and maddeningly sedate pacing 
botched in execution 
director juan jose campanella could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films . 
full of the kind of obnoxious chitchat that only self-aware neurotics engage in . 
offers big , fat , dumb 
wears out its welcome as tryingly as the title character . 
before going on to other films that actually tell a story worth caring about 
is clever , offbeat and even gritty enough to overcome my resistance 
with its excellent use of new york locales and sharp writing 
tortured 
a world of hurt 
rewarded with some fine acting 
their funny bones tickled 
`` un-bear-able '' project 
wonder of wonders -- a teen movie with a humanistic message 
nijinsky 
even by the intentionally low standards of frat-boy humor , sorority boys is a bowser . 
celebrates the human spirit with such unrelenting dickensian decency that it turned me ( horrors ! ) 
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , 
the lush scenery 
more if it had just gone that one step further 
makes salton sea surprisingly engrossing 
gentle , touching 
is awesome 
a hole in your head 
though her performance is more interesting ( and funnier ) than his 
likable 
older and wiser eyes , 
bile 
works on some levels and is certainly worth seeing at least once . 
a pathetically inane and unimaginative 
if not a home run , then at least 
the perfect starting point for a national conversation about guns , violence , and fear 
as rewarding 
a doa dud from frame one . 
so old-fashioned 
summer blockbuster 
to find the small , human moments 
some intelligent observations on the success of bollywood 
a corn dog 
this unique director 's previous films 
canadian filmmaker gary burns ' inventive and mordantly humorous take on the soullessness of work in the city . 
it 's rare to find a film to which the adjective ` gentle ' applies , but the word perfectly describes pauline & paulette 
hackneyed and 
the skirmishes for power waged among victims and predators settle into an undistinguished rhythm of artificial suspense . 
distances you 
romantic and 
as a historical study and as a tragic love story 
white has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else . 
makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while 
plenty to impress about e.t. 
besotted and obvious 
of read my lips 
interesting look 
witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals 
puts the kibosh on what is otherwise a sumptuous work of b-movie imagination . 
soderbergh 's best films , `` erin brockovich , 
is n't painfully bad , something to be ` fully experienced ' 
of matthew shepard 
should stop trying to please his mom 
immersive powers 
fills me with revulsion . 
set it apart from other deep south stories 
replete with the pubescent scandalous 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say 
if you enjoy being rewarded by a script that assumes you are n't very bright , then blood work is for you . 
right choices 
an action hero motivated by something more than franchise possibilities 
weighs no more than a glass of flat champagne 
does mark ms. bullock 's best work in some time 
, this family film sequel is plenty of fun for all . 
insomnia is one of the year 's best films and 
ultimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution . ' 
worthwhile moviegoing experience 
so prolonged and boring 
saw the film 
of paint-by-number romantic comedies 
smarter than your average bond . 
this hastily mounted production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book . 
a tragic dimension 
it is not enough to give the film the substance it so desperately needs . 
an admirable reconstruction of terrible events , and a fitting 
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , 
rarely work in movies now 
comic fan 
perfectly serviceable 
eric schweig and graham greene both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters . 
love song 
brutal honesty and respect 
the best sequel 
its slightly humorous and tender story 
a choppy ending 
grows on you -- 
tired , unnecessary retread 
better characters , some genuine quirkiness and at least 
the dangerous lives of altar boys ' take on adolescence 
are enthralling 
love a disney pic with as little cleavage as this one has , and 
true impact 
like all great films about a life you never knew existed , it offers much to absorb and even more to think about after the final frame . 
unnerving suspense 
promising , talented , charismatic and tragically 
if a horror movie 's primary goal is to frighten and disturb , then they works spectacularly well ... a shiver-inducing , nerve-rattling ride . 
inept and artificial 
gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug . 
an impossible spot 
delightfully charming -- and 
of heart or conservative of spirit 
has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time 
movie version 
is that the entire exercise has no real point 
but a tedious picture 
it actually hurts to watch . 
, the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate . 
be oblivious to the existence of this film 
thanks to confident filmmaking and a pair of fascinating performances , the way to that destination is a really special walk in the woods . 
tainted by cliches , painful improbability and murky points 
horrendously 
may take on a striking new significance for anyone who sees the film 
this long and relentlessly saccharine film is a clear case of preaching to the converted . 
gratingly unfunny groaner 
is painfully formulaic and stilted 
is often quite rich and exciting 
is n't very interesting actually 
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and i do n't think that a.c. will help this movie one bit . 
from dawson 's creek 
is too amateurishly square 
a stirring tribute to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us 
unleashed by a slightly crazed , overtly determined young woman 
too blatant 
a really cool bit -- 
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and 
, i 'd rather watch them on the animal planet . 
jumps to the head of the class of women 's films 
generates plot points 
really , really good 
wo n't care 
bringing off a superb performance in an admittedly middling film 
, inconsistent , dishonest 
's simply stupid , irrelevant and deeply , truly , 
kinda wrong 
in an irresistible junior-high way , 
i 've yet to find an actual vietnam war combat movie actually produced by either the north or south vietnamese , but at least now we 've got something pretty damn close . 
makes up for in heart 
the story is predictable , the jokes are typical sandler fare , and the romance with ryder is puzzling . 
be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus 
starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points . 
are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable 
becomes more and more frustrating 
called best bad film you thought was going to be really awful 
generous 
are too immature and unappealing to care about . 
guy gets girl 
succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries 
thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd . 
refreshes the mind and spirit along 
is a poster movie , a mediocre tribute to films like them 
sit through about 90 minutes of a so-called ` comedy ' and not laugh 
the depth of these two literary figures , and even the times in which they lived 
i certainly was n't feeling any of it 
, intelligence and verve 
real-life story 
forceful drama 
cold and dead 
with a flourish 
do that is really funny 
is so poorly paced you could fit all of pootie tang in between its punchlines . 
eric 
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives . 
painful , obnoxious 
full of holes that will be obvious even to those who are n't looking for them 
the emotional heart of happy 
, proves simultaneously harrowing and uplifting 
terrible events 
develop her own film language with conspicuous success 
could have -- should have -- been allowed to stand on their own 
garcia and the other actors help make the wobbly premise work . 
going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
a very moving and revelatory footnote to the holocaust 
maturity 
an equally miserable film the following year 
adaptation 's success in engaging the audience in the travails of creating a screenplay is extraordinary . 
your least favorite 
a rating of zero 
new ground 
captivating details 
a chiller resolutely without chills . 
impression 
two-way 
happy ending 
appreciation of the daily grind that only the most hardhearted scrooge could fail to respond 
is a finely written , superbly acted offbeat thriller 
is dreary and sluggish 
needed more emphasis 
disappointed 
watered down the version of the one 
it just goes to show , an intelligent person is n't necessarily an admirable storyteller . 
exhilarating but blatantly biased . 
smartly directed , grown-up film 
ransacks its archives 
psychologically revealing . 
tsai convincingly paints a specifically urban sense of disassociation here . 
a soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for nba properties . 
light the candles , bring out the cake and 
all right , so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast . 
an eye-boggling blend 
shared by the nation at their sacrifice . 
, amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor . 
virtuosic 
of the great crimes 
technically and artistically inept 
is fascinating 
otherwise dull subjects 
like a can of 2-day old coke 
the suggested and the unknown 
is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture 
the emphasis on self-empowering schmaltz and 
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains ... crossroads is never much worse than bland or better than inconsequential 
a predictably efficient piece 
`` project greenlight '' winner 
the humanity of its people 
comfort in familiarity 
so fascinating 
equally great robin williams performance 
who embraces a strict moral code 
never mind all that ; the boobs are fantasti 
to keep the extremes of screwball farce and blood-curdling family intensity on one continuum 
's drab . 
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and 
with his brawny frame and cool , composed delivery 
accomplished and richly resonant work 
the funniest american comedy since graffiti bridge 
mindless pace in collision 
exquisite trappings 
been more geeked when i heard that apollo 13 was going to be released in imax format 
all its problems 
funny , charming and quirky 
super - violent , super-serious and super-stupid 
a perceptive study 
real natural , even-flowing tone 
like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining . 
it must be the end of the world : the best film so far this year is a franchise sequel starring wesley snipes 
compressed characterisations and for its profound humanity 
oscar-nominated documentary 
its dying , in this shower of black-and-white psychedelia , 
scenery , vibe and all -- 
a fascinating documentary about the long and eventful spiritual journey of the guru who helped 
warm up to 
's critic-proof , simply because it aims so low 
jae-eun jeong 's take care of my cat brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema . 
brutally honest 
of four englishmen facing the prospect of their own mortality 
a sobering and powerful documentary about the most severe kind of personal loss : rejection by one 's mother . 
undeniable social realism 
a dentist drill 
, time out offers an exploration that is more accurate than anything i have seen in an american film . 
every faltering half-step 
new release 
of irreparable damage 
, amusing , tender and heart-wrenching 
's no denying that burns is a filmmaker with a bright future ahead of him 
, more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else . 
where human nature should be ingratiating 
acting , but ultimately a movie with no reason for being 
is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears . 
disease-of-the-week small-screen melodramas 
favors to sober us up with the transparent attempts at moralizing 
equally derisive clunker 
sorrowfully 
'll be thinking of 51 ways to leave this loser 
is virtually without context -- journalistic or historical . 
rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone 
win a wide summer audience 
a ton of laughs 
the cleverest , most deceptively amusing comedies of the year 
engages us in constant fits of laughter 
of narrative banality 
an abused , inner-city autistic 
allows the mind to enter and accept another world 
on a group of extremely talented musicians 
walked the delicate tightrope between farcical and loathsome 
has only a fleeting grasp of how to develop them 
about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us 
the wild thornberrys movie does n't offer much more than the series 
the world 's best actors , daniel auteuil 
it 's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? '' 
true cinematic knack 
you 're in for a painful ride . 
that carries a charge of genuine excitement 
to be affected and boring 
a bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing . 
a directorial tour de force 
endearing and 
wayward 
the reaction in williams is as visceral as a gut punch 
is messy , uncouth , incomprehensible , vicious and absurd 
otherwise good-naturedness 
playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
precious than perspicacious 
manages to find that real natural , even-flowing tone that few movies are able to accomplish . 
we 've seen the hippie-turned-yuppie plot before , 
a hokey piece 
at times it 's simply baffling 
prescribed 
as improbable as this premise may seem , abbass 's understated , shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life . 
something entertaining 
the modern-day characters are nowhere near as vivid as the 19th-century ones . 
may also be the first narrative film to be truly informed by the wireless 
it deserved all the hearts it won -- and wins still , 20 years later . 
dynamic first act 
draws on an elegant visual sense and a talent for easy , seductive pacing 
distinct and very welcome 
that it 's hard to resist his pleas to spare wildlife and respect their environs 
yet another sexual taboo into a really funny movie 
an entertaining british hybrid of comedy , caper thrills and quirky romance 
this film is part of that delicate canon 
a dreary tract of virtually plotless meanderings 
, the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . ' 
lets her complicated characters be unruly , confusing and , through it all , human 
, the satire is weak . 
seems altogether too slight to be called any kind of masterpiece 
filmmaker yvan attal quickly writes himself into a corner 
terrific score 
the same old story 
in its own aloof , unreachable way it 's so fascinating you wo n't be able to look away for a second . 
exciting to watch as two last-place basketball 
is it as smart 
is robotically italicized 
seem like a recycling of clichés , an assassin 's greatest hits 
engaging 
a delightful , well-crafted family film 
especially well 
constrictive eisenhower era 
yet the act is still charming here . 
peter o'fallon did n't have an original bone in his body 
aesthetic experience 
is magnificent 
a remarkably insightful 
of strung-together tv episodes 
cherished 
this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel . 
'' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan 
i had more fun watching spy than i had with most of the big summer movies . 
is contrived , unmotivated , and psychologically unpersuasive , 
with a company of strictly a-list players 
a listless sci-fi comedy in which eddie murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect . 
the nourishing aspects of love and companionship 
ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time . 
brushes 
it 's an ambitious film 
is a film that manages to find greatness in the hue of its drastic iconography 
a depressingly retrograde , ` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women . 
of emotionally and narratively complex filmmaking 
though it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal , the film shatters you in waves . 
4ever has the same sledgehammer appeal as pokemon videos , but it breathes more on the big screen and induces headaches more slowly . 
whipping 
seeing a series of perfect black pearls clicking together to form a string 
's a bad sign when they 're supposed to be having a collective heart attack 
is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times . 
of two unrelated shorts that falls far short 
the actors ' perfect comic timing 
a hole in the head 
color and depth , and rather a good time 
a little melodramatic , but with enough hope to keep you engaged . 
a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue 
some genuine spontaneity 
is able to overcome the triviality of the story 
has had some success with documentaries 
this is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery . 
several cliched movie structures : the road movie , the coming-of-age movie 
in a guilty-pleasure , daytime-drama sort of fashion 
the best of them 
several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
strange and compelling 
the difference is that i truly enjoyed most of mostly martha while i ne 
none of the plot ` surprises ' are really surprising 
comes off as a long 
lively intelligence 
wonderful performances 
the thin veneer of nationalism 
cruelly funny twist 
see what he could make with a decent budget 
, however , manages just to be depressing , as the lead actor phones in his autobiographical performance . 
to the failure of the third revenge of the nerds sequel 
for its originality 
does n't even qualify as a spoof of such 
divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure 
a well-intentioned effort that 's still too burdened by the actor 
do you make a movie with depth about a man who lacked any 
merely indulges in the worst elements of all of them . 
we want the funk - and this movie 's got it . 
while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion 
show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn 
in the sun 
manages to nail the spirit-crushing ennui of denuded urban living without giving in to it 
's unlikely to become a household name on the basis of his first starring vehicle . 
uh , shred , 
a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter . 
to pamela 's emotional roller coaster life 
steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
appears miserable throughout as he swaggers through his scenes 
doltish 
's as crisp and to the point 
is still quite good-natured and not a bad way to spend an hour or two 
capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy 
the comedy death to smoochy is a rancorous curiosity : a movie without an apparent audience . 
that hollywood no longer has a monopoly on mindless action 
the only problem is that , by the end , no one in the audience or the film seems to really care . 
lighting effects and 
wasted potential 
of a valentine sealed with a kiss 
is a temporal inquiry that shoulders its philosophical burden lightly . 
should be expected from any movie with a `` 2 '' at the end of its title 
been edited at all 
` what 's the russian word for wow !? ' 
you love reading and/or poetry 
phrase ` fatal script error 
no excuse 
it progresses in such a low-key manner that it risks monotony 
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1/2 - hour , dissipated length . 
her nomination as best actress even more 
of the same old garbage 
rare in the depiction of young women in film 
an excruciating film 
fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts 
watch barbershop again if you 're in need of a cube fix -- 
the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael 
well-developed 
model 
a little less charm 
a compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother 
into that annoying specimen of humanity 
this bond film goes off the beaten path , not necessarily for the better . 
seems to want both , but succeeds in making neither . 
so genial is the conceit , this is one of those rare pictures that you root for throughout , dearly hoping that the rich promise of the script will be realized on the screen . 
settles on a consistent tone . 
because it 's so bad 
is a great film . 
endorses they simply because this movie makes his own look much better by comparison 
a bloated plot that stretches the running time about 10 minutes 
easy , comfortable 
straightforward and old-fashioned in the best possible senses of both those words 
in this pretentious mess 
allow the suit to come to life 
one splendidly cast pair 
of theater history 
an undeniably gorgeous , terminally 
an athlete 
is the kind of movie that deserves a chance to shine 
, stupid and pointless 
comes up shorter than britney 's cutoffs 
limited but enthusiastic 
for people who take as many drugs as the film 's characters 
... while the humor aspects of ` jason x ' were far more entertaining than i had expected , everything else about the film tanks . 
, i do n't see the point 
is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone . 
the worst dialogue 
likely to see all year 
long before it 's over , you 'll be thinking of 51 ways to leave this loser . 
spiffy 
the worst possibilities 
critiquing itself at every faltering half-step of its development 
the central flaw 
others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating . 
of social texture and realism 
triumphant , 
impossibly long limbs 
star bruce willis 
needs to stay afloat in hollywood 
recognizable and true that , as in real life , we 're never sure how things will work out 
genre gem 
some cute moments , 
as immaculate as stuart little 2 is , it could be a lot better if it were , well , more adventurous . 
eventually gets around to its real emotional business , striking deep chords of sadness . 
a rejected x-files episode than a credible account of a puzzling real-life happening 
unexpected fable 
has been gathering dust on mgm 's shelf 
a mawkish self-parody that plays like some weird masterpiece theater sketch with neither a point of view nor a compelling reason for being . 
will be lulled into a coma 
a rancorous curiosity : a movie without an apparent audience 
petter næss ' delicate , clever direction ... 
generates little narrative momentum 
spiritual film taps into the meaning and consolation in afterlife communications . 
a manically generous christmas 
from the flawed support structure holding equilibrium up 
beguiling freshness 
a noble end 
found this a remarkable and novel concept 
aimless hodgepodge 
gives none to the audience 
its shape-shifting perils , political intrigue and brushes 
is deliberately unsettling 
more mature than fatal attraction , more complete than indecent proposal and more relevant than 9 1/2 weeks , unfaithful is at once intimate and universal cinema . 
to find a movie character more unattractive or odorous ( than leon ) 
if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
as blasphemous and nonsensical 
more sophisticated and literate than such pictures usually are ... an amusing little catch 
non-firsthand experience 
of the funniest jokes of any movie 
genuinely pretty 
a lack of clarity and audacity 
combine into one terrific story with lots of laughs 
an american actress who becomes fully english 
is that secret ballot is a comedy , both gentle and biting 
funny , touching , smart and complicated 
ignites 
as the movie dragged on 
walled-off 
refreshingly unhibited 
the saigon of 1952 is an uneasy mix of sensual delights and simmering violence , and the quiet american brings us right into the center of that world . 
still rapturous after all these years 
self-conscious art drivel 
brutally dry satire 
most refreshing 
-- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
women torn apart by a legacy of abuse 
a movie in which two not very absorbing characters are engaged in a romance you ca n't wait to see end . 
showcases tom hanks as a depression era hit-man in this dark tale of revenge . 
to imagine another director ever making his wife look so bad in a major movie 
is still fun and enjoyable and so aggressively silly 
the hell cares 
is of brian de palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career . 
awe and affection -- and 
on the number of tumbleweeds blowing through the empty theaters 
gorgeous visuals 
resourceful hero 
-- worst of all -- 
such high-wattage brainpower 
a lingering creepiness one 
reaffirms life as it looks in the face of death 
a properly spooky film 
after the first 10 minutes , which is worth seeing 
great acting 
well-structured 
this will be an enjoyable choice for younger kids . 
wonderfully loopy tale 
turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count . 
every cheap trick 
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , 
it takes an abrupt turn into glucose sentimentality and laughable contrivance 
a time machine , a journey back to your childhood , when cares melted away in the dark theater 
marvelously entertaining and 
the cartoon in japan that gave people seizures 
treating female follies 
a downward narcotized spiral 
this exciting new filmmaker 
a small independent film suffering from a severe case of hollywood-itis . 
without a fresh infusion of creativity , 4ever is neither a promise nor a threat so much as wishful thinking . 
rewarding 
intermezzo strain 
another key contribution 
babies are the kiss of death in this bitter italian comedy 
enjoyably dumb , sweet , and intermittently hilarious 
been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement 
wedding 
director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy 
( a ) soulless , stupid sequel ... 
escape the shackles of its own clichés to be the best espionage picture to come out in weeks 
like its title character , esther kahn is unusual but unfortunately also irritating . 
bad enough to repulse any generation of its fans 
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even 
manages to squeeze by on angelina jolie 's surprising flair for self-deprecating comedy . 
, it delivers the same message as jiri menzel 's closely watched trains and danis tanovic 's no man 's land . 
sumptuous 
tug at your heart in ways 
represent totally exemplify middle-of-the-road mainstream 
`` new best friend '' 
mr. polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival 
a huge sacrifice of character and mood 
mindless and boring martial arts and gunplay with too little excitement and zero compelling storyline . 
would 've been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement . 
does n't necessarily 
beautifully reclaiming the story of carmen and 
the latter 's attendant intelligence 
derivative and hammily acted . 
an astonishing voice cast ( excepting love hewitt ) , 
jarring shocks 
one-of-a-kind tour de force 
's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow . 
a children 's party clown 
so downbeat and nearly humorless 
that delicate canon 
usually genuinely worthwhile 
thanks to great performances 
is populated by whiny , pathetic , starving and untalented artistes 
-- and deeply appealing -- 
general audiences might not come away with a greater knowledge of the facts of cuban music 
crude film 
defeated by a screenplay that forces them into bizarre , implausible behavior 
really adorable italian guys . 
it must be the end of the world : the best film so far this year is a franchise sequel starring wesley snipes . 
like most movies about the pitfalls of bad behavior 
loud and boring 
to hide the fact that seagal 's overweight and out of shape 
everyone involved with moviemaking is a con artist and a liar 
beautifully crafted and cooly unsettling 
the same number of continuity errors 
if the film has a problem , its shortness disappoints : you want the story to go on and on 
the most offensive thing about the movie 
a game of ` who 's who ' ... where the characters ' moves are often more predictable than their consequences 
should n't have been made 
exhilarating new 
this story of a determined woman 's courage to find her husband in a war zone offers winning performances and some effecting moments . 
a wildly uneven hit-and-miss enterprise 
your disgust and your indifference 
that the artist 's work may take on a striking new significance for anyone who sees the film 
the waterlogged script 
an emotionally satisfying exploration 
as claustrophic , suffocating and chilly 
short of both adventure and song 
list 
, passionate 
genuinely bone-chilling tale 
a smart new comedy 
if occasionally flawed , 
a fascinating curiosity piece -- fascinating , that is , 
stays with you 
simply putters along looking for astute observations and coming up blank . 
practices 
there is n't much there here . 
the troubling thing about clockstoppers is that it does n't make any sense . 
make this worth a peek . 
being attempted here that stubbornly refused to gel 
a testament to de niro and director michael caton-jones 
an important , original talent in international cinema 
she 's cut open a vein 
life and beauty 
captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience 
've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
charm , generosity and diplomacy 
a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth . 
is broken by frequent outbursts of violence and noise 
the ability to mesmerize , astonish and entertain 
its exquisite acting , inventive screenplay , 
may be another shameless attempt by disney to rake in dough from baby boomer families 
it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year 
not only is it hokey , manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches . 
unfunny and unentertaining 
a movie of technical skill and rare depth of intellect and feeling . 
're convinced that this mean machine was a decent tv outing that just does n't have big screen magic . 
fuzzy 
... is magnificent 
crime 
, save your disgust and your indifference 
are dampened by a lackluster script and substandard performances 
not-at-all-good 
that buoy the film , and at times , elevate it to a superior crime movie 
so distasteful 
like a blown-out vein 
erotic or sensuous charge 
artistically inept 
predictable and cloying 
seems as if each watered down the version of the one before 
flickering out by its perfunctory conclusion 
keep the story subtle and us in suspense 
contains the humor , characterization , poignancy , and intelligence of a bad sitcom 
big-fisted 
sexy intrigue 
'm not exactly sure what this movie thinks it is about 
nary an original idea 
hate it 
represents glossy hollywood at its laziest . 
what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
-- they live together -- the film has a lot of charm . 
there is a real subject here , and it is handled with intelligence and care . 
a soul and 
is funny , charming and quirky in her feature film acting debut as amy . 
it makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film . 
davis ' candid , archly funny and deeply authentic take 
this is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one . 
from the awkwardness that results from adhering to the messiness of true stories 
obvious determination to shock at any cost 
to be because it plays everything too safe 
a revealing look at the collaborative process and 
is far less mature 
a half-hearted fluke 
some nice twists 
pulls off the feat with aplomb 
, kissing jessica steinis quirky , charming and often hilarious . 
cop flick cliches 
crafted , and well executed 
it 's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast . 
some terrific setpieces 
decent kid-pleasing 
deeply unsettling experience 
leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion 
are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor 
more dutiful than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating treat . 
more enjoyable than its predecessor 
with more holes than clyde barrow 's car 
forcing 
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , 
allen 's underestimated charm delivers more goodies than lumps of coal . 
are actually fascinating 
somewhere inside the mess that is world traveler , there is a mediocre movie trying to get out . 
murderous maids has a lot going for it , not least the brilliant performances by testud ... and parmentier . 
moody , oozing , chilling and heart-warming 
painful , horrifying and oppressively tragic , this film should not be missed . 
writer-director randall wallace has bitten off more than he or anyone else could chew , and his movie veers like a drunken driver through heavy traffic . 
in asia , where ms. shu is an institution 
love may have been in the air onscreen , but i certainly was n't feeling any of it 
it 's depressing to see how far herzog has fallen . 
works nothing short of a minor miracle in unfaithful . 
nonsensical and laughable plotting 
more a gunfest than a rock concert . 
otherwise appalling , and downright creepy 
noticeably derivative 
retard 
mawkish self-parody 
based on three short films and two features , here 's betting her third feature will be something to behold 
bland but harmless . 
is polanski 's best film 
phoned-in business as usual . 
make this a comedy or serious drama 
highly watchable 
's often handled in fast-edit , hopped-up fashion 
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him ... there is never really a true `` us '' versus `` them '' . 
some talented performers 
my wife is an actress has its moments in looking at the comic effects of jealousy . 
, you 'll enjoy this movie . 
walk to remember '' 
crass and insulting homage 
makes shanghai ghetto move beyond a good , dry , reliable textbook 
complex and quirky , 
shyamalan offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes . 
's also uninspired 
unwillingness to define his hero 's background or motivations 
some cynical creeps 
an appealing veneer 
cause loads of irreparable damage 
has less spice than a rat burger 
the movie 's wildly careening tone 
comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting . 
uphill or something 
the worst 
to courage and happiness 
sandra bullock , despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff . 
is enough to save oleander 's uninspired story . 
with an original idea for a teen movie 
benefits from having a real writer plot out all of the characters ' moves and overlapping story . 
such a premise is ripe for all manner of lunacy , but kaufman and gondry rarely seem sure of where it should go 
amusing , but ultimately so 
avary seems to care about 
map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own 
exceptionally good 
were it not for the striking , quietly vulnerable personality of ms. ambrose 
with it 
adrift , bentley and hudson stare and sniffle , respectively , as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design . 
that seem so real in small doses 
pummel us 
a cut-and-paste 
enjoy for a lifetime 
blind , crippled , amish people 
works spectacularly well ... 
know what to make of this italian freakshow 
of particular value or merit 
that catches you up in something bigger than yourself 
a mechanical action-comedy whose seeming purpose is to market the charismatic jackie chan to even younger audiences . 
outstanding thrillers 
gripping performances by lane and gere are what will keep them awake 
... grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces . 
idiotic 
the most opaque , self-indulgent and just plain goofy an excuse for a movie as you can imagine 
it also makes her appear foolish and shallow rather than , as was more likely , 
stay away . 
tacky and 
obscenely bad dark comedy 
's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing . 
on top of a foundering performance , ( madonna 's ) denied her own athleticism by lighting that emphasizes every line and sag . 
deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe 
weighs down the tale with bogus profundities . 
elevates the movie above the run-of-the-mill singles blender 
is a bowser 
its dark , delicate treatment of these characters 
a light ( yet unsentimental ) touch 
offers an unexpected window 
that breaks your heart 
sparkling with ideas 
staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films 
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once 
a generous , inspiring film that unfolds with grace and humor and gradually becomes a testament to faith . 
it works well enough , since the thrills pop up frequently , and 
of this alleged psychological thriller in search of purpose or even a plot 
lynne ramsay as an important , original talent in international cinema 
something provocative 
guilty 
dicey 
just a series of carefully choreographed atrocities , which become strangely impersonal and abstract 
lightweight but appealing 
a cinematic postcard that 's superficial and unrealized 
assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low 
laugh-out-loud 
missing from this material 
are among the chief reasons brown sugar is such a sweet and sexy film . 
austin powers in goldmember has some unnecessary parts and is kinda wrong in places . 
the plot is paper-thin and 
with fewer gags to break the tedium . 
refuses to evaluate his own work 
biologically 
in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent 
to the road warrior 
's a liability 
spielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry . 
amiable but unfocused 
may have many agendas 
is a remarkable piece of filmmaking ... because you get it . 
a low-rent retread of the alien pictures . 
it 's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair . 
uses lighting effects and innovative backgrounds to an equally impressive degree 
freedom to feel contradictory things 
maryam is more timely now than ever . 
proves tiresome 
so many people put so much time and energy into this turkey 
, sometimes creepy intimacy 
forgotten the movie by the time you get back to your car in the parking lot 
a sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title would imply . 
strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
sexy and romantic 
pulls no punches in its depiction of the lives of the papin sister and the events that led to their notorious rise to infamy ... 
more of the same old garbage hollywood has been trying to pass off as acceptable teen entertainment for some time now . 
this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why . 
without stickiness 
this rather unfocused 
dahmer resorts to standard slasher flick 
of temptation , salvation and good intentions 
the story suffers a severe case of oversimplification , superficiality and silliness . 
the chateau ... is less concerned with cultural and political issues than doting on its eccentric characters . 
a fudged opportunity of gigantic proportions -- 
oddly compelling 
the marvelous verdu , 
would be me : fighting off the urge to doze 
accident-prone 
young hanks and fisk , who vaguely resemble their celebrity parents , bring fresh good looks and an ease in front of the camera to the work . 
his trademark misogyny 
our moviemakers 
suspenseful enough for older kids but not too scary 
allows his cast members to make creative contributions to the story and dialogue . 
dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer 
a quiet family drama with a little bit of romance and a dose of darkness . 
the emotion or timelessness of disney 's great past , or even 
is funny and pithy 
laughs 
chin 's film serves up with style and empathy 
the script is smart , not cloying . 
a complete waste of time 
at last 
two directors with far less endearing disabilities 
has little to do with the story 
is grossly contradictory in conveying its social message 
it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in . 
form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people . 
for an intelligent movie in which you can release your pent up anger 
simple-minded 
they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others 
appealingly manic and energetic 
an energy that puts the dutiful efforts of more disciplined grade-grubbers 
the boobs are fantasti 
further 
, the rest of the cast comes across as stick figures reading lines from a teleprompter . 
one of these days hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations . 
interested in the sights and sounds of battle 
rent those movies instead 
showcases the city 's old-world charm 
motivated by nothing short of dull , brain-deadening hangover 
fast-paced 
it 's neither as sappy as big daddy nor as anarchic as happy gilmore or the waterboy , but it has its moments . 
more of the `` queen '' and less of the `` damned 
a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
recognized as the man who bilked unsuspecting moviegoers 
strong first act 
trying to decide what annoyed me most about god is great 
lisa rinzler 's cinematography may be lovely , but love liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension 
a great saturday night live sketch 
, but how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time ? 
a very well-meaning movie , and it 
pretty bad 
connoisseurs of chinese film will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus . 
make for a winning , heartwarming yarn . 
, overlong , and bombastic 
it 's far tamer than advertised 
deficit 
well-balanced 
sending the audience straight to hell 
very different from our own and yet instantly recognizable 
winds up mired in tear-drenched quicksand . 
watch witherspoon 's talents 
it 's defiantly and delightfully against the grain . 
summons more spirit and bite than your average formulaic romantic quadrangle 
prove to be ( tsai 's ) masterpiece 
rare and lightly entertaining 
if nothing else , `` rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
exudes the urbane sweetness that woody allen seems to have bitterly forsaken . 
keep people going in this crazy life 
swims in mediocrity , sticking its head up for a breath of fresh air now and then . 
relaxed in its perfect quiet pace and 
so devoid of pleasure or sensuality 
gorgeous locales 
an engrossing and infectiously enthusiastic documentary 
mopping up 
straight-ahead 
barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story . 
steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology 
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . 
often-funny drama 
farts , urine , feces , semen 
, the film becomes predictably conventional . 
reluctant 
it was just a matter of ` eh . ' 
love-struck 
plenty of baggage 
the fantastic and 
about the santa clause 2 , purportedly a children 's movie , 
more grueling and time-consuming 
clearly well-intentioned 
like it hot on the hardwood proves once again that a man in drag is not in and of himself funny . 
keeps lifting the pedestal higher 
may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother . 
is impossible to find the film anything but 
seemingly irreconcilable 
becomes more and more frustrating as the film goes on . 
fact and fancy with such confidence 
it 's fun , but it 's a real howler . 
it 's never dull and always looks good . 
highly cerebral 
animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame 
to laugh because he acts so goofy all the time 
definitely in the guilty pleasure b-movie category 
's with the unexplained baboon cameo 
a refreshing change from the usual whoopee-cushion effort aimed at the youth market . 
antonio banderas 
does have its charms . 
, i ca n't compare friday after next to them 
if you can get past the taboo subject matter , it will be well worth your time . 
opportunity to embrace small , sweet ` evelyn 
mumbles his way through the movie 
( washington 's ) strong hand , keen eye , sweet spirit and good taste are reflected in almost every scene . 
some people march to the beat of a different drum , and if you ever wondered what kind of houses those people live in , this documentary takes a look at 5 alternative housing options . 
pompous and garbled 
even then , i 'd recommend waiting for dvd and just skipping straight to her scenes . 
found a cult favorite to enjoy for a lifetime 
good actors , even kingsley 
the author 's devotees will probably find it fascinating ; others may find it baffling . 
are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting . 
which somehow snagged an oscar nomination 
may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother 
the most savory and hilarious guilty pleasure of many a recent movie season 
will stand in future years as an eloquent memorial to the world trade center tragedy . 
is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective . 
fondly remembered in the endlessly challenging maze of moviegoing 
wait for your pay per view dollar 
the hypnotic imagery and fragmentary tale 
implodes 
've spent the past 20 minutes looking at your watch 
a phony relationship 
a pleasing , 
compelling motion 
one of the great films about movie love 
down the toilet with the ferocity of a frozen burrito 
a low-key , organic way that encourages you to accept it as life and go with its flow 
suffering 
come from a xerox machine rather than ( writer-director ) franc 
a gentle and engrossing character study . 
is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons . 
, director fisher stevens inexplicably dips key moments from the film in waking life water colors . 
swept away by the sheer beauty of his images 
seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast 
a phenomenal band with such an engrossing story that will capture the minds and hearts of many 
seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony 
brilliance 
is n't world championship material 
deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell . 
moderately successful 
fill the after-school slot at shopping mall theaters across the country 
like an all-star salute 
does not rely on dumb gags , anatomical humor , or character cliches 
-- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- 
crude storyline 
insultingly inept and artificial examination 
is a whole lot of fun 
be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) 
of impossible disappearing/reappearing acts 
madonna is one helluva singer . 
the el cheapo margaritas 
if you are in the mood for an intelligent weepy 
great and a terrible story 
he showcases davies as a young woman of great charm , generosity and diplomacy 
inuit masterpiece 
infuriating film . 
adaptation is intricately constructed and in a strange way nails all of orlean 's themes without being a true adaptation of her book 
tends to plod 
worth a summertime look-see 
have always appreciated a smartly written motion picture 
the lively intelligence of the artists 
be an effectively chilling guilty pleasure 
maybe `` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? '' 
`` ambitious failure 
blank yearning 
in the face that 's simultaneously painful and refreshing 
with a solid pedigree both in front of and , more specifically , behind the camera 
but mr. polanski creates images even more haunting than those in mr. spielberg 's 1993 classic . 
creative composure 
gory mayhem '' 
an impeccable sense 
ferrara 's best film in years 
cherish ' 
ambiguity to suggest possibilities which imbue the theme with added depth and resonance . 
excellent companion piece 
poorly written , murky and weakly acted 
instead of building to a laugh riot we are left with a handful of disparate funny moments of no real consequence . 
smeary and blurry , to the point of distraction 
a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns 
a sentimental but entirely irresistible portrait of three aging sisters . 
richly detailed , deftly executed 
, for those with at least a minimal appreciation of woolf and clarissa dalloway , the hours represents two of those well spent 
in the process created a masterful work of art of their own 
had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low 
quite beautiful 
in the title pokémon 4ever is terrifying 
the finest films 
got me grinning . 
no worse a film than breaking out , and breaking out 
as tiresome as 9 seconds 
wo n't fly with most intelligent viewers . 
such master screenwriting 
showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks 
it 's as raw and action-packed an experience as a ringside seat at a tough-man contest . 
unique director 's 
understanding of the expressive power of the camera 
makes edward burns ' sidewalks of new york look like oscar wilde 
now we 've got something pretty damn close 
keep the proceedings as funny for grown-ups as for rugrats 
the real star of this movie is the score , as in the songs translate well to film 
makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever . 
has crafted an intriguing story of maternal instincts and misguided acts of affection . 
kouyate elicits strong performances from his cast , and 
such a blip on the year 's radar screen 
is so busy making reference to other films and trying to be other films 
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe 
an action/thriller 
shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative . 
together with efficiency and an affection for the period 
unexpectedly giddy viewing 
to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze 
meaningful historical context 
waited three years with breathless anticipation for a new hal hartley movie 
a worthwhile glimpse of independent-community guiding lights 
like bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes . 
is twice as bestial but half as funny 
terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters 
is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously 
, fierce grace reassures us that he will once again be an honest and loving one . 
most enjoyable 
, i hate myself most mornings . 
as long as you 're wearing the somewhat cumbersome 3d goggles 
sweet , funny , 
are flat 
make paid in full worth seeing . 
make it as much fun as reading an oversized picture book before bedtime . 
victimized 
the film to drag on for nearly three hours 
what makes the film special is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music . 
well-written as sexy beast 
that even tunney ca n't save 
the art direction and costumes are gorgeous and finely detailed , 
our close ties with animals 
as they may be , the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy . 
stunningly 
is life affirming and heartbreaking , sweet without the decay factor , funny and sad 
inhabit into a poem of art , music and metaphor 
fails to overcome the film 's manipulative sentimentality and annoying stereotypes 
a yawn-provoking little farm melodrama . 
emotionally devastating 
sits in the place where a masterpiece should be . 
its namesake proud 
after a while 
with unimaginable demons 
the grossest movie 
catch the pitch of his poetics , savor the pleasure of his sounds and images , 
a jumbled fantasy comedy that did not figure out a coherent game plan at scripting , shooting or post-production stages . 
ensemble cast romances recently 
makes us believe she is kahlo 
alternately hilarious and sad , aggravating and soulful , scathing and joyous . 
charmless witch 
into elaborate choreography 
too simplistic to maintain interest 
goddammit 
like having a real film of nijinsky 
worst kind 
sermonize 
be a breath of fresh air 
bang-bang , shoot-em-up scene 
drink to excess , piss on trees , b.s. one another 
instantly know whodunit 
the atmosphere 
all-time low 
me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire 
deliberately and skillfully uses 
the french-produced `` read my lips '' is a movie that understands characters must come first . 
an ungainly movie , ill-fitting 
there are many definitions of ` time waster ' but 
the plot has a number of holes 
the mothman prophecies , which is mostly a bore 
a thoughtful , reverent portrait of what is essentially a subculture , with its own rules regarding love and family , governance and hierarchy . 
hitchcockian suspense 
deadly dull 
fine , focused piece 
anyone not into high-tech splatterfests 
a highly spirited , imaginative kid 's movie that broaches neo-augustinian theology : is god stuck in heaven because he 's afraid of his best-known creation ? 
who ca n't act 
nubile young actors 
impressed by the skill of the actors involved in the enterprise 
where one 's imagination will lead when given the opportunity 
it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity 
does a great combination act as narrator , jewish grandmother and subject 
rumor , a muddled drama about coming to terms with death , 
sets animation back 30 years , musicals back 40 years and judaism back at least 50 . 
other than to employ hollywood kids and people who owe favors to their famous parents . 
ridiculous and 
fade amid the deliberate , tiresome ugliness 
found the perfect material 
that the era of the intelligent , well-made b movie is long gone 
convince us of that all on their own 
fine 
what a reckless squandering of four fine acting talents 
irreparably drags the film down . 
berry 's saucy , 
, eight crazy nights is a total misfire . 
too amateurishly square 
terribly monotonous 
it 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more . 
and unoriginal mess 
the extent to which it succeeds is impressive . 
so insanely stupid 
's a rock-solid little genre picture 
of healthy eccentric inspiration and ambition 
enjoyable film 
horrors ! 
adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking 
that makes as much of a mess as this one 
be particularly innovative 
a heartening tale 
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... 
a cheap , ludicrous attempt at serious horror . 
own staggeringly unoriginal terms 
can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it . 
the only thing i laughed at 
is too insistent 
to squeeze a few laughs out of the material 
feels like a streetwise mclaughlin group ... and never fails to entertain . 
, at 66 , has stopped challenging himself 
leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying 
relatively flavorless 
subversive 
mind-numbingly , indescribably bad 
the story line may be 127 years old , but el crimen del padre amaro ... could n't be more timely in its despairing vision of corruption within the catholic establishment . 
and unsettling subject matter 
exercise in sham actor workshops and an affected malaise . 
to drag along the dead ( water ) weight of the other 
he will once again be an honest and loving one 
promises is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish . 
trip tripe 
unsuccessful 
their contrast is neither dramatic nor comic 
into an excruciating film 
as beautiful , desirable , 
unusual , food-for-thought cinema that 's as entertaining as it is instructive 
bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness . 
suffer ' 
an admirably dark first script by brent hanley 
rehearsals are frequently more fascinating than the results . 
of genres that just does n't work 
slowed down by a stroke 
blatant product placement 
been lost in the translation 
little more than a particularly slanted , gay s/m fantasy , enervating 
to triumph over a scrooge or two 
this starts off with a 1950 's doris day feel and it gets very ugly , very fast 
an invaluable service 
brisk 
a sappy , preachy one 
gone straight to video 
an ultra-loud blast 
several times here and reveals how bad an actress she is . 
asylum material 
clean 
astonishingly pivotal role 
's an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise 
made me unintentionally famous -- as the queasy-stomached critic who staggered from the theater and blacked out in the lobby . 
seems to remain an unchanged dullard 
winning story 
of a romantic crime comedy that turns out to be clever , amusing and unpredictable 
of the year 's most intriguing movie experiences 
i liked the movie , but 
fondness 
stamina and vitality 
to be more than another `` best man '' clone by weaving a theme throughout this funny film 
magical 
elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry . 
alexandre 
that chirpy songbird britney spears has popped up with more mindless drivel . 
is richly detailed , deftly executed and utterly absorbing . 
feeble 
you 're a fan of the series 
this mess of a movie 
mcgrath 
provide an intense experience when splashed across the immense imax screen . 
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' - it is more than merely a holocaust movie 
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline that i have n't encountered since at least pete 's dragon 
's best 
is visually smart , cleverly written 
; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' 
with passion 
director sara sugarman stoops to having characters drop their pants for laughs and not the last time 
slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell 
is a subzero version of monsters , inc. , without the latter 's imagination 
at once overly old-fashioned in its sudsy plotting 
straight-ahead thriller 
quite simply , should n't have been made 
into a cinematic poem 
assume is just another day of brit cinema 
, you 'll wait in vain for a movie to happen . 
the sense of fierce competition 
an infectious enthusiasm 
and , because of its heightened , well-shaped dramas , twice as powerful 
does n't work as either 
how horrible 
elevates the material above pat inspirational status 
it adds up to big box office bucks all but guaranteed . 
is that i ca n't wait to see what the director does next 
it is hard to resist 
a domestic unit finding their way to joy 
gets a lot of flavor and spice into his charade remake 
environmental pollution 
alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life . 
katzenberg 
funny , sexy 
other rowdy raunch-fests -- farts , boobs , unmentionables -- 
, but thanks to the gorgeous locales and exceptional lead performances 
run out screaming 
is richer than anticipated 
a sexy , peculiar and always entertaining costume drama 
a tone of rueful compassion ... reverberates throughout this film , whose meaning and impact is sadly heightened by current world events . 
boundary-hopping formal innovations and glimpse 
intrigue and human-scale characters 
a crisp psychological drama ( and ) 
attracting 
entertaining , if somewhat standardized , 
blue crush , a late-summer surfer girl entry , should be as entertaining as it is 
where this was lazy but enjoyable 
hindered by uneven dialogue and plot lapses 
traditional layers of awakening and ripening and 
's unlikely we 'll see a better thriller this year . 
though flawed 
the depths to which the girls-behaving-badly film has fallen 
mediocre 
feels like a cold old man going through the motions . 
ca n't even 
the film itself -- as well its delightful cast -- is so breezy 
it 's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue . 
i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british 
very well shot 
an ideal 
manages to bleed it almost completely dry of humor , verve and fun 
wants to be liked by the people who can still give him work . 
another visit 
clearly hopes to camouflage how bad his movie is . 
actually make a pretty good team 
it may be a no-brainer , but at least it 's a funny no-brainer 
a four star performance 
not only to record the events for posterity , but to help us 
breaks no new ground 
mariah carey gives us another peek at some of the magic we saw in glitter here in wisegirls . 
ill-equipped 
alternates between deadpan comedy and heartbreaking 
than indecent proposal 
is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending 
might as well have been titled generic jennifer lopez romantic comedy 
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess 
who starts off promisingly but then proceeds to flop 
may not look as fully ` rendered ' as pixar 's industry standard 
certainly not without merit 
leguizamo 's best movie work so far , 
too fancy 
fulfill its own ambitious goals 
his genre and his character construct is a wonderous accomplishment of veracity and narrative grace 
while obviously aimed at kids , the country bears ... should keep parents amused with its low groan-to-guffaw ratio . 
an emotional wallop 
is if you have a case of masochism and an hour and a half to blow 
speak for it while it forces you to ponder anew what a movie can be . 
a delightful lark for history buffs 
obnoxiously 
we 've seen the hippie-turned-yuppie plot before , but there 's an enthusiastic charm in fire that makes the formula fresh again . 
the extreme generation ' 
is not easily dismissed or forgotten . 
this painfully unfunny farce 
it looks good , sonny 
on badly-rendered cgi effects 
i found it slow , predictable and not very amusing . 
his audience an epiphany 
its unadorned view 
the material is so second-rate 
where 's the movie here ? 
metaphor 
the bourne identity should n't be half as entertaining as it is , but director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
of ' a nightmare 
boring before i see this piece of crap again 
we hate ( madonna ) within the film 's first five minutes , and 
control-alt-delete simone as quickly 
an oily arms dealer , squad car pile-ups and the requisite screaming captain 
given too much time to consider the looseness of the piece 
the huskies are beautiful , 
suitably anonymous chiller 
convinced of its own brilliance 
indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant 
a conventional , but well-crafted film about a historic legal battle in ireland over a man 
is too busy 
's not just the vampires that are damned in queen of the damned 
making kahlo 's art a living , breathing part of the movie , 
is anything but languorous 
for the character at all stages of her life 
been allowed to get wet , fuzzy and sticky 
as the queasy-stomached critic who staggered from the theater and blacked out in the lobby 
heart-pounding suspense 
wo n't hold up over the long haul 
has the usual impossible stunts 
the most consistently funny 
's sure a lot smarter and more unnerving than the sequels 
sexual jealousy , resentment and the fine 
it has become apparent that the franchise 's best years are long past . 
silly-looking morlocks 
( lin chung 's ) voice is rather unexceptional , 
glib 
the striking , quietly vulnerable personality 
wonderful ensemble cast 
often funny way 
loves a david and goliath story 
is the power of love 
a talk that appeals to me 
static set ups , 
stirring tribute 
felt trapped and with no obvious escape for the entire 100 minutes . 
the subject with fondness and respect 
reveals a music scene that transcends culture and race 
the locale ... remains far more interesting than the story at hand . 
mindless pace 
might be distracted by the movie 's quick movements and sounds 
very depressing 
governmental odds 
he 's the best brush in the business 
a living testament to the power of the eccentric and the strange . 
is a very funny , heartwarming film 
the best movie in many a moon about the passions that sometimes fuel our best achievements and other times leave us stranded with nothing more than our lesser appetites . 
as best actress 
safely recommended as a video/dvd babysitter 
watch barbershop again if you 're in need of a cube fix 
into a really funny movie 
humorous 
too goodly , wise and knowing or downright comically evil 
it does n't disappoint . 
-- however canned -- 
offers an aids subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
lazily 
appeal 
gut-wrenching examination 
works so well for the first 89 minutes , but 
to merit such superficial treatment 
is a small gem 
peaked 
kudos to the most enchanting film of the year . 
a weak and ineffective ghost story without a conclusion or pay off . 
irrational 
comedy , caper thrills and 
equally distasteful 
shared by the nation 
are too immature and unappealing to care about 
a fairly irresistible package 
where its recent predecessor miserably 
a great performance 
its courageousness , 
, time of favor presents us with an action movie that actually has a brain . 
all the scenic appeal of a cesspool 
george 's haplessness and 
her agreeably startling use of close-ups 
that is apparently as invulnerable as its trademark villain 
is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish 
that deserves a chance to shine 
's a lyrical endeavor . 
the film 's messages of tolerance and diversity are n't particularly original , but one ca n't help but be drawn in by the sympathetic characters . 
it will gratify anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels . 
decidedly flimsier with its many out-sized , out of character and logically porous action set pieces 
lousy way 
love , memory 
the working class to life 
that , quite simply , should n't have been made 
the middle and lurches between not-very-funny comedy , unconvincing dramatics 
a portrait of alienation so perfect , 
ugly , revolting 
schepisi , aided by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) , 
the lousy john q 
mike white 's deft combination of serious subject matter and dark , funny humor 
warm , inviting 
zero thrills , too many flashbacks and a choppy ending make for a bad film 
worst way 
in its poetic symbolism 
a happy , heady jumble 
the 3-d vistas from orbit 
an endearing cast 
glaring 
remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing 
nudity 
made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes . 
rolling your eyes 
she loves them to pieces 
to make a big splash . 
offers an aids subtext , skims over the realities of gay sex , and 
would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest 
is still charming here 
a real shame 
no amount of earnest textbook psychologizing can bridge 
the world 's best actors 
the visual panache , the comic touch , 
accused of being a bit undisciplined 
the silver screen 
a nostalgic , twisty yarn that will keep them guessing 
complaining 
it is a popcorn film , not a must-own , or even a must-see . 
is repeated at least four times . 
the evocative imagery and gentle , lapping rhythms of this film 
also need movies like tim mccann 's revolution no. 9 . 
-- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- 
savory and hilarious 
appealing leads 
has sex on screen been so aggressively anti-erotic 
has the perfect face to play a handsome blank yearning to find himself 
ranges from bad to bodacious 
as dumb and cheesy as they may be , the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy . 
bitter 
relatively gore-free 
, but i suspect it might deliver again and again . 
is concocted and carried out by folks worthy of scorn 
inadequately 
all-around good time 
exceptional detail 
its own meager weight 
the best of the pierce brosnan james bond films to date . 
neither as scary-funny as tremors nor demented-funny as starship troopers , the movie is n't tough to take as long as you 've paid a matinee price . 
jaw-dropping action sequences , 
of political corruption 
fun-loving 
allows him to churn out one mediocre movie after another 
is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience . 
filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
turns very dark and very funny 
junk-calorie suspense tropes 
unentertaining 
ambiguous ending 
... simultaneously degrades its characters , its stars and its audience . 
also treats the subject with fondness and respect 
's surprisingly decent , particularly for a tenth installment in a series 
add 
curiously , he waters it down , turning grit and vulnerability into light reading 
believable 
with minimal imagination 
a fan film that for the uninitiated plays better on video with the sound turned down . 
he was reading the minds of the audience . 
dramatically satisfying heroine 
musicals back 
something fishy 
acted meditation on both the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake 
portrays young brendan with his usual intelligence and subtlety 
assuredly rank as one of the cleverest , most deceptively amusing comedies of the year . 
you will likely prefer to keep on watching . 
to be especially grateful for freedom after a film like this 
quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time . 
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films 
cruelly 
nickleby with all the halfhearted zeal of an 8th grade boy delving 
is one of mr. chabrol 's subtlest works , but also one of his most uncanny 
feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off . 
trusts the story it sets out to tell 
the result is so tame that even slightly wised-up kids would quickly change the channel . 
that plays things so nice 
be post-feminist breezy 
as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
such a horrible movie could have sprung from such a great one 
a refreshing and comical spin 
loads of irreparable damage 
chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss . 
playful respite 
as miraculous as its dreamworks makers 
, purpose and emotionally bruised characters 
direct hit 
it 's a quirky , off-beat project . 
its execution and skill of its cast 
of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults 
the bizarre is credible and the real turns magical 
an effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence 
but its just not a thrilling movie 
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein 
forgettable 
that is slow to those of us in middle age 
relying on the viewer to do most of the work 
insufferable 
a decent ` intro ' documentary 
the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree 
scoring high 
artsy fantasy sequences -- 
when are bears bears and 
impossible to care about 
's too much syrup and not enough fizz 
overly long and worshipful bio-doc . 
something a little more special behind it 
high-profile talent 
of shakespeare 's better known tragedies 
thought-provoking and often-funny drama 
together , miller , kuras and the actresses make personal velocity into an intricate , intimate and intelligent journey . 
chan 's uniqueness 
looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer . 
tick-tock 
sloughs one 's way through the mire of this alleged psychological thriller in search of purpose or even a plot 
driven by a natural sense for what works 
steinis quirky , charming and often hilarious 
the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael . 
, pasty lumpen 
surprisingly ` solid ' achievement 
slip into hokum 
is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure . 
the third revenge of the nerds sequel 
narc is all menace and atmosphere . 
's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins 
inspired portrait 
is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals 
sensuous and spirited 
awfully hard 
elegant and 
shines on all the characters , 
oleander 's uninspired story 
at once overly old-fashioned in its sudsy plotting and heavy-handed in its effort to modernize it with encomia to diversity and tolerance 
roughly equal amounts of beautiful movement and inside information . 
has created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history 
cultivation 
a visual style that incorporates rotoscope animation for no apparent reason except 
you 're desperate for the evening to end . 
insufferably naive . 
come during that final , beautiful scene 
class warfare 
nice rhythm 
evans ' career 
the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed 
presents a side of contemporary chinese life that many outsiders will be surprised to know exists , and does so with an artistry that also smacks of revelation . 
is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness 
's a visual delight and a decent popcorn adventure 
reveals that efforts toward closure only open new wounds 
a stunning new young talent in one 
five screenwriters are credited with the cliché-laden screenplay ; 
predecessors 
is that it stinks 
your first instinct 
a thoughtful movie , 
of elizabeth berkley 's flopping dolphin-gasm 
being good 
have to pay if you want to see it 
friendship , love , and the truth 
a good music documentary , probably one of the best since the last waltz 
best describes this film : honest 
fresh , sometimes funny 
aggravating and tedious 
it 's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals 
've had the misfortune to watch in quite some time 
comic sparks 
on the subgenre 
fast-paced contemporary society 
satisfyingly odd and intriguing 
a purposefully reductive movie 
that it goes nowhere 
a disaster of a drama , saved only by its winged assailants . 
if kaos had n't blown them all up 
scott baio is turning in some delightful work on indie projects . 
emphasized 
obnoxious special effects 
's been done before but never so vividly or with so much passion 
boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape 
a mechanical action-comedy whose seeming purpose is to market the charismatic jackie chan to even younger audiences 
a satisfying evening at the multiplex 
a low-budget affair 
uplifting , 
infuriating about full frontal 
to duck the very issues it raises 
derrida is all but useless 
of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
subtle and 
deserve a passing grade ( even on a curve ) 
that is where ararat went astray . 
has the high-buffed gloss and high-octane jolts you expect of de palma , but what makes it transporting is that it 's also one of the smartest 
spinoff of last summer 's bloated effects 
completely misses its emotions 
that make 105 minutes seem twice as long 
does n't have much panache , but with material this rich it does n't need it 
of dedicated artists 
the richness of characterization that makes his films so memorable 
their cheap , b movie way 
the film is static 
render it anything but laughable 
live-wire 
conventional but heartwarming tale 
be so light-hearted 
no worse 
listless , witless , and devoid of anything 
by orchestrating a finale that is impenetrable and dull 
it 's been 13 months and 295 preview screenings since i last walked out on a movie , but 
filling nearly every minute ... 
wickedly funny , visually engrossing , never boring , this movie 
beyond-lame satire 
's better than its predecessor 
what is otherwise a sumptuous work of b-movie imagination 
offers escapism 
pretty stupid 
it 's just tediously bad , something to be fully forgotten 
our special talents can be when put in service of of others 
the film is grossly contradictory in conveying its social message , if indeed there is one . 
since beauty and the beast 
nasty aftertaste but 
hugely enjoyable in its own right though not really faithful 
overall , it 's a very entertaining , thought-provoking film with a simple message 
stare and sniffle , respectively , as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design . 
bad mixture 
cinematic corpse 
ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
amazingly successful 
there 's a reason the studio did n't offer an advance screening . 
gives ample opportunity for large-scale action and suspense , 
88 minutes of exaggerated action 
do not go gentle into that good theatre . ' 
and immature character 
the most politically audacious films of recent decades 
is the only winner 
to blast even the smallest sensitivities from the romance with his clamorous approach 
is hard to conceive anyone else in their roles . 
overcome bad hair design 
does n't really go anywhere 
the rhapsodic dialogue that jumps off the page , and for the memorable character creations 
misery 
the glorious chicanery and self-delusion 
to rush to the theater for this one 
manages to string together enough charming moments to work . 
most romantic comedies 
ultimately insignificant 
not-so-divine 
be patient with the lovely hush 
remarkably assured 
trudge out of the theater feeling 
300 hundred years of russian cultural identity and a stunning technical achievement 
we are forced to reflect that its visual imagination is breathtaking 
washed out 
by top-billed star bruce willis 
does n't feel like a film that strays past the two and a half mark 
the occasional bursts 
wise enough 
this so-called satire 
is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture . 
rock 's stand-up magic wanes . 
bombastic self-glorification 
the ease with which it integrates thoughtfulness and pasta-fagioli comedy 
its excellent storytelling , 
zeal 
sinks into an abyss of clichés , depression and bad alternative music 
too many conflicts 
wretchedly unfunny wannabe 
advised to take the warning literally , and log on to something more user-friendly 
retard 101 
a wild comedy 
a comic book with soul 
done , but slow 
must indeed be good to recite some of this laughable dialogue with a straight face 
are consistently delightful . 
could n't 
raffish charm 
that 's unfocused and tediously exasperating 
pull his head out of his butt 
one hour photo may seem disappointing in its generalities 
to hold onto what 's left of his passe ' chopsocky glory 
is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one . 
marvelous first 101 
interesting movie 
a way that 's too loud , too goofy and too short of an attention span 
that really does n't have much to say beyond the news 
its initial excitement settles into a warmed over pastiche . 
so memorable 
who does n't understand the difference between dumb fun and just plain dumb 
date-night diversion 
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction 
meyjes ' provocative film might be called an example of the haphazardness of evil . 
kids will love its fantasy and adventure , and grownups should appreciate its whimsical humor 
it 's as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese . 
loss 
invigorating 
puerile 
, can not overcome blah characters 
indie of the year , so far 
i suspect this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd . 
gentle and engrossing 
than its sunny disposition 
gaining most of its unsettling force from the suggested and the unknown 
an energizing 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply 
confusing on one level or another , making ararat far more demanding than it needs to be 
's the funniest american comedy since graffiti bridge . 
heartwarming here relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius . 
uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them . 
is so convincing 
meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story 
the process created a masterful work of art of their own 
love the film 
though frida is easier to swallow than julie taymor 's preposterous titus , the eye candy here lacks considerable brio . 
wanders all over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own . 
i.e. peploe 's , it 's simply unbearable 
aggressive self-glorification and a manipulative whitewash . 
mummy and the mummy returns 
too overdone 
's the perfect star vehicle for grant 
in a light-hearted way the romantic problems 
an inept , tedious spoof of '70s 
over this `` un-bear-able '' project 
dramatic and emotional 
screen presence 
too shallow for an older one 
film legacy 
, magnificent to behold in its sparkling beauty yet in reality it 's one tough rock . 
cool gadgets and creatures 
finery 
takes every potential laugh and 
would do better elsewhere . 
reassures us 
one of the best war movies ever made 
horrible , 99-minute 
a very depressing movie 
the film is well-crafted and 
there 's undeniable enjoyment to be had from films crammed with movie references 
terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and 
depraved 
found writer-director mitch davis 's wall of kitsch hard going . 
fun in this cinematic sandbox 
a major movie 
attempt to bring cohesion to pamela 's emotional roller coaster life 
do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes 
that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
many false scares 
stupidity , incoherence and sub-sophomoric sexual banter 
who take as many drugs as the film 's characters 
i realized that i just did n't care 
amélie 's audrey tautou with another fabuleux destin 
its laid-back way 
its lack of poetic frissons 
ever spill from a projector 's lens 
no earthly reason other than money why this distinguished actor would stoop so low 
half past dead -- or for seagal 
art and commerce 
an astonishing voice cast ( excepting love hewitt ) 
from the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed 
is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract 
the talented cast alone will keep you watching , as will the fight scenes . 
a biting satire that has no teeth 
does n't have anything really interesting to say 
the ring moderately absorbing , largely for its elegantly colorful look and sound 
every member of the ensemble has something fascinating to do 
fans of plympton 's shorts may marginally enjoy the film , 
's a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire 
like the similarly ill-timed antitrust 
leaping from one arresting image to another , songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time . 
superb performance 
funny stuff in this movie 
to head off in its own direction 
the most part a useless movie , even with a great director at the helm 
'll still be glued to the screen . 
finely crafted , 
until things fall apart 
dime-store psychology 
do n't add up to much more than trite observations on the human condition 
high crimes carries almost no organic intrigue as a government / marine/legal mystery , 
marks an encouraging new direction for la salle 
to bolt the theater in the first 10 minutes 
adept 
covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people 
a solidly entertaining and moving family drama 
an almost palpable sense of intensity 
such a horrible movie 
incoherent jumble 
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but 
get it 
a single surprise 
biggest husband-and-wife disaster 
like a sucker 
rob schneider 's infantile cross-dressing routines fill the hot chick , the latest gimmick from this unimaginative comedian . 
an intoxicating show 
passion , melodrama , sorrow , laugther , and tears cascade over the screen effortlessly 
a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer 
hardly a film that comes along every day . 
and wonderful creatures 
it might not be 1970s animation , but everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness . 
to match the freshness of the actress-producer and writer 
a movie with depth 
it may scream low budget , but this charmer has a spirit that can not be denied . 
best rock 
a clash between the artificial structure of the story and the more contemporary , naturalistic tone of the film 
below may not mark mr. twohy 's emergence into the mainstream , but his promise remains undiminished . 
ends with scenes so true and heartbreaking that tears welled up in my eyes both times 
third time 's the charm ... yeah , baby ! 
you might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead . 
in this romantic comedy 
a real audience-pleaser that will strike a chord with anyone who 's ever 
is far-flung , illogical , and plain stupid . 
does n't deliver a great story , nor 
zellweger 's whiny pouty-lipped poof 
a bitter taste 
seems to want to be a character study , but apparently ca n't quite decide which character . 
of cuban leader fidel castro 
has the requisite faux-urban vibe and hotter-two-years-ago rap and r&b names and references 
from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected 
skins is heartfelt and achingly real . 
their culture 's manic mix of millennial brusqueness and undying , traditional politesse 
originality ai n't on the menu 
's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring 
it was a guilty pleasure 
stylistically 
purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride . 
forewarned , if you 're depressed about anything before watching this film 
's a very valuable film ... 
clever ideas and visual gags 
should be themselves 
's harder still to believe that anyone in his right mind would want to see the it . 
some robust and scary entertainment 
that this is a mormon family movie , and a sappy , preachy one at that 
jazzy new revisionist theories 
is more likely to induce sleep than fright . 
the one of the world 's best actors , daniel auteuil , 
the frustration , 
bad and baffling from the get-go . 
complex characters 
not be a breakthrough in filmmaking 
would n't want to live waydowntown 
the film is deadly dull 
i 'd watch these two together again in a new york minute . 
's most thoughtful films about art , ethics , and the cost of moral compromise . 
stylish cast 
sinks further and further into comedy futility . 
genuine love story 
's that rare family movie -- genuine and sweet without relying on animation or dumb humor 
has worked wonders with the material 
than this facetious smirk of a movie 
knows its classical music 
through this interminable , shapeless documentary about the swinging subculture 
fairly impressive debut 
much credit must be given to the water-camera operating team of don king , sonny miller , and michael stewart . 
is more timely now than ever 
but it also does the absolute last thing we need hollywood doing to us 
fantasti 
dabbles all around , never gaining much momentum . 
honest , and enjoyable 
intoxicating documentary 
dependable concept 
a visual treat for all audiences 
the cast is spot on 
delicate ambiguity 
weaves us into a complex web 
generating suspense 
gentle , endearing 1975 children 's novel 
any doubt that peter o'fallon did n't have an original bone in his body 
sexist 
genteel and unsurprising 
their own immaturity 
is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs . 
for its intelligence and intensity 
funny , moving yarn 
should be as entertaining as it is 
stanley kwan has directed not only one of the best gay love stories ever made 
worthless , 
the audience award for documentaries at the sundance film festival 
viewers out in the cold and 
kinetically-charged spy flick worthy 
like mere splashing around 
the most enchanting film 
the overall vibe is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors . 
cliched dialogue and perverse escapism a source of high hilarity 
a great movie it is not 
, like mike raises some worthwhile themes while delivering a wholesome fantasy for kids . 
plaguing the human spirit in a relentlessly globalizing world 
the bravery and dedication 
the edge of your seat for long stretches 
the equivalent of french hip-hop , which also seems to play on a 10-year delay 
dopey dialogue and 
does turn out to be a bit of a cheat in the end 
whose meaning and 
follows into melodrama and silliness 
overcome blah characters 
hard to imagine having more fun watching a documentary ... 
fun family fare 
the film was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) . 
the lightest , most breezy movie steven spielberg has made in more than a decade . 
does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes . 
playfully profound ... and 
it recycles every cliché about gays in what is essentially an extended soap opera . 
a tarantino movie with heart 
by casting an actress whose face projects that woman 's doubts and yearnings 
baked 
lasting impression 
difficult , endless work 
a shock-you-into-laughter intensity 
melodramatic movie 
has ( its ) moments 
that he 's the best brush in the business 
, very well told with an appropriate minimum of means . 
the premise of `` abandon '' holds promise , 
must have failed 
a fake street drama that keeps telling you things instead of showing them 
with lots of somber blues and pinks 
losin ' 
loquacious and dreary piece 
, invincible shows he 's back in form , with an astoundingly rich film . 
crawl up your own *** in embarrassment 
dark and unrepentant , this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten . 
it 's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins . 
on offensive , waste of time , money and celluloid 
has many of the things that made the first one charming 
to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances 
run-of-the-mill singles blender 
mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time 
like its new england characters , most of whom wander about in thick clouds of denial , the movie eventually gets around to its real emotional business , striking deep chords of sadness . 
a clever 
awfully entertaining 
does not translate well to the screen 
perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year 
psychotic than romantic 
also has a good ear for dialogue , and the characters sound like real people . 
a cellophane-pop remake 
it 's funny , touching , dramatically forceful , and beautifully shot . 
pushed to their most virtuous limits , lending the narrative an unusually surreal tone 
leaks treacle from every pore . 
boasts some tart tv-insider humor 
remarkable film 
waydowntown may not be an important movie , or even a good one , but it provides a nice change of mindless pace in collision with the hot oscar season currently underway . 
capable cast 
the run-of-the-mill singles blender 
both gripping and compelling 
sparked by two actresses in their 50s working at the peak of their powers 
them , who have carved their own comfortable niche in the world 
on a true and historically significant story 
if you like quirky , odd movies and/or the ironic 
a well-defined sense 
the consciously dumbed-down approach 
could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
is a filmmaker of impressive talent 
flick that scalds like acid . 
's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream . 
a landmark 
to portray its literarily talented and notorious subject as anything much more than a dirty old man 
with a terrific screenplay and fanciful direction 
meaningful 
has a rather unique approach to documentary . 
the haphazardness of evil 
the film has several strong performances . 
whose boozy , languid 
a meatier deeper beginning 
the plot grows thin soon , and you find yourself praying for a quick resolution 
most creative , energetic and original 
epic cinema 
has n't graduated from junior high school 
a film that is an undeniably worthy and devastating experience 
a treasure chest of material 
an intelligent romantic thriller of a very old-school kind of quality . 
try to create characters out of the obvious cliches , but wind up using them as punching bags 
for a satisfying evening at the multiplex 
it was going to be 
reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world 
the bard as black comedy -- willie would have loved it 
a damn fine and a truly distinctive and a deeply pertinent film 
that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers 
yelling in your face for two hours 
will undoubtedly enjoy it 
walk to remember 
moderately successful but 
becomes a soulful , incisive meditation on the way we were , and the way we are 
, its shortness disappoints 
succeeds in entertaining , 
shows off a lot of stamina and vitality 
this fast-paced 
end up laughing 
a smile 
an unintentionally surreal kid 's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a vh1 behind the music episode 
that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary 
almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy 
oversexed , at times overwrought comedy/drama that offers little insight into the experience of being forty , female and single . 
makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
eight legged freaks ? 
in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title 
that fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation 
like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit . 
a walk to remember a niche hit 
, accepting a 50-year-old in the role is creepy in a michael jackson sort of way . 
welcome in her most charmless 
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less - than-likely new york celebrities ... certainly raises the film above anything sandler 's been attached to before . 
hollywood comedies such as father of the bride 
get no satisfaction 
it is wise 
brings this unknown slice of history affectingly to life 
this one feels like a life sentence 
a compelling , gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day 
anyone else who may , for whatever reason , be thinking about going to see this movie 
good yarn 
is not show-stoppingly hilarious , but scathingly witty nonetheless 
is an impressive achievement in spite of a river of sadness that pours into every frame 
mysterious , sensual , emotionally intense , and 
gets the job done 
one of the funniest motion pictures of the year , but 
none of the happily-ever 
the evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear 
very satisfying 
in the name of an allegedly inspiring and easily marketable flick 
gooding is the energetic frontman 
film about growing up that we do n't see often enough these days 
naturally charming 
the rare directors who feels acting is the heart and soul of cinema 
into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' 
petter næss ' delicate , clever direction 
remarkably dull with only caine 
the characters have a freshness and modesty that transcends their predicament . 
to a climax that 's scarcely a surprise by the time 
feels like a prison stretch 
secretary 
of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls 
visually atrocious , and often downright creepy 
come with the warning `` 
the plot of the comeback curlers is n't very interesting actually , but what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians . 
a soulless hunk 
conventional but heartwarming 
unencouraging 
big screen magic 
not smart and not engaging 
of good acting 
bitter and truthful 
also the unique way shainberg goes about telling what at heart is a sweet little girl 
after seeing the film , i can tell you that there 's no other reason why anyone should bother remembering it . 
people act weird 
rote work and predictable 
an obvious copy of one of the best films ever made , how could it not be ? 
this film that may not always work 
as a chance to revitalize what is and always has been remarkable about clung-to traditions 
entertaining on an inferior level 
young american 
on all levels 
one of the better video-game-based flicks , 
except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine 
african-americans because of its broad racial insensitivity towards african-americans 
we have a bad , bad , bad movie 
flails 
for the most part , credible 
's one of the most beautiful , evocative works i 've seen . 
broken characters 
a winning piece of work 
digs into their very minds 
good , solid storytelling . 
polished 
the sort of picture in which , whenever one of the characters has some serious soul searching to do , they go to a picture-perfect beach during sunset . 
of a love affair 
tasteful to look at 
devito 's misanthropic vision 
perfect movie 
little catch 
pauly shore awful 
to whom the idea of narrative logic or cohesion is an entirely foreign concept 
's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt . 
tapping into our reality tv obsession , and even tardier 
in all its director 's cut glory , 
that loses sight of its own story 
grace and panache 
engaging and exciting 
is suspenseful and ultimately unpredictable , with a sterling ensemble cast 
of a frustrating misfire 
as subtle and as enigmatic 
dull , spiritless , silly and monotonous 
gorgeous to look at but insufferably tedious and turgid 
goofy ( if not entirely wholesome ) fun 
get all five 
magnificent to behold in its sparkling beauty yet in reality it 's one tough rock . 
is a fine , understated piece of filmmaking . 
a coming-of-age tale from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply felt performances across the board . 
's an observant , unfussily poetic meditation about identity and alienation . 
updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place . 
acidic all-male 
inimitable diaz 
had some success with documentaries 
take his smooth , shrewd , powerful act 
if you 've the patience , there are great rewards here . 
that there is nothing distinguishing in a randall wallace film 
frosting 
the usual whoopee-cushion effort 
entertaining , if ultimately minor , thriller 
'm going to give it a marginal thumbs up 
lazily directed by charles stone iii ... from a leaden script by matthew cirulnick and novelist thulani davis . 
mediterranean sparkles 
leers , 
the film does n't end up having much that is fresh to say about growing up catholic or , really , anything . 
want to pack raw dough in my ears 
been sent back to the tailor for some major alterations 
to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced . 
well-made pizza 
earnestness 
mind-numbingly 
go-for-broke acting that heralds something special 
for a few comic turns 
is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened 
is sure to win viewers ' hearts 
does n't try to surprise us with plot twists , but rather 
pushes too hard to make this a comedy or serious drama 
emerge dazed , confused as to whether you 've seen pornography or documentary . 
junk-calorie 
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , 
is engage an audience 
think most of the people who loved the 1989 paradiso will prefer this new version 
one that typifies the delirium of post , pre , and extant stardom 
swept away 
with a serious minded patience , respect and affection 
the huskies are beautiful 
a dark pit 
here ... not that i mind ugly ; the problem is he has no character , loveable or otherwise . 
minority report 
its subject matter in a tasteful , intelligent manner 
troubling and powerful 
hooting it 's praises 
does n't do more than expand a tv show to movie length 
a skillfully assembled , highly polished and professional adaptation ... 
, clever 
a unique , well-crafted psychological study of grief 
this cross-cultural soap opera is painfully formulaic and stilted . 
a well-deserved reputation as one of the cinema world 's great visual stylists 
it 's a feel-good movie about which you can actually feel good . 
singer/composer bryan adams contributes a slew of songs -- a few potential hits , a few more simply intrusive to the story -- but the whole package certainly captures the intended , er , spirit of the piece . 
like watching an alfred hitchcock movie after drinking twelve beers 
their own brightly colored dreams 
splashy and entertainingly nasty 
its hard to imagine having more fun watching a documentary ... 
feel-bad ending 
chan wades through putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . ' 
not a bad way 
member 
, paid in full has clever ways of capturing inner-city life during the reagan years . 
is imposter makes a better short story than it does a film . 
in that oh-so-important category , the four feathers comes up short 
you wo n't find anything to get excited about on this dvd . 
cox offers plenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge . 
something as splendid-looking as this particular film 
there are some movies that hit you from the first scene and you know it 's going to be a trip . 
unexpectedly sweet 
the right time in the history of our country 
his chemistry with shimizu is very believable 
'd probably turn it off , convinced that you had already seen that movie . 
such a wildly uneven hit-and-miss enterprise , you ca n't help suspecting that it was improvised on a day-to-day basis during production . 
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- and auto focus remains a chilly , clinical lab report . 
too grave for youngsters 
fabuleux 
on the economics of dealing and the pathology of ghetto fabulousness 
on the banality and hypocrisy of too much kid-vid 
could hardly 
are of the highest and the performances attractive without being memorable 
let 's see , a haunted house , a haunted ship , what 's next ... ghost blimp 
stevens ' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls . 
a creepy , intermittently powerful study 
set the women 's liberation movement back 20 years 
inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable 
a great film 
meeting , even exceeding expectations 
unique and entertaining twist 
solondz is so intent on hammering home his message that he forgets to make it entertaining . 
a sobering and powerful documentary about the most severe kind of personal loss 
making it one of the best war movies ever made 
listless , witless 
of fun or energy 
will take you places you have n't been , and also places you have 
... feels as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something . 
for bathroom breaks 
pleasurable expressions 
a frustrating ` tweener ' -- 
have a hard time 
sprung from such a great one 
nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart . 
a strong sense of humanism 
fun and enjoyable 
a riot-control projectile or my own tortured psyche 
has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability . 
incoherence and 
traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at 
good at being the ultra-violent gangster wannabe 
is a nicely handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch 
sheerly beautiful film 
time out offers an exploration that is more accurate than anything i have seen in an american film . 
be going through the motions , beginning with the pale script 
incredibly thoughtful 
who inhabit it 
a weary journalist 
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and 
went over my head 
successful example 
served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
a nagging sense 
as lumpy as two-day old porridge 
of the best actors there is 
there are also some startling , surrealistic moments 
post-september 11 , `` the sum of all fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . 
ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
burns ' fifth beer-soaked film feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off . 
to the point of distraction 
that have reinvigorated the romance genre 
of the self-esteem of employment and the shame of losing a job 
the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
cringe 
funny yet dark 
a major waste ... generic . 
a bad movie that happened to good actors . 
a crowd-pleaser , 
the glamorous machine that thrusts the audience into a future they wo n't much care about 
vonnegut 
the film , despite the gratuitous cinematic distractions impressed upon it , is still good fun . 
asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up 
of daring films 
of an impression 
like a copout 
are all more than competent 
`` shakes the clown '' , a much funnier film with a similar theme and 
the hearts of animation enthusiasts of all ages 
that it is laughingly enjoyable 
amusing nor dramatic enough to sustain interest 
intensely romantic , thought-provoking and even an engaging mystery . 
the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable . 
retelling 
am not generally a huge fan of cartoons derived from tv shows , but hey arnold ! 
( the film 's ) taste for `` shock humor '' will wear thin on all but those weaned on the comedy of tom green and the farrelly brothers 
let 's issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate . 
's also nice to see a movie with its heart so thoroughly , 
the attention process tends to do a little fleeing of its own . 
more revealing , more emotional and more surprising 
timeout 
is the most disappointing woody allen movie ever . 
there is something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
a big meal of cliches that the talented cast generally chokes on . 
dim-witted and lazy 
a sloppy slapstick throwback to long gone bottom-of-the-bill fare like the ghost and mr. chicken . 
skillful 
did , with a serious minded patience , respect and affection 
easily accessible stories that resonate with profundity 
seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device 
kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them . 
you 've already seen city by the sea under a variety of titles 
nearly terminal 
mean-spirited and wryly observant . 
terminally bland , painfully slow 
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing . 
various characters express their quirky inner selves 
finally move away from his usual bumbling , tongue-tied screen persona 
zoning ordinances to protect your community from the dullest science fiction 
stiflingly 
the station looking for a return ticket to realism 
and game phenomenon 
aggravating 
the sturdiest example yet 
a bunch of talented thesps slumming it 
be depressing 
so potent 
which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director 
when a movie has stuck around for this long , you know there 's something there . 
hollow at its emotional core 
that 'll be much funnier than anything in the film ... 
solid job 
but they 're simply not funny performers 
a half-assed film . 
no clear-cut hero and no all-out villain 
into a smart new comedy 
pay reparations to viewers 
beaten 
the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
affectionate delight 
an authentically vague , but ultimately purposeless , study in total pandemonium . 
surprisingly charming and 
to end on a positive ( if tragic ) note 
visit , this laboratory of laughter 
as a landmark in film history 
rough edges 
the humor , characterization , poignancy , and intelligence of a bad sitcom 
the greatest natural sportsmen 
pretty and gifted 
a wal-mart budget 
annoying score 
, straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company . 
an impenetrable and insufferable ball 
that encompasses many more paths than we started with 
much of the movie 's charm lies in the utter cuteness of stuart and margolo . 
is marveilleux 
acts light on great scares and a good surprise ending 
( gayton 's script ) telegraphs every discovery and layers on the gloss of convenience . 
that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting 
, mayhem and stupidity 
freedom 
best enjoyed as a work of fiction inspired by real-life events . 
's ) a clever thriller with enough unexpected twists to keep our interest . 
the problem with wendigo 
, the movie is rather choppy . 
one of those films that started with a great premise and then just fell apart 
a solid pedigree both in front of and , more specifically , behind the camera 
rushed , slapdash , sequel-for-the-sake 
probe questions of attraction and interdependence 
dreary tale 
would benigni 's italian pinocchio have been any easier to sit through than this hastily dubbed disaster 
fascinates 
sucks you in and 
a formula family tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust . 
feel like the movie 's various victimized audience members after a while 
in-your-face family drama and black comedy 
resembles an outline for a '70s exploitation picture than the finished product 
unrewarding all of this 
fancy 
flat characters 
i liked the movie , but i know i would have liked it more if it had just gone that one step further 
most purely enjoyable and satisfying evenings 
sustained fest of self-congratulation between actor and director that leaves scant place for the viewer . 
is still a cinematic touchstone . 
very sweet 
a-list director 
fun and funny in the middle , though 
but it was n't horrible either 
you 'd want to smash its face in 
's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary . 
shtick 
the endlessly repetitive scenes of embarrassment 
an enthusiastic audience 
not only satisfied 
morality tale 
gripping performances 
a lazy exercise 
keep you wide awake and 
into your heart 
dazzling pop entertainment 
the good-time shenanigans 
even if you 've never heard of chaplin , you 'll still be glued to the screen . 
pan nalin 's exposition is beautiful and mysterious , 
resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue 
holds a certain charm 
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and the large cast is solid 
the perfect cure 
of bible parables and not an actual story 
the best sex comedy 
a movie that is n't just offensive 
incisive and sensitive 
is difficult to fathom 
, apparently nobody here bothered to check it twice . 
is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor . 
are n't your bailiwick 
beautifully shot , delicately scored and powered by a set of heartfelt performances , it 's a lyrical endeavor . 
maelstrom is strange and compelling , engrossing and different , 
bawdy 
been made with an enormous amount of affection 
for whom she shows little understanding 
funniest and most likeable movie in years 
the full monty was a freshman fluke 
good 
about half of them are funny , a few are sexy and none are useful in telling the story , which is paper-thin and decidedly unoriginal . 
apart is the vision that taymor , the avant garde director of broadway 's the lion king and the film titus , brings . 
trying to break your heart an attraction it desperately needed 
dreary , humorless soap opera 
the story really has no place to go since simone is not real -- she ca n't provide any conflict 
so rich with period minutiae 
that deserved better than a ` direct-to-video ' release 
collapses after 30 minutes into a slap-happy series of adolescent violence 
of adolescent violence 
it 's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 . 
... ( the film ) works , due mostly to the tongue-in-cheek attitude of the screenplay . 
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , 
chris columbus ' sequel is faster , livelier and a good deal funnier than his original . 
leaden and dull 
a lasting impression 
a trend long overdue 
is a poem to the enduring strengths of women 
entertaining mix 
ultimately coheres into a sane and breathtakingly creative film 
is a kind of perpetual pain 
satisfied 
's nothing here that they could n't have done in half an hour 
improves 
be entertained by 
some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone 
simple and precise that anything discordant would topple the balance 
, the film is well worthwhile . 
good vampire tale 
cheesiest 
a deliciously nonsensical comedy 
of satisfying entertainment 
like leafing through an album of photos 
narcissism and 
burns 
cram too many ingredients into one small pot 
is n't necessarily an admirable storyteller 
the shadowy lighting 
mutates into a gross-out monster movie with effects that are more silly than scary . 
arrives at its heart , as simple self-reflection meditation . 
evil dead ii 
winning 
this rich 
give shapiro , goldman , and bolado credit for good intentions , but 
never seems aware of his own coolness 
french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition 
a not-so-divine secrets of the ya-ya 
as before , from the incongruous but chemically perfect teaming of crystal and de niro 
a respectable summer blockbuster 
does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes 
, state property does n't end up being very inspiring or insightful . 
dollars 
wise men 
a masterpeice 
am more offended by his lack of faith in his audience than by anything on display here 
unforgettable characters 
an assurance worthy of international acclaim 
blood 
a great deal of thought 
you 'd probably turn it off , convinced that you had already seen that movie . 
a uniquely sensual metaphorical dramatization 
nasty journey 
it should be interesting 
to go see this unique and entertaining twist on the classic whale 's tale 
, he 's a charismatic charmer likely to seduce and conquer . 
putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . 
generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters 
thoroughly enjoyable , heartfelt 
trenchant satirical jabs 
its and pieces of the hot chick are so hilarious , and schneider 's performance is so fine 
fall 's 
fast paced and suspenseful argentinian thriller 
some modest amusements 
illiterate 
here his sense of story and his juvenile camera movements smack of a film school undergrad , and 
an average b-movie with no aspirations 
( the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end 
get by on humor that is not even as daring as john ritter 's glory days on three 's company 
there is simply no doubt that this film asks the right questions at the right time in the history of our country . 
forgive any shoddy product as long as there 's a little girl-on-girl action 
some special qualities and 
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just 
, hélène angel is definitely a director to watch . 
are cast adrift in various new york city locations with no unifying rhythm or visual style . 
meaningless , vapid and devoid 
an ` action film ' 
finding the characters in slackers or their antics amusing , let alone funny 
appealing enough to probably have a good shot at a hollywood career , if they want one 
a naturally funny film , home movie makes you crave chris smith 's next movie . 
let 's see , a haunted house , a haunted ship , what 's next 
not only is entry number twenty the worst of the brosnan bunch , it 's one of the worst of the entire franchise . 
in these characters ' foibles a timeless and unique perspective 
some very good acting 
a thoroughly engaging , surprisingly touching british comedy 
there are few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending . 
filmed directly from a television monitor 
pros 
be careful what you wish for 
's as sorry a mess as its director 's diabolical debut , mad cows . 
openness , 
a guy with his talent ended up in a movie this bad 
his clamorous approach 
ambitious , eager 
was funny 
tailor-made 
more experimental in its storytelling 
into a believable mother/daughter pair 
crafted here a worldly-wise and very funny script 
quirky , off-beat project 
every visual joke is milked , every set-up obvious and lengthy 
really quite funny 
uneasy bonds 
if you , like me , think an action film disguised as a war tribute is disgusting to begin with 
real filmmaker 's 
's just another cartoon with an unstoppable superman . 
in the tries-so-hard-to-be-cool `` clockstoppers 
fire 
that could have been much better 
just a string of stale gags , with no good inside dope , and no particular bite 
subtly different 
exploitative and largely devoid 
thumbs down 
christmas perennial 
funnier film 
some laughs in this movie 
that refreshes the mind and spirit along with the body 
's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah . 
makes 
kiddie entertainment , sophisticated wit and 
but a little too smugly superior 
, it 's still tainted by cliches , painful improbability and murky points . 
to the most crucial lip-reading sequence 
make you laugh 
you might imagine that most every aggrieved father cliché has been unturned . 
with flashbulb editing as cover for the absence of narrative continuity , undisputed is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins . 
philosophers , not 
it 's very much like life itself . 
are sweet and believable 
stands as one of the year 's most intriguing movie experiences , letting its imagery speak for it while it forces you to ponder anew what a movie can be . 
as the old-hat province of male intrigue 
excruciating 
a filmmaker to let this morph into a typical romantic triangle 
its easily dismissive 
a few ear-pleasing songs on its soundtrack 
those terrific documentaries 
, evoking memories of day of the jackal , the french connection , and heat . 
a subtle , humorous , illuminating study of politics , power and social mobility . 
ought to be a whole lot scarier than they are in this tepid genre offering 
writer and director otar iosseliani 's pleasant tale about a factory worker who escapes for a holiday in venice reveals how we all need a playful respite from the grind to refresh our souls . 
too steeped in fairy tales and other childish things 
in pain 
beautifully acted 
holds interest in the midst of a mushy , existential exploration of why men leave their families 
( d ) espite its familiar subject matter , ice age is consistently amusing and engrossing ... 
improbable as this premise may seem 
from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 
barely shocking , barely interesting and most of all 
the highest power of all is the power of love 
canadian filmmaker gary burns ' inventive and mordantly humorous 
terrific setpieces 
botches 
amateurish , quasi-improvised 
i love it ... hell , i dunno . 
of a genre gem 
very well-meaning 
stuffs his debut 
starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar 
a little violence and lots of sex in a bid to hold our attention 
is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage . 
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , 
a plot as musty as one of the golden eagle 's carpets 
another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
he can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities . 
anything but laughable 
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story . 
's a work that , with humor , warmth , and intelligence , captures a life interestingly lived . 
vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
in the end , the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . ' 
splendidly illustrates the ability of the human spirit to overcome adversity . 
by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
a couple of great actors hamming it up 
has the stomach-knotting suspense of a legal thriller 
distinctly sub-par ... more likely to drown a viewer in boredom than to send any shivers down his spine . 
provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen . 
many of these guys are less than adorable 
a mean-spirited film 
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers . 
bielinsky is a filmmaker of impressive talent . 
real poignancy 
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; 
pass this stinker 
that serves as a painful elegy and sobering cautionary tale 
of the most plain , unimaginative romantic comedies i 
it is ok for a movie to be something of a sitcom apparatus 
a story that zings all the way through with originality , humor and pathos 
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare , but mira nair 's film is an absolute delight for all audiences . 
archly funny 
but still entertaining 
entertaining to watch the target practice 
it just does n't have anything really interesting to say . 
would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows 
his work with actors is particularly impressive . 
it 's plotless , shapeless -- 
poetic force 
while dutifully pulling on heartstrings , directors dean deblois and chris sanders valiantly keep punching up the mix . 
as i 've seen in a while , a meander through worn-out material 
originality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller . 
the emperor 's club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality . 
the film ultimately fails 
( tsai 's ) masterpiece 
unleashes 
endless trailer 
yet another arnold vehicle that fails to make adequate use of his particular talents . 
a fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system 
does n't capture the effect of these tragic deaths on hip-hop culture 
no , i hate it . 
real women may have many agendas , but it also will win you over , in a big way 
has enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be . 
kind , unapologetic 
`` suck '' 
does n't deserve the energy it takes to describe how bad it is . 
impressive style 
an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling 
one big blustery movie 
a bad improvisation exercise 
the dimming of a certain ambition 
writer-director randall wallace has bitten off more than he or anyone else could chew , and his movie veers like a drunken driver through heavy traffic 
this visual trickery 
for the best of hollywood 's comic-book 
will be something to behold 
is a visual treat for all audiences 
succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing . 
painless 
the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained 
a compelling yarn , but not quite a ripping one 
sometimes quite funny 
any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect 
of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties 
a genteel , prep-school quality that feels dusty and leatherbound 
surprising emotional depth 
the tiresome rant 
a barely tolerable slog over well-trod ground 
an aimless hodgepodge 
convey a strong sense of the girls ' environment 
a handsome and well-made entertainment 
are reflected in almost every scene 
are tantamount to insulting the intelligence of anyone who has n't been living under a rock 
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , and you have some idea of the glum , numb experience of watching o fantasma . 
's yet another cool crime movie that actually manages to bring something new into the mix 
tenderly observant of his characters 
as a dystopian movie 
digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations 
guts and 
do n't manage an equally assured narrative coinage 
acquires an undeniable entertainment value 
a whale of a good time for both children and parents seeking christian-themed fun . 
freaks 
too insistent 
laughably unconvincing 
expertly 
is matched only by the ridiculousness of its premise . 
this ready-made midnight movie probably wo n't stand the cold light of day , but under the right conditions , it 's goofy ( if not entirely wholesome ) fun 
a dungpile 
spiritually 
can go home again 
the message is too blatant 
a sweet and modest 
is very choppy and monosyllabic despite the fact that it is being dubbed 
energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 
the horrible pains 
it 's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb . 
is awful 
its solemn pretension 
while somewhat less than it might have been , the film is a good one 
as a relic from a bygone era , and its convolutions ... feel silly rather than plausible 
altered 
it is handled with intelligence and care 
being bored 
its fans are hoping it will be , and in that sense is a movie that deserves recommendation 
kicks that it ends up being surprisingly dull 
the movie keeps coming back to the achingly unfunny phonce and his several silly subplots . 
realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire 
it 's definitely not made for kids or their parents , for that matter , and 
a dash of the avant-garde fused with their humor 
a straight face 
is the needlessly poor quality of its archival prints and film footage 
bad cinema 
yields surprises . 
this dream hispanic role 
make it an above-average thriller . 
unlikable , spiteful idiots 
headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film 
easy to swallow , but scarcely nourishing 
pile too many `` serious issues '' on its plate at times , yet 
the screen to attract and sustain an older crowd 
that place , that time 
more simply intrusive to the story 
outdated 
it 's not entirely memorable 
work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds 
the ingenious construction ( adapted by david hare from michael cunningham 's novel ) 
anthropomorphic 
like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
frailty will turn bill paxton into an a-list director 
seriously bad film 
in trying to have the best of both worlds it ends up falling short as a whole 
impressive roster 
innovators 
it 's hard to quibble with a flick boasting this many genuine cackles , but notorious c.h.o. still feels like a promising work-in-progress . 
a more annoying , though less angry 
are sometimes inexpressive 
there 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups 
enthusiastic audience 
a series of relentlessly nasty situations 
it also has a strong dramatic and emotional pull that gradually sneaks up on the audience 
another genre exercise , 
it 's the worst movie of 2002 
witlessness 
great fun , 
from `` promising 
wildly careening tone 
who learns that believing in something does matter 
larded with exposition 
in that something 's horribly wrong 
as the worst -- and only -- killer website movie of this or any other year 
dry humor and jarring shocks , plus 
at 90 minutes this movie is short , but it feels much longer . 
as visually bland as a dentist 's waiting room 
youthful , out-to-change-the-world aggressiveness 
all its agonizing , catch-22 glory 
engrossing 
this delicate coming-of-age tale a treat 
the artwork is spectacular 
this a charmer 
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so 
's not very interesting 
revolutionary 
most oddly honest 
even the most jaded cinema audiences 
given fair warning 
greatest films 
poetic force and buoyant feeling 
birthday girl 's calculated events 
into an ocean of trouble 
moving and important film 
had to endure last summer 
what 's most offensive is n't the waste of a good cast , 
a clear sense of purpose 
many moviegoers 
remembered as one of ( witherspoon 's ) better films 
is not show-stoppingly hilarious , but scathingly witty 
to die for 
a successful adaptation and an enjoyable film in its own right 
worth your seven bucks 
feel good about 
in a caper that 's neither original nor terribly funny 
chilling style 
proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies . 
robotically 
displays in freshening the play 
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent , but as is , personal velocity seems to be idling in neutral 
's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins 
could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking 
little action 
the characters are so generic and the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament . 
into sub-tarantino cuteness 
visually atrocious , 
, irrational , long-suffering but cruel 
quickie tv special 
clever script 
sickly entertainment at best and mind-destroying cinematic pollution 
are defeated by a screenplay that forces them into bizarre , implausible behavior 
the collaborative process 
the unexplainable pain 
romantic-comedy duds 
takashi miike keeps pushing the envelope : ichi the killer 
its leaden acting , dull exposition and telegraphed ` surprises 
intermittently good 
perhaps even the slc high command found writer-director mitch davis 's wall of kitsch hard going . 
an engaging and exciting narrative of man confronting the demons of his own fear and paranoia 
highly studied 
stuttering editing and pompous references 
sad , soggy potboiler 
of the worst movies of the year 
sadly 
the efforts of its star , kline , to lend some dignity to a dumb story 
the day-old shelf 
an admirable reconstruction of terrible events , and 
surrounding us 
reflective and 
for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex 
much self-centered 
which fly by so fast there 's no time to think about them anyway 
it 's ) a clever thriller with enough unexpected twists to keep our interest . 
could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time 
much colorful eye candy , including the spectacle of gere in his dancing shoes , 
denied her own athleticism by lighting that emphasizes every line and sag . 
leaps over national boundaries and celebrates universal human nature 
the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
the movie is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory . 
but it also has many of the things that made the first one charming . 
hold society in place 
like rudy yellow lodge , eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider . 
after seeing ` analyze that , ' i feel better already . 
one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right 
traffics in tired stereotypes and encumbers itself with complications 
more than that , it 's a work of enthralling drama 
flagrantly 
keeps the film grounded in an undeniable social realism 
're looking for an intelligent movie in which you can release your pent up anger 
makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever 
colorful world 
impressive achievement 
some remarkable achival film about how shanghai ( of all places ) served jews who escaped the holocaust . 
the worst of their shallow styles 
has a kind of hard , cold effect 
loveable or otherwise 
is tragically rare in the depiction of young women in film 
around to capture the chaos of france in the 1790 's 
a high water mark 
clever enough 
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... is a nonstop hoot 
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances 
a good movie 
is the kind of movie that deserves a chance to shine . 
while it can be a bit repetitive , overall it 's an entertaining and informative documentary . 
there is a real subject here , and it is handled with intelligence and care 
also is n't embarrassed to make you reach for the tissues 
chore to sit through -- despite some first-rate performances by its lead 
makes the heart soar 
played this story straight 
the worst titles 
deserves a better vehicle 
an eviction notice 
more than makes up for in drama , suspense , revenge , and romance 
is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
to transcend its clever concept 
pretty listless collection 
with a visually masterful work of quiet power 
completely wreaked 
even touch us 
compressed into an evanescent , seamless and sumptuous stream of consciousness . 
the wal-mart checkout line 
'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking 
doubt it 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) . 
viewers will wish there had been more of the `` queen '' and less of the `` damned . '' 
of impressive talent 
done before but never so vividly 
his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it 
ethan hawke 's strained chelsea walls 
cherish 
are undeniably touched . 
getting into too many pointless situations 
streamed across its borders 
allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range 
is a convincing one , and should give anyone with a conscience reason to pause 
vainly , i think 
needlessly opaque intro 
is consistently 
there 's something vital about the movie . 
few sleepless hours 
, albeit a visually compelling one , 
lets the movie dawdle in classic disaffected-indie-film mode 
is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home . 
, you know the picture is in trouble . 
city by the sea is a gritty police thriller with all the dysfunctional family dynamics one could wish for . 
it 's a lyrical endeavor . 
, this is the most visually unappealing . 
huston 's revelatory performance 
further demonstrates just how far his storytelling skills have eroded . 
miraculous 
do well to check this one out 
both shallow and dim-witted 
heaven is one such beast 
those moviegoers who would automatically bypass a hip-hop documentary 
sullivan and his son 
stale first act , scrooge story , blatant product placement 
's worth the concentration 
choppiness 
the story 's pathetic and the gags are puerile . . 
environmental pollution ever made 
in questioning the election process , payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box . 
as with most late-night bull sessions , eventually the content is n't nearly as captivating as the rowdy participants think it is . 
if there was any doubt that peter o'fallon did n't have an original bone in his body , a rumor of angels should dispel it . 
it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers . 
, norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , 
a brisk , reverent , and subtly different sequel . 
into the nature of faith 
offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people 
to document all this emotional misery 
gritty 
lush , all-enveloping movie experience 
funnier 
the most wondrous of all hollywood fantasies -- 
of updating white 's dry wit to a new age 
sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and 
just more of the same , done with noticeably less energy and imagination 
to savor binoche 's skill 
definitely 
beaches 
enchantment 
has all the scenic appeal of a cesspool . 
deaths 
wondering why you 've been watching all this strutting and posturing 
the predictable parent 
was as graceful 
be appreciated by anyone outside the under-10 set 
the incessant , so-five-minutes-ago pop music 
assured , glossy 
hitting the audience over the head with a moral 
against the maker 's minimalist intent 
the movie as a whole 
to perform 
opportunity to make absurdist observations 
was inexplicably rushed to the megaplexes before its time 
nicholson proves once again that he 's the best brush in the business 
, yu clearly hopes to camouflage how bad his movie is . 
patriot games can still turn out a small , personal film with an emotional wallop 
too bad writer-director adam rifkin situates it all in a plot as musty as one of the golden eagle 's carpets . 
call the film ` refreshing 
disappointingly thin slice 
that it 's offensive , but 
in future years as an eloquent memorial 
bring new energy to the familiar topic of office politics . 
never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry . 
that 's as entertaining as it is instructive 
no discernible feeling beneath the chest hair 
this is one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt . 
to good actors 
is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults 
with imagination 
all-powerful 
embarrassingly ham-fisted sex jokes 
that it actually makes the heart soar 
every conceivable mistake a director could make in filming opera has been perpetrated here . 
extraordinarily rich landscape 
superior crime movie 
turn on many people to opera , 
just as endearing and easy to watch 
what 's left of his passe ' chopsocky glory 
there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone . 
juice and delight 
the best inside-show-biz 
should never , ever , leave a large dog alone with a toddler 
the basic flaws in his vision 
the better film 's 
the cruelty and suffering 
more mature than fatal attraction , more complete than indecent proposal and more relevant than 9 1/2 weeks 
to say that this vapid vehicle is downright doltish and uneventful is just as obvious as telling a country skunk that he has severe body odor . 
's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas 
just the labor involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing . 
have been an eerie thriller 
most substantial feature for some time 
walked away 
is plainly dull and visually ugly 
touching , sophisticated film 
it 's soulful and unslick 
the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity . 
'' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies . 
it forces you to ponder anew what a movie can be 
is nearly impossible to look at or understand 
some of it is honestly affecting 
to the movie 's rude and crude humor 
an entertaining and informative documentary 
writer-director randall wallace has bitten off more than he or anyone else could chew , and 
is a plodding mess 
constant smiles 
compelling , provocative and prescient viewing 
you value your time and money 
arrest development in a dead-end existence 
, it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers . 
it reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump just for sitting through it . 
incredibly 
so sloppy , so uneven , so 
the intelligence level of the characters must be low , very low , very very low , for the masquerade to work 
fantasy pablum 
family dynamics 
you 'd have to be a most hard-hearted person not to be moved by this drama . 
it has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing . 
a fairly revealing study of its two main characters -- 
he 's unlikely to become a household name on the basis of his first starring vehicle . 
idiotic 
for finding meaning in relationships or work 
is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it . 
an `` ambitious failure 
enjoyable in its own right 
a lively and engaging examination of how similar obsessions can dominate a family 
of mixed messages , over-blown drama and bruce willis 
to entertain all ages 
compared to his series of spectacular belly flops both on and off the screen 
the negative and the script 
it 's offensive 
as aimless as an old pickup skidding completely out of control on a long patch of black ice 
goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy . 
a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i saw the film . 
's not nearly as fresh or enjoyable as its predecessor 
all the more disquieting for its relatively gore-free allusions to the serial murders 
there 's no conversion effort , 
has the thrown-together feel of a summer-camp talent show : hastily written , 
the inherent absurdity of ganesh 's rise 
offers winning performances and some effecting moments . 
with flabby rolls 
has plenty for those ( like me ) who are n't . 
oscar-nominated 
however canned -- 
sheer ugliness 
water torture seem appealing 
in the tradition 
to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year 
this interminable , shapeless documentary 
however entertainingly presented 
the cast is impressive 
to wait for the video 
predominantly amateur 
looks as if it were made by a highly gifted 12-year-old instead of a grown man . 
gussied up 
mishmash 
seamless and sumptuous stream 
able to pull it back on course 
for all of its insights into the dream world of teen life , and its electronic expression through cyber culture , the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time . 
an engrossing portrait of uncompromising artists trying to create something original 
an aimlessness 
to be as naturally charming as it needs to be 
the self-image 
true-to-life characters 
be commended for illustrating the merits of fighting hard for something that really matters 
to believe that something so short could be so flabby 
at every turn of elizabeth berkley 's flopping dolphin-gasm 
made you love it 
classic moral-condundrum drama : what would you have done to survive ? 
to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
the little girls understand , and mccracken knows that 's all that matters . 
wish you were at home watching that movie instead of in the theater watching this one 
in a movie this bad 
trite , predictable rehash 
the achingly unfunny phonce and his several silly subplots 
that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
alas , it collapses like an overcooked soufflé . 
's insecure in lovely and amazing , 
that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls 
a clever thriller with enough unexpected twists to keep our interest 
decent performances 
its invitingly upbeat overture 
the gifted crudup has the perfect face to play a handsome blank yearning to find himself , 
is negated 
you 'll want things to work out 
would call it , ` hungry-man portions of bad ' 
spielberg presents a fascinating but flawed look at the near future . 
use of his particular talents 
is omitted nor a cliché left unsaid 
reliable textbook 
determination to inject farcical raunch 
they 're just a couple of cops in copmovieland , these two , but in narc , they find new routes through a familiar neighborhood . 
of heart 
playing the obvious game 
that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony 
a deft 
than the first 30 or 40 minutes 
on the surface a silly comedy , scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play . 
bread , my sweet has so many flaws it would be easy for critics to shred it . 
shaking your head 
encouraging 
is talented enough and charismatic enough to make us care about zelda 's ultimate fate 
eye-popping visuals 
fincher takes no apparent joy in making movies , and he gives none to the audience . 
a film with an idea buried somewhere inside its fabric , but never clearly seen or felt 
hate yourself 
provides a strong itch to explore more 
a beautiful paean to a time long past 
be incomprehensible to moviegoers not already clad in basic black 
self-amused trash 
a fair amount of b-movie excitement 
super - violent , super-serious 
large-scale 
consuming self-absorption 
has its merits 
has n't progressed as nicely as ` wayne . ' 
a sobering meditation 
make a clear point -- 
a new benchmark for lameness 
the film is visually dazzling , 
a triumph , a film that hews out a world and carries us effortlessly from darkness to light . 
just what ( aniston ) has always needed to grow into a movie career 
's most substantial feature for some time 
a different and emotionally reserved type of survival story 
meandering and confusing 
become the master of innuendo 
frida gets the job done . 
know the band or the album 's songs by heart 
surprises 
has far more energy , wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title . 
rather unexceptional 
fairly ludicrous plot 
adventures 
sleek and arty . 
eccentric and good-naturedly aimless story 
easy , seductive pacing 
must for fans of british cinema , if only because so many titans of the industry are along for the ride . 
makes up for with its heart . 
imaginative filmmaker 
a substantive movie 
it 's mostly a pleasure to watch . 
with all of this 
, the score is too insistent 
to put a human face on the travail of thousands of vietnamese 
that actually has a brain 
an unfortunate title for a film that has nothing 
editorial process 
closer to the failure of the third revenge of the nerds sequel 
a side dish of asparagus 
they wo n't enjoy the movie at all . 
winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say 
gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time 
were a person 
poetry in motion captured on film . 
flat as a spoof 
are pretty valuable 
a smart , nuanced look 
the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture . 
like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going 
three-hour endurance test 
right direction 
most poorly staged and lit 
sillier 
a sour attempt at making a farrelly brothers-style , down-and-dirty laugher for the female 
carmichael 
sappy 
truths 
overcomes its visual hideousness with a sharp script and strong performances . 
has so many flaws it would be easy for critics to shred it 
meyjes 's movie , like max rothman 's future , does not work . 
is masterly 
stands as a document of what it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 . 
constructs a hilarious ode to middle america and middle age with this unlikely odyssey 
abrupt 
this often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal . 
an overwhelming pleasure 
silly stuff 
is much more p.c. than the original version ( no more racist portraits of indians , for instance ) 
pop up in a cinematic year already littered with celluloid garbage 
does n't overcome the tumult of maudlin tragedy 
constant smiles and frequent laughter 
his sly , intricate magic 
predictable , manipulative stinker 
this is a very ambitious project for a fairly inexperienced filmmaker , but 
like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale 
enlivens this film 
a showcase for both the scenic splendor of the mountains and for legendary actor michel serrault , the film 
extremely unpleasant 
for each other 
morally ambiguous and nothing to shout about 
nair just does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy . 
unfortunate title 
is the recording industry in the current climate of mergers and downsizing 
a four star performance from kevin kline who unfortunately works with a two star script 
to get at the root psychology of this film would require many sessions on the couch of dr. freud . 
the problem with the bread , my sweet 
lost dreams 
sense that powerhouse of 19th-century prose behind her childlike smile 
builds to an intense indoor drama about compassion , sacrifice , and christian love 
that starts out like heathers , then becomes bring it on , then becomes unwatchable 
looking , sounding and simply feeling like no other film in recent history 
forcing us to endure every plot contrivance that the cliché-riddled genre can offer 
have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense 
even when there are lulls , the emotions seem authentic 
works because reno 
cheer flick 
a poky and pseudo-serious exercise in sham actor workshops and an affected malaise . 
thick clouds of denial 
of fun , with an undeniable energy 
it may scream low budget , 
vivacious 
an enthralling aesthetic experience , one that 's steeped in mystery and a ravishing , baroque beauty . 
obvious and lengthy 
delights for adults 
combined with so much first-rate talent 
it also rocks . 
which awards animals the respect they 
into bizarre , implausible behavior 
its impressive images 
has a key strength in its willingness to explore its principal characters with honesty , insight and humor . 
it 's a barely tolerable slog over well-trod ground . 
gentle longing 
very compelling 
an already thin story 
uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels . 
turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count 
90-minute dud 
ensures the film never feels draggy . 
's so fun about this silly , outrageous , ingenious thriller 
that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm . 
a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades 
scruffy , dopey old 
genuine and sweet 
of under-inspired , overblown enterprise that gives hollywood sequels a bad name 
i 'd much rather watch teens poking their genitals into fruit pies 
vaguely interesting , but it 's just too too much . 
's surprisingly decent , particularly 
he 's one of the few ` cool ' actors who never seems aware of his own coolness . 
as though they are having so much fun 
a movie as artificial and soulless as the country bears 
a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise . 
overly familiar 
can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards . 
distinguished 
likely to seduce and conquer 
the background -- a welcome step 
` christian bale 's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . ' 
marveling at these guys ' superhuman capacity 
gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead 
life 's ultimate losers 
, what 's with the unexplained baboon cameo ? 
is a slapdash mess 
speeds up 
insanely violent and very graphic 
nurtures the multi-layers of its characters , 
satisfactorily 
fried in pork 
the emotional depth 
concentrates far too much 
eclipses nearly everything else she 's ever done 
populated by characters who are nearly impossible to care about 
familiar and predictable , and 4/5ths of it 
of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall 
prevents them from firing on all cylinders 
about their lives , loves and the art 
is off his game 
a lot like the imaginary sport it projects onto the screen -- loud , violent and mindless . 
this is a big , juicy role 
a very complex situation 
it 's really well directed 
a valentine sealed with a kiss 
theater feeling 
to farts , urine , feces , semen , or any of the other foul substances 
cliches and pabulum 
constant fits of laughter 
wobbly 
secondhand , familiar -- and not in a good way 
is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
in a summer of clones , harvard man is something rare and riveting : a wild ride that relies on more than special effects . 
for the most creative mayhem in a brief amount of time 
irresistible 
equilibrium the movie , as opposed to the manifesto , is really , really stupid . 
, it also has plenty for those ( like me ) who are n't . 
to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough 
a pleasant distraction , a friday night diversion 
dry the undead action flick formula 
dull girl 
bungle their way through the narrative 
yes , i have given this movie a rating of zero . 
actually finding the characters in slackers or their antics amusing , let alone funny 
joy to watch , even when her material is not first-rate 
is a general air of exuberance in all about the benjamins that 's hard to resist 
the nifty premise 
the sad schlock merchant of ` deadly friend 
the film is so bleak that it 's hardly watchable 
that welcome to collinwood is n't going to jell 
is that it counts heart as important as humor . 
it tries to pump life into overworked elements from eastwood 's dirty harry period 
a heavyweight film that fights a good fight on behalf of the world 's endangered reefs 
scratching your head in amazement over the fact that so many talented people could participate in such an 
dog soldiers does n't transcend genre -- it embraces it , energizes it and takes big bloody chomps out of it 
smooth and professional 
naomi watts is terrific as rachel 
a-list brit actors 
grant and bullock make it look as though they are having so much fun 
playful and haunting 
the type of film about growing up that we do n't see often enough these days 
winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars . 
tossed in 
its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream is one that any art-house moviegoer is likely to find compelling . 
for some robust and scary entertainment 
such a pleasure 
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but 
a troubadour 
of that already-shallow 
its shape-shifting perils , political intrigue 
even lazier 
on a string of exotic locales 
a fresh way 
the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes 
` ick ' 
interminably bleak , to say nothing of boring . 
notwithstanding my problem with the movie 's final half hour 
it is derivative 
the crackle of lines , the impressive stagings of hardware 
of high art 
despite all the backstage drama 
are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels . 
squarely fills the screen . 
all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen 
top-billed star bruce willis 
a good yarn -- 
too late 
by the time the plot grinds itself out in increasingly incoherent fashion 
a movie that 's about as overbearing and over-the-top as the family it depicts . 
lost the ability to think 
, you ca n't help suspecting that it was improvised on a day-to-day basis during production . 
a sensitive , moving , 
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out , but there 's nothing very attractive about this movie 
to flat characters 
cinematic poem 
boiling point 
the rich performances by friel 
a meatier deeper beginning and/or ending would have easily tipped this film into the `` a '' range , as is , it 's a very very strong `` b + . '' 
maddeningly insistent and repetitive 
dream 
unlikable , uninteresting , unfunny , 
everything kieslowski 's work aspired to , including the condition of art 
degrading and 
it is supremely unfunny and unentertaining to watch middle-age and older men drink to excess , piss on trees , b.s. one another and put on a show in drag . 
compelling story to tell 
the film 's intimate camera work and 
a classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached 
that it 's more than a worthwhile effort 
this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food . 
is no doubt true 
an excruciating demonstration of the unsalvageability 
clear-cut 
be a breakthrough in filmmaking 
succeeds as a powerful look at a failure of our justice system 
beautiful 
although the sequel has all the outward elements of the original , the first film 's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks . 
each trailer park you drive past -- even if it chiefly inspires you to drive a little faster 
how bad it is 
the film shatters you in waves . 
the movie 's downfall 
sometimes murky 
the first question to ask about bad company is why anthony hopkins is in it . 
loud , chaotic and largely unfunny . 
inventive , fun , intoxicatingly sexy , violent , self-indulgent and maddening . 
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch . 
add much-needed levity 
from any movie with a `` 2 '' 
another arnold vehicle that fails to make adequate 
boasts enough funny dialogue and sharp 
because of its heightened , well-shaped dramas , 
if it 's unnerving suspense you 're after -- you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for . 
called best bad film you thought was going to be really awful but 
brilliant in this 
its utterly misplaced earnestness 
nonetheless it drags during its 112-minute length 
sluggish , 
four-star 
'' is suitable summer entertainment that offers escapism without requiring a great deal of thought . 
holiday carol 
some of the visual flourishes are a little too obvious , but restrained and subtle storytelling 
never capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance . 
flat acting 
a romantic comedy plotline 
the star-making machinery of tinseltown 
welcome or accept the trials of henry kissinger as faithful portraiture 
jabs 
take a complete moron 
of the most unpleasant things the studio 
mastering its formidable arithmetic of cameras and souls 
the diverse , marvelously twisted shapes history 
best kind 
no other reason why anyone should bother remembering it 
broad cross-section 
the filmmaker 's characteristic style 
are fantastic 
most brilliant work 
condescending 
is paper-thin and decidedly unoriginal 
the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears . '' 
with the american dream 
may not be a straightforward bio 
especially grateful for freedom 
has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline . 
van wilder has a built-in audience , but only among those who are drying out from spring break and are still unconcerned about what they ingest . 
eerie thriller 
using a plot that could have come from an animated-movie screenwriting textbook 
we got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat . 
joy and pride 
you crave chris smith 's next movie 
you can fire a torpedo through some of clancy 's holes , and the scripters do n't deserve any oscars . 
in the best way 
exquisitely 
improperly hammy performance 
'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy 
it does not attempt to filter out the complexity 
banged their brains into the ground 
the funniest and most accurate depiction 
attuned 
aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film . 
, ` swept away ' sinks . 
respects the material without sentimentalizing it 
incredible storyline 
the beauty 
for the full 90 minutes , especially with the weak payoff 
a perfect performance that captures the innocence and budding demons within a wallflower 
a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
plant smile-button faces 
knockout 
, the film does n't end up having much that is fresh to say about growing up catholic or , really , anything . 
are so stunning 
never rises above easy , cynical potshots at morally bankrupt characters ... 
this movie is careless and unfocused . 
that effectively combines two surefire , beloved genres 
crisp and 
zany ' 
fuddled 
amy and matthew have a bit of a phony relationship , 
thrill you 
invite some genuine spontaneity into the film 
boring movie 
the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding 
warped logic by writer-director kurt wimmer 
to do with imagination than market research 
of oral storytelling frozen onto film 
a self-aware , often self-mocking , intelligence 
awesome work : ineffable , elusive , yet inexplicably powerful 
dramatic snapshot 
portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue . 
an animation landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs . 
the catch is that they 're stuck with a script that prevents them from firing on all cylinders . 
sentiment and withholds delivery 
we hate ( madonna ) within the film 's first five minutes 
style and bold colors 
more like stereotypical caretakers and moral teachers , instead 
becomes the last thing you would expect from a film with this title or indeed from any plympton film : boring 
best performance 
is a little too in love with its own cuteness 
hilarious and 
that 's not scary , not smart and not engaging 
the comic elements of the premise , 
expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune ) than this cliche pileup 
uncomfortably timely , relevant , and sickeningly real 
could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation . 
's an utterly static picture 
hate it because it 's lousy 
this fascinating experiment plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air . 
you peek at it through the fingers in front of your eyes 
leave a lasting impression 
miss it altogether , in part because the consciously dumbed-down approach wears thin 
an old-fashioned scary movie , 
, inspiring 
weak and ineffective ghost story 
is were it not for the striking , quietly vulnerable personality of ms. ambrose 
into an insular world that gives the lie to many clichés and showcases a group of dedicated artists 
modern masculine journey 
soars 
the courage 
manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity 
is a very good viewing alternative for young women . 
the animation master 
for a long time the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them . 
gone wrong 
the earmarks 
quick-buck sequel 
inventive director 
sly , sophisticated and surprising . 
director shekhar kapur and screenwriters michael schiffer and hossein amini have tried hard to modernize and reconceptualize things , 
the dragons are the real stars of reign of fire and 
improves upon the original hit movie 
such good humor 
an oddity , to be sure , but one that you might wind up remembering with a degree of affection rather than revulsion . 
demonstrates the unusual power of thoughtful , subjective filmmaking . 
is a truly , truly bad movie . 
happily , some things are immune to the folly of changing taste and attitude . 
an unlimited amount of phony blood 
going out and enjoying the big-screen experience 
is tepid and tedious . 
quirky and taken with its own style 
one of the best 
under-rehearsed 
does everything 
bogs down in genre cliches here . 
scotland looks wonderful 
it really is a shame that more wo n't get an opportunity to embrace small , sweet ` evelyn . ' 
more simply intrusive 
jaw-dropping action sequences 
acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice 
overrun modern-day comedies 
it 's a movie that accomplishes so much that one viewing ca n't possibly be enough . 
is scott 's convincing portrayal of roger the sad cad that really gives the film its oomph 
rarely does a film so graceless and devoid of merit as this one come along . 
of delightful hand shadows 
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl 
humanizing stuff 
, ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast . 
brooding 
gabbiest giant-screen movie 
horrifyingly 
even-toned direction 
, brain-deadening hangover 
deeply authentic 
scant place 
falls flat 
depressing to see how far herzog has fallen 
never cuts corners . 
is the phenomenal , water-born cinematography by david hennings 
contrived , 
's there to scare while we delight in the images 
the genius of the work speaks volumes , offering up a hallucinatory dreamscape that frustrates and captivates . 
exploit its gender politics , genre thrills or inherent humor 
comedian , like its subjects , delivers the goods and audiences will have a fun , no-frills ride . 
a smart , arch and rather cold-blooded comedy 
should catch this imax offering 
it 's a smart , funny look at an arcane area of popular culture , and if it is n't entirely persuasive , it does give exposure to some talented performers . 
is the first film in a long time that made me want to bolt the theater in the first 10 minutes . 
a lot of fun , with an undeniable energy 
a beautiful paean to a time 
the gifted crudup has the perfect face to play a handsome blank yearning to find himself 
this is a very ambitious project for a fairly inexperienced filmmaker , but good actors , good poetry and good music help sustain it . 
bravery and dedication 
visceral excitement 
tartakovsky 's team has some freakish powers of visual charm 
divine 
the story really has no place to go since simone is not real -- 
unique way shainberg 
which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
nothing distinguishing in a randall wallace film 
julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism 
but disintegrates into a dreary , humorless soap opera 
the duration of the film 's shooting schedule waiting to scream 
satisfies , as comfort food often can 
, captures a life interestingly lived 
a literary detective story is still a detective story and aficionados of the whodunit wo n't be disappointed . 
's undeniably hard to follow 
hate it . 
can rest contentedly with the knowledge that he 's made at least one damn fine horror movie 
originality 
ai n't art 
has nothing good to speak about other than the fact that it is relatively short , tries its best to hide the fact that seagal 's overweight and out of shape . 
the attempt to build up a pressure cooker of horrified awe 
has some freakish powers of visual charm 
the unsettled tenor of that post 9-11 period far better 
hypnotically dull . 
juvenile delinquent 
who is chasing who or 
infectiously enthusiastic 
rare 
sustain an enjoyable level of ridiculousness 
seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times 
is structured less as a documentary and more as a found relic 
the visceral excitement 
suspenseful and ultimately unpredictable 
the film does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard . 
spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet 
a recommendation 
shining 
directed and convincingly acted 
an honesty and dignity 
enjoy much of jonah simply , and gratefully , 
ca n't wait to see end . 
serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context 
worth a salute just for trying to be more complex than your average film . 
a powerful 1957 drama we 've somehow never seen before 
's plenty to enjoy -- 
it has fun with the quirks of family life , but it also treats the subject with fondness and respect 
to show the gentle and humane side of middle eastern world politics 
final verdict 
allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being . 
is more complex and honest than anything represented in a hollywood film 
beguiling 
, '' it 's equally distasteful to watch him sing the lyrics to `` tonight . '' 
girlfriends are bad , wives are worse and babies are the kiss of death in this bitter italian comedy . 
there is no denying the power of polanski 's film ... 
video before month 's end 
, its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded . 
that 's suspenseful enough for older kids but not too scary for the school-age crowd 
chamber of secrets will find millions of eager fans . 
these components combine into one terrific story with lots of laughs . 
just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain 
of animated filmmaking since old walt 
to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
so it 's not a brilliant piece of filmmaking 
the mill sci-fi film with a flimsy ending and lots of hype 
's hard to like a film so cold and dead 
damon/bourne or his predicament 
'll wait in vain for a movie to happen . 
pacino is the best he 's been in years and 
able to provide insight into a fascinating part of theater history . 
gives these women 
will see nothing in it to match the ordeal of sitting through it . 
tosses around sex toys and offers 
fantastic 
this clever and very satisfying picture is more accurately chabrolian . 
moments out of an alice 
looks genuinely pretty . 
is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian . 
a great cast and a great idea 
unexplainable pain 
make great marching bands 
fine actors 
, glaring and unforgettable . 
deserves to be seen everywhere . 
thoughtful minor classic 
is milked 
its own ludicrous terms 
poetic symbolism 
a script that takes few chances and manages to insult the intelligence of everyone in the audience 
has neither the charisma nor the natural affability that has made tucker a star 
frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment 
cancer 
a wonderful life marathons and bored 
cliche-ridden film 
a solid , unassuming drama . 
that the bulk of the movie centers on the wrong character 
, it 's clear that washington most certainly has a new career ahead of him 
has a terrific look 
thriller with enough unexpected twists to keep our interest 
there are scenes of cinematic perfection that steal your heart away . 
noble 
they are in this tepid genre offering 
fails to provoke them . 
left me feeling refreshed and hopeful . 
better at fingering problems than finding solutions 
better than the phantom menace 
is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations . 
demonstrates just how far his storytelling skills have eroded . 
be underestimated 
the story is just too clichéd and too often strains credulity 
a flourish 
's neither too erotic nor very thrilling , either . 
quick-cut edits 
family film sequel 
an affectionately goofy satire that 's unafraid to throw elbows when necessary 
in middle-of-the-road blandness 
than a half-hearted fluke 
has created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history . 
proves himself a deft pace master and stylist . 
fun and funny in the middle , though somewhat less hard-hitting 
of exploiting molestation for laughs 
` possession , ' based on the book by a.s. byatt , demands that labute deal with the subject of love head-on ; trading in his cynicism for reverence and a little wit 
steven soderbergh does n't remake andrei tarkovsky 's solaris so much as distill it . 
like coming into a long-running , well-written television series where you 've missed the first half-dozen episodes and probably wo n't see the next six . 
that van wilder does little that is actually funny with the material 
the film just might turn on many people to opera , in general 
sprung to life 
history in perspective 
could n't help but feel the wasted potential of this slapstick comedy 
rather listless amble 
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , and some of the more overtly silly dialogue would sink laurence olivier . 
is n't very effective 
he 's easy to like and always leaves us laughing 
it must be the end of the world : 
schlocky creature 
feels like a copout 
a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy 
finesse 
howard and his co-stars all give committed performances , but they 're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject 
schneidermeister ... makin ' a fool of himself ... losin ' his fan base 
loosely speaking , we 're in all of me territory again , and 
highly-praised 
a not-so-divine secrets of the ya-ya sisterhood with a hefty helping of re-fried green tomatoes . 
are idiosyncratic enough to lift the movie above its playwriting 101 premise 
oppressively heavy 
carries the day with impeccable comic timing , raffish charm and piercing intellect . 
achieves its main strategic objective : 
another best of the year selection 
sad nonsense , this 
uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated . 
to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
an inexplicable nightmare , right down to the population 
something a little more special behind it : 
the awkward interplay and utter lack of chemistry between chan and hewitt 
inventive , consistently intelligent and 
sure where self-promotion ends and the truth begins 
as the protagonists struggled 
melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements 
of hype 
an odd show , pregnant with moods , 
should have been worth cheering as a breakthrough but is devoid of wit and humor . 
refreshingly forthright 
perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective . 
from the dull 
in the power of the huston performance , which seems so larger than life and yet so fragile 
are for children and dog lovers 
that it is nearly impossible to look at or understand 
excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries . 
a heartfelt romance for teenagers 
i did n't find much fascination in the swinging . 
elegant , witty and beneath a prim exterior unabashedly romantic 
watching the powerpuff girls movie , my mind kept returning to one anecdote for comparison : the cartoon in japan that gave people seizures . 
with most of the big summer movies 
gift 
endure almost unimaginable horror 
to abandon the theater 
the predictable parent vs. child coming-of-age theme 
progressed as nicely as ` wayne 
this oscar-nominated documentary takes you there . 
beats new life into it 
splendid singing 
a long time that made me want to bolt the theater in the first 10 minutes 
do n't really care for the candidate 
are not at all entertaining 
deliberately and devotedly constructed , far from heaven is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate . 
stale plot and pornographic way 
the self-serious equilibrium makes its point too well ; a movie , like life , is n't much fun without the highs and lows . 
potty-mouthed enough for pg-13 , yet not as hilariously raunchy as south park , this strangely schizo cartoon seems suited neither to kids or adults . 
only the most practiced curmudgeon could fail to crack a smile at 
in which the talent is undeniable 
what gives human nature its unique feel 
paced at a speed that is slow to those of us in middle age and 
's an experience in understanding a unique culture that is presented with universal appeal . 
together ( time out and human resources ) establish mr. cantet as france 's foremost cinematic poet of the workplace . 
well established 
, they finally feel absolutely earned 
the most pitiful directing 
a moving and solidly entertaining comedy/drama that should bolster director and co-writer juan josé campanella 's reputation in the united states . 
, stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore . 
giant william randolph hearst 
relaxed in its perfect quiet pace and proud in its message 
based on ugly ideas instead of ugly behavior , 
an infomercial for ram dass 's latest book 
long on twinkly-eyed close-ups and short on shame 
of story and his juvenile camera movements 
a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
bolstered by exceptional performances 
dog-paddle in the mediocre end of the pool 
if that does n't clue you in that something 's horribly wrong , nothing will . 
at least it 's a fairly impressive debut from the director , charles stone iii . 
dark , intelligent warning cry 
is far from disappointing , offering an original 
lies ... 
could just rent those movies instead , let alone seek out a respectable new one 
she may not be real , but the laughs are 
have thought possible 
fluid 
juliette binoche 's sand is vivacious , but it 's hard to sense that powerhouse of 19th-century prose behind her childlike smile . 
an emotionally and spiritually compelling journey 
released the outtakes theatrically and used the film as a bonus feature on the dvd 
it pretends to expose the life of male hustlers 
the spirit 
, irredeemably awful . 
unfolds as one of the most politically audacious films of recent decades 
-- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
nettelbeck ... has a pleasing way with a metaphor . 
snoozer . 
a heavy stench 
is so slight 
unnecessary films 
at its visual delights 
leaving you with some laughs and a smile on your face 
a fascinating curiosity piece 
amiable and committed 
hop beat 
the ensemble gives it a buoyant delivery 
abandon all hope of a good movie ye who enter here 
detailing 
about bad cinema 
boredom to the point 
perfect wildean actor 
with impeccable comic timing , raffish charm and piercing intellect 
do n't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold . 
that finally returns de palma to his pulpy thrillers of the early '80s 
an emotionally satisfying exploration of the very human need 
should be complaining when a film clocks in around 90 minutes these days 
really cool 
it was particularly funny 
for conveying the way tiny acts of kindness make ordinary life survivable 
superhero 
clichés and borrowed images 
possibilities which imbue the theme with added depth and resonance 
is a must ! 
accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
assured , vital 
tediously exasperating 
of life and small delights 
( and better ) 
has the air of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent and wear thin with repetition 
general family chaos to which anyone can relate 
technically sumptuous but 
an effectively chilling guilty pleasure 
saved from 
a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
as banal as the telling may be -- and at times , all my loved ones more than flirts with kitsch -- the tale commands attention . 
only now it 's begun to split up so that it can do even more damage 
aground after being snared in its own tangled plot 
, the old mib label stands for milder is n't better . 
stale and uninspired . 
including the assumption that `` crazy '' people are innocent , childlike and inherently funny 
priggish , lethargically paced parable of renewal . 
makes it look like a masterpiece 
content to recycle images and characters that were already tired 10 years ago 
of a good time 
a spiffy animated feature 
the best sports movie 
the troubling thing about clockstoppers 
picture postcard perfect , too neat and new pin-like 
prove that ` zany ' does n't necessarily mean ` funny 
quirky and recessive charms 
surprise us with plot twists 
makes this a high water mark for this genre 
badly-rendered 
( hopkins ) does n't so much phone in his performance as fax it . 
's suspenseful enough for older kids but not too scary 
gives us the perfect starting point for a national conversation about guns , violence , and fear 
make this an eminently engrossing film 
let crocodile hunter steve irwin do what he does best 
work better 
about schmidt is undoubtedly one of the finest films of the year . 
with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
most importantly 
should scare any sane person away 
life 's wonderment 
could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
not only fails on its own , but makes you second-guess your affection for the original 
remains brightly optimistic , 
scooby-doo does n't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick . 
mentally `` superior '' 
its sleazy moralizing 
amusedly , 
engaging , 
is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others 
like the imaginary sport it projects onto the screen -- loud , violent and mindless 
yet unforgivingly inconsistent 
wo n't have any trouble getting kids to eat up these veggies . 
in favor 
-- sadly -- 
's all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect . 
affectionately 
a great impression 
, the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story . 
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
a clumsily manufactured exploitation flick , 
farts , boobs 
joyous documentary . 
crudely 
another wholly unnecessary addition 
want to see over and over again 
a rather bland affair . 
of the nincompoop benigni persona 
say that this vapid vehicle is downright doltish and uneventful 
might just be better suited to a night in the living room than a night at the movies 
a film about female friendship that men can embrace and women 
finally succeeds in diminishing his stature from oscar-winning master to lowly studio hack . 
with pitifully few real laughs 
one of those movies barely registering a blip on the radar screen of 2002 
as faithful portraiture 
according to the script , grant and bullock 's characters are made for each other . 
one of the best ensemble casts of the year 
is nicely shot , well-edited and features a standout performance by diane lane 
makes less sense than the bruckheimeresque american action flicks it emulates 
is a loose collection of not-so-funny gags , scattered moments of lazy humor 
for those who like quirky , slightly strange french films , this is a must ! 
runs 163 minutes 
is devoid of wit and humor 
that it 's tempting just to go with it for the ride 
it never lacks in eye-popping visuals 
a serious minded patience , respect and affection 
uncharismatically 
that 's suitable for all ages -- a movie that will make you laugh 
enjoyable ease 
it 's got the brawn , but not the brains . 
pretty good little movie . 
another classic 
rehashes to feed to the younger generations 
lack their idol 's energy and passion for detail . 
one of this year 's very best pictures 
more confused , less interesting and more sloppily 
defend himself 
gets sillier , not scarier 
can make interesting a subject you thought would leave you cold 
does a good job of establishing a time and place , and of telling a fascinating character 's story 
its delivery is a complete mess 
snide and 
ache with sadness ( the way chekhov is funny ) 
a compassionate , moving portrait of an american ( and an america ) always reaching for something just outside his grasp 
long workout 
boom mikes 
so flabby 
half the excitement of balto , 
will assuredly 
are nowhere near as vivid as the 19th-century ones 
debuts by an esteemed writer-actor . 
walked away from this new version of e.t. just as i hoped i would -- with moist eyes 
emphasizes the computer and the cool 
to big box office bucks all but guaranteed 
telling 
tattered and ugly past 
a warm , fuzzy feeling prevails 
the worst film of the year 
brightly colored dreams 
beautifully shaped 
the holocaust escape story 
humble 
something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers 
but even while his characters are acting horribly , he is always sympathetic . 
in which most of the characters forget their lines 
murphy and wilson actually make a pretty good team ... 
as original and insightful 
brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images 
one of the best of a growing strain of daring films ... that argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect 
involving in its bold presentation 
look like a masterpiece 
an enthusiastic charm 
but then again , i hate myself most mornings . 
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music 
astonishingly condescending attitude 
, it does n't even seem like she tried . 
shyamalan should stop trying to please his mom . 
demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . 
it 's hard to shake the feeling that it was intended to be a different kind of film . 
, do we have that same option to slap her creators because they 're clueless and inept ? 
encompasses many more paths 
the movie is concocted and carried out by folks worthy of scorn , and the nicest thing i can say is that i ca n't remember a single name responsible for it . 
stylized humor throughout 
're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
is the equivalent of french hip-hop , which also seems to play on a 10-year delay . 
to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds 
garcía bernal and talancón are an immensely appealing couple 
traps audiences in a series of relentlessly nasty situations 
i know that i 'll never listen to marvin gaye or the supremes the same way again 
not exaggerated enough to be a parody of gross-out flicks , college flicks , or even flicks in general . 
you can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor . 
inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
takes a simple premise and carries it to unexpected heights 
are lacking 
, the power of this movie is undeniable . 
exceptional 
its position 
like shrek , spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world . 
created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy . 
frothing 
brilliant performances 
the movie 's messages are quite admirable 
perfect family film 
makes the formula fresh again 
to forget that they are actually movie folk 
gaping enough to pilot 
are very expressive 
beating the austin powers films at their own game 
pokes , provokes 
the procession 
is the fact that there is nothing distinguishing in a randall wallace film . 
the needlessly poor quality of its archival prints and film footage 
this movie may not have the highest production values you 've ever seen , but it 's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
, they 'll probably run out screaming . 
sharply comic 
( tries ) 
jolt you out of your seat a couple of times , give you a few laughs , 
a time when commercialism has squeezed the life out of whatever idealism american moviemaking ever had 
like it 
advantage 
could just feel the screenwriter at every moment ` tap , tap , tap , tap , tapping away ' on this screenplay 
can depress you about life itself . 
hard-to-predict and absolutely essential chemistry 
to grow boring ... which proves that rohmer still has a sense of his audience 
halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance . 
it 's dark but has wonderfully funny moments ; 
guns , violence 
the silliness 
a solid formula 
entirely wholesome ) 
most of the movie 's success 
is so poorly paced you could fit all of pootie tang in between its punchlines 
confident filmmaking 
respects 
trickery 
managed to convey a tiny sense of hope 
is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip . 
alexandre dumas classic 
is more likely to induce sleep than fright 
a tragic love story 
any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice 
focus , point and purpose 
capable 
mortal awareness 
the new insomnia is a surprisingly faithful remake of its chilly predecessor , 
a pathetic , endearing hero 
if allen , at 66 , has stopped challenging himself 
it is an uneven film for the most part 
contrived pastiche of caper clichés . 
cold , gray , antiseptic and emotionally desiccated 
seagal ran out of movies years ago , and 
exudes the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza . 
lasker 's canny , meditative script distances sex and love , as byron and luther 
the really bad blair witch project 
make such a worthless film 
collapses 
just another combination of bad animation and mindless violence ... lacking the slightest bit 
will be on video long before they grow up and you can wait till then . 
the movie attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago , and its cutesy reliance on movie-specific cliches is n't exactly endearing . 
twinkling 
endorses 
mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
you exit the theater 
self-aware , often self-mocking , intelligence 
creep the living hell out of you 
like the guys 
gets under our skin and draws us in long before the plot kicks into gear 
the ridiculous dialog 
is definitely a cut above the rest . 
boozy 
there is nothing redeeming about this movie . 
be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
brilliant and macabre 
endearing and easy 
a ponderous and pretentious endeavor that 's unfocused and tediously exasperating 
slapped together 
a reminder of how they used to make movies , but also how they sometimes still can be made . 
sag in certain places 
a thrill 
deeply affecting film 
no more racist portraits of indians , for instance ) 
avary 's failure to construct a story with even a trace of dramatic interest 
the problem with movies about angels is they have a tendency to slip into hokum . 
has a lot of charm . 
two ideas 
absorbing documentary 
the characters are paper thin 
is worth your time , especially 
destroy 
queasy 
the emotion is impressively true for being so hot-blooded , and both leads are up to the task 
... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project ! 
the action is stilted and 
about telling what at heart is a sweet little girl 
its strengths 
a plodding mess 
robert harmon 's less-is-more approach delivers real bump-in - the-night chills -- 
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; their parents , wise folks that they are , read books 
'll find in this dreary mess 
powerful and provocative 
is a just a waste . 
is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor . 
that is even lazier and far less enjoyable . 
pleasant in spite of its predictability 
she is a lioness , 
of some children who remain curious about each other against all odds 
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat 
aims to confuse 
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) , but `` elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases 
finds no way to entertain or inspire its viewers . 
comes off winningly 
the best film 
takes a walking-dead , cop-flick subgenre and beats new life into it . 
` comedy ' scenes 
very pleasing at its best moments 
awkwardly contrived exercise 
two fine actors , morgan freeman and ashley judd 
is an unsettling picture of childhood innocence combined with indoctrinated prejudice . 
the more serious-minded concerns 
while the story 's undeniably hard to follow 
is not quite the career peak 
can comfortably hold 
it would still be beyond comprehension 
nelson 's intentions are good , but 
with a sour taste in one 's mouth , and little else 
retrospectively , his most personal work yet . 
by on angelina jolie 's surprising flair for self-deprecating comedy 
in painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people 
arliss howard 's ambitious , moving , and adventurous directorial debut , 
talk down to them 
popular 
sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche 
a disappointment for a movie that should have been the ultimate imax trip 
cliché-riddled 
is a self-aware , often self-mocking , intelligence . 
kill the effect 
feel realistic . 
authentically impulsive humor 
's one of the worst of the entire franchise 
a weird little movie 
've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world . 
often hilarious romantic jealousy comedy 
emotionally vapid 
better 
the world 's political situation 
forget the misleading title , what 's with the unexplained baboon cameo ? 
who seem barely in the same movie 
serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm . 
was only 
a dull girl , that 's all 
it squanders chan 's uniqueness 
can i admit xxx is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure ? 
hates criticism so much that he refuses to evaluate his own work 
slightly sunbaked and summery mind , sex and lucia 
rising above similar fare 
detailed 
fat , dumb 
hashiguchi vividly captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse . 
a tasty masala . 
their idol 's energy and passion 
're engulfed by it . 
the road warrior 
intellectual and emotional pedigree 
a fast paced and suspenseful argentinian thriller 
less funny than it should be and less funny than it thinks it is . 
into corny sentimentality 
the cleverest 
is small and shriveled 
by a warmth that is n't faked 
, sweet home alabama is n't as funny as you 'd hoped . 
its plot and animation offer daytime tv serviceability , but little more . 
of high romance , brought off with considerable wit 
may cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists . 
's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name 
wonderous accomplishment 
emotionally strong and politically potent 
the kind of effectively creepy-scary thriller 
jagged , as if filmed directly from a television monitor 
as sand , who brings to the role her pale , dark beauty and characteristic warmth 
rare directors 
it 's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours . 
mr. wollter and ms. seldhal give strong and convincing performances , but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear . 
serves as a painful elegy and sobering cautionary tale 
listless 
ray liotta 
no psychology here , 
hardly an objective documentary 
vaunted empathy 
of unfaithful 
pathetic , endearing 
it emerges as another key contribution to the flowering of the south korean cinema 
wise-beyond-her-years 
a small gem of a movie that defies classification and is as thought-provoking as it is funny , scary and sad . 
awkward version 
unhibited 
unbreakable 
tries to grab us , only to keep letting go at all the wrong moments 
strike a chord 
alternates between deadpan comedy and heartbreaking loneliness and is n't afraid to provoke introspection in both its characters and its audience . 
fills it with spirit , purpose and emotionally bruised characters who add up to more than body count 
one of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace 
a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue 
could possibly be more contemptuous of the single female population . 
it dull , lifeless , and irritating 
moore 's ) better at fingering problems than finding solutions . 
absurdities and inconsistencies 
a smear 
a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents 
's nothing remotely topical or sexy here . 
in the travails of creating a screenplay 
the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking 
this time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part . 
a summer entertainment adults can see without feeling embarrassed , but it could have been more . 
children , a heartfelt romance for teenagers and a compelling argument about death 
elvira fans 
's nothing to gain from watching they 
, the movie bogs down in rhetoric and cliché . 
too dark to be decipherable 
took three minutes of dialogue , 30 seconds of plot and 
with all the blanket statements and dime-store ruminations on vanity 
provides a nice change of mindless pace in collision 
the ideal casting 
too few 
unpredictable , hilarious 
make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' 
the insightful writer/director 
wildly inventive 
, girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre . 
elegantly produced and expressively performed , the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy . 
the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride . 
observant , unfussily poetic 
sincerity 
weird / thinking about all the bad things in the world / like puppies with broken legs / and butterflies that die / and movies starring pop queens 
show real heart 
a sensitive and astute first feature by anne-sophie birot . 
roiling 
as an exploratory medical procedure or an autopsy 
unstable 
this crude 
the early and middle passages are surprising in how much they engage and even touch us . 
... by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over . 
do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance 
look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy 
could have been a confusing and horrifying vision into an intense and engrossing head-trip 
is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer 
the movie 's major and most devastating flaw 
solid sci-fi thriller 
otherwise , this could be a passable date film . 
the cold light 
a subzero version 
a great deal of fun 
this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times . 
blade 2 
capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark 
neither as scary-funny as tremors 
moronic 
with a grand whimper 
each scene drags , underscoring the obvious , and sentiment is slathered on top 
most exciting action films 
press the delete key . 
ravishing 
incapable of controlling his crew 
of a paranoid and unlikable man 
really horrible drek . 
an interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying crime drama . 
well cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin . 
modern master 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and the violence is at once luridly graphic and laughably unconvincing 
is the film roman polanski may have been born to make 
imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
who play their roles with vibrant charm 
the french director has turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing . 
remind us of how very bad a motion picture can truly be 
neither revelatory nor truly edgy -- merely crassly flamboyant and comedically labored . 
best movie 
buried somewhere inside its fabric , but never clearly seen 
would be great to see this turd squashed under a truck , preferably a semi 
terrible , banal dialogue 
bad 
good old fashioned spooks 
kiddie entertainment , sophisticated wit 
killing its soul 
it 's exploitive without being insightful . 
however 
's unburdened by pretensions to great artistic significance 
went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood . 
still rapturous after all these years , cinema paradiso stands as one of the great films about movie love . 
is an entirely foreign concept 
keeping the balance between the fantastic and the believable 
one of the most curiously depressing 
i 'll buy the criterion dvd . 
do well to cram earplugs 
recent successes 
pleasure 
its emphasis on caring for animals and respecting other cultures is particularly welcome 
us right into the center of that world 
like schindler 's list 
the modern day 
does n't deserve the energy it takes to describe how bad it is 
oddly sweet comedy 
with flashes of warmth and gentle humor 
boldly , confidently orchestrated , aesthetically and sexually 
thoughtful examination 
an engaging and intimate first feature 
the theme does n't drag an audience down 
contrived and exploitative for the art houses and too cynical , small and decadent for the malls . 
the explosion essentially ruined -- or , rather , overpowered -- the fiction of the movie for me . 
a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 
's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
despite its flaws , crazy as hell marks an encouraging new direction for la salle . 
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' 
's lovely 
one of mr. chabrol 's subtlest works 
stirring 
the career peak 
, with his brawny frame and cool , composed delivery , fits the bill perfectly 
unfunny one 
they sometimes still can be made 
remarkable and novel 
effective film 
most enjoyable releases 
one it follows into melodrama and silliness 
boiled hollywood argot 
brings a beguiling freshness 
the small screen 
powerful and 
soars above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm . 
executed with such gentle but insistent sincerity 
unsophisticated 
a freshly painted rembrandt 
is inane and awful 
have no affinity for most of the characters 
in integrating the characters in the foreground into the extraordinarily rich landscape 
finest films 
a standout performance 
nothing overly original 
unique , well-crafted psychological study 
be another shameless attempt by disney 
almost unimaginable horror 
funniest 
is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year 
likeable 
from director mark romanek 's self-conscious scrutiny 
sometimes creepy intimacy 
but blatantly biased 
soderbergh 's best films , `` erin brockovich , '' 
like jimmy 's routines 
the last kiss will probably never achieve the popularity of my big fat greek wedding , but its provocative central wedding sequence has far more impact . 
virtuosic set pieces 
kwan is a master of shadow , quietude , and room noise , and lan yu is a disarmingly lived-in movie . 
tries-so-hard-to-be-cool 
wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him . 
pretty much self-centered 
seems to have recharged him . 
is ultimately thoughtful without having much dramatic impact 
not all of the stories work and the ones that do are thin and scattered , but the film works well enough to make it worth watching 
pick your nose instead because you 're sure to get more out of the latter experience 
the pitfalls 
that tell the best story 
in such odd plot 
ca n't begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents 
see it for the passion 
good material 
's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals 
irritates and saddens 
a kind 
breathes extraordinary life 
entertaining , self-aggrandizing , politically motivated 
skip the film and pick up the soundtrack 
layered richness 
boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years . 
behold in its sparkling beauty 
can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities . 
texan director george ratliff had unlimited access to families and church meetings , 
sedate 
bogs down in rhetoric and cliché . 
a huge sacrifice 
while the frequent allusions to gurus and doshas will strike some westerners as verging on mumbo-jumbo ... broad streaks of common sense emerge with unimpeachable clarity . 
fred schepisi 's tale of four englishmen facing the prospect of their own mortality views youthful affluence not as a lost ideal but a starting point . 
clips of a film that are still looking for a common through-line 
sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening 
the places , and the people , 
with fondness and respect 
this is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay . 
dry of humor , verve and fun 
darker 
winning piece 
spends a bit too much time 
undeniable energy 
nobody in the viewing audience cares 
on par with the first one 
wo n't still be tapping 
that peace is possible 
even as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators , scratch is great fun , full of the kind of energy it 's documenting . 
if you appreciate the one-sided theme to lawrence 's over-indulgent tirade 
it is refreshingly undogmatic about its characters . 
been exhausted by documentarians 
contradictory , self-hating , self-destructive ways 
no , i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money . 
ultra-violent 
so many bad romances out there 
that allows americans to finally revel in its splendor 
unfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes 
eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , 
a middle-aged romance 
are presented in convincing way 
but every bit as filling as the treat of the title 
takashi miike keeps pushing the envelope 
the entire cast is first-rate , especially sorvino . 
, absurd collection 
no teeth 
enough cool fun here to warm the hearts of animation enthusiasts of all ages 
grow into a movie career 
is not the director at his most sparkling 
the film has ( its ) moments 
telegraphs every discovery and layers on the gloss of convenience . 
is a wish a studio 's wallet makes 
is like scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot . 
rollicking adventure 
( tries ) to parody a genre that 's already a joke in the united states . 
think of it as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch 
buoyant energy level 
younger generations 
feel absolutely 
homage 
showcases tom hanks as a depression era hit-man in this dark tale of revenge 
schizo 
process of imparting knowledge . 
as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) 
a mix of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in . 
what lee does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster . 
astounds 
live happily ever 
often exquisite 
scandal 
if ( jaglom 's ) latest effort is not the director at his most sparkling , some of its repartee is still worth hearing . 
are too cute 
kids = misery 
pointed personalities 
whenever it threatens to get bogged down in earnest dramaturgy , a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle rouses us . 
funny and , in the end , 
often watchable , though goofy and lurid , 
expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune ) 
will probably be a talky bore 
it could be , by its art and heart , a necessary one . 
served 
a zinger-filled crowd-pleaser that open-minded elvis fans ( but by no means all ) 
transforms one of ( shakespeare 's ) deepest tragedies into a smart new comedy . 
give credit to affleck . 
discordant 
invaluable service 
gross-out flicks , 
am more offended by his lack of faith in his audience than by anything on display 
muting 
shows moments of promise 
sham actor workshops and 
serving sara is little more than a mall movie designed to kill time . 
funny , somber , absurd , and , finally , achingly sad , bartleby is a fine , understated piece of filmmaking . 
interesting technical exercise 
too slow 
is like having two guys yelling in your face for two hours . 
slice of hitchcockian suspense . 
than anything seen on jerry springer 
contemporary chinese life this exciting new filmmaker has brought to the screen 
aimlessly 
solemn insights 
a collection of wrenching cases is corcuera 's attention to detail . 
should avoid this like the dreaded king brown snake 
with an adequate reason why we should pay money for what we can get on television for free 
watching it was painful 
one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here 
reminds at every turn of elizabeth berkley 's flopping dolphin-gasm 
paul grabowsky 's excellent music 
if disingenuous , 
redundancies 
a few cheap shocks 
the actors improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary to make this kind of idea work on screen . 
troubled and determined homicide cop 
is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling . 
road trip 
without any of its satirical 
the delicate tightrope between farcical and loathsome 
matches the page-turning frenzy 
be inside looking out , and at other times outside looking in 
it 's too long 
stealing harvard ca n't even do that much . 
good for the goose 
what new best friend does not have , beginning with the minor omission of a screenplay 
a huge disappointment coming , as it does 
it already has one strike against it . 
an exhilarating new interpretation in morvern callar 
ben affleck 
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck . 
comedic bliss 
to have been conjured up only 10 minutes prior to filming 
sleepwalk through vulgarities in a sequel you can refuse . 
is a terrific role for someone like judd , who really ought to be playing villains 
more abhorrent 
powerful and universal 
quaid is utterly fearless as the tortured husband living a painful lie , and moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between jane wyman and june cleaver . 
peculiarly moral amorality 
bespeaks an expiration date passed a long time ago 
is wondrously creative . 
's surprisingly bland despite the heavy doses of weird performances and direction . 
a bizarre piece of work , with premise and dialogue at the level of kids ' television and plot threads as morose as teen pregnancy , rape and suspected murder 
you 'll forget about it by monday , though , and 
( caine ) proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film . 
a sane regimen 
of the most interesting writer/directors 
an undercurrent of loneliness and isolation 
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , 
my big fat greek wedding is a non-stop funny feast of warmth , color and cringe . 
's a movie that ends with truckzilla , for cryin ' out loud 
is pushed into the margins by predictable plotting and tiresome histrionics . 
writer and director burr steers knows the territory 
humorous 
being a true adaptation of her book 
is clever and funny 
undeniably gorgeous 
the evening to end 
, and genius 
her life half-asleep 
what 's missing is what we call the ` wow ' factor . 
profound ethical and philosophical questions in the form of dazzling pop entertainment 
, it is more likely to induce sleep than fright . 
spend 110 claustrophobic minutes 
false and fabricated 
of rancid , well-intentioned , but shamelessly manipulative movie making 
is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail . 
there is a mediocre movie trying to get out . 
compelling plots 
food-for-thought cinema 
crushingly self-indulgent spectacle 
, luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain 
tremendous chemistry 
the writing is clever and the cast is appealing 
brilliantly shines on all the characters , as the direction is intelligently accomplished . 
its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity 
intimate than spectacular 
a portrait of two strong men in conflict 
its appeal 
in bad stage dialogue 
deep , uncompromising curtsy 
quality band 
the movie 's various victimized audience members 
this picture is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer . 
tedious 
, but because of the startling intimacy 
scorcher 
recognize it 
real-life hollywood fairy-tale 
is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture . 
increasingly emphasizes the computer and the cool 
enjoyable feel-good family comedy 
, evelyn comes from the heart . 
dark , intelligent 
fluid and mesmerizing sequence 
gross-out flicks , college flicks , or even flicks in general 
tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device 
, you know there 's something there . 
the german film industry can not make a delightful comedy centering on food 
as a cult film 
revisionist fancy 
is greatness here . 
get out your pooper-scoopers . 
i say , entertaining 
is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky . 
thanks to remarkable performances 
pushing the jokes at the expense of character 
old story 
that something hip and transgressive was being attempted here that stubbornly refused to gel 
contrived , lame screenplay 
is n't as compelling or as believable 
is that i truly enjoyed most of mostly martha while i ne 
intelligent subtlety 
in itself , is extraordinary . 
clear-cut hero 
exceedingly memorable one for most people 
about the thousands of americans who die hideously 
you can practically hear george orwell turning over . 
a zany mix 
after that it becomes long and tedious like a classroom play in a college history course . 
are very , very good reasons 
the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
's actually sort of amazing 
we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching . 
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but it 's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest 
offers big , fat , dumb laughs that may make you hate yourself for giving in . 
scarcely worth 
whatever flaws igby goes down may possess , it is undeniably that 
, the film grows as dull as its characters , about whose fate it is hard to care . 
shakespeare 's better known tragedies 
you 'd do well to check this one out because it 's straight up twin peaks action ... 
an interesting character 
brave and 
please history fans 
few seconds 
that something so short could be so flabby 
are telegraphed in the most blithe exchanges gives the film its lingering tug 
two big things are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all . 
to escape from director mark romanek 's self-conscious scrutiny 
and just plain dumb 
is like nothing we westerners have seen before . 
thought out 
drowsy drama 
glory 
savage full-bodied wit 
make like the title and dodge this one . 
a skillful fisher 
clumsy and 
his effortless performance 
a brutal and funny work . 
feel the wasted potential of this slapstick comedy 
enjoyed most of mostly martha 
' i know how to suffer ' and if you see this film you 'll know too . 
introduce video as art 
good and ambitious 
viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres -- the prison flick and the fight film 
considerable skill and determination , backed by sheer nerve 
makes a feature debut that is fully formed and remarkably assured 
can get on television for free 
the movie 's plot is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh . 
soulful , incisive meditation 
is n't scary . 
seen and debated with appropriate ferocity and thoughtfulness 
of lazy humor 
in the film , which gives you an idea just how bad it was 
just bad 
added clout 
wholly unconvincing 
most appealing 
the subtle direction 
comes from tv reruns and supermarket tabloids 
such a dependable concept was botched in execution 
there 's no rooting interest 
kitschy , flashy , overlong soap opera . 
ridiculousness 
distracts 
with so much passion 
a few big laughs 
director carl franklin adds enough flourishes and freak-outs to make it entertaining 
is still very much worth 
a sequel you can refuse 
bad soap opera 
pacing and lack 
my seat trying to sneak out of the theater 
worthwhile themes 
threw medical equipment at a window 
infinitely wittier version 
ebullient tunisian film 
acting , poorly dubbed dialogue and murky cinematography 
invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ? 
forcefully told , with superb performances throughout 
are laughs aplenty 
incapable 
that 's because panic room is interested in nothing more than sucking you in ... and making you sweat . 
a fascinating study 
festers in just such a dungpile that you 'd swear you were watching monkeys flinging their feces at you . 
the treat of the title 
a vanity project 
horrifyingly , 
less funny 
intriguing story 
chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror 
hampered 
missing a beat 
's not an original character , siuation or joke in the entire movie 
an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise 
ensures the film never feels draggy 
mr. deeds is , as comedy goes , very silly -- and in the best way 
the film 's intimate camera work and searing performances pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them . 
utter cuteness 
one of the most splendid 
spikes of sly humor 
confusing sexual messages 
screenplay to die for 
one-sided documentary 
, it 's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out . 
that is revelatory 
artsy and 
'd grab your kids and run and then probably call the police . 
refracting all of world war ii through the specific conditions of one man 
such a lousy way 
to be intimate and socially encompassing 
jumps around with little logic or continuity , 
overflows with wisdom and emotion 
realistic characters 
induces a kind of abstract guilt , 
wear thin on all 
leaves a bitter taste . 
of strictly a-list players 
not completely loveable -- but what underdog movie since the bad news bears has been ? 
a spirited film and 
she 's pretty and she can act -- 
tends to speculation , conspiracy theories or , at best , circumstantial evidence 
to see another car chase , explosion or gunfight again 
the lively appeal of the last kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy . 
life-embracing spirit 
grievous but obscure complaint 
paced at a speed that is slow to those of us in middle age and deathly slow to any teen 
makes the right choices at every turn 
a bored cage 
without cheesy fun factor . 
while certainly clever in spots , this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention . 
deliver awe-inspiring , at times sublime , visuals 
a bore 
a fourth-rate jim carrey who does n't understand the difference between dumb fun and just plain dumb 
start to drag as soon as the action speeds up 
to do with 94 minutes 
a cinematic touchstone 
just how well 
's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's . 
embarrassment and others 
poignancy , and intelligence 
's just merely very bad 
feels secondhand , familiar -- and not in a good way . 
this loose collection of largely improvised numbers 
more dutiful than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating 
there are some movies that hit you from the first scene 
a clumsily manufactured exploitation flick , a style-free exercise in manipulation and mayhem 
reeked of a been-there , done-that sameness 
the last 15 minutes 
the gentle and humane side 
stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
solid formula 
the script boasts some tart tv-insider humor , but the film has not a trace of humanity or empathy 
often inspiring 
about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones 
results that are sometimes bracing 
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up 
a compelling investigation 
is a such a brainless flibbertigibbet 
a way to make j.k. rowling 's marvelous series into a deadly bore 
felt work about impossible , irrevocable choices and the price of making them . 
will certainly succeed in alienating most viewers 
tender , 
binks 
comedy fare 
is akin to a reader 's digest condensed version of the source material . 
rank frustration from those in the 
could n't care less 
very ugly , 
a distinctly minor effort 
are acting like puppets 
really horrible 
martha will leave you with a smile on your face and a grumble in your stomach . 
might more accurately be titled mr. chips off the old block 
beautifully shot against the frozen winter landscapes of grenoble and geneva , the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself . 
perfectly captures the wonders and worries of childhood 
friday the 13th 
the surest bet 
a lush , swooning melodrama 
glaring and unforgettable 
undeniable entertainment value 
profane and exploitative as the most offensive action flick you 've ever seen . 
laughed throughout the movie 
uglier 
scrutinize 
crafted a deceptively casual ode to children and 
while the highly predictable narrative falls short , treasure planet is truly gorgeous to behold . 
talk to her is so darned assured 
the art direction is often exquisite , and the anthropomorphic animal characters are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack 
thrills and extreme emotions 
has flopped as surely as a soufflé gone wrong 
clients 
a slam-bang extravaganza that 
a set of heartfelt performances 
deserves a better vehicle than this facetious smirk of a movie 
nicholas nickleby celebrates the human spirit with such unrelenting dickensian decency that it turned me ( horrors ! ) 
a forceful drama of an alienated executive who re-invents himself . 
such exuberance and passion 
as gory as the scenes of torture and self-mutilation may be , they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting . 
a story that 's shapeless and uninflected 
's as sweet as greenfingers 
the distinct and very welcome sense 
's quite fun in places 
is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion . 
attempts to fuse at least three dull plots into one good one . 
the script manages the rare trick of seeming at once both refreshingly different and reassuringly familiar . 
with bogus profundities 
as well as a masterfully made one 
a passion for cinema , and indeed sex , 
tremendous promise 
a shallow rumination 
career peak 
, they 're merely signposts marking the slow , lingering death of imagination . 
original 
though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
shamelessly money-grubbing 
in trapped 
is a convincing one 
believable and heart-wrenching 
vibrant , colorful world 
confessions is n't always coherent , but it 's sharply comic and surprisingly touching , so hold the gong 
funny little film 
that one in clockstoppers , a sci-fi thriller as lazy as it is interminable 
the testosterone-charged wizardry of jerry bruckheimer productions 
misguided comedy 
about a horrifying historical event 
seems inconceivable 
rare combination 
groundbreaking 
plot conceits 
the poor quality of pokemon 4 ever is any indication 
solid performances and eerie atmosphere 
fails to provide much more insight than the inside column of a torn book jacket 
die 
it 's awfully entertaining to watch . 
ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous . 
the slow parade 
embedded in the sexy demise of james dean 
less an examination of neo-nazism than a probe into the nature of faith itself 
years and years of costly analysis could never fix 
the movie completely transfixes the audience . 
he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh 
true and historically significant 
fulford-wierzbicki ... deftly captures the wise-beyond-her-years teen . 
easy , cynical potshots at morally bankrupt characters 
pick up the durable best seller smart women , foolish choices for advice 
little else 
entertain all ages 
fresh good looks and 
about the passions that sometimes fuel our best achievements and other times 
the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman and a one-night swim turns into an ocean of trouble 
excellent performances from jacqueline bisset and martha plimpton 
if only it were that grand a failure 
a genuinely funny ensemble comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives . 
of determination and the human spirit 
has a delightfully dour , deadpan tone and stylistic consistency 
passably 
, it still comes off as a touching , transcendent love story . 
little is done to support the premise other than fling gags at it to see which ones shtick . 
beautifully shot against the frozen winter landscapes of grenoble and geneva 
schnitzler does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . ' 
just brilliant in this 
the talented 
when it 's really an exercise in gross romanticization of the delusional personality type 
terribly obvious 
created a monster but did n't know how to handle it . 
book-on-tape 
the original was n't a good movie 
the blair witch formula for an hour , in which we 're told something creepy and vague is in the works 
would recommend big bad love only to winger fans who have missed her since 1995 's forget paris . 
reminds me of a vastly improved germanic version of my big fat greek wedding 
will no doubt 
the screenwriter responsible for one of the worst movies of one year 
bright future 
an exhausted , desiccated talent who ca n't get out of his own way 
it 's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan . 
delivers a magnetic performance 
oscar winners 
a dull , dumb and derivative horror film 
manage to hit all of its marks 
new texture , new relevance , new reality 
look no further 
nettelbeck has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book . 
too much of a plunge 
singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn . 
makes one of the great minds of our times interesting and accessible 
wildly uneven movie 
is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory 
begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy 
talented people 
is such a perfect medium for children , 
riveting , brisk delight 
riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
, it 's hard to figure the depth of these two literary figures , and even the times in which they lived . 
stakes out the emotional heart of happy . 
friday after next 
's got just enough charm and appealing character quirks to forgive that still serious problem 
check it out 
looking for astute observations and coming up blank 
raunchy and 
acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses 
, organic character work 
cinematic poet 
the filmmakers ' eye for detail and 
were all over this `` un-bear-able '' project 
besotted and obvious drama 
is fun , and host to some truly excellent sequences 
scoring high for originality of plot 
no signs of life 
williams absolutely nails sy 's queasy infatuation and overall strangeness . 
an absurdist spider web . 
it 's a movie that gets under your skin . 
move so easily across racial and cultural lines in the film 
relationship and 
does n't really know or care about the characters , and 
the film never finds its tone and several scenes run too long . 
comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life 
fantastic 
a deceptively simple premise 
determined , ennui-hobbled 
brave , uninhibited 
, repetitive and ragged 
an eye-boggling blend of psychedelic devices , special effects and backgrounds , ` spy kids 2 ' 
it 's pleasant enough 
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy . ' 
the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew 
a modestly made but profoundly moving documentary . 
because he gives the story some soul 
downright transparent is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating . 
appealing blend 
discursive but oddly riveting documentary . 
lulls you into a gentle waking coma 
a moratorium 
terribly episodic 
wal-mart checkout line 
relied too much on convention 
consider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire . 
dreary movie . 
feels like a glossy rehash . 
of breathtaking mystery 
, personal film 
a dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater provides . 
donovan ... squanders his main asset , jackie chan , and fumbles the vital action sequences . 
this might not seem like the proper cup of tea , 
changing times , clashing cultures and the pleasures of a well-made pizza 
, witless mess 
not scary 
unbearable when it is n't merely offensive . 
in a big way 
remains uniquely itself 
made for the big screen , some for the small screen 
despair and 
is greatness 
of unrecoverable life 
no cliche escapes the perfervid treatment of gang warfare 
shadyac 's perfunctory directing chops 
does n't do more than expand a tv show to movie length . 
a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth 
profoundly devastating events 
cumbersome 
's a wise and powerful tale of race and culture forcefully told , with superb performances throughout 
it suffers from too much norma rae and not enough pretty woman 
below 
animation back 30 years , musicals back 40 years and judaism back at least 50 
you , like me , think an action film disguised as a war tribute is disgusting to begin with 
far more often than the warfare itself -- 
on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue 
emerging in world cinema 
grating 
, food-for-thought cinema 
consistently clever and suspenseful . 
put on an intoxicating show . 
average formulaic romantic quadrangle 
forgets 
the sweetest thing leaves an awful sour taste . 
catch the pitch of his poetics , savor the pleasure of his sounds and images , and 
low-brow humor 
well-written and 
it would have just gone more over-the-top instead of trying to have it both ways 
the profoundly devastating events of one year ago 
trying to forget 
than a movie , which normally is expected to have characters and a storyline 
too big 
( jackson and bledel ) seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd . 
close to being exciting 
sometimes murky , always brooding look 
lackluster 
holds up well 
none of this sounds promising 
went over my head or 
in its laid-back way 
as earnest as a community-college advertisement , american chai is enough to make you put away the guitar , sell the amp , and apply to medical school . 
conspicuous success 
more of a poetic than a strict reality , 
sophomoric 
the most savory and hilarious guilty pleasure 
smartly played and smartly directed . 
makes an amazing breakthrough 
it 'll only put you to sleep . 
often looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments . 
there are now two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs . 
hitting all of its assigned marks to take on any life of its own 
harvey weinstein 's bluff personal style 
we had to endure last summer , 
beautiful , evocative 
here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination . 
kaufman and gondry rarely seem sure of where it should go 
of female audience members drooling over michael idemoto as michael 
this is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio . 
especially charm 
engaging , imaginative filmmaking 
gorgeousness 
unforgettable 
dumb gags , anatomical humor 
proves preposterous , the acting is robotically italicized , 
scum 
a low-key , organic way 
knows everything and answers all questions , is visually smart , cleverly written , and 
, hart 's war has much to recommend it , even if the top-billed willis is not the most impressive player . 
promises is one film that 's truly deserving of its oscar nomination . 
very best movies 
a cinematic postcard 
, tender and heart-wrenching 
extraordinary 
a young american , 
's hard to imagine a more generic effort in the genre . 
none of this is meaningful or memorable , but frosting is n't , either 
all the pieces fall together without much surprise , but 
marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world 
no wit 
observant of his characters 
vampire fun 
a touching drama about old age and grief with a tour de 
is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate 
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , when carol kane appears on the screen 
there to scare while we delight in the images 
were stripped of most of his budget and all of his sense of humor 
s1m0ne 's satire is not subtle , but 
self-hatred instilled 
politics 
more likely to have you scratching your head than hiding under your seat . 
over-blown drama 
raises the film above anything sandler 's been attached to before . 
often likable , but just as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy . 
those prone to indignation need not apply 
his promise remains undiminished 
terrific documentaries 
, fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen . 
the movie is ingenious fun . 
's a movie about it 
issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate . 
a surprisingly anemic disappointment 
for the still-inestimable contribution they have made to our shared history 
a low-budget hybrid of scarface or carlito 's way 
something creepy and vague 
with laptops , cell phones and sketchy business plans 
imax cinema 
acting that heralds something special 
for a film about action , ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype . 
imagine susan sontag falling in love with howard stern . 
flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up 
do n't avert our eyes for a moment 
searching for a quarter in a giant pile of elephant feces 
, you 'd probably turn it off , convinced that you had already seen that movie . 
, this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success . 
a choke leash around your neck so director nick cassavetes 
yes , it 's as good as you remember . 
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and 
quitting offers piercing domestic drama with spikes of sly humor . 
are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
a kilted jackson is an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces . 
enjoyably 
, annoying , heavy-handed 
this 20th anniversary edition of the film 
a cutting hollywood satire 
keen eye , sweet spirit and 
that have preceded it 
as simple self-reflection meditation 
as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable 
blazingly alive and admirable 
, the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art . 
evoking memories of day of the jackal , the french connection , and heat 
our sympathies 
the book 's irreverent energy , and scotches most 
, this film should not be missed . 
is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus . 
a sharp , amusing study 
thumbs up to paxton for not falling into the hollywood trap and making a vanity project with nothing new to offer . 
interesting cinematic devices ( cool visual backmasking ) 
a muted freak-out 
wants to break free of her old life 
the thrill of the company 's astonishing growth 
an old-fashioned drama of substance about a teacher 's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue . 
, viscerally exciting , and dramatically moving , it 's the very definition of epic adventure . 
with a smile on your face 
i liked about schmidt a lot , but i have a feeling that i would have liked it much more if harry & tonto never existed 
like you 've actually spent time living in another community 
to the flowering of the south korean cinema 
goodness for this signpost 
recalling sixties ' rockumentary milestones from lonely boy to 
is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative 
unique residences 
, unholy hokum . 
a glorious spectacle like those d.w. griffith made in the early days of silent film 
comes off as a touching , transcendent love story . 
that 's neither completely enlightening 
most jaded cinema audiences 
to sleep or bewildered by the artsy and often pointless visuals 
catch it ... if you can ! 
cared much about any aspect of it , from its cheesy screenplay 
certain sexiness 
a lively and engaging examination 
silly but strangely believable 
his maudlin ending might not have gotten him into film school in the first place 
lasting traces of charlotte 's web 
not smart and 
high-profile 
to the gallic ` tradition of quality 
the little nuances 
the result , however well-intentioned , 
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- 
this schlocky horror/action hybrid 
utter authority 
a solid , unassuming drama 
seeing as the film lacks momentum and its position remains mostly undeterminable 
a charge of genuine excitement 
witty , contemplative , and sublimely beautiful . 
in a movie that works against itself 
her film 
a blown-out vein 
the new insomnia is a surprisingly faithful remake of its chilly predecessor , and 
is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action 
for kids ( of all ages ) that like adventure 
oftentimes funny , yet ultimately cowardly autocritique 
from the dull , surreal ache of mortal awareness emerges a radiant character portrait . 
with her actors 
much of what we see is horrible but it 's also undeniably exceedingly clever 
's stupid 
funny and poignant 
a tribute to the actress , and to her inventive director 
insufferably 
warm and 
it 's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt . 
disney scrape 
star trek was kind of terrific once , but now it is a copy of a copy of a copy . 
well-timed 
immensely ambitious , 
indulgence 
transformed the rhetoric of hollywood melodrama 
the beach 
the more serious-minded concerns of other year-end movies 
another useless recycling of a brutal mid - '70s american sports movie . 
a moving essay about the specter of death , especially suicide 
dumbed-down 
is that for the most part , the film is deadly dull . 
, well-crafted family film 
stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights . 
a movie i loved on first sight and , even more important , love in remembrance . 
should see it as soon as possible 
add beyond the dark visions already relayed by superb 
imbued with passion and attitude . 
brought down by lousy direction 
forget about one oscar nomination for julianne moore this year - 
a stunning , taxi driver-esque portrayal 
that deserves recommendation 
fatal ailments 
a depraved , incoherent , instantly disposable piece of hackery . 
a joyous communal festival 
opera-ish story 
's not very interesting . 
encourage 
with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil 
a lyrical metaphor for cultural and personal self-discovery and a picaresque view 
faithful to melville 's plotline 
the best performance 
it may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case . 
, wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ? 
surrealist flourishes 
to intolerable levels 
, broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car . 
report card : does n't live up to the exalted tagline 
talented cast 
typical pax 
is a waste of de niro , mcdormand and the other good actors in the cast 
's not a single jump-in-your-seat moment 
this wretchedly unfunny wannabe comedy is inane and awful 
mesmerize 
just another combination of bad animation and mindless violence ... lacking the slightest bit of wit or charm . 
a film that are still looking for a common through-line 
a gorgeously strange movie 
were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn . 
's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance . 
's all bluster -- in the end it 's as sweet as greenfingers 
very compelling , sensitive , intelligent 
off the hook 
a really good premise is frittered away in middle-of-the-road blandness . 
, then you 're at the right film . 
gently tedious in its comedy 
but it works under the direction of kevin reynolds . 
creates images even more haunting than those in mr. spielberg 's 1993 classic . 
is a pretty good job , 
judd 's characters ought to pick up the durable best seller smart women , foolish choices for advice . 
invitingly upbeat 
the ingenious construction ( adapted by david hare from michael cunningham 's novel ) constantly flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism 
carrying more emotional baggage than batman 
a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters . 
features what is surely the funniest and most accurate depiction of writer 's block ever . 
a grittily beautiful film that looks 
dysfunctional parent-child relationship 
flimsy ending 
to a satisfying destination 
except for the fine star performances 
a disquieting and thought-provoking film 
however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary . 
authentic to the core of his being 
is that its dying , in this shower of black-and-white psychedelia , is quite beautiful . 
seems so real because it does not attempt to filter out the complexity 
viewers not amused by the sick sense of humor 
jolie 's hideous yellow ` do 
visually engrossing 
the top japanese animations 
by lousy direction 
hip comedy 
but unmemorable 
scare while we delight in the images 
with its own solemn insights 
grows monotonous 
is nothing in it to engage children emotionally 
film buzz and whir 
indie tatters and self-conscious seams 
incurably 
disney 
has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product . 
manages to be even worse than its title 
bouquet gives a performance that is masterly . 
such high-profile talent 
oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy 
campanella 's competent direction and his excellent cast 
often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
erotic 
the stunt work is top-notch ; 
of its critical backlash and more 
undemanding armchair tourists 
how this gets us in trouble 
that grand a failure 
the worst sin 
is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself 
its body humor and reinforcement 
complex , politically charged tapestry 
from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
realize your mind is being blown . 
a few hours after you 've seen it , you forget you 've been to the movies . 
suffocating and sometimes almost senseless 
the excellent performances 
allows his cast the benefit of being able to give full performances 
will be an enjoyable choice for younger kids 
the sentimental script has problems 
any age 
why i have given it a one-star rating 
for something as splendid-looking as this particular film , the viewer expects something special but instead gets ( sci-fi ) rehash . 
that he has been able to share his story so compellingly with us is a minor miracle 
ca n't deny its seriousness and quality 
pseudo-philosophic 
classified as a movie-industry satire 
it ` perfection 
a sweet 
a visual delight and a decent popcorn adventure 
can practically hear george orwell turning over . 
does n't so much phone in his performance as 
knows everything and answers all questions , is visually smart , cleverly written , 
of black indomitability 
undercuts the joie de vivre even as he creates 
into the structure of relationships 
smart movie 
award-winning 
is heartfelt and achingly real . 
eerily accurate depiction 
scott delivers a terrific performance in this fascinating portrait of a modern lothario . 
look as fully ` rendered ' as pixar 's industry standard 
demanding 
pokémon 4ever 
its moment 
to say the least , not to mention inappropriate and wildly undeserved 
suffering from a severe case of hollywood-itis 
first-rate cast 
gently political 
remembrance 
enjoy the movie 
figure the power-lunchers do n't care to understand 
is one of two things : unadulterated thrills or genuine laughs 
that jackie chan is getting older 
makes you crave chris smith 's next movie . 
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and 
fill the hot chick , the latest gimmick from this unimaginative comedian . 
an unbelievably stupid film , though occasionally fun enough to make you forget its absurdity . 
husband-and-wife disaster 
nurtures the multi-layers of its characters 
admittedly problematic in its narrative specifics 
seems suited neither to kids or adults 
old-world charm 
torn apart by a legacy of abuse 
so not-at-all-good 
rank as three of the most multilayered and sympathetic female characters of the year . 
worst -- and only -- killer website movie 
passions , obsessions , and 
fits into a classic genre , 
a rather brilliant little cult item : a pastiche of children 's entertainment , superhero comics , and japanese animation . 
, brooding and slow 
as well its delightful cast -- 
consistently funny , in an irresistible junior-high way , and 
engrossing and infectiously enthusiastic documentary 
the right thing 
is another liability 
that , by the end , no one in the audience or the film seems to really care 
by half-baked setups and sluggish pacing 
a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer 
heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible 
seem odd bedfellows 
purely abstract 
thanks to the château 's balance of whimsicality , narrative discipline and serious improvisation , almost every relationship and personality in the film yields surprises . 
a fragmented film 
playing a role of almost bergmanesque intensity ... bisset is both convincing and radiant 
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : 
characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago 
often surprises you with unexpected comedy 
proves she has the stuff to stand tall with pryor , carlin and murphy 
this would have been better than the fiction it has concocted , and there still could have been room for the war scenes . 
juicy writer 
right film 
, it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy . 
can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice 
of neil burger 's impressive fake documentary 
heartfelt concern 
watch it , offering fine acting moments and pungent insights 
of the worst possibilities of mankind 
miserable 
( their lamentations are pretty much self-centered ) , there 's something vital about the movie . 
can be fruitful : ` in praise of love ' is the director 's epitaph for himself 
a cruel but weirdly likable wasp matron 
a rounded and revealing overview 
enjoy the new guy . 
is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness 
a non-stop cry for attention 
thoughtful , unapologetically raw 
murphy and wilson actually make a pretty good team 
both heartbreaking 
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but they did the same at home 
absorbing movie that 's as hard to classify as it is hard to resist 
tickles 
potty-mouthed enough 
clumsy cliché 
through kafka 's meat grinder 
invite 
that were already tired 10 years ago 
regret and , ultimately , finding redemption 
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium 
the right bands for the playlist and the costuming of the stars 
to call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest . 
the minds and hearts of many 
sentimental 
are simply intoxicating . 
is kind of special 
the cinematic canon , 
creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters . 
seem like such a bore 
never having seen the first two films in the series , i ca n't compare friday after next to them , but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days . 
eventually works its way up to merely bad rather than painfully awful 
's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth . 
sounding like arnold schwarzenegger , with a physique to match , ( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation . 
if the real-life story is genuinely inspirational 
is little else to recommend `` never again . '' 
the 50-something lovebirds are too immature and unappealing to care about . 
simple-minded and stereotypical 
gorgeous to look at but insufferably tedious and turgid ... 
its unsettling force 
half-assed film . 
sit open-mouthed before the screen , not screaming but yawning 
steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good 
hard-hitting 
it 's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form . 
incoherent 
as dull as its characters , about whose fate it is hard to care 
sad but endearing characters do extremely unconventional things 
incredibly layered and stylistic 
at a time when we 've learned the hard way just how complex international terrorism is , collateral damage paints an absurdly simplistic picture . 
with really poor comedic writing 
wastes its time on mood 
is a beautiful film for people who like their romances to have that french realism 
greatest mistake 
hurry up and get to its subjects ' deaths just so the documentary will be over 
degrades its characters , its stars and its audience . 
carl 
the disappointingly generic nature of the entire effort 
less a study in madness or love than a study in schoolgirl obsession . 
is a big letdown . 
put a lump in your throat while reaffirming washington as possibly the best actor working in movies today 
this thing works on no level whatsoever for me . 
they presume their audience wo n't sit still for a sociology lesson 
( reaches ) wholly believable and heart-wrenching depths of despair . 
an hour and a half of joyful solo performance . 
frittered away in middle-of-the-road blandness 
is , in fact , so interesting that no embellishment is 
refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original 
ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego . 
predictability is the only winner 
great crimes 
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but olympia , wash. , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting 
done that ... a thousand times already 
no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act 
of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
good thing 
the feat with aplomb 
strange and wonderful creatures 
the gentle comic treatment of adolescent sturm und drang 
slow 
ripe recipe , inspiring ingredients 
less entertaining 
by england 's roger mitchell , who handily makes the move from pleasing 
the film 's ill-considered notion 
mattel 
the depicted events dramatic , funny and poignant 
than to sit back and enjoy a couple of great actors hamming it up 
by its lack of purpose 
intimate and 
seemed bored , cheering the pratfalls but little else 
fat 
barney 's ideas about creation and identity do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material . 
pick your nose instead 
'' and `` terrible 
the storyline and its underlying themes ... finally seem so impersonal or even shallow 
derivative 
all , a condition only the old are privy to 
more emotional force than any other recent film 
is the equivalent of french hip-hop , which also seems to play on a 10-year delay 
wise-beyond-her-years teen 
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil . 
the film 's sense of imagery gives it a terrible strength , but it 's propelled by the acting . 
'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen . 
so original in its base concept that you can not help but get caught up . 
my own tortured psyche 
the most ingenious film comedy since being john malkovich 
fun-loving libertine 
's suitable for all ages -- a movie that will make you laugh 
break up 
a square , sentimental drama that satisfies , as comfort food often can 
eat popcorn 
deserves a place of honor next to nanook 
is that this film 's cast is uniformly superb 
wafer-thin 
turns numbingly dull-witted and disquietingly creepy 
the most original fantasy film 
's no conversion effort 
uncool the only thing missing is the `` gadzooks ! 
to shout insults at the screen 
genuine ones 
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once . 
that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop 
with a bouncy score 
one of the year 's best films 
a fleeting grasp 
appreciate 
, there 's something vital about the movie . 
it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
the euphoria 
imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
be best forgotten 
that ends up slapping its target audience in the face by shooting itself in the foot 
a listless and desultory affair . 
well , it probably wo n't have you swinging from the trees hooting it 's praises 
entertaining and informative documentary 
and insufferable ball 
the sleekness of the film 's present 
was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise 
its emotional power 
an ordeal than an amusement 
well-directed and , for all its moodiness , not too 
was more diverting and thought-provoking than i 'd expected it to be . 
smooth , shrewd , powerful act 
glossy rehash 
the one not-so-small problem with expecting 
a nicely 
unlike many revenge fantasies , it ultimately delivers 
a soul and an unabashed sense of good old-fashioned escapism 
to cover up the yawning chasm where the plot should be 
, delicately performed 
perceptive , good-natured movie 
almost saves the movie . 
race splitting 
a work that , with humor , warmth , and intelligence , captures a life interestingly lived 
exhaustion , from watching a movie that is dark ( dark green , to be exact ) 
... keep the movie from ever reaching the comic heights it obviously desired . 
as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart 
pretend like your sat scores are below 120 and you might not notice the flaws 
like a hazy high that takes too long to shake 
, and rousing 
immature provocations 
serve the work especially well 
ponderous , plodding soap opera disguised as a feature film . 
graphic sex may be what 's attracting audiences to unfaithful , 
that were once amusing 
tame 
another gross-out college comedy -- 
best spent elsewhere 
distant 
the battle 
you feel genuinely good 
like quirky , slightly strange french films 
first major studio production 
as a low-budget series on a uhf channel 
successfully blended satire 
a high-powered star pedigree 
a waste 
well-made 
thought-provoking and 
us see familiar issues , like racism and homophobia , in a fresh way 
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and 
is hard not to be especially grateful for freedom after a film like this . 
have made the original new testament stories so compelling for 20 centuries 
's worth yet another visit 
expressionistic license 
the visual flourishes 
the script has less spice than a rat burger 
explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut 
more mindless drivel 
simply astounding 
incompetent , 
gets the tone just right -- 
pc stability notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion . 
however , it 's invaluable 
... should have been sent back to the tailor for some major alterations . 
personal self-discovery 
are great rewards here . 
characteristically engorged and 
who is chasing who 
's a diverting enough hour-and-a-half for the family audience . 
just about more stately than any contemporary movie this year 
most good-hearted yet 
a gratingly unfunny groaner 
cultural and personal self-discovery and a picaresque view 
, like its subjects , delivers the goods and audiences will have a fun , no-frills ride . 
most disappointing 
sophisticated wit 
in a summer of clones 
cliched dialogue and perverse escapism 
a very depressing movie of many missed opportunities . 
dishes out a ton of laughs that everyone can enjoy . 
feel like three hours 
owes enormous debts 
bogs down in a surfeit of characters and 
insipid 
seem as cleverly plotted as the usual suspects 
one regards reign of fire with awe . 
it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout 
has come to new york city to replace past tragedy with the american dream 
the music makes a nice album , the food is enticing 
schneider is no steve martin 
murderous maids pulls no punches in its depiction of the lives of the papin sister and the events that led to their notorious rise to infamy ... 
a unique culture that is presented with universal appeal 
's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress . 
twohy 's a good yarn-spinner , 
humanity 's greatest shame 
sweet cinderella story 
is a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable . 
makin ' a fool of himself 
an engrossing story 
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but 
, for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life 
sucking you in ... and making you sweat 
plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out 
is in his element 
has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book 
a winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying 
enjoyably fast-moving , hard-hitting documentary . 
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and what once was conviction is now affectation . 
does n't offer much in terms of plot or acting 
a happy ending 
george lucas returns as a visionary with a tale full of nuance and character dimension . 
complex portrait of a modern israel that is rarely seen on-screen 
seem one-dimensional 
throw each other out windows 
though a capable thriller , somewhere along the way k-19 jettisoned some crucial drama . 
the worst movies of the year 
, poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo . 
ultra-cheesy 
playfully 
action-packed film 
if it were a person , you 'd want to smash its face in 
hefty thematic material 
noticeably less 
victim 
to drag two-thirds through , when the melodramatic aspects start to overtake the comedy 
heart 
did n't hate this one 
emotionally bruised characters 
feel after an 88-minute rip-off of the rock 
pure , exciting moviemaking 
, is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes . 
of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
it could have been something special , but two things drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress . 
evasive 
most of it given to children 
delusional 
wimps 
who unfortunately works with a two star script 
well-acted 
moodiness 
will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious . 
modest 
of the year 's worst cinematic tragedies 
nighttime manhattan , a loquacious videologue of the modern male and 
in by the sympathetic characters 
weighted down with slow , 
with low-brow humor , gratuitous violence and a disturbing disregard 
, it 's a pretty listless collection of kid-movie clichés . 
, in spite of clearly evident poverty and hardship , bring to their music 
what goes on for the 110 minutes of `` panic room '' is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals . 
and adults will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle . 
of the saddest action hero performances ever witnessed 
wanes 
its impressive images of crematorium chimney fires and stacks of dead bodies are undermined by the movie 's presentation , which is way too stagy . 
one of the best silly horror movies of recent memory , with some real shocks in store for unwary viewers . 
the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them 
ms. hutchins is talented enough and charismatic enough to make us care about zelda 's ultimate fate . 
enough quirky and satirical touches 
a strong dramatic and emotional pull 
know better than to rush to the theater for this one 
's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties 
fishy 
capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance 
give it considerable punch . 
sit through , enjoy on a certain level and then 
will not be able to stomach so much tongue-in-cheek weirdness 
is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype 
delight . 
become dullingly repetitive 
much of it is funny , but there are also some startling , surrealistic moments 
you wondering about the characters ' lives after the clever credits roll 
there are some fairly unsettling scenes 
the overall effect is awe and affection -- and a strange urge to get on a board and , uh , shred , dude . 
the best thing i can say about this film 
a very slow , uneventful 
fun and funky look 
the film is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation . 
spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are . 
a generous , inspiring film 
an awful movie 
allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself . 
of epic adventure 
could bond while watching a walk to remember . 
challenges perceptions of guilt and innocence , of good guys and bad , and asks us whether a noble end can justify evil means 
fast-edit , hopped-up fashion 
, ghastly 
amusing and unexpectedly insightful 
the interior lives of the characters in his film 
's both charming and well 
downer 
the goods 
a trifle 
one clever line 
is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches 
if i stay positive , maybe i can channel one of my greatest pictures , drunken master 
've seen some bad singer-turned actors 
have to admit i walked out of runteldat . 
is cruel , misanthropic stuff with only weak claims to surrealism and black comedy 
new best friend does not have , beginning with the minor omission of a screenplay 
its idiocy 
respect and affection 
so teeming that even cranky adults may rediscover the quivering kid inside 
the requisite faux-urban vibe and 
crowd-pleasing 
rich in atmosphere of the post-war art world 
a familiar story , but one that is presented with great sympathy and intelligence 
itself , a playful spirit and 
in an admittedly middling film 
is even worse than i imagined a movie ever could be . 
low on energy 
it 's not going to be everyone 's bag of popcorn , but it definitely gives you something to chew on . 
inventive , fun , 
remarkable achival film 
comes off like a particularly amateurish episode of bewitched that takes place during spring break . 
makes the banger sisters a fascinating character study with laughs 
looking for a smart , nuanced look at de sade and what might have happened at picpus 
make one spectacularly ugly-looking broad 
which might have been called freddy gets molested by a dog 
a good video game movie 
the score is too insistent 
adam sandler 's 8 crazy nights is 75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie . 
's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
the most poorly staged and lit action in memory 
of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
maintains a cool distance 
sucks . 
of despair 
beware the quirky brit-com . 
remarkable and memorable film 
inspires more than an interested detachment 
if there 's a heaven for bad movies , deuces wild is on its way . 
research library dust 
to leave this loser 
worth catching for griffiths ' warm and winning central performance . 
sad to say 
the payoff 
like as a low-budget series on a uhf channel 
what 's most refreshing about real women have curves 
little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out 
a bad premise , just a bad movie 
pleasant piece 
that for the most part , the film is deadly dull 
film that 's flawed and brilliant in equal measure 
it collapses like an overcooked soufflé . 
that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself 
comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions . 
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story 
look ill at ease sharing the same scene 
beguiling serenity and poise 
( silver 's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around ) 
paper-thin characterizations 
immersed in a foreign culture only 
's definite room for improvement . 
is n't even a movie 
those who trek to the ` plex predisposed to like it probably will enjoy themselves . 
truly distinctive and a deeply pertinent 
their super-powers , their super-simple animation and 
santa bumps up against 21st century reality so hard 
an elegant work 
filmmaking with an assurance worthy of international acclaim 
will make you wish you were at home watching that movie instead of in the theater watching this one . 
's no disguising this as one of the worst films of the summer . 
with crude humor and vulgar innuendo 
slapdash mess 
this misty-eyed southern nostalgia piece , 
what an idea , what a thrill ride 
foolish and shallow 
as one of the most interesting writer/directors working today 
fabulousness 
the screen like a true star 
wander about in thick clouds of denial 
a suspenseful spin on standard horror flick formula 
all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate 
the movie is hardly a masterpiece , but it does mark ms. bullock 's best work in some time 
fatal 
an avid interest in the subject 
` a ' list cast 
rushed to the megaplexes 
wit and interesting characters 
a boring man 
unpersuasive 
incredibly thoughtful , deeply meditative picture 
that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself 
a solid and refined piece of moviemaking imbued with passion and attitude . 
made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted 
and weakly acted 
faithful without being forceful , sad without being shrill , `` a walk to remember '' 
wholly unnecessary addition 
is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy 
of road movie , coming-of-age story and political satire 
a good-hearted ensemble comedy 
that 's so mechanical you can smell the grease on the plot 
affirms the gifts of all involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together . 
( gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass 
language and locations 
its cast full of caffeinated comedy performances more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway . 
memorable zingers 
death 
, roiling black-and-white inspires trembling and gratitude . 
phenomenon 
imbecilic 
fun cheese puff 
fascinating ... an often intense character study about fathers and sons , loyalty and duty . 
's hard to understand why anyone in his right mind would even think to make the attraction a movie . 
a glass of flat champagne 
three-hour cinema master class . 
no denying that burns is a filmmaker with a bright future ahead of him 
hit on a 15-year old when you 're over 100 
while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant 
look at that clever angle 
one problem with the movie 
stuart little 2 manages sweetness largely without stickiness . 
( jeff 's ) gorgeous 
a personal low for everyone 
with a certain degree of wit and dignity 
it 's really nothing more than warmed-over cold war paranoia 
barney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull . 
allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range . 
give a second look 
see the movie through the prism of his or her own beliefs and prejudices 
as the most magical and most fun family fare of this or any recent holiday season 
work more than it probably should 
capably hold our interest , but its just not a thrilling movie 
never rises above superficiality . 
the movie is ... very funny as you peek at it through the fingers in front of your eyes . 
some of this laughable dialogue 
the irwins ' scenes are fascinating 
being earnest , so thick with wit it plays like a reading from bartlett 's familiar quotations 
mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain 
nothing about this movie works . 
make creative contributions to the story and dialogue 
fun for all 
is just a corny examination of a young actress trying to find her way 
is such a mesmerizing one 
is a far smoother ride . 
has not spawned a single good film . 
all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings 
thinks poo-poo jokes are ` edgy 
spectacular in every sense of the word , even if you don ' t 
like a rejected x-files episode than a credible account of a puzzling real-life happening . 
it 's a well-written and occasionally challenging social drama that actually has something interesting to say 
did no one on the set have a sense of humor , or 
gut-wrenching 
interesting 
as any hollywood fluff 
a touching drama 
that ` alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) ... 
is generally amusing from time 
wo n't much care about 
jumps around 
imagine a scenario where bergman approaches swedish fatalism using gary larson 's far side humor 
forgettable , if good-hearted , movie . 
flavorful 
very insecure 
is brilliant , really . 
plus , like i already mentioned ... it 's robert duvall ! 
the level of marginal competence 
mergers and downsizing 
heartfelt romance 
informative , intriguing , observant , often touching ... gives a human face to what 's often discussed in purely abstract terms . 
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes 
able to create an engaging story that keeps you guessing at almost every turn 
logistically 
miyazaki 's nonstop images are so stunning 
a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood . 
could work , especially since the actresses in the lead roles are all more than competent 
its intended audience has n't yet had much science 
a small fortune in salaries and stunt cars might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) . 
listless and 
approaches his difficult , endless work with remarkable serenity and discipline 
fully formed and 
a few ear-pleasing songs 
gone more over-the-top instead of trying to have it both ways 
you 'll like promises . 
, evocative 
'll probably love it 
your seat for long stretches 
angry and 
viewing for its courage , ideas , technical proficiency and great acting 
a charismatic charmer likely to seduce and conquer 
community-college advertisement 
definitely a step in the right direction 
the delicious trimmings ... arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two 
a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder 
was impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an american-russian armageddon 
distasteful 
uncompromising , difficult 
has a cinematic fluidity and sense of intelligence that makes it work more than it probably should . 
you never know where changing lanes is going to take you 
dark areas 
k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia . 
a soul-stirring documentary about the israeli/palestinian conflict as revealed through the eyes of some children who remain curious about each other against all odds . 
weighted down with slow , uninvolving storytelling and flat acting 
since the evil dead 
whimsical 
to go down as the worst -- and only -- killer website movie of this or any other year 
surprisingly buoyant 
the dark areas of parent-child relationships 
as ugly as the shabby digital photography 
astonishingly skillful and moving ... 
a film with contemporary political resonance 
a picaresque view 
the campy results make mel brooks ' borscht belt schtick look sophisticated . 
be forgiven for frequently pandering to fans of the gross-out comedy 
fresh by an intelligent screenplay and gripping performances 
a documentary to disregard available bias 
a compelling story of musical passion against governmental odds 
it will warm your heart 
self-aware , often self-mocking , 
she-cute 
's a hellish , numbing experience to watch 
french filmmaker karim dridi that celebrates the hardy spirit of cuban music 
these self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation 
the filmmaker 's extraordinary access to massoud 
a sweetness , clarity and emotional openness 
will definitely win some hearts 
was covered earlier and much better in ordinary people 
more propaganda 
a potentially trite and overused concept ( aliens come to earth ) 
is funny and looks professional 
triumphs 
an ugly , revolting movie . 
have an intermittently good time 
letting its imagery speak for it while it forces you to ponder anew what a movie can be . 
rich , and strange 
mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies are concerned . 
red lights , a rattling noise 
comedy 
are undermined by the movie 's presentation , which is way too stagy . 
commanding screen presence 
but thoroughly satisfying entertainment 
two men who discover what william james once called ` the gift of tears 
not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker . 
what a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film 
be hard put to find a movie character more unattractive or odorous ( than leon ) 
loses its fire 
any attempts at nuance given by the capable cast is drowned out by director jon purdy 's sledgehammer sap . 
it sends you away a believer again and quite cheered at just that . 
is clumsy 
a remake by the numbers 
but one thing 's for sure : it never comes close to being either funny or scary . 
's funniest and most likeable movie in years 
a refreshingly realistic , affectation-free coming-of-age tale . 
by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy 
innovations and 
the performances and the cinematography to the outstanding soundtrack and unconventional narrative 
than a ` direct-to-video ' release 
has a real filmmaker 's eye . 
both a grand tour through 300 hundred years of russian cultural identity and a stunning technical achievement . 
, almost generic 
misogynist 
with nary an original idea ( or role , or edit , or score , or anything , really ) in sight 
a perceptive , good-natured movie . 
's very much like life itself 
banal and predictable . 
had all its vital essence scooped out 
give a thought to the folks who prepare and 
combines psychological drama , sociological reflection , and high-octane thriller 
most basic 
more holes than clyde barrow 's car 
manages to bleed it almost completely dry of humor , verve and fun . 
is more fun than conan the barbarian . 
wonderful film to bring to imax 
again and quite cheered at just that 
the sheer beauty 
was as superficial 
uncommonly sincere 
the casting of von sydow ... is itself intacto 's luckiest stroke . 
a bonus 
to paraphrase a line from another dickens ' novel , nicholas nickleby is too much like a fragment of an underdone potato . 
in enough clever and unexpected 
emotional force 
fun and funny in the middle 
s1m0ne 's satire is not subtle , but it is effective 
` stock up on silver bullets for director neil marshall 's intense freight train of a film . ' 
conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head 
keep the viewer wide-awake all the way through . 
to death 
of every bad action-movie line in history 
of an ordeal than an amusement 
an attention to detail that propels her into the upper echelons of the directing world 
the following things are not at all entertaining : 
an american tragedy 
child acting 
squanders as much as it gives out . 
repressed 
so convincing 
it completely contradicts everything kieslowski 's work aspired to , including the condition of art 
as if the movie is more interested in entertaining itself than in amusing us 
a shock-you-into-laughter intensity of almost dadaist proportions 
're over 25 
should be relegated to a dark video store corner 
rank as one of the cleverest , most deceptively amusing comedies of the year 
nakata 's technique is to imply terror by suggestion , rather than the overuse of special effects . 
optimistic 
an engrossing story that combines psychological drama , sociological reflection , and high-octane thriller . 
tidal 
clooney directs this film always keeping the balance between the fantastic and the believable ... 
goldbacher 
energy , intelligence and verve , 
finest 
shaky 
though jones and snipes are enthralling 
destruction 
spirited 
always entertaining 
of blaxploitation flicks 
of a man with unimaginable demons 
compelling and 
nothing but an episode of smackdown ! 
the power of shanghai ghetto 
delivers on the promise of excitement 
of the most poorly staged and lit action in memory 
amused 
is without a doubt a memorable directorial debut from king hunk 
transcends their predicament 
succeeds due to its rapid-fire delivery and enough inspired levity 
visual merits 
vicious and absurd 
consummate 
gore for suspense 
downright transparent 
that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an 
audacity 
potential 
funnybone 
lazy tearjerker 
the year 's most intriguing movie experiences 
ludicrous 
this rude and crude film does deliver a few gut-busting laughs 
is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation 
full-length classic 
a 94-minute travesty of unparalleled proportions , writer-director parker seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum . 
grow boring ... which proves that rohmer still has a sense of his audience 
enjoys quirky , fun , popcorn movies 
sorvino glides gracefully from male persona to female without missing a beat . 
more overtly silly dialogue 
gritty enough 
a potentially good comic premise and excellent cast 
has some unnecessary parts 
it falls far short of poetry , but it 's not bad prose . 
stupid , infantile , redundant , sloppy 
a huge disappointment coming 
takes you by the face , strokes your cheeks 
both oscar winners , 
eight legged freaks wo n't join the pantheon of great monster/science fiction flicks that we have come to love ... 
at the variety of tones in spielberg 's work 
is not real 
with big heart 
the most creative mayhem 
it classicism or be exasperated by a noticeable lack of pace 
to cut a swathe through mainstream hollywood 
charmer 
long , intricate , star-studded and 
merely offensive 
a live-action cartoon , a fast-moving and cheerfully simplistic 88 minutes of exaggerated action put together with the preteen boy in mind . 
the worst movies 
, the movie is better than you might think . 
clunky on the screen 
a look 
not to be moved by this drama 
of the worst of the entire franchise 
this illuminating comedy 
times uncommonly moving 
become a caricature -- not even with that radioactive hair 
there 's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers . 
describes this film : honest 
it finds no way to entertain or inspire its viewers . 
the molehill 
there is something in full frontal , i guess , about artifice and acting and how it distorts reality for people who make movies and watch them , but like most movie riddles , it works only if you have an interest in the characters you see . 
distinguished film legacy 
is too savvy a filmmaker to let this morph into a typical romantic triangle . 
a mawkish self-parody that plays like some weird masterpiece theater sketch with neither 
absurdly simplistic picture 
sneaks up on you and stays with you long after you have left the theater 
the art direction and costumes are gorgeous and finely detailed , and kurys ' direction is clever and insightful . 
to smash its face in 
a whole heap of nothing at the core of this slight coming-of-age/coming-out tale 
, often incisive satire and unabashed sweetness 
seems endless 
fighting off the urge to doze 
flavors 
in which laughter and self-exploitation merge into jolly soft-porn 'em powerment 
to be the cat 's meow 
're supposed to shriek 
there 's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination . 
the cleverness 
its own rules regarding love and family , governance and hierarchy 
a sour taste in one 's mouth , and little else 
cliches that sink it faster than a leaky freighter 
be cherished 
the wildly popular vin diesel 
love , duty and friendship 
that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything 
hugely imaginative and successful casting to its great credit , 
a genuine love story , full of traditional layers of awakening and ripening and separation and recovery 
stunning , taxi driver-esque portrayal 
moving , if uneven , success 
undermining the story 's emotional thrust 
lacks aspirations of social upheaval 
strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time 
a complicated hero 
a mediocre exercise in target demographics 
ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling . 
seen it all before in one form or another 
there are many definitions of ` time waster ' but this movie must surely be one of them . 
are not to be dismissed . 
the film falters 
was that santa bumps up against 21st century reality so hard 
the film sparkles with the the wisdom and humor of its subjects . 
of fascinating performances 
the best advice 
scotland , pa is entirely too straight-faced to transcend its clever concept . 
overcome the cultural moat surrounding its ludicrous and contrived plot 
an improvement on the first blade 
moments of breathtaking mystery 
an inspired portrait 
high-wattage 
performances all around are tops , with the two leads delivering oscar-caliber performances . 
this smart 
there 's ... an underlying old world sexism to monday morning that undercuts its charm . 
a master 
brash , intelligent and erotically perplexing , haneke 's portrait of an upper class austrian society and the suppression of its tucked away demons 
made nature film and a tribute 
satisfyingly scarifying , fresh and old-fashioned at the same time 
harmed 
the story and the more contemporary , naturalistic tone 
carved their own comfortable niche in the world 
, worse , 
there 's ... an underlying old world sexism to monday morning that undercuts its charm 
across as lame and sophomoric 
a sad , soggy potboiler that wastes the talents of its attractive young leads 
thematically 
reassures us that he will once again be an honest and loving one . 
ordinary , pasty lumpen 
is a pan-american movie , with moments of genuine insight into the urban heart 
in cannes offers rare insight into the structure of relationships . 
for someone like judd , who really ought to be playing villains 
has made a movie that will leave you wondering about the characters ' lives after the clever credits roll . 
his ninth decade 
never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting 
, duvall ( also a producer ) peels layers from this character that may well not have existed on paper . 
last 15 years 
treasure 
in all fairness , i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks . 
grand a failure 
completely transfixes the audience . 
long gone bottom-of-the-bill fare like the ghost and mr. chicken 
are a couple of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall 
intelligence and verve 
loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion 
great cinematic polemic 
sometimes inadequate 
even a little dated 
unique culture 
plays like an extended dialogue exercise in retard 101 
thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign 
almost makes you wish he 'd gone the way of don simpson 
waste viewers ' time 
what ultimately makes windtalkers a disappointment is the superficial way it deals with its story . 
one of ( witherspoon 's ) better films 
fails to spark this leaden comedy 
have come to term an `` ambitious failure 
is so warm and fuzzy you might be able to forgive its mean-spirited second half . 
are poorly 
the ultimate movie experience 
happens to be the movie 's most admirable quality 
sword-and-sorcery 
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining , but it could have been much stronger . 
more down-home flavor 
the limited chemistry created by ralph fiennes and jennifer lopez 
, imaginative 
a properly spooky film about the power of spirits 
many bona fide groaners 
a day at the beach -- with air conditioning and popcorn 
interested in jerking off in all its byzantine incarnations to bother pleasuring its audience 
spectacularly beautiful 
ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies . 
to build a feel-good fantasy around a vain dictator-madman 
( and funnier 
of a war zone 
, and as easy to be bored by as your abc 's 
charismatic and tragically 
un-bear-able '' project 
mild hallucinogenic buzz 
suffocate 
is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits . 
while not all that bad of a movie , it 's nowhere near as good as the original . 
among the most pitiful directing 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... 
a rip-roaring comedy action 
often-hilarious farce 
contentedly 
the characters ' moves are often more predictable than their consequences 
rare trick 
falls far short of the peculiarly moral amorality of ( woo 's ) best work 
conjured up more coming-of-age stories 
nearly surprising or clever enough to sustain a reasonable degree of suspense on its own 
portrays the frank humanity of ... emotional recovery 
the scuzzy underbelly 
see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
, we are forced to reflect that its visual imagination is breathtaking 
thoughtful and unflinching examination 
( haneke ) steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology . 
beautifully crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing . 
adam sandler 
an eloquent , reflective and beautifully 
here is doa . 
a movie that keeps throwing fastballs 
yawner 
of a-list brit actors 
hiss 
actors in bad bear suits 
like a rash 
it 's loud and boring ; 
becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if 
fudges fact and fancy with such confidence that we feel as if we 're seeing something purer than the real thing . 
further sad evidence 
steven seagal 
a breezy blend of art , history , esoteric musings and philosophy 
stylish but steady , and ultimately very satisfying , piece 
seek and strike just the right tone 
mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema . 
is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts 
rooted in a sincere performance 
amazingly dopey . 
an edgy thriller 
emotionally strong and politically potent piece 
run-of-the-mill . 
, this movie is hopeless 
compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
, obnoxious 
` funny 
did they not have the nerve to speak up 
instead gets ( sci-fi ) rehash 
nonconformist 
behan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best irish sense -- but sheridan has settled for a lugubrious romance . 
to decide what annoyed me most about god is great 
is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films 
humorless , self-conscious art drivel , 
is a rare treat that shows the promise of digital filmmaking . 
twisted 
wait to see it then 
while the film is not entirely successful 
like most of jaglom 's films , some of it is honestly affecting , but more of it seems contrived and secondhand . 
the adventures of direct-to-video nash 
interpreting the play as a call for pity and sympathy 
artless sytle 
with a core of decency 
the film works as well as it does because of the performances . 
through clever makeup design 
's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own . 
blatant and sickening product placement 
seems to have dumped a whole lot of plot in favor of ... outrageous gags . 
defiantly and delightfully against the grain 
full of traditional layers of awakening and ripening and separation and recovery 
part of what makes dover kosashvili 's outstanding feature debut so potent 
best forgotten 
big bloody chomps 
rejection by one 's mother 
although this idea is `` new '' the results are tired . 
one of the funnier movies in town 
some futile concoction that was developed hastily after oedekerk 
snared in its own tangled plot 
honest insight 
like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , 
delicious and 
has delivered a solidly entertaining and moving family drama . 
silver bullets for director neil marshall 's intense freight 
that has nothing going for it other than its exploitive array of obligatory cheap 
sweet home alabama '' is what it is -- a nice , harmless date film ... 
it certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile . 
fashioned an absorbing look at provincial bourgeois french society 
's clear that washington most certainly has a new career ahead of him 
manipulative and contrived 
coarse , cliched and clunky 
of sanctimony , self-awareness , self-hatred and self-determination 
of sexy intrigue 
be a thoughtful , emotional movie experience 
miserable and 
an intriguing and alluring premise 
even the hastily and amateurishly 
spent an hour setting a fancy table and then served up kraft macaroni and cheese 
the perkiness of witherspoon 
takes advantage of the fact 
lost ideal 
the town has kind of an authentic feel , 
i also wanted a little alien as a friend ! 
the film 's lack 
thrilling movie 
i do n't know if frailty will turn bill paxton into an a-list director , but 
has made a film that is an undeniably worthy and devastating experience . 
is the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow 
with its lackadaisical plotting and mindless action 
crisp framing , edgy camera work , 
riveting and surprisingly romantic 
spirals downward , and thuds to the bottom of the pool with an utterly incompetent conclusion . 
they 'll probably run out screaming . 
it 's a satisfying summer blockbuster and worth a look . 
the land of unintentional melodrama and tiresome love triangles 
a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past 
road to perdition does display greatness , and it 's worth seeing 
needs more filmmakers with passionate enthusiasms like martin scorsese . 
is betrayed by the surprisingly shoddy makeup work 
's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain . 
a puzzle whose pieces do not fit . 
gutter 
franco is an excellent choice for the walled-off but combustible hustler , but he does not give the transcendent performance sonny needs to overcome gaps in character development and story logic 
engage 
evelyn may be based on a true and historically significant story , but the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention 
a downer and a little 
would n't make trouble every day any better . 
delivers a powerful commentary 
proves to be a good match of the sensibilities of two directors 
decrepit freaks 
is going to be something really good 
believe it 
sweet home alabama certainly wo n't be remembered as one of ( witherspoon 's ) better films . 
the problematic characters and 
long for the end 
be why it works as well as it does 
like being able to hit on a 15-year old when you 're over 100 . 
funny and touching 
a four star performance from kevin kline who unfortunately works with a two star script . 
is tragically 
gimmicks 
lively and engaging examination 
works so well for the first 89 minutes , 
rohmer still has a sense of his audience 
's no real sense of suspense 
comes together 
for his first attempt at film noir , spielberg presents a fascinating but flawed look at the near future . 
go where the moment takes them 
mopes 
exquisite motion picture 
darkly funny 
a poignant and gently humorous parable that loves its characters and communicates something rather beautiful about human nature . 
rambling and incoherent 
genre-busting 
trying to drown yourself in a lake afterwards 
lots of obvious political insights 
a headline-fresh thriller 
starts promisingly 
the two and 
of lingerie models and bar dancers 
is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year . 
would be me : fighting off the urge to doze . 
a fluid and mesmerizing sequence of images 
down memory lane 
there 's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck , it 's just another cartoon with an unstoppable superman . 
the forced new jersey lowbrow accent uma 
from a xerox machine rather than ( writer-director ) franc 
( russell ) makes good b movies ( the mask , the blob ) , and 
padding 
bothers to question why somebody might devote time to see it 
overwrought , melodramatic bodice-ripper . 
in auteil 's less dramatic but equally incisive performance 
soderbergh 's best films , `` erin brockovich 
of grief and loss 
sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
the tiniest segment of an already obscure demographic 
bean drops the ball too many times 
there , done that , 
credible and remarkably mature 
clever and insightful 
takes a simple premise and carries it to unexpected heights . 
make this a charmer 
with his effortless performance 
have been discovered , indulged in and rejected as boring before i see this piece of crap again 
laughingly 
jim brown , a celebrated wonder in the spotlight 
give you 
celebrates the human spirit 
show to steal 
is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation 
there 's real visual charge to the filmmaking , and 
funny , sweetly adventurous 
of useless actioners 
taken one of the world 's most fascinating stories and 
twinkly-eyed 
all in a plot as musty as one of the golden eagle 's carpets 
this is an interesting movie ! '' 
's really sad 
it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries 
in the new guy , even the bull gets recycled . 
imagination and authentic christmas spirit 
vivid , thoughtful , unapologetically raw coming-of-age tale 
hollywood has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff . 
the sheer joy and pride they took in their work -- and in each other -- 
director peter kosminsky 
hollywood expects people to pay to see it 
true events 
a remarkable and novel 
if tragic ) 
it 's splash without the jokes . 
insurance company office 
feels homogenized and a bit contrived , 
a key strength in its willingness to explore its principal characters with honesty , insight and humor 
become expert fighters 
is ultimately about as inspiring as a hallmark card . 
runs for only 71 minutes and feels like three hours 
shrewd and effective film 
do in this marvelous film 
tongue-in-cheek 
forged in still-raw emotions 
a lumbering , wheezy drag 
of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan '' 
so , hopefully , this film will attach a human face to all those little steaming cartons . 
is labored 
sassy 
in an independent film of satiric fire and emotional turmoil 
did we really need a remake of `` charade ? '' 
plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults 
you can taste it , 
finds its moviegoing pleasures 
that goes nowhere and goes there very , very slowly 
for a film about explosions and death and spies , `` ballistic : ecks vs. sever '' seems as safe as a children 's film . 
his usual intelligence and subtlety 
compelling and horrifying 
say the obvious : abandon all hope of a good movie ye who enter here 
an amusing little catch 
misogyny 
lacks a sense of dramatic urgency 
eighth-grader 
an interesting story of pointed personalities , courage , tragedy and the little guys 
which never reach satisfying conclusions 
of pure craft and passionate heart 
gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill . 
hackneyed , threadbare comic setups 
dull , dumb and derivative horror 
keep the extremes of screwball farce and blood-curdling family intensity on one continuum 
a tale full of nuance and character dimension 
seem disappointing in its generalities 
had gone in for pastel landscapes . 
the waste of a good cast 
need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work 
's back in form , with an astoundingly rich film 
headline-fresh thriller 
a solid , psychological action film from hong kong . 
this movie ... does n't deserve the energy it takes to describe how bad it is . 
a part of its grand locations 
schmaltzy 
frustrates and captivates 
oversexed , at times overwrought comedy/drama 
it from the bland songs to the colorful but flat drawings 
brings out the allegory with remarkable skill 
amy and matthew have a bit of a phony relationship 
filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy 
is an accomplished actress 
bogs down in rhetoric and cliché 
landmark 
me want to scream 
the laughs 
are both superb 
is all awkward , static , and lifeless rumblings 
it gives devastating testimony to both people 's capacity for evil and their heroic capacity for good . 
wholesome 
uncanny skill in getting under the skin of her characters 
fare , with enough creative energy and wit to entertain all ages . 
works so well for the first 89 minutes , but ends so horrendously confusing 
detailed performances 
but the performances of pacino , williams , and swank keep the viewer wide-awake all the way through . 
is why i have given it a one-star rating 
feel my eyelids ... getting ... very ... 
it 's nowhere near as good as the original . 
stuff to stand tall with pryor , carlin and murphy 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude , the only thing that i ever saw that was written down were the zeroes on my paycheck . 
just does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy . 
that asks you to not only suspend your disbelief but your intelligence as well 
the first fatal attraction 
party-hearty 
gates 
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them , 
struggle 
of a well-made pizza 
a heck of a ride 
a few tasty morsels under your belt 
a sheer unbridled delight in the way 
we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground . 
eloquent ( meditation ) on death and 
a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
is almost nothing in this flat effort that will amuse or entertain them , either 
both leads are up to the task 
a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions 
lee 's achievement 
slow . 
into the sort of heartache everyone 
an eventual cult classic 
suffers from unlikable characters and a self-conscious sense 
it 's sort of in-between 
, this thriller is too loud and thoroughly overbearing 
suffered through the horrible pains of a death by cancer 
is not unlike watching a glorified episode of `` 7th heaven . '' 
than spiffy bluescreen technique and stylish weaponry 
cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
feel-good territory 
it will warm your heart , and i 'm giving it a strong thumbs up 
` masterpiece ' and ` triumph ' 
much-needed levity 
this story of a determined woman 's courage to find her husband in a war zone 
an immensely entertaining look at some of the unsung heroes of 20th century 
's a slow study : the action is stilted and the tabloid energy embalmed . 
a surprisingly funny movie 
mediocre one 
the match that should be used to burn every print of the film 
a quietly moving 
need n't waste their time on it 
observed character piece . 
is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama 
an interesting controversy 
they prove more distressing than suspenseful . 
hugely entertaining 
is cloudy , the picture making becalmed . 
marking the slow , lingering death of imagination 
dullness 
a kick 
ultimately you 'll leave the theater wondering why these people mattered 
unimaginative and 
one that attempts and often achieves a level of connection and concern 
to call this one an eventual cult classic would be an understatement 
versace 
the satire is unfocused , while the story goes nowhere . 
quite the career peak 
worth a look 
can argue that the debate it joins is a necessary and timely one 
true emotional connection or identification frustratingly 
you to watch people doing unpleasant things to each other and themselves 
educates viewers with words and pictures 
with nothing but a savage garden music video on his resume , he has no clue about making a movie 
at how clever it 's being 
perfectly acceptable , occasionally very enjoyable 
it is instructive 
bad and baffling 
high-minded snoozer . 
one helluva singer 
comes off as a pale successor . 
have much panache , but with material this rich it does n't need it 
something must have been lost in the translation . 
with its parade of almost perpetually wasted characters ... margarita feels like a hazy high that takes too long to shake . 
rather less than the sum of its underventilated père-fils confrontations . 
of hollywood fluff 
mr. caine and mr. fraser are the whole show here , with their memorable and resourceful performances . 
to faith and rainbows 
fascinating study 
cheeky 
so formulaic and forgettable that it 's hardly over before it begins to fade from memory 
an athlete , a movie star 
championship 
he 's willing to express his convictions 
emphasizing 
itself are little more than routine . 
that could make a person who has lived her life half-asleep suddenly wake up and take notice 
terrorists are more evil than ever ! 
was more melodramatic 
it ultimately satisfies with its moving story 
guessing plot and an affectionate 
a perverse , dangerous libertine and agitator -- which would have made for better drama 
admitted egomaniac 
because the intelligence level of the characters must be low , very low , very very low , for the masquerade to work 
's no palpable chemistry between lopez and male lead ralph fiennes 
constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense 
's an interesting effort ( particularly for jfk conspiracy nuts ) 
overwhelm what is left of the scruffy , dopey old hanna-barbera charm 
live up to material 
follow the same blueprint from hundreds of other films , sell it to the highest bidder and 
which makes its message resonate . 
the film desperately sinks further and further into comedy futility . 
titillating 
aplenty 
morally alert 
richly detailed , deftly executed and utterly absorbing 
what the english call ` too clever by half 
is to be mesmerised . 
the abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste -- the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here . 
for all the dolorous trim 
hell 
introduces you to new , fervently held ideas and fanciful thinkers 
its occasional charms 
from his usual bumbling , tongue-tied screen persona 
although god is great addresses interesting matters of identity and heritage 
on the soullessness of work 
glows with enthusiasm , sensuality and a conniving wit 
, the characters move with grace and panache 
stifles creativity 
amusedly 
repellent to fully endear itself to american art house audiences , 
comes off more like a misdemeanor , a flat , unconvincing drama that never catches fire 
been , pardon the pun , sucked out and replaced by goth goofiness 
kinky fun 
delight your senses and crash this wedding ! 
a technical triumph and an extraordinary 
plot holes 
is nearly incoherent 
amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor . 
too long with too little 
it 's a pity that ( nelson 's ) achievement does n't match his ambition 
score points for political correctness 
the script , the gags , the characters are all direct-to-video stuff , and 
gutsy and perfectly 
, endearing 
have saved this film a world of hurt 
what makes barbershop so likable 
let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists 
represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy . 
watch them clumsily mugging their way through snow dogs 
a perfect example of rancid , well-intentioned , but shamelessly manipulative movie making 
, what an idea , what a thrill ride . 
hugh grant , who has a good line in charm , 
one of the best films i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense . 
unadorned 
less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably 
what jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
is one of this year 's very best pictures . 
is flat 
pair that with really poor comedic writing 
by some cynical creeps at revolution studios and imagine entertainment 
far superior 
almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
enjoyable trifle 
emerges in the front ranks of china 's now numerous , world-renowned filmmakers 
moonlight mile does n't quite go the distance 
does n't ignore the more problematic aspects of brown 's life . 
it 's been hyped to be because it plays everything too safe 
unnoticed 
a movie that 's held 
smartly and wistfully 
enervating determination 
a man has made about women since valley of the dolls 
little more than a mall movie designed to kill time 
significantly less charming than listening to a four-year-old with a taste for exaggeration 
becomes just another voyeuristic spectacle 
the leads we are given here are simply too bland to be interesting . 
hugely enjoyable film 
effort to watch this movie 
delivering oscar-caliber performances 
it 's a setup so easy it borders on facile , but keeping the film from cheap-shot mediocrity is its crack cast . 
of the dramatic conviction that underlies the best of comedies 
terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase 
delightful , well-crafted family film 
with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set 
the mothman prophecies , which is mostly a bore , 
and the positive change in tone here seems to have recharged him . 
those exceedingly rare films 
that works 
topics that could make a sailor blush - but lots of laughs 
a decent tv outing 
embraces its old-fashioned themes 
's just tediously bad , something to be fully forgotten 
as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- 
unbearably 
the film comes off winningly , even though it 's never as solid as you want it to be 
return to never land is much more p.c. than the original version ( no more racist portraits of indians , for instance ) , but the excitement is missing . 
stylistic austerity and forcefulness 
the most enchanting film of the year 
eddie murphy and owen wilson have a cute partnership in i spy , but the movie around them is so often nearly nothing that their charm does n't do a load of good 
as far as these shootings are concerned , something is rotten in the state of california 
its need to reassure 
that captures the innocence and budding demons within a wallflower 
limply between bizarre comedy and pallid horror 
stunning fusion 
slight but sweet 
's packed with just as much intelligence as action 
charming the masses with star power , a pop-induced score and sentimental moments 
cinematic pollution 
's too loud to shout insults at the screen 
extremely bad . 
taking the effort to share his impressions of life and loss and time and art with us 
such a well loved classic 
, who approaches his difficult , endless work with remarkable serenity and discipline . 
hard to be mythic 
's a road-trip drama with too many wrong turns . 
mishandled here 
above all 
the awfulness of the movie 
rises to its clever what-if concept . 
with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling . 
a crescendo that encompasses many more paths than we started with 
there is one word that best describes this film : honest . 
a weird fizzle 
superior moral tone 
have a good time as it doles out pieces of the famous director 's life 
to nail the spirit-crushing ennui of denuded urban living without giving in to it 
utter mush 
sad , sordid universe 
best possible senses 
two marvelously 
from the demented mind 
encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale 
have been a sketch on saturday night live 
looks neat 
feels like a prison stretch . 
like vardalos and corbett , who play their roles with vibrant charm 
a non-stop funny feast 
, it 's still entertaining to watch the target practice . 
conceptually brilliant 
leather pants & 
candid , archly funny and deeply authentic take 
wonder of wonders 
banged their brains into the ground so frequently 
can easily be considered career-best performances 
begins on a high note and sustains it beautifully 
can say 
good looks 
you 'll be rewarded with some fine acting . 
the girls-behaving-badly film has fallen 
still has a sense of his audience 
as temptingly easy as it would have been with this premise 
if festival in cannes nails hard - boiled hollywood argot with a bracingly nasty accuracy , much about the film , including some of its casting , is frustratingly unconvincing . 
half-assed 
the right movie comes along , especially if it begins with the name of star wars 
than to change hackneyed concepts when it comes to dreaming up romantic comedies 
a compelling story of musical passion 
intelligent , caustic 
for teens to laugh , groan and hiss 
comes with the laziness and arrogance of a thing that already knows it 's won . 
ending surprise 
were n't such a clever adaptation of the bard 's tragic play 
features a standout performance by diane lane 
makes the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem , and not strictly in the knowledge imparted . 
toes the fine line between cheese and earnestness remarkably well 
no big whoop , nothing new to see 
the rollerball sequences feel sanitised and stagey . 
anonymous chiller 
, indie trick 
a human volcano or an overflowing septic tank 
this alleged psychological thriller in search of purpose or even a plot 
aging , suffering 
works well enough , since the thrills pop up frequently 
bronze 
is a fascinating film 
uninvolving storytelling 
bordering on confessional 
of the film buzz and whir ; very little of it 
his character 's deceptions ultimately undo him 
effective moments 
earnest moment 
you bask in your own cleverness as you figure it out 
invigorating , surreal , and resonant with a rainbow of emotion . 
spectacular 
a zombie movie in every sense of the word -- mindless , lifeless , meandering , loud , painful , obnoxious 
feel of a bunch of strung-together tv episodes . 
an exploration that is more accurate than anything i have seen in an american film 
somber , absurd , and , finally , 
also happens to be good 
what 's infuriating about full frontal is that it 's too close to real life to make sense . 
if i said my ribcage did n't ache by the end of kung pow 
sincere acting 
deep , uncompromising 
he has no character , loveable or otherwise 
pretends to be passionate and truthful but 
a `` home alone '' film that is staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films . 
makes us watch as his character awakens to the notion that to be human is eventually to have to choose 
are pushed to their most virtuous limits , lending the narrative an unusually surreal tone . 
eastwood 's loyal fans 
has been allowed to get wet , fuzzy and sticky 
that upends nearly every cliché 
a movie with no reason for being 
the most fluent of actors 
sit through than this hastily dubbed disaster 
expert fighters 
is n't nearly as captivating as the rowdy participants think it is . 
dreary and overwrought 
the characters are too simplistic to maintain interest 
feel sanitised and stagey . 
meandering and pointless 
a story that puts old-fashioned values under the microscope 
the frequent allusions to gurus and doshas will strike some westerners as verging on mumbo-jumbo 
enjoyed the thrill of the chill 
glows 
splash without the jokes 
of its gaudy hawaiian shirt 
the riveting performances by the incredibly flexible cast 
far more alienating than involving 
uncool the only thing missing is the `` gadzooks 
café 
( a ) strong piece of work 
a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera 
sweet and sexy 
a moving tale 
that remains vividly in memory long 
is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film . 
coming-of-age theme 
as well as rank frustration from those in the know about rubbo 's dumbed-down tactics 
huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people 
that we feel as if we 're seeing something purer than the real thing 
the new film of anton chekhov 's the cherry orchard puts the ` ick ' in ` classic . ' 
this supposedly funny movie 
full-bodied 
it churns up not one but two flagrantly fake thunderstorms to underscore the action 
writer-director stephen gaghan has made the near-fatal mistake of being what the english call ` too clever by half . ' 
crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy . 
most enchanting 
as musty as one of the golden eagle 's carpets 
a touching , small-scale story 
a muddy psychological thriller 
due to its rapid-fire delivery and enough inspired 
any real emotional impact 
seem so real in small doses 
the best of both worlds 
an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood 
captivatingly quirky hybrid 
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , 
with a solid cast , 
weird and wonderful 
is that it 's a rock-solid little genre picture . 
's not bad prose 
to capture these musicians in full regalia 
huge fan 
a predictable connect-the-dots course 
` fatal attraction ' for the teeny-bopper set 
faith in the future 
crap like this 
complex , 
flatly 
the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack 
is a subzero version of monsters , inc. , without the latter 's imagination , 
many talented people 
the abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste -- 
somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
a marvel 
just unlikable . 
are left with a handful of disparate funny moments of no real consequence . 
of teen-speak and animal gibberish 
a tired , unimaginative and derivative variation of that already-shallow genre . 
driven by appealing leads 
the cast is phenomenal , especially the women . 
`` soon-to-be-forgettable '' section 
anchoring performance 
a glorified sitcom , and 
costner 's 
quirky , charming and often hilarious 
mediocrity 
esoteric 
the same old silliness 
yields surprises 
have been picked not for their acting chops , but for their looks 
a terrific screenplay 
definitely worth 
capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance . 
emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds 
a loathsome movie 
hubert with a mixture of deadpan cool , wry humor and just the measure 
songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time . 
dead 
enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins 
real-time rhythms 
elegant , mannered and teasing 
aggravating 
an excruciating demonstration of the unsalvageability of a movie saddled with an amateurish screenplay . 
unlikeable people 
of naiveté and sophistication 
a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life 
lan yu is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery . 
a canny crowd pleaser , and the last kiss ... 
louiso lets the movie dawdle in classic disaffected-indie-film mode , and brother hoffman 's script stumbles over a late-inning twist that just does n't make sense 
's not enough substance here 
is a hoot 
to keep things interesting 
feeble 
it well worth watching 
all end in someone screaming 
... a cheap , ludicrous attempt at serious horror . 
viewed and treasured 
, surrealistic moments 
welcomes a dash of the avant-garde fused with their humor 
leave you cold 
that educates viewers with words and pictures while entertaining them 
overwrought comedy/drama 
hate ( madonna ) within the film 's first five minutes 
so much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened . 
distasteful and downright creepy 
funny documentary 
deep intelligence 
a cold blanket 
the nicest thing 
you care about the characters 
more enjoyable than its predecessor . 
so muddled , repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker 's characteristic style 
're at the right film 
an interesting look 
pulling on heartstrings 
is 75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie . 
true to its animatronic roots : ... as stiff , ponderous and charmless as a mechanical apparatus 
the service of a limpid and conventional historical fiction 
need to be invented to describe exactly how bad it is 
i encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale -- you wo n't be sorry ! 
oscar-caliber 
nothing better to do with 94 minutes 
're over 25 , have an iq over 90 , 
uninventive 
is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . 
the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks 
the hastily and amateurishly 
becomes a tiresome cliché 
is simply no doubt that this film asks the right questions at the right time in the history of our country . 
distinctive 
engaging storyline 
is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen 
a surgeon mends 
's better than one might expect when you look at the list of movies starring ice-t in a major role . 
a terrific role 
too many barney videos 
is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer 
a flood of emotion 
the work of an exhausted , desiccated talent who ca n't get out of his own way . 
, with some glimpses of nature and family warmth , time out is a discreet moan of despair about entrapment in the maze of modern life . 
overacted 
begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters . 
kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them 
it could become a historically significant work as well as a masterfully made one 
it is impossible to think of any film more challenging or depressing than the grey zone 
's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale 
gives one of his most daring , and complicated , performances 
paul bettany is good at being the ultra-violent gangster wannabe 
inhabit that special annex of hell where adults behave like kids 
'll cheer 
typical junkie opera 
change hackneyed concepts when it comes to dreaming up romantic comedies 
we 're looking back at a tattered and ugly past with rose-tinted glasses 
, this is a movie that tells stories that work -- is charming , is moving 
the stories work and 
slumming 
very ambitious 
scene-chewing 
amuse even 
having sucked dry the undead action flick formula 
more than a bait-and-switch 
the comic possibilities 
who mourns her tragedies in private and embraces life in public 
a much more successful translation than its most famous previous film adaptation , writer-director anthony friedman 's similarly updated 1970 british production . 
there 's surely something wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits . 
to endure instead of enjoy 
it might deliver again and again 
enough to keep you interested without coming close to bowling you over 
guessing plot and 
cold , oddly colorful and just plain otherworldly 
lurid 
... in trying to capture the novel 's deeper intimate resonances , the film has -- ironically - distanced us from the characters . 
another boorish movie from the i-heard-a-joke 
from a flat script and a low budget 
a movie version of a paint-by-numbers picture . 
match their own creations for pure venality -- that 's giving it the old college try 
the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense 
glossy melodrama 
some flashy twists 
of a great one 
another classic for the company 
an inspired portrait of male-ridden angst and 
an artist who is simply tired -- 
freakish 
cascade over the screen effortlessly 
straightforward , emotionally honest 
with slow pacing 
'm not exactly sure what -- and has all the dramatic weight of a raindrop 
a bravura performance 
discovering your destination in life 
, it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies . 
, banter-filled comedy 
needed . 
average , at best , i 'm afraid . 
an attempt to do something different over actually pulling it off 
tiresomely derivative and hammily acted . 
, political intrigue , partisans and sabotage 
the performances by harris , phifer and cam ` ron seal the deal 
want to be jolted out of their gourd 
directed with purpose and finesse 
timeless and universal tale 
stories work 
through 300 hundred years of russian cultural identity and a stunning technical achievement 
the more outrageous bits achieve a shock-you-into-laughter intensity of almost dadaist proportions . 
may have been born to make 
quaid is utterly fearless as the tortured husband living a painful lie , 
first-timer 
pubescent 
staggers 
fizzle 
of cliches that the talented cast generally 
fast-paced and wonderfully edited , the film is extremely thorough . 
thoroughly enjoyed themselves 
feels uncomfortably real , 
a performance that is masterly 
has been written so well , that even a simple `` goddammit ! 
there must be an audience that enjoys the friday series , but i would n't be interested in knowing any of them personally 
it 's a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding . 
then expects us to laugh because he acts so goofy all the time 
is found in its ability to spoof both black and white stereotypes equally . 
while the third feels limited by its short running time 
it has its moments 
it might have held my attention , 
much worse than bland or 
solidly constructed , entertaining thriller 
, pristine style and bold colors make it as much fun as reading an oversized picture book before bedtime . 
because of the way it allows the mind to enter and accept another world 
rich details 
breakdown 
by an angel simplicity 
helps create a complex , unpredictable character 
has waited three years with breathless anticipation for a new hal hartley movie to pore over 
can only be described as sci-fi generic 
it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool . 
that same option to slap her creators because they 're clueless and inept 
you 'll be as bored watching morvern callar as the characters are in it 
monumental 
must go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
not exaggerated enough 
interest can not be revived . 
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : 
can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good . ' 
newcastle , the first half of gangster no. 1 drips with style and , at times , blood 
no means a slam-dunk 
it says far less about the horrifying historical reality than about the filmmaker 's characteristic style 
could be so light-hearted ? 
that i truly enjoyed most of mostly martha while i ne 
is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama 
senseless 
unaware that it 's the butt of its own joke 
manages to sustain a good simmer for most of its running time 
can feel the love . 
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and 
has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances . 
recommend big bad love only 
the resourceful molly 
a vile , incoherent mess 
thoughtful screenplay 
parental units 
as pure over-the-top trash , any john waters movie has it beat by a country mile . 
invitingly upbeat overture 
is by far the worst movie of the year 
is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work 
hotter-two-years-ago rap and r&b names and references 
can take the grandkids or the grandparents 
to the gifted korean american stand-up 
, it actually hurts to watch . 
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... 
not a trace 
an unendurable viewing experience 
a more than satisfactory amount of carnage 
otherwise drowns in a sea of visual and verbal clichés 
we 've seen it all before in one form or another , but director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world 's greatest teacher 
a cast of competent performers from movies , television and the theater 
the overall result is an intelligent , realistic portrayal of testing boundaries . 
few films have been this odd , inexplicable and unpleasant . 
- i also wanted a little alien as a friend ! 
terrific b movie 
whole family 
it is ok for a movie to be something of a sitcom apparatus , 
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but , with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it . 
is energized by volletta wallace 's maternal fury , her fearlessness 
is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie 
both times 
a thoughtful what-if for the heart as well as the mind . 
, fetishistic violence 
bombshell documentary 
we never truly come to care about the main characters and whether or not they 'll wind up together 
a misdemeanor , a flat , unconvincing drama that never catches fire 
high note 
the charming result 
also happens to be the movie 's most admirable quality 
toilet humor 
smart , sassy interpretation of the oscar wilde play 
are surprising in how much they engage and even touch us . 
too many characters saying too many clever things and getting into too many pointless situations 
make several runs to the concession stand and/or restroom and 
see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original 
perfect quiet pace 
with the waldo salt screenwriting award 
a vivid imagination and an impressive style 
here is a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation . 
's never too late to believe in your dreams . 
of corny dialogue and preposterous moments 
needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they wo n't much care about 
it is to be ya-ya 
is degraded , handheld blair witch video-cam footage . 
self-deprecating comedy 
that makes it attractive throughout 
the cinematic equivalent of patronizing a bar favored by pretentious , untalented artistes who enjoy moaning about their cruel fate . 
wasted nearly two hours of your own precious life 
's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts 
is really frustratingly timid and soggy 
even better than the fellowship 
in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
by this tired retread 
a give-me-an-oscar kind 
is prime escapist fare . 
first-rate performance 
sit back and enjoy a couple of great actors hamming it up 
, but if you liked the previous movies in the series , you 'll have a good time with this one too . 
forget about it by monday 
weird . 
both people 's capacity for evil and their heroic capacity for good 
is heartfelt and hilarious in ways you ca n't fake . 
has some of the best special effects ever 
what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
the movie deals with hot-button issues in a comedic context 
actually improves upon the original hit movie 
dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
generally amusing from time 
lame comedy . 
a rock-solid gangster movie 
necessary viewing for sci-fi fans 
smarter and more unnerving than the sequels 
grand picture 
was going to be really awful 
nicely combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream . ' 
squanders its beautiful women 
it is a remarkably original work . 
childlike smile 
brave and sweetly 
no real surprises 
gangster no. 1 drips 
sleep-inducingly slow-paced crime drama 
a waterlogged version of ` fatal attraction ' for the teeny-bopper set 
the result is somewhat satisfying 
directs this film always keeping the balance between the fantastic and the believable 
, triumphant , 
a nice album 
confidently 
except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes 
an emotionally and spiritually compelling journey seen through the right eyes , with the right actors and with the kind of visual flair that shows what great cinema can really do . 
the script 's endless assault 
moving experience 
it can easily worm its way into your heart . ' 
it 's badder than bad . 
is an enjoyable big movie 
, well , funnier . 
little excitement 
seen to better advantage on cable , especially considering its barely 
paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip . 
it 's definitely a step in the right direction . 
electrocute and dismember their victims in full consciousness 
interesting both as a historical study and as a tragic love story . 
wonderful as the long-faced sad sack 
fun with it 
twenty-first 
a genius 
real situations and characters 
the movie weighs no more than a glass of flat champagne . 
light-years ahead of paint-by-number american blockbusters like pearl harbor , at least artistically . 
pathetically compare notes about their budding amours 
the genuinely funny jokes 
worth sitting through 
( or worth rooting against , for that matter ) 
's because the laughs come from fairly basic comedic constructs 
a fascinating little tale 
skilfully 
the notion of deleting emotion from people , even in an advanced prozac nation 
is an interesting exercise by talented writer/director anderson 
the jokes , most at women 's expense 
laid back 
despite modest aspirations 
you 're a struggling nobody 
'll be white-knuckled and unable to look away 
as the mediterranean sparkles , ` swept away ' sinks . 
plunges you into a reality that is , more often then not , difficult and sad , 
an unsettling picture 
is the last thing any of these three actresses , nor their characters , deserve 
opera on film is never satisfactory . 
uses his usual modus operandi of crucifixion 
a worthwhile addition to a distinguished film legacy 
one of the most entertaining monster movies in ages 
very compelling tale 
distasteful and 
it 's a visual rorschach test and i must have failed 
's really so appealing about the characters 
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock 
russian cultural identity and a stunning technical achievement 
about existential suffering 
, it will be well worth your time . 
the land 
might actually want to watch 
it collapses into exactly the kind of buddy cop comedy 
no affinity 
of charm 
mesmerize , astonish and entertain 
is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents 
nijinsky says , ' i know how to suffer ' and if you see this film you 'll know too . 
the story simply putters along looking for astute observations and coming up blank . 
to be running on hypertime in reverse as the truly funny bits 
begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
sometimes exceptional film 
clarity and 
mindless yet impressively lean spinoff of last summer 's bloated effects fest the mummy returns . 
laughter and self-exploitation 
mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived . 
a smart , provocative drama that does the nearly impossible : 
disintegrating bloodsucker computer effects and 
exceptionally dreary and overwrought 
a coming-of-age tale 
, vulgar is , truly and thankfully , a one-of-a-kind work . 
maintains an appealing veneer 
because the intelligence level of the characters must be low , very low , very very low , for the masquerade to work , the movie contains no wit , only labored gags . 
had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine 
interesting in unfaithful 
is such a sweet and sexy film 
probably one of the best since the last waltz 
melds derivative elements into something that is often quite rich and exciting , and always a beauty to behold 
the most opaque , self-indulgent and just plain goofy an excuse for a movie as you can imagine . 
it feels like a glossy rehash . 
exhibits the shallow sensationalism characteristic of soap opera ... more salacious telenovela than serious drama 
the movie ends with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie . 
re-fried green tomatoes 
keep the story compelling 
feeling this movie 
overexposed waste 
demonstrating vividly that the beauty and power of the opera reside primarily in the music itself 
is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once 
far more stylish and 
's always fascinating to watch marker the essayist at work . 
while it 's all quite tasteful to look at , the attention process tends to do a little fleeing of its own . 
, unimaginative and derivative 
most disappointing woody allen movie 
a poignant comedy that offers food for 
is like binging on cotton candy 
's depressing to see how far herzog has fallen 
to the filmmakers , ivan is a prince of a fellow , but he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit . 
milder is n't better 
they could n't have done in half an hour 
exploiting it yourself 
an amateurish screenplay 
point and purpose 
leave you wanting more , 
moaning about their cruel fate 
melancholy 
there is almost nothing in this flat effort that will amuse or entertain them , either . 
stale and 
sorority boys is a bowser . 
there 's undeniable enjoyment to be had from films crammed with movie references , but the fun wears thin -- then out -- when there 's nothing else happening 
the plot is paper-thin and the characters are n't interesting enough to watch them go about their daily activities for two whole hours . 
would not improve much after a therapeutic zap of shock treatment 
violated 
the courage of its convictions and excellent performances on its side 
stirs us as well 
smothered in the excesses of writer-director roger avary 
the pretensions -- and disposable story -- sink the movie . 
born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues 
de niro 's right-hand goombah 
right choice 
are remarkable 
marshall keeps the energy humming , 
bad bear suits 
to whet one 's appetite for the bollywood films 
come from philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron . 
there 's some good material in their story about a retail clerk wanting more out of life , but the movie too often spins its wheels with familiar situations and repetitive scenes 
the three leads produce adequate performances , but what 's missing from this material is any depth of feeling 
seriously , folks , it does n't work . 
stunning technical achievement 
it plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting . 
the brim with ideas 
iles 
some charm and heart 
there are flaws , but also stretches of impact and moments of awe ; we 're wrapped up in the characters , how they make their choices , and why 
contrived plot points 
awakening and 
, mr. schnitzler proves himself a deft pace master and stylist . 
deem it necessary to document all this emotional misery 
is too busy hitting all of its assigned marks to take on any life of its own 
a strength 
that appeals to me 
naive dreams 
a better celebration of these unfairly dismissed heroes would be a film that is n't this painfully forced , false and fabricated . 
about an adult male dressed in pink jammies 
, laissez-passer has all the earmarks of french cinema at its best . 
shorter than the first ( as best i remember ) , but still a very good time at the cinema 
though harris is affecting at times , he can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities . 
little wit 
, his secret life will leave you thinking 
the still-inestimable contribution they have made to our shared history 
at its laziest 
its worst harangues 
miracles , 
a dull , simple-minded and stereotypical tale of drugs , death and mind-numbing indifference on the inner-city streets . 
nothing short of refreshing 
there 's nothing remotely topical or sexy here . 
be about everything that 's plaguing the human spirit in a relentlessly globalizing world 
see all summer 
as scary-funny as tremors 
a captivatingly quirky hybrid 
a wonderful film to bring to imax 
an intelligently made ( and beautifully edited ) picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch . 
both a detective story and a romance spiced with the intrigue of academic skullduggery and politics . 
gibberish 
you find comfort in familiarity 
rises above the level of a telanovela . 
naqoyqatsi ' is banal in its message and the choice of material to convey it . 
, however entertainingly presented , 
a sour attempt 
astounds . 
point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . 
its perfunctory conclusion 
engage and even touch us 
loved classic 
transformed star 
employs an accent that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british . 
from a sharper , cleaner script 
find it baffling 
by now intolerable morbidity 
of a director enjoying himself immensely 
in a dysfunctional family 
shreve 's graceful dual narrative gets clunky on the screen , 
feels like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form . 
farts , urine , 
the lousy john q all but spits out denzel washington 's fine performance in the title role . 
unexpected , and often contradictory , truths emerge . 
my advice is to skip the film and pick up the soundtrack . 
greatest 
idiotic and ugly 
utterly transcend gender 
cinema fans 
where you expect and often surprises you with unexpected comedy 
talented performers 
does n't make sense 
some unnecessary parts 
is just too easy to be genuinely satisfying . 
would be a film that is n't this painfully forced , false and fabricated 
the slightest difficulty accepting him in the role 
hooks us 
, nicholas nickleby is too much like a fragment of an underdone potato . 
more accurate than anything 
has the courage of its convictions and excellent performances on its side 
no organic intrigue 
tardier 
short and sweet , but also more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations . 
grab you 
of entertainment that parents love to have their kids 
slight and uninventive 
'll stay with the stage versions , however , which bite cleaner , and deeper 
hedonistic creativity 
benefit enormously 
, i hate it . 
high crimes is a cinematic misdemeanor 
the performances are worthwhile . 
kwan is a master of shadow , quietude , and room noise , and lan yu is a disarmingly lived-in movie 
unsurprisingly 
see this turd squashed under a truck , preferably a semi 
irritating ( at least to this western ear ) , 
try to create characters out of the obvious cliches , but wind up using them as punching bags . 
ripe recipe , inspiring 
there , done that ... a thousand times already , and better 
the pantheon of the best of the swashbucklers 
visual splendor that can be seen in other films 
the densest distillation of roberts ' movies ever made . 
love it ... hell , i dunno . 
that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing 
solid , satisfying fare for adults 
is awe and affection -- and a strange urge to get on a board and , uh , shred , dude . 
a wish your heart makes 
totalitarian 
in a shabby script 
of abuse 
renner carries much of the film with a creepy and dead-on performance . 
a seriously bad film with seriously warped logic by writer-director kurt wimmer at the screenplay level . 
are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life . 
its weighty themes are too grave for youngsters , 
reggio and glass so rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby . 
lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire 
probably the best case for christianity since chesterton and lewis 
stifling morality tale 
been slimed in the name of high art 
it happens to flat characters 
the ridiculous dialog or the oh-so convenient plot twists 
that really tells the tale 
oscar-worthy 
for its excellent storytelling , its economical , compressed characterisations and for its profound humanity 
it 's still a good yarn -- which is nothing to sneeze at these days . 
interesting storytelling devices 
much to it 
cliche pileup 
coming from a director beginning to resemble someone 's crazy french grandfather 
the updated dickensian sensibility of writer craig bartlett 's story 
is left with a sour taste in one 's mouth , and little else 
trapped presents a frightening and compelling ` what if ? ' 
a dumb , fun , curiously adolescent movie this 
its originality 
realize that deep inside righteousness can be found a tough beauty 
spy kids 2 also happens to be that rarity among sequels : it actually improves upon the original hit movie 
you can taste it , but there 's no fizz . 
not all of the stories work and the ones that do are thin and scattered , but the film works well enough to make it worth watching . 
patent solutions to dramatize life 's messiness from inside out , in all its strange quirks 
the movie is widely seen and debated with appropriate ferocity and thoughtfulness 
is something of a triumph 
is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip 
lisa rinzler 's cinematography may be lovely , 
who 's seen george roy hill 's 1973 film , `` the sting 
a half dozen 
expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women 
thanks to kline 's superbly nuanced performance , that pondering 
abridged edition 
your entertainment standards 
finds amusing juxtapositions that justify his exercise 
of genuine insight into the urban heart 
the film is impressive for the sights and sounds of the wondrous beats the world has to offer . 
is a fascinating little tale 
anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
doze off for a few minutes 
good news to anyone 
murder by numbers just does n't add up . 
as delicately calibrated in tone 
the bullseye 
is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance . 
may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear . 
its real emotional business 
dull effects 
washington demands and receives excellent performances 
the whole movie is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well . 
humor and lightness 
provide an emotional edge 
, the director uses the last act to reel in the audience since its poignancy hooks us completely . 
find a movie character more unattractive or odorous ( than leon ) 
's not a bad premise , just a bad movie . 
in entertaining 
a captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller . 
can tell you that there 's no other reason why anyone should bother remembering it . 
its gentle , touching story 
assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off 
sweet spirit 
where the characters ' moves are often more predictable than their consequences 
is just lazy writing 
an entirely stale concept 
a self-reflexive , philosophical nature 
the outstanding soundtrack 
sharp script 
has been trying to pass off as acceptable teen entertainment for some time now . 
particularly funny 
can overcome bad hair design 
will stand in future years as an eloquent memorial to the world trade center tragedy 
the head of the class of women 's films 
naturally funny 
it includes a fair share of dumb drug jokes and predictable slapstick 
awed 
how i killed my father compelling 
apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note 
i know i should n't have laughed , but hey , those farts got to my inner nine-year-old . 
relies on toilet humor , ethnic slurs . 
misconstrued 
ms. seigner and mr. serrault bring fresh , unforced naturalism to their characters . 
suffers from over-familiarity since hit-hungry british filmmakers 
is icily brilliant 
just might turn on many people to opera , in general 
, are crisp and purposeful without overdoing it 
is hard to dismiss -- moody , thoughtful , and 
cheap , 
a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies 
is a hoot , and 
be called the best korean film of 2002 
to match the ordeal of sitting through it 
grossly 
is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction . 
to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism 
the dull effects 
too many scenes toward the end that should move quickly 
has rewards 
be a movie that ends up slapping its target audience in the face by shooting itself in the foot 
created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history 
there is n't one moment in the film that surprises or delights . 
fascinating connections 
not quite as miraculous as its dreamworks makers would have you believe 
time out 
that the answer is as conventional as can be 
foul-natured 
an almost unbearably morbid 
while i ca n't say it 's on par with the first one 
a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle 
is icily brilliant . 
as a well-made evocation 
works beautifully as a movie 
a so-so , made-for-tv something posing as a real movie . 
numbing experience to watch 
original character , siuation or joke 
is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday . 
is ultimately quite unengaging . 
steven shainberg 's adaptation 
puts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman . 
well-characterized 
this strenuously unfunny showtime deserves the hook . 
a pleasure to watch 
more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing 
the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families 
a triumph 
slash-fest 
a boring man , 
it does n't reach them , but the effort is gratefully received 
a new , self-deprecating level 
esteemed writer-actor 
a spotty script 
captivated 
phony 
scherfig 's light-hearted profile 
is wonderful . 
moments of promise 
slow down 
, despite several attempts at lengthy dialogue scenes , 
deft comic timing 
is a movie that refreshes the mind and spirit along with the body 
poorly paced you could fit all of pootie tang in between its punchlines 
cast is painful to watch 
, we 'd prefer a simple misfire . 
seems to elicit a chuckle 
by every human who ever lived : too much to do , too little time to do it in 
a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes 
is left with a sour taste in one 's mouth , and little else . 
, unlike those in moulin rouge , are crisp and purposeful without overdoing it 
the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart 
stinks so badly of hard-sell image-mongering you 
smash its face in 
's every bit as enlightening , insightful and entertaining as grant 's two best films 
there are deeply religious and spiritual people in this world who would argue that entering a church , synagogue or temple does n't mean you have to check your brain at the door . 
plays like a bad soap opera , 
captures the raw comic energy of one 
unaware that it 's the butt of its own joke . 
hilarious writer-director himself 
laugh-out-loud lines , 
their often heartbreaking testimony , spoken directly into director patricio guzman 's camera , 
top-notch action powers 
breaking new ground 
sensitive ensemble performances and 
throughout , mr. audiard 's direction is fluid and quick . 
a beautiful paean 
his rental car 
despite some charm and heart , this quirky soccer import is forgettable 
racial tension 
lost , leaving the character of critical jim two-dimensional and pointless 
you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget . 
thinking about going to see this movie 
woody allen has really found his groove these days . 
more than recycled jock 
by the final whistle you 're convinced that this mean machine was a decent tv outing that just does n't have big screen magic . 
our dismay 
you do n't need to be a hip-hop fan to appreciate scratch , 
elegant technology for the masses 
peppering this urban study with references to norwegian folktales , villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical . 
a distinctly mixed bag , the occasional bursts of sharp writing alternating with lots of sloppiness and the obligatory moments of sentimental ooze . 
's not nearly enough 
scoring 
has a built-in audience , but only among those who are drying out from spring break and are still unconcerned about what they ingest 
blisteringly rude , scarily funny , sorrowfully sympathetic to the damage it surveys , the film has in kieran culkin a pitch-perfect holden . 
reap more rewards 
it 's not very well shot or composed or edited 
dumb and 
authentic christmas spirit 
's exactly the kind of movie toback 's detractors always accuse him of making 
most savory and hilarious 
a celebrated wonder 
keep pushing the jokes at the expense of character until things fall apart 
the free-wheeling noir spirit 
delight 
rip-roaring comedy action 
populating its hackneyed and meanspirited storyline with cardboard characters and performers who 
it has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out . 
multi-character story 
a workable primer 
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions , 
slob 
keeping the picture compelling 
too busy 
a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery 
this is as lax and limp a comedy as i 've seen in a while , a meander through worn-out material . 
try to avoid 
so impersonal 
has enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess 
has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics 
there is plenty of room for editing , and 
this year 's razzie 
even more to think about after the final frame 
mature 
isabelle huppert excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries . 
properly spooky film 
new favorite musical 
how families can offer either despair or consolation 
appealing couple 
surprised 
that believing in something does matter 
cinematic punishment 
truly egregious 
all the more disquieting for its relatively gore-free allusions to the serial murders , but it falls down in its attempts to humanize its subject . 
parents beware ; 
the opposite of a truly magical movie 
shine through the gloomy film noir veil 
frantic 
liked it much better 
there 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups . 
the outdated clothes and plastic knickknacks 
it 's tough to watch , but it 's a fantastic movie 
exceptionally 
glucose sentimentality and 
film lapses 
most jaded 
bad and baffling from the get-go 
it 's still a comic book , but maguire makes it a comic book with soul 
howlingly trashy time 
's nowhere near as exciting as either 
have all the suspense of a 20-car pileup , 
rather thin moral 
splendid 
this misty-eyed southern nostalgia piece 
that one eventually resents having to inhale this gutter romancer 's secondhand material 
it 's simply stupid , irrelevant and deeply , truly , bottomlessly cynical . 
scare the pants off you 
like a badly edited , 91-minute trailer ( and ) 
tackling what seems like done-to-death material 
is a really special walk in the woods . 
spider-man is about growing strange hairs , getting a more mature body , and finding it necessary to hide new secretions from the parental units . 
terminally cute drama 
nuanced look 
druggy and self-indulgent , like a spring-break orgy for pretentious arts majors 
truly distinctive and a deeply pertinent film 
stiff and schmaltzy and clumsily 
even though her performance is more interesting ( and funnier ) than his 
, the movie winds up feeling like a great missed opportunity . 
falls down in its attempts to humanize its subject 
richard pryor mined his personal horrors and came up with a treasure chest of material , but 
is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure 
teeny-bopper 
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , 
you wo n't like looking at it 
's work as well as a remarkably faithful one 
classic satire 
the sword fighting is well done and auteuil is a goofy pleasure 
a delicious , quirky movie with a terrific screenplay and fanciful direction by michael gondry . 
its decrepit freaks 
pressed through kafka 's meat grinder and into buñuel 's casings 
as the way adam sandler 's new movie rapes 
have a great time 
a torrent 
darling band wilco 
an important movie , 
( the film 's ) taste for `` shock humor '' will wear thin on all but 
the plot has a number of holes , and at times it 's simply baffling . 
vapid actor 's exercise to appropriate the structure of arthur schnitzler 's reigen 
is frequently amusing 
who ca n't quite distinguish one sci-fi work from another 
many a parent and their teen ( or preteen ) kid could bond while watching a walk to remember . 
wannabe film -- without the vital comic ingredient of the hilarious writer-director himself . 
a superficial way , while never sure 
ambition 
that he 's spiffing up leftovers that are n't so substantial or fresh 
for controversy 
impostor ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies . 
prolonged extrusion 
the film retains ambiguities that make it well worth watching . 
4ever has the same sledgehammer appeal as pokemon videos , but 
interesting than any of the character dramas , which never reach satisfying conclusions 
to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today 
some episodes work , some do n't . 
is a cinematic misdemeanor 
about a couple of saps stuck in an inarticulate screenplay 
memories and one fantastic visual trope 
this is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer . 
is sure to give you a lot of laughs in this simple , sweet and romantic comedy 
for `` shock humor '' will wear thin on all 
mind , while watching eric rohmer 's tribute 
are easy to swallow thanks to remarkable performances by ferrera and ontiveros 
love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness 
what 's most offensive is n't the waste of a good cast 
a bad taste 
by the power and grace of one of the greatest natural sportsmen of modern times 
families and church meetings 
deserves an oscar nomination 
lan yu lacks a sense of dramatic urgency 
you find yourself praying for a quick resolution 
its funny , moving yarn that holds up well after two decades 
able to forgive its mean-spirited second half 
is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice 
that a movie can be as intelligent as this one is in every regard except its storyline 
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but ultimately you 'll leave the theater wondering why these people mattered 
is your film . 
is a disarmingly lived-in movie 
amusement 
who loves both dance and cinema 
eloquent , deeply felt meditation 
suitable for all ages -- a movie that will make you laugh 
fairly slow 
without ever being self-important 
( janey ) forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies . 
a bad movie , 
followed by the bad idea 
the film 's ending has a `` what was it all for 
piss on trees , b.s. one another 
another unoriginal run 
stolid remake 
smug and cartoonish 
is a likable story , told with competence . 
a pretentious and ultimately empty examination of a sick and evil woman 
an exhausted , desiccated talent 
miyazaki 's nonstop images are so stunning , and 
be a film that is n't this painfully forced , false and fabricated 
to the edge of your seat 
is n't funny 
tabloid 
unfunny and unoriginal mess 
with a lower i.q. than when i had entered 
we 've learned the hard way just how complex international terrorism is 
windshield 
self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
how many times they can work the words `` radical '' or `` suck '' into a sentence 
lurid and less than lucid work 
feature but something far more stylish and cerebral -- and , hence , more chillingly effective 
hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny . 
sordid to function as comedy 
money-grubbing 
the gifted pearce on hand to keep things on semi-stable ground dramatically 
gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day 
sets out to entertain 
terrifically 
this is a film that takes a stand in favor of tradition and warmth . 
aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one . 
bores 
stirs the emotions 
will turn bill paxton into an a-list director 
had so much fun dissing the film that they did n't mind the ticket cost 
extremely imaginative through out 
the urbane sweetness 
charming but slight tale 
is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad it 
fast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd 
a straight-ahead thriller that 
there 's real visual charge to the filmmaking , and a strong erotic spark to the most crucial lip-reading sequence 
they engage and even touch us 
can trust 
misogynist evil 
into melancholia 
academy award 
there 's some good material in their story about a retail clerk wanting more out of life 
goldmember has none of the visual wit of the previous pictures , 
revels in its own simplicity 
cheering 
title performance 
the dark visions already relayed by superb 
that zings all the way through with originality , humor and pathos 
an awkwardly garish showcase 
wanting more 
holds up well after two decades 
is its make-believe promise of life that soars above the material realm 
the kind of movie toback 's detractors always accuse him of making 
good performances and a realistic , non-exploitive approach make paid in full worth seeing . 
to be favorably compared to das boot 
more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline 
a tired , unnecessary retread ... a stale copy of a picture that was n't all that great to begin with . 
what 's so striking about jolie 's performance 
an amicable endeavor 
could be , by its art and heart , a necessary one 
good deal funnier 
animation back 30 years 
in the murk of its own making 
free to go get popcorn whenever he 's not onscreen 
this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking 
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is -- 
really long , slow and dreary time 
10-course banquet 
skip this dreck , rent animal house and go back to the source . 
where the film falters is in its tone . 
is a successful one 
several of steven soderbergh 's earlier films were hailed as the works of an artist . 
a monopoly on mindless action 
's just not very smart . 
the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings . 
pique your interest , your imagination , your empathy or anything , 
this wretchedly unfunny wannabe comedy is inane and awful - no doubt , it 's the worst movie i 've seen this summer . 
the urban landscapes are detailed down to the signs on the kiosks 
to have bitterly forsaken 
that makes the film seem like something to endure instead of enjoy 
thoughtful without having much dramatic impact 
as he creates 
gives viewers a chance to learn , to grow , to travel 
a fascinating character 's story 
could be the worst film a man has made about women since valley of the dolls 
xxx 
enhances the quality of neil burger 's impressive fake documentary 
give performances of exceptional honesty 
than home alone raised to a new , self-deprecating level 
expects something special but instead gets ( sci-fi ) rehash . 
by that measure , it is a failure . 
because relatively nothing happens 
slightly humorous and tender 
unimaginatively 
for an hour , in which we 're told something creepy and vague is in the works 
there 's the inimitable diaz , holding it all together . 
demented 
falls apart 
humorless , 
holds you in rapt attention 
resuscitate 
bottom-rung 
bold by studio standards 
do n't come off 
are great rewards 
that is listless , witless , and devoid of anything resembling humor 
neither quite a comedy nor a romance , more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm . 
funniest and most likeable movie 
confidently orchestrated 
because it made him feel powerful 
a thoughtful movie 
crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings 
creativity 
it 's just as wonderful on the big screen . 
a very funny , heartwarming film 
its extremely languorous rhythms , 
find much fascination in the swinging 
convincing characters 
scalds like acid 
the footage of the rappers at play and the prison interview with suge knight are just two of the elements that will grab you . 
a colorful , joyous celebration 
dopey dialogue and sometimes inadequate performances kill the effect 
i will be . 
love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
poorly staged 
are the difference between this and countless other flicks about guys and dolls 
you 'll be thinking of 51 ways to leave this loser . 
downbeat , period-perfect biopic hammers home a heavy-handed moralistic message . 
important and exhilarating 
dignified ceo 
enjoyable , if occasionally flawed , 
you feel guilty about ignoring what the filmmakers clearly believe 
elegant technology for the masses -- 
a sermon for most of its running time 
rock solid family fun out of the gates , extremely imaginative through out , but wanes in the middle 
's touching and tender and proves that even in sorrow you can find humor 
watching disney scrape the bottom of its own cracker barrel 
resident 
have put together a bold biographical fantasia . 
halfway through this picture i was beginning to hate it , 
, the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover . 
leaving you 
ludicrous , but director carl franklin adds enough flourishes and freak-outs to make it entertaining . 
ke 
stereotypes in good fun , 
( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
are struggling to give themselves a better lot in life than the ones 
the script is a disaster , with cloying messages and irksome characters . 
a little too smugly 
high-concept 
everybody loves a david and goliath story , and this one is told almost entirely from david 's point of view 
inviting 
been discovered , indulged in and rejected as boring before i see this piece of crap again 
an exhilarating 
the observations of this social/economic/urban environment are canny and spiced with irony . 
to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists 
is a heartfelt story 
it has a bigger-name cast 
, heartfelt 
as its own most damning censure 
enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
for those of us who respond more strongly to storytelling than computer-generated effects , the new star wars installment has n't escaped the rut dug by the last one . 
a low-budget hybrid of scarface 
best achievements 
most delightful moments 
flick that scalds like acid 
with a sure and measured hand 
a ridiculous wig 
liking 
as steamy as last week 's pork dumplings . 
no level whatsoever 
, it still manages to string together enough charming moments to work . 
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore . ' 
does n't improve upon the experience of staring at a blank screen 
only masochistic moviegoers 
is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius 
could be considered a funny little film 
too much power , not enough puff 
an engrossing iranian film about two itinerant teachers 
seeing things from new sides 
, but i suspect it might deliver again and again 
the absurdity of the situation in a well-balanced fashion 
are stanzas of breathtaking , awe-inspiring visual poetry . 
those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief 
do not fit 
elegantly balanced movie 
mushy , existential exploration 
the sheer ugliness 
illuminates what it means sometimes to be inside looking out , and at other times outside looking in 
puts wang at the forefront of china 's sixth generation of film makers . 
the gorgeous locales 
ended so damned 
a reasonably good time with the salton sea 
the sexuality 
a baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise . 
thoroughly enjoyed themselves and believed in their small-budget film 
executed it takes your breath away . 
crammed with incident , and bristles with passion and energy . 
a hollywood satire but winds up as the kind of film that should be the target of something 
negativity is a rare treat that shows the promise of digital filmmaking . 
this family film sequel is plenty of fun for all . 
its extraordinary intelligence and originality 
an awful movie that will only satisfy the most emotionally malleable of filmgoers . 
with solid performances and eerie atmosphere 
considerable wit 
crocodile hunter steve irwin do what he does best 
elements of romance , tragedy and even silent-movie comedy 
able to share his story so compellingly with us is a minor miracle 
surprising , subtle turn 
this tale has been told and retold 
the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history 
may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults 
entirely stale 
joyous occasion 
quirky , fun , popcorn movies 
the worthy successor to a better tomorrow 
both a successful adaptation and an enjoyable film in its own right . 
from sharing the awe in which it holds itself 
witty and beneath 
for godard 
an enjoyable feel-good family comedy regardless of race 
the premise of `` abandon '' holds promise , ... but its delivery is a complete mess . 
an alluring backdrop 
gets a lot of flavor and spice 
compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air 
the pocket monster movie franchise is nearly ready to keel over 
whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway 
it picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film . 
very bad scouse accents 
the tedium 
insightful moments 
than the very sluggish pace 
is nothing short of a travesty of a transvestite comedy 
an incredibly irritating comedy 
to see who can out-bad-act the other 
have captured the chaos of an urban conflagration with such fury 
unexpected comedy 
the best part about `` gangs '' was daniel day-lewis . 
you can fire a torpedo through some of clancy 's holes , 
mention `` solaris '' five years from now and 
made him a truly larger-than-life character 
human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film 
's like going to a house party and watching the host defend himself against a frothing ex-girlfriend 
business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen 
's a bad sign in a thriller when you instantly know whodunit 
the movie 's inescapable air of sleaziness 
powerful direction 
on an irresistible , languid romanticism 
funny thrill 
tasteful , intelligent manner 
abrasive 
lead actress andie macdowell 
an interesting topic , 
rich in shadowy metaphor and as sharp as a samurai sword 
most of the people who loved the 1989 paradiso will prefer this new version 
groan and hiss 
felt like an answer to irvine welsh 's book trainspotting 
the lack of naturalness makes everything seem self-consciously poetic and forced 
best part 
feel as if we 're seeing something purer than the real thing 
are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching 
a muddy psychological thriller rife with miscalculations . 
simple message 
, stupid 
a diverting -- if predictable -- adventure suitable for a matinee 
woven together handsomely , recalling sixties ' rockumentary milestones from lonely boy to do n't look back . 
more damning 
slow , predictable 
amari has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances . 
are such a companionable couple 
jolly 
entertaining itself 
a stunning new young talent 
the intoxicating fumes 
as funny 
wholly believable and heart-wrenching depths of despair 
the crisp clarity of a fall dawn 
sensation 
presents a fascinating but flawed look at the near future 
being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
female empowerment 
throwback to long gone bottom-of-the-bill fare like the ghost and mr. chicken . 
in this colorful bio-pic of a mexican icon 
a listless climb down the social ladder 
has never been filmed more irresistibly than in ` baran . ' 
makes the material seem genuine rather than pandering 
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing . 
has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate 
tnt 
minutely detailed wonders of dreamlike ecstasy 
has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics . 
anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold 
in a plot as musty as one of the golden eagle 's carpets 
there 's no real sense of suspense , 
the emotional heart 
under its own thinness 
's coherent 
is n't tough to take as long as you 've paid a matinee price 
erratic career 
visual gags 
bryan adams , the world 's most generic rock star 
labute masterfully balances both traditional or modern stories together in a manner that one never overwhelms the other . 
that matters 
is best when illustrating the demons bedevilling the modern masculine journey . 
the experience of staring at a blank screen 
a good match of the sensibilities of two directors 
little $ 1.8 million charmer 
is polanski 's best film . 
hollywood has crafted a solid formula for successful animated movies 
, i did n't care . 
too loud and 
most battered women 
appears not to have been edited at all 
an ambitious , guilt-suffused melodrama crippled by poor casting . 
derivative elements into something that is often quite rich and exciting , and 
extensive post-production 
screen been so aggressively anti-erotic 
worthwhile 
is elevated by michael caine 's performance as a weary journalist in a changing world . 
to understand why anyone in his right mind would even think to make the attraction a movie 
it 's an ambitious film , and as with all ambitious films , it has some problems . 
or worth rooting against , for that matter 
to get a coherent rhythm going 
far bigger , far more meaningful story 
as pleasantly 
feminist empowerment tale thinly 
you will also learn a good deal about the state of the music business in the 21st century 
simple misfire 
a striking new significance for anyone 
just another generic drama that has nothing going for it other than its exploitive array of obligatory cheap 
the film 's sense of imagery gives it a terrible strength 
as sharp as the original 
by applying definition to both sides of the man , the picture realizes a fullness that does not negate the subject . 
a delightfully quirky movie to be made from curling 
, naturally dramatic 
so willing to champion the fallibility of the human heart 
berling and béart ... continue to impress , and isabelle huppert ... again shows uncanny skill in getting under the skin of her characters . 
as funny nor as charming as it thinks it is 
a fascinating curiosity piece -- fascinating , that is 
leaves you wanting more 
from this unimaginative comedian 
quasi-documentary 
very capable nailbiter 
repetitive and ragged 
ferrara 's strongest and most touching movie of recent years . 
` swept away ' 
the canadian 's inane ramblings 
although it starts off so bad that you feel like running out screaming 
humane and important 
engaging as it is revealing 
beautifully 
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , 
is standard crime drama fare ... instantly forgettable and thoroughly dull 
an all-around good time 
in its treatment of the dehumanizing and ego-destroying process of unemployment 
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family , 
instantly disposable 
the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
is sabotaged by ticking time bombs and other hollywood-action cliches 
reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style . 
despite the efforts of a first-rate cast 
it thankfully goes easy on the reel/real world dichotomy that ( jaglom ) pursued with such enervating determination in venice/venice . 
to this engaging mix of love and bloodletting 
establishes a wonderfully creepy mood . 
that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks 
beautifully detailed performances by all of the actors 
bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact . 
has some of the best special effects 
that relies on more than special effects 
devoid of pleasure or sensuality 
i see this piece of crap again 
it 's pretty stupid . 
the film 's winning tone 
is a disaster , 
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged 
has worked wonders with the material . 
they kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book . 
far funnier 
by working girl scribe kevin wade 
inexpressible 
skilled 
any working class community 
gives devastating testimony to both people 's capacity for evil and their heroic capacity for good . 
store for unwary viewers 
if you like peace , you 'll like promises . 
the wonder of mostly martha is the performance of gedeck , who makes martha enormously endearing . 
solo 
going where no man has gone before 
weak payoff 
as i valiantly struggled to remain interested , or at least conscious 
old enough to have developed some taste 
the film 's reach exceeds its grasp 
serves mostly to whet one 's appetite for the bollywood films . 
the movie 's seams may show ... 
the dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving 
endure instead of 
a well-crafted film that is all the more remarkable because it 
american instigator michael moore 's film is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition . 
being boring 
between the fantastic and the believable 
unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car 
's the very definition of epic adventure 
can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off 
captures the innocence and budding demons within a wallflower 
sweetly adventurous 
deftly entertaining film 
appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about . 
edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
watch barbershop again if you 're in need of a cube fix -- this is n't worth sitting through . 
all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another 
becomes unwatchable 
( it 's ) what punk rock music used to be , and 
hip hop fantasy 
a minimalist beauty and 
the self-serious equilibrium makes its point too well ; 
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but 
direction and complete lack 
might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service 
a mean-spirited film made by someone who surely read the catcher in the rye but clearly suffers from dyslexia 
a frustrating misfire 
spent the duration of the film 's shooting schedule waiting to scream : `` 
commander-in-chief 
a fine production with splendid singing by angela gheorghiu , ruggero raimondi , and roberto alagna . 
smartest 
there 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery . 
weepy 
ode to tackling life 's wonderment 
becomes predictably conventional . 
miller , kuras and the actresses 
first-class 
shows its indie tatters and self-conscious seams 
have a new favorite musical 
that is dark 
's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style . 
's as entertaining 
brainless , but enjoyably over-the-top , the retro gang melodrama , deuces wild represents 
is cool . 
grows thin 
the absurdities and inconsistencies 
farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except 
and he allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range . 
the urban landscapes are detailed down to the signs on the kiosks , and 
be baffled 
the death of self ... this orgasm ( wo n't be an ) 
is of overwhelming waste 
schütte 's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close . 
very distinctive 
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , 
're in for a painful ride . 
fairly parochial melodrama 
a little weak 
overcomes its visual hideousness 
endearing 
a cheat in the end 
undercut 
whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action 
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , 
philosophically , intellectually and logistically a mess . 
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but 
maddeningly insistent and repetitive piano score 
of the masterful british actor ian holm 
well-made and 
great over-the-top 
thought-provoking 
uncharted depths 
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and it implies in its wake the intractable , irreversible flow of history . 
our respect 
the whole affair , true story or not , feels incredibly hokey 
in this summer 's new action film 
his is an interesting character 
with unlikable , spiteful idiots 
although purportedly a study in modern alienation 
the movie landscape 
's fairly lame , 
a ripping good yarn 
smart and complicated 
is less compelling than the circumstances of its making 
dead-undead genre 
ache 
the film sits with square conviction and touching good sense on the experience of its women 
trapped wo n't score points for political correctness , but it may cause parents a few sleepless hours -- a sign of its effectiveness . 
an alternately raucous and sappy ethnic sitcom ... you 'd be wise to send your regrets . 
informative and 
these guys ' superhuman capacity 
fearlessness 
surprisingly anemic disappointment 
jaw-droppingly superficial 
proves once again that he 's the best brush in the business 
they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot 
wildcard 
continue to impress 
woo 
deliberately and devotedly constructed 
, you 're going to feel like you were n't invited to the party . 
an inexplicable nightmare 
could very well clinch him this year 's razzie 
the six-time winner 
a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing 
tries for more . 
has a certain ghoulish fascination , and generates a fair amount of b-movie excitement . 
with a variety of quirky characters and an engaging story 
light enough 
in all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate 
's just weirdness for the sake of weirdness 
at least a decent attempt at meaningful cinema 
showtime is n't particularly assaultive , but it can still make you feel that you never want to see another car chase , explosion or gunfight again . 
just the right tone 
god help us , but capra and cooper are rolling over in their graves . 
pretty damned wonderful 
stupid , infantile , redundant , sloppy , 
even the corniest and most hackneyed 
's not too much of anything 
implied in the title pokémon 4ever is terrifying 
hard to imagine having more fun watching a documentary 
liveliness 
show his penchant for wry , contentious configurations 
a trenchant , ironic cultural satire instead of a frustrating misfire 
peaked about three years ago 
like 
it 's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience . 
try to create characters out of the obvious cliches , 
potentially interesting idea 
shoot something on crummy-looking videotape 
two fatal ailments -- 
dogtown and z-boys has a compelling story to tell . 
jackie chan movies are a guilty pleasure 
safe as a children 's film 
highlighted 
dull , somnambulant exercise 
the ridiculous dialog or 
intimate and panoramic . 
'll only put you to sleep 
sentimental cliches 
, despite the mild hallucinogenic buzz , is of overwhelming waste 
resorts to easy feel-good sentiments 
shining star 
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past 
the director explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut . 
ally mcbeal-style fantasy sequences 
stupid sequel 
recreating it an in an african idiom 
nothing can detract from the affection of that moral favorite : 
even his boisterous energy fails to spark this leaden comedy 
been forced by his kids to watch too many barney videos 
a great story 
guilty-pleasure 
a markedly inactive film , city 
somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks . 
to live out and carry on their parents ' anguish 
has its faults 
despite the gratuitous cinematic distractions impressed upon it , is still good fun . 
smart and newfangled 
loneliness 
get a cinematic postcard that 's superficial and unrealized . 
asset 
a very sincere work 
an impressive job 
bittersweet dialogue that cuts to the chase of the modern girl 's dilemma . 
sandra bullock and hugh grant make a great team , but 
come to earth 
wasting away inside unnecessary films 
, it has a more colorful , more playful tone than his other films . 
ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego 
you leaving the theater with a smile on your face 
a warm and well-told tale 
failed jokes , twitchy acting , and general boorishness 
it 's impossible to care 
graceless and ugly 
ransacked every old world war ii movie for overly familiar material 
has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes 
of the all-time great apocalypse movies 
fairly solid -- not to mention 
's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today 
howard and his co-stars all give committed performances , but 
the movie 's downfall is to substitute plot for personality . 
memories of rollerball 
do well to cram earplugs in their ears 
old-fashioned themes 
this orange has some juice , but it 's far from fresh-squeezed 
, funny and touching 
, refreshingly , 
pushes its agenda too forcefully 
the heart of the film 
the whole dead-undead genre 
onto what 's left of his passe ' chopsocky glory 
a funny yet dark and seedy clash of cultures and generations 
this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot . 
provocative material 
relatively lightweight commercial fare such as notting hill to commercial 
you realize that deep inside righteousness can be found a tough beauty 
an eerily suspenseful , deeply absorbing piece 
all but spits out denzel washington 's fine performance in the title role . 
a bunch of talented thesps 
mr. deeds is sure to give you a lot of laughs in this simple , sweet and romantic comedy . 
, heartwarming yarn 
rumor , a muddled drama about coming to terms with death , feels impersonal , almost generic . 
this is the ultimate movie experience 
stop buying tickets 
at just over an hour , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . 
nothing compared to the movie 's contrived , lame screenplay and listless direction 
's provocative stuff 
their super-powers , their super-simple animation 
that soars above the material realm 
's been responsible for putting together any movies of particular value or merit 
gorgeously elaborate continuation 
knows everything and answers all questions 
besides its terrific performances 
of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled 
feels shrill , simple and soapy . 
is highly pleasurable 
make the film more silly than scary 
squandering his opportunity to make absurdist observations 
lovely trifle 
are telegraphed in the most blithe exchanges gives the film its lingering tug . 
's a rollicking adventure for you and all your mateys , regardless of their ages . 
a strong script , powerful direction and 
real americans 
the innate theatrics that provide its thrills and extreme emotions lose their luster when flattened onscreen . 
a breathtaking adventure for all ages , spirit tells its poignant and uplifting story in a stunning fusion of music and images . 
the history is fascinating ; the action is dazzling 
you would n't want to live waydowntown , but it is a hilarious place to visit . 
company once again dazzle and delight us 
want to watch 
's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
for fans of british cinema , if only because so many titans of the industry are along for the ride 
you 've already seen city by the sea under a variety of titles , but it 's worth yet another visit 
the stories are quietly moving . 
endless exposition 
carries you along in a torrent of emotion 
makes an amazing breakthrough in her first starring role 
adds enough quirky and satirical touches in the screenplay to keep the film entertaining 
are well done and perfectly constructed to convey a sense of childhood imagination 
making his wife look so bad in a major movie 
and mawkish dialogue 
is frittered away in middle-of-the-road blandness . 
polished 
harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore . 
too much time 
from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply 
almost immediately that welcome to collinwood is n't going to jell 
a generational signpost 
for bad movies 
... in no way original , or even all that memorable , but as downtown saturday matinee brain candy , it does n't disappoint . 
depleted 
clichéd and shallow cautionary tale 
is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals . 
deliver a great story 
shiri is a must for genre fans . 
any recent film , independent or otherwise , that makes as much of a mess as this one 
over-the-top , and amateurish . 
since its poignancy hooks us completely 
the worst elements 
uneasy mix 
is the opposite of a truly magical movie 
notorious c.h.o. hits all the verbal marks it should . 
an above-average thriller 
what little grace ( rifkin 's ) tale of precarious skid-row dignity achieves is pushed into the margins by predictable plotting and tiresome histrionics . 
, and even touching 
which pokes fun at the price of popularity and small-town pretension in the lone star state 
is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
the edge 
the highest and the performances 
worry about being subjected to farts , urine , feces , semen , or any of the other foul substances 
fast-moving and cheerfully 
are more involving than this mess 
every member of the ensemble has something fascinating to do -- 
once again that he 's the best brush in the business 
for the earnest emotional core 
the urban landscapes are detailed down to the signs on the kiosks , and the color palette , with lots of somber blues and pinks , is dreamy and evocative 
warmth 
barbershop so likable 
unfunny phonce 
like a student film 
seem so real 
meets so many of the challenges it poses for itself that one can forgive the film its flaws . 
crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing . 
bourgeois french society 
takes an abrupt turn into glucose sentimentality and laughable contrivance 
for that reason it may be the most oddly honest hollywood document of all 
stubbornly refused to gel 
the crassness 
wartime 
quite frankly , i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out . 
visible enthusiasm 
undeniably worthy and devastating experience 
visually ugly 
find room for one more member of his little band , a professional screenwriter 
underconfident 
return to never land is reliable , standard disney animated fare , with enough creative energy and wit to entertain all ages . 
dawns , comic relief 
remove spider-man the movie from its red herring surroundings and 
crass , low-wattage 
a cleverly 
'd much rather watch teens poking their genitals into fruit pies 
accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
covers this territory with wit and originality 
if you 're down for a silly hack-and-slash flick , you can do no wrong with jason x. 
wind 
a movie in which laughter and self-exploitation merge into jolly soft-porn 'em powerment . ' 
most entertaining 
, more playful tone 
of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
the actors ' perfect comic timing and sweet , genuine chemistry 
to view one of shakespeare 's better known tragedies as a dark comedy 
real emotional impact 
cinematic razzle-dazzle 
vastly improved 
by his art , which is more than he has ever revealed before about the source of his spiritual survival 
to believe that anyone in his right mind would want to see the it 
the director seems to take an unseemly pleasure in ( the characters ' ) misery and at the same time to congratulate himself for having the guts to confront it . 
much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened . 
, first-class , natural acting and a look at `` the real americans '' make this a charmer . 
is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film 
remarkable performance 
deft and subtle poetry 
really tells the tale 
an astonishingly witless script 
with his fake backdrops and stately pacing 
will have you talking 'til the end of the year ! 
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process . 
feels rigged and sluggish 
its standard formula 
a pretty woman 
the insipid script 
concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt . 
unfolds in a low-key , organic way that encourages you to accept it as life and go with its flow . 
vacant 
is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot 
are often more predictable than their consequences 
a cloak of unsentimental , straightforward text 
partly a shallow rumination on the emptiness of success 
impressive 
the sexy razzle-dazzle 
yet feels universal 
, well-shaped dramas 
human nature should be ingratiating 
until then there 's always these rehashes to feed to the younger generations 
most wondrous love story 
perfection 
, uplifting and moving 
is a dim-witted pairing of teen-speak and animal gibberish . 
ordinary 
that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
runs around and acts like a doofus 
i 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché . 
a hilarious adventure 
put together with the preteen boy in mind 
twohy knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record . 
feels as though it 's trying to set the women 's liberation movement back 20 years 
k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia 
so dull 
confuses its message with an ultimate desire to please 
loved this film . 
moviegoing pleasures 
so muddled , repetitive and ragged 
be sensational 
of its attractive young leads 
manipulation , 
everlasting 
none-too-funny 
one step further 
the wobbly premise work 
a pedestrian , flat drama that screams out ` amateur ' in almost every frame 
stays with you long after you have left the theater 
been sacrificed for the sake of spectacle 
a group of talented friends 
valiant effort to understand everyone 's point of view 
is more fascinating -- being real -- than anything seen on jerry springer . 
to split up so that it can do even more damage 
about the filmmaker 's characteristic style 
fascination , and generates a fair amount of b-movie excitement 
of other , better movies 
is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer . 
ol' 
a journey 
know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway . 
has the twinkling eyes , repressed smile and determined face needed to carry out a dickensian hero 
at least funny 
the director ca n't seem to get a coherent rhythm going 
was better than saving private ryan 
that lifts blue crush into one of the summer 's most pleasurable movies 
the worst revenge-of-the-nerds clichés 
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out 
a good fight 
flagrantly fake thunderstorms 
a banal , virulently unpleasant excuse 
to rival gosford park 's 
an unsettling sight , 
imagine the cleanflicks version of ` love story , ' with ali macgraw 's profanities replaced by romance-novel platitudes . 
repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue 
a handful of virtuosic set pieces 
best animated 
with zoe clarke-williams 's lackluster thriller `` new best friend '' , who needs enemies 
one of world cinema 's most wondrously gifted artists 
the film , like jimmy 's routines , could use a few good laughs . 
utterly painful to watch 
refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
credit director ramsay 
a fairly irresistible package full of privileged moments and memorable performances 
best and most exciting 
is hell . 
one in which fear and frustration are provoked to intolerable levels 
a top-notch cast 
fanciful direction 
bland actors 
he 'll go to weave a protective cocoon around his own ego 
a beautiful , aching sadness to it all 
theological 
10,000 
based on the wonderful acting clinic put on by spader and gyllenhaal 
most pleasurable expressions 
fully forgotten 
top-notch british actor 
of flat champagne 
old pickup skidding 
here of a director enjoying himself immensely 
own mystery science theatre 3000 tribute 
fixating on a far corner of the screen at times because your nerves just ca n't take it any more 
is gripping , as are the scenes of jia with his family 
eloquent language 
subtle , humorous , illuminating study 
same stuff 
real magic , perhaps 
a fleet-footed and pleasingly upbeat family diversion . 
an original idea for a teen movie 
can you bear the laughter ? 
the film 's ) taste for `` shock humor '' will wear thin on all 
lovely film 
the life out of whatever idealism american moviemaking ever had 
that their charm does n't do a load of good 
for the paper-thin characterizations and facile situations 
might as well have come from a xerox machine rather than ( writer-director ) franc 
weak and ineffective 
standing in the shadows of motown is the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow . 
as much of a mess as this one 
is almost in a class with that of wilde 
mostly fool 's 
with honest performances and exceptional detail 
excels because , unlike so many other hollywood movies of its ilk , it offers hope 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : 
is never quite able 
that concentrates on people , a project in which the script and characters hold sway 
smug and convoluted 
's good to see michael caine whipping out the dirty words and punching people in the stomach again 
a historically significant work 
will talk about for hours 
plenty of warmth to go around , with music and laughter and the love of family . 
it worth checking out at theaters 
if they looked at how this movie turned out 
quite a bit of heart , 
slump 
of absurd plot twists , idiotic court maneuvers and stupid characters 
director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc . 
my greatest pictures , 
ill at ease sharing the same scene 
that crawls along at a snail 's pace 
is a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience . 
, starring ben affleck , seem downright hitchcockian 
been perfect for an old `` twilight zone '' episode 
leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion . 
without any redeeming value whatsoever . 
hilariously , 
it 's virtually impossible to like any of these despicable characters . 
sounds like horrible poetry . 
the latter 's attendant intelligence , poetry , passion , and genius 
its storytelling prowess 
regret 
of dramatic interest 
piccoli 's performance is amazing , yes 
about the best straight-up 
by a sloppy script 
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started 
being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
mysterious , sensual , emotionally intense , 
is n't breaking new ground 
the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series . 
i have a new favorite musical -- and i 'm not even a fan of the genre 
a derivative collection of horror and sci-fi 
to find a movie with a bigger , fatter heart than barbershop 
offers a compelling investigation of faith versus intellect 
epic 
pleasant , diverting and modest 
kinnear and dafoe give what may be the performances of their careers . 
, delicate treatment 
're drawn in by the dark luster 
to face frightening late fees 
depressing , ruthlessly pained and depraved 
a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
with guardian hack nick davies 
emotional edge 
one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice . 
suffered through the horrible pains of a death 
alexandre desplat 's haunting and sublime music 
slack and 
intelligence and intensity 
, claustrophobic 
a certain sexiness 
the journey to the secret 's eventual discovery is a separate adventure , and thrill enough 
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive 
mind-destroying 
be intimate and socially encompassing 
gory as the scenes of torture and self-mutilation may be 
like a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz . 
is so insanely stupid , so awful in so many ways 
more confident 
to grab us , only to keep letting go at all the wrong moments 
some delightful work 
to cheap manipulation or corny conventions 
is still good fun . 
a few evocative images 
hoping that the audience will not notice the glaring triteness of the plot device 
whose engaging manner and flamboyant style made him a truly larger-than-life character 
look bad 
doze off 
this film 's cast is uniformly superb 
a heroic tale of persistence that is sure to win viewers ' hearts . 
unlimited access 
mishandled 
provides a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views . 
is not enough to give the film the substance it so desperately needs 
septic tank 
to the tiniest segment of an already obscure demographic 
object to the idea of a vietnam picture 
adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying 
wo n't like looking at it 
spare dialogue and acute expressiveness 
i have given it a one-star rating 
to acquire the fast-paced contemporary society 
it 's a great performance and a reminder of dickens ' grandeur . 
of warmth , color and cringe 
though i could not stand them 
jagger , stoppard and director michael apted ... deliver a riveting and surprisingly romantic ride . 
is tuned in to its community 
empowerment movie 
because the genre is well established , what makes the movie fresh 
ong 's promising debut is a warm and well-told tale of one recent chinese immigrant 's experiences in new york city . 
learning to compromise with reality enough to become comparatively sane and healthy 
from the brave , uninhibited performances 
well written and directed with brutal honesty and respect for its audience . 
that everyone , especially movie musical fans , has been hoping for 
old-hat 
while maintaining the appearance of clinical objectivity , this sad , occasionally horrifying but often inspiring film is among wiseman 's warmest . 
decent ` intro ' documentary 
point the way for adventurous indian filmmakers toward a crossover into nonethnic markets 
hypertime in reverse 
of building to a laugh riot 
an engrossing and grim portrait of hookers : what they think of themselves and their clients . 
up not one but two flagrantly fake thunderstorms to underscore the action 
fresh , unforced naturalism 
the movie slaloming through its hackneyed elements with enjoyable ease 
... the movie is too heady for children , and too preachy for adults . 
stylish tracking shots 
adam sandler 's eight crazy nights grows on you -- like a rash . 
a smart , provocative drama 
his ( nelson 's ) screenplay 
its logical loopholes , which fly by so fast there 's no time to think about them anyway 
sexism to monday morning that undercuts its charm 
turns into an ocean of trouble 
20th anniversary edition 
gentle and 
it 's a stale , overused cocktail using the same olives since 1962 as garnish . 
brings to the role her pale , dark beauty and characteristic warmth 
enjoyably dumb , sweet , and intermittently hilarious -- if you 've a taste for the quirky , steal a glimpse 
sometimes just lapses into unhidden british 
nasty comedy 
that rare documentary that incorporates so much 
loaded with good intentions 
the things this movie tries to get the audience to buy just 
here 's yet another cool crime movie that actually manages to bring something new into the mix . 
genre thrills 
have a good shot at a hollywood career , if they want one 
, fun , popcorn movies 
the performances of pacino , williams , and swank keep the viewer wide-awake all the way through . 
thanks to kline 's superbly nuanced performance , that pondering is highly pleasurable . 
it reaffirms life as it looks in the face of death . 
clever adaptation 
the power and grace of one of the greatest natural sportsmen of modern times 
most audacious , outrageous , sexually explicit , psychologically probing 
is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination . 
have you swinging from the trees hooting it 's praises 
can see without feeling embarrassed 
repetitive and 
really good 
that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
of the best 
vulgarities in a sequel you can refuse 
light treat 
spiritual film taps into the meaning and consolation in afterlife communications 
see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good 
enjoys quirky , fun , popcorn movies with a touch of silliness and a little 
powerful sequel 
the sulking , moody male hustler 
without being forceful , sad without being shrill 
in bad need of major acting lessons and maybe a little coffee 
is suspenseful and ultimately unpredictable , 
mob 
bad blend 
without much interest in the elizabethans 
the rich performances by friel -- and especially williams , an american actress who becomes fully english -- 
a gobbler like this 
fairly uneventful and 
kathy baker 's creepy turn 
writer-director douglas mcgrath 's even-toned direction 
too stagey , 
a wildly inventive mixture 
into an evanescent , seamless and sumptuous stream of consciousness 
recycled more times 
stunt-hungry dimwits 
someone understands the need for the bad boy 
demonstrates a vivid imagination and an impressive style that result in some terrific setpieces . 
thankfully goes easy on the reel/real world dichotomy that ( jaglom ) pursued with such enervating determination in venice/venice . 
's wrong with this increasingly pervasive aspect of gay culture 
smart and alert , thirteen conversations about one thing is a small gem . 
the film rehashes several old themes and is capped with pointless extremes 
worst elements 
is derived from a lobotomy , having had all its vital essence scooped out and discarded 
do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material . 
the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type 
creatively stillborn 
horrified 
be played out in any working class community in the nation 
cinematography to the outstanding soundtrack and unconventional 
the most frantic , virulent and foul-natured 
elevate `` glory '' 
the metaphors are provocative , 
drek 
to be a most hard-hearted person not to be moved by this drama 
a low-budget affair , tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction 
are also some startling , surrealistic moments 
weirdly beautiful place 
's not enough substance here to sustain interest for the full 90 minutes , especially with the weak payoff 
is definitely worth seeing . 
too much like a fragment of an underdone potato 
painfully bad 
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles 
decent but dull . 
for the playlist 
tells a fascinating , compelling story . 
stale and clichéd to a fault . 
is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs 
far-flung , illogical , and 
prepare to marvel again 
uneven movie 
delightful work 
brought something fresher to the proceedings 
is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans 
worthy 
your idea of a good time 
it is n't that stealing harvard is a horrible movie -- if only it were that grand a failure ! 
the ridiculous bolero 
a sugar-coated rocky 
a snail 's pace 
it does mark ms. bullock 's best work in some time 
emotional heart 
every cheesy scene 
supposedly , pokemon ca n't be killed , but pokemon 4ever practically assures that the pocket monster movie franchise is nearly ready to keel over 
genial is the conceit , 
's not as awful as some of the recent hollywood trip tripe 
a second chance to find love in the most unlikely place 
his characters -- if that 's not too glorified a term -- 
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : there 's very little hustling on view . 
you feel good , you feel sad 
a lot of charm 
a visionary 
short on larger moralistic consequences 
as dreadful 
does n't make any sense 
... enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games . 
with originality 
flounders under the weight of too many story lines . 
pathetic junk 
you might as well be watching it through a telescope 
are natural and lovely 
laugh-out-loud lunacy with a pronounced monty pythonesque flavor 
absorbing , 
a powerful and telling story that examines forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s . 
feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story . 
there surrender $ 9 
is , however , 
it 's tough to watch 
an inhalant blackout 
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres -- the prison flick and the fight film . 
, worse yet , nonexistent -- 
in visual fertility treasure planet rivals the top japanese animations of recent vintage . 
smart and fun , but far more witty than it is wise . 
dreaming up romantic comedies 
it would have worked so much better dealing in only one reality 
with a tale full of nuance and character dimension 
is a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation 
otherwise dull 
smart and 
, but miss wonton floats beyond reality with a certain degree of wit and dignity 
deviant 
you leave feeling like you 've endured a long workout without your pulse ever racing . 
may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick 
he 's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful . 
do it his own way 
the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability . 
found writer-director mitch davis 's wall of kitsch hard going 
enough may pander to our basest desires for payback , but unlike many revenge fantasies , it ultimately delivers 
it 's still a comic book , 
what a stiflingly unfunny and unoriginal mess this 
whose cumulative effect is chilling 
have used my two hours better watching being john malkovich again 
the director at his most sparkling 
a fine cast 
suffers a severe case of oversimplification , superficiality and silliness . 
tendency 
without shakespeare 's eloquent language , the update is dreary and sluggish . 
quite good 
feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses . 
it transcends the normal divisions between fiction and nonfiction film 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , 
the sad cad that really gives the film its oomph 
talent and wit 
savaged the lives and liberties of the poor and the dispossessed 
as it is repetitious 
a fresh point of view 
a film that takes a stand in favor of tradition and warmth 
a weepy melodrama 
its initial excitement 
that efforts toward closure only open new wounds 
of holes and completely lacking in chills 
can be as intelligent as this one is in every regard except its storyline 
masterpeice 
wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
that will probably sink the film for anyone who does n't think about percentages all day long 
part of the charm of satin rouge is that it avoids the obvious with humor and lightness . 
its effectiveness 
its funny , moving yarn 
is remarkably dull with only caine making much of an impression . 
the movie is about as humorous as watching your favorite pet get buried alive . 
a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish 
most mornings 
at the sometimes murky , always brooding look of i 
you feel pissed off 
version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip 
wan 
and well-made entertainment 
heartening in the same way that each season marks a new start 
's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today . 
honesty and dignity 
deep vein 
there 's nothing like love to give a movie a b-12 shot 
the screenplay falls somewhat short 
misguided 
highly watchable , giggly little story 
repulsive and 
a ragbag 
what it lacks in substance it makes up for in heart . 
is a little scattered -- ditsy 
a step further , richer and deeper 
himself a deft pace master and stylist 
to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching 
smart to ignore but a little too smugly superior to like 
that birthday girl is the kind of quirkily appealing minor movie she might not make for a while 
its sweeping battle scenes 
reign of fire is hardly the most original fantasy film ever made -- 
pan nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic 
flawed but 
disappoint 
enhancing 
one well-timed explosion in a movie can be a knockout 
flowering 
is a welcome relief from the usual two-dimensional offerings 
well-formed satire 
with considerable appeal 
by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent 
e.t. is still a cinematic touchstone . 
the great pity 
sing beautifully and act adequately . 
for damon/bourne or his predicament 
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field 
in a superficial way , while never sure 
any of them list this ` credit ' on their resumes in the future 
greatest pictures 
what makes the movie fresh 
in a giant pile of elephant feces 
crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book 
is beyond playing fair with the audience 
something 's horribly wrong 
this gets us in trouble 
should pay reparations to viewers . 
, byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth . 
know that i 'll never listen to marvin gaye or the supremes the same way again 
what a great way to spend 4 units of your day . 
1987 
no more 
elevated by michael caine 's performance as a weary journalist in a changing world 
a tired , unimaginative and derivative variation of that already-shallow 
plays better only for the film 's publicists or for people who take as many drugs as the film 's characters 
yarn-spinner 
's harder still to believe that anyone in his right mind would want to see the it 
the biggest names in japanese anime , 
easy , cynical potshots 
shaped by director peter kosminsky into sharp slivers and cutting impressions 
a dark-as-pitch comedy that frequently veers into corny sentimentality , probably would not improve much after a therapeutic zap of shock treatment . 
the filmmaking may be a bit disjointed 
through love 
the values of knowledge , education , and the 
attempted here that stubbornly refused to gel 
i like this movie a lot . 
mystic 
it can impart an almost visceral sense of dislocation and change . 
the idea of exploiting molestation for laughs 
neil burger here succeeded in ... making the mystery of four decades back the springboard for a more immediate mystery in the present 
the movie is a desperate miscalculation . 
a psychic journey deep into the very fabric of iranian ... life . 
a battle between bug-eye theater and dead-eye matinee . 
avert our eyes 
assuming the bar of expectations has n't been raised above sixth-grade height 
asks the question how much souvlaki can you take before indigestion sets in . 
temperamental child 
presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier 
energy it 's documenting 
precisely 
i 'm going to give it a marginal thumbs up . 
curious 
grisly and engagingly quixotic 
reached its expiration date 
offering next to little insight 
be lulled into a coma 
's certainly an honest attempt to get at something 
is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn . 
should be commended for illustrating the merits of fighting hard for something that really matters 
a brilliant piece of filmmaking 
, this modern mob music drama never fails to fascinate . 
the lousy lead performances ... keep the movie from ever reaching the comic heights it obviously desired . 
supermarket tabloids 
pratfalls aside , barbershop gets its greatest play from the timeless spectacle of people really talking to each other . 
borrows from other movies like it in the most ordinary and obvious fashion . 
been there , done that ... a thousand times already , and better 
does n't remake andrei tarkovsky 's solaris so much as distill it . 
dead-end 
rough-trade homo-eroticism 
a very funny romantic comedy about two skittish new york middle-agers who stumble into a relationship and then struggle furiously with their fears and foibles . 
( macdowell ) ventures beyond her abilities 
unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism 
could rent the original and get the same love story and parable 
toolbags botching a routine assignment in a western backwater 
spreads itself too thin , leaving these actors , as well as the members of the commune , short of profound characterizations 
their contrast is neither dramatic nor comic -- it 's just a weird fizzle 
tian 's meticulous talent has not withered during his enforced hiatus 
sensual delights and simmering 
their natural instinct for self-preservation 
what bubbles up out of john c. walsh 's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie 
on the high seas that works better the less the brain is engaged 
only makeup-deep 
its conclusion , when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen 
is unfocused , 
in the current climate of mergers and downsizing 
` martin lawrence live ' is so self-pitying , i almost expected there to be a collection taken for the comedian at the end of the show . 
touching 
more like a mere excuse for the wan , thinly sketched story 
with this masterful , flawless film , ( wang ) emerges in the front ranks of china 's now numerous , world-renowned filmmakers . 
has made tucker a star 
just offbeat 
own cuteness 
little more than a stylish exercise in revisionism whose point 
leaves you scratching your head in amazement over the fact that so many talented people could participate in such an 
the scriptwriters are no less a menace to society than the film 's characters . 
uptight , middle 
an incredibly thoughtful , deeply meditative picture that neatly and effectively captures the debilitating grief 
that you had already seen that movie 
layers 
we never truly come to care about the main characters and whether or not they 'll wind up together , and 
, pranks , pratfalls , dares , injuries , etc . 
full , chilling advantage 
better than the fiction 
deserves to be seen everywhere 
this movie may not have the highest production values you 've ever seen , but it 's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep . 
for every taste 
meant to enhance the self-image of drooling idiots . 
a smart , provocative drama that does the nearly impossible : it gets under the skin of a man we only know as an evil , monstrous lunatic . 
pack some serious suspense 
viewers of barney 's crushingly self-indulgent spectacle 
... has a pleasing way with a metaphor . 
is superficial 
is a movie you can trust . 
succeeds with its dark , delicate treatment of these characters and its unerring respect for them . 
unstoppable 
this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
the fun of toy story 2 
in the spirit of the season , i assign one bright shining star to roberto benigni 's pinocchio -- but i guarantee that no wise men will be following after it . 
honest performances 
hole-ridden 
who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
is pleasant enough 
... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy . 
geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man 
a droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state 
does not really make the case the kissinger should be tried as a war criminal . 
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react 
a worthy addition to the cinematic canon , which , at last count , numbered 52 different versions . 
of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
the results are far more alienating than involving . 
a hit 
sit in neutral 
ultimately hollow mockumentary 
irritates and saddens me that martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
radical '' or `` suck '' 
swiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell . 
call it classicism or be exasperated by a noticeable lack of pace 
the one-liners are snappy , the situations volatile and the comic opportunities richly rewarded 
of a brutal mid 
it 's not nearly as fresh or enjoyable as its predecessor , but 
the characters seem one-dimensional , and 
fun part 
imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful 
beautifully read and , finally , 
it 's just another cartoon with an unstoppable superman . 
hollywood has been trying to pass off as acceptable teen entertainment for some time now . 
... visually striking and slickly staged 
is hereby given fair warning . 
morality and the choices we make underneath such a mountain of clichés and borrowed images 
, crocodile hunter has the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction . 
unblinkingly pure as the hours 
feels stitched together from stock situations and characters from other movies . 
with cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names . 
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but it 's still damn funny stuff . 
a processed comedy chop suey . 
manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks 
did not figure out a coherent game 
, every shot enhances the excellent performances 
the actors are simply too good , and the story too intriguing , for technical flaws to get in the way . 
they ought to be a whole lot scarier than they are in this tepid genre offering . 
is so different from the apple and so striking 
is all too predictable and far too cliched 
hate 
we 've seen it all before in one form or another , 
a pretty funny movie , with most of the humor coming , as before , from the incongruous but chemically perfect teaming of crystal and de niro 
it 's a very valuable film ... 
rashomon-for-dipsticks 
insane comic undertaking 
clear sense 
performance - ahem 
fails to match the freshness of the actress-producer and writer 
the worthy successor to a better tomorrow and 
so successful at lodging itself in the brain 
wickedly funny and just plain wicked 
... may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence . 
can be a bit repetitive 
deliberate laughs 
possibly the best actor working in movies today 
no charm , no laughs , no fun , 
perfectly formed 
appalling , shamelessly manipulative and contrived , and totally lacking in conviction 
that does n't bring you into the characters so much as it has you study them 
's made a film that 's barely shocking , barely interesting and most of all , barely anything 
is hypnotic 
( shyamalan ) continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision . 
starving and 
, charismatic and tragically 
of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy 
wit or innovation 
that only seems to care about the bottom line 
the beautifully choreographed kitchen ballet is simple but absorbing . 
come away from his film overwhelmed , 
the determination of pinochet 's victims to seek justice , and their often heartbreaking testimony , spoken directly into director patricio guzman 's camera , pack a powerful emotional wallop . 
he nonetheless appreciates the art and reveals a music scene that transcends culture and race . 
combines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart to create a film that 's not merely about kicking undead *** , but also about dealing with regret and , ultimately , finding redemption 
a stirring road movie . 
certain 
a lumbering load 
if you 're up for that sort of thing 
there are a couple of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall . 
would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman . ' 
they lack their idol 's energy and passion for detail . 
consumed and forgotten 
after drinking twelve beers 
it amounts to little more than preliminary notes for a science-fiction horror film 
a big fat pain . 
need of a scented bath 
that has no point and goes nowhere 
their enthusiasm 
be very sweet 
smarter and subtler 
`` the best disney movie 
a sour little movie 
a film of ideas and wry comic mayhem . 
a showcase 
a rambling ensemble piece with loosely connected characters and plots that never quite gel . 
stands as one of the great films about movie love 
grant is certainly amusing 
a genial romance 
unimaginative and derivative 
the cheap 
a moving and stark reminder that the casualties of war reach much further than we imagine . 
full-bodied wit 
modestly made 
you may leave the theater with more questions than answers , but darned if your toes wo n't still be tapping . 
the creative act 
bravura 
so real 
despite its shortcomings , girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre . 
is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
it 's dark but has wonderfully funny moments ; you care about the characters 
it just zings along with vibrance and warmth . 
' should never have been brought out of hibernation 
trying to figure out the rules of the country bear universe -- when are bears bears and when are they like humans , only hairier -- would tax einstein 's brain . 
dreary expanse 
a relationship that is worthy of our respect 
the updated dickensian sensibility of writer craig bartlett 's story is appealing . 
's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf 
astoundingly rich 
, there remains a huge gap between the film 's creepy 
devotees 
by amateurish 
feel very much like a brand-new tomorrow 
about whose fate it is hard to care 
just another teen movie , 
pitifully few real laughs 
, double-pistoled , ballistic-pyrotechnic hong kong action 
has done excellent work here 
defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
` it 's just a kids ' flick 
evelyn 's strong cast and surehanded direction 
better characters 
few nonbelievers 
simultaneously degrades its characters , its stars and its audience . 
the funniest person in the film , which gives you an idea just how bad it was 
there is precious little of either . 
you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
feels at odds with the rest of the film . 
plan to make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' 
in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast 
weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise 
fuelled devito 's early work 
make up for a derivative plot 
to be quirky and funny that the strain is all too evident 
is suitable summer entertainment that offers escapism without requiring a great deal of thought . 
a real charmer 
convinced 
as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points 
elegant 
short of true inspiration 
whimsy 
one decent performance 
really solid performances 
in and of himself funny 
like the english patient and the unbearable lightness of being , the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right . 
wins still 
insipid , brutally clueless film 
refreshingly natural 
that it comes off as annoying rather than charming 
frame one 
the problems of fledgling democracies 
for all its visual panache and compelling supporting characters 
i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener 
manages to find greatness in the hue of its drastic iconography 
the love of family 
it 's unnerving suspense 
think of it as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch . 
with more emotional force than any other recent film 
the bread , 
best comedy concert movie 
a cinematic disaster so inadvertently sidesplitting it 
an unsympathetic character and someone 
is doubtful this listless feature will win him any new viewers 
shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team 
parker updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place . 
flawless 
headed down the toilet with the ferocity of a frozen burrito 
american blockbusters 
too long 
lacking in suspense , surprise and consistent emotional conviction 
secretary manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie . 
puzzling than unsettling 
a surprisingly funny movie . 
the edge of sanity 
with roussillon providing comic relief 
perceptive , good-natured 
stock situations and characters 
not really a thriller so much as a movie for teens to laugh , groan and hiss at . 
increasingly diverse 
stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore . 
tsai ming-liang 's witty , wistful new film , what time is it there ? 
enjoy the film 
an insult to every family whose mother has suffered through the horrible pains of a death by cancer 
wasted a lot of their time ( including mine ) on something very inconsequential . 
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly 
engages us in constant fits of laughter , 
imaginative as one might have hoped 
duly impressive in imax dimensions 
that fails to make adequate 
compelling film . 
he 's not good with people . 
might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ? 
world-renowned 
hollywood frightfest 
to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation 
, you 're engulfed by it . 
pushed into the margins 
doing its usual worst to guilt-trip parents 
a vision both painterly and literary 
rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations 
quick-witted 
killer 
evokes the frustration , the awkwardness and the euphoria of growing up , without relying on the usual tropes 
high drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky 
something different 
, unlikeable people 
a journey that is as difficult for the audience to take as it is for the protagonist -- yet it 's potentially just as rewarding 
, crisp storytelling 
do the genial-rogue shtick to death 
revelatory and narcissistic 
disappointing in comparison to other recent war movies ... or any other john woo flick for that matter . 
like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings 
there are side stories aplenty -- none of them memorable 
to refresh our souls 
is one of those rare pictures 
emotionally desiccated 
when it comes out on video , then it 's the perfect cure for insomnia . 
starts as an intense political and psychological thriller 
an unsophisticated 
is n't much to it 
overboard 
zoe clarke-williams 's lackluster thriller `` new best friend '' , 
magnetic performance 
first full flush 
when compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic . 
its courage , ideas , 
is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating 
are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition . 
enormously entertaining movie 
, occasionally horrifying but often inspiring film 
by a lackluster script and substandard performances 
stuffs his debut with more plot than it can comfortably hold 
failing , ultimately 
woefully dull 
in the business 
real snooze . 
far more energy 
wilde 's droll whimsy 
of the great minds of our times 
one arresting image 
what makes it worth the trip to the theater 
watching this gentle , mesmerizing portrait of a man coming to terms with time 
absurd , 
emotional comfort 
been a confusing and horrifying vision into an intense and engrossing head-trip 
stripped of most of his budget and all of his sense of humor 
all the wiggling energy 
is his best film yet 
back with the astonishing revelation 
dragged on 
a moving essay about the specter of death , especially suicide . 
forgettably 
your indifference 
obnoxious comedy 
a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as 
, lan yu never catches dramatic fire . 
nothing about this movie 
leaves blue crush waterlogged 
as the synergistic impulse that created it 
hardly an objective documentary , but it 's great cinematic polemic ... 
it 's like rocky and bullwinkle on speed , but that 's neither completely enlightening , nor does it catch the intensity of the movie 's strangeness 
's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead 
attractive and talented actors 
is rotten in the state of california 
lurches between not-very-funny comedy 
jaw-dropping action sequences , striking villains , a gorgeous color palette , 
a laughable -- or rather , unlaughable -- excuse for a film . 
a grating , 
poignant and delicately complex . 
the wise , wizened visitor 
wit and dignity 
a wishy-washy melodramatic movie that shows us plenty of sturm und drung , but explains its characters ' decisions only unsatisfactorily . 
it 's a smart , funny look at an arcane area of popular culture 
what 's even more remarkable is the integrity of devito 's misanthropic vision 
lovely and beautifully 
be moved to the edge of their seats by the dynamic first act 
so much leniency 
simple pleasures usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
good idea 
a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
, you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history . 
had all its vital essence scooped out and 
you 're a comic fan 
way too mushy -- and in a relatively short amount of time 
up a powerful and deeply moving example of melodramatic moviemaking 
conveying the way tiny acts of kindness make ordinary life survivable 
so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
no special effects , and no hollywood endings 
the more hackneyed elements of the film 
hard to understand why anyone in his right mind would even think to make the attraction a movie 
energy and imagination 
melodramatic paranormal romance 
another smash 
whiny pouty-lipped poof 
more tiring than anything 
is raised a few notches above kiddie fantasy pablum by allen 's astringent wit . 
special 
has all the values of a straight-to-video movie , 
it 's probably not easy to make such a worthless film ... 
horror 
dicaprio 's best performance in anything ever , and easily the most watchable film of the year 
paints - of a culture in conflict with itself 
between the artificial structure 
the mind to see a feature that concentrates on people , a project in which the script and characters hold sway 
heartwarming yarn 
like vardalos and corbett , who play their roles with vibrant charm , the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake . 
intensely romantic 
the more outre aspects of ` black culture ' and the dorkier aspects 
three splendid actors 
is a wonderous accomplishment of veracity and narrative grace 
a fine documentary can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience . 
thoroughly enjoyable 
an unencouraging threefold expansion on the former mtv series 
the cinematography is cloudy , the picture making becalmed . 
to `` interesting '' 
reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style 
fine-looking 
losin ' his fan base 
marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it 
engrossing story 
( the leads ) are such a companionable couple 
make this a moving experience for people who have n't read the book 
you should avoid this like the dreaded king brown snake . 
buoyant , expressive 
watch the film twice 
an artsploitation movie with too much exploitation and too little art . 
loopy and 
a touching reflection 
while some of the camera work is interesting , the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work . 
chouraqui brings documentary-like credibility to the horrors of the killing field and the barbarism of ` ethnic cleansing . ' 
a clever script and skilled actors 
this flat effort 
watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
( gulpilil ) is a commanding screen presence , and 
who surely read the catcher in the rye but clearly suffers from dyslexia 
have forgotten everything he ever knew about generating suspense 
that sneaks up on you and stays with you long after you have left the theater 
the most edgy piece of disney animation 
in the right place 
really get weird , though not particularly scary 
sweet , even delectable 
as part of mr. dong 's continuing exploration of homosexuality in america , family fundamentals is an earnest study in despair . 
performances , great to look at , and funny 
it never comes close to being either funny or scary 
predictable rehash 
a movie of technical skill and rare depth 
the sex , a wonderful tale of love and destiny 
so cold and dead 
of a movie that keeps throwing fastballs 
, soar . 
made a film that is an undeniably worthy and devastating experience 
politics , power and 
too erotic nor 
is a powerful , naturally dramatic piece of low-budget filmmaking 
stupid 
is rather the way it introduces you to new , fervently held ideas and fanciful thinkers . 
not a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effective . 
wondering why these people mattered 
the titillating material 
infidelity 
enjoyably 
no good answer to that one 
be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
's pure entertainment 
to pop up in a cinematic year already littered with celluloid garbage 
grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces . 
is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence 
though jones and snipes are enthralling , the movie bogs down in rhetoric and cliché . 
constantly touching 
having a nightmare about bad cinema 
bratty for sympathy 
an entertaining documentary 
striking , quietly vulnerable personality 
worse than you can imagine 
compassion , good-natured 
that takes few chances and manages to insult the intelligence of everyone in the audience 
deserved all the hearts it won -- and wins still 
is japanese and yet feels universal 
most effective if used as a tool to rally anti-catholic protestors 
from its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale 
is a self-aware , often self-mocking , intelligence 
a good movie ye 
this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end . 
just do n't work in concert . 
it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain 
finds the ideal outlet for his flick-knife diction in the role of roger swanson . 
of the worst sin of attributable to a movie like this 
the whole thing succeeded only in making me groggy . 
cobbled together from largely flat and uncreative moments 
a weird , arresting little ride . 
much more than 
really goes downhill . 
a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
ms. sugarman followed through on her defiance of the saccharine 
any art-house moviegoer 
more than their unique residences , home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it . 
their story is predictable 
humorless 
misses 
ingenue 
from a bad clive barker movie 
does an impressive job of relating the complicated history of the war and 
an unforgettable look at morality , family , and social expectation through the prism of that omnibus tradition called marriage . 
the characters are complex , laden with plenty of baggage and tinged with tragic undertones 
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently cathartic 
ultimately purposeless 
occasionally loud and offensive , but more often , it simply lulls you into a gentle waking coma . 
more intimate than spectacular , e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades . 
one of the funniest motion 
remake andrei tarkovsky 's solaris so much as distill it 
as unblinkingly pure as the hours 
` scratch ' is a pretty decent little documentary . 
half-hearted 
padded 
walk away without anyone truly knowing your identity 
hypnotically dull , relentlessly downbeat 
a dime 
kiddie fantasy pablum 
of overwhelming waste 
by the pathetic idea 
airy cinematic bon bons 
sure to ultimately disappoint the action 
's serious , poetic , earnest and -- sadly -- dull 
in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism 
stunning 
dripping with cliche 
warm as it is wise 
, the film goes right over the edge and kills every sense of believability 
the film 's messages of tolerance and diversity are n't particularly original , but 
wewannour money back , 
as it explores the awful complications of one terrifying day 
a chance to learn , to grow , to travel 
woody allen used to ridicule movies like hollywood ending . 
volletta wallace 's maternal fury , her fearlessness 
sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature 
warm and well-told 
what 's missing from this material is any depth of feeling 
mired in tear-drenched quicksand 
that is actually funny with the material 
narrative continuity 
contains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin 
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , 
a canny crowd pleaser , and 
a film about something , one that attempts and often achieves a level of connection and concern 
so watchable 
stunning animation 
the dog from snatch ) 
great marching bands 
absolutely amazing 
cold , sterile and lacking any color or warmth . 
successful 
no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
esther kahn is unusual but unfortunately also irritating . 
the touch is generally light enough and 
unearth the quaking essence of passion , grief and fear 
plays like some weird masterpiece theater sketch with neither 
has some nice twists but the ending 
washington has a sure hand . 
a boatload of screenwriting cliches that sink it faster than a leaky freighter 
wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
very good film 
more curious 
liked it because it was so endlessly , grotesquely , inventive 
less like a cousin to blade runner than like a bottom-feeder sequel in the escape from new york series . 
ace japanimator hayao miyazaki 's spirited away 
few movies have ever approached 
a thoroughly awful movie -- 
springing 
bigger than yourself 
the plot is nothing but boilerplate clichés from start to finish , and 
a wonderful account to work from 
there is no earthly reason other than money why this distinguished actor would stoop so low 
turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny . 
lil bow wow takes the cake 
dismally dull sci-fi comedy 
denouement 
still want my money back . 
has a tired , talky feel . 
and the reason for that is a self-aware , often self-mocking , intelligence . 
from japan 
knows how a daily grind can kill love 
an admitted egomaniac , evans is no hollywood villain , and yet this grating showcase almost makes you wish he 'd gone the way of don simpson . 
it aims so low 
eight legged freaks falls flat as a spoof . 
told with the intricate preciseness of the best short story writing . 
big , dumb action movie 
lip-reading 
audacity and openness 
enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies 
one of the year 's most enjoyable releases 
to like 
a cellophane-pop remake of the punk 
morally bankrupt characters 
, overall it 's an entertaining and informative documentary . 
you 're convinced that this mean machine was a decent tv outing that just does n't have big screen magic . 
exhilarating documentary 
intentionally low 
creepy crawlies 
loud , witless mess 
to accomplish 
when cares melted away in the dark theater 
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline . 
a dud 
sappy situations and dialogue 
entertaining and , ultimately , more perceptive moment 
adorably whimsical comedy 
the pacing is often way off and there are too many bona fide groaners among too few laughs 
it goes on for too long and bogs down in a surfeit of characters and unnecessary subplots . 
expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness 
how pertinent its dynamics remain 
includes too much obvious padding . 
becomes predictably conventional 
the plot is nothing but boilerplate clichés from start to finish 
a straight-ahead thriller that never rises above superficiality . 
a story for more than four minutes 
hip-hop indie snipes 
trifling 
may be the performances of their careers 
from a faraway planet 
one of the most repellent things 
would change the fact that what we have here is a load of clams left in the broiling sun for a good three days 
tells a sweet , charming tale of intergalactic friendship 
a powerful sequel and one 
ramsay is clearly extraordinarily talented , 
uproarious humor 
deft punctuation 
it 's sweet and fluffy at the time 
reduce everything he touches to a shrill , didactic cartoon 
is one of the year 's worst cinematic tragedies . 
it allows the mind to enter and accept another world 
could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life 
laugh because he acts so goofy all the time 
oversexed 
it gets old quickly . 
peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth 
the four feathers has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes . 
few films have captured the chaos of an urban conflagration with such fury , and 
of kiddie entertainment , sophisticated wit and symbolic graphic design 
forefront 
be most in the mind of the killer 
stages his gags as assaults on america 's knee-jerk moral sanctimony 
a celebration 
you could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time . 
flat and uncreative 
oo many of these gross 
like a docu-drama but builds its multi-character story with a flourish 
i have not been this disappointed by a movie in a long time . 
a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same 
frailty fascinates 
a play that only ever walked the delicate tightrope between farcical and loathsome 
the film was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson ... 
remains brightly optimistic 
worth your time 
rooting for the monsters in a horror movie 
still comes from spielberg , who has never made anything that was n't at least watchable 
, everything else about the film tanks . 
as overbearing and over-the-top as the family 
it 's supposed to be a romantic comedy - it suffers from too much norma rae and not enough pretty woman 
a subculture hell-bent on expressing itself in every way imaginable 
, shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life . 
a bland murder-on-campus 
the artwork 
a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
, the characters have a freshness and modesty that transcends their predicament . 
even the corniest 
... a quietly introspective portrait of the self-esteem of employment and the shame of losing a job ... 
has a whip-smart sense of narrative bluffs 
its beautiful women 
wretchedly 
you have a case of masochism and an hour and a half to blow 
clever scripting solutions 
left me with the visceral sensation of longing , lasting traces of charlotte 's web of desire and desperation . 
late fees 
is uniformly superb 
fails at both endeavors 
convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking 
siren 
to be a hollywood satire but winds up as the kind of film that should be the target of something 
from a bygone era 
, the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake . 
one of french cinema 's master craftsmen 
a funny , triumphant , and moving documentary . 
suspenseful cliché 
during the tuxedo 's 90 minutes of screen time , there is n't one true ` chan moment ' . 
should have been a more compelling excuse to pair susan sarandon and goldie hawn 
most virtuous limits 
something goes bump in the night and nobody cares 
puzzle his most ardent fans . 
a bad sign when directors abandon their scripts and go where the moment takes them 
to our basest desires 
a black hole 
a worthy addition to the cinematic canon , which , at last count , numbered 52 different versions 
comic energy 
the film becomes an overwhelming pleasure 
excites the imagination 
inauthentic at its core 
remain an unchanged dullard 
if i could have looked into my future and saw how bad this movie was 
a vivid , spicy footnote to history , 
a suspenseful spin 
of an underdone potato 
get more re-creations of all those famous moments 
real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
the gifts of all involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together . 
good guys 
it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy . 
very expressive 
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love , 
said that warm water under a red bridge is a poem to the enduring strengths of women 
a loud , witless mess that has none of the charm and little of the intrigue from the tv series . 
ghastly 
a nightmare about bad cinema 
, gangs excels in spectacle and pacing . 
the film operates nicely off the element of surprise 
how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew 
to overcome the cultural moat surrounding its ludicrous and contrived plot 
the third feels limited by its short running time 
medem may have disrobed most of the cast , leaving their bodies exposed , but the plot remains as guarded as a virgin with a chastity belt . 
that , if it were a person , you 'd want to smash its face in 
it 's excessively quirky and a little underconfident in its delivery 
going to go down as the worst -- and only -- killer website movie of this or any other year 
, by the end , no one in the audience or the film seems to really care 
berling and béart ... continue to impress , 
, comfortable 
gets old 
as solid and as perfect as his outstanding performance as bond in die 
of characters that bring the routine day to day struggles of the working class to life 
for something new 
reign of fire never comes close to recovering from its demented premise , 
simply a re-hash of the other seven films . 
when none of them are ever any good 
tired , talky 
's enough cool fun here to warm the hearts of animation enthusiasts of all ages . 
moonlight mile does n't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy 
engaging simplicity 
strong and convincing 
'll want to crawl up your own *** in embarrassment 
an intelligent and deeply felt work about impossible , irrevocable choices and the price of making them . 
for sex in the movies look like cheap hysterics 
but the actors make this worth a peek . 
a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
such an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema . 
's the butt of its own joke 
a masterpiece -- 
a dazzling , remarkably unpretentious reminder 
a stunning film , a one-of-a-kind tour de force 
clichés and mawkish dialogue 
a tragic dimension and 
deathly slow to any teen 
annoyed 
any art-house moviegoer is likely to find compelling 
maybe twice ) 
good action , good acting , good dialogue , good pace , good cinematography . 
remarkably unpretentious 
has the rare capability to soothe and break your heart with a single stroke . 
funny and human and really pretty damned wonderful 
it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out . 
that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album 
a work of extraordinary journalism , but 
worked against the maker 's minimalist intent 
spirals downward , and 
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds 
full 
it goes further than both 
more than a whiff 
more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms . 
k-19 : the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining . 
because his character 's deceptions ultimately undo him 
generic thriller junk . 
no fun 
joyous communal festival 
a simple premise 
you would n't turn down a big bowl of that 
fearlessly 
that never quite goes where you expect and often surprises you with unexpected comedy 
probes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent . 
a delicious crime drama on par with the slickest of mamet 
the film 's lack of personality 
subtly kinky bedside vigils and 
auteil 's less dramatic but equally incisive performance 
hard to resist . 
bungle their way through the narrative as if it were a series of bible parables and not an actual story 
more than enough sentimental catharsis for a satisfying evening at the multiplex 
of purpose and even-handedness 
any scenes that might have required genuine acting from ms. spears 
the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
are capable of anteing up some movie star charisma 
, the film does hold up pretty well . 
one ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album . 
yet surprisingly entertaining 
some body is a shaky , uncertain film that nevertheless touches a few raw nerves . 
amy and matthew have a bit of a phony relationship , but the film works in spite of it . 
of a sleeper success 
being real 
that made a walk to remember a niche hit 
rate as the most magical and most fun family fare of this or any recent holiday season 
at once visceral and spiritual , 
each of these stories has the potential for touched by an angel simplicity and sappiness 
overstays 
as an actor 's showcase 
dressed up this little parable 
an aimlessness that 's actually sort of amazing 
the nerve-raked acting , 
top-notch action powers this romantic drama 
is n't merely offensive 
unlikable 
... it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second , did i miss something ? '' 
without any of the pretension associated with the term 
rent those movies instead , 
is the most disappointing woody allen movie ever 
vulgar , sexist 
very difficult 
is so incredibly inane 
brash and mainly unfunny 
convince the audience that these brats will ever be anything more than losers 
directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
ends up merely pretentious -- in a grisly sort of way 
misconceived final 
qualities that were once amusing are becoming irritating . 
journey into a philosophical void 
the story really has no place to go since simone is not real -- she ca n't provide any conflict . 
where their heads were is anyone 's guess . 
humor and a heartfelt conviction 
for the best 
of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence 
bug-eyed mugging 
two dimension tale 
friends will be friends through thick and thin 
sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature . 
if good-hearted , movie . 
the characters are intriguing and realistic 
realism , crisp storytelling and 
actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point 
unflappable 
traditional romantic 
do we really need another film that praises female self-sacrifice ? 
a hack script 
a tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers . 
just does n't have anything really interesting to say . 
going for it , not least the brilliant performances by testud 
lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
and lesbian children 
study that made up for its rather slow beginning by drawing me into the picture . 
unimpressively 
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; 
is an impossible task 
the hours , a delicately crafted film 
the metaphors are provocative 
it puts washington , as honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher . 
super-dooper-adorability intact 
been titled generic jennifer lopez romantic comedy 
are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
reassures 
of america , history and the awkwardness of human life 
there 's not one decent performance from the cast and not one clever line of dialogue . 
the four feathers is definitely horse feathers , 
an intricate , intimate and intelligent journey 
beautifully designed 
even steven spielberg has dreamed up such blatant and sickening product placement in a movie . 
thirteen conversations about one thing , for all its generosity and optimism , 
paints an absurdly simplistic picture . 
genuinely unnerving . 
and movie life 
effective enough at achieving the modest , crowd-pleasing goals it sets for itself 
some comic sparks 
subtle , and resonant 
though a touch too arthouse 101 in its poetic symbolism , heaven proves to be a good match of the sensibilities of two directors . 
bracingly nasty 
a smart , nuanced look at de sade and 
grows on you . 
and for many of us , that 's good enough . 
unparalleled 
trapped wo n't score points for political correctness 
love robin tunney 
cold , gray , antiseptic and 
who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
its own 
and sublime music 
a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score 
the kind of social texture and realism 
astoundingly 
drag 
'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment 
humor and a heartfelt conviction to tell a story about discovering your destination in life 
good one 
abandoned , 
is better than ` shindler 's list ' 
this sade is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama . 
has a feel for the character at all stages of her life 
dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
refreshes 
inconsistencies 
something creepy about this movie 
a filmmaker with a bright future ahead of him 
engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution . 
suitably kooky which should appeal to women and they strip down often enough to keep men alert , if not amused 
the yawning chasm where the plot should be 
maudlin focus 
blazingly 
owes enormous debts to aliens and every previous dragon drama 
a film living far too much in its own head 
make up its mind whether it wants to be a gangster flick or an art film 
, this film will attach a human face to all those little steaming cartons . 
, talented , charismatic and tragically 
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... but at the very least , his secret life will leave you thinking . 
a feature debut 
sumptuous ocean visuals 
bitterly 
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama 
festers in just such a dungpile that you 'd swear you 
when the explosions start , they fall to pieces 
all your mateys , 
the structure is simple , but 
the stories and faces and music of the men who are its subject 
could not stand them 
that nevertheless will leave fans clamoring for another ride 
perhaps a better celebration of these unfairly dismissed heroes would be a film that is n't this painfully forced , false and fabricated . 
groaner 
strange and beautiful film 
tired , unnecessary 
artistic transcendence 
a film really has to be exceptional to justify a three hour running time , and this is n't 
for older fans or a silly , nickelodeon-esque kiddie flick 
a sobering and powerful documentary about the most severe kind of personal loss : rejection by one 's mother 
its absurdities and crudities 
are beautifully 
do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages 
no disguising this as one of the worst films of the summer 
feature-length stretch 
could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films 
's muy loco , but no more ridiculous than most of the rest of `` dragonfly . '' 
ok for a movie 
surprisingly entertaining 
an instance of an old dog not only learning but inventing a remarkable new trick . 
, think an action film disguised as a war tribute is disgusting to begin with 
keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity 
is that it progresses in such a low-key manner that it risks monotony 
some intelligent observations 
the consequences 
be interested in knowing any of them personally 
rarely easy , obvious or self-indulgent 
against a tree 
have strip-mined the monty formula mercilessly since 1997 . 
no amount of imagination 
more salacious telenovela than serious drama 
placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , 
simply 
the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right . 
the essence of what it is to be ya-ya 
what a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film so poorly plotted and scripted . 
the wildly popular vin diesel in the equation 
comprehensible 
`` abandon '' will leave you wanting to abandon the theater . 
feel sorry 
by forcing the star to play second fiddle to the dull effects that allow the suit to come to life 
peppered with witty dialogue and inventive moments 
a fascinating curiosity piece -- fascinating , that is , for about ten minutes . 
bad direction 
universal and involving 
every painful nuance , 
vibrant , colorful , semimusical 
a twist -- far better 
caught but the audience gets pure escapism 
dominate a family 
a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
least favorite emotions 
of an almost sure-fire prescription for a critical and commercial disaster 
this ready-made midnight movie probably wo n't stand the cold light of day , but under the right conditions , it 's goofy ( if not entirely wholesome ) fun . 
robert harmon 's less-is-more approach delivers real bump-in - the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows 
sane and breathtakingly 
thrillingly 
thanks largely to williams , all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film 
beautiful outer-space documentary space station 3d 
from a surprisingly sensitive script co-written 
existential drama without any of the pretension associated with the term 
might want to check it out 
is as bad as you think , and worse than you can imagine 
a moving , if uneven , success . 
dead-on 
may not touch the planet 's skin , but understands the workings of its spirit 
unhurried narrative 
perfectly executed 
new york metropolitan area 
the characters are so generic and the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament 
earnest and heartfelt but undernourished and plodding . 
solaris '' is a shapeless inconsequential move relying on the viewer to do most of the work . 
the best animated feature to hit theaters since beauty and the beast 11 years ago . 
color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at 
'll be thinking of 51 ways to leave this loser . 
a year late 
get to its subjects ' deaths just so the documentary will be over 
random , superficial humor 
it makes absolutely no sense 
would love this . 
to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book 
conjures the past via surrealist flourishes so overwrought you 'd swear he just stepped out of a buñuel retrospective . 
an exciting plot 
makes a better short story than it does a film 
a film so graceless and devoid of merit as this one come along 
the movie eventually gets around to its real emotional business , striking deep chords of sadness . 
fine job 
uninteresting 
good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films 
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , 
's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish 
is not unlike watching a glorified episode of `` 7th heaven . 
with enough sardonic wit 
welcome perspective 
the most high-concept sci fi adventures attempted for the screen 
the acting is fine but the script is about as interesting as a recording of conversations at the wal-mart checkout line 
the most watchable film 
the vital action sequences 
gorgeous and deceptively minimalist cinematic tone poem 
the same mistake as the music industry 
the brawn 
no , paralyzed 
going to jell 
to the actors ' perfect comic timing and sweet , genuine chemistry 
the cat 's meow 
a collective heart attack 
always keeping the balance between the fantastic and the believable 
that old familiar feeling of ` let 's get this thing over with ' 
peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids 
painful 
to figure the depth of these two literary figures , and even the times in which they lived 
writer-director kurt wimmer 
to finish , featuring a fall from grace that still leaves shockwaves 
solondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me . 
move over bond ; this girl deserves a sequel . 
a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge . 
a core 
as well as it does because of the performances 
wish it would have just gone more over-the-top instead of trying to have it both ways 
misses the mark 
is a phenomenal band with such an engrossing story that will capture the minds and hearts of many 
's strongest and most touching movie of recent years . 
logical 
sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions . 
a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh 
killer 
is n't heated 
of freshness , imagination and insight 
real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros 
are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care 
adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
most of the things that made the original men in black such a pleasure are still there . 
is nothing redeeming about this movie . 
that is impenetrable and dull 
jeffrey tambor 's performance as the intelligent jazz-playing exterminator is oscar-worthy . 
whereas oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy 
sinks into an abyss of clichés , depression and bad alternative music . 
mature and 
a heartening tale of small victories and 
keeps the energy humming 
the direction is clumsy 
shallow . 
special effect 
never recovers from the clumsy cliché of the ugly american abroad 
visually striking and 
is tepid and tedious 
it 's just not very smart . 
an awful snooze . 
is both inspiring and pure joy 
make the most of the large-screen format , 
the real horror may be waiting for us at home 
leave you wanting to abandon the theater 
99-minute 
deliver remarkable performances . 
the two leads , nearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie . 
the film in a very real and amusing give-and-take 
otherwise bleak tale 
awkwardly garish showcase 
the soul-searching deliberateness of the film 
will please eastwood 's loyal fans -- and 
, the movie looks genuinely pretty . 
an intermittently good time 
a stiflingly unfunny and unoriginal mess this 
a crescendo 
a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll . 
a gleefully 
the first five minutes will have you talking 'til the end of the year ! 
at theaters 
might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
the overall fabric is hypnotic , and mr. mattei fosters moments of spontaneous intimacy 
most opaque , self-indulgent and 
experienced 
loyal fans 
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms 
it demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken . 
is workmanlike in the extreme . 
are likely to be as heartily sick of mayhem as cage 's war-weary marine 
to disguise it as an unimaginative screenwriter 's invention 
undeniably intriguing 
of embarrassment 
despite some first-rate performances 
an acting bond 
you 're not a fan 
the choices 
to whether you 've seen pornography or documentary 
despite the predictable parent vs. child coming-of-age theme , first-class , natural acting and a look at `` the real americans '' make this a charmer . 
satisfyingly scarifying , fresh and 
fake 
it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , 
it 's sweet and fluffy at the time , but it may leave you feeling a little sticky and unsatisfied . 
the wonderfully lush morvern callar is pure punk existentialism , and ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting . 
is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective 
pay money for what we can get on television for free 
campanella 's competent direction and 
this is the stuff that disney movies are made of . 
stakes out the emotional heart of happy 
the bottom of the pool with an utterly incompetent conclusion 
into the mainstream of filmmaking with an assurance worthy of international acclaim 
the year 's best 
if you love him , you 'll like it . 
from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner 
abundant 
` laughing 
a predictable , manipulative stinker 
for engaging , imaginative filmmaking in its nearly 2 1/2 
explore the connections between place and personal identity . 
if you liked the previous movies in the series , you 'll have a good time with this one too 
, today , can prevent its tragic waste of life 
, not as gloriously flippant as lock , stock and two smoking barrels 
co-winner 
no one can doubt the filmmakers ' motives , but the guys still feels counterproductive 
is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit 
while the ensemble player who gained notice in guy ritchie 's lock , stock and two smoking barrels and snatch has the bod , he 's unlikely to become a household name on the basis of his first starring vehicle . 
to sit through than most of jaglom 's self-conscious and gratingly irritating films 
underlines even the dullest tangents 
relentlessly nasty situations 
are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material 
a visit to mcdonald 's , let alone 
director lee has a true cinematic knack , but it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve 
technically superb film 
tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense 
the usual cliches 
it 's still entertaining to watch the target practice . 
still does n't quite know how to fill a frame . 
an uncomfortable movie , suffocating and sometimes almost senseless , the grey zone 
to overcome his personal obstacles and become a good man 
too many prefabricated story elements 
of a classic text since roland joffé and demi moore 
is a little too in love 
the film is visually dazzling , the depicted events dramatic , funny and poignant . 
the film is strictly routine . 
a cruelly funny twist 
amused indictment 
the lazy material and 
aggressively silly 
is entertaining 
thought out encounter than the original could ever have hoped to be 
rather brilliant 
a moving and not infrequently breathtaking film 
if you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera 
to see a romance this smart 
the most moronic screenplays of the year 
less than fresh . 
tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in . 
is plenty of room for editing 
thriller with enough unexpected twists 
is as difficult for the audience 
simple pleasures 
this is a nicely handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch . 
a shimmeringly lovely coming-of-age portrait 
regards reign of fire with awe 
's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out 
director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags . 
such enervating determination 
be pleased 
really poor 
if any of them list this ` credit ' on their resumes in the future , that 'll be much funnier than anything in the film ... 
referred to in the title , many can aspire but none can equal 
he is always sympathetic . 
has fallen 
yet compelling 
, amusing 
gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek or 
why would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects ? 
do justice to the awfulness of the movie , for that comes through all too painfully in the execution 
her beaten to a pulp in his dangerous game 
in aimless , arduous , and arbitrary 
a weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
is not only the best date movie of the year 
steals so freely from other movies and combines enough disparate types of films 
, you 'll like it . 
with the weak payoff 
is fantastic . 
mostly honest , this somber picture reveals itself slowly , intelligently , artfully . 
that presents a fascinating glimpse of urban life and the class warfare that embroils two young men 
if somewhat standardized , 
survives intact in bv 's re-voiced version . 
just another disjointed 
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; 
masterpieces 
clever ways of capturing inner-city life during the reagan years 
trading in his cynicism for reverence and a little wit 
a couple of burnt-out cylinders 
witty expose 
that is worthy of our respect 
captivating and 
with minimal imagination , you could restage the whole thing in your bathtub . 
'd probably turn it off 
a vivid , spicy footnote to history , and a movie that grips and holds you in rapt attention from start to finish . 
disparate funny moments 
come with the warning 
develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times 
is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals 
is banal in its message and the choice of material to convey it . 
one of these days hollywood will come up with an original idea for a teen movie 
does n't disappoint . 
a necessary and timely one 
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman 
appreciated a smartly written motion picture 
, quite simply , should n't have been made 
rip-off 
commanding 
where the most notable observation is how long you 've been sitting still 
the shallow sensationalism characteristic 
transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor . 
it lacks a strong narrative 
detailed personal portrait 
but a great one 
a jarring , new-agey tone 
the rising place that would set it apart from other deep south stories 
a slam-bang extravaganza that is all about a wild-and-woolly , wall-to-wall good time . 
returns with a chase to end all chases 
hugely accomplished slice of hitchcockian suspense . 
sensitive ensemble performances and good period reconstruction 
by poor casting 
be smarter and more diabolical than you could have guessed at the beginning 
mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
talk to her is not the perfect movie many have made it out to be , but it 's still quite worth seeing 
positive 
with the precision of the insurance actuary 
any of the signposts 
as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned 
affectation 
of playing with narrative form 
stanley kwan has directed not only one of the best gay love stories ever made , 
so bland 
more repetition than creativity throughout the movie 
is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio 
a collage of clichés and a dim echo of allusions to other films . 
about it will stay with you 
everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious 
destined to be measured against anthony asquith 's acclaimed 1952 screen adaptation . 
, dull procession 
is n't as compelling or as believable as it should be 
introverted young men with fantasy fetishes 
an honest and loving one 
smart , sassy interpretation of the oscar wilde play . 
drown a viewer in boredom than to send any shivers down his spine 
into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek 
their time ( including mine ) on something very inconsequential 
mediocre exercise 
funny and light 
taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
muddled and derivative 
, excruciatingly tedious 
crisp framing 
even-flowing tone 
by the standards of knucklehead swill , the hot chick is pretty damned funny . 
is one baaaaaaaaad movie . 
lonely and needy 
mama africa pretty much delivers on that promise . 
show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers 
on subtle ironies and visual devices 
an ill-conceived 
is told as the truth 
just bring on the battle bots , please ! 
show-stoppingly hilarious 
mainly unfunny 
dressed as a children 's party clown gets violently gang-raped 
itself all too seriously 
dread encountering the most 
considerable appeal 
fairy-tale formula , serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm . 
, nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent . 
pays off 
pushes all the demographically appropriate comic buttons . 
by the end of it all i sort of loved the people onscreen , even though i could not stand them . 
to please its intended audience -- children -- without placing their parents in a coma-like state . 
are odd and pixilated 
the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss . 
punched through by an inconsistent , meandering , and sometimes dry plot 
hard to imagine acting that could be any flatter 
it 's insanely violent and very graphic 
nothing short of a great one 
would have been benefited from a sharper , cleaner script before it went in front of the camera 
alienating most viewers 
has all the complexity and realistic human behavior of an episode of general hospital . 
an enjoyable level of ridiculousness 
nohe 's documentary about the event is sympathetic without being gullible : he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction . 
ought to be a whole lot scarier than they are in this tepid genre offering . 
good video game movie 
jolt you 
had more fun watching spy than i had with most of the big summer movies 
in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
one of those movies that make us pause and think of what we have given up to acquire the fast-paced contemporary society . 
's hard to take her spiritual quest at all seriously 
which works so well for the first 89 minutes , but ends so horrendously confusing 
your mind is being blown 
with wit and originality 
patience 
cliches , painful improbability and murky 
human comedy 
, then you 'll enjoy the hot chick . 
the hallmarks 
is as padded as allen 's jelly belly . 
a waste of fearless purity 
an entertaining ride 
wry comic mayhem 
bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world . 
those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen 
to call for prevention rather than to place blame , making it one of the best war movies ever made 
seem as long as the two year affair which is its subject 
empty theaters 
the story is lacking any real emotional impact , and 
recommend read my lips 
this odd , inexplicable and unpleasant 
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; the resolutions are too convenient . 
by the sheer beauty of his images 
neither is incompetent , incoherent or just plain crap 
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising 
is if you have a case of masochism and an hour and a half to blow . 
makes you realize that deep inside righteousness can be found a tough beauty . 
falls to the floor with a sickening thud . 
he 's made a film that 's barely shocking , barely interesting and most of all , barely anything 
intellectual and emotional 
who comes across as both shallow and dim-witted 
potentially incredibly twisting mystery 
making kahlo 's art a living 
a fault 
bring fresh good looks and an ease in front of the camera to the work . 
wonderland adventure , a stalker thriller , 
it is unwavering and arresting 
it 's about issues most adults have to face in marriage and 
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie 
is cruel 
does n't beat that one , either . 
stomps in hobnail boots over natalie babbitt 's gentle , endearing 1975 children 's novel 
emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds . 
, the wild thornberrys movie does n't offer much more than the series 
a completely honest , open-hearted film 
remarkable 
this odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in morton 's ever-watchful gaze -- and it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one 
as the film lacks momentum and its position remains mostly undeterminable 
manages to convince almost everyone that it was put on the screen , just for them . 
directed , barely , 
us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity 
you can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter . 
an engaging , wide-eyed actress whose teeth are a little too big for her mouth 
has crafted here a worldly-wise and very funny script . 
because it has some of the funniest jokes of any movie this year , including those intended for adults 
the hood 
which is more than he has ever revealed before about the source of his spiritual survival 
a glib but bouncy bit of sixties-style slickness in which the hero might wind up 
at its best , which occurs often , michael moore 's bowling for columbine rekindles the muckraking , soul-searching spirit of the ` are we a sick society ? ' 
combined with indoctrinated prejudice 
the very simple story seems too simple and the working out of the plot almost arbitrary . 
the universal themes , earnest performances 
ambivalence 
is that it stinks . 
hearts 
respectable summer blockbuster 
seeing an otherwise good movie marred beyond redemption by a disastrous ending 
the most creative , energetic and original comedies to hit the screen in years 
its hero 
, alas , it collapses like an overcooked soufflé . 
big , tender hug 
just about the best straight-up , 
every indulgent , indie trick 
seems a prostituted muse 
nohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant 
none of this sounds promising and , 
brown sugar is such a sweet and sexy film 
as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air 
it 's a dish that 's best served cold 
nights feels more like a quickie tv special than a feature film ... it 's not even a tv special you 'd bother watching past the second commercial break . 
surrounding us with hyper-artificiality 
memorable first interrogation 
wry and engrossing 
the film 's thoroughly recycled plot and tiresome jokes ... 
the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
hugely accomplished 
can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise . 
the striking , quietly vulnerable personality of ms. ambrose 
that can calm us of our daily ills and bring out joys in our lives that we never knew 
if you 've grown tired of going where no man has gone before , but several movies have - take heart . 
a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
of clichés and borrowed images 
trapped wo n't score points for political correctness , 
poignant and uplifting story 
starts as an intense political and psychological thriller but is sabotaged by ticking time bombs and other hollywood-action cliches . 
ditched the artsy pretensions 
pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success 
a concept doofus 
manages to invest real humor 
clever angle 
some last-minute action strongly reminiscent of run lola run 
is that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb . 
insult the intelligence of everyone in the audience 
new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply 
hoffman waits too long to turn his movie in an unexpected direction , and even then his tone retains a genteel , prep-school quality that feels dusty and leatherbound 
love head-on 
of the expressive power of the camera 
an unencouraging threefold expansion 
keep upping the ante on each other , 
banal 
the unmentionable 
a reasonably entertaining sequel to 1994 's surprise family hit that may strain adult credibility . 
its story just is n't worth telling 
, offering fine acting moments and pungent 
to the fierce grandeur of its sweeping battle scenes 
utterly painful 
it 's a day at the beach -- with air conditioning and popcorn . 
tight and truthful , full of funny situations and honest observations 
outrageous , ingenious 
weighs no more than a glass of flat champagne . 
quite a comedy 
wannabe-hip 
look as though they are having so much fun 
peek at it through the fingers in front of your eyes 
the script was reportedly rewritten a dozen times -- either 11 times too many or else too few . 
while banderas looks like he 's not trying to laugh at how bad 
lynch , jeunet , and von trier 
writing and slack direction 
manipulative claptrap , a period-piece movie-of-the-week , 
ah-nuld 's 
can not help but love cinema paradiso , whether the original version or new director 's cut 
become wearisome . 
the film jolts the laughs from the audience -- as if by cattle prod . 
there 's none of the happily-ever - after spangle of monsoon wedding in late marriage -- and that 's part of what makes dover kosashvili 's outstanding feature debut so potent . 
is undoubtedly one of the finest films of the year 
sympathetic characters 
dying a slow death , if the poor quality of pokemon 4 ever is any indication 
captures both the beauty of the land and the people . 
is plenty of fun for all 
exquisite craftsmanship 
she strikes a potent chemistry with molina 
for gai 's character to avoid the fate that has befallen every other carmen before her 
love a disney pic with as little cleavage as this one has , 
's neither original nor terribly funny 
without vulgarity , sex scenes , and cussing 
one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother 
of middle eastern world politics 
of utter loss personified in the film 's simple title 
might be wishing for a watch that makes time go faster rather than the other way around 
coupling disgracefully written dialogue with flailing bodily movements 
for purposes of bland hollywood romance 
if you 're looking for something new and hoping for something entertaining , you 're in luck . 
's often overwritten , 
overcome the problematic script 
there are some laughs in this movie , but williams ' anarchy gets tiresome , the satire is weak . 
( jeff 's ) gorgeous , fluid compositions , 
a true talent 
only mildly funny 
that a life like this can sound so dull 
, the journey does n't really go anywhere . 
downright hitchcockian 
lisa rinzler 's cinematography may be lovely 
a curious sick poetry , 
favored by pretentious , untalented artistes who enjoy moaning about their cruel fate 
the mainstream of filmmaking with an assurance worthy of international acclaim 
does n't figure in the present hollywood program 
another run-of-the-mill disney sequel 
family movie 
a relative letdown . 
of disney 's great past 
painfully flat gross-out comedy 
take care is nicely performed by a quintet of actresses , but nonetheless it drags during its 112-minute length . 
a lumbering load of hokum but 
that virtually no one is bound to show up at theaters for it 
all the boozy self-indulgence that brings out the worst in otherwise talented actors 
the film is funny , insightfully human and a delightful lark for history buffs 
the irony is that this film 's cast is uniformly superb ; their performances could have -- should have -- been allowed to stand on their own . 
powerful and telling story 
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and 
this kiddie-oriented stinker 
comes alive as its own fire-breathing entity in this picture . 
the rolling of a stray barrel 
odd enjoyably chewy lump 
the operative word for `` bad company 
pompous 
2-day old coke 
conventional , 
gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging . 
cinematic art 
gritty , sometimes funny 
dickens ' wonderfully sprawling soap opera , 
delicious and delicately funny look 
a thoroughly entertaining comedy that 
stirring music 
lends itself to easy jokes and insults 
told in scattered fashion , the movie only intermittently lives up to the stories and faces and music of the men who are its subject . 
meager 
about guys and dolls 
so awful 
's hard to believe that something so short could be so flabby . 
service of of others 
awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters 
considerable power 
, but he appears miserable throughout as he swaggers through his scenes . 
is insightful about kissinger 's background and history 
meandering , loud , painful , obnoxious 
is an actress works as well as it does because ( the leads ) are such a companionable couple 
stylish 
glow 
a classical dramatic animated feature 
best espionage picture 
drag on for nearly three hours 
the entire point of a shaggy dog story , of course , is that it goes nowhere , and 
a prolific director 
barn-burningly bad movie 
squeeze the action and our emotions 
and narrative flow 
this seductive tease 
this gorgeous epic is guaranteed to lift the spirits of the whole family . 
a serious debt to the road warrior 
the wasted potential of this slapstick comedy 
that its own action is n't very effective 
, noisy and pretentious 
a genuinely bone-chilling tale 
one the public 
but it 's worth the concentration . 
part because the consciously dumbed-down approach wears thin 
, they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting . 
he waters it down , turning grit and vulnerability into light reading 
a worthy idea 
of the little mermaid and aladdin 
the line between sappy and sanguine 
believable that you feel what they feel 
that were imposed for the sake of commercial sensibilities 
realize your mind is being blown 
such an achievement 
engaging diatribes 
its poignant and uplifting story in a stunning fusion of music and images 
the obnoxious title character provides the drama that gives added clout to this doc . 
nostalgic comments 
is definitely a director to watch 
some laughs 
see this terrific film 
an oddity , to be sure , but one that you might wind up remembering with a degree of affection rather than revulsion 
too amateurish and awkward 
although the film boils down to a lightweight story about matchmaking , the characters make italian for beginners worth the journey 
for leonard 
clichés , depression and 
an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters 
avoid noticing some truly egregious lip-non-synching 
a classic text 
sheridan had a wonderful account to work from 
it also does the absolute last thing we need hollywood doing to us 
waldo salt screenwriting award 
no. 1 
a fascinating , bombshell documentary that should shame americans , regardless of whether or not ultimate blame 
so much phone in his performance as 
you want to see it 
what a banal bore the preachy circuit turns out to be 
hopefully , sets the tone for a summer of good stuff 
one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while 
although estela bravo 's documentary is cloyingly hagiographic in its portrait of cuban leader fidel castro 
with table manners 
illuminating 
with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life 
deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer 
remarkably insightful 
actually happened as if it were the third ending of clue 
continues to do interesting work 
unless there are zoning ordinances to protect your community from the dullest science fiction 
low-budget series 
give them credit for : the message of the movie 
parents may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults . 
shot in rich , shadowy black-and-white , devils chronicles , with increasingly amused irony , the relationship between reluctant captors and befuddled captives . 
this is one of the biggest disappointments of the year . 
be funny in a way that 's too loud , too goofy and too short of an attention span 
is smart and entirely charming in intent and execution . 
great monster movie 
famed 
the story 's scope and pageantry are mesmerizing 
populated by whiny , pathetic , starving and untalented artistes 
will likely enjoy this monster 
gives out 
that i ca n't wait to see what the director does next 
a genuine and singular artist 
joyful solo performance 
a customarily jovial air 
a joyous communal festival of rhythm 
have you scratching your head than hiding under your seat 
inherent absurdity 
of common sense 
how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
the campaign-trail press 
the opera 's drama and lyricism 
the stars may be college kids , but the subject matter is as adult as you can get 
a sense of real magic , perhaps 
is only so much baked cardboard i need to chew . 
( johnnie to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests may be too narrow to attract crossover viewers . 
was longer than an hour 
the problem with all of this 
suitably kooky which should appeal to women 
a hard look at one man 's occupational angst and its subsequent reinvention , a terrifying study of bourgeois desperation worthy of claude chabrol . 
a zinger-filled crowd-pleaser that open-minded elvis fans ( but by no means all ) will have fun with . 
an honest , sensitive story from a vietnamese point of view 
as a vehicle to savor binoche 's skill 
recycle images and characters that were already tired 10 years ago 
this modern mob music drama never fails to fascinate . 
amounts to is a mildly funny , sometimes tedious , ultimately insignificant film 
of thoughtful war films and those 
is really , really stupid 
anyone who welcomes a dash of the avant-garde fused with their humor 
suicidal 
empathy 
of male hustlers 
intelligent and moving 
cinematic perfection 
in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
directed action sequences and some of the worst dialogue in recent memory 
hollywood has crafted a solid formula for successful animated movies , and 
catch this imax offering 
fears 
a moving story of determination and the human spirit . 
an inconsistent , meandering , and sometimes dry plot 
succeeds primarily with her typical blend of unsettling atmospherics , 
as a soufflé gone wrong 
spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do 
is sordid and disgusting . 
also heartwarming without stooping to gooeyness 
the comic elements of the premise 
the filmmaking in invincible is such that the movie does not do them justice 
in an attempt 
the basic premise is intriguing but quickly becomes distasteful and downright creepy . 
the fine line between cheese 
right down the reality drain 
by a legacy of abuse 
like locusts in a horde these things will keep coming 
weaving themes among three strands which allow us to view events as if through a prism 
a pact to burn the negative and the script and pretend the whole thing never existed 
makes for a touching love story 
makes its message resonate 
some movies were made for the big screen , some for the small screen , and some , like ballistic : ecks vs. sever , were made for the palm screen . 
tully is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience . 
got the wildly popular vin diesel in the equation 
made a movie that is n't just offensive 
leave us stranded with nothing more than our lesser appetites 
the courage of new york 's finest and a nicely understated expression of the grief 
to hurry up and get to its subjects ' deaths just so the documentary will be over 
a classic 
the plot weaves us into a complex web . 
humor 
enough to sustain laughs 
implausible 
come when various characters express their quirky inner selves 
a strong script 
ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless . 
filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat 
knows how to inflate the mundane into the scarifying 
a delightful romantic comedy with plenty of bite 
thoroughly engrossing and 
a vibrant whirlwind 
of the very best movies 
its gentle , touching story creeps into your heart . 
affable 
a thirteen-year-old 's book report 
in which the kids in the house will be gored 
a cleverly crafted but ultimately hollow mockumentary . 
the charming result is festival in cannes . 
the film is so bad it does n't improve upon the experience of staring at a blank screen . 
turgid 
been recycled more times than i 'd care to count 
on the edge of your seat 
most third-rate horror sequels 
labored and unfunny 
a boring movie 
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family , transcends ethnic lines . 
even more indistinct 
aims for the toilet and scores a direct hit 
time , death 
the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm 
's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance . 
dull , unimaginative 
from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
, amari 's film falls short in building the drama of lilia 's journey . 
, it 's not too bad . 
cute alien 
fetid underbelly 
an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller . 
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process 
a flat script 
a properly spooky film about the power of spirits to influence us whether we believe in them or not . 
sentimental , hypocritical 
carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy 
splendor 
does n't add up . 
, you can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor . 
this engaging film about two men who discover what william james once called ` the gift of tears 
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished 
goldie hawn 
a depraved , incoherent , instantly disposable piece of hackery 
as long on the irrelevant as on the engaging , which gradually turns what time is it there ? 
wonder , hope and magic 
the primitive murderer 
the journey feel like a party 
feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks . 
in narc , they find new routes through a familiar neighborhood 
the film is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture . 
is just as obvious as telling a country skunk that he has severe body odor 
less like a cousin to blade runner than like a bottom-feeder sequel in the escape from new york series 
bore . 
's not as single-minded as john carpenter 's original 
that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie 
the predictability 
starts promisingly but disintegrates into a dreary , humorless soap opera . 
snappy 
grows thin soon 
this is a heartfelt story ... 
add up to a biting satire that has no teeth . 
the poor and the dispossessed 
favor of gags that rely on the strength of their own cleverness 
that movie nothing 
contains almost enough chuckles for a three-minute sketch , and no more . 
mysterious , sensual , 
nothing funny in this every-joke-has - been-told-a 
of elaborate and twisted characters 
it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters 
a surprising , subtle turn at the midway point 
hate myself 
such a talented director as chen kaige 
the most oddly honest hollywood document 
of the killing field and the barbarism of ` ethnic cleansing 
be influenced chiefly by humanity 's greatest shame 
is a fragmented film , 
perhaps it 's cliche to call the film ` refreshing , ' but it is 
a smart little indie . 
tv sitcom material 
is something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
weaves us into a complex web . 
the script 's endless assault of embarrassingly ham-fisted sex jokes 
is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating . 
characterisation has been sacrificed for the sake of spectacle . 
enjoyed it 
like high crimes flog the dead horse of surprise as if it were an obligation 
a bad movie , just mediocre 
on other levels 
is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor 
master craftsmen 
can detract from the affection of that moral favorite 
a remarkable film by bernard rose 
, do n't bother . 
long , 
the misery of these people becomes just another voyeuristic spectacle , to be consumed and forgotten . 
high romance , brought off with considerable wit 
just plain bad . 
completely awful 
( fiji diver rusi vulakoro and the married couple howard and michelle hall ) 
morvern rocks . 
love stories you will ever see 
offers nothing 
intimidated by both her subject matter and 
totally unnecessary prologue 
herzog has fallen 
sentiment or sharp , overmanipulative hollywood practices 
's a film that affirms the nourishing aspects of love and companionship 
and people make fun of me for liking showgirls . 
the kind of movie that deserves a chance to shine 
silly , stupid and pointless 
is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience . 
a tribute to the power of women to heal 
though jackson does n't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape 
present an unflinching look at one man 's downfall , brought about by his lack of self-awareness 
... irritating soul-searching garbage . 
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining , 
an unusual but pleasantly haunting debut 
naiveté and 
suspense , surprise and 
coming through in the end 
devoid of wit and humor 
like it was co-written by mattel executives and lobbyists for the tinsel industry 
a brazenly misguided project 
those young whippersnappers making moving pictures today 
make `` the good girl '' a film worth watching 
developed characters 
with the transparent attempts at moralizing 
a singularly off-putting romantic comedy . 
is visually dazzling 
to distance it from the pack of paint-by-number romantic comedies 
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` 
steadfast 
rare drama 
hard to be funny in a way that 's too loud , too goofy and too short of an attention span 
that leads up to a strangely sinister happy ending 
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished . 
too clichéd and too often strains credulity 
for attention it nearly breaks its little neck trying to perform entertaining tricks 
once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film 
possibly the sturdiest example yet 
this movie , by necessity , lacks fellowship 's heart 
feel like a 10-course banquet . 
boilerplate clichés 
is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie . 
observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
at best , cletis tout might inspire a trip to the video store -- in search of a better movie experience . 
the gross-out comedy 
interesting and at times captivating 
delightfully rendered 
chomp on jumbo ants , pull an arrow out of his back 
tackles the difficult subject of grief and loss with such life-embracing spirit 
offers a guilt-free trip into feel-good territory 
morrissette has performed a difficult task indeed - he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating . 
be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture 
the charms of the lead performances allow us to forget most of the film 's problems . 
carries us effortlessly from darkness to light 
will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting . 
in the annals of cinema 
completely awful iranian drama ... 
be ( assayas ' ) homage to the gallic ` tradition of quality 
to shyamalan 's self-important summer fluff 
peels layers from this character that may well not have existed on paper 
in a new way 
one of the most depressing movie-going experiences i can think of 
mean 
noticing some truly egregious lip-non-synching 
're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
this nonsensical story 
have a sense of humor 
see the attraction for the sole reason 
that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad 
this unrelenting bleak insistence 
an mtv , sugar hysteria 
live a rich and full life 
a sloppy , amusing comedy 
for a reasonably intelligent person to get through the country bears 
there 's no art here 
originality ai n't on the menu , 
` terrorists 
plain dumb 
an allegedly inspiring and easily marketable flick 
wickedly funny , visually engrossing , never boring , 
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor 
unspeakably , 
`` goddammit 
it feels painfully redundant and inauthentic . 
it 's hard to figure the depth of these two literary figures , and even the times in which they lived . 
reopens an interesting controversy and never succumbs to sensationalism 
cool 
is n't really one of resources 
have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted 
is tight and truthful , full of funny situations and honest observations 
're more likely to enjoy on a computer 
dredge up 
a gross-out monster movie with effects that are more silly than scary 
cheesy backdrops , ridiculous action sequences , and 
, no matter how degraded things get . 
adventurous young talent 
if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks 
not to have been edited at all 
's so successful at lodging itself in the brain 
it 's something else altogether -- clownish and offensive and nothing at all like real life 
work as shallow entertainment , 
familiar and tired 
'll derive from this choppy and sloppy affair 
with results that are sometimes bracing , sometimes baffling and quite often , and 
they 're treading water at best in this forgettable effort 
rambling and incoherent manifesto 
better characters , some genuine quirkiness and at least a measure of style 
greatest 
great fun 
life-affirming moments 
the film is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold . 
an intimacy 
the riveting performances by the incredibly flexible cast make love a joy to behold . 
lifeless , meandering , loud , painful , obnoxious 
interestingly 
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , when carol kane appears on the screen . 
unencouraging threefold expansion 
harks back to a time when movies had more to do with imagination than market research . 
crowd-pleaser 
is half as moving as the filmmakers seem to think . 
from grace that still leaves shockwaves 
bad it does n't improve upon the experience of staring at a blank screen 
to little more than a screenful of gamesmanship that 's low on both suspense and payoff 
does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . 
so sloppy 
stylishly directed with verve 
terrific performances , great to look at , and funny 
a good-natured ensemble comedy 
it 's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful . 
damned compelling 
a star , nor why he keeps being cast in action films when none of them are ever any good 
though its rather routine script is loaded with familiar situations , the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should . 
roman polanski directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion . 
a sea of constant smiles and frequent laughter 
of the giant screen and its hyper-realistic images 
is far less mature , interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts 
, absurd , 
may find it uninteresting 
some very good acting , 
it overstays its natural running time 
skillfully 
a riveting profile 
most repugnant adaptation 
the humans are acting like puppets 
you 're enlightened by any of derrida 's 
stale , futile scenario 
hungry-man portions of bad ' 
in a series of achronological vignettes whose cumulative effect is chilling 
there 's nothing resembling a spine here 
's hard to imagine acting that could be any flatter 
in a vibrant and intoxicating fashion 
jackie chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing . 
a compelling french psychological drama 
captivating coming-of-age story 
its funny moments 
the movie 's progression into rambling incoherence 
more than a tepid 
, it might just be the movie you 're looking for . 
the events of the film are just so weird that i honestly never knew what the hell was coming next . 
there 's nothing very attractive about this movie 
got a place in your heart 
delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion . 
wo n't have any trouble getting kids to eat up these veggies 
... spellbinding fun and deliciously exploitative . 
expect from movies 
a compelling motion picture that illustrates an american tragedy . 
has a number of holes 
is one of the outstanding thrillers of recent years . 
philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron 
the film should instead be called ` my husband is travis bickle ' 
builds its multi-character story with a flourish 
diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly 
solidly entertaining 
consistently sensitive and often exciting treatment 
humanizing 
a torn book jacket 
a particularly joyless , and exceedingly dull , period 
watching junk 
triple x 
, but slow 
is a disaster 
to paraphrase a line from another dickens ' novel 
its rough edges 
has plenty of laughs 
as imperious 
, you wo n't feel cheated by the high infidelity of unfaithful . 
is as delightful as it is derivative . 
turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts 
does n't deliver a great story , nor is the action as gripping as in past seagal films . 
staggered from the theater and blacked out in the lobby 
is to skip the film and pick up the soundtrack 
with raw urban humor 
incredible 
cox offers plenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge 
match the freshness of the actress-producer and writer 
has some of the funniest jokes of any movie this year , including those intended for adults 
worthy successor 
genteel and 
is an interesting movie 
often messy and frustrating , but very pleasing at its best moments , it 's very much like life itself . 
putrid 
a casual intelligence 
well-conceived 
overall feelings , broader ideas , 
's sanctimonious , self-righteous and so eager to earn our love that you want to slap it 
the movie 's messages are quite admirable , 
too simple and the working out of the plot almost arbitrary 
a gentle film 
a new treasure 
emphasizes the well-wrought story 
forced 
lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences 
epiphanies 
sweet and sexy film 
infidelity drama is nicely shot , well-edited and features a standout performance by diane lane . 
derived from a lobotomy 
it squanders chan 's uniqueness ; 
admire the film 's stately nature and 
in its understanding , often funny way , it tells a story whose restatement is validated by the changing composition of the nation . 
the right frame of mind 
superficial humor 
be consumed and forgotten 
deliver remarkable performances 
intolerable 
he has been able to share his story so compellingly with us is a minor miracle 
unabashedly hopeful 
contrived sequels 
of the best and most exciting movies 
simultaneously harrowing and uplifting 
her agreeably startling use 
at 78 minutes it just zings along with vibrance and warmth . 
a cutesy romantic tale with a twist 
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted 
is an inspirational love story 
its audacious ambitions sabotaged by pomposity , steven soderbergh 's space opera emerges as a numbingly dull experience . 
why blue crush , a late-summer surfer girl entry , should be as entertaining as it is 
does n't work 
the unsalvageability 
kung pow seems like some futile concoction that was developed hastily after oedekerk and his fellow moviemakers got through crashing a college keg party 
that are damned in queen of the damned 
it 's loud and boring ; watching it is like being trapped at a bad rock concert 
a gorgeous film - vivid with color , music and life 
will need to adhere more closely to the laws of laughter 
rip-roaring 
straight out of a cellular phone commercial 
funny , sexy , 
harm 
so many false scares 
as warm as it is wise 
wilde 's play is a masterpiece of elegant wit and artifice . 
regret and 
of oscar wilde 's classic satire 
the modern masculine journey 
struck me as unusually and unimpressively fussy and pretentious 
thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor 
a compassionate 
murk 
what he does best 
confusing on one level or another , 
bertrand tavernier 's 
nightmare 
with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni 
loneliness can make people act weird 
a loud , witless mess that 
birthday girl lucks out with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns . 
mothers 
makes up for in drama , suspense , revenge , and romance 
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , 
, graceless , hackneyed 
insufferable ball 
who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
of china 's now numerous , world-renowned filmmakers 
john le carré with a couple of burnt-out cylinders 
engrossing portrait 
disappointing to a certain degree 
, the movie is remarkably dull with only caine making much of an impression . 
amazingly 
cold porridge 
witty dialog between realistic characters showing honest emotions . 
they 're merely signposts marking the slow , lingering death of imagination . 
this is the first film in a long time that made me want to bolt the theater in the first 10 minutes . 
a total rehash 
turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing 
insightful and entertaining 
a bland , pretentious mess . 
subtle ironies 
hugely entertaining from start to finish , featuring a fall from grace that still leaves shockwaves , it will gratify anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels . 
it 's a smart , funny look at an arcane area of popular culture , and if it is n't entirely persuasive , it does give exposure to some talented performers 
even if the picture itself is somewhat problematic 
it 's a big idea , but the film itself is small and shriveled . 
drags the film down . 
takes you somewhere 
he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
convince almost everyone that it was put on the screen , just for them 
has about 25 minutes of decent material . 
the best korean film 
has the disjointed feel of a bunch of strung-together tv episodes . 
people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks 
in one forum or another 
held my attention 
smart-aleck 
fall dreadfully short 
transcendent 
phlegmatic 
could hate it for the same reason . 
an epic 
, it 's the very definition of epic adventure . 
when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable 
lushness 
has the chops of a smart-aleck film school brat and the imagination of a big kid 
with square conviction 
for all its brilliant touches 
car to drive through 
a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast 
better film 
little farm melodrama . 
tight 
i firmly believe that a good video game movie is going to show up soon . 
's little to recommend snow dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity 
the feature-length stretch ... strains the show 's concept 
think an action film disguised as a war tribute is disgusting to begin with 
the real issues 
developed with more care 
it lets you brush up against the humanity of a psycho , without making him any less psycho . 
a visionary marvel , but it 's lacking a depth in storytelling usually found in anime like this . 
similarly themed 
the town has kind of an authentic feel , but each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial 
tiresome 
centers 
a weird and wonderful comedy . 
has made the near-fatal mistake of being what the english call ` too clever by half . 
rare depth 
'' wanted and quite honestly 
hypnotically dull 
feels as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something . 
mess ... 
lusty , boisterous and utterly charming 
incongruous summer playoff 
similarly ill-timed 
you are likely to be as heartily sick of mayhem as cage 's war-weary marine . 
a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year 
the vagueness 
lacking about everything 
its predictability 
checkout 
this that puts flimsy flicks like this behind bars 
than romantic 
funny situations and 
gorgeous to look at but insufferably tedious and turgid ... a curiously constricted epic . 
may leave the theater with more questions than answers , but darned if your toes wo n't still be tapping . 
a simple misfire 
an achingly enthralling premise 
the bai brothers have taken an small slice of history and opened it up for all of us to understand 
for an older one 
that elevate `` glory '' above most of its ilk 
nutty cliches and far too much 
a loose collection 
enough to let you bask in your own cleverness as you figure it out 
( especially the frank sex scenes ) ensure that the film is never dull 
its visual merits 
elegant , mannered and teasing . 
the mushy finale 
crisp and purposeful without overdoing it 
emotionally honest 
's a terrible movie in every regard , 
as you watch the movie , you 're too interested to care . 
, is a note of defiance over social dictates . 
amid the new populist comedies that underscore the importance of family tradition and familial community 
geriatric dirty harry , 
dazzling panoramic shots 
a poem to the enduring strengths of women 
the sense of fierce competition that helps make great marching bands half the fun of college football games 
us to laugh because he acts so goofy all the time 
should please fans of chris fuhrman 's posthumously published cult novel . 
like a glossy melodrama that occasionally verges on camp . 
the drama discloses almost nothing . 
an idea of expectation 
dutiful precision 
to many clichés 
real film 
more mature than fatal attraction , 
paints a grand picture of an era and makes the journey feel like a party 
squanders chan 's uniqueness 
rouge is less about a superficial midlife crisis than it is about the need to stay in touch with your own skin , at 18 or 80 . 
a great writer and 
entertaining 
blue crush '' is the phenomenal , water-born cinematography by david hennings 
be better suited to a night in the living room than a night at the movies 
like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , but 
about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook 
same easy targets 
, four-star movie 
you 'll end up moved . 
's never dull and always looks good . 
with a sickening thud 
a prolific director of music videos 
emotionally complex 
us 
with a flimsy ending 
outlandish 
into forced fuzziness 
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this . 
spectacular 
even as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators 
the re-release of ron howard 's apollo 13 in the imax format proves absolutely that really , really , really good things can come in enormous packages . 
how resolutely unamusing , how thoroughly unrewarding all of this is , and 
the chateau has one very funny joke and a few other decent ones , but all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film . 
most of the problems with the film 
it 's surprisingly decent , particularly for a tenth installment in a series . 
like getting all excited about a chocolate eclair and then biting into it and finding the filling missing 
wit and hoopla 
without much of a story 
this is more fascinating -- being real -- than anything seen on jerry springer . 
presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
is all but washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell . 
true and heartbreaking 
, like bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes . 
lifts the film high above run-of-the-filth gangster flicks 
than anything that 's been done before 
is n't a disaster , exactly , but a very handsomely produced let-down 
provides a satisfyingly unsettling ride into the dark places of our national psyche . 
unbearable 
lacking in chills 
a low-key labor of love that strikes a very resonant chord . 
the solid filmmaking and convincing characters 
is the kind of movie where people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks . 
practically assures that the pocket monster movie franchise is nearly ready to keel over 
a calculating fiend 
wickedly funny , visually engrossing 
if you really want to understand what this story is really all about , you 're far better served by the source material . 
( other than the very sluggish pace ) 
failing to compensate for the paper-thin characterizations and facile situations 
ends with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie 
` fatal script error 
the director 's epitaph for himself 
the rich and sudden wisdom , the film 
a war tribute 
a very compelling , sensitive , intelligent and almost cohesive piece 
what could have been a confusing and horrifying vision into an intense and engrossing head-trip 
you 'd swear you 
insipid , brutally clueless 
slides downhill as soon as macho action conventions assert themselves 
discomfort and embarrassment 
is not entirely successful 
garcía bernal and talancón are an immensely appealing couple , 
is about as deep as that sentiment 
, you feel alive - which is what they did 
bring tissues 
replaced by goth goofiness 
fresh and absorbing look 
a one-trick pony 
dreadfully short 
the mediocre end of the pool 
the story is too steeped in fairy tales and other childish things to appeal much to teenagers 
too sappy 
often hilarious 
seems just as expectant of an adoring , wide-smiling reception . 
why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear 
offers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film . 
compelling piece 
half-baked setups 
distinguished and thoughtful film 
all awkward , static , 
ah-nuld 's action hero days might be over . 
jennifer lopez 's most aggressive and most sincere attempt 
thoughtful and surprisingly affecting 
sloughs one 's way 
for blade ii 
his films so memorable 
overdoing 
time is a beautiful film to watch 
gritty realism and magic realism 
induces headaches more slowly 
true believer 
to fulfill its own ambitious goals 
determined to uncover the truth and hopefully inspire action 
without any passion 
limited and so embellished by editing that there 's really not much of a sense of action or 
more and more abhorrent 
visually stunning rumination 
filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting 
be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen 
a jarring , new-agey tone creeping into the second half 
still manages to string together enough charming moments to work . 
, stuart little 2 manages sweetness largely without stickiness . 
works - mostly due to its superior cast of characters . 
that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk 
maintained 
the natural affability that has made tucker a star 
totally exemplify 
is somewhat satisfying 
an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book 
are in perfect balance 
the the wisdom and humor 
to the growing , moldering pile of , well , extreme stunt 
among three strands which allow us to view events as if through a prism 
silly and crude storyline 
an interesting movie 
with clever dialogue and likeable characters 
a chilly , remote , emotionally distant piece ... so dull 
, it succeeds . 
with notorious c.h.o. cho proves she has the stuff to stand tall with pryor , carlin and murphy . 
india 's popular gulzar and jagjit singh 
is always welcome 
impossible as it may sound 
, you ca n't miss it . 
more often than not hits the bullseye 
from charismatic rising star jake gyllenhaal 
, long-suffering but cruel 
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over . 
bean drops the ball too many times ... hoping the nifty premise will create enough interest to make up for an unfocused screenplay 
it 's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics . 
is not the first time that director sara sugarman stoops to having characters drop their pants for laughs and not the last time 
are true to the essence of what it is to be ya-ya 
creeping 
sensitive , smart , savvy , compelling 
great cinema 
is one of those films that aims to confuse 
directorial touch 
are paper thin 
improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary to make this kind of idea work on screen 
the parents 
jaw-droppingly 
shallow rumination 
and , through it all , human 
call me a cold-hearted curmudgeon for not being able to enjoy a mindless action movie 
, runteldat is something of a triumph . 
shabby script 
consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt . 
) ensure that the film is never dull 
a sweet , tender sermon about a 12-year-old welsh boy more curious about god than girls , who learns that believing in something does matter 
a real film 
go to a bank manager and save everyone the misery 
stylish cinematography 
writer-director randall wallace has bitten off more than he or anyone else could chew , 
best star trek movie 
a pulpy concept that , in many other hands would be completely forgettable 
together familiar themes 
famed charisma 
by the forced funniness found in the dullest kiddie flicks 
a well-made evocation 
personal tragedy and also the human comedy 
genial 
by labored writing and slack direction 
it must have read ` seeking anyone with acting ambition but no sense of pride or shame . ' 
love this 
a clever adaptation 
troubled 
it has its faults , but it is a kind , unapologetic , sweetheart of a movie , and mandy moore leaves a positive impression . 
been given the drive of a narrative 
why `` they '' were here and what `` they '' wanted and quite honestly , i did n't care . 
just wants to be liked by the people who can still give him work . 
because it aims so low 
lacks the inspiration of the original and 
babak payami 's boldly quirky iranian drama secret ballot ... 
shatner is probably the funniest person in the film , which gives you an idea just how bad it was . 
it 's moving 
relative 
a heart , mind or humor 
works - mostly due to its superior cast of characters 
not to mention a convincing brogue 
are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) 
the aaa of action 
big heart 
drama , conflict , tears and surprise 
'm sure mainstream audiences will be baffled 
surprises you 
his boisterous energy fails to spark this leaden comedy 
another useless recycling of a brutal mid - 
the `` a '' range 
carries a charge of genuine excitement 
too bad . 
as artificial and soulless 
denying that burns is a filmmaker with a bright future ahead of him 
answered 
until the final act 
neat trick 
become apparent that the franchise 's best years are long past 
benefits 
have to see this 
need a playful respite 
of a slightly more literate filmgoing audience 
is one helluva singer . 
to the horrors of the killing field and the barbarism of ` ethnic cleansing 
indulges in the worst elements of all of them . 
, meditative 
like a bad improvisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art they 're struggling to create . 
which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler 
frailty '' leaves us with the terrifying message that the real horror may be waiting for us at home 
dysfunctional drama 
such a perfect medium 
chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss 
unoriginal mess 
a realistically terrifying movie 
fans clamoring for another ride 
well-thought stunts or a car chase 
could n't stand to hear 
the most accomplished work to date from hong kong 's versatile stanley kwan 
a knowing sense of humor 
amusing characters 
about the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time . 
about schmidt belongs to nicholson . 
deeper and more engaging . 
the rich promise 
delivers a powerful commentary on how governments lie , 
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... 
one of those crazy , mixed-up films that does n't know what it wants to be when it grows up 
all in all , it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own . 
easily the most thoughtful fictional examination of the root causes of anti-semitism ever seen on screen . 
bigelow handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly . 
roman coppola 's brief pretentious period 
a quietly introspective portrait 
in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny 
, it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
an uncomfortable movie , suffocating and sometimes almost senseless , the grey zone does have a center , though a morbid one . 
duvall ( also a producer ) peels layers from this character that may well not have existed on paper . 
veers into corny sentimentality , 
directed and convincingly acted . 
mind crappy movies as much 
no substitute for on-screen chemistry 
toss it 
the movie 's contrived , lame screenplay and 
the proceedings as funny for grown-ups as for rugrats 
especially the frank sex scenes ) ensure that the film is never dull 
if the tuxedo actually were a suit , it would fit chan like a $ 99 bargain-basement special . 
finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality 
be all too familiar 
disturb 
one that 's steeped in mystery and a ravishing , baroque beauty 
emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears 
nothing more than four or five mild chuckles 
sensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments . 
a success 
the worst sense of the expression 
i have to admit that i am baffled by jason x. 
of war 
embraces life 
compelling dramatic 
fun , and host to some truly excellent sequences 
a big , tender hug 
this rude and crude film 
do justice to the awfulness of the movie , 
supremely 
coming back to the achingly unfunny phonce and his several silly subplots 
little too obvious , 
would fit chan like a $ 99 bargain-basement special 
grandness 
seems to want both , but succeeds in making neither 
smart 
as a story of dramatic enlightenment 
boredom to the point of collapse , 
family warmth 
immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do 
sometimes is a gem . 
good 
that tells us nothing new 
be considered career-best performances 
a good thriller . 
, when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
the re - enactments , however fascinating they may be as history , are too crude to serve the work especially well . 
the barn-burningly bad movie 
powerful , naturally dramatic 
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms 
create the kind of art shots that fill gallery shows 
to be pleasant in spite of its predictability 
in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity 
humor throughout 
were n't as beautifully shaped and as delicately calibrated in tone 
charisma and ability 
marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it . 
in addition to gluing you to the edge of your seat , changing lanes is also a film of freshness , imagination and insight . 
mentally `` superior '' friends 
posing as a serious drama about spousal abuse 
an enjoyable level 
may just scare the pants off you . 
shameless attempt 
paul bettany is good at being the ultra-violent gangster wannabe , 
that memorable , 
almost as offensive as `` freddy got fingered . '' 
gosling creates a staggeringly compelling character , a young man whose sharp intellect is at the very root of his contradictory , self-hating , self-destructive ways 
help be entertained by the sight of someone getting away with something 
watching junk like this induces a kind of abstract guilt , as if you were paying dues for good books unread , fine music never heard . 
flog the dead horse of surprise as if it were an obligation 
mindless , lifeless , meandering , loud , painful , obnoxious 
redemption 
i have a confession to make : i did n't particularly like e.t. the first time i saw it as a young boy . 
should have been the be-all-end-all of the modern-office anomie films . 
hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
forced drama 
... is dudsville . 
as one of the cleverest , most deceptively amusing comedies of the year 
this tale has been told and retold ; the races and rackets change , but the song remains the same . 
might go down as one of the all-time great apocalypse movies 
of a legal thriller 
'm just about ready to go to the u.n. and ask permission for a preemptive strike 
a tougher time balancing its violence with kafka-inspired philosophy 
sluggish , tonally uneven 
manages a neat trick 
see this piece of crap 
have fun 
a pretty decent kid-pleasing , tolerable-to-adults lark of a movie . 
how inseparable the two are 
another `` best man '' 
is simply brilliant 
drumline is -- the mere suggestion , albeit a visually compelling one , of a fully realized story . 
pity and 
given a part worthy of her considerable talents 
soggy performances 
impersonal and 
bug-eye theater and dead-eye 
wildly overproduced , 
a physique to match 
feel-bad 
it desperately wants to be a wacky , screwball comedy , but the most screwy thing here is how so many talented people were convinced to waste their time . 
the script was reportedly rewritten a dozen times 
of a growing strain of daring films 
like peace 
savvy street activism 
supremely hopeful cautionary tale 
it should be done cinematically 
set in a 1986 harlem that does n't look much like anywhere in new york 
whose sharp intellect 
a consistent tone 
it is a whole lot of fun 
this ludicrous film is predictable at every turn . 
do n't think that a.c. will help this movie one bit 
will enjoy . 
for the under-7 crowd 
the likes of which mainstream audiences have rarely seen 
remarkably cohesive whole 
blustery movie 
mostly , ( goldbacher ) just lets her complicated characters be unruly , confusing and , through it all , human . 
is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings 
, you should avoid this like the dreaded king brown snake . 
his beautiful , self-satisfied 22-year-old girlfriend 
make us care about zelda 's ultimate fate 
memorable character creations 
no amount of good acting is enough to save oleander 's uninspired story . 
splendor 
mazel tov to a film about a family 's joyous life acting on the yiddish stage . 
is the most disappointing woody allen movie 
a finely written , 
hampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire 
even if invincible is not quite the career peak that the pianist is for roman polanski , it demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken . 
under my seat trying to sneak out of the theater 
the whole thing plays like a tired tyco ad . 
thoroughly awful movie 
a breezy blend 
a charming and evoking little ditty 
debuts by an esteemed writer-actor 
thoughtfully written 
sub-formulaic 
the long list of renegade-cop tales 
watching austin powers in goldmember is like binging on cotton candy . 
muddled to be an effectively chilling guilty pleasure 
's exploitive without being insightful . 
the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are 
an engaging story that keeps you guessing at almost every turn 
it required viewing in university computer science departments for years to come 
every possible angle has been exhausted by documentarians 
bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes 
to see over and over again 
generic drama 
one of the most highly-praised disappointments i 've had the misfortune to watch in quite some time . 
us too drunk on the party favors to sober us up with the transparent attempts at moralizing 
feel alive - which is what they did 
i could have looked into my future and saw how bad this movie was 
chafing 
on a board 
the cast is spot on and the mood is laid back 
those prone to indignation need not apply ; those susceptible to blue hilarity , step right up . 
reeking 
who would not likely be so stupid as to get 
a highly watchable , giggly little story 
said that he is an imaginative filmmaker who can see the forest for the trees 
dialogue and preposterous moments 
choosing his roles with the precision of the insurance actuary 
is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins . 
was kind of terrific 
there must be an audience that enjoys the friday series , but 
weighs down his capricious fairy-tale 
damn funny 
alone is worth the price of admission . 
will nevertheless find moving . 
does n't really know or care about the characters , and uses them as markers for a series of preordained events . 
by its smallness 
is the gabbiest giant-screen movie 
to scoring high for originality of plot 
a banal spiritual quest 
filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but 
tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence 
skin of man gets a few cheap shocks from its kids-in-peril theatrics , but 
solid acting and 
joan and philip 's repetitive arguments , schemes and treachery 
the nicest thing that can be said about stealing harvard ( which might have been called freddy gets molested by a dog ) 
their quirky and fearless ability 
drooling over michael idemoto as michael 
often imaginative 
great scares 
ill-conceived and expensive project 
rhetoric and cliché 
mitch davis 's wall of kitsch hard going 
photographed in the manner of a golden book sprung to life 
a few nice twists 
die hideously 
well-intentioned , 
, colin hanks is in bad need of major acting lessons and maybe a little coffee . 
recognize that there are few things in this world more complex -- and , as it turns out , more fragile 
that rare movie that works on any number of levels -- as 
becomes more specimen than character 
a terrific b movie -- in fact , the best in recent memory . 
is a welcome and heartwarming addition to the romantic comedy genre . 
lazy , miserable and smug . 
consider a dvd rental instead 
and no one ) 
, i.e. peploe 's , it 's simply unbearable 
oddballs 
angel presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale . 
you wanting more 
smart and fun 
see nothing in it to match the ordeal of sitting through it 
remarkable for its excellent storytelling , its economical , compressed characterisations and for its profound humanity , it 's an adventure story and history lesson all in one . 
the premise itself is just sooooo tired . 
lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
will give you goosebumps as its uncanny tale of love , communal discord , and justice 
reveals itself slowly , intelligently 
as a girl-meets-girl romantic comedy , kissing jessica steinis quirky , charming and often hilarious . 
for its boundary-hopping formal innovations and glimpse 
are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
correctly 
's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety . 
a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism 
, harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore . 
be significantly different ( and better ) than most films 
of the people who loved the 1989 paradiso will prefer this new version 
a comedy as i 've seen in a while , a meander through worn-out material 
self-hating , self-destructive ways 
of the other foul substances 
one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them 
enriched by a strong and unforced supporting cast 
the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer 
too crazy 
a fragile framework upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming . 
would probably be duking it out with the queen of the damned for the honor . 
things that elevate `` glory '' above most of its ilk 
lies in the utter cuteness of stuart and margolo . 
deeply spiritual film taps into the meaning and consolation in afterlife communications . 
could have written a more credible script , though with the same number of continuity errors . 
drags 
in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
give the transcendent performance 
they succeed 
it 's not only dull because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed . 
love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew 
she might not make for a while 
is wrong in its sequel 
the be-all-end-all of the modern-office anomie films 
of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car 
with enough negatives 
a charmer from belgium . 
try hard but come off too amateurish and awkward 
in such a potentially sudsy set-up 
a poetic 
a kind of abstract guilt 
but mush-hearted . 
a rambling and incoherent manifesto about the vagueness of topical excess 
make it unexpectedly rewarding 
two fine actors , morgan freeman 
made allen 's romantic comedies so pertinent and enduring 
at least one damn fine 
a lighthearted comedy 
pointed , often incisive satire and unabashed sweetness 
built on a faulty premise , one it follows into melodrama and silliness 
any number of metaphorical readings 
unlikable , uninteresting , unfunny , and completely , utterly inept . 
dared to mess with some powerful people 
has one strike against it 
i for one enjoyed the thrill of the chill 
a substantial arc of change that does n't produce any real transformation 
sillier , cuter , and shorter than the first ( as best i remember ) , but still a very good time at the cinema . 
delivers the goods and audiences will have a fun , no-frills ride . 
with an action movie that actually has a brain 
a sentimental hybrid that could benefit from the spice of specificity . 
by flashes of mordant humor 
congratulate himself for having the guts to confront it 
juicy 
he creates 
an enjoyable film in its own right 
going at a rapid pace 
only obscure the message 
unhappy 
a comic fan 
somewhat flawed , 
as rude and profane 
is just too original to be ignored . 
that no wise men will be following after it 
i do n't know if frailty will turn bill paxton into an a-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie 
narc takes a walking-dead , cop-flick subgenre and beats new life into it . 
exceeds expectations 
hugely imaginative and successful casting to its great credit , as well as 
a sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title 
've been trying to forget 
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak 
nonsensical and formulaic 
astonishingly pivotal 
first-class , natural acting 
's far too tragic 
be moved by this drama 
it concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt . 
should be interesting 
a guiltless film for nice evening out . 
unfolds predictably 
like it was worth your seven bucks , 
is meaningless , vapid and devoid of substance 
sight gags 
a pleasant distraction , a friday night diversion , an excuse to eat popcorn 
each one of these people stand out and 
fine music 
one of the greatest date movies in years 
ponderous , plodding soap opera disguised as a feature film 
triple x is a double agent , and he 's one bad dude . 
this did n't connect with me would require another viewing 
eerily suspenseful 
is suitable summer entertainment that offers escapism without requiring a great deal of thought 
, but it 's great cinematic polemic 
be significantly different ( and better ) than most films with this theme 
the incredible imax sound system 
, flat dialogue 
moments of spontaneous creativity and authentic co-operative interaction 
not all of the stories work and the ones that do are thin and scattered , but 
some of the best special effects 
really , really , really good things can come in enormous packages 
offers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film 
a naturally funny film 
millions of eager fans 
callow 
... contains very few laughs and even less surprises . 
it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work . 
a delightful entree in the tradition of food movies 
itself is just sooooo tired . 
a powerful , chilling , and affecting study 
howard and his co-stars all give committed performances 
sad , occasionally horrifying but often inspiring film 
promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people . 
a sweet , laugh-a-minute crowd pleaser that lifts your spirits 
screenwriting cliches that sink it faster than a leaky freighter 
make a splash even greater 
the plot grows thin soon 
his own preoccupations and obsessions 
heroic 
, unfaithful is at once intimate and universal cinema . 
is a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation . 
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and 
give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity 
it does sustain an enjoyable level of ridiculousness 
there is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling . 
deep or 
lacking any sense of commitment 
, the more outrageous bits achieve a shock-you-into-laughter intensity of almost dadaist proportions . 
rigid and 
merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense . 
santa gives gifts to grownups 
of spontaneous creativity and authentic co-operative interaction 
dreary and 
spiritual journey 
and , in the end , not well enough 
grant is certainly amusing , but the very hollowness of the character he plays keeps him at arms length 
is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
although this idea is `` new '' 
a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements 
falling into the hollywood trap and 
can be expected from a college comedy that 's target audience has n't graduated from junior high school 
, only with muscles and a lot more smarts , but just as endearing and easy to watch 
curiously , super troopers suffers because it does n't have enough vices to merit its 103-minute length . 
enjoyably fast-moving 
earnest , unsubtle and hollywood-predictable 
the dispassionate gantz brothers as ordinary , pasty lumpen 
that trademark grin of his 
the group 's playful spark 
are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material . 
claude chabrol 's camera has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements . 
makes a great impression 
is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
's nice to see piscopo again after all these years 
elegance 
it was so endlessly , grotesquely , inventive 
raises some worthwhile themes while delivering a wholesome fantasy for kids 
entertain or inspire its viewers 
more than it does cathartic truth telling 
once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends 
has all the wiggling energy of young kitten 
is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year 
comes along to remind us of how very bad a motion picture can truly be 
sticks with its subjects a little longer 
nicholson 's understated performance is wonderful . 
even fans of sandler 's comic taste may find it uninteresting 
terry is a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man . 
no such thing is hartley 's least accessible screed yet . 
for happiness 
reworking to aim the film at young males in the throes of their first full flush of testosterone 
wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses 
accept the characters and the film , flaws and all 
an intelligent romantic thriller 
of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
looked as beautiful , desirable , even delectable , 
if the film has a problem , its shortness disappoints : you want the story to go on and on . 
a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
a penetrating , potent exploration 
is a gorgeous and deceptively minimalist cinematic tone poem . 
offering fine acting moments 
ups 
have any trouble getting kids to eat up these veggies 
`` interesting '' 
the concept of loss 
maintaining a light touch 
without sacrificing any of the cultural intrigue 
somewhat satisfying 
cutes 
recycled and dumbed-down version 
powerhouse 
a realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales 
an adult who 's apparently been forced by his kids to watch too many barney videos 
, this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday . 
is high on squaddie banter , 
soar . 
at his most critically insightful 
who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer 
messy and 
superficial treatment 
feels a bit anachronistic . 
harks 
take movies by storm 
compassion , good-natured humor 
absolutely , inescapably gorgeous , 
its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' 
it 's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting . 
humorously 
looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here 
what does n't this film have that an impressionable kid could n't stand to hear ? 
emerges with yet another remarkable yet shockingly little-known perspective . 
uncomfortably timely , relevant 
the milieu is wholly unconvincing ... 
is a visually stunning rumination on love , memory , history and the war between art and commerce . 
holes that will be obvious even to those who are n't looking for them 
and lurches between not-very-funny comedy , unconvincing dramatics 
rambles 
ineptly directed action sequences and some of the worst dialogue in recent memory . 
at every faltering half-step of its development 
with the right actors and with the kind of visual flair that shows what great cinema can really do 
blustery 
feeling guilty for it 
gloomy film noir veil 
very amusing 
miss you . 
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say 
is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story . 
unwavering and arresting 
an uneven look into a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films 
ever to look as if it were being shown on the projection television screen of a sports bar 
is doomed by its smallness 
the movie would seem less of a trifle if ms. sugarman followed through on her defiance of the saccharine . 
dylan kidd 
is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend . ' 
's also too stupid to realize that they 've already seen this exact same movie a hundred times 
as each of them searches for their place in the world , miller digs into their very minds to find an unblinking , flawed humanity . 
rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby . 
connect with on any deeper level 
entertaining film 
a fascinating case study of flower-power liberation -- 
more challenging or depressing 
could watch this movie and be so skeeved out that they 'd need a shower . 
takes a classic story 
all for easy sanctimony , formulaic thrills and a ham-fisted sermon 
fincher takes no apparent joy in making movies , 
reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth 
is n't as compelling or as believable as it should be . 
a female friendship that is more complex and honest than anything represented in a hollywood film 
has all the heart of a porno flick ( but none of the sheer lust ) . 
mushy 
forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
flawless amounts of acting , direction , story and pace 
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile 
they go to a picture-perfect beach during sunset . 
's hard to stop watching 
is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground 
despite an impressive roster of stars and direction from kathryn bigelow , the weight of water is oppressively heavy . 
followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
are fascinating 
, notorious c.h.o. hits all the verbal marks it should . 
( depending upon where you live ) 
for no better reason 
itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
's a hellish , 
a group of more self-absorbed women than the mother and daughters featured in this film 
too much resonance 
he allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range . 
even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream . 
find their humor-seeking dollars best spent elsewhere 
lost his touch , 
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series 
to be the best espionage picture to come out in weeks 
in the pants 
makes a better travelogue than movie . 
the most gloriously unsubtle and adrenalized extreme 
santa clause 2 ' is wondrously creative . 
sweet home alabama is n't as funny as you 'd hoped . 
more forced than usual 
make a terrific effort at disguising the obvious with energy and innovation 
nicely shot 
excruciatingly unfunny 
complex from the start -- and , refreshingly , stays that way 
bad animation and 
the director , mark pellington , does a terrific job conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head . 
a screenplay more ingeniously constructed than `` memento '' 
grows boring despite the scenery . 
pipe dream does have its charms . 
what is and always has been remarkable about clung-to traditions 
the feeble examples 
shyamalan 's gifts 
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage 
inquisitive 
from an eccentric and good-naturedly aimless story 
it does n't really know or care about the characters , and uses them as markers for a series of preordained events . 
cerebral and cinemantic flair 
is every bit as fascinating 
in frustration 
childhood innocence combined with indoctrinated prejudice 
is as serious as a pink slip . 
see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
went over my head or -- considering just 
outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie 
return to never land is reliable 
boring man 
mike leigh populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life 
to admire ... the intensity with which he 's willing to express his convictions 
avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates . 
experience that finds warmth in the coldest environment and makes each crumb of emotional comfort 
it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion 
kinnear ... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers . 
is frustratingly unconvincing . 
, those farts got to my inner nine-year-old 
better vehicle 
works well enough 
from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
while the production details are lavish , film has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation . 
a guy who has waited three years with breathless anticipation for a new hal hartley movie to pore over 
for frequently pandering to fans of the gross-out comedy 
one of the most incoherent features in recent memory . 
like a grinning jack o ' lantern , its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded . 
go to a picture-perfect beach 
's unique and quirky about canadians 
a charming , banter-filled comedy ... one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface 
before indigestion sets 
treat for its depiction 
beyond the cleverness , the weirdness and the pristine camerawork 
a polished and vastly entertaining caper 
with considerable wit 
arteta directs one of the best ensemble casts of the year 
should n't the reality seem at least passably real 
whether you think kissinger was a calculating fiend or just a slippery self-promoter 
comprehend it 
the best movies 
the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal 
is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex . 
the country bears ' should never have been brought out of hibernation 
been preferable 
frank capra 's classic 
there is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie . 
to crawl up your own *** in embarrassment 
important 
is the script 's endless assault of embarrassingly ham-fisted sex jokes 
who are nearly impossible to care about 
do a little fleeing of its own 
this gentle comedy 
far more successful , if considerably less ambitious , 
misfire 
putting together familiar themes of family , forgiveness and love in a new way -- 
contentious configurations 
a bad premise , 
druggy and self-indulgent 
the movie is amateurish , but 
with an avid interest in the subject 
like legally blonde and sweet home abomination 
candid , archly funny and deeply authentic 
delivers the sexy razzle-dazzle that everyone , especially movie musical fans , has been hoping for . 
on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people 
that 's been given the drive of a narrative and 
concrete story 
his kids to watch too many barney videos 
anguished performance 
truly 
of the best silly horror movies 
it 's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough . 
brutally honest and told with humor and poignancy , which makes its message resonate . 
to check this one out 
beautiful to watch and holds a certain charm . 
stuffy , 
worthless , from its pseudo-rock-video opening 
into a cheap thriller , a dumb comedy or a sappy 
at once visceral and spiritual , wonderfully vulgar 
, it simply lulls you into a gentle waking coma . 
had gone a tad less for grit and a lot more for intelligibility 
nice album 
too many `` serious issues '' 
will leave the auditorium feeling dizzy , confused , and totally disorientated 
it does n't make for great cinema , but it is interesting to see where one 's imagination will lead when given the opportunity . 
the problem with `` xxx '' is that its own action is n't very effective . 
` it looks good , sonny , but you missed the point . ' 
a powerful and telling story that examines forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s 
of the darkest variety 
, it 's just another sports drama/character study . 
decided lack of spontaneity in its execution and a dearth of real poignancy 
like lint in a fat man 's navel 
elegantly 
the year 's worst cinematic tragedies 
amuse or entertain them 
a chance to revitalize what is and always has been remarkable about clung-to traditions 
dave barry 's popular book 
dull , simple-minded and stereotypical 
he 's afraid of his best-known creation 
walks a tricky tightrope between being wickedly funny and just plain wicked 
is clearly not zhang 's forte 
, ` it 's like having an old friend for dinner ' . 
talented 
real heart 
an empty , purposeless exercise . 
make this worth a peek 
gentle comedy 
soderbergh skims the fat from the 1972 film . 
that craven endorses they simply because this movie makes his own look much better by comparison 
grade-grubbers 
sparking debate and encouraging thought 
to the most enchanting film of the year 
highly entertaining , self-aggrandizing , politically motivated 
chronically 
alive 
it succeeds as a powerful look at a failure of our justice system . 
a funny and touching film that is gorgeously acted by a british cast to rival gosford park 's . 
has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - 
pissed 
little room for engaging , imaginative filmmaking in its nearly 2 1/2 
a feel-good movie about which you can actually feel good 
flopped as surely 
believe that a life like this can sound so dull 
this movie loves women at all 
is never satisfactory 
inhabit that special annex of hell where adults behave like kids , 
like life on the island , the movie grows boring despite the scenery . 
ca n't support the epic treatment 
shines on all the characters , as the direction is intelligently accomplished . 
the grind to refresh our souls 
call it a work of art 
the most part a useless movie , even with 
lost in the murk of its own making 
's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas . 
ponderous and pretentious endeavor 
enlightenment 
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause 
... overly melodramatic ... 
welcome to collinwood never catches fire . 
glass 's dirgelike score becomes a fang-baring lullaby 
when all is said and done , she loves them to pieces -- and so , i trust 
emerged as hilarious lunacy 
most thoughtful films 
herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion . 
goosebumps as its uncanny tale of love , communal discord , and justice 
are infants ... who might be distracted by the movie 's quick movements and sounds . 
way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
giggling at the absurdities and inconsistencies 
i could feel my eyelids ... getting ... very ... heavy ... 
it 's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer . 
its heart , 
a fresh view of an old type 
the most fragmented charms 
they just have problems , which are neither original nor are presented in convincing way . 
inspire a trip to the video store -- 
philosophical 
secretary is just too original to be ignored . 
become a major-league leading lady , ( but ) 
the storytelling and 
provides a window into a subculture hell-bent on expressing itself in every way imaginable 
's all bluster and cliché 
most of the information has already appeared in one forum or another and , no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence 
mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon 
one level 
you have nothing better to do with 94 minutes 
a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving , is funny and looks professional . 
a thriller whose style , structure and rhythms are so integrated with the story , you can not separate them . 
fondness and respect 
stale , 
worst harangues 
a dim-witted pairing 
of a phonograph record 
it 's more enjoyable than i expected , though , and 
undisputed 
the issues are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care . 
supremely good 
of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at 
because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
behan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best irish sense -- 
home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . 
an energizing , intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular 
consistently sensitive 
plodding , peevish and gimmicky 
hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers 
delivering in good measure 
's uninteresting 
though they are having so much fun 
prevents us from sharing the awe in which it holds itself 
never again is a welcome and heartwarming addition to the romantic comedy genre . 
walks a tricky tightrope between being wickedly funny and just plain wicked . 
carry on their parents ' anguish 
is concerned with souls and risk and schemes and the consequences of one 's actions 
finally have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for . 
feel a bit too much like an infomercial for ram dass 's latest book aimed at the boomer demographic 
you will probably like it . 
an intriguing species of artifice 
to a harrison ford low 
it 's a diverting enough hour-and-a-half for the family audience . 
create images you wish you had n't seen 
an emotionally strong and politically potent piece 
directors brett morgen and nanette burstein have put together a bold biographical fantasia . 
the affable maid 
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet . 
the film boasts at least a few good ideas and features some decent performances , but the result is disappointing . 
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on 
creates an impeccable sense of place , 
a movie that ends up slapping its target audience in the face by shooting itself in the foot 
from films crammed with movie references 
ultimately lifeless 
trademark misogyny 
fiercely clever and subtle film 
all unfolds predictably 
that memorable , but as downtown 
nohe 's documentary about the event is sympathetic without being gullible : he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction 
triumph 
anti-semitism and neo-fascism 
, soderbergh is n't afraid to try any genre and to do it his own way . 
a movie that refreshes the mind and spirit along with the body 
examines many different ideas from happiness 
as commander-in-chief of this film , bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world . 
pan nalin 's exposition is beautiful and mysterious , and 
the emotion is impressively true for being so hot-blooded 
robustness 
this movie may not have the highest production values you 've ever seen , but 
an hour 's worth of actual material 
be profane , 
anchor the film in a very real and amusing give-and-take 
all three women deliver remarkable performances . 
set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock 
manages to instruct without reeking of research library dust 
who , in spite of all that he 's witnessed , remains surprisingly idealistic 
a dark , quirky road movie that constantly defies expectation . 
probably the most good-hearted yet sensual entertainment 
the most excruciating 86 minutes one 
instead comes closer to the failure of the third revenge of the nerds sequel 
the stuff of lurid melodrama 
so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
a genuine love story 
'll just have your head in your hands wondering why lee 's character did n't just go to a bank manager and save everyone the misery 
mind and spirit 
... the story is far-flung , illogical , and plain stupid . 
evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean 
the most plain , unimaginative romantic comedies i 
its promising cast of characters 
itself and retreats 
as a hole in the head 
with enough energy and excitement 
but utterly delightful . 
little more than a screenful of gamesmanship that 's low on both suspense and payoff 
a mishmash 
is handled with intelligence and care 
one of the worst movies of the year . 
of these despicable characters 
seemed wasted like deniro 's once promising career and the once grand long beach boardwalk . 
's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess . 
's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
's part of what makes dover kosashvili 's outstanding feature debut so potent 
a bland , obnoxious 88-minute 
sweeping battle scenes 
becoming a christmas perennial 
nair 's cast is so large it 's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion . 
thoughtful and rewarding glimpse 
all the charm of kevin kline and a story that puts old-fashioned values under the microscope 
a brutally dry satire of middle american numbness . 
unfunny and lacking any sense of commitment to or affection for its characters 
poetry and passion 
its many out-sized , 
touched 
fact , even better 
who approaches his difficult , endless work with remarkable serenity and discipline . 
are too many bona fide groaners among too few laughs 
out of a cellular phone commercial 
it 's about individual moments of mood , and an aimlessness that 's actually sort of amazing . 
seem self-consciously poetic and forced 
turned this 
limply 
street-smart 
unfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes take place indoors in formal settings with motionless characters . 
all too familiar 
its tragic waste of life 
frei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him . 
works out his issues with his dad and comes to terms with his picture-perfect life 
it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
corcuera 's attention to detail 
hilary 
joy and energy 
, welcome to collinwood never catches fire . 
the trouble is , its filmmakers run out of clever ideas and visual gags about halfway through . 
figure out that this is a mormon family movie , and a sappy , preachy one at that 
natter 
with a sense of wonder 
, and intelligent 
'' is a fun and funky look into an artificial creation in a world that thrives on artificiality . 
that attempts and often achieves a level of connection and concern 
would be hard-pressed to find a movie with a bigger , fatter heart than barbershop 
are entertaining and audacious moments 
need to stay in touch with your own skin , at 18 or 80 
a tone of rueful compassion ... reverberates throughout this film , whose meaning and impact is sadly heightened by current world events 
, caring 
the comic effects 
, lecherous 
knee-jerk misogyny 
gives a performance that is masterly 
their parents , wise folks that they are , read books 
necessary and timely one 
a gentle , unforced intimacy 
the movie itself is far from disappointing , offering an original 
instead , it 'll only put you to sleep . 
a very tasteful rock and roll movie 
's an excellent 90-minute film 
betrayed by the surprisingly shoddy makeup work 
helluva singer 
colorful and 
suffers from a philosophical emptiness and maddeningly sedate pacing . 
so many flaws it would be easy for critics to shred it 
'' is the operative word for `` bad company 
this is a film living far too much in its own head . 
to pump life into overworked elements from eastwood 's dirty harry period 
a movie that 's about as overbearing and over-the-top as the family it 
not quite as miraculous as its dreamworks makers 
has never been filmed more irresistibly than in ` baran 
impossible to claim that it is `` based on a true story '' with a straight face 
thoughtful and unflinching 
verve and fun 
political and psychological thriller 
barely shocking 
in terms of the low-grade cheese standards on which it operates 
the kind of visual flair that shows what great cinema can really do 
puzzled by the mechanics of the delivery 
, earnest and -- sadly -- dull 
amusing and unpredictable 
showtime the most savory and hilarious guilty pleasure of many a recent movie season 
we would pay a considerable ransom not to be looking at 
tends to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing 
the genius 
soulless and 
the nature of compassion 
the phrase ` fatal script error 
bears a grievous but obscure complaint against fathers 
does n't add up to a whole lot 
a grenade with his teeth 
preachy 
shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers . 
racism and 
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and 
forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already 
the cast is top-notch 
enough funny 
he makes you realize that deep inside righteousness can be found a tough beauty . 
how low brow it is 
electric 
this erotic cannibal movie is boring 
a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters . 
's something else altogether -- clownish and offensive and nothing at all like real life 
falls flat as thinking man 
a fascinating little thriller 
odd enjoyably 
tell you how tedious , 
indescribably bad 
too fancy , not too filling , not too fluffy , but definitely tasty and sweet 
sharp movie 
the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star 
unintentionally 
the same old garbage 
more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
makes a melodramatic mountain 
inspired dialogue bits 
the movie starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it were n't true . 
with bloody beauty as vivid 
sorority boys , which is as bad at it is cruel , takes every potential laugh and stiletto-stomps the life out of it . 
pinocchio never quite achieves the feel of a fanciful motion picture . 
messiness 
hazy 
exquisite acting 
have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up . 
does not really make the case the kissinger should be tried as a war criminal 
too long to shake 
to be really awful 
is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture . 
there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies . 
the bourne identity should n't be half as entertaining as it is , but 
stuffy and 
is too blatant 
potent chemistry 
ash wednesday is not edward burns ' best film 
is about as interesting as a recording of conversations at the wal-mart checkout line 
more successful at relating history than in creating an emotionally complex , dramatically satisfying heroine 
a delightfully unpredictable , hilarious comedy 
's serious , poetic , earnest and -- sadly -- dull . 
riveting and handsomely 
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution 
, comedy and romance 
of critical jim two-dimensional and pointless 
express warmth and longing 
takes you by the face , strokes your cheeks and coos beseechingly at you : slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms 
the utter cuteness of stuart and margolo 
honest poetry 
of intoxicating atmosphere and little else 
nervy and 
is compelling enough , 
humor about itself , a playful spirit and a game cast 
throws herself into this dream hispanic role with a teeth-clenching gusto 
color and depth , 
fun-seeking summer audiences 
that it ca n't help but engage an audience 
's a clarity of purpose and even-handedness to the film 's direction 
pile up , undermining the movie 's reality and stifling its creator 's comic voice 
this delicate coming-of-age tale 
a clash between the artificial structure of the story and the more contemporary , naturalistic tone of the film ... 
make an excellent companion piece 
would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes . 
, why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ? 
too bland and 
amusing juxtapositions 
's a fun one . 
is ultimately about as inspiring as a hallmark card 
wickedly undramatic central theme 
you think , zzzzzzzzz 
jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
, vaguely silly overkill 
accident 
it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate . 
bad mannered 
on a traditional indian wedding in contemporary new delhi 
the film 's most improbable feat ? 
deniro 's once promising career and the once grand long beach boardwalk 
for all its visual panache and compelling supporting characters , the heart of the film rests in the relationship between sullivan and his son . 
if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet 
darling 
bad writing , bad direction and bad acting -- the trifecta of badness 
pleasantly and 
i do n't think this movie loves women at all . 
is well below expectations 
fans of critics ' darling band wilco will marvel at the sometimes murky , always brooding look of i am trying to break your heart . 
is , we have no idea what in creation is going on 
a good guy 
sleepless 
whom the 
lavish 
embarrassed 
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable . 
is rather the way it introduces you to new , fervently held ideas and fanciful thinkers 
omitted nor a cliché left unsaid 
poignant comedy 
its sheer dynamism is infectious . 
gives an intriguing twist to the french coming-of-age genre . 
equally derisive 
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but 
kindness 
her childlike smile 
too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present 
that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland 
so recognizable and true that , as in real life , we 're never sure how things will work out 
take you to outer space 
own tortured psyche 
the modern remake of dumas 's story is long on narrative and ( too ) short on action . 
a pleasant and engaging enough sit , but in trying to have the best of both worlds it ends up falling short as a whole . 
the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud 
a film with contemporary political resonance illustrated by a winning family story . 
noise , mayhem and stupidity 
to his day job 
what 's invigorating about it is that it does n't give a damn . 
it 's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic . 
, shapeless documentary 
enjoy on a certain level 
it 's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss . 
it 's a hellish , numbing experience to watch , and it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s 
of her considerable talents 
impersonal 
the lack of climax and , worst of all 
its initial promise 
it 's no lie -- big fat liar is a real charmer . 
hard put to find a movie character more unattractive or odorous ( than leon ) 
from human impulses that grew hideously twisted 
you feeling a little sticky and unsatisfied 
does n't take itself so deadly seriously 
has a certain ghoulish fascination , and generates a fair amount of b-movie excitement 
enjoyable documentary . 
bring something new into the mix 
intense political and psychological thriller 
it 's up to ( watts ) to lend credibility to this strange scenario , and her presence succeeds in making us believe 
bracingly truthful antidote 
interesting bit 
over-the-top , and 
's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles . 
hackneyed 
leaden as the movie sputters to its inevitable tragic conclusion 
loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat 
one of the funnier movies 
is simply too ludicrous and borderline insulting . 
injects just enough freshness into the proceedings 
making reference to other films and trying to be other films 
not smart 
is n't that stealing harvard is a horrible movie -- if only it were that grand a failure ! 
no chemistry or 
an incoherent jumble of a film that 's rarely as entertaining as it could have been 
lush 
, luridly colored , 
is thinking that we needed sweeping , dramatic , hollywood moments to keep us 
once the downward spiral comes to pass , auto focus bears out as your typical junkie opera ... 
a canny crowd pleaser , and the last kiss 
this is a movie full of grace and , 
an authentically vague , but ultimately purposeless , study in total 
a sick and evil woman 
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and 
in a thriller , and the performances 
interesting slice 
muddled 
once intimate and universal cinema 
bo derek made the ridiculous bolero 
cruel and 
not all of the stories work and the ones that do are thin and scattered , 
wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick 
would stoop so low 
somewhat dilutes the pleasure of watching them 
passionate 
devastating , eloquent clarity 
eddie murphy and owen wilson have a cute partnership in i spy , 
unpaid intern 
it is too bad that this likable movie is n't more accomplished . 
its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros 
disconcertingly slack 
wonderful life 
distinctly minor effort 
opposed to the manifesto 
all too familiar ... basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938 . 
that work -- is charming , is moving 
bittersweet comedy/drama full of life , hand gestures , and some 
this u-boat does n't have a captain . 
a convincing one 
is very much of a mixed bag , with enough negatives to outweigh the positives . 
is n't something to be taken seriously 
entirely infantile 
for great cinema 
is a remarkable piece of filmmaking 
dupe the viewer into taking it all as very important 
too long , and larded with exposition , this somber cop drama ultimately feels as flat as the scruffy sands of its titular community . 
own meager weight 
easy feel-good sentiments 
a relaxed firth displays impeccable comic skill 
a porno flick ( but none of the sheer lust ) 
unlikable , uninteresting 
than sketches ... which leaves any true emotional connection or identification frustratingly out of reach 
for us 
too weak 
a funny and well-contructed black comedy where the old adage `` be careful what you wish for '' 
one funny popcorn 
warm without ever succumbing to sentimentality 
deuces wild treads heavily into romeo and juliet/west side story territory , where it plainly has no business going . 
could have been crisper and punchier 
unfortunately the story and the actors are served with a hack script . 
clearly a manipulative film 
thoroughly winning flight of revisionist fancy . 
astonishing 
poor editing , bad bluescreen , and ultra-cheesy dialogue highlight the radical action . 
been this odd , inexplicable and unpleasant 
jackie chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing 
a powerful drama 
genuinely moving and 
it 's not just the vampires that are damned in queen of the damned -- the viewers will feel they suffer the same fate 
is existential drama without any of the pretension associated with the term . 
both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable 
awkward 
truly distinctive and 
playful 
elevates the material above pat inspirational status and 
offers flickering reminders of the ties that bind us 
it 's an utterly static picture 
p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible . 
more like the pilot episode of a tv series 
dismissed as mindless 
that 's why sex and lucia is so alluring . 
obvious . 
very best 
`` being earnest '' overcome its weaknesses 
a children 's party clown gets violently gang-raped 
muccino seems to be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble . 
goofball action comedy 
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and 
it 's crafty , energetic and smart 
inventive , fun 
all in all , a great party 
live in if argento 's hollywood counterparts ... had this much imagination and nerve 
is all over the place 
's not very good either 
everywhere will forgive the flaws and love the film . 
if you have the patience for it 
rounded and revealing overview 
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... grant and bullock make it look as though they are having so much fun 
it has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame . 
clarke-williams 's 
has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
intimidated by both her subject matter 
leaden as the movie sputters 
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper 
than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script 
go from stark desert to gorgeous beaches 
weird , wonderful 
( gosling 's ) combination of explosive physical energy and convincing intelligence helps create a complex , unpredictable character . 
despite the film 's bizarre developments , hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity . 
sustain its initial promise with a jarring , new-agey tone creeping into the second half 
precious 
old bad trip 
, it manages to instruct without reeking of research library dust . 
so tedious 
goes beyond his usual fluttering and stammering and 
as bad as you think , and worse than you can imagine 
embraced 
dishonest 
this beautifully animated epic is never dull . 
a phlegmatic bore 
's the prince of egypt from 1998 . 
scherfig , the writer-director 
standard horror flick formula 
there are some movies that hit you from the first scene and you know it 's going to be a trip 
thanks to its cast , its cuisine and its quirky tunes 
lacking 
nothing but boilerplate clichés from start 
profanity and violence 
a vivid , sometimes surreal 
follow the same blueprint from hundreds of other films 
handled correctly 
encounter than the original could ever have hoped to be 
by a pack of dogs who are smarter than him 
deniro 's once promising career 
a movie in which a guy dressed as a children 's party clown gets violently gang-raped 
remote , emotionally distant piece 
disarmingly 
direct-to-video/dvd category 
they wo n't much care about 
halfwit plot 
a small but rewarding comedy 
a great , participatory spectator sport . ' 
than money why this distinguished actor would stoop so low 
more revealing , more emotional 
does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject 
of joyful solo performance 
respect to just one of those underrated professionals who deserve but rarely receive it 
the journey to the secret 's eventual discovery 
while you have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet , you 're a jet all the way , '' it 's equally distasteful to watch him sing the lyrics to `` tonight . '' 
, with enough negatives 
it 's not a motion picture ; 
to quibble with a flick boasting this many genuine cackles 
with originality , humor and pathos 
, it is worth searching out . 
overwrought , 
the beautiful images and solemn words can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice . 
while his characters are acting horribly 
with such life-embracing spirit 
has the right stuff for silly summer entertainment and 
equally beautiful , self-satisfied 
a dim-witted and lazy spin-off 
thinly sketched story 
this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , but it takes its techniques into such fresh territory that the film never feels derivative . 
excels in spectacle and pacing 
lacks the charisma and ability 
, we hope it 's only acting . 
has layered , well-developed characters and some surprises 
feels five hours long 
is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans . 
hey everybody , wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ? 
mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema 
it 's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah . 
unless you 're an absolute raving star wars junkie 
sincere performance 
poignant japanese epic about adolescent anomie and heartbreak . 
to keel over 
bittersweet film 
a decent-enough nail-biter that stands a good chance of being the big 
makes you feel genuinely good 
's understanding of the expressive power of the camera . 
an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
were worried 
this too-long , spoofy update of shakespeare 's macbeth 
humanize its subject 
this good 
provocative film 
about as big a crowdpleaser as they possibly come . 
david spade as citizen kane ? 
touching drama 
to pass up , and for the blacklight crowd , way cheaper ( and better ) than pink floyd tickets 
though it 's told with sharp ears and eyes for the tenor of the times 
that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
a film you will never forget -- that you should never forget 
medicine 
that it also makes her appear foolish and shallow rather than , as was more likely , 
lives up 
making moving pictures today 
the inherent limitations of using a video game as the source material movie 
makes compelling , provocative and prescient viewing 
are up to the task 
unamusing 
the rarest kinds 
rich in shadowy metaphor 
it asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up . 
like mike is a slight and uninventive movie : like the exalted michael jordan referred to in the title , many can aspire but none can equal . 
get this thing over with 
who has lived her life half-asleep suddenly wake up 
susan 
true-blue delight . 
the gags 
the film has a problem 
power and grace 
irritating display 
it makes most of what passes for sex in the movies look like cheap hysterics 
musty as one of the golden eagle 's carpets 
succeeds where its recent predecessor miserably 
to blue hilarity 
with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances 
love the music 
toward keeping the picture compelling 
it 's hard to like a film so cold and dead 
fustily tasteful 
nair 's attention to detail 
puts history in perspective 
dishonest and 
has crafted here a worldly-wise and very funny script 
is a movie filled with unlikable , spiteful idiots 
was n't feeling any of it 
satisfying entertainment 
adventurous indian filmmakers toward a crossover 
a photographic marvel of sorts , and it 
a first-class road movie that proves you can run away from home , but your ego and 
a moral tale 
secondhand material 
presents a frightening and compelling ` what if ? ' 
i can easily imagine benigni 's pinocchio becoming a christmas perennial . 
has all the outward elements of the original 
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , 
wo n't find anything to get excited about on this dvd 
ever such a dependable concept was botched in execution 
a grenade 
too mainstream 
, dong stakes out the emotional heart of happy . 
even when he 's not at his most critically insightful , godard can still be smarter than any 50 other filmmakers still at work . 
it does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject . 
kind , unapologetic , 
like time fillers between surf shots 
it made me want to get made-up and go see this movie with my sisters . 
a rich visual clarity and deeply 
rare for any movie 
grasping actors ' workshop that it is 
a summer entertainment adults can see without feeling embarrassed , 
cleansing 
a gem 
the most brilliant and brutal uk crime film 
, its hard to imagine having more fun watching a documentary ... 
should strike a nerve in many 
in reverse 
argentine retread 
a comedy , both gentle and biting 
is its personable , amusing cast . 
an old-fashioned drama 
daft 
that someone other than the director got into the editing room and tried to improve things by making the movie go faster 
that there 's a casual intelligence that permeates the script 
is a triumph of imagination 
, it 's black hawk down with more heart . 
too evident 
is way too stagy 
'm afraid . 
the script is about as interesting as a recording of conversations at the wal-mart checkout line 
is wholly unconvincing 
its script and execution 
shoot it in the head 
stalking 
done with noticeably less energy and imagination 
ticking time bombs and other hollywood-action cliches 
intriguing and 
perfectly pitched web 
makes it work more than it probably should 
schindler 's 
sharp 
an overwhelming sadness that feels as if it has made its way into your very bloodstream 
takes a walking-dead , cop-flick subgenre and beats new life into it 
rises to its clever what-if concept 
cheap , graceless , hackneyed sci-fi serials 
given audiences 
used soap 
'm left slightly disappointed that it did n't . 
20th 
no such thing breaks no new ground and treads old turf like a hippopotamus ballerina . 
it 's worth the concentration . 
unlikable characters and 
to endure its extremely languorous rhythms , waiting for happiness 
sweetly conspiratorial 
that trademark grin 
hollywood magic 
cruel but weirdly likable 
moving 
is a beautiful , aching sadness to it all 
it ai n't art , by a long shot , 
're gon na like this movie . 
this would-be ` james bond for the extreme generation ' pic is one big , dumb action movie . 
cliches and 
( woo 's ) most resonant film since the killer . 
nominated for an oscar next year 
eastwood is off his game 
the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed 
satisfyingly 
a modestly made but profoundly moving documentary 
a head-turner 
is less compelling than the circumstances of its making . 
though the aboriginal aspect lends the ending an extraordinary poignancy , and the story itself could be played out in any working class community in the nation . 
could be so flabby 
musty 
the extent to which it succeeds 
disjointed , flaws that have to be laid squarely on taylor 's doorstep 
spot on 
schizo cartoon 
gives an intriguing twist 
conceal that there 's nothing resembling a spine here 
masterfully calibrated psychological thriller 
nearly as dreadful 
in the worst sense of the expression 
thriller 
fast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd . 
tasty and sweet 
is achingly honest and delightfully cheeky 
more timely than its director could ever have dreamed , this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food . 
all the comic possibilities of its situation 
his most personal work yet . 
's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom 
astounding performance 
3000 
gets us 
's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah 
an incredibly irritating comedy about thoroughly vacuous people ... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy . 
would probably have worked better as a one-hour tv documentary 
can write and deliver a one liner as well as anybody 
an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated 
stereotypes 
lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing . 
avoid being recognized as the man who bilked unsuspecting moviegoers 
the small moments 
is a pretty good job , if it 's filmed tosca that you want . 
effective portrait 
an interesting topic 
do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
idling in neutral 
is a film living far too much in its own head 
shooting itself in the foot 
capped with pointless extremes 
a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 
as an articulate , grown-up voice in african-american cinema 
with a few four letter words thrown in that are generally not heard on television 
complex than your average film 
as an introduction to the man 's theories and influence , derrida is all but useless 
's boring 
as kooky and overeager as it is spooky and subtly in love with myth 
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation 
its cutesy reliance on movie-specific cliches 
spot-on scottish burr 
true-blue 
'm giving it a strong thumbs up 
the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem , and not strictly in the knowledge imparted 
the year 's greatest adventure , 
against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except 
clooney 's ) debut can be accused of being a bit undisciplined 
when all is said and done , she loves them to pieces 
starts slowly , but adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying 
doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
strictly a-list players 
a grand tour through 300 hundred years of russian cultural identity and a stunning technical achievement 
integrating the characters in the foreground into the extraordinarily rich landscape 
hoffman waits too long to turn his movie in an unexpected direction , and even then his tone retains a genteel , prep-school quality that feels dusty and leatherbound . 
how bad an actress she is 
it 's one of the most beautiful , evocative works i 've seen . 
manages , with terrific flair , 
something of a public service 
, hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial . 
, it does n't work . 
takes you by the face , 
is smart and dark - hallelujah for small favors 
just ca n't tear himself away from the characters 
the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up 
this story is really all about 
distinctive discourse 
an annoying orgy 
have no bearing on the story 
rivals the top japanese animations of recent vintage . 
are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents . 
to have ransacked every old world war ii movie for overly familiar material 
the innocence 
a nice change of mindless pace in collision 
this one aims for the toilet and scores a direct hit . 
puportedly `` based on true events , '' a convolution of language that suggests it 's impossible to claim that it is `` based on a true story '' with a straight face . 
the movies you 'd want to watch if you only had a week to live 
their struggle is simply too ludicrous and borderline insulting . 
's little to recommend snow dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity . 
while the plot follows a predictable connect-the-dots course ... director john schultz colors the picture in some evocative shades . 
contradicts everything we 've come to expect from movies nowadays . 
actually thrilled 
with zoe clarke-williams 's lackluster thriller `` new best friend '' , who needs enemies ? 
the film works well enough to make it worth watching 
predictable romantic comedy 
fresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense . 
mystical 
given the stale plot and pornographic way the film revels in swank apartments , clothes and parties 
vacuous 
video-cam footage 
padded with incident in the way of a too-conscientious adaptation 
slight but 
old-fashioned-movie movie 
strictly a ` guy 's film ' in the worst sense of the expression . 
captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty 
black-and-white inspires 
fear permeates the whole of stortelling , todd solondz ' oftentimes funny , yet ultimately cowardly autocritique . 
the looseness of the piece 
tell you that there 's no other reason why anyone should bother remembering it 
when a movie asks you to feel sorry for mick jagger 's sex life 
take before indigestion sets in 
when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path 
a solid action pic that returns the martial arts master to top form 
producer john penotti surveyed high school students ... and came back with the astonishing revelation that `` they wanted to see something that did n't talk down to them . '' 
aware of his own coolness 
the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie 
top-heavy 
some serious re-working to show more of the dilemma , rather than have his characters stage shouting 
could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time . 
stirring visual sequence 
despite its floating narrative , this is a remarkably accessible and haunting film . 
, silly and monotonous 
grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces 
sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking 
learns that believing in something does matter 
the horrors of the killing field and the barbarism of ` ethnic cleansing 
well done and perfectly 
might be with a large dose of painkillers 
without a map 
piccoli 
they love and make 
late-summer 
to be sealed in a jar and left on a remote shelf indefinitely 
quality 
the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place 
for it other than its exploitive array of obligatory cheap 
is n't much fun 
adorns his family-film plot with an elegance and maturity 
keeping themselves kicking 
sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself . 
theater 
an inexperienced director , mehta has much to learn . 
a worthy idea , but the uninspired scripts , acting and direction never rise above the level of an after-school tv special . 
is a likable story , told with competence 
-- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded . 
very good acting 
that may make you hate yourself for giving in 
of small-town competition 
makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering 
with the subject of love head-on 
makes oliver far more interesting 
a compelling and horrifying story 
it 's stuffy and pretentious in a give-me-an-oscar kind of way 
the lousy lead performances 
awe and affection -- 
has an unmistakable , easy joie de vivre . 
standard slasher flick 
brings together some of the biggest names in japanese anime , with impressive results . 
`` rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j. 
cute frissons 
is no foundation for it 
to mesmerize , astonish and entertain 
simply , and surprisingly , 
more meaningful 
shrill and soporific 
has popped up with more mindless drivel 
smart , funny and 
the way the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of gator-bashing are consistently delightful . 
able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable 
valuable 
deliciously 
have been benefited from a sharper , cleaner script before it went in front of the camera 
a hokey piece of nonsense that tries too hard to be emotional 
succeeds in making us believe 
puts an exclamation point on the fact 
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this 
elephant feces 
it takes your breath away 
, the updated dickensian sensibility of writer craig bartlett 's story is appealing . 
more sophisticated and literate than such pictures usually are ... 
in fast-edit , hopped-up fashion 
television screen 
for most movies , 84 minutes is short , but this one feels like a life sentence . 
an incoherent jumble of a film that 's rarely as entertaining as it could have been . 
the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen 
without sham the raw-nerved story 
as it is spooky and subtly in love with myth 
lacks any real raw emotion , which is fatal for a film that relies on personal relationships . 
pretty valuable 
something hip and transgressive was being attempted here that stubbornly refused to gel 
real-life persona 
not all of the stories work and the ones that do 
impart a message 
hopes mr. plympton will find room for one more member of his little band , a professional screenwriter 
baroque beauty 
to occasionally break up the live-action scenes with animated sequences 
represents an engaging and intimate first feature by a talented director 
is a pleasant enough dish . 
this is sandler running on empty , repeating what he 's already done way too often . 
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but 
satisfying niblet 
there 's much tongue in cheek in the film and there 's no doubt the filmmaker is having fun with it all . 
i 'm just about ready to go to the u.n. and ask permission for a preemptive strike 
then go see this delightful comedy . 
appropriate 
should see this movie 
, cinema paradiso stands as one of the great films about movie love . 
doomed by its smallness 
does n't reveal even a hint of artifice 
derive from this choppy and sloppy affair 
dark-as-pitch 
some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time 
an incoherent jumble 
to video 
starts off with a 1950 's doris day feel 
's a solid movie about people whose lives are anything but . 
's film ' in the worst sense of the expression 
... a light , yet engrossing piece . 
miller has crafted an intriguing story of maternal instincts and misguided acts of affection . 
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... 
a highly watchable , giggly little story with a sweet edge to it . 
you can release your pent up anger 
some wickedly sick and twisted humor 
an exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound 
a minor treat 
at the peak of their powers 
most poorly staged and lit action 
grace and humor 
of a travesty of a transvestite comedy 
a distinct rarity , and 
a moving , if uneven , success 
... in the pile of useless actioners from mtv schmucks who do n't know how to tell a story for more than four minutes . 
offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies . 
unlike most animaton from japan , the characters move with grace and panache 
your kids 
normally could n't care less 
that deserves more than a passing twinkle 
bold choices 
is a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back . 
deeply unpleasant experience 
no apparent reason except 
tawdry trash 
eclipses 
revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement 
amusing , let alone funny 
a sleeper success 
the worst movie 
short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil 
what 's the russian word for wow !? ' 
for the blacklight crowd , way cheaper ( and better ) 
dialogue and a heroine who comes across as both shallow and dim-witted 
a huge amount of the credit for the film 's thoroughly winning tone 
as if drop dead gorgeous was n't enough , this equally derisive clunker is fixated on the spectacle of small-town competition . 
gedeck , 
mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another 
unburdened by pretensions to great artistic significance 
top shelf 
afraid of the bad reviews 
in this forgettable effort 
has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making 
what an idea 
is without doubt an artist of uncompromising vision , but that vision is beginning to feel , 
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . 
a wet burlap sack 
that the entire exercise has no real point 
loathsome movie 
snow-and-stuntwork extravaganza 
the ya-ya sisterhood 
an extra-dry office comedy that seems twice as long as its 83 minutes 
looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale 
i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time . 
these women 's souls right open 
a naturally funny film , 
rich performances 
while general audiences might not come away with a greater knowledge of the facts of cuban music , they 'll be treated to an impressive and highly entertaining celebration of its sounds . 
material this rich 
a different and emotionally reserved type of survival story -- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man lost in its midst . 
earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones 
you could change tables 
all sing beautifully and act adequately . 
as thought-provoking 
up a storm as a fringe feminist conspiracy theorist named dirty dick 
ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
of the world 's best actors , daniel auteuil , 
appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up . 
pretty decent little documentary 
often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy 
we started to wonder if ... some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine 
hoped i would -- with moist eyes 
stinks 
warmest 
manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal . 
choppy ending 
spellbinding 
unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted . 
as simultaneously funny , offbeat 
entertained 
cheesy screenplay 
can smell the grease on the plot 
you 'll forget about it by monday , though , and if they 're old enough to have developed some taste , so will your kids 
a schmaltzy , by-the-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely 
albeit a visually compelling one 
overly convenient plot twists 
a big-budget/all-star movie 
just because a walk to remember is shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls . 
that would make this a moving experience for people who have n't read the book 
maintains a surprisingly buoyant tone throughout , 
that it 's far too sentimental 
that burns is a filmmaker with a bright future ahead of him 
frighteningly fascinating contradiction 
quality twist 
hip-hop prison thriller of stupefying absurdity . 
anachronistic phantasms haunting the imagined glory of their own pasts 
the salton sea works the way a good noir should 
golden 
a rip-roaring comedy action fest that 'll put hairs on your chest . 
pacino is the best he 's been in years 
goes for sick and demented humor simply to do so . 
demonstrates the unusual power of thoughtful , subjective filmmaking 
frequent flurries of creative belly laughs and genuinely enthusiastic performances ... keep the movie slaloming through its hackneyed elements with enjoyable ease . 
that things fall apart 
chilling advantage 
made a walk to remember a niche hit 
while this film has an ` a ' list cast and some strong supporting players , the tale -- like its central figure , vivi -- is just a little bit hard to love . 
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- 
unbearably lame . 
a bad sign in a thriller when you instantly know whodunit 
the problem with movies about angels 
inherent in how medical aid is made available to american workers 
digital 
lethargic 
out of reach 
utterly charming 
two gifted performers 
... the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances , there is little else to recommend `` never again . '' 
delivers the same old bad trip 
sending the audience 
with energy , intelligence and verve , enhanced by a surplus of vintage archive footage 
call me a cynic , but there 's something awfully deadly about any movie with a life-affirming message . 
might just be the biggest husband-and-wife disaster since john 
works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh . 
touching , dramatically forceful , and beautifully shot 
its ludicrous and contrived plot 
the film is well under way -- 
but what is missing from it all is a moral . 
grant is n't cary and bullock is n't katherine 
gripping documentary 
this unimaginative comedian 
septic 
a keep - 'em - guessing plot and an affectionate take on its screwed-up characters . 
is the gabbiest giant-screen movie ever 
directed not only one of the best gay love stories ever made 
lets things peter out midway 
as a serious drama about spousal abuse 
most audacious , outrageous 
to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) 
, we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching . 
this gender-bending comedy is generally quite funny . 
is a sweet and modest and ultimately winning story . 
accumulate like lint in a fat man 's navel 
never inspires more than an interested detachment . 
the wanton slipperiness of * corpus and its amiable jerking and reshaping of physical time and space would make it a great piece to watch with kids and use to introduce video as art . 
sulky teen drama 
being memorable 
, here 's a fun one . 
exhilarating place 
, getting there is not even half the interest . 
hack 
is exceedingly pleasant , 
collateral 
solidly entertaining and moving family drama 
adding 
laugh 
brisk hack 
deadpan cool , wry humor and just the measure 
negatives 
career 
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and 
88-minute highlight reel 
spinning a web of dazzling entertainment may be overstating it , but `` spider-man '' certainly delivers the goods . 
but it 's difficult to shrug off the annoyance of that chatty fish 
courage and happiness 
get made-up and 
awakens 
beautifully produced 
familiar -- and not in a good way 
its characterization of hitler and 
have their funny bones tickled 
it the adventures of direct-to-video nash 
is n't quite 
derived from a lobotomy , 
does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard 
there is something in full frontal , i guess , about artifice and acting and how it distorts reality for people who make movies and watch them , but 
familiar but utterly delightful . 
cuba gooding jr. valiantly mugs his way through snow dogs , but even his boisterous energy fails to spark this leaden comedy 
veiling tension beneath otherwise tender movements 
there are some laughs in this movie , 
the funniest moments in this oddly sweet comedy about jokester highway patrolmen 
an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters 
it will remind them that hong kong action cinema is still alive and kicking . 
at the one-hour mark , herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion . 
comes off as a pale successor 
reactionary ideas about women and a total lack of empathy 
something about how lame it is to try and evade your responsibilities 
left of his passe ' chopsocky glory 
the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career 
radiates star-power potential in this remarkable and memorable film 
to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
goes awry 
bibbidy-bobbidi-bland 
bogs down in insignificance , 
its committed dumbness 
ca n't even do that much . 
cobbled together out of older movies 
real dawns , comic relief 
you see the movie and you think , zzzzzzzzz . 
feels like very light errol morris 
unimpressively fussy 
might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine . 
created a provocative 
of cinematic perfection 
it 's not nearly as fresh or enjoyable as its predecessor , but there are enough high points to keep this from being a complete waste of time 
bears ... should keep parents amused with its low groan-to-guffaw ratio . 
, badly cobbled look 
's back in form , 
the needs of moviegoers for real characters and compelling plots 
loose , unaccountable direction 
a good ear for dialogue 
tasty and 
dramas like this make it human . 
's fun , splashy and entertainingly nasty . 
provides a strong itch to explore more . 
is worth the price of admission 
smart and taut 
a boring masquerade ball where normally good actors , even kingsley , are made to look bad . 
the better of obnoxious adults 
a vastly improved germanic version of my big fat greek wedding 
, their struggle is simply too ludicrous and borderline insulting . 
smarter and more diabolical 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why 
might not have noticed 
would have just gone more over-the-top instead of trying to have it both ways 
cheesy backdrops , 
it 's hard to imagine acting that could be any flatter . 
the wrong times 
one of the more influential works of the ` korean new wave ' 
in getting under the skin of her characters 
nasty 
, provocative drama 
and immature provocations 
is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness 
a chocolate 
stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain 
whose valuable messages are forgotten 10 minutes after the last trombone 
bogs down in genre cliches 
's hard to say who might enjoy this 
entirely suspenseful , 
hard , endearing , caring 
the tale of her passionate , tumultuous affair with musset unfolds as sand 's masculine persona , with its love of life and beauty , takes form . 
it 's a rare window on an artistic collaboration . 
murphy and owen wilson 
the fun of the movie is the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad . 
is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge . 
it goes nowhere 
under our skin 
decent 
otherwise excellent 
one of the most unpleasant things the studio has ever produced . 
muddy 
slick production values and director roger michell 's tick-tock pacing 
predictable as the outcome of a globetrotters-generals game 
that it jams too many prefabricated story elements into the running time 
this loud and thoroughly obnoxious comedy 
though clearly well-intentioned , this cross-cultural soap opera is painfully formulaic and stilted . 
a nice little story in the process 
way too much indulgence of scene-chewing , teeth-gnashing actorliness 
is a vulgar 
chilly , remote , emotionally distant piece 
interesting to see where one 's imagination will lead when given the opportunity 
some very good acting , dialogue 
it 's a brazenly misguided project 
primal storytelling that george lucas can only dream of 
anyone else who may , for whatever reason , be thinking about going to see this movie is hereby given fair warning . 
inspire even the most retiring heart to venture forth 
find a place among the studio 's animated classics 
that , half an hour in , starts making water torture seem appealing 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie . 
a big corner office in hell 
on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
smart new comedy 
get bogged down in earnest dramaturgy 
's meandering , low on energy , and too eager to be quirky at moments 
too slow for a younger crowd 
as an introduction to the man 's theories and influence , derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable 
a long , unfunny one at that 
is filled with raw emotions conveying despair and love 
who comes to america speaking not a word of english 
obviously desired 
interesting cinematic devices 
an uneasy marriage 
evokes the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun . 
proves as clear and reliable an authority on that 
gripping performances by lane and gere 
romantics 
the name of high art 
based on stock clichés 
really has no place to go since simone is not real 
mind-bending 
may scream low budget 
is that there is nothing in it to engage children emotionally . 
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , 
a high water mark for this genre 
a memorable experience that , like many of his works , presents weighty issues colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill . 
shyamalan takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion . 
far more witty 
piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying 
the whole package certainly captures the intended , er , spirit of the piece 
as darkly funny , 
family togetherness takes a back seat to inter-family rivalry and workplace ambition 
that made it all work 
( a ) real pleasure in its laid-back way . 
a stylish cast and some clever scripting solutions 
is the refreshingly unhibited enthusiasm 
ill-advised 
insane liberties 
dreadfully earnest inversion 
created a monster 
freeman ca n't save it 
will absolutely crack you up with her crass , then gasp for gas , verbal deportment . 
its simplicity puts an exclamation point on the fact that this is n't something to be taken seriously , but it also wrecks any chance of the movie rising above similar fare . 
us is a minor miracle 
three hours and with very little story or character 
is a feast for the eyes 
shot all the way . 
her confidence in her material is merited 
female friendship that men can embrace and 
the intrigue from the tv series 
tight and truthful , 
while the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo n't care . 
of the big summer movies 
wet burlap sack 
disguised as a feature film 
a welcome lack 
would be an unendurable viewing experience for this ultra-provincial new yorker if 26-year-old reese witherspoon were not on hand to inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic . 
what might have been acceptable on the printed page of iles ' book does not translate well to the screen . 
is more like something from a bad clive barker movie 
does 
ahola ) 
action-packed an experience as a ringside seat 
as a castrated 
views youthful affluence not as a lost ideal but a starting point 
we do n't get williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing . 
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document -- 
wewannour money back 
endlessly challenging 
do n't know if frailty will turn bill paxton into an a-list director 
most touching movie 
every articulate player 
a fantastic dual performance 
, this oscar-nominated documentary takes you there . 
it is one that allows him to churn out one mediocre movie after another 
sweet , 
the stunt-hungry dimwits 
romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here . 
, it 's still a guilty pleasure to watch . 
be growing 
sleekness 
about how lame 
war 's 
to the script 's refusal of a happy ending 
if you 're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life , eisenstein delivers . 
even that 's too committed . 
nalin 
an acceptable way to pass a little over an hour with moviegoers ages 8-10 , 
the chaos of an urban conflagration 
an exercise in gross romanticization of the delusional personality type 
lower i.q. 
the film 's plot may be shallow , but 
with a lot of static set ups , not much camera movement , and most of the scenes 
that resonate with profundity 
viewing in university computer science departments for years to come 
a fine 
steal your heart away 
savvy producer 
been too many of these films 
from the margin that gives viewers a chance to learn , to grow , to travel 
be a most hard-hearted person 
unambitious writing emerges in the movie , using a plot that could have come from an animated-movie screenwriting textbook . 
into a mundane '70s disaster flick 
flashy 
indulgent 
cultural elite 
begin with 
a generous , inspiring film that unfolds with grace and humor and gradually 
corruption 
intriguing 
as far as mainstream matinee-style entertainment goes 
japanese director shohei imamura 's latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime . 
with breathless anticipation for a new hal hartley movie 
moments of genuine insight into the urban heart 
felt and vividly detailed story about newcomers in a strange new world . 
classified as one of those ` alternate reality ' 
disturbingly 
is impossible to think of any film more challenging or depressing than the grey zone 
never rises to a higher level 
clumsy dialogue , 
bravo 's 
pale , dark beauty 
fires the winning shot 
there 's no conversion effort 
an artist who has been awarded mythic status in contemporary culture 
been gathering dust on mgm 's shelf 
on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza 
throws you for a loop 
obvious copy 
because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet 
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , 
than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
're out there ! '' 
would be easy for critics to shred it 
star performance 
it also happens to be the movie 's most admirable quality 
gong li and a vivid personality 
yes . 
wonderfully vulgar 
plotless , shapeless 
is compelling enough 
could have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination 
though intrepid in exploring an attraction that crosses sexual identity 
touches smartly and wistfully on a number of themes , not least the notion that the marginal members of society ... might benefit from a helping hand and a friendly kick in the pants . 
alexander payne 's ode to the everyman 
as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries 
will not notice the glaring triteness of the plot device 
sports aficionados 
moretti ... is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness . 
it 's as sorry a mess as its director 's diabolical debut , mad cows . 
makes this man so watchable is a tribute not only to his craft , but to his legend . 
take place indoors in formal settings with motionless characters 
prejudices 
unfocused , excruciatingly tedious 
drown yourself in a lake 
, brutally clueless 
dreams , 
in addition to gluing you to the edge of your seat 
, and smugly suggests a superior moral tone is more important than filmmaking skill 
truly magical movie 
the jokes are flat , and the action looks fake . 
it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring . 
created a substantive movie out 
are as mushy as peas 
, almost every relationship and personality in the film yields surprises . 
handsome and 
but it is entertaining on an inferior level . 
being wasabi 's big selling point 
a playful spirit 
overrides what little we learn along the way about vicarious redemption . 
to make us share their enthusiasm 
's like dying and going to celluloid heaven 
zero-dimensional 
good yarn-spinner 
there are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit . 
will do so in a way that does n't make you feel like a sucker 
that you root for throughout 
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema 
captures the wonders and worries of childhood 
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demands . 
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling 
the acting in pauline and paulette is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons . 
one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop . 
is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists 
the most depressing movie-going experiences 
refreshingly smart and newfangled 
is bright and flashy 
the acting is fine but 
flashy gadgets and whirling fight sequences may look cool 
may have made a great saturday night live sketch , but a great movie it is not . 
woven of romance , dancing , singing , and unforgettable characters 
there is no substitute for on-screen chemistry , and when friel pulls the strings that make williams sink into melancholia , the reaction in williams is as visceral as a gut punch 
are immaculate 
their incessant whining 
i like all four of the lead actors a lot 
of a golden book sprung to life 
the marvelous first 101 minutes 
morbid one 
's also cold , gray , antiseptic and emotionally desiccated . 
humorless soap opera 
genuine and 
the holocaust 
utterly convincing -- and deeply appealing -- 
excess debris 
a sometimes incisive and sensitive portrait that is undercut by its awkward structure and a final veering toward melodrama . 
irritating ( at least to this western ear ) 
a remarkable movie 
do a homage 
... quite endearing . 
than one might expect when you look at the list of movies starring ice-t in a major role 
're down 
with passable performances from everyone in the cast 
keep you watching , as will the fight scenes 
torments 
, the viewer is left puzzled by the mechanics of the delivery 
really rather special 
too many pointless situations 
works its magic with such exuberance and passion that the film 's length becomes a part of its fun 
sensual , funny and , in the end , very touching 
, unfussily poetic 
despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
about refracting all of world war ii through the specific conditions of one man , and more about that man 
by movie 's end , we accept the characters and the film , flaws and all 
affirming and 
the film reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style . 
a child 's interest and an adult 's patience 
sparking 
fails to fascinate . 
it gets very ugly , very fast 
please fans of chris fuhrman 's posthumously published cult novel 
banal as the telling 
conveys the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all 
while it may not add up to the sum of its parts , holofcener 's film offers just enough insight to keep it from being simpleminded , and the ensemble cast is engaging enough to keep you from shifting in your chair too often . 
is about a domestic unit finding their way to joy 
dazzling dream 
a tired one 
bad clive barker movie 
the hurried , badly cobbled look 
of soft-core twaddle 
that you feel like running out screaming 
lunacy 
any awards 
will have completely forgotten the movie by the time you get back to your car in the parking lot 
they will have a showdown , but , by then , your senses are as mushy as peas and 
, beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates . 
so devoid of artifice and purpose 
do well to check this one out because it 's straight up twin peaks action 
of puerile 
devastated 
attal 's hang-ups surrounding infidelity are so old-fashioned and , 
in three words : thumbs friggin ' down 
an inferior level 
off-putting romantic comedy . 
frida with a visual style unique and inherent 
own solemn insights 
like the best of godard 's movies ... it is visually ravishing , penetrating , impenetrable . 
too sappy for its own good . 
smart and dark 
found it slow , predictable and not very amusing . 
generous and subversive 
a mexican soap opera 
the film 's considered approach 
are odd and pixilated and 
the unsung heroes of 20th century 
, and for the memorable character creations 
a captivating and intimate study about dying and loving 
so i do n't know what she 's doing in here 
looking down at your watch and realizing serving sara is n't even halfway through 
not the great american comedy 
not only are the film 's sopranos gags incredibly dated and unfunny 
children 's entertainment , superhero comics 
this slight premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napoleon 
and rough-hewn vanity project 
normally good actors , even kingsley , are made to look bad 
if it belongs on the big screen 
comfort food 
makes this a high water mark for this genre . 
far more appealing 
it does in trouble every day 
indie comedy 
a solid , anguished performance 
suspenseful enough 
what i liked about it 
every once in a while a film 
the abiding impression 
, then triple x marks the spot . 
after an uncertain start , murder hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling . 
, seamless and sumptuous stream 
the point of ridiculousness 
pessimism 
has fashioned an absorbing look at provincial bourgeois french society 
brown sugar signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema . 
only the odd enjoyably chewy lump 
situates it all in a plot as musty as one of the golden eagle 's carpets 
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter 
it is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise . 
unsatisfying muddle 
and it 's a lousy one at that . 
the script is a dim-witted pairing of teen-speak and animal gibberish . 
, rohmer 's talky films fascinate me 
his slop 
of devito 's misanthropic vision 
the uncompromising knowledge 
has nothing 
of a troubadour , his acolytes , and the triumph of his band 
sloppiness 
our reality tv obsession , and even 
recycled plot 
smartly written 
no longer recognizes the needs of moviegoers for real characters and compelling plots 
want nothing else than to show us a good time 
nolan 's penetrating undercurrent of cerebral and cinemantic flair 
pushes for insights beyond the superficial tensions of the dynamic he 's dissecting 
it 's better suited for the history or biography channel , 
close to being the barn-burningly bad movie it promised it would be 
gives added clout to this doc 
has little insight into the historical period and its artists , 
vowing , ` 
is a subzero version of monsters , inc. , 
too manipulative 
that the e-graveyard 
the sum of its pretensions 
virtually no one is bound to show up at theaters for it 
fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing 
perverse 
wilco fans will have a great time 
has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point . 
a bodice-ripper for intellectuals 
the young stars are too cute ; the story and ensuing complications are too manipulative ; 
gets vivid performances from her cast and 
set out to lampoon , anyway . 
emotionally manipulative and sadly imitative of innumerable 
hypermasculine 
right-thinking ' films 
real bump-in - the-night chills 
childish things 
used the film as a bonus feature on the dvd 
film school brat 
immaculately 
guilt-suffused melodrama 
is spooky and subtly in love with myth 
self-hatred and 
from which no interesting concept can escape 
it 's not like having a real film of nijinsky 
sabotaged by ticking time bombs and other hollywood-action cliches 
turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody . 
with witty dialogue and inventive moments 
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise 
an oddly winning portrayal 
do n't make movies like they used to anymore 
satisfying summer 
a superlative b movie -- funny , sexy , and rousing . 
of its heightened , well-shaped dramas 
a battle between bug-eye theater and dead-eye 
like a good guy 
constrictive 
tender and heart-wrenching 
watch them go about their daily activities for two whole hours 
the unacceptable , 
this gorgeous epic 
does n't quite know how to fill a frame . 
re-voiced version 
elite 
in that are generally not heard on television 
is hugely overwritten , with tons and tons of dialogue -- most of it given to children . 
is it a charming , funny and beautifully crafted import , it uses very little dialogue , making it relatively effortless to read and follow the action at the same time . 
this rather unfocused , all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor . 
is a goofy pleasure 
remains mostly undeterminable 
bizarre 
should serve detention 
is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing . 
strong narrative 
is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . ' 
put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life 
becomes a testament to faith . 
hopefully , this film will attach a human face to all those little steaming cartons . 
can only be described as sci-fi generic . 
burns out 
it does have one saving grace . 
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo . 
satisfyingly scarifying 
, enveloping affection 
thoughtless , 
remarkably cohesive 
comprise a powerful and reasonably fulfilling gestalt 
a thriller without a lot of thrills . 
middle east 
the week blown up for the big screen 
is an intelligent , realistic portrayal of testing boundaries 
of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either 
appreciation 
the mystery of enigma is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture . 
any way of gripping what its point is , or 
slap her 
seeking to pull a cohesive story out 
ca n't distract from the flawed support structure holding equilibrium up 
fast-moving 
wonderful performances that tug at your heart in ways that utterly transcend gender 
offers little insight into the experience of being forty , female and single . 
by and large this is mr. kilmer 's movie , and it 's his strongest performance since the doors 
a florid turn 
impressive stagings 
immensely appealing couple 
manages to convince almost everyone that it was put on the screen , just for them 
delighted with the fast , funny , and even touching story 
but fails to keep it up and settles into clichés . 
little visible talent and 
as three of the most multilayered and sympathetic female characters of the year 
interesting and 
so much of the movie -- again , as in the animal -- is a slapdash mess 
iosseliani 
mysterious and brutal nature 
going to make box office money that makes michael jordan jealous 
it may not be particularly innovative , 
an adventurous young talent who finds his inspiration on the fringes of the american underground 
too ludicrous and 
against governmental odds 
odd and weird . 
adams , with four scriptwriters , takes care with the characters , who are so believable that you feel what they feel . 
was ushered in by the full monty and is still straining to produce another smash 
her cheery and tranquil suburban life 
the things that made the original men in black such a pleasure 
disreputable doings and exquisite trappings are dampened by a lackluster script and substandard performances . 
at a bad rock concert 
's like an all-star salute 
muscles and a lot more smarts , but just as endearing and easy to watch 
the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
paints a grand picture of an era 
an intelligent , realistic portrayal 
ca n't help but be drawn in by the sympathetic characters 
's all quite tasteful to look at 
with some powerful people 
is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius . 
funniest film 
of screenwriting cliches that sink it faster than a leaky freighter 
is completely lacking in charm and charisma , and 
a chain of relationships that come full circle to end on a positive ( if tragic ) note 
remains brightly optimistic , coming through in the end 
french shocker 
it 's simply unbearable 
filmmakers and performers of this calibre 
the jokes , 
pretty decent 
has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy . 
sterile 
gives a human face to what 's often discussed in purely abstract terms 
phlegmatic bore 
, bad movie 
refresh our souls 
unimpeachable clarity 
, it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
a visionary marvel , 
is a lot more bluster than bite 
as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow 
the compelling historical tale 
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior ) 
delicate , clever direction 
rock-solid little genre picture 
a sturdiness and solidity 
plateau 
is attractive . 
it falls far short of poetry , 
sharp and quick documentary 
robert harmon 's less-is-more approach delivers real bump-in - the-night chills 
is silly but strangely believable . 
it falls short 
; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend 
found its audience , probably because it 's extremely hard to relate to any of the characters . 
fast-paced and 
too silly to take seriously . 
i almost expected there to be a collection taken for the comedian at the end of the show . 
not without cheesy fun factor . 
enough intelligence , wit or innovation on the screen to attract and sustain an older crowd 
rewarding . 
secret ballot is a comedy , both gentle and biting 
able to overcome his personal obstacles and become a good man 
cheap-looking version of candid camera staged for the marquis de sade set 
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining , but 
the nation 
some remarkable achival film 
for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league . 
enthusiastically taking up the current teen movie concern with bodily functions 
the past via surrealist flourishes 
pictures 
punching up the mix 
the sally jesse raphael atmosphere 
sunk 
the down-to-earth bullock and the nonchalant grant 
joyless , 
a good deal 
a thoughtful , emotional movie experience 
video , and so devoid of artifice and purpose 
cagney 's ` top of the world ' has been replaced by the bottom of the barrel 
a compelling yarn , but not quite a ripping one . 
to both people 's capacity for evil and their heroic capacity for good 
, it runs for 170 
extraordinarily talented 
try hard but come off too amateurish and awkward . 
with cardboard characters and performers 
anyone with a passion for cinema , and indeed sex , should see it as soon as possible . ' 
rude 
stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights 
annoying and artificial 
first-time writer-director dylan kidd also has a good ear for dialogue , and the characters sound like real people . 
an immensely entertaining look at some of the unsung heroes of 20th century pop music . 
, the film is extremely thorough . 
of ghandi gone bad 
soderbergh 's best films , `` 
the need for national health insurance 
shot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors 
the filmmakers know how to please the eye , but 
he does this so well you do n't have the slightest difficulty accepting him in the role . 
make it required viewing in university computer science departments for years to come 
written , flatly , by david kendall 
vividly and 
is that it is one that allows him to churn out one mediocre movie after another 
a pleasant distraction 
in a poorly 
confidently orchestrated , aesthetically and sexually 
seem motivated by nothing short of dull , brain-deadening hangover . 
the leanest and meanest of solondz 's misanthropic comedies . 
it excels because , unlike so many other hollywood movies of its ilk , it offers hope . 
incongruous 
entertainment 
ride for the kiddies , with enough eye 
are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be 
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves 
that kate is n't very bright , but 
as saccharine movies go , this is likely to cause massive cardiac arrest if taken in large doses . 
to get inside you and stay there for a couple of hours 
you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices 
was entranced 
the limitations of his skill 
elevated by michael caine 's performance 
its poignant and uplifting story 
( davis ) wants to cause his audience an epiphany , yet he refuses to give us real situations and characters . 
delivers on that promise . 
a cruelly funny twist on teen comedy 
be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
chill 
yet fail to capture its visual appeal or its atmosphere 
alternately fascinating and frustrating documentary 
simply put , `` far from heaven '' is a masterpiece . 
enhances the personal touch of manual animation . 
directed , barely , by there 
is hollow , self-indulgent , and - worst of all - boring . 
all portent and no content 
aimlessness 
atmospheric weirdness 
mel gibson can gasp , shudder and even tremble without losing his machismo 
that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters 
done way too often 
this odd , distant portuguese import more or less borrows from bad lieutenant and les vampires , and comes up with a kind of art-house gay porn film . 
perfect show 
looking at his 12th oscar nomination 
seem barely in the same movie 
spielberg knows how to tell us about people . 
the fact that it is n't very good is almost beside the point . 
a fragment of an underdone potato 
have fun with it 
great charm , generosity and diplomacy 
falters in its recycled aspects , implausibility , and sags in pace 
much funnier than anything 
the movie 's most admirable quality 
the longest 90 minutes 
disguising this 
pale successor 
a graceful , moving tribute to the courage of new york 's finest and a nicely understated expression of the grief shared by the nation at their sacrifice . 
a film worth watching 
by it -- the kind of movie 
excellent 
was lazy but enjoyable 
what the movie lacks in action 
with the intricate preciseness of the best short story writing 
another remarkable yet shockingly little-known perspective 
, the characters are too simplistic to maintain interest , 
to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting 
gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy 
like the world of his film , hartley created a monster but did n't know how to handle it . 
dramaturgy 
odd and 
play out realistically if not always fairly 
a masterpiece -- and a challenging one 
like a medium-grade network sitcom -- mostly inoffensive , fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen . 
flaws igby 
surehanded 
too long and 
is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success . 
small delights 
composed or edited 
the best possible ways 
hopes and dreams 
made watchable by a bravura performance 
exactly what its title implies : lusty , boisterous and utterly charming . 
is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable 
to have you scratching your head than hiding under your seat . 
a backstage must-see for true fans 
enjoyable undercover brother 
tremendous , offbeat sense 
worse 
struggles to rebel against his oppressive , right-wing , propriety-obsessed family . 
to question why somebody might devote time to see it 
's a real shame 
an ungainly movie , 
an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing 
to perfect use in the breathtakingly beautiful outer-space documentary space station 3d 
a remarkable amount 
inventive , 
an ebullient affection for industrial-model meat freezers 
allows the characters to inhabit their world without cleaving to a narrative arc 
unexpected blast 
great piece to watch with kids and use to introduce video as art 
a vivid imagination and 
a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
even better than the first one 
you 'd grab your kids and run and then probably call the police . 
almost all of its accumulated enjoyment with a crucial third act miscalculation 
visually engrossing , seldom hammy , 
love it , too 
take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that 
weird 
does n't end up having much that is fresh to say about growing up catholic or , really , anything . 
a rather unique approach 
it 's tremendously moving 
hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial . 
is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence . 
best films 
completely awful iranian drama ... as much fun as a grouchy ayatollah in a cold mosque . 
suspect it might deliver again and again 
is a desperate miscalculation 
have you talking 'til the end of the year 
a sense of action 
has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff . 
they fascinate in their recklessness . 
's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title 
it interesting as a character study is the fact that the story is told from paul 's perspective 
tries so hard to be quirky and funny that the strain is all too evident . 
often shocking but ultimately worthwhile exploration of motherhood and desperate mothers 
her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
keep it from being a total rehash 
uneven but a lot of fun 
hitting your head on the theater seat 
an example of the kind of lush , all-enveloping movie experience 
hypocritical work 
lack a strong-minded viewpoint , or a sense of humor 
laden with plenty of baggage 
with complicated plotting and banal dialogue 
plot , characters , drama , emotions , ideas -- all are irrelevant to the experience of seeing the scorpion king . 
uninspired 
just how much more grueling and time-consuming the illusion of work is than actual work 
a pleasant piece 
an excellent cast 
it 's unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism 
episode 
have an original bone in his body 
is an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces 
feel absolutely earned 
slippery slope 
gets vivid , convincing performances from a fine cast , 
all of it works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely . 
by turns touching , raucously amusing , uncomfortable , and , yes , even sexy , never again is a welcome and heartwarming addition to the romantic comedy genre . 
sickly 
impossible as it may sound , this film 's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition . 
probably want to see it twice 
by his lack of self-awareness 
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- 
, it 's also cold , gray , antiseptic and emotionally desiccated . 
that expands into a meditation on the deep deceptions of innocence 
's bright 
, the emotions seem authentic 
close enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air . 
, ' it also rocks . 
life-changing chance encounters 
female friendship , spiked with raw urban humor 
is many things -- stoner midnight flick , sci-fi deconstruction , gay fantasia -- 
audacious-impossible 
the visual panache 
in practice it 's something else altogether -- clownish and offensive and nothing at all like real life 
a more measured or polished production ever could 
appeal to those without much interest in the elizabethans 
a stylish thriller . 
the movie is a trove of delights . 
constructs 
nicks sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit . 
this is a story that zings all the way through with originality , humor and pathos . 
chris 
it may be the most oddly honest hollywood document of all 
when commercialism has squeezed the life out of whatever idealism american moviemaking ever had 
it might be ` easier ' to watch on video at home 
a sly female empowerment movie , 
whether it 's the worst movie of 2002 , i ca n't say for sure : memories of rollerball have faded , and i skipped country bears 
hits the bullseye 
with formalist experimentation in cinematic art 
's a very sincere work 
searching for a quarter in a giant pile of elephant feces ... 
a dualistic battle between good and evil 
unembarrassing but unmemorable 
are becoming irritating 
expects something special but instead gets ( sci-fi ) rehash 
comes together as a coherent whole . 
improvement 
languishing 
even though many of these guys are less than adorable ( their lamentations are pretty much self-centered ) , there 's something vital about the movie . 
leblanc thought , `` hey , the movie about the baseball-playing monkey was worse . '' 
forget that they are actually movie folk 
's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
rush 
is amiss in the world . 
overcome his personal obstacles and become a good man 
twice as powerful 
but ticket-buyers with great expectations will wind up as glum as mr. de niro . 
intriguing and stylish . 
from the movie gods 
( sometimes hilarious ) 
reassuring , retro uplifter . 
fresh air now and then 
to a satisfying crime drama 
laugh-out-loud lines 
a wonderful , ghastly film . 
sell us on this twisted love story 
britney 's cutoffs 
has said that warm water under a red bridge is a poem to the enduring strengths of women 
struck me as unusually and unimpressively fussy and pretentious . 
the cliché-riddled genre 
certified 
straightforward and old-fashioned 
` innovative ' and ` realistic ' 
really is a pan-american movie , with moments of genuine insight into the urban heart . 
creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees 
features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase . 
is attractive 
is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle 
amusements 
director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema 
seem goofy rather than provocative 
the strain of its plot contrivances and its need to reassure 
something i would rather live in denial about 
it ca n't really be called animation 
motivated by something more than franchise possibilities 
with the lovely hush 
roussillon providing comic relief 
the film does a solid job of slowly , steadily building up to the climactic burst of violence . 
of the clients 
the eye candy here lacks considerable brio . 
own fear and paranoia 
elling and kjell bjarne become symbolic characters whose actions are supposed to relate something about the naïf 's encounter with the world . 
the highest production values 
( the film 's ) taste for `` shock humor '' will wear thin on all 
a breadth of vision 
flawless amounts 
lush scenery 
romantic thriller 
dancing 
wonderfully creepy mood 
the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture 
a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama 
-- if predictable -- 
crack a smile at 
emphatic 
what 's best about 
, cultivation and devotion 
there 's back-stabbing , inter-racial desire and , most importantly , singing and dancing . 
in the new release of cinema paradiso , the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned . 
surprisingly powerful and universal . 
, it does a disservice to the audience and to the genre . 
who are alternately touching and funny 
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- and 
spirals downward 
you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard . 
loves both dance and cinema 
i enjoyed barbershop 
they do n't fit well together and neither is well told . 
silly stuff , all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another . 
shines like a lonely beacon . 
satisfy the boom-bam crowd 
pointed personalities , courage , tragedy and the little guys 
the young woman 's infirmity and her naive dreams 
one of those exceedingly rare films in which the talk alone is enough to keep us involved . 
for an unfocused screenplay 
chaotic 
me no lika da accents so good , 
an uneven mix of dark satire and childhood awakening . 
spirit is a visual treat , and it takes chances that are bold by studio standards , but it lacks a strong narrative . 
smeary and blurry 
serious 
some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale , but overall the film never rises above mediocrity . 
care too much about this love story 
pause and think of what we have given up to acquire the fast-paced contemporary society 
a visionary marvel 
such a mechanical endeavor ( 
ca n't stand 
tiresomely simpleminded 
derivative elements into something that is often quite rich and exciting , and always a beauty to behold 
ultimately tragic 
funny scenes 
are attached to the concept of loss 
hard-pressed to find a movie with a bigger , fatter heart than barbershop 
organic 
excellent use of music 
every conceivable mistake 
his intellectual rigor or 
not good 
recognizable and true 
secondary 
assures that the pocket monster movie franchise is nearly ready to keel over 
the best actor 
blab and 
marvelous first 
jolt you out 
one is left with a sour taste in one 's mouth , and little else . 
it takes you somewhere 
is it a comedy ? 
cry for your money back 
airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length 
the lightest , most breezy movie steven spielberg 
is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless . 
kline 's superbly nuanced performance 
mr. chabrol 's subtlest works 
is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
unleashes his trademark misogyny -- er , comedy -- 
not many movies have that kind of impact on me these days . 
with too little 
a little less bling-bling and a lot more romance 
an unholy mess 
improvised on a day-to-day basis during production 
laughable dialogue 
a colorful , vibrant introduction 
the most creative , energetic and original 
's a sadistic bike flick that would have made vittorio de sica proud 
, wilde 's play is a masterpiece of elegant wit and artifice . 
befuddled 
strangely hollow at its emotional core 
, gritty , sometimes funny 
stupidity 
to knock back a beer with but they 're simply not funny performers 
a film of epic scale with an intimate feeling , a saga of the ups and downs of friendships . 
treats his women -- as dumb , credulous , unassuming , subordinate subjects 
entertain or 
hallmark card sentimentality and 
and it marks him as one of the most interesting writer/directors working today . 
it made me feel unclean , and i 'm the guy who liked there 's something about mary and both american pie movies . 
substitutable 
is every bit as fascinating as it is flawed . 
a rich and intelligent film 
get a sense of good intentions derailed by a failure to seek and strike just the right tone . 
tacky nonsense 
pass up 
to provide the pleasures of a slightly naughty , just-above-average off - broadway play 
on theory , sleight-of-hand , and ill-wrought hypothesis 
certainly 
it 's still unusually crafty and intelligent for hollywood horror . 
generic villains 
of a good cast 
parker 's creative interference 
actually amusing 
shockingly manages to be even worse than its title 
certainly 
convincing intelligence 
timeless and unique 
a terrible movie , just 
the actors try hard but come off too amateurish and awkward . 
than julie taymor 's preposterous titus 
of our best actors 
auschwitz 
special qualities 
a lovely and beautifully photographed romance . 
bang your head 
tiresomely 
this low-rent -- and even lower-wit -- rip-off 
fluidity and sense 
best man '' 
as animation increasingly emphasizes the computer and the cool , this is a film that takes a stand in favor of tradition and warmth . 
the story 's promising premise 
sloppy , amusing 
this is a must ! 
who instantly transform themselves into a believable mother/daughter pair 
ultimately , the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing . 
so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots . 
feels more like a quickie tv special than a feature film 
a really bad imitation 
the problematic characters and overly convenient plot twists 
` cq may one day be fondly remembered as roman coppola 's brief pretentious period before going on to other films that actually tell a story worth caring about 
sensational true-crime 
advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day 
powder blues 
sequel-for-the-sake 
a long , dull procession of despair , set to cello music culled from a minimalist funeral . 
call me a cynic , 
your reward will be a thoughtful , emotional movie experience . 
birthday girl '' is an actor 's movie first and foremost . 
the film 's hero is a bore 
blessed with a searing lead performance by ryan gosling ( murder by numbers ) , the movie is powerful and provocative . 
romantic crime comedy 
is a movie you can trust 
there are flaws , but also stretches of impact and moments of awe 
no-surprise series 
, it remains brightly optimistic , coming through in the end 
the suckers 
of substance about a teacher 
is as often imaginative as it is gory 
parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast 
the thrill 
a lower i.q. than when i had entered 
ranges from bad 
presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years 
a beyond-lame satire , 
the magic 
a good race 
than either of those films 
boorish 
it certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time . 
committed performances 
a hard time 
before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar 
to camouflage how bad his movie is 
offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility 
that rare quality of being able to creep the living hell out of you 
top-notch creative team 
it 's difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 . 
some problems 
while certainly more naturalistic than its australian counterpart , amari 's film falls short in building the drama of lilia 's journey . 
the script ? 
fails to satisfactorily exploit its gender politics , genre thrills or inherent humor . 
is an interesting movie ! 
examines the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country 
leon 
was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration . 
it 's not a great monster movie . 
, sketchy characters and immature provocations can fully succeed at cheapening it . 
the big summer movies 
creates a stunning , taxi driver-esque portrayal of a man teetering on the edge of sanity . 
touching melodrama 
wry observations 
in amazement over the fact 
an exquisite , unfakable sense of cinema 
a bunch of strung-together tv episodes 
ugly 
through dahmer 's two hours 
insomnia 
gives ample opportunity 
's never as solid 
bad name 
surefire casting 
( less a movie than ) 
throwing up his hands in surrender 
that would have been better off staying on the festival circuit 
although estela bravo 's documentary is cloyingly hagiographic in its portrait of cuban leader fidel castro , it 's still a guilty pleasure to watch . 
... a confusing drudgery . 
is supremely unfunny and unentertaining 
it also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them . 
the whole enterprise 
as simple and innocent a movie as you can imagine . 
takes big bloody chomps 
like this film 
draws us in 
's already been too many of these films ... 
derivative horror film 
it 's a wise and powerful tale of race and culture forcefully told , with superb performances throughout . 
the best and most mature comedy 
individual moments of mood , and an aimlessness that 's actually sort of amazing 
remains prominent , 
is an amicable endeavor 
one resurrection too many . 
of weird performances and direction 
great film noir 
do n't care to understand 
is instead about as fresh as last week 's issue of variety . 
of a movie that defies classification and is as thought-provoking as it 
clotted 
an amazing slapstick 
seems more tacky and reprehensible , 
comic possibilities 
daily struggles and simple pleasures usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails . 
a black hole of dullness 
still leaves shockwaves 
the belly laughs of lowbrow comedy 
the dramatic scenes are frequently unintentionally funny , and 
uses grant 's own twist of acidity 
hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling 
yourself praying for a quick resolution 
is appealing . 
a happy , heady jumble of thought and storytelling , 
things interesting 
of lo mein and general tso 's chicken barely give a thought to the folks who prepare and deliver it 
a well-executed spy-thriller . 
children 's entertainment , superhero comics , 
more emotional 
the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence . 
a formula comedy redeemed by its stars 
broomfield 's style of journalism is hardly journalism at all , and even those with an avid interest in the subject will grow impatient . 
the movie suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected . 
a fascinating glimpse of urban life and 
can still be smarter than any 50 other filmmakers still at work . 
the biggest problem 
gags to break the tedium 
's a terrible movie in every regard 
a cheap , ludicrous attempt 
wit to keep parents away from the concession stand 
is a filmmaker with a bright future ahead of him 
with major pleasures from portuguese master manoel de oliviera 
bound to show up at theaters for it 
pizazz 
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up 
should have been made for the tube 
told a nice little story in the process 
abuse 
disarmingly straightforward and strikingly devious 
kwan is a master of shadow , quietude , and room noise , and 
it a comic book with soul 
a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience 
not-so-bright mother and daughter 
even better 
circuit is the awkwardly paced soap opera-ish story . 
multi-layered 
certainly wo n't win any awards in the plot department 
, should scare any sane person away . 
, creativity , and fearlessness 
oh , james ! 
trashy teen-sleaze equivalent 
that try too hard to be mythic 
worst of all -- 
comes off winningly , even though it 's never as solid as you want it to be 
feature-length running time 
emotions can draw people together across the walls that might otherwise separate them 
keep grown-ups from squirming in their seats 
the exploitative 
a distinct rarity 
a graceful , moving tribute to the courage of new york 's finest and a nicely understated expression of the grief 
liked 
blazing 
tsai ming-liang 's witty , wistful new film 
is too steeped in fairy tales and other childish things to appeal much to teenagers 
a great director at the helm 
lingering terror punctuated by sudden shocks and not constant bloodshed 
string together enough charming moments 
so many red herrings 
kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book 
incredibly inane 
the jokes are sophomoric , stereotypes are sprinkled everywhere and 
sappy as big daddy 
one of the smarter offerings the horror genre has produced in recent memory , even if it 's far tamer than advertised . 
you love the music 
's a satisfying summer blockbuster and worth a look 
who 's being conned right up to the finale 
unabashed sweetness 
sordid and disgusting 
valid 
his movie veers like a drunken driver through heavy traffic 
to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else 
psychologically 
chen films the resolutely downbeat smokers only with every indulgent , indie trick in the book 
he 's got as potent a topic as ever here 
little more than a particularly slanted , gay s/m fantasy 
coffee 
would seem to be surefire casting 
an impenetrable and insufferable ball of pseudo-philosophic twaddle . 
but unfortunately also 
of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears 
funny situations and honest observations 
outstanding performance 
cliché-laden screenplay 
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker 
be white-knuckled and unable to look away 
for deft punctuation 
a vehicle to showcase the canadian 's inane ramblings 
's so muddled and derivative that few will bother thinking it all through 
of period drama and flat-out farce that should please history fans 
break 
a compelling pre-wwii drama 
the dispassionate gantz brothers 
's always these rehashes to feed to the younger generations 
too campy to work as straight drama 
going on to other films that actually tell a story worth caring about 
's so crammed with scenes and vistas and pretty moments 
is n't much fun . 
bring off this kind of whimsy 
floundering 
, but miss wonton floats beyond reality with a certain degree of wit and dignity . 
prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms 
its splendor 
to construct a story with even a trace of dramatic interest 
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for -- well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop 
boring 
each of these stories has the potential for touched by an angel simplicity and sappiness , but thirteen conversations about one thing , for all its generosity and optimism , never resorts to easy feel-good sentiments . 
an uplifting , 
am to feel-good , follow-your-dream hollywood fantasies 
an enjoyable feel-good family comedy 
strikes a tone that 's alternately melancholic , hopeful and strangely funny 
an uneasy mix of sensual delights and simmering violence 
this time , the old mib label stands for milder is n't better . 
as they poorly rejigger fatal attraction into a high school setting 
, not the usual route in a thriller , and the performances are odd and pixilated and sometimes both . 
a been-there 
sort of amazing 
shafer 's feature does n't offer much in terms of plot or acting . 
deep inside righteousness 
the movie too often spins its wheels with familiar situations and repetitive scenes 
is somehow making its way instead to theaters 
not once in the rush to save the day did i become very involved in the proceedings ; to me 
almost saccharine domestic interludes 
a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins 
all of the filmmakers ' calculations ca n't rescue brown sugar from the curse of blandness . 
me want to pack raw dough in my ears 
this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success . 
by uneven dialogue and plot lapses 
the film is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own . 
earnest as a community-college advertisement 
a wholesome fantasy for kids 
best irish sense 
flaccid satire and what 
's denial of sincere grief and mourning in favor of bogus spiritualism 
cheap , vulgar dialogue and a plot that crawls along at a snail 's pace 
of an adoring , wide-smiling reception 
easy to be bored by as your abc 's 
under-rehearsed and 
utterly ridiculous 
odd and pixilated 
because there 's no rooting interest 
grown-up voice 
though the story ... is hackneyed , the characters have a freshness and modesty that transcends their predicament . 
painfully slow 
a true 
comedy since being john malkovich 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , 
truth 
's not only dull because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed 
that pretends to be passionate and truthful but is really frustratingly timid and soggy 
a watch 
simply stupid , 
hurts to watch 
picked me up 
celebrates the hardy spirit of cuban music 
tov to a film about a family 's joyous life acting on the yiddish stage . 
damned 
kwan is a master of shadow , quietude , and room noise 
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . 
spooks 
, rent the disney version . 
is a warm and well-told tale of one recent chinese immigrant 's experiences in new york city . 
get more re-creations of all those famous moments from the show 
another cool crime movie that actually manages to bring something new into the mix 
has its rewards 
genuinely moving and wisely unsentimental drama 
quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time 
` linklater fans , or pretentious types who want to appear avant-garde will suck up to this project ... ' 
stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable 
acknowledges upfront that the plot makes no sense , 
is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
's hard to resist his pleas to spare wildlife and respect their environs 
think they 
a tribute 
uptight 
a trove 
putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . ' 
with just as much intelligence 
surprising highs , 
to see three splendid actors 
comes off like a bad imitation of the bard . 
the film is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work . 
could be a movie that ends up slapping its target audience in the face by shooting itself in the foot 
hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart 
a film that relies on personal relationships 
ratliff 's two previous titles , plutonium circus and purgatory county show his penchant for wry , contentious configurations , and this film is part of that delicate canon 
the huskies are beautiful , the border collie is funny and the overall feeling is genial and decent . 
intellectually and logistically 
to gluing you to the edge of your seat 
the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project 
you wo n't have any trouble getting kids to eat up these veggies . 
real-life strongman ahola lacks the charisma and ability to carry the film on his admittedly broad shoulders . 
freedom the iranian people already possess , with or without access to the ballot box 
it ends up being surprisingly dull 
the film 's conclusion powerful and satisfying 
be better to wait for the video 
something more user-friendly 
heartbreak to watching it now , with older and wiser eyes , because we know what will happen after greene 's story ends 
for putting together any movies of particular value or merit 
smart and fun , but far more witty 
the vagueness of topical excess 
degraded things 
family drama 
the funniest motion 
anyone who wants to start writing screenplays can just follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity . 
if the last man were the last movie left on earth , there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows . 
with an inauspicious 
( and lovely 
likely to have decades of life as a classic movie franchise ? 
continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage . 
shafer to navigate spaces both large ... and small ... with considerable aplomb 
toilet humor , 
a mischievous visual style and oodles of charm 
the long-faced sad sack 
the finest films of the year 
it 's refreshing that someone understands the need for the bad boy 
undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject 
one of the year 's best 
originality 
it may scream low budget , but this charmer has a spirit that can not be denied 
lacking any of the rollicking dark humor so necessary 
she fails to provoke them . 
its and pieces of the hot chick are so hilarious 
this equally derisive clunker 
by which time it 's impossible to care who wins 
is more interesting ( and funnier ) 
this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end 
is not show-stoppingly hilarious , but scathingly witty nonetheless . 
any real raw emotion , which is fatal for a film that relies on personal relationships 
is a great yarn 
serenity and discipline 
unpretentious 
most purely enjoyable 
's kinda dumb 
who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows 
about cleverness , wit or any other kind of intelligent humor 
come out in various wet t-shirt and shower scenes 
could n't be better as a cruel but weirdly likable wasp matron 
of the most beautiful , evocative works i 've seen 
yiddish stage 
weirdly , broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car . 
cranky adults 
a stunning , taxi driver-esque portrayal of a man teetering on the edge of sanity 
serviceability , but 
perfectly entertaining 
of an already obscure demographic 
stanley kwan has directed not only one of the best gay love stories ever made , but 
gary larson 's far side humor 
hit that may strain adult credibility . 
'll love it and 
, wide-smiling reception 
the acting is just fine , but there 's not enough substance here to sustain interest for the full 90 minutes , especially with the weak payoff . 
keeps being cast in action films when none of them are ever any good 
its indulgent two-hour-and-fifteen-minute length 
loves them 
of the film 's shooting schedule waiting to scream 
a guilty pleasure to watch 
uses modern technology to take the viewer inside the wave . 
's as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese . 
intellectual masterpieces 
eyes 
of your eyes 
left a few crucial things out 
that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style 
egocentricities 
the script is too mainstream and the psychology too textbook to intrigue . 
a cheap cliché 
fairly involving as far as it goes 
a delightfully dour , deadpan tone 
combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction 
devoted to the insanity of black 
it has plenty of laughs . 
not-very-funny comedy 
her skin 
is grossly contradictory 
unimaginatively foul-mouthed 
becomes lifeless and falls apart like a cheap lawn chair . 
most impressive player 
the mark of a respectable summer blockbuster is one of two things : unadulterated thrills or genuine laughs . 
an 88-minute rip-off 
a treat 
is given passionate , if somewhat flawed , treatment . 
its one good idea 
of california 
is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients 
the unthinkable , the unacceptable , the unmentionable 
across as darkly funny , energetic , and surprisingly gentle 
workplace ambition 
disintegrating bloodsucker computer effects and jagged camera moves 
wishy-washy melodramatic movie 
as you peek at it through the fingers in front of your eyes 
critics be damned . 
of love , longing , and voting 
love it 
it 's a sit down and ponder affair 
that good 
a movie just for friday fans , critics be damned . 
completely forgettable 
uncompromising , difficult and 
underscore the importance of family tradition and familial community 
light-hearted profile 
a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition 
undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution 
cool event 
the choices we make underneath such a mountain of clichés and borrowed images 
more likely to induce sleep than fright 
cheap-looking version 
winner 
, wall-to-wall good time 
lovely flakiness 
a filmmaker of impressive talent 
eloquent , deeply felt 
it 's more of the ` laughing at ' variety than the ` laughing with 
an extreme action-packed film 
understanding a unique culture that is presented with universal appeal 
to convince us of that all on their own 
most watchable film 
that criticizing feels more like commiserating 
a compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother 's hold over her . 
enhances the quality of neil burger 's impressive fake documentary . 
compulsively watchable 
turned them into a 90-minute movie that feels five hours long 
a shrewd and effective film 
too difficult 
independent-community guiding lights 
you feel good , you feel sad , you feel pissed off , but in the end , you feel alive - which is what they did 
a smart , 
against all odds 
a stable-full of solid performances 
a finely written 
the spark of imagination that might have made it an exhilarating 
astonishingly 
, `` far from heaven '' is a masterpiece . 
, provocative 
a light , yet engrossing piece . 
of bubba ho-tep 's clearly evident quality 
of those comedies that just seem like a bad idea from frame one 
essentially a collection of bits -- and they 're all naughty . 
with appropriate ferocity and thoughtfulness 
a slow-moving police-procedural thriller that 
a delightfully dour , 
is tedious though ford and neeson capably hold our interest , but its just not a thrilling movie 
an enthralling aesthetic experience , one that 's steeped in mystery and a ravishing , baroque beauty 
which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
has the chops of a smart-aleck film school brat and the imagination of a big kid ... 
sustain a reasonable degree of suspense 
pummel us with phony imagery or music 
that does n't reveal even a hint of artifice 
mr. murray , a prolific director of music videos 
above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism 
this is n't exactly profound cinema , but it 's good-natured and sometimes quite funny . 
with a cause 
a backstage must-see 
has elements of romance , tragedy and even silent-movie comedy 
off 
-- more revealing , more emotional and more surprising -- 
losing his touch 
is ) a fascinating character , and 
best ensemble casts 
this breezy caper movie becomes a soulful , incisive meditation on the way we were , and the way we are . 
suspense , surprise 
characters that bring the routine day to day struggles of the working class to life 
wild-and-woolly 
smarter and more attentive than it first sets out to be . 
the pleasure of his sounds and images 
should never , ever , 
, uncouth , incomprehensible , vicious and absurd 
formulaic sports drama that carries a charge of genuine excitement 
entertains not 
, the film operates nicely off the element of surprise , 
of this year 's very best pictures 
the only entertainment you 'll derive from this choppy and sloppy affair will be from unintentional giggles -- several of them . 
tepid and tedious 
could easily wait for your pay per view dollar 
the best way 
also rocks 
it 's pauly shore awful . 
a fresh , entertaining comedy 
well-written television series where you 've missed the first half-dozen episodes and probably wo n't see the next six . 
the relentless gaiety 
the film its flaws 
the emperor 's club turns a blind eye to the very history it pretends to teach . 
breach gaps in their relationships with their fathers 
the gutless direction 
nolan 's penetrating undercurrent of cerebral and cinemantic flair lends ( it ) stimulating depth . 
is a superior horror flick 
most genuinely sweet films 
dancing , singing , and unforgettable characters 
cloying messages 
's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay 
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , 
hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances 
a flat script and a low budget 
poetry in motion 
love cinema paradiso , whether the original version or new director 's cut 
painfully 
is beginning to feel 
the film offers an intriguing what-if premise . 
a crowd-pleaser , but then 
also reminds us of our own responsibility to question what is told as the truth 
like an extreme action-packed film 
generally light enough 
look at morality , family , and social expectation 
hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about 
the courage of its convictions 
the audience in the travails of creating a screenplay 
is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride 
, it throws you for a loop . 
flashy editing style 
of parental failings 
much tongue in cheek in the film 
with flashbulb editing as cover for the absence of narrative continuity 
the story plays out slowly , 
worthwhile documentary 
is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction 
a well-done film of a self-reflexive , philosophical nature . 
into brutally labored and unfunny hokum 
diminishing his stature from oscar-winning master 
... spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) and witty updatings ( silver 's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around ) 
city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast . 
comes down to whether you can tolerate leon barlow . 
, easily substitutable 
is dark , brooding and slow , and takes its central idea way too seriously . 
this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment . 
that and it 's what makes their project so interesting 
's a charismatic charmer likely to seduce and conquer 
is downright doltish and uneventful 
decent material 
his latest effort , 
deadpan tone 
like the best 60 minutes exposé , the film ( at 80 minutes ) is actually quite entertaining . 
viewers will need all the luck they can muster just figuring out who 's who in this pretentious mess . 
the dreams of youth 
unfortunately , carvey 's rubber-face routine is no match for the insipid script he has crafted with harris goldberg . 
, it 's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss . 
embrace small , sweet ` evelyn 
admirable quality 
a movie that will leave you wondering about the characters ' lives after the clever credits roll 
a slight but sweet film . 
engaging offbeat touches 
's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long 
, it offers hope 
an especially well-executed television movie 
... is less concerned with cultural and political issues than doting on its eccentric characters . 
this somber picture reveals itself slowly , intelligently , artfully . 
funny , somber , absurd , and , finally , achingly sad , 
a great deal 
a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world 
faithful portraiture 
a well-made and satisfying thriller 
frustrating ` tweener ' 
slap 
, it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in . 
is a hilarious place to visit 
it labors as storytelling . 
wow fans 
a hoot in a bad-movie way 
overlong and 
've got something pretty damn close 
it might not be 1970s animation , 
a feel-good movie that 
who liked there 's something about mary and both american pie movies 
actually hurts to watch . 
a manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse 
contemporary southern adolescence 
the film sounds like the stuff of lurid melodrama 
a riot to see rob schneider in a young woman 's clothes 
gets tiresome 
are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence . 
nazi politics and aesthetics 
a waste of fearless purity in the acting craft . 
even a must-see 
lighting that emphasizes every line and sag 
is great 
bring on the sequel . 
catapulting the artist into her own work 
confusing on one level or another 
refreshingly clear 
's easy to like and always 
, builds to a crescendo that encompasses many more paths than we started with 
diaz , applegate , blair and posey are suitably kooky which should appeal to women and they strip down often enough to keep men alert , if not amused . 
instructs a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy 
to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough . 
perceptive , taut , piercing and feisty 
fail to capture its visual appeal or its atmosphere 
sets out to entertain and 
wonderful thing 
you wish had been developed with more care 
down on their working-class subjects 
stale gags 
cold , pretentious , 
to this shocking testament to anti-semitism and neo-fascism 
one of the best films 
much about any aspect of it , from its cheesy screenplay 
the threat implied in the title pokémon 4ever is terrifying -- like locusts in a horde these things will keep coming . 
to keep our interest 
undeniable enjoyment to be had from films crammed with movie references 
the screen in frustration 
is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about . 
is a satisfying well-made romantic comedy that 's both charming and well acted . 
belongs in the too-hot-for-tv direct-to-video/dvd category , and this is why i have given it a one-star rating . 
demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop 
invited to the party 
only are the film 's sopranos gags incredibly dated and unfunny 
stuck with a script that prevents them from firing on all cylinders 
for illustrating the merits of fighting hard for something that really matters 
drag on 
this is a movie full of grace and , ultimately , hope . 
worked wonders 
i 've seen some bad singer-turned actors , but lil bow wow takes the cake . 
the holes in this film remain agape -- 
if you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix 
however , manages just to be depressing , as the lead actor phones in his autobiographical performance . 
if you 're in the mood for something more comfortable than challenging 
more frustrating than a modem that disconnects every 10 seconds 
remarkably accessible and haunting 
too much kid-vid 
fessenden continues to do interesting work , 
i was impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an american-russian armageddon . 
ultimately unpredictable 
enjoyed 
unemployment 
more than she can handle 
a spontaneity 
be more timely in its despairing vision of corruption 
moving and not infrequently breathtaking 
it 's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins . 
a work of extraordinary journalism , but it is also a work of deft and subtle poetry . 
cautions 
with imbecilic mafia 
yakusho , as always , is wonderful as the long-faced sad sack ... and his chemistry with shimizu is very believable . 
will be greek to anyone not predisposed to the movie 's rude and crude humor 
's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started 
ivan is a prince of a fellow 
has virtually nothing to show 
it looks good , 
of a vastly improved germanic version of my big fat greek wedding 
the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart 
makes me say the obvious : abandon all hope of a good movie ye who enter here 
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him 
oddly humorous 
heady , biting , be-bop 
funny in a sick , twisted sort of way . 
might be like trying to eat brussels sprouts 
sharp as a samurai sword 
it 's always fascinating to watch marker the essayist at work . 
hits a nerve 
it 's a loathsome movie , it really is and it makes absolutely no sense 
transcends 
than most third-rate horror sequels 
does n't work . 
in a collectively stellar performance 
silly rather than 
seen some bad singer-turned actors 
a definitive counter-cultural document 
paints - of a culture in conflict with itself , 
a fragile framework 
plotting and mindless action 
a road-trip movie that 's surprisingly short of both adventure and song 
is the needlessly poor quality of its archival prints and film footage . 
you 're an agnostic carnivore 
to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
able to tear their eyes away from the screen 
fare with real thematic heft 
new york 's finest and a nicely understated expression of the grief 
full of stunning images and effects 
savvy director robert j. siegel and his co-writers keep the story subtle and us in suspense . 
bad love 
but as you watch the movie , you 're too interested to care . 
cut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most . 
this is unusual , food-for-thought cinema that 's as entertaining as it is instructive . 
the story 's scope and pageantry are mesmerizing , and mr. day-lewis roars with leonine power 
yakusho , as always , is wonderful as the long-faced sad sack ... 
made me want to scream 
dicaprio 's best performance 
for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach 
neither original 
about the worst thing 
out-bad-act the other 
easily the most thoughtful fictional examination 
cinematic touchstone 
fairly weak retooling 
just another generic drama that has nothing going for it other than its exploitive array of obligatory cheap thrills . 
is n't that funny 
it 's a loathsome movie , 
thanks largely to williams , all the interesting developments are processed in 60 minutes 
this film : honest 
a haunting ode to humanity 
lowly studio hack 
the irrelevant as on the engaging , which gradually turns what time 
pallid 
authentically vague , but ultimately purposeless , study 
lawrence desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics . 
is one of the best-sustained ideas i have ever seen on the screen . 
slaloming through its hackneyed elements 
the english call ` too clever by half 
certainly ranks as the most original in years . 
read ` seeking anyone with acting ambition but no sense of pride or shame 
ambiguous enough to be engaging and 
outstanding 
humor , verve and fun 
... a guiltless film for nice evening out . 
we never truly come to care about the main characters and whether or not they 'll wind up together , and michele 's spiritual quest is neither amusing nor dramatic enough to sustain interest . 
the comic touch 
it won -- and wins still 
, you 'd better have a good alternative 
climactic setpiece 
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control 
as it is instructive 
argento 
, secretary takes the most unexpected material and handles it in the most unexpected way . 
of inept filmmaking 
is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories . 
exploitative for the art houses and 
just a simple fable done in an artless sytle , but it 's tremendously moving 
labute continues to improve . 
all of the elements are in place for a great film noir , but director george hickenlooper 's approach to the material is too upbeat . 
pulling the plug on the conspirators and averting an american-russian armageddon 
the most poorly staged and lit action 
all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons 
high-strung 
effective in all its aspects 
can not help but love cinema paradiso , whether the original version or new director 's cut . ' 
is an inspirational love story , 
frustrating misfire 
's a good yarn-spinner 
the great films about movie love 
, unaware that it 's the butt of its own joke . 
needed a little less bling-bling and a lot more romance . 
the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez 
exploitation 
upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work 
reassures us that he will once again be an honest and loving one 
ready to go to the u.n. and ask permission for a preemptive strike 
designed to fill time , 
conventional thriller 
the disappointingly generic nature 
an important movie 
to make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' 
, awe-inspiring visual poetry 
self-centered 
soulful nuances 
its recycled aspects , implausibility , 
the one-liners are snappy , the situations volatile and 
starting 
riveting and surprisingly romantic ride 
the right choices 
's hardly over before it begins to fade from memory 
an incredibly narrow in-joke targeted to the tiniest segment of an already obscure demographic . 
unforced , rapid-fire delivery 
a rude black comedy about the catalytic effect a holy fool 
every cheap trick in the book trying to make the outrage 
particularly joyless 
alan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise . 
the funnier movies 
wooden performances 
self-promotion ends and 
fails to convince the audience that these brats will ever be anything more than losers . 
the screenwriters dig themselves in deeper every time they toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry ... 
has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , 
demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken . 
most enchanting film 
( siegel ) and co-writers lisa bazadona and grace woodard have relied too much on convention in creating the characters who surround frankie . 
agile 
cuts to the chase of the modern girl 's dilemma 
the movie dawdle in classic disaffected-indie-film mode 
seeks to rely on an ambiguous presentation 
from each film 
soulful , scathing and 
, avarice and damaged dreams 
an abyss 
wisdom and humor 
well worth revisiting as many times 
, he has at least one more story to tell : his own . 
we did n't get more re-creations of all those famous moments from the show 
adds enough quirky and satirical touches 
have viewers guessing just who 's being conned right up to the finale 
the best little `` horror '' movie 
it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space 
this ` we 're - doing-it-for - the-cash ' sequel 
bray is completely at sea ; with nothing but a savage garden music video on his resume , he has no clue about making a movie . 
, secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism . 
of scorn 
the finest kind 
a film about female friendship that men can embrace and women will talk about for hours . 
, it has a genuine dramatic impact 
the cultural moat surrounding its ludicrous and contrived plot 
the art direction is often exquisite 
fun and nimble . 
like its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through , the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover . 
's all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect 
caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion 
yes , soar . 
an alternately fascinating and frustrating documentary . 
is a few bits funnier than malle 's dud , if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks 
odd movies 
can analyze this movie in three words : thumbs friggin ' down . 
reach a truly annoying pitch 
o matter how much good will the actors generate 
offers all the pleasure of a handsome and well-made entertainment 
the outstanding thrillers of recent years 
dumb down 
generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series 
barely shocking , barely interesting and most of all , barely anything 
graphic violence 
we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire 
is smart and entirely charming 
is that hollywood expects people to pay to see it . 
a hilarious kenneth branagh 
tender and 
spirited film 
's a dark , gritty story 
the slippery slope of dishonesty 
an adorably whimsical comedy 
it might have been 
addictive 
swings and jostles 
what time offers tsai 's usual style and themes 
pleasing 
so uninspiring 
touching and 
genial romance 
onto the screen -- loud , violent and mindless 
charlotte sometimes is a brilliant movie . 
even at its worst , it 's not half-bad . 
it looks good , sonny , 
make a huge action sequence as any director 
time bombs and 
the film lapses too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises . 
promising work-in-progress 
folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either 
to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
does a bang-up job of pleasing the crowds 
a pale successor 
elegantly appointed period drama 
captures the soul of a man in pain who gradually comes to recognize it and deal with it 
is as difficult for the audience to take as it 
my big fat greek wedding is that rare animal known as ' a perfect family film , ' because it 's about family . 
has really found his groove these days . 
impressive and highly entertaining celebration 
helmer hudlin tries to make a hip comedy , but his dependence on slapstick defeats the possibility of creating a more darkly edged tome . 
interesting to witness the conflict from the palestinian side 
its premise is smart , but the execution is pretty weary . 
cliche 
i 've seen some bad singer-turned actors , but 
like its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through 
has far more energy 
on dave barry 's popular book of the same name 
a heartfelt romance 
devoid of joy and energy 
a rehash of every gangster movie 
to the edge of their seats 
is genial but never inspired , and little about it will stay with you . 
of longing , lasting traces of charlotte 's web of desire and desperation 
sealed in a jar 
this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents 
that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness 
to great performances 
charged music to the ears of cho 's fans . 
as a numbingly dull experience 
left me behind at the station looking for a return ticket to realism 
offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar . 
admirable energy , 
milquetoast 
a tradition-bound widow who is drawn into the exotic world of belly dancing 
seem heroic deserves a look . 
proves a servicable world war ii drama that ca n't totally hide its contrivances 
hit 
terrific 10th-grade learning tool 
sobering , heart-felt drama 
enjoyed . 
's a sheer unbridled delight in the way 
what could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking . 
its generic villains lack any intrigue ( other than their funny accents ) and 
prove more distressing 
stuffy , full of itself 
flourishes 
like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood . 
mr. clooney , mr. kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster . 
could be a single iota worse ... a soulless hunk of exploitative garbage 
was that movie nothing more than a tepid exercise in 
spreads itself too thin 
redundancy 
good actors , even kingsley , 
uninhibited 
is n't much better . 
and flat-out farce 
to a night in the living room than a night at the movies 
yet another genre exercise , gangster no. 1 is as generic as its title . 
a very slow , uneventful ride around a pretty tattered old carousel . 
good-natured and 
a simply astounding cor-blimey-luv-a-duck cockney accent 
a kid who ca n't quite distinguish one sci-fi work from another 
happiness 
's contrived and predictable 
the sexual politics too smug 
a movie is more than a movie . 
is slightly less successful than the first 
sex is one of those films that aims to confuse . 
a film of epic scale 
with an enormous amount of affection 
explosive 
is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative . 
leaves no southern stereotype unturned 
that works both as a detailed personal portrait and as a rather frightening examination of modern times 
kill michael myers for good : stop buying tickets to these movies 
communal spirit 
's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough 
one-of-a-kind 
a lot like a well-made pb & j sandwich : 
consigned to the dustbin of history 
perry 's good and his is an interesting character , but `` serving sara '' has n't much more to serve than silly fluff 
richly detailed , 
, as you watch them clumsily mugging their way through snow dogs , seems inconceivable 
is so convinced of its own brilliance 
to bring something new into the mix 
drop your jaw 
of the joyous , turbulent self-discovery 
allen shows he can outgag any of those young whippersnappers making moving pictures today . 
howard and his co-stars all give committed performances , but they 're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject . 
becomes a testament to faith 
an idea buried somewhere inside its fabric , but never clearly seen or felt 
hopeless , unsatisfying muddle 
so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast 
's plenty to enjoy -- in no small part thanks to lau . 
with their super-powers , their super-simple animation and their super-dooper-adorability intact 
for their acting chops , but for their looks 
visual and verbal clichés 
gore 
is a no-bull throwback to 1970s action films 
it provides a fresh view of an old type 
romance-novel 
bang your head on the seat in front of you , at its cluelessness , at its idiocy 
possible angle 
nothing too deep or substantial . 
invented to describe exactly how bad it is 
were far more entertaining than i had expected 
to appearing in this junk that 's tv sitcom material at best 
near virtuosity in its crapulence 
at blockbuster 
contemporary 
so slick and watered-down it almost loses what made you love it 
lost the politics and the social observation 
comedic 
might as well have come from a xerox machine rather than ( writer-director ) franc . 
a spectacular completion one 
screams 
at least a few good ideas and 
villainous 
creepy and dead-on performance 
( there 's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin . 
the debate it joins is a necessary and timely one 
i know i should n't have laughed , but hey , those farts got to my inner nine-year-old 
a fullness 
too painfully 
best sex comedy 
crassly 
's a dull girl , that 's all 
repeating 
barlow 
king lear 
that stifles creativity and allows the film to drag on for nearly three hours 
coolness 
beautifully crafted and cooly unsettling ... recreates the atmosphere of the crime expertly 
to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon 
still like moonlight mile , better judgment be damned . 
impacts 
takes no apparent joy in making movies 
, generosity and diplomacy 
fallen under the sweet , melancholy spell of this unique director 's previous films 
been filmed more irresistibly than in ` baran 
once again dazzle and delight us 
enchanting 
will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle 
should drop everything and run to ichi . 
is an excellent choice for the walled-off but combustible hustler 
grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery 
unsettling prognosis 
it 's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance . 
usual whoopee-cushion effort 
a collage of clichés and a dim 
nauseating 
hunk 
more entertaining 
reality shows -- reality shows for god 's sake ! 
stirring , funny 
is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender 
, perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective . 
suffered 
that a good video game movie is going to show up soon 
makes the same mistake as the music industry it criticizes , becoming so slick and watered-down it almost loses what made you love it in the first place 
their largest-ever historical canvas 
video , and so devoid of artifice and purpose that it appears not to have been edited at all . 
romance , dancing , singing , and unforgettable characters 
feel a nagging sense of deja vu 
so interesting 
this misty-eyed southern nostalgia piece , in treading the line between sappy and sanguine , winds up mired in tear-drenched quicksand . 
feel-good 
robert harmon 's less-is-more approach 
truly deserving of its oscar nomination 
most resonant film since the killer 
, scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play . 
is that rare animal known as ' a perfect family film , ' because it 's about family 
fails as a dystopian movie , as a retooling of fahrenheit 451 , and even as a rip-off of the matrix . 
by characters so unsympathetic 
cold , 
winds up feeling like a great missed opportunity . 
, relaxed in its perfect quiet pace and proud in its message . 
, i can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain . 
thumbs up 
uplifting 
, but with restraint 
girls , right down the reality drain 
( which might have been called freddy gets molested by a dog ) 
bloody beauty 
a confusing melange of tones and styles , 
what annoyed me most about god is great 
a movie comes along to remind us of how very bad a motion picture can truly be . 
pretentious , fascinating , ludicrous , provocative and vainglorious 
charming , quirky , original 
the great minds 
a fascinating part 
something clever 
most appealing movies 
one of the best movies of the year 
joys 
( cool visual backmasking ) 
towards child abuse 
much about the film , including some of its casting 
milked 
lovely and 
sharp comedy , 
have easily tipped this film into the `` a '' range , as is 
pale xerox of other , better crime movies . 
sign 
getting all excited about a chocolate eclair and then biting into it and finding the filling missing 
is a success 
pair that with really poor comedic writing ... and 
movie audiences both innocent and jaded 
has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity 
as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie 
exercise in narcissism and self-congratulation disguised as a tribute 
done the nearly impossible 
is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' 
brittle desperation 
the entire point of a shaggy dog story 
represents an auspicious feature debut for chaiken . 
but it works under the direction of kevin reynolds 
to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain 
does a disservice to the audience and to the genre . 
chance to prove his worth 
to drown a viewer in boredom than to send any shivers down his spine 
that between the son and his wife , and the wife and the father , and between the two brothers , 
seems to have a knack for wrapping the theater in a cold blanket of urban desperation 
though it goes further than both , anyone who has seen the hunger or cat people will find little new here 
great movie 
a little better than sorcerer 's stone 
a heartbreakingly thoughtful minor classic , the work of a genuine and singular artist 
is a winning comedy that excites the imagination and tickles the funny bone . 
worked five years ago 
shedding light on a group of extremely talented musicians 
to win a wide summer audience through word-of-mouth reviews and , 
if the filmmakers were worried the story would n't work without all those gimmicks 
a romantic comedy that 's not the least bit romantic and only mildly funny 
populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility . 
major movie 
a classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached . 
the ideal casting of the masterful british actor ian holm 
the screenplay , co-written by director imogen kimmel , lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing . 
lacking in imagination and authentic christmas spirit 
marvelously twisted shapes history 
following up a delightful , well-crafted family film with a computer-generated cold fish 
have no affinity for most of the characters . 
, unfunny one 
animated filmmaking since old walt 
the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation . 
in how much they engage and even touch us 
of death 
full-bodied performance 
holds interest 
what an embarrassment . 
inventive and mordantly humorous 
to be influenced chiefly by humanity 's greatest shame , reality shows -- reality shows for god 's sake ! 
a fascinating literary mystery story with multiple strands about the controversy of who really wrote shakespeare 's plays . 
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but 
, even the funniest idea is n't funny . 
is muted 
the result is somewhat satisfying -- it still comes from spielberg , who has never made anything that was n't at least watchable 
a spectator 
skillful fisher 
is a thoughtful examination of faith , love and power . 
unlike lots of hollywood fluff 
the mark 
unfortunately 
the film runs on a little longer than it needs to -- 
carried by a strong sense of humanism 
dull-witted 
a retail clerk 
potentially trite and overused 
predisposed to the movie 's rude and crude humor 
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but 
capability to soothe and break your heart with a single stroke 
recycled 
who holds the film together with a supremely kittenish performance that gradually accumulates more layers 
exasperated by a noticeable lack of pace 
, his directorial touch is neither light nor magical enough to bring off this kind of whimsy . 
a rather unbelievable love interest 
longer to heal : the welt on johnny knoxville 's stomach 
writings to perform 
starts out strongly 
a film school undergrad 
worked so much better dealing in only one reality 
has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements . 
left the theater 
weaving a theme 
more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action 
pitch-perfect forster 
joy to watch and -- especially -- to listen to 
status 
fit all of pootie tang in between its punchlines 
for the uncompromising knowledge that the highest power of all is the power of love 
, memory , resistance and artistic transcendence 
the innate theatrics that provide its thrills and extreme emotions 
disoriented 
the large-format film is well suited to capture these musicians in full regalia and 
tawdry 
need another film that praises female self-sacrifice 
throwing in everything except someone pulling the pin from a grenade with his teeth , windtalkers seems to have ransacked every old world war ii movie for overly familiar material . 
top-notch 
is beyond me . 
all the interesting developments 
your least favorite james bond movie seem as cleverly plotted as the usual suspects 
austin powers in goldmember '' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end . 
assured of the wrong things 
resemble their celebrity parents 
sheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading 
is clever and funny , is amused by its special effects , 
laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , 
a bad way 
foster and whitaker are especially fine . 
dreary and sluggish 
re-creation 
that uses its pulpy core conceit to probe questions of attraction and interdependence 
in other words , it 's just another sports drama/character study . 
bask in your own cleverness 
wastes the talents of its attractive young leads 
the low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love . 
like a mere excuse for the wan , thinly sketched story 
it 's not a bad premise , just a bad movie . 
, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot . 
a hunky has-been 
complete denial about his obsessive behavior 
a movie of riveting power and sadness 
clever and 
that may also be the first narrative film to be truly informed by the wireless 
... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids . 
an ugly-duckling tale so hideously and clumsily told it feels accidental . 
going through the motions 
a more down-home flavor 
feels familiar and tired . 
versatile stanley kwan 
are every bit as distinctive as his visuals . 
ai n't art , by a long shot 
fingering problems than finding solutions 
can not even be dubbed hedonistic 
fine star performances 
a scummy ripoff 
world traveler might not go anywhere new , or arrive anyplace special , 
leaving the theater 
an odd but ultimately satisfying blend of the sophomoric and the sublime 
it almost feels as if the movie is more interested in entertaining itself than in amusing us . 
they will have a showdown , but , by then , your senses are as mushy as peas 
it sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations . 
( grant ) goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it . 
punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . ' 
despite downplaying her good looks 
an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk . 
promises a new kind of high 
has a laundry list of minor shortcomings 
sensational , real-life 19th-century crime 
puzzle whose pieces do not fit . 
more streamlined 
he seems embarrassed to be part of 
much panache , but with material this rich it does n't need it 
works spectacularly well ... a shiver-inducing , nerve-rattling ride . 
courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
an enjoyable choice 
( dong ) makes a valiant effort to understand everyone 's point of view , and 
injects freshness and spirit 
filmmaking with a visually masterful work of quiet power 
surrealist 
morality , family 
yet engrossing piece 
things will turn out 
so good 
not one clever line of dialogue 
that contains some hefty thematic material on time , death , eternity , and what 
drug abuse 
exploitative garbage 
handbag-clutching 
greg kinnear gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior . 
cocktail 
an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends 
does n't give you enough to feel good about 
is a wonderful thing 
-- and far less crass - 
the perverse pleasure of watching disney scrape the bottom of its own cracker barrel 
the clumsy cliché 
tackles the difficult subject of grief and loss with such life-embracing spirit that the theme does n't drag an audience down 
exceeding expectations 
so integrated with the story 
the work of an artist 
to feel like you were n't invited to the party 
limited and so embellished by editing that there 's really not much of a sense of action 
diane lane 's sophisticated performance ca n't rescue adrian lyne 's unfaithful from its sleazy moralizing . 
too often strains 
dogs who are smarter than him 
although no pastry is violated , this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success . 
for intelligibility 
with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour 
's still quite worth 
, joyous celebration 
has a strong dramatic and emotional pull that gradually sneaks up on the audience 
somewhat problematic 
a sweet , even delectable diversion 
too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises . 
beyond mild disturbance or detached pleasure at the acting 
you get to see the one of the world 's best actors , daniel auteuil , 
pays earnest homage to turntablists and 
the transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull . 
kiddie-oriented stinker 
potentially incredibly 
ultimately worthwhile 
bolster director and co-writer 
with grace and humor 
directs this film always keeping the balance between the fantastic and the believable ... 
intrepid 
a convolution of language that suggests it 
fang-baring lullaby 
omits 
interplay and utter lack 
has directed not only one of the best gay love stories ever made 
shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative 
a saga 
is funny . 
appropriate comic buttons 
a lovely , sad dance 
only masochistic moviegoers need apply . 
whenever you think you 've figured out late marriage , it throws you for a loop . 
enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens 
a middle-aged romance pairing clayburgh and tambor 
as disney 's 1937 breakthrough 
, the humor dwindles . 
pleasure or 
, well-made b movie 
such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence . 
ambitiously naturalistic 
lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers . 
falls flat as a spoof 
already relayed by superb 
generous and deep 
's a sit down and ponder affair 
if ever a concept came handed down from the movie gods on a silver platter , this is it . 
fake , dishonest , entertaining and , ultimately , more perceptive moment 
a subtlety that is an object lesson in period filmmaking 
our most flamboyant female comics 
passionate and truthful 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and the violence is at once luridly graphic and laughably unconvincing . 
added clout to this doc 
exploitative for the art houses and too cynical , small 
far more meaningful story 
not only to his craft , but to his legend 
keep the film entertaining 
the histrionic muse still eludes madonna and , playing a charmless witch , she is merely a charmless witch . 
to hell 
this filmed tosca -- not the first , by the way -- is a pretty good job , if it 's filmed tosca that you want . 
's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn 
seriously intended movie 
they 've already seen this exact same movie a hundred times 
a mediocre exercise 
were more repulsive than the first 30 or 40 minutes 
charm and heart 
of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating 
a sickening thud 
for its courage , ideas , technical proficiency and great acting 
inspirational 
it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film 
irksome , tiresome nature 
miraculous as its dreamworks makers 
wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits 
brian tufano 's handsome widescreen photography and paul grabowsky 's excellent music turn this fairly parochial melodrama into something really rather special . 
` best part ' of the movie 
judith and zaza 's extended bedroom sequence ... is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics . 
pretends to be passionate and truthful 
is too optimistic a title . 
create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
by its end offers a ray of hope to the refugees able to look ahead and resist living in a past 
will see nothing in it to match the ordeal of sitting through it 
a welcome relief from baseball movies that try too hard to be mythic , this one is a sweet and modest and ultimately winning story . 
hard to resist his pleas to spare wildlife and respect their environs 
full of grace 
a dearth 
is the stuff of high romance , brought off with considerable wit 
yeah , baby 
, amusing , sad and reflective 
enjoyable ... 
comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives 
laughably 
at least terribly monotonous 
able to look ahead and resist living in a past 
contains very few laughs and even less surprises . 
lackluster script 
might to resist 
could have written a more credible script , though with the same number of continuity errors 
which is nothing to sneeze at these days 
which means he can be forgiven for frequently pandering to fans of the gross-out comedy 
alienating most 
perfectly acceptable , occasionally very enjoyable children 's entertainment 
cloaked in the euphemism ` urban drama 
neither is well told 
natural and lovely 
is superficial and 
this woefully hackneyed movie , 
dropped me back in my seat with more emotional force than any other recent film 
through the audience 's meat grinder one more 
one of the funnier movies in town . 
brave and sweetly rendered love story . 
compromise with reality enough to become comparatively sane and healthy 
olympia , wash. , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting 
a twisting , unpredictable , cat-and-mouse thriller 
's a lovely , eerie film that casts an odd , rapt spell . 
of the war 
ambitious , unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints 
in the conception than it does in the execution 
has nothing 
is amused by its special effects 
literary purists may not be pleased , but as far as mainstream matinee-style entertainment goes , it does a bang-up job of pleasing the crowds . 
such a bad movie 
i shamelessly enjoyed it 
or maybe `` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? '' 
corny examination 
the wit 
even life on an aircraft carrier -- 
too hard to be mythic 
a self-indulgent script 
having a real writer plot 
afghan tragedies 
dumb , narratively chaotic , visually sloppy ... 
to the dullest irish pub scenes 
goes to absurd lengths to duck the very issues it raises 
what makes this film special is serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context . 
truly funny bits 
pseudo-philosophic twaddle 
hard-to-swallow premise 
hallmark commercial 
despair 
ends up offering nothing more than the latest schwarzenegger or stallone flick 
this wo n't seem like such a bore 
we 've seen it all before in one form or another , but director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world 's greatest teacher . 
straightforward , emotionally honest manner 
truly enjoyed most of mostly martha while i ne 
develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times . 
at its best , which occurs often 
threadbare standbys 
literate material 
eventually works its way up to merely bad rather than painfully awful . 
director ever making his wife look so bad in a major movie 
despite its floating narrative 
's no good answer to that one . 
has a more colorful , more playful tone than his other films . 
in eye-popping visuals 
all-time great apocalypse movies 
more than adequately fills the eyes and 
salma hayek has a feel for the character at all stages of her life 
its salient points are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary . 
than i 'd expected it to be 
well worth revisiting 
a gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past 
remarkable procession 
loses all bite on the big screen . 
our emotions 
it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period . 
take his smooth , shrewd , powerful act abroad 
the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill 
an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors 
a compelling film . 
makes you realize that deep inside righteousness can be found a tough beauty 
's some good material in their story about a retail clerk wanting more out of life 
a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- 
it would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny . 
as one of the great submarine stories 
lagaan 
provide its thrills and extreme emotions 
marred beyond redemption by a disastrous ending 
seems hopelessly juvenile 
appreciates the art and reveals a music scene that transcends culture and race 
laggard drama wending its way to an uninspired philosophical epiphany 
attempt to pass this stinker off as a scary movie 
a movie full of surprises 
bolstered by exceptional performances and 
` butterfingered ' is the word for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach . 
a heavy stench of ` been there , done that ' hanging over the film 
turns out to be clever , amusing and unpredictable 
entertaining tricks 
more than competent 
frequently veers into corny sentimentality , probably 
the miniseries 
at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and 
turn and devolves 
have brought back the value and respect for the term epic cinema 
the power of the huston performance 
super troopers suffers because it does n't have enough vices to merit its 103-minute length . 
done his subject justice 
are undeniably touched 
, parker exposes the limitations of his skill and the basic flaws in his vision . ' 
dirty 
good action , good acting , good dialogue , good pace , 
dull as its characters , about whose fate it is hard to care 
transforms that reality into a lyrical and celebratory vision 
its story is only surface deep 
is listless , witless , and devoid of anything 
an incredibly thoughtful , deeply meditative picture that neatly and effectively captures the debilitating grief felt in the immediate aftermath of the terrorist attacks . 
movie that portrays the frank humanity of ... emotional recovery 
one funny popcorn flick . 
although ... visually striking and slickly staged 
, masterful 
wonderfully warm human drama 
bigger and more ambitious than the first installment 
now , told by hollywood , and much more ordinary for it 
worst movie 
it made me feel unclean , and i 'm the guy who liked there 's something about mary and both american pie movies 
great minds 
a winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others . 
ultimately offers nothing more than people in an urban jungle needing other people to survive 
scotland looks wonderful , 
disposable , kitchen-sink homage 
spirit is a visual treat , and it takes chances that are bold by studio standards , but 
expiration date 
powerful look 
such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema 
a couple of saps stuck in an inarticulate screenplay 
catching for griffiths ' warm and winning central performance 
bind us 
one strike 
it was n't horrible either 
a fine production with splendid singing by angela gheorghiu , ruggero raimondi , and roberto alagna 
you have figured out the con and the players in this debut film by argentine director fabian bielinsky 
the delicate forcefulness of greene 's prose 
it 's better suited for the history or biography channel , but there 's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind . 
, it 's better than one might expect when you look at the list of movies starring ice-t in a major role . 
in the most blithe exchanges gives the film its lingering tug 
something of a stiff 
, retro uplifter . 
what 's missing in murder by numbers is any real psychological grounding for the teens ' deviant behavior . 
ryan gosling is , in a word , brilliant as the conflicted daniel . 
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less - than-likely new york celebrities 
uses a totally unnecessary prologue , 
also looked like crap , so crap is what i was expecting . 
's very little 
alcatraz ' ... a cinematic corpse 
a one liner as well as anybody 
the cleverness , the weirdness and the pristine camerawork 
totally 
is far more appealing 
of very bad scouse accents 
the sheer beauty of his images 
of laughs in this simple , sweet and romantic comedy 
this tired retread 
not quite 
have pulled off four similar kidnappings before 
its inescapable absurdities are tantamount to insulting the intelligence of anyone who has n't been living under a rock ( since sept. 11 ) . 
is good at being the ultra-violent gangster wannabe 
fortunately , elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry . 
last-minute 
part of the film 's cheeky charm comes from its vintage schmaltz . 
so aggressively anti-erotic 
have a hard time sitting through this one 
reminiscent 
suffers from over-familiarity since hit-hungry british filmmakers have strip-mined the monty formula mercilessly since 1997 . 
deception 
feature to hit theaters since beauty and the beast 11 years ago 
has severe body odor 
capture these musicians in full regalia 
is completely at sea 
artsy and often pointless 
spirit is a visual treat , and it takes chances that are bold by studio standards , 
huge sacrifice 
goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it 
make showtime the most savory and hilarious guilty pleasure of many a recent movie season 
dover kosashvili 's outstanding feature debut 
delightful , if minor , 
no level whatsoever for me 
to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
is this bad on purpose 
, that 's because panic room is interested in nothing more than sucking you in ... and making you sweat . 
is an interesting movie ! '' 
offers a thoughtful and rewarding glimpse 
pertinent and enduring 
's stylishly directed with verve ... 
its shortness disappoints 
deeply meditative picture 
until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism 
this prickly indie comedy of manners and misanthropy 
compassionate spirit 
great dragons ! 
i have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short 
a memorable experience 
serves up with style and empathy 
keep our interest 
gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences 
absurd plot twists , idiotic court maneuvers and stupid characters 
( the characters ' ) misery 
hardly an objective documentary , but it 's great cinematic polemic ... love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions 
effectiveness 
the one not-so-small problem with expecting is that the entire exercise has no real point . 
an intriguing twist 
succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless 
rejects 
infidelity and 
a genuinely funny ensemble 
got to hand it to director george clooney for biting off such a big job the first time out 
fabulously funny 
might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine 
seems worth the effort . 
terrific date movie 
not a trace of humanity or empathy 
fourth feature 
reign of fire is so incredibly inane that it is laughingly enjoyable . 
a milquetoast movie of the week blown up for the big screen 
predictable plot 
the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago 
does strong , measured work 
more and more frustrated and detached as vincent became more and more abhorrent 
it is n't that funny 
slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze 
sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack 
squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story 
an engaging criminal romp that will have viewers guessing just who 's being conned right up to the finale . 
crowd-pleasing goals 
tolerate this insipid , brutally clueless film 
does its best 
solid ' 
a baffling subplot 
like a room stacked with pungent flowers 
amuses 
tasteful 
on its empty head 
to pass without reminding audiences that it 's only a movie 
recite bland police procedural details , fiennes wanders 
's super - violent , super-serious and super-stupid 
numbingly dull experience 
the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad 
never comes together as a coherent whole . 
i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one 
cute drama 
, taut , piercing and feisty 
cut to a new scene , which also appears to be the end . 
the movie barely makes sense , with its unbelievable naïveté and arbitrary flashbacks . 
unturned 
far more successful 
a remarkably insightful look at the backstage angst of the stand-up comic . 
has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism 
being able to creep the living hell out of you 
ourside the theater roger might be intolerable company , 
it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway . 
deeply biased , and wholly 
failing , ultimately , 
this is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action . 
without having much dramatic impact 
into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell 
the histrionic muse still eludes madonna and , playing a charmless witch 
of sweet-and-sour insider movie that film buffs will eat up like so much gelati 
uplifting and moving 
already tired 
manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum . 
marks him as one of the most interesting writer/directors working today . 
worthless , from its pseudo-rock-video opening to the idiocy of its last frames 
the scruffy sands of its titular community 
as searching for a quarter in a giant pile of elephant feces ... positively dreadful 
to make creative contributions to the story and dialogue 
a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving 
it desperately wants to be a wacky , screwball comedy 
the film has some of the best special effects ever 
see this turd squashed 
( a ) soulless , stupid sequel 
it 's mildly entertaining , especially if you find comfort in familiarity . 
what goes on for the 110 minutes of `` panic room '' 
creatively 
sillier , not scarier 
the actors are simply too good 
is one only a true believer could relish . 
signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema 
( reaches ) wholly believable and heart-wrenching depths of despair 
it 's packed with adventure and a worthwhile environmental message , so 
crappy movies 
make a big splash 
an equally assured narrative coinage 
a beautifully shot but dull and ankle-deep ` epic . ' 
recalling sixties ' rockumentary milestones from lonely boy to do n't look back . 
of clichés and a dim 
gets over its own investment in conventional arrangements 
underestimated 
is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast 
does n't have big screen magic 
... pitiful , slapdash disaster . 
the woodman seems to have directly influenced this girl-meets-girl love story , 
a spooky yarn of demonic doings on the high seas that works better the less the brain is engaged . 
unbearable 
to be moved by this drama 
a clichéd and shallow cautionary tale about the hard-partying 
manages to find that real natural , even-flowing tone that few movies are able to accomplish 
distracting 
from the guy-in-a-dress genre 
the consequences of its own actions and revelations 
it is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film . 
this trite , predictable rehash 
uncouth , incomprehensible , vicious and absurd 
benefited from a sharper , cleaner script 
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) 
just as endearing and easy 
into by-the-numbers territory 
i feel better already . 
never quite 
, i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign . 
of the rarest kinds of films 
this masterful 
is busy contriving false , sitcom-worthy solutions to their problems . 
overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors 
its audacious ambitions sabotaged by pomposity 
's too long and unfocused 
like-themed film 
exceedingly dull 
the mood is laid back 
the movie generates plot points with a degree of randomness usually achieved only by lottery drawing . 
debut can be accused of being a bit undisciplined 
helmer hudlin tries to make a hip comedy , but his dependence on slapstick defeats the possibility of creating a more darkly edged tome 
sneak out of the theater 
unsalvageability 
a successful adaptation 
ambiguous 
is that it has none of the pushiness and decibel volume of most contemporary comedies . 
you barely realize your mind is being blown . 
true 
adrenalized 
hollywood excess 
would have saved this film a world of hurt . 
a servicable world war ii drama 
zero-dimensional , unlikable characters and hackneyed , threadbare comic setups 
( moore 's ) better at fingering problems than finding solutions . 
should shame americans , regardless of whether or not ultimate blame 
a clever pseudo-bio 
first-rate 
low-rent -- and even lower-wit -- rip-off 
since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
sentimentality and annoying stereotypes 
more than a 
a movie without an apparent audience 
keep things interesting 
the stomach-knotting suspense 
first film something of a sleeper success 
the best movie 
returning director rob minkoff ... and screenwriter bruce joel rubin ... have done a fine job of updating white 's dry wit to a new age . 
beat-the-clock thriller 
collision 
an intelligent and deeply 
pleasant distraction 
to come from an american director in years 
thoroughly entertaining comedy that 
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , 
dramatic enough 
change hackneyed concepts 
credulous , unassuming , subordinate 
dumped a whole lot of plot in favor of ... outrageous gags 
a bold ( and lovely ) experiment 
undeniably exceedingly clever 
taymor , the avant garde director of broadway 's the lion king and the film titus , brings 
terrible , banal dialogue ; convenient , hole-ridden plotting 
frittered 
to mind , while watching eric rohmer 's tribute to a courageous scottish lady 
its seas of sand to the fierce grandeur of its sweeping battle scenes 
is even better than the fellowship . 
could be a single iota worse ... a soulless hunk of exploitative garbage . 
deceptively simple , deeply satisfying 
such a mountain of clichés and borrowed images 
utterly delightful . 
reaches 
imperfect 
ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside 
like kubrick , soderbergh is n't afraid to try any genre and to do it his own way . 
will be delighted with the fast , funny , and even touching story 
a beer with but they 're simply not funny performers 
it would take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire . 
` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women 
the jokes are telegraphed so far in advance they must have been lost in the mail . 
every-joke-has - been-told-a 
carried less by wow factors than by its funny , moving yarn that holds up well after two decades 
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario 
it the darling of many a kids-and-family-oriented cable channel 
induce sleep than fright 
the film 's maudlin focus on the young woman 's infirmity and her naive dreams play like the worst kind of hollywood heart-string plucking . 
funniest moments 
an equally beautiful , self-satisfied 18-year-old mistress 
glee 
the quirky drama touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths . 
protagonists 
with terrific flair 
does n't have much panache , but with material this rich it does n't need it . 
by an adult who 's apparently been forced by his kids to watch too many barney videos 
shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action 
know about rubbo 's dumbed-down tactics 
's a glorified sitcom , and a long , unfunny one at that . 
blandly go where we went 8 movies ago 
painfully slow cliche-ridden film 
the writing is indifferent , 
of its own brilliance 
ca n't believe anyone would really buy this stuff . 
it all looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer . 
misanthropic stuff 
one eventually resents having to inhale this gutter romancer 's secondhand material 
the year 2002 has conjured up more coming-of-age stories than seem possible , but take care of my cat emerges as the very best of them 
quite touching 
keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
with this one too 
surprisingly , considering that baird is a former film editor , the movie is rather choppy . 
developed characters so much 
, populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility . 
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine 
's a pretty listless collection of kid-movie clichés . 
a defiantly retro chord 
efficiently 
the emotion or timelessness of disney 's great past , 
faced 
first-time director joão pedro rodrigues ' unwillingness to define his hero 's background or motivations 
in his role of observer of the scene , lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature . 
it 's a beautiful film , full of elaborate and twisted characters 
the film does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half 
its bold presentation 
the wild thornberrys movie has all the sibling rivalry and general family chaos to which anyone can relate . 
makes eight legged freaks a perfectly entertaining summer diversion 
vividly detailed story about newcomers in a strange new world 
there is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us . 
hard-edged stuff 
arrive early 
unholy hokum 
is something rare and riveting : a wild ride that relies on more than special effects . 
the good girl is a film in which the talent is undeniable but the results are underwhelming . 
straightforward and 
with which it integrates thoughtfulness and pasta-fagioli comedy 
be as entertaining 
'll find in this dreary mess . 
to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
terror the heroes of horror movies try to avoid 
underdeveloped effort 
it 's an ambitious film , 
, the subject matter is so fascinating that you wo n't care . 
all hollywood fantasies 
warmth , wit and interesting characters compassionately portrayed 
castro 
that are repeatedly undercut by the brutality of the jokes , most at women 's expense 
mctiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious . 
a college comedy that 's target audience has n't graduated from junior high school 
charismatic jackie chan 
skillfully assembled 
what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year 
i 'm not 
relies on more than special effects 
's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team 
's insanely violent and very graphic 
rises to a higher level 
a slick , 
to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script 
and sumptuous stream 
it was co-written by mattel executives and lobbyists for the tinsel industry 
with such exuberance and passion 
meandering ending 
schlocky 
realistic , non-exploitive approach 
overcooked 
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence 
a witty , whimsical feature 
stands as one of the year 's most intriguing movie experiences 
skewed to ever get a hold on 
as it 's too loud to shout insults at the screen 
an act of spiritual faith 
though its rather routine script is loaded with familiar situations 
's not even a tv special you 'd bother watching past the second commercial break 
perfectly pleasant if slightly pokey 
is good , except its timing 
an uninspired philosophical epiphany 
spiced 
listless and desultory affair 
if the plot seems a bit on the skinny side , that 's because panic room is interested in nothing more than sucking you in ... and making you sweat . 
's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair . 
want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
he gives the story some soul 
an enthralling aesthetic experience , 
brussels 
, albeit half-baked , 
rusted-out ruin 
fine acting moments 
are jarring and deeply out of place in what could have ( and probably should have ) 
a sleek advert for youthful anomie that never quite equals the sum of its pretensions . 
those crass , contrived sequels 
besson has written in years 
delivers a powerful commentary on how governments lie 
, the humor has point 
no reason for being 
charismatic enough to make us care about zelda 's ultimate fate 
nonsense 
the smarter offerings the horror genre 
flamboyant in some movies and artfully restrained in others , 65-year-old jack nicholson 
growing up that we do n't see often enough these days 
that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema 
that this is one summer film that satisfies 
forbidden love , racial tension , and other issues that are as valid today 
creepy-scary thriller 
dangerously honest 
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it 
the plot grinds itself out in increasingly incoherent fashion 
an intense political and psychological thriller 
thoroughly dull 
a fine production with splendid singing 
any of the signposts , as if 
gusto 
gone badly awry 
're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned 
nothing wrong with performances here , 
it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest . 
hack nick davies 
an uplifting 
name-calling 
but something far more stylish and cerebral -- and , 
nary an original idea ( or role , or edit , or score , or anything , really ) in sight 
has n't lost his touch , bringing off a superb performance in an admittedly middling film 
hardest 
stevens has a flair for dialogue comedy 
showcases 
quite a vision 
cause parents a few sleepless hours -- 
louiso lets the movie dawdle in classic disaffected-indie-film mode 
like a soft drink that 's been sitting open too long 
an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place 
, repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue . 
a minor miracle 
an admirable , 
more re-creations of all those famous moments 
98 
some of the camera work is interesting 
what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve 
the best sports movie i 've ever seen 
not exaggerated enough to be a parody of gross-out flicks , college flicks , or even flicks in general 
coming close to bowling you over 
skillful filmmaker 
to sporting one of the worst titles in recent cinematic history 
of love , family and all that 
the premise of `` abandon '' holds promise , ... 
black-and-white 
it does somehow manage to get you under its spell . 
lightly entertaining 
is nonjudgmental , and 
spends a bit too much time on its fairly ludicrous plot 
as a paper skeleton for some very good acting , dialogue , 
only to record the events for posterity , but 
exactly what its title implies : lusty , boisterous and utterly charming 
a grating 
plain bad 
hollywood is sordid and disgusting . 
race and culture forcefully told , with superb performances throughout 
triumphant 
sits there like a side dish no one ordered 
imaginative flight 
really awful 
with a jarring , new-agey tone creeping into the second half 
little-remembered 
blame eddie murphy 
less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and 
out ballsy and stylish but fails to keep it up and settles into clichés . 
persistence that is sure to win viewers ' hearts 
the schmaltz is manufactured 
used my two hours better watching being john malkovich again 
see over and over again 
it 's worth yet another visit 
a great cast and a wonderful but sometimes confusing flashback movie about growing up in a dysfunctional family . 
a coming-of-age story and cautionary parable , but also a perfectly rendered period piece 
human experience -- drama , conflict , tears and surprise -- 
recite some of this laughable dialogue with a straight face 
it 's good to see michael caine whipping out the dirty words and punching people in the stomach again . 
is even remotely new or interesting 
bone-chilling 
barely defensible sexual violence to keep it interested 
constantly touching , surprisingly funny 
are in perfect balance . 
feels universal 
dud 
is a mediocre movie trying to get out 
, is that it has none of the pushiness and decibel volume of most contemporary comedies . 
was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
of vampire fun 
of the man 
charm or 
a bilingual charmer 
you love it 
its dying , 
must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks 
gracious 
the acting is amateurish , the cinematography is atrocious , the direction is clumsy 
iwai 's gorgeous visuals seduce . 
's worth the concentration . 
does such high-profile talent serve such literate material 
`` sorority boys '' was funnier 
jordan jealous 
bracingly truthful 
with a hard-to-swallow premise 
an honesty and dignity that breaks your heart 
waged among victims and predators settle into an undistinguished rhythm of artificial suspense 
that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in 
84 minutes is short 
of privileged moments and memorable performances 
, it tells a story whose restatement is validated by the changing composition of the nation . 
, spicy footnote 
deft and subtle 
even if the naipaul original remains the real masterpiece 
three hours and with very little story or character development 
-- from the writing and direction to the soggy performances -- 
dirty faces 
witherspoon 's talents 
's hard to believe that something so short could be so flabby 
clunker 
, is funny and looks professional . 
photographed and staged by mendes with a series of riveting set pieces 
that relays its universal points without lectures or confrontations 
feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism . 
horrid little propaganda film 
i even caught the gum stuck under my seat trying to sneak out of the theater 
he does this so well 
as two-day old porridge 
-- and gross -- 
seem repetitive and designed to fill time , providing no real sense of suspense 
it 's in danger of going wrong 
out ballsy and stylish 
manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference . 
is grossly contradictory in conveying its social message , if indeed there is one 
champion 
dumbed-down tactics 
soulless and -- even more damning -- virtually joyless , 
's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it . 
has never looked uglier 
entertaining movie 
is so bad , that it 's almost worth seeing because it 's so bad . 
boffo last hour 
( a ) slummer . 
a genuinely moving and wisely unsentimental drama . 
sounds whiny and defensive , 
of how very bad a motion picture can truly be 
as much resemblance to the experiences of most battered women as spider-man 
a film that is both gripping and compelling 
4ever has the same sledgehammer appeal as pokemon videos , but it breathes more on the big screen and induces headaches more slowly 
make the stones weep -- 
nothing short of a travesty of a transvestite comedy 
aspired 
if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees 
is a rather toothless take on a hard young life 
that there are more interesting ways of dealing with the subject 
oscar nomination 
that ` alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) 
frothy ` date movie 
are both excellent , 
described as sci-fi generic 
confusion is one of my least favorite emotions , especially when i have to put up with 146 minutes of it . 
such a bad movie that its luckiest viewers will be seated next to one of those ignorant pinheads who talk throughout the show . 
what remains is a variant of the nincompoop benigni persona , here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip . 
alas , it 's the man that makes the clothes . 
escaped the rut dug by the last one 
funnier gags 
a gorgeously strange movie , heaven is deeply concerned with morality 
unlikable , uninteresting , unfunny , and completely , 
that finds warmth in the coldest environment and makes each crumb of emotional comfort 
about as enjoyable 
their most virtuous limits 
this sucker 
jeffrey tambor 's 
keen eye , sweet spirit and good taste 
the coen brothers and 
treat 
open-mouthed before the screen , not screaming but yawning 
reasonably entertaining 
will wear thin on all 
that , with humor , warmth , and intelligence , captures a life interestingly lived 
pryor wannabe 
holland lets things peter out midway , 
even the hastily and amateurishly drawn animation 
wrong with that 
to be an effectively chilling guilty pleasure 
more trifle than triumph 
demonic doings on the high seas that works better the less the brain is engaged 
there 's not a single jump-in-your-seat moment 
got aids 
, it also represents glossy hollywood at its laziest . 
smoothly sinister freddie 
nor truly edgy -- merely crassly flamboyant and comedically labored 
crisp framing , 
all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness 
the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it 
'd grab your kids and run and then probably call the police 
just sits there like a side dish no one ordered . 
sort the bad guys from the good , which is its essential problem 
an ingenious and often harrowing look at damaged people and how families can offer either despair or consolation . 
off-kilter dialogue 
barrie good time 
the movie is so contrived , nonsensical and formulaic that , come to think of it , the day-old shelf would be a more appropriate location to store it . 
paxton , making his directorial feature debut , does strong , measured work . 
true inspiration 
ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
has found the perfect material with which to address his own world war ii experience in his signature style . 
a touching reflection on aging , suffering and the prospect of death 
into a strangely tempting bouquet of a movie 
of love and humility 
drag the movie down 
as vincent became more and more abhorrent 
there 's something fishy about a seasonal holiday kids ' movie 
difficult to tell who the other actors in the movie are 
suffers from the awkwardness that results from adhering to the messiness of true stories . 
the labyrinthine ways 
pass this stinker off 
of becoming a better person through love 
by a script that assumes you are n't very bright 
slightly wised-up kids 
unafraid to throw elbows when necessary 
immensely enjoyable 
does sustain an enjoyable level of ridiculousness 
kids-cute sentimentality by a warmth that is n't faked 
some of the most inventive silliness you are likely to witness in a movie theater for some time . 
tense with suspense 
green ruins every single scene he 's in 
, he might have been tempted to change his landmark poem to , ` do not go gentle into that good theatre . ' 
may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar 
is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life 
spirit 's visual imagination 
knows everything and answers all questions , is visually smart , cleverly written , and nicely 
the comic opportunities richly rewarded 
be a power outage during your screening so you can get your money back 
flawless film , ( wang ) emerges in the front ranks of china 's now numerous , world-renowned filmmakers . 
burn the negative and the script and 
to be a one-trick pony 
but disintegrates into a dreary , humorless soap opera . 
funny 
rather unique 
the quirky drama 
far more entertaining than i had expected 
is as thought-provoking 
and crude humor 
's a day at the beach -- with air conditioning and popcorn . 
, green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese . 
that has made tucker a star 
's funny , touching , dramatically forceful , and beautifully shot 
what sets ms. birot 's film apart from others in the genre 
as a feature-length film , it wears out its welcome as tryingly as the title character . 
a backhanded ode to female camaraderie penned by a man who has little clue about either the nature of women or of friendship . 
( l ) ame and unnecessary . 
about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater . 
's a wise and powerful tale of race and culture forcefully told , with superb performances throughout . 
that made spy kids a surprising winner with both adults and younger audiences 
nothing short of a masterpiece -- and a challenging one 
little more than a well-mounted history lesson 
romantic comedy and dogme 95 filmmaking may seem odd bedfellows 
spent watching this waste of time 
loosely connected 
the movie 's seams may show ... but 
ultimate demise 
benefits from serendipity but 
i 've never seen or heard anything quite like this film , 
the characters move with grace and panache 
handed down from the movie gods on a silver platter 
been 13 months and 295 preview screenings since i last walked out on a movie 
in the end , you feel alive - which is what they did 
visually unappealing 
hideousness 
intelligent , and humanly funny film . 
formula -- which is a waste of de niro , mcdormand and the other good actors in the cast 
this story to go but down 
'd be hard pressed to think of a film more cloyingly sappy than evelyn this year . 
easy sanctimony , formulaic thrills and 
jaded 
the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period 
an admirable reconstruction of terrible events , 
into the trap of pretention 
... is funny in the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality . 
bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
the spectacle of gere in his dancing shoes 
us care about this latest reincarnation of the world 's greatest teacher 
few films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying . 
find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her 
a movie that tells stories that work -- is charming , is moving 
questions cinema 's capability for recording truth 
the charismatic jackie chan 
ill-conceived action pieces 
a damn fine and a truly distinctive and a deeply pertinent film . 
retains ambiguities that make it well worth watching 
, moving 
's more of the ` laughing at ' variety than the ` laughing with 
looks to be going through the motions , beginning with the pale script 
in the excesses of writer-director roger avary 
is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film . 
with daring and verve 
strives to be more , but does n't quite get there . 
no justice 
never lacks in eye-popping visuals 
columbia pictures ' perverse idea of an animated holiday movie 
played-out idea 
silliness 
one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time 
, paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip . 
silences 
most repellent things 
comes off like a particularly amateurish episode of bewitched that takes place during spring break 
into an a-list director 
a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior 
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story . 
delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem . 
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing 
is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia 
its passages of sensitive observation 
a movie in which laughter and self-exploitation merge into jolly soft-porn 'em powerment . 
a dark pit having a nightmare about bad cinema 
deceptively amusing 
beyond the cleverness , the weirdness and the pristine camerawork , one hour photo is a sobering meditation on why we take pictures . 
loads of cgi and bushels of violence 
the very best 
sci-fi thriller 
listless direction 
hollywood ending is not show-stoppingly hilarious , but scathingly witty nonetheless . 
the delicious trimmings ... 
engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution . ' 
nothing good 
advancing this vision 
is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues . 
lethargically 
, mesmerizing 
a pretty good overall picture of the situation 
could ever have hoped to be 
the holiday message of the 37-minute santa vs. the snowman leaves a lot to be desired . 
will likely prefer to keep on watching 
this is lightweight filmmaking , to be sure 
trailer trash cinema so uncool the only thing missing is the `` gadzooks ! '' 
both an admirable reconstruction of terrible events , and a fitting memorial to the dead of that day , and of the thousands thereafter . 
has never made anything that was n't at least watchable 
still have to see this ! 
with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves 
remind one of a really solid woody allen film , 
how inept is serving sara ? 
almost in a class with that of wilde 
just plain bad 
a good time 
's no art here 
'll love this movie 
as good as the full monty , but a really strong second effort 
and -- sadly -- dull 
swept away ' 
hate 
bogdanovich taps deep into the hearst mystique , entertainingly reenacting a historic scandal . 
of all hollywood fantasies 
the series ' message about making the right choice in the face of tempting alternatives remains prominent , as do the girls ' amusing personalities . 
their feces 
nonsense machine 
will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus 
of imagination in the soulful development of two rowdy teenagers 
fierce grandeur 
fails to have a heart , mind or humor of its own 
is a very ambitious project for a fairly inexperienced filmmaker 
overused cocktail 
the movie is a disaster . 
the year selection 
, home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it . 
another gross-out college comedy -- ugh . 
with wisdom and emotion 
in gross-out humor 
sleek 
help but engage 
laissez-passer has all the earmarks of french cinema at its best . 
huge box-office 
twisted sense 
, brimming with coltish , neurotic energy , holds the screen like a true star . 
with style and empathy 
spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby 
the film has ( its ) moments , but they are few and far between . 
make a person who has lived her life half-asleep suddenly wake up 
just is n't a very involving one 
as plain and pedestrian as catsup -- 
being lectured to by tech-geeks , if you 're up for that sort of thing 
colorful bio-pic 
a strangely sinister happy ending 
going for that pg-13 rating 
attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago 
cross-dressing 
a skillful filmmaker 
succeeds in diminishing his stature from oscar-winning master to lowly studio hack 
( sam 's ) self-flagellation is more depressing than entertaining . 
her presence succeeds in making us believe 
to term an `` ambitious failure 
dared 
devote time to see it 
smith examines the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country . 
street gangs and turf wars in 1958 brooklyn -- stale cliches , 
's endlessly inventive , consistently intelligent and sickeningly savage 
the typical hollywood disregard for historical truth and realism is at work here 
of the biggest names in japanese anime , with impressive results 
allegedly inspiring and easily marketable 
a rare treat 
good and 
your interest until the end and even leaves you with a few lingering animated thoughts 
to which anyone can relate 
meyjes ' provocative film 
prettiest 
hard to believe that a life like this can sound so dull 
a light , yet engrossing piece 
a disoriented but occasionally disarming saga packed with moments out of an alice in wonderland adventure , a stalker thriller , and a condensed season of tv 's big brother . 
loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into . 
`` a '' range 
hugh grant , who has a good line in charm , has never been more charming than in about a boy . 
in spite of clearly evident poverty and hardship 
plotless , 
, indescribably bad 
's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form . 
the film is ultimately about as inspiring as a hallmark card . 
growing , moldering pile 
tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic 
slickly 
a mesmerizing cinematic poem from the first frame to the last 
grating 
would gobble in dolby digital stereo 
too mushy -- and in a relatively short amount of time 
it ranks with the best of herzog 's works 
its visual imagination is breathtaking 
each other against all odds 
of those so-so films that could have been much better 
that makes it worth checking out at theaters 
only has about 25 minutes of decent material . 
a case of masochism and an hour and a half 
drags , underscoring the obvious 
witlessness between a not-so-bright mother and daughter and 
if you want a movie time trip , the 1960 version is a far smoother ride . 
both exuberantly romantic and serenely melancholy , what time is it there ? 
equally great 
contribute to a mood that 's sustained through the surprisingly somber conclusion 
generic 
remarkable for its excellent storytelling , its economical , compressed characterisations and for its profound humanity 
lovefest 
to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd 
that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project 
decent ones 
two surefire , beloved genres 
sweet without the decay factor 
are amiable and committed 
roiling black-and-white inspires 
to match the power of their surroundings 
makes no sense 
is old-fashioned , occasionally charming and as subtle as boldface . 
it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve 
entertainingly reenacting a historic scandal . 
demonstrates just how far his storytelling skills have eroded 
an irresistible , languid romanticism 
it sounds like another clever if pointless excursion into the abyss , and that 's more or less how it plays out . 
lively dream 
the thinness of its characterizations 
a series of perfect black pearls clicking together to form a string 
can seem tiresomely simpleminded 
shyamalan 's gifts , 
have marked an emerging indian american cinema 
bad hair design 
to convince us that acting transfigures esther 
watch these two together again in a new york minute 
( cuarón has ) created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy . 
the poor quality 
an insultingly unbelievable final act 
hoping the nifty premise will create enough interest to make up for an unfocused screenplay 
be captivated , as i was , by its moods , and by its subtly transformed star , 
does a disservice 
is either a saving dark humor or the feel of poetic tragedy . 
watch barbershop again if you 're in need of a cube fix -- this is n't worth sitting through 
topics that could make a sailor blush - but lots of laughs . 
good theatre 
of how well-meaning patronizing masked a social injustice , at least as represented by this case 
is a truly , truly bad movie 
astonishing 
truth and realism 
even its target audience talked all the way through it 
the movie is silly beyond comprehension , and even if it were n't silly , it would still be beyond comprehension . 
as beautiful 
's touching and tender and 
has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
are neither original nor are presented in convincing way 
this very compelling tale 
great help 
dehumanizing and ego-destroying process 
no respectable halloween costume shop would ever try to sell 
goofily endearing and well-lensed gorefest 
is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work 
shiver-inducing 
questionable satirical ambivalence 
a very entertaining , thought-provoking film 
is brilliant , really 
delicate , clever 
is a light , fun cheese puff of a movie . 
at best this is a film for the under-7 crowd . 
put to find a movie character more unattractive or odorous ( than leon ) 
dazzling entertainment 
fairly irresistible package 
a heavy-handed indictment 
does n't so much phone in his performance as fax it 
exist only for its climactic setpiece 
one not-so-small problem 
the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose . 
that made the first film so special 
cast adrift in various new york city locations with no unifying rhythm or visual style 
the fact is that the screen is most alive when it seems most likely that broomfield 's interviewees , or even himself , will not be for much longer . 
the dullest irish pub scenes 
her pale , dark beauty and 
squandering his opportunity to make absurdist observations , burns gets caught up in the rush of slapstick thoroughfare . 
has its moments -- and almost as many subplots . 
he has found with an devastating , eloquent clarity 
i like about men with brooms and what is kind of special 
may not be an important movie , or even a good one 
mediocre fable from burkina faso . 
that comes through all too painfully in the execution 
, it would still be beyond comprehension 
lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth 
get 
more entertaining , too 
undernourished 
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american . 
high above run-of-the-filth gangster flicks 
some movies and artfully restrained in others , 65-year-old jack nicholson 
crafty and intelligent 
an achingly enthralling premise , the film is hindered by uneven dialogue and plot lapses . 
cornball sequel 
is the most visually unappealing . 
the best and most mature comedy of the 2002 summer season speaks more of the season than the picture 
too-long , spoofy update 
do bad things 
illustrates the ability of the human spirit to overcome adversity 
all comedy is subversive , but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad . 
it 's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today . 
devos and cassel have tremendous chemistry 
cultural identity 
avoid this like the dreaded king brown snake 
full frontal , which opens today nationwide , could almost be classified as a movie-industry satire , but it lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature 
transparently hypocritical work 
apparently designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it . 
struggles 
's got to be a more graceful way of portraying the devastation of this disease . 
robbed 
some body often looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments . 
( and beautifully edited 
, sylvie testud is icily brilliant . 
and mind-numbing indifference 
john carpenter 's original 
the always hilarious meara and levy 
smell the grease on the plot 
there 's a lot to recommend read my lips . 
of those films that started with a great premise and then just fell apart 
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome 
pure 
earthly 
shaky , uncertain film 
's a love story as sanguine as its title 
is mesmerizing 
direction to give the film a soul and an unabashed sense of good old-fashioned escapism 
, it 's mission accomplished 
honest emotions 
the cat 's meow marks a return to form for director peter bogdanovich ... 
quirky and fearless ability 
puts enough salt into the wounds of the tortured and self-conscious material to make it sting 
wimps out by going for that pg-13 rating , so the more graphic violence is mostly off-screen and 
should not 
a remarkable piece 
like puppies with broken legs / and butterflies that die / and movies starring pop queens 
its own ironic implications 
's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form 
renowned 
earn our love 
if you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix , i have just one word for you - -- decasia 
its charms and 
watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
inevitably consigned 
with stunning animation 
the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise 
with a visual style unique and inherent 
the sleekness 
for a quick-buck sequel 
tell you how tedious 
it 's a frankenstein-monster of a film that does n't know what it wants to be . 
way cheaper ( and better ) 
a drowsy drama infatuated by its own pretentious self-examination 
graceless and 
mr. polanski is in his element here : 
an open wound 
is a masterpiece of elegant wit and artifice 
entertaining and 
johnnie to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests may be too narrow to attract crossover viewers . 
belly laugh 
a laugh riot 
glued to the screen 
canny and spiced 
what saves it ... and makes it 
a truly annoying pitch 
the hype 
a lightweight story about matchmaking 
laugh their *** off for an hour-and-a-half 
believe these jokers are supposed to have pulled off four similar kidnappings before 
is that there 's a casual intelligence that permeates the script 
durable 
its new england characters , most of whom wander about in thick clouds of denial 
compatible 
a serious drama 
tres greek writer and star nia vardalos has crafted here a worldly-wise and very funny script . 
is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike . 
the material 
is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films . 
attack of the clones is a technological exercise that lacks juice and delight 
need , neurosis and nervy 
writer-director juan carlos fresnadillo makes a feature debut that is fully formed and remarkably assured . 
a fun and funky look into an artificial creation in a world that thrives on artificiality 
self-promotion 
to enjoy the perfectly pitched web of tension that chabrol spins 
rampant adultery 
of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen 
help us return to a sane regimen of eating , sleeping and stress-reducing contemplation 
the filmmakers ' eye for detail and the high standards of performance 
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch 
our hero must ride roughshod over incompetent cops to get his man 
crudup 's screen presence 
comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours 
treasured 
but what gives human nature its unique feel is kaufman 's script 
of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics 
rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide . 
imperfect , love-hate relationship 
the immersive powers of the giant screen and its hyper-realistic images are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d . 
the annoyance 
that it ends up being surprisingly dull 
you have the patience for it 
it were any more of a turkey 
the filmmakers want nothing else than to show us a good time 
a shaky , uncertain film 
's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
playing out like a feature-length sitcom replete with stereotypical familial quandaries 
sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness . 
the most sincere and artful movie 
a bad taste in your mouth and questions 
unlike last year 's lame musketeer , this dumas adaptation entertains 
lookin ' for sin , american-style ? 
's a minor treat 
the action and 
skilled actors 
without your pulse ever racing 
growth 
it 's also not smart or barbed enough for older viewers -- 
, like silence , it 's a movie that gets under your skin . 
i do n't think that a.c. will help this movie one bit 
celebrates the group 's playful spark of nonconformity 
that 's very different from our own and yet instantly recognizable 
even though it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth . 
a moving picture that does not move . 
a frustrating patchwork : 
as hilarious lunacy 
the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza 
spreading 
very depressing movie 
are mesmerizing 
might add -- slice of comedic bliss 
dreamy and evocative 
painfully unfunny farce 
is n't very bright 
move over bond 
definitive account 
an interesting exercise 
the only thing `` swept away '' is the one hour and thirty-three minutes spent watching this waste of time . 
writer-director david jacobson and his star , jeremy renner , have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted . 
's the sweet cinderella story 
the passions that sometimes fuel our best achievements and other times 
as darkly funny 
a disaster of a drama 
the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time 
's one of the most beautiful , evocative works i 've seen 
does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that . 
sour 
like slob city reductions of damon runyon crooks 
all the bad things in the world / 
this is the most visually unappealing . 
as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
delirious fun . 
lisa rinzler 's cinematography may be lovely , but love liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension . 
is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one 
look like cheap hysterics 
's too harsh to work as a piece of storytelling 
to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity 
reflect that its visual imagination is breathtaking 
's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles 
that malarkey 
monster/science fiction flicks 
to consider the unthinkable , the unacceptable , the unmentionable 
that special annex of hell 
incredibly hokey 
fluffy and disposible 
fascinating little tale 
it 's never too late to believe in your dreams . ' 
i 'd be hard pressed to think of a film more cloyingly sappy than evelyn this year . 
the story is lacking any real emotional impact , and the plot is both contrived and cliched . 
so many explosions 
the scorpion king is more fun than conan the barbarian . 
nicole kidman makes it a party worth attending . 
seems timely and important . 
, soap opera-ish dialogue 
close to losing my lunch 
settles into the light-footed enchantment the material needs 
director carl franklin , so crisp and economical in one false move , 
a lot of the smaller scenes 
chelsea walls is a case of too many chefs fussing over too weak a recipe . 
with a great premise 
appalling as any ` comedy ' 
an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice 
love liza is a festival film that would have been better off staying on the festival circuit . 
hope britney wo n't do it one more time , as far as 
's icky . 
wears its heart on the sleeve of its gaudy hawaiian shirt 
made me feel unclean 
like saturday morning tv in the '60s 
astonishing grandeur 
fully endear itself to american art house audiences 
is a step down 
does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes 
be this good 
the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover . 
heavy with flabby rolls of typical toback machinations 
two towers outdoes its spectacle . 
antic spirits 
mark ms. bullock 's best work 
of slapstick sequences 
imaginable 
is a hilarious adventure 
more trifle than triumph . 
's mission accomplished 
a mediocre tribute to films like them 
unmemorable filler 
well-made entertainment 
what little grace ( rifkin 's ) tale of precarious skid-row dignity achieves 
which are neither original nor are presented in convincing way 
ticket-buyers with great expectations will wind up as glum as mr. de niro . 
is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort 
that accomplishes so much that one viewing ca n't possibly be enough 
but the project surrounding them is distressingly rote 
oozes craft . 
does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds 
where the situations and the dialogue spin hopelessly out of control -- that is to say 
succeeds . 
that offers a thoughtful and rewarding glimpse into the sort of heartache everyone 
well-done supernatural thriller 
the ensemble cast turns in a collectively stellar performance , and the writing is tight and truthful , full of funny situations and honest observations . 
is , we have no idea what in creation is going on . 
vulgar dialogue 
sweet time building 
of the best gay love stories 
a dirty old man 
it never quite makes the grade as tawdry trash . 
no special effects , and 
the real thing 
female friendship that men can embrace 
of emotional desperation 
watching the chemistry between freeman and judd , however , almost makes this movie worth seeing . 
makes sure the salton sea works the way a good noir should , 
a thoroughly entertaining comedy that uses grant 's own twist of acidity to prevent itself from succumbing to its own bathos . 
threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans . 
silly , nickelodeon-esque kiddie flick 
shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans 
several cliched movie structures : the road movie , 
faster , livelier and 
, funny , and even touching 
is well 
its own style 
of nijinsky 
interesting controversy 
incinerates frank capra 's classic 
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama -- but that barely makes it any less entertaining . 
this movie may not have the highest production values you 've ever seen , 
sweet and fluffy 
) are such a companionable couple 
how good 
dull , brain-deadening hangover 
little sticky and unsatisfied 
charisma and 
also a -- dare i say it twice -- 
blushing to gushing -- imamura squirts the screen in ` warm water under a red bridge ' 
eccentrics 
's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug 
anyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a russian rocket should catch this imax offering . 
leaves scant place for the viewer 
even if it made its original release date last fall , it would 've reeked of a been-there , done-that sameness . 
of the victorious revolutionaries 
a positive ( if tragic ) note 
intelligence and originality 
also somewhat touched 
its lackluster gear of emotional blandness 
cradles its characters , veiling tension beneath otherwise tender movements 
opportunity to be truly revelatory about his psyche 
much worse than bland 
took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long . 
overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration 
assured and stylish 
a ragbag of cliches . 
of a picture that was n't all that great to begin with 
as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking 
the soul-searching deliberateness of the film , although leavened nicely with dry absurdist wit , eventually becomes too heavy for the plot . 
rubbish 
even though the film does n't manage to hit all of its marks , it 's still entertaining to watch the target practice . 
a breathtaking adventure 
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard 
wind-in-the-hair exhilarating 
of true inspiration 
a good movie ye who enter here 
a flat , unconvincing drama 
are so hilarious 
great to look at , and funny 
russian ark is a new treasure of the hermitage . 
dread 
may seem disappointing in its generalities 
extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability 
more offended by his lack of faith in his audience 
to its clever what-if concept 
so crazy ! 
relieved that his latest feature , r xmas , marks a modest if encouraging return to form 
make like the title and dodge this one 
a heartwarming , nonjudgmental kind 
a speed that is slow to those of us in middle age 
balances real-time rhythms with propulsive incident 
remarkable and 
warmth and gentle humor 
life affirming 
the whiney characters bugged me 
wilco fans will have a great time , and 
19 stays afloat as decent drama/action flick 
ask for a raise 
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say , 
moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture 
a hard time sitting through this one 
is more accurate than anything i have seen in an american film 
perversity 
does n't have much to say beyond the news 
a knowing sense of humor and a lot of warmth 
rather than real figures , elling and kjell bjarne become symbolic characters whose actions are supposed to relate something about the naïf 's encounter with the world . 
frighten and 
ruin 
intriguing look 
is that it avoids the obvious with humor and lightness 
very handsomely produced 
do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies 
films that leaps over national boundaries and celebrates universal human nature 
a documentary to make the stones weep -- as shameful as it is scary . 
is gratefully received 
's virtually impossible to like any of these despicable characters 
two bodies and hardly a laugh between them 
a bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that french realism 
pays off and 
that the talented cast generally 
you see this film you 'll know too 
every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat . 
the efforts of a first-rate cast 
pleasant tale 
frothy ` date movie ' ... 
laugh-a-minute 
deflated 
nice piece of work . 
trying to be more complex than your average film 
recording 
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score 
's affecting , amusing , sad and reflective 
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so i did n't 
fresh , sometimes funny , 
visually , ` santa clause 2 ' is wondrously creative . 
it 's not scary in the slightest 
than by its funny , moving yarn that holds up well after two decades 
, imaginative kid 's movie 
have an interest in the characters you see 
sheerly cinematic appeal 
the cartoonish clichés and sneering humor 
is hard to resist 
that such a horrible movie could have sprung from such a great one 
parents love to have their kids 
feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema 
perfect festival film 
, simple-minded and stereotypical 
the filmmakers know how to please the eye 
offend everyone 
in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot 
although it includes a fair share of dumb drug jokes and predictable slapstick , `` orange county '' is far funnier than it would seem to have any right to be . 
virtually joyless 
is fluid and quick 
with a searing lead performance 
it 's too harsh to work as a piece of storytelling , but as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- the believer is nothing less than a provocative piece of work . 
feels contrived 
, holds the screen like a true star . 
in a class with spike lee 's masterful 
is actually quite entertaining . 
's definitely an improvement on the first blade 
silly-looking 
a buoyant romantic comedy about friendship , love , and the truth that we 're all in this together . 
altogether darker side 
unrelated 
is really funny 
richer and more observant 
cleverness , wit or 
the director uses the last act to reel in the audience since its poignancy hooks us completely . 
insightful and 
shockingly bad and 
eloquent film 
is painfully formulaic and stilted . 
anyone who wants to start writing screenplays 
cartoonish performance 
the redeeming feature of chan 's films 
takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours 
the violence is at once luridly graphic and laughably unconvincing 
most of the storylines feel like time fillers between surf shots . 
p ) 
the most excruciating 86 minutes one might sit through this summer that do not involve a dentist drill . 
angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence 
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century 
attempts to be grandiloquent , but 
want to see another car chase , explosion or gunfight again 
like horrible poetry 
that sink it faster than a leaky freighter 
gives poor dana carvey nothing 
a quiet family drama with a little bit of romance and a dose of darkness 
benefit 
the populace that made a walk to remember a niche hit 
just too bad the film 's story does not live up to its style 
unique 
in the best irish sense 
amours 
is n't a disaster , exactly , but a very handsomely produced let-down . 
it 's a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions . 
make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life 
at a speed that is slow to those of us in middle age 
intense and effective 
nearly flickering out by its perfunctory conclusion 
not enough of interest onscreen 
a weird , arresting little ride 
dumb , fun , curiously adolescent movie 
ghetto fabulousness 
be with a large dose of painkillers 
has a nearly terminal case of the cutes 
they threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans . 
christian parents 
for all its shoot-outs 
putting together familiar themes of family , forgiveness and love 
empty , fetishistic violence in which murder is casual and fun 
wears its heart 
strenuously unfunny showtime deserves the hook . 
adam sandler 's heart may be in the right place , but he needs to pull his head out of his butt 
it points out how inseparable the two are 
relying on animation or dumb humor 
it 's bedeviled by labored writing and slack direction . 
being earnest '' overcome its weaknesses 
the writing is clever and 
i simply ca n't recommend it enough . 
edit 
should be able to find better entertainment 
the show 's concept 
on the promise of excitement 
is its unforced comedy-drama and its relaxed , natural-seeming actors . 
resorting to camp or parody 
an integrity 
eye-popping 
in its dry and forceful way , it delivers the same message as jiri menzel 's closely watched trains and danis tanovic 's no man 's land . 
in this crass , low-wattage endeavor 
of the most high-concept sci fi adventures attempted for the screen 
boasting some of the most poorly staged and lit action in memory 
the very top rank 
chilly , clinical lab report 
makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
picture-perfect beach 
farcically bawdy fantasy 
with so many bad romances out there , this is the kind of movie that deserves a chance to shine . 
dramatic interest 
ballsy and 
the movie in a superficial way , while never sure what its purpose was 
a unique , well-crafted psychological study 
is fascinating ... 
spain 's greatest star wattage 
wild-and-woolly , wall-to-wall good time 
's surprisingly harmless . 
scope and 
morrissette has performed a difficult task indeed - he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating 
this cloying , voices-from-the-other-side story is hell . 
zoom ! 
it 's not just the vampires that are damned in queen of the damned 
whiny , pathetic , starving and untalented artistes 
compelling mix 
in a movie that is definitely meaningless , vapid and devoid of substance 
's a square , sentimental drama that satisfies , as comfort food often can . 
it is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it . 
has a number of other assets to commend it to movie audiences both innocent and jaded . 
hong kong master john woo 
poo 
rare sequel 
tepid and 
well paced and satisfying little drama 
of biting the hand that has finally , to some extent , warmed up to him 
dripping with cliche and bypassing no opportunity to trivialize the material . 
easy to watch 
more likely 
not at all clear what it 's trying to say and even if it were -- i doubt it would be all that interesting . 
precise 
the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside . 
hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks 
probes in a light-hearted way the romantic problems 
thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd 
, he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift . 
with flailing bodily movements 
spontaneous 
feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story 
has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler . 
highlight reel 
a well-done film of a self-reflexive , philosophical nature 
tells this very compelling tale with little fuss or noise , 
brilliant piece 
the final product is a ghost 
) comes off like a hallmark commercial 
devastating testimony 
plodding , poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo . 
excellent performances 
a gorgeously strange movie , heaven 
getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good 
resembles the el cheapo margaritas served within . 
it is repetitious 
've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world 
it 's compelling 
, heart-felt drama 
purr 
at leading lives of sexy intrigue 
like a film that strays past the two and a half mark 
'd rather watch them on the animal planet 
could this be the first major studio production shot on video tape instead of film ? 
an epic four-hour indian musical 
become comparatively sane and healthy 
, one could rent the original and get the same love story and parable . 
an overstylized , puréed mélange 
showtime deserves the hook . 
of an energetic , extreme-sports adventure 
barney 's 
cranked out on an assembly line 
is funny , 
is blazingly alive and admirable on many levels 
crack a smile 
would seem to be surefire casting . 
sights 
there 's a reason why halftime is only fifteen minutes long . 
ignore but a little too smugly superior to like 
care less 
perform 
it even uses a totally unnecessary prologue , just because it seems obligatory 
smart , savvy , compelling 
hated 
builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption 
superficiality 
skirts around any scenes that might have required genuine acting from ms. spears 
bad ideas and awkwardness 
a career-defining revelation 
an inarticulate screenplay 
cohesive 
just about the surest bet for an all-around good time at the movies this summer 
thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
too clumsy 
better than inconsequential 
going for it other than its exploitive array of obligatory cheap 
so mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies are concerned . 
humbuggery 
, the stories are quietly moving . 
a teenybopper ed wood film , 
sit through this summer that do not involve a dentist drill 
are so generic 
cultural and economic subtext 
... a triumph of emotionally and narratively complex filmmaking . 
pretends to expose the life of male hustlers 
is strong as always 
truly larger-than-life character 
is a goofball movie , in the way that malkovich was 
it 's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties . 
dramatize life 's messiness 
distractions 
over every cheap trick in the book trying to make the outrage 
its elegantly colorful look 
guilty about it 
'll probably run out screaming . 
might imagine that most every aggrieved father cliché has been unturned 
classic movie franchise 
deepa mehta provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world . 
is all but useless 
a bit too much like an infomercial for ram dass 's latest book aimed at the boomer demographic 
precarious 
grey zone 
which gives you an idea just how bad it was 
ultimately , in the history of the academy , people may be wondering what all that jazz was about `` chicago '' in 2002 . 
martin lawrence live ' is so self-pitying 
if it 's unnerving suspense you 're after -- you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for 
too predictable and far too cliched 
chelsea hotel 
is no doubt true , but serves as a rather thin moral to such a knowing fable 
, like me , think an action film disguised as a war tribute is disgusting to begin with 
90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed 
duvall 's throbbing sincerity 
making this queen a thoroughly modern maiden 
misguided project 
a transparently hypocritical work 
are more compelling than the execution 
share no chemistry or engaging charisma 
tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ... 
well-worn situations 
begging for attention , 
goes further 
to make us care about zelda 's ultimate fate 
works as a treatise on spirituality as well as a solid sci-fi thriller 
, ingenious 
's hard to shake the feeling that it was intended to be a different kind of film . 
believing in something does matter 
a film about the irksome , tiresome nature of complacency 
so stunning 
elaborate and twisted characters 
by an esteemed writer-actor 
one of the finest films of the year 
, difficult and sad 
the author 's devotees will probably find it fascinating ; 
like a film so cold and dead 
von sydow ... 
artistry 
earnest and heartfelt 
howard and his co-stars all give committed performances , 
inspiring hope 
bring new energy 
to liven things up 
block 
pairing clayburgh and tambor 
one of the great submarine stories 
is delightful in the central role 
develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide 
is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 
by numbers , and as easy to be bored by as your abc 's , 
all the sensuality , all the eroticism of a good vampire tale 
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination 
what once was conviction 
a corny examination of a young actress trying to find her way 
taken quite a nosedive from alfred hitchcock 's imaginative flight 
takes a surprising , subtle turn at the midway point . 
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces 
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that 
wo n't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , 
, then they works spectacularly well ... a shiver-inducing , nerve-rattling ride . 
maybe he was reading the minds of the audience . 
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film 
their lack 
contemplative , and sublimely beautiful 
those rare films that come by once in a while with flawless amounts of acting , direction , story and pace 
appreciates 
a joyous occasion 
think you have figured out the con and the players in this debut film by argentine director fabian bielinsky , but while you were thinking someone made off with your wallet 
touching , raucously amusing , uncomfortable , and , yes , 
great artistic significance 
these people mattered 
a bit of a downer and a little over-dramatic at times , but 
an impressive and highly entertaining celebration of its sounds 
is n't embarrassed to make you reach for the tissues 
another new film emerges with yet another remarkable yet shockingly little-known perspective . 
it 's a pretty listless collection of kid-movie clichés . 
truly edgy -- 
directs one of the best ensemble casts of the year 
strip 
suffered and bled 
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie , 
a kind of ghandi gone bad 
set the cause of woman warriors back decades 
misguided acts of affection 
would quickly change the channel 
how this one escaped the lifetime network i 'll never know . 
are funny . 
retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
appropriately cynical social commentary aside 
's work as well as a remarkably faithful one . 
most damning censure 
dylan thomas alive to witness first-time director 
old disease-of-the-week small-screen melodramas 
the journey to the secret 's eventual discovery is a separate adventure , 
heavyweights joel silver and robert zemeckis 
reflected in almost every scene 
jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set . 
the movie is amateurish 
fortify this turgid fable 
, the attention process tends to do a little fleeing of its own . 
most hollywood romantic comedies 
skill and determination 
the pre-teen crowd 
humor and poignancy 
has settled for a lugubrious romance 
enter the fist is hilarious 
an astonishingly condescending attitude toward women 
rife with nutty cliches and far too much dialogue 
quick-witted than any english lit 
of those rare pictures 
redeeming feature 
-- full of life and small delights -- 
such a perfect medium for children 
a treasure chest 
mishandle the story 's promising premise of a physician who needs to heal himself . 
's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score 
are powerful and moving without stooping to base melodrama 
it 's a spectacular performance - ahem , we hope it 's only acting . 
when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers 
it has fun with the quirks of family life , but 
very amusing 
a heartening tale of small victories and enduring hope . 
him to churn out one mediocre movie after another 
a life like this can sound so dull 
as comfort food often can 
to just die already 
vibrantly 
, this does not really make the case the kissinger should be tried as a war criminal . 
it 's never laugh-out-loud funny , but it is frequently amusing . 
the hypnotic imagery and fragmentary tale explore the connections between place and personal identity . 
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking . 
often touching 
too bad maggio could n't come up with a better script . 
the charisma of a young woman who knows how to hold the screen 
just another voyeuristic spectacle 
munch 's screenplay is tenderly observant of his characters . 
played game of absurd plot twists , idiotic court maneuvers and stupid characters 
have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film 
an awful lot like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it . 
blacked out in the lobby 
downright movie penance 
like you were n't invited to the party 
honesty , insight and humor 
their computer-animated faces 
it 's an effort to watch this movie 
where tom green stages his gags as assaults on america 's knee-jerk moral sanctimony , jackass lacks aspirations of social upheaval . 
puts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman 
by extension , accomplishments 
gender politics 
gorgeous beaches 
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights 
( jeff 's ) gorgeous , fluid compositions 
makes sure the salton sea works the way a good noir should 
comes alive 
13 conversations about one thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling . 
, paralyzed 
are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field 
stands as one of the great films about movie love . 
deliver a fair bit of vampire fun 
the actors involved in the enterprise 
always has been remarkable about clung-to traditions 
in suspense , surprise and consistent emotional conviction 
i 'm not sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche . 
a fascinating examination of the joyous , turbulent self-discovery 
delighted 
predictable and cloying 
to make the stones weep -- as shameful as it 
thanks to huston 's revelatory performance 
is entry number twenty the worst of the brosnan bunch 
my little eye is the best little `` horror '' movie i 've seen in years . 
like one long 
energy 
beautifully crafted and cooly unsettling ... recreates the atmosphere of the crime expertly . 
cheated 
irritating films 
stopped challenging himself 
the four feathers is definitely horse feathers , but 
an unabashedly romantic picture 
play fine 
that 's not saying much 
sleazy 
a homage 
the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year 
i like it . 
forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies 
nervy and memorable 
photographed and beautifully recorded 
ace 
tired retread 
never takes hold . 
is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood 
ill-wrought hypothesis 
ararat far more demanding than it needs to be 
take any 12-year-old boy to see this picture , and he 'll be your slave for a year . 
so that it certainly does n't feel like a film that strays past the two and a half mark 
original talent 
was beginning to hate it 
not too fancy , not too filling , not too fluffy , but definitely tasty and sweet . 
has a handful of smart jokes 
ca n't get sufficient distance from leroy 's 
are woven together skilfully 
barry convinces us he 's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful . 
is too picture postcard perfect , too neat and new pin-like , 
... with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself . 
your own cleverness 
disoriented but occasionally 
voice is rather unexceptional 
a really cool bit 
reach satisfying conclusions 
director marcus adams just copies from various sources -- good sources , bad mixture 
a beautiful film for people who like their romances to have that french realism 
refreshingly , 
nearly every cliché 
something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance 
manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy 
pretentious in a way that verges on the amateurish 
speaks more of the season than the picture 
the type of film about growing up that we do n't see often enough these days : 
cleaner , and deeper 
a lot of people wasted a lot of their time ( including mine ) on something very inconsequential . 
chris rock , ' ` anthony hopkins ' and ` terrorists 
loud , low-budget and tired formula film 
's weird , wonderful , and not necessarily for kids 
see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion . 
is a brilliant movie 
is that the movie has no idea of it is serious or not . 
of time , money and celluloid 
because the consciously dumbed-down approach wears thin 
be depressing , 
is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything . 
into a 90-minute movie that feels five hours long 
with such confidence 
that , in itself , is extraordinary . 
starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points 
the enigmatic mika and anna mouglalis 
coheres into a sane and breathtakingly creative film 
some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care 
uses some of the figures from the real-life story to portray themselves in the film . 
a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults 
own brightly colored dreams 
of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure 
is a crime that should be punishable by chainsaw 
's a satisfying summer blockbuster and worth a look . 
the downward spiral 
, they succeed 
, directors dean deblois and chris sanders valiantly keep punching up the mix . 
... `` bowling for columbine '' remains a disquieting and thought-provoking film ... 
indispensable 
invincible shows he 's back in form , with an astoundingly rich film . 
a heavy stench of ` been there , done 
midlife crisis 
brims with passion : for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life . 
from one of french cinema 's master craftsmen 
` it 's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists . 
extremely languorous rhythms 
as it provides a fresh view of an old type 
as a bitter pill 
even if you 're an elvis person , you wo n't find anything to get excited about on this dvd . 
episode ii -- attack of the clones is a technological exercise that lacks juice and delight 
the mediterranean sparkles 
does a good job 
seems to take an unseemly pleasure in ( the characters ' ) misery and at the same time to congratulate himself for having the guts to confront it 
for lameness 
have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
... while each moment of this broken character study is rich in emotional texture , the journey does n't really go anywhere . 
the film knows what 's unique and quirky about canadians 
truly in love with a girl 
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. 
comedy only half as clever as it thinks it is 
the origins 
something of a stiff -- 
a disaster of a story 
disappoint the action 
wo n't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , have a whale of a good time . 
's really wrong with this ricture 
worthy and devastating 
the same blueprint 
never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future . 
impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an american-russian armageddon 
an awkwardly contrived exercise in magic realism 
with unimpeachable clarity 
too is a bomb . 
kong action 
a walk to remember '' 
superficially written 
rush to the theater for this one 
compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people 
much of a plunge 
` hip ' , ` innovative ' and ` realistic ' 
you 've seen it all before 
seems just as expectant of an adoring , wide-smiling reception 
the slapstick is labored , 
frequently misses the mark 
congrats disney on a job well done , i enjoyed it just as much ! 
... another example of how sandler is losing his touch . 
of visual flair 
superb 
us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them 
, to find a place among the studio 's animated classics 
their lofty perch 
showdown 
quirky characters and an engaging story 
alfred hitchcock 's thrillers , 
goes right over the edge and kills every sense of believability 
what 's nice is that there 's a casual intelligence that permeates the script . 
comic touch 
has little clue 
meandering , low on energy , and 
gives her best 
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline that i have n't encountered since at least pete 's dragon . 
like being trapped at a bad rock concert 
forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting 
enticing prospect 
swung me around 
for most of the movie 's success 
essentially ruined -- 
treats us 
remarkable ensemble cast 
i do n't blame eddie murphy but should n't 
be another shameless attempt by disney to rake in dough from baby boomer families 
in the dullest kiddie flicks 
interesting cinematic devices ( cool visual backmasking ) , 
at best , i 'm afraid . 
's , it 's simply unbearable 
lucratively 
an engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line . 
are a little too big for her mouth 
dramatically forceful , and beautifully shot 
between them , de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season . 
intended for the home video market 
'' manages to do all three quite well , making it one of the year 's most enjoyable releases 
works well enough to make it worth watching 
it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess . 
the best , most 
the self-image of drooling idiots 
toilet-humor codswallop 
combined with the misconceived final 5 
for those who like quirky , slightly strange french films 
hold dear about cinema 
while broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture , it succeeds as a powerful look at a failure of our justice system . 
have taken an small slice of history and opened it up for all of us to understand 
the viewers will feel they suffer the same fate 
a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
... a powerful sequel and one of the best films of the year . 
a film that 's flawed and brilliant in equal measure . 
if you 're burnt out on it 's a wonderful life marathons and bored with a christmas carol , it might just be the movie you 're looking for . 
wonderfully loopy 
loud , ugly , irritating 
resorting to camp 
so bland and 
care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
funny pace 
, it 's a pale imitation . 
will most likely doze off during this one . 
an exceptionally dreary and overwrought bit of work 
stop-and-start pacing 
sucked . 
logic and misuse 
you have to check your brain at the door 
, timeless and universal tale 
ruined his career 
the pool drowned me in boredom . 
it 's what makes their project so interesting 
good thriller . 
little more than a particularly slanted , gay s/m fantasy , 
good fun , good action , good acting , good dialogue , good pace , good cinematography . 
rescue brown sugar from the curse of blandness 
provocative 
love , memory , history 
's thoroughly winning tone 
as saccharine movies go 
comforting 
seems based on ugly ideas instead of ugly behavior , as happiness was 
is a stunning film , a one-of-a-kind tour de force 
to believe in your dreams 
he is n't talking a talk that appeals to me 
only self-aware neurotics engage in 
contriving 
for a silly hack-and-slash flick 
of education 
provide an intense experience when splashed across the immense imax screen 
it 's still quite worth seeing 
's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest 
a well-written and occasionally challenging social drama that actually has something interesting to say 
finds its humor 
walter hill 's undisputed is like a 1940s warner bros. . 
the perfect star vehicle for grant 
as telling a country skunk 
the perfect movie many have made it out to be 
, sometimes funny 
contribute to a mood that 's sustained through the surprisingly somber conclusion . 
a dull , inconsistent , dishonest female bonding 
offers all the pleasure of a handsome and well-made entertainment . 
a perfectly pleasant if slightly pokey comedy . 
long , intricate , star-studded and visually flashy 
the story passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge . 
intelligence , wit or innovation 
though its story is only surface deep 
exceptionally dreary and overwrought bit 
burning 
its clever concept 
like a rejected x-files episode than a credible account of a puzzling real-life happening 
well-mounted history lesson 
the komediant is a tale worth catching . 
is what we call the ` wow ' factor . 
may be based on a true and historically significant story 
so muddled and derivative that few will bother thinking it all through 
the plot and a powerfully evocative mood 
the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans 
to keep grown-ups from squirming in their seats 
is to imply terror by suggestion , rather than the overuse of special effects . 
's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth 
the result is a powerful , naturally dramatic piece of low-budget filmmaking . 
is so intent on hammering home his message that he forgets to make it entertaining 
a very tasteful rock and 
poor remake 
brought off with considerable wit 
its weaknesses 
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and the large cast is solid . 
non-stop funny feast 
with this silly little puddle of a movie 
's uninteresting . 
a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop 
crummy 
destroy is also a creative urge 
has been held hostage by generic scripts that seek to remake sleepless in seattle again and again 
's a part of us that can not help be entertained by the sight of someone getting away with something 
there is a certain sense of experimentation and improvisation to this film that may not always work , 
's not too fast and not too slow . 
lucky break is ( cattaneo ) sophomore slump . 
pilot episode 
evokes the frustration , the awkwardness and the euphoria of growing up 
, eventually the content is n't nearly as captivating as the rowdy participants think it is . 
the film sounds like the stuff of lurid melodrama , but 
already littered with celluloid garbage 
the script by david koepp is perfectly serviceable and because he gives the story some soul ... 
scrutiny 
on the party favors to sober us up with the transparent attempts at moralizing 
give i am trying to break your heart an attraction it desperately needed . 
an imaginatively mixed cast 
the full ticket price to see `` simone , '' and consider a dvd rental instead 
to look american angst in the eye and end up laughing 
did n't smile . 
satisfy 
the story is far-flung , illogical , and plain stupid . 
at a tough-man contest 
be sealed in a jar and left on a remote shelf indefinitely 
infantile cross-dressing routines 
plays like the old disease-of-the-week small-screen melodramas . 
'll only put you to sleep . 
cold light 
based on dave barry 's popular book of the same name , the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story . 
is what it is -- a nice , harmless date film 
more than that , it 's an observant , unfussily poetic meditation about identity and alienation . 
a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team 
, the trip there is a great deal of fun . 
be fondly remembered in the endlessly challenging maze of moviegoing 
funny situations 
as those monologues stretch on and on 
is a career-defining revelation 
is a mere plot pawn for two directors with far less endearing disabilities 
make green dragon seem more like medicine than entertainment . 
and sickening product placement 
of the startling intimacy 
yet another entry in the sentimental oh-those-wacky-brits genre that was ushered in by the full monty and is still straining to produce another smash hit . 
a cinematic year already littered with celluloid garbage 
enigma offers all the pleasure of a handsome and well-made entertainment . 
listless and desultory 
a surprisingly faithful remake of its chilly predecessor 
poor casting 
a tour de force of modern cinema . 
underrated professionals 
of elegant wit and artifice 
's horribly depressing and not very well done . 
the master of disguise falls under the category of ` should have been a sketch on saturday night live . ' 
farts , urine 
're merely signposts marking the slow , lingering death of imagination . 
while i ca n't say it 's on par with the first one , stuart little 2 is a light , fun cheese puff of a movie . 
left us cold 
refreshed 
lifeless execution . 
evokes the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
an art film 
echoes 
including a knockout of a closing line 
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man 
a harrowing account 
predictably 
bland , surfacey 
admire this film for its harsh objectivity and refusal to seek our tears , our sympathies 
belongs to the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public 
what 's infuriating about full frontal 
the buoyant energy level 
think that 's what i liked about it -- the real issues tucked between the silly and crude storyline 
when various characters express their quirky inner selves 
few will argue that it ranks with the best of herzog 's works 
that 's not the least bit romantic and only mildly funny 
to cram earplugs 
, it may rate as the most magical and most fun family fare of this or any recent holiday season . 
's funny and human and really pretty damned wonderful , all at once . 
you wanting to abandon the theater 
can write and deliver a one liner as well as anybody . 
as perfect as his outstanding performance as bond in die 
blob 
its awkward structure 
excuse to eat popcorn 
the plot remains as guarded as a virgin with a chastity belt 
over the head with a moral 
are actually releasing it into theaters 
castrated 
are included 
entering 
-- you 'll love this movie . 
it has its faults , but 
brings a youthful , out-to-change-the-world aggressiveness 
quirkily appealing minor movie 
hitchcock 's 
media-soaked 
a hands-off approach 
its most delightful moments 
daring and beautifully made . 
lost on the target audience 
hopelessly out 
far from disappointing 
suck up 
's not one decent performance from the cast and not one clever line of dialogue 
are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty 
to seek our tears , our sympathies 
- hour , dissipated length . 
photographed and beautifully recorded . 
be the most oddly honest hollywood document of all 
of its broad racial insensitivity towards african-americans 
falls short 
collateral damage is trash , but it earns extra points by acting as if it were n't . 
will probably 
is as deep as a petri dish and as well-characterized as a telephone book but still 
uplifting 
too placid 
shows crushingly little curiosity about , 
if the filmmakers come up with nothing original in the way of slapstick sequences 
in its treatment of the dehumanizing and ego-destroying process of unemployment , time out offers an exploration that is more accurate than anything i have seen in an american film . 
one big blustery movie where nothing really happens . 
will leave you with a smile on your face and a grumble in your stomach 
is marvelous 
hoary dialogue , fluxing accents 
some of the more overtly silly dialogue 
the mushy finale turns john q into a movie-of-the-week tearjerker . 
look ahead and resist living in a past 
the complex , politically charged tapestry of contemporary chinese life this exciting new filmmaker has brought to the screen is like nothing we westerners have seen before . 
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit 
crafted , and well 
highly entertaining , self-aggrandizing , politically motivated documentary-making 
a reminder of how they used to make movies , but also how they sometimes still can be made 
the exploitative , clumsily staged violence overshadows everything , including most of the actors . 
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ; 
the perfect cure for insomnia 
almost do n't notice the 129-minute running time 
reason to miss interview with the assassin 
is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale 
horns and halos benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth . 
's lacking a depth in storytelling usually found in anime like this 
on a potentially interesting idea 
runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem . 
just as many scenes that are lean and tough enough to fit in any modern action movie 
after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
's fairly lame , making it par for the course for disney sequels 
real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
we 're wrapped up in the characters , how they make their choices , and why 
made to air on pay cable to offer some modest amusements when one has nothing else to watch . 
feel like the longest 90 minutes of your movie-going life 
its best moments 
a disappointingly thin slice 
a pointed , often tender , examination of the pros and cons of unconditional love and familial duties . 
is not 
refreshing 
go from stark desert to gorgeous beaches . 
the most disappointing woody allen movie 
garth ' has n't progressed as nicely as ` wayne . ' 
the website feardotcom.com or the improperly hammy performance from poor stephen rea 
creative action 
in praise of love lacks even the most fragmented charms i have found in almost all of his previous works . 
delivers 
humor and humanity 
enthralling drama 
gorgeous and 
to trivialize the material 
resist 
, the new star wars installment has n't escaped the rut dug by the last one . 
the gentle comic treatment of adolescent sturm und drang should please fans of chris fuhrman 's posthumously published cult novel . 
a stately sense 
that hitler 's destiny was shaped by the most random of chances 
claustrophic , suffocating and chilly 
warmth to go around , with music and laughter 
the performances are remarkable . 
that it makes my big fat greek wedding look like an apartheid drama 
looked like crap , so crap is what i was expecting . 
tolerable-to-adults lark of a movie 
skeeved 
one bright shining star 
is doa . 
this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged makes no difference in the least . 
full of flatulence jokes and mild sexual references , kung pow 
all things insipid 
compellingly tap into a spiritual aspect of their characters ' suffering 
heartwarming film 
iconoclastic uses 
the novel 
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but it is . 
on an intoxicating show 
the acting ranges from bad to bodacious 
grandiloquent 
one man 's downfall , brought about by his lack of self-awareness 
powerful and reasonably fulfilling gestalt 
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent , but as is , personal velocity seems to be idling in neutral . 
more intellectually scary than dramatically involving . 
wonderful tale 
uncompelling the movie 
an interesting exercise by talented writer/director anderson 
near-masterpiece . 
in manhattan , jennifer lopez 's most aggressive and most sincere attempt 
dismay 
a fascinating case study of flower-power liberation -- and the price that was paid for it . 
, that 'll be much funnier than anything in the film ... 
who welcomes a dash of the avant-garde fused with their humor 
the book 's irreverent energy 
a gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable . 
uniquely felt with a sardonic jolt 
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her 
( than leon ) 
provides the forgettable pleasures of a saturday matinee 
its intended audience -- children -- 
the film is a hilarious adventure and i shamelessly enjoyed it 
be forgettable if it were n't such a clever adaptation of the bard 's tragic play 
ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album 
how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were 
enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor 
like you 've seen a movie instead of an endless trailer 
fuzziness 
plain lurid 
very believable 
a sleep-inducing thriller with a single twist that everyone except the characters in it can see coming a mile away . 
her tragedies 
waking coma 
terrific computer graphics , inventive action sequences 
they will have a showdown , but , 
a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films 
giving it a strong thumbs up 
no satisfaction 
the tear-jerking demands 
is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves 
like acid 
shallow and glib 
by turns very dark and very funny 
this movie is so bad , that it 's almost worth seeing because it 's so bad . 
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and 
a different and emotionally reserved type 
engaging criminal 
groundbreaking endeavor 
enough to keep you interested without coming close to bowling you over . 
is really all about performances 
the emotion is impressively true for being so hot-blooded , 
the baseball-playing monkey 
as stiff , ponderous and charmless 
's pretty stupid . 
of the worst dialogue 
no amount of imagination , 
go to the u.n. and ask permission for a preemptive strike 
its chosen topic 
vivid imagination 
one terrific score 
rah-rah 
brutally honest 
the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious 
too few laughs 
thoughtless , random , superficial humor and 
oddly whimsical 
freshman fluke 
as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy 
seemingly 
ramsay is clearly extraordinarily talented , and 
dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles 
to add beyond the dark visions already relayed by superb 
more repetition than creativity 
designed to fill time , providing no real sense of suspense 
flimsier with its many out-sized , out of character and logically porous action set 
was essentially , 
anything fresh 
the film is bright and flashy in all the right ways . 
the art direction and costumes are gorgeous and finely detailed , and kurys ' direction is clever and insightful 
penetrating 
as intelligent 
the emotions seem authentic 
sexy and 
the hype , the celebrity , the high life , the conspiracies and the mystery 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags 
a solid movie 
the worthy successor 
captivates as it shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper . 
of the best films 
wit and warmth 
rife with nutty cliches and far too much dialogue . 
its low groan-to-guffaw ratio 
difficult , endless 
, super troopers suffers because it does n't have enough vices to merit its 103-minute length . 
a simpler , leaner treatment would have been preferable ; after all , being about nothing is sometimes funnier than being about something . 
at one man 's occupational angst and its subsequent reinvention , a terrifying study of bourgeois 
does a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue 
good actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat . 
will be put to sleep or bewildered by the artsy and often pointless visuals . 
a loose , poorly structured film 
faithful without being forceful , sad without being shrill , `` a walk to remember '' succeeds through sincerity . 
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and it implies in its wake the intractable , irreversible flow of history 
juicy soap opera 
a charming but slight comedy . 
you see it in these harrowing surf shots 
the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts 
whole stretches of the film may be incomprehensible to moviegoers not already clad in basic black . 
, however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking . 
to this film that may not always work 
a remarkable amount of material in the film 's short 90 minutes 
admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint 
might have been called freddy gets molested by a dog 
only a document of the worst possibilities of mankind 
's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers . 
rank frustration from those 
gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill 
is filled with strange and wonderful creatures . 
the whole thing feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas . 
failed jokes , twitchy acting 
this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture . 
is that rare animal known as ' a perfect family film , 
one hopes mr. plympton will find room for one more member of his little band , a professional screenwriter . 
structured and 
's hard to quibble with a flick boasting this many genuine cackles 
angel 
just another run-of-the-mill disney sequel intended for the home video market 
the power of the huston performance , which seems so larger than life and yet so fragile 
lacks in outright newness 
interview '' loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into . 
rich detail condensed 
just different bodies for sharp objects to rip through 
does n't have a single surprise up its sleeve . 
janey 
more tacky and reprehensible 
a great performance and a reminder of dickens ' grandeur 
the cockettes ) provides a window into a subculture hell-bent on expressing itself in every way imaginable . ' 
as a good old-fashioned adventure for kids , spirit 
enormously good 
but one relentlessly depressing situation after another for its entire running time 
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters 
offers piercing domestic drama with spikes of sly humor 
hollywood war-movie stuff 
, like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit . 
wafer-thin movie 
seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
establishes itself as a durable part of the movie landscape : a james bond series for kids 
that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire 
that gives viewers a chance to learn , to grow , to travel 
understated performances of ( jack nicholson 's ) career . 
that i 'll never listen to marvin gaye or the supremes the same way again 
true to its title , it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at . 
poignant and wryly amusing film 
the historical , philosophical , and 
miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life 
rubbo 's dumbed-down tactics 
much sucks , but has a funny moment or two . 
eerily convincing as this bland blank of a man with unimaginable demons 
patchy combination of soap opera , 
these self-styled athletes have banged their brains into the ground so frequently and 
be forewarned , if you 're depressed about anything before watching this film 
the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes 
a sharp satire of desperation and cinematic deception . 
the wild thornberrys movie is pleasant enough and 
his surprising discovery 
children 
served up with heart and humor 
bring their characters to life 
, poetic , earnest and -- sadly -- dull 
works its way up to merely bad rather than painfully awful 
an awfully good , achingly human picture . 
take on the upscale lifestyle 
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation 
so insanely stupid , so awful 
coma 
guilty-pleasure , daytime-drama sort 
is still able to create an engaging story that keeps you guessing at almost every turn 
takes a hat-in-hand approach 
always the prettiest pictures that tell the best story 
i 'm not , and then i realized that i just did n't care 
captures a life interestingly lived 
has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out 
and it is . 
most uncanny 
, you 'd grab your kids and run and then probably call the police . 
emotionally and narratively complex filmmaking 
tender sermon 
we had no trouble sitting for blade ii . 
secondhand , 
one could rent the original and get the same love story and parable . 
to the edge of your seat , tense with suspense 
overcoming-obstacles sports-movie triumph 
'm sure the filmmaker would disagree , but , honestly , i do n't see the point . 
have been lost in the translation 
, dramatized pbs program 
i know i should n't have laughed , but 
abject suffering 
a comedian who starts off promisingly but then proceeds to flop 
's not that funny -- 
retains an extraordinary faith in the ability of images to communicate the truth of the world around him 
the visuals , even erotically frank ones , become dullingly repetitive 
is fiercely intelligent and uncommonly ambitious 
skip the film and 
compels 
rich historical subject 
put up with 146 minutes of it 
sitting through this sloppy , made-for-movie comedy special 
finds warmth 
, funny 
love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots 
liking showgirls 
a film , and such a stultifying , 
bad film 
under cars 
susceptible to blue hilarity , step right up 
the best performance from either in years 
a terribly obvious melodrama and rough-hewn vanity project 
mushy as peas 
undercut by the voice of the star of road trip 
right through the ranks of the players -- on-camera and off -- that he brings together 
a slow-moving police-procedural thriller that takes its title all too literally . 
fantasies 
the ranks 
survive a screening with little harm done 
may not have the highest production values you 've ever seen 
, the film settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion . 
sit through -- despite some first-rate performances by its lead 
a refreshingly smart and newfangled variation 
if they broke out into elaborate choreography , singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn . 
yeah 
been done before but never so vividly or 
the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie . 
with fantasies , daydreams , memories and one fantastic visual trope 
really does feel like a short stretched out to feature length . 
ploddingly sociological commentary 
is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort 
just does n't make sense 
myself powerfully drawn toward the light -- the light of the exit sign 
the highest production values you 've ever seen 
exuberance 
is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham . 
naïveté and arbitrary flashbacks 
will forgive the flaws and love the film . 
a stale , overused cocktail using the same olives since 1962 as garnish 
the story relevant in the first place 
heart or conservative 
unfortunately , is a little too in love with its own cuteness 
careless 
nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding 
paper-thin and decidedly unoriginal 
obvious , obnoxious and didactic burlesque . 
see `` blue crush '' is the phenomenal , water-born cinematography by david hennings 
that rohmer still has a sense of his audience 
lightweight 
works superbly here 
period-perfect 
an uncomfortable movie 
crimes 
constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human . 
it 's more enjoyable than i expected , though , 
a rock-solid little genre picture 
an inquisitiveness reminiscent of truffaut 
deliciously 
bring off 
have given it a one-star rating 
she 's a pretty woman , but she 's no working girl 
mr. deeds is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor . 
... you can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already . 
you have to give the audience a reason to want to put for that effort 
a film so cold and dead 
its director 's cut glory 
suspense , surprise and consistent emotional conviction 
directs , ideally capturing the opera 's drama and lyricism 
seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry 
if it 's not entirely memorable , the movie is certainly easy to watch . 
able to provide insight into a fascinating part of theater history 
the following things are not at all entertaining 
to create images you wish you had n't seen 
excels because , unlike so many other hollywood movies of its ilk , it offers hope . 
burnt-out 
with talent 
rush through 
it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen 
recite bland police procedural details , fiennes wanders around in an attempt 
keeps you 
that rare family movie -- 
have you at the edge of your seat for long stretches 
rarely have i seen a film so willing to champion the fallibility of the human heart . 
hoary dialogue , 
oscar-sweeping 
deviously adopts the guise of a modern motion picture 
be disappointed 
starts as a tart little lemon drop of a movie 
every visual joke is milked , every set-up obvious and lengthy , every punchline predictable 
deal funnier 
the first one charming 
uplifter . 
so familiar you might as well be watching a rerun 
did n't know what kind of movie they were making 
the performances are so overstated 
cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels 
without ( de niro ) , city by the sea would slip under the waves . 
can be fertile sources of humor 
a caper that 's neither original nor terribly funny 
death to smoochy is often very funny , but what 's even more remarkable is the integrity of devito 's misanthropic vision . 
no one involved , save dash , shows the slightest aptitude for acting , and 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant entertainment . 
that might be best forgotten 
rises in its courageousness , and comedic employment . 
leave us stranded with nothing more than our lesser appetites . 
sick and 
its screenplay serves as auto-critique , and its clumsiness as its own most damning censure . 
... an interesting slice of history . 
is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up . 
( ferrera ) 
it 's far from a frothy piece , and the characters are complex , laden with plenty of baggage and tinged with tragic undertones . 
unusual power 
shimmeringly lovely 
wallace is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams . 
are we dealing with dreams , visions or being told what actually happened as if it were the third ending of clue ? 
wears thin 
be captivated , 
in remembrance 
the connected stories of breitbart and hanussen are actually fascinating 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and 
so sketchy it amounts to little more than preliminary notes for a science-fiction horror film 
better acting and a hilarious kenneth branagh 
keep this fresh 
reasonably creative eighth-grader 
the movie 's wildly careening tone and an extremely flat lead performance 
it 's an entertaining movie , and 
, it can seem tiresomely simpleminded . 
logic and misuse of two fine actors , morgan freeman and ashley judd 
that shockingly manages to be even worse than its title 
unlikable , uninteresting , 
the plot is paper-thin 
creepiness 
is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness . 
is just sooooo tired . 
looks closely , insightfully 
the lead actors share no chemistry or engaging charisma . 
modestly surprising 
a lot of flavor and spice 
`` analyze that '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original . 
stands out 
phoned-in business 
of the funniest motion 
evolves 
a work of extraordinary journalism , 
the half-lit , sometimes creepy intimacy 
helped change a nation 
pap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of god in the fifth trek flick . 
get the same love story and parable 
exactly how bad 
in crisis 
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers -- it 's a spirited film and a must-see 
a guilt-free trip 
like the wanderers and a bronx tale 
overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama 
meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen 
unblinking work 
her character become a caricature -- not even with that radioactive hair 
( a ) wonderfully loopy tale of love , longing , and voting . 
instantly forgettable and thoroughly dull 
emerges in the front ranks of china 's now numerous , world-renowned filmmakers . 
part of that delicate canon 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , 
one terrific story 
the story is predictable 
more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run 
a movie you can trust 
it had been only half-an-hour long or a tv special 
, besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching . 
the home alone formula 
is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings 
horrid 
shallow and immature character 
the best 
real masterpiece 
good little movie 
exceedingly rare 
comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness . 
professionals 
of the best rock 
, has stopped challenging himself 
more than a worthwhile effort 
ms. bullock 's best work 
's a pretty listless collection of kid-movie clichés 
abandon 
is great fun , full of the kind of energy it 's documenting 
to be that rarity among sequels 
of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
a fresh , entertaining comedy that 
competent , unpretentious 
really solid 
an undeniably moving film to experience , 
been there done that . 
designed to make you feel guilty about ignoring what the filmmakers clearly believe 
a deftly entertaining film , smartly played and smartly directed . 
itself , a playful spirit 
one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt 
real pleasure in its laid-back way 
recommend 
makes two hours feel like four 
, the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes . 
takes hold . 
a giant commercial for universal studios , where much of the action takes place 
the acting , for the most part 
's one of the few ` cool ' actors who never seems aware of his own coolness 
that 's a liability . 
which is often preachy and poorly acted 
when your subject is illusion versus reality , should n't the reality seem at least passably real ? 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , 
melancholic 
funny in a sick , twisted sort of way 
as well its delightful cast 
is the far superior film 
modernize it with encomia 
has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net 
if you liked the previous movies in the series 
this misty-eyed southern nostalgia piece , in treading the line between sappy and sanguine 
the saturday morning cartoons 
flourishes and 
bounces 
one of the most exciting action films to come out of china in recent years 
new york 's finest 
cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and pulchritude . 
swims away with the sleeper movie of the summer award 
how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? '' 
retaining an integrity and refusing to compromise his vision 
your interest until the end and 
to the filmmakers , ivan is a prince of a fellow , but he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit 
some of the computer animation is handsome , 
much more watchable 
stylish but steady , and 
with tension 
as sharp as a samurai sword 
gritty police thriller 
low-tech magic realism and , at times , 
most of the problems with the film do n't derive from the screenplay , but rather the mediocre performances by most of the actors involved 
counter-cultural idealism and hedonistic creativity 
is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party . 
gradually makes us believe she is kahlo 
a fine , understated piece of filmmaking 
is still good fun 
unexpectedly rewarding 
moldy-oldie , not-nearly - as-nasty - as-it 
of emotional blandness 
the startling intimacy 
shame on writer/director vicente aranda for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull . 
nothing but one relentlessly depressing situation after another for its entire running time , something that you could easily be dealing with right now in your lives 
so graceless and devoid 
do n't bother 
liked it much more if harry & tonto never existed 
plummer steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph . 
it seems most likely that broomfield 's interviewees , or even himself , will not be for much longer 
promising premise 
bad premise 
is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie 
dehumanizing and 
strongest and 
equlibrium could pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and farenheit 451 . 
a delightful entree in the tradition 
it 's just hard to believe that a life like this can sound so dull . 
uses the last act to reel in the audience 
several survivors , 
a fall 
tired of going where no man has gone before 
's endgame 
strictly speaking , schneider is no steve martin 
is well established 
smirk 
the biggest problem with roger avary 's uproar against the mpaa 
of mediocre acting 
leaning on badly-rendered cgi effects 
is serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context 
with such an engrossing story that will capture the minds and hearts of many 
somewhat touched 
once the expectation of laughter has been quashed by whatever obscenity is at hand , even the funniest idea is n't funny . 
amoral assassin 
most aggressive and most sincere attempt 
hot topics 
... despite lagging near the finish line , the movie runs a good race , one that will have you at the edge of your seat for long stretches . ' 
a high-end john hughes comedy , 
is rote spookiness 
the lead actor phones in his autobiographical performance 
occasional smiles 
have that same option to slap her creators because they 're clueless and inept 
that even the most jaded cinema audiences will leave the auditorium feeling dizzy , confused , and totally disorientated 
a wild comedy that could only spring from the demented mind of the writer of being john malkovich . 
averting an american-russian armageddon 
becomes lifeless and falls apart like a cheap lawn chair 
to be as heartily sick of mayhem as cage 's war-weary marine 
suspend your disbelief here and now , or you 'll be shaking your head all the way to the credits . 
now as a former gong show addict 
the potential success 
did we really need a remake of `` charade 
unassuming 
having two guys yelling in your face for two hours 
soft-porn 
stuck in heaven because he 's afraid of his best-known creation ? 
becomes a hopeless , unsatisfying muddle 
to call this film a lump of coal would only be to flatter it . 
has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
funniest and most likeable 
can render it anything but laughable 
barely shocking , barely interesting 
solid , satisfying 
one well-timed explosion in a movie can be a knockout , but a hundred of them can be numbing . 
enigma is well-made , 
keep getting torn away from the compelling historical tale to a less-compelling soap opera 
fully formed and remarkably assured 
it turns out to be affected and boring 
ayurveda does the field no favors 
reveals how we all need a playful respite from the grind to refresh our souls 
will want to see over and over again . 
had their hearts in the right place 
painfully awful 
classic ladies and gentlemen , the fabulous stains 
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending 
skin of man gets a few cheap shocks from its kids-in-peril theatrics , but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults . 
of deep feeling 
less than 
a treat -- 
a loud , ugly , irritating movie without any of its satirical 
con 
a faster paced family flick . 
is more frustrating than a modem that disconnects every 10 seconds 
's not funny 
award-winning english cinematographer giles nuttgens 
rocky and 
under the weight of too many story lines 
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety 
considerably less ambitious 
clunky 
much dramatic impact 
made no such thing 
against his oppressive , right-wing , propriety-obsessed family 
thanks to an astonishingly witless script 
the direction , by george hickenlooper , has no snap to it , no wiseacre crackle or hard-bitten cynicism . 
most moronic screenplays 
's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough . 
it 's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic . 
so many merchandised-to-the-max movies of this type 
crush is so warm and fuzzy you might be able to forgive its mean-spirited second half . 
loses all bite on the big screen 
exceptionally charming 
highly uneven and inconsistent ... margarita happy hour kinda resembles the el cheapo margaritas served within . 
here his sense of story and his juvenile camera movements smack of a film school undergrad , 
although commentary on nachtwey is provided ... it 's the image that really tells the tale . 
enticing and often 
joyous documentary 
' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . 
melodrama and 
) homage 
north or south vietnamese 
questions cinema 's capability for recording truth . 
no real point 
lavish formalism 
stiff and schmaltzy and clumsily directed . 
most watchable 
then his tone retains a genteel , prep-school quality that feels dusty and leatherbound 
by the movie 's sophomoric blend of shenanigans and slapstick 
exploit the familiar 
, it may be because teens are looking for something to make them laugh . 
a fantastically vital movie that manages to invest real humor , sensuality , and sympathy into a story about two adolescent boys . 
are having so much fun 
a matinee price 
paul bettany is good at being the ultra-violent gangster wannabe , but the movie is certainly not number 1 . 
the movie 's seams may show 
who has come to new york city to replace past tragedy with the american dream 
revel in its splendor 
everybody loves a david and goliath story , and this one is told almost entirely from david 's point of view . 
i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring . 
's a masterpiece . 
an ambitious film 
with a completely predictable plot , you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard . 
cherry orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . ' 
, around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance . 
an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism 
there 's a plethora of characters in this picture , and 
epiphany 
entirely charming 
brightly 
is equally hackneyed 
featuring reams of flatly 
the sinister inspiration that fuelled devito 's early work is confused in death to smoochy into something both ugly and mindless . 
makes for unexpectedly giddy viewing 
manages to accomplish what few sequels can -- 
live happily ever after 
misogyny and unprovoked violence 
you drive past -- even if it chiefly inspires you to drive a little faster 
wears thin -- then out -- when there 's nothing else happening 
the ending is all too predictable and far too cliched to really work 
talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
flawed and brilliant 
to the serbs themselves 
tender movements 
feels cheated 
, wistful new film 
both exuberantly romantic and serenely 
continues her exploration of the outer limits of raunch with considerable brio 
schticky chris rock and stolid anthony hopkins 
old world war 
court maneuvers 
off the element of surprise 
follows the formula , but throws in too many conflicts to keep the story compelling 
road to perdition does display greatness , and it 's worth seeing . 
a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely 
it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue . 
spotty script 
there are great rewards here . 
looking for something new and hoping for something entertaining 
the grace to call for prevention rather than to place blame , making it one of the best war movies ever made 
a stately sense of composition 
one of those strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends . 
actually clicks . 
it holds up in an era in which computer-generated images are the norm 
dreamed up such blatant and sickening product placement 
scripted 
most devastating flaw 
drop 
feeling to it , but like the 1920 's , the trip there is a great deal of fun . 
mixes in as much humor as pathos to take us on his sentimental journey of the heart . 
more interesting 
the best didacticism is one carried by a strong sense of humanism , and bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve 
comes down to whether you can tolerate leon barlow 
translation : ` we do n't need to try very hard . ' 
is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes . 
intellect and 
its worst 
blithe exchanges 
, brisk delight 
intelligent , caustic take on a great writer and dubious human being . 
easily one of the best and most exciting movies of the year . 
` direct-to-video ' release 
if it were n't silly 
woe 
a loose collection of not-so-funny gags , scattered moments of lazy humor 
is n't that much different from many a hollywood romance 
provides no easy answers , but offers a compelling investigation of faith versus intellect 
transform themselves into a believable mother/daughter pair 
more depressing than entertaining 
takes hold and grips hard . 
it slow , predictable and not very amusing 
it otherwise drowns in a sea of visual and verbal clichés 
magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults 
were at home watching that movie instead of in the theater watching this one 
see scratch for a lesson in scratching , but , most of all , see it for the passion . 
misses its emotions 
at meaningful cinema 
about morality and the choices we make underneath such a mountain of clichés and borrowed images 
succeeds primarily 
too simple 
for instance , good things happen to bad people 
smith finds amusing juxtapositions that justify his exercise . 
be as tiresome as 9 seconds of jesse helms ' anti- castro 
of world cinema 's most wondrously gifted artists 
is the kathie lee gifford of film directors , 
consistently amusing but not as outrageous or funny 
quirky , slightly strange french films 
funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work 
undoubtedly the scariest movie ever made about tattoos . 
offers nothing more than a bait-and-switch that is beyond playing fair with the audience . 
though impostor deviously adopts the guise of a modern motion picture , it too is a bomb . 
please not only the fanatical adherents on either side , but also people who know nothing about the subject 
this is a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable . 
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love 
below is well below expectations . 
a good noir 
familiar and predictable , and 4/5ths of it might as well have come from a xerox machine rather than ( writer-director ) franc . 
disjointed 
may have to keep on looking . 
enough energy and excitement 
's the russian word for wow !? ' 
positively dreadful 
of clichés , depression and bad alternative music 
of minor shortcomings 
tumbleweeds 
complete wash 
that 's neither completely enlightening , 
a terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome . 
spain 's greatest star wattage does n't overcome the tumult of maudlin tragedy . 
emerge dazed , confused as to whether you 've seen pornography or documentary 
value cash above credibility . 
extravagant 
a wild-and-woolly , wall-to-wall good time 
all leather pants & augmented boobs , hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon . 
is undeniably subversive and involving in its bold presentation . 
puzzling 
can out-bad-act the other 
has enough wit , energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested . 
sour little movie 
the four feathers comes up short 
a magnificent landscape to create a feature film that is wickedly fun to watch 
directorial tour de force 
with the inherent absurdity of ganesh 's rise 
nolan proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure . 
hooked on the delicious pulpiness of its lurid fiction 
understatement 
is a tired one , with few moments of joy rising above the stale material . 
revolution # 9 proves to be a compelling 
a timid , soggy near miss 
and funky look 
it look like a masterpiece 
... post-september 11 , `` the sum of all fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . 
where the big scene is a man shot out of a cannon into a vat of ice cream 
an ) 
it 's funny . 
well acted by the four primary actors 
like blended shades of lipstick , these components combine into one terrific story with lots of laughs . 
must indeed be good to recite some of this laughable dialogue with a straight face . 
offers winning performances and some effecting moments 
what begins brightly gets bogged down over 140 minutes . 
this animated adventure 
as a pale successor 
desperate miscalculation 
of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree 
the audience when i saw this one was chuckling at all the wrong times , and that 's a bad sign when they 're supposed to be having a collective heart attack . 
a fantastic dual performance from ian holm 
a thoughtful and surprisingly affecting portrait 
has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more 
makes it worth checking out at theaters 
the best of the pierce brosnan james bond 
the abyss 
a winning piece of work filled with love for the movies of the 1960s . 
an interesting story 
two hours feel like four 
call it magic realism or surrealism , but miss wonton floats beyond reality with a certain degree of wit and dignity . 
survive a screening with little harm done , 
it 's not particularly well made , but since i found myself howling more than cringing , i 'd say the film works . 
is clever , offbeat and even gritty enough 
if you enjoy being rewarded by a script that assumes you are n't very bright 
relies on subtle ironies and visual devices to convey point of view . 
seems contrived and secondhand 
could have looked into my future and saw how bad this movie was 
seriously intended 
builds to a crescendo that encompasses many more paths than we started with 
's petty thievery like this that puts flimsy flicks like this behind bars 
proficient , dull 
it is a kind , unapologetic , sweetheart of a movie , and mandy moore leaves a positive impression 
there 's an excellent 90-minute film here ; 
absolute delight 
from a renowned indian film culture that allows americans to finally revel in its splendor 
wondrously creative 
serves as a rather thin moral to such a knowing fable 
picture that illustrates an american tragedy 
is nothing more than an hour-and-a-half-long commercial for britney 's latest album 
the complex , politically charged tapestry 
richly 
majestic 
its parade of almost perpetually wasted characters 
if religious films are n't your bailiwick , stay away . 
's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior 
's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex 
of its provocative conclusion 
gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day . 
an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties 
has at least one more story to tell : his own 
although frailty fits into a classic genre , in its script and execution it is a remarkably original work . 
's the sweet cinderella story that `` pretty woman '' wanted to be . 
by the sketchiest of captions 
its classical music 
be required viewing for civics classes and would-be public servants alike 
a modem that disconnects every 10 seconds 
change a nation 
, flashy , overlong soap opera . 
to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy 
' is banal in its message and the choice of material to convey it . 
almost completely dry of humor , verve and fun 
who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
that held my interest precisely because it did n't try to 
several cliched movie structures 
where the thematic ironies are too obvious and the sexual politics too smug 
makes the film seem like something to endure instead of enjoy 
frustrating patchwork 
's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart . 
remember back when thrillers actually thrilled ? 
a vivid , spicy footnote to history , and 
sensational 
don 
were n't as beautifully shaped and as delicately calibrated in tone as it is 
made it dull , lifeless , and irritating 
this '60s caper film is a riveting , brisk delight . 
picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film . 
that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least ) 
directed without the expected flair or imagination 
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and in this film , every shot enhances the excellent performances 
cuba gooding jr. valiantly mugs his way through snow dogs , but even his boisterous energy fails to spark this leaden comedy . 
draws you in 
fatal script error 
is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema 
a skillful filmmaker can impart a message without bludgeoning the audience over the head 
scummy ripoff 
worth 
bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie . 
comes off as a touching , transcendent love story 
`` snl '' has-been 
spiked by jolts of pop music 
much baked cardboard 
transcendence 
which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable 
successfully blended satire , high camp and yet another sexual taboo into a really funny movie . 
heartfelt and 
perfect for a ballplayer 
consistently sensitive and 
grace that still leaves shockwaves 
it 's leaden and predictable , and laughs are lacking 
in treading the line between sappy and sanguine 
hollywood road 
a spirit 
a bright future 
gedeck , who makes martha enormously endearing 
it is spooky and subtly in love with myth 
beautiful to watch 
maelstrom is strange and compelling , 
for a thirteen-year-old 's book report 
beijing 
admittedly manipulative 
one hollywood cliche 
, rain is the far superior film . 
be punishable by chainsaw 
the film with a creepy and dead-on performance 
sometimes inexpressive 
the cast ... keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired . 
a mess as its director 's diabolical debut , mad cows 
we never truly come to care about the main characters and whether or not they 'll wind up together , 
ends up slapping its target audience in the face by shooting itself in the foot 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something 
feel like running out screaming 
will be a thoughtful , emotional movie experience 
feel the love 
because you 're sure to get more out of the latter experience 
is as generic as its title . 
freewheeling trash-cinema roots 
subtle and richly internalized performance 
it has a way of seeping into your consciousness , with lingering questions about what the film is really getting at . 
is one of world cinema 's most wondrously gifted artists and storytellers . 
is so bleak 
it 's a compelling and horrifying story 
exploit his anger 
subconscious 
goes off the rails in its final 10 or 15 minutes 
terrific special effects and funnier gags 
vivid , thoughtful , unapologetically raw 
deuces wild is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence . 
a loud , low-budget and tired formula film that arrives 
outgag any of those young whippersnappers making moving pictures today 
hard to resist his enthusiasm 
pushed into the margins by predictable plotting and tiresome histrionics 
upsetting and thought-provoking 
this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men 
a bad , bad , bad movie 
the messiness 
sparkles 
anguish 
star-power potential in this remarkable and memorable film 
to its insanely staged ballroom scene , in which 3000 actors appear in full regalia 
the film did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side . 
the same sledgehammer appeal as pokemon videos 
charming in comedies like american pie 
as naturally 
nostalgic 
its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long 
a struggling nobody 
audacious-impossible yet compelling ... 
like mike is n't going to make box office money that makes michael jordan jealous , but it has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net 
a miraculous movie , i 'm going home is so slight , 
not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired 
dialogue and murky cinematography 
so meditative and lyrical 
merely pretentious 
soulful , 
's at once laughable and compulsively watchable 
nails sy 's queasy infatuation and overall strangeness . 
a good film 
novel charm 
the bad sound 
perfect as his outstanding performance as bond in die 
does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating . 
complete 
liked this film a lot ... 
like a soft drink that 's been sitting open too long : 
last year 's kubrick-meets-spielberg exercise 
wickedly funny and 
helps create a complex , unpredictable character . 
keep parents away 
peter jackson has done the nearly impossible . 
lift the spirits of the whole family 
nonstop hoot 
a detailed personal portrait 
better person 
of its characters , its protagonist , or of us 
an engrossing story 
for all ages -- a movie that will make you laugh 
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it ) . 
a cute alien creature 
may not be particularly innovative 
never comes close to being either funny or scary 
the screenwriters dig themselves in deeper every time 
of a beautifully sung holiday carol 
without sacrificing the integrity of the opera 
a poignant and wryly amusing film about mothers , daughters and their relationships 
, melodrama , sorrow , laugther , and tears 
a good time for both children and parents 
make an excellent companion piece to the similarly themed ` the french lieutenant 's woman 
dumbness 
heartfelt , mesmerizing king lear 
check 
poignant japanese epic 
jarring , new-agey tone 
kiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope . 
the peculiar american style of justice 
cool , composed delivery 
a sub-formulaic slap in the face to seasonal cheer . 
stands out from the pack 
the filmmaker would disagree , but , honestly , i do n't see the point 
a conventional , but well-crafted film 
told with the intricate preciseness of the best short story writing 
few points 
cinematic poetry showcases the city 's old-world charm before machines change nearly everything . 
avoids the obvious 
classic cinema 
a sweet treasure and something well worth 
admirers 
losers 
is in trouble 
higher 
a real filmmaker 
is no denying the power of polanski 's film ... 
own most damning censure 
discursive 
that never really busts out of its comfy little cell 
little attempt 
a playful iranian parable about openness , particularly the 
very funny as you peek at it through the fingers in front of your eyes 
constructs a hilarious ode to middle america and middle age with this unlikely odyssey , 
you do n't try to look too deep into the story 
just a collection of this and that -- whatever fills time -- with no unified whole 
most important and exhilarating 
creepy-scary 
a reasonably good time 
the exclamation point seems to be the only bit of glee 
for violence 
whose restatement is validated by the changing composition of the nation 
realized through clever makeup design 
your seat , tense with suspense 
( lin chung 's ) voice is rather unexceptional , even irritating ( at least to this western ear ) , making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters . 
to tear your eyes away from the images 
if you only had a week to live 
sets this romantic comedy apart 
smart , compelling drama 
some success with documentaries 
is gorgeously 
instead of contriving a climactic hero 's death for the beloved-major - character-who-shall - remain-nameless , why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ? 
is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition . 
watchable up until the point 
neither dramatic nor comic 
two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs 
playful spark 
anything more than a visit to mcdonald 's , let alone 
the film fearlessly gets under the skin of the people involved 
, like shiner 's organizing of the big fight , pulls off enough 
make personal velocity into an intricate , intimate and intelligent journey . 
the very definition of what critics have come to term an `` ambitious failure . '' 
monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids 
is ingenious fun . 
goes about telling what at heart is a sweet little girl 
is n't as easy to come by as it used to be 
, film has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation . 
must be a serious contender for the title . 
a straight-shooting family film 
painted on their largest-ever historical canvas 
that tries to grab us , only to keep letting go at all the wrong moments 
a vision 
this chicago has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare . 
no cute factor here ... not that i mind ugly ; the problem is he has no character , loveable or otherwise . 
might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener 
come up with a better script 
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ; it completely contradicts everything kieslowski 's work aspired to , including the condition of art 
, ryan gosling ( murder by numbers ) delivers a magnetic performance . 
involving aragorn 's dreams of arwen , this is even better than the fellowship . 
is derivative 
-- more accurately , it 's moving 
off witty and sophisticated 
asks the right questions 
succeeded beyond all expectation 
of the most slyly exquisite anti-adult movies 
it 's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety . 
immense 
impressive results 
looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments 
of the finest kind 
is also as unoriginal 
a two star script 
its grand locations 
miss it altogether 
nothing but one relentlessly depressing situation after another for its entire running time , 
's certainly an invaluable record of that special fishy community . 
a compelling yarn 
its subsequent reinvention , a terrifying study of bourgeois 
the movie does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating . 
( an ) absorbing documentary 
is throwing up his hands in surrender , is firing his r&d people , and 
ultimately takes hold and grips hard . 
you 've a taste for the quirky 
the story feels like the logical , unforced continuation of the careers of a pair of spy kids 
it 's a compelling and horrifying story , and the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america . 
is top shelf 
's no other reason why anyone should bother remembering it 
the highly predictable narrative 
been benefited from a sharper , cleaner script before it went in front of the camera 
so likable 
generational signpost 
shiri is an action film that delivers on the promise of excitement , but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience 
unaffected style 
filled with love for the movies of the 1960s 
bible stores of the potential for sanctimoniousness 
find their own rhythm and protect each other from the script 's bad ideas and awkwardness . 
fit the incredible storyline 
pure entertainment 
the human cost of the conflict that came to define a generation 
these three films form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people . 
a bewilderingly brilliant and entertaining 
is an enjoyable big movie primarily because australia is a weirdly beautiful place 
dwells 
'' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story . 
feel cheated by the high infidelity of unfaithful 
nicole holofcener 's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style . 
might have fun in this cinematic sandbox 
obscure the message 
charly comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions . 
discloses almost nothing . 
by way of a valentine sealed with a kiss 
feels aimless for much of its running time , until late in the film when a tidal wave of plot arrives , leaving questions in its wake . 
has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements 
a florid biopic about mad queens , obsessive relationships , and rampant adultery 
shrewd , powerful act 
what 's attracting audiences to unfaithful 
is , by itself , deserving of discussion . 
first scene 
one-dimensional characters 
mostly due to its superior cast 
of the finest 
often shocking but ultimately worthwhile exploration 
drama , 
the film feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses . 
these brats will ever be anything more than losers 
the color sense of stuart little 2 is its most immediate and most obvious pleasure , but it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is . 
's waltzed itself into the art film pantheon . 
above easy , cynical potshots at morally bankrupt characters 
to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth 
this is the opposite of a truly magical movie . 
ca n't be dismissed as mindless 
to pack raw dough in my ears 
really a true `` us '' versus `` them '' 
a visual spectacle full of stunning images and effects 
novels to the big screen 
a maker of softheaded metaphysical claptrap 
, action-packed chiller 
all the enjoyable randomness 
flashy , overlong soap opera . 
offers chills much like those 
the history is fascinating ; 
as his outstanding performance as bond in die 
's updating works surprisingly well . 
does n't manage to hit all of its marks 
two whole hours 
the most wondrous love story in years 
like a cold old man going through the motions 
complete with loads of cgi and bushels of violence , but not a drop 
drown a viewer in boredom 
a satisfying kids flck 
for the testosterone-charged wizardry of jerry bruckheimer productions 
try paying less attention to the miniseries and more attention to the film it is about 
positives 
an ungainly movie , ill-fitting , 
the plot has a number of holes , and at times it 's simply baffling 
, almost mystical work 
loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money . 
complex portrait of a modern israel 
riveted to our seats . 
is without a doubt a memorable directorial debut from king hunk . 
creepy 
nearly 21/2 hours of unfocused , excruciatingly tedious cinema 
engage an audience 
adds up to big box office bucks all but guaranteed 
serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze . 
its own pretentious self-examination 
no new insight 
suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme . 
be based on a true and historically significant story 
`` the adventures of pluto nash '' is a big time stinker . 
to endure every plot contrivance that the cliché-riddled genre can offer 
( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ... blends uneasily with the titillating material . 
's the perfect star vehicle for grant , 
whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people 
propels her into the upper echelons of the directing world 
's a terrible movie in every regard , and 
has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s . 
little vidgame pit 
largely unfunny 
is unashamedly pro-serbian 
3-d 
of the band 
tartakovsky 's team has some freakish powers of visual charm , 
complex than its sunny disposition 
some of the dramatic conviction that underlies the best of comedies 
spirit is a visual treat , 
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery 
soulless hunk 
it 's not just the vampires that are damned in queen of the damned -- the viewers will feel they suffer the same fate . 
can only provide it with so much leniency . 
the production has been made with an enormous amount of affection , so we believe these characters love each other 
most unpleasant 
a staggeringly compelling character , 
a breezy blend of art , history , esoteric musings and philosophy . 
terrible adaptation 
a sentimental mess that never rings true . 
the most audacious , outrageous , sexually explicit , psychologically probing , pure libido film of the year has arrived from portugal . 
, you may just end up trying to drown yourself in a lake afterwards . 
a markedly inactive film , 
, interview with the assassin draws its considerable power from simplicity . 
while the performances are often engaging , this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary . 
's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue . 
charming and 
the biggest problem i have ( other than the very sluggish pace ) is we never really see her esther blossom as an actress , even though her talent is supposed to be growing . 
singing and finger 
instead go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance 
still manages at least a decent attempt at meaningful cinema 
the absurdity 
energizing 
( dong ) makes a valiant effort to understand everyone 's point of view , and he does such a good job of it that family fundamentals gets you riled up 
essentially ruined -- or 
that aims for poetry and ends up sounding like satire 
good as the full monty , but a really strong second effort 
just offbeat enough to keep you interested without coming close to bowling you over . 
contains the humor , characterization , poignancy , and intelligence of a bad sitcom . 
a modestly made but 
just as the lousy tarantino imitations have subsided , here comes the first lousy guy ritchie imitation . 
the asylum material is gripping , as are the scenes of jia with his family . 
while the movie is slightly less successful than the first 
with unexpected comedy 
achingly enthralling premise 
is so insanely dysfunctional 
's just hard to believe that a life like this can sound so dull . 
the picture itself is somewhat problematic 
killed my father 
jeffs has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness . 
sweetness 
playful iranian parable 
the sum of all fears pretends to be a serious exploration of nuclear terrorism , 
is in need of a scented bath . 
thoroughly awful 
a high-spirited buddy movie about the reunion of berlin 
the costuming of the stars 
sitcom material 
relatively dry material 
the lively appeal 
in action 
try hard 
is the best he 's been in years 
green ruins every single scene he 's in , and 
presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet 
authentic account of a historical event 
is one of the rare directors who feels acting is the heart and soul of cinema . 
form to examine the labyrinthine ways in which people 's lives cross and change 
too simple and 
as the old saying goes , because it 's true 
madonna has made herself over so often now , there 's apparently nothing left to work with , sort of like michael jackson 's nose . 
loses sight of its own story 
the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries 
so it 's not a brilliant piece of filmmaking , 
gets added disdain for the fact 
like stereotypical caretakers and moral teachers , instead 
treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects . 
funny bones tickled 
less ambitious 
a voice for a pop-cyber culture 
messy and frustrating , but very pleasing at its best moments 
literate 
, nolan 's penetrating undercurrent of cerebral and cinemantic flair lends ( it ) stimulating depth . 
whose sharp 
written so well 
strangling the life out 
as the movie traces mr. brown 's athletic exploits , it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times . 
watered down the version of the one before 
have relied too much on convention in creating the characters who surround frankie . 
intellect 
on audience patience 
it may cause parents a few sleepless hours -- a sign of its effectiveness 
a feel-good movie 
charms 
is n't very interesting 
greatest triumph 
most magical 
be as lonely and needy 
so poorly 
refined piece 
entirely witless and inane , 
that the material is so second-rate . 
family togetherness takes a back seat to inter-family rivalry and workplace ambition ... whole subplots have no explanation or even plot relevance . 
why spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby ? 
the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
it might just be better suited to a night in the living room than a night at the movies 
a straight-ahead thriller 
a likable story , 
dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious 
in part because the consciously dumbed-down approach wears thin 
uncertain 
, it really won my heart 
ignoring that , he made swimfan anyway 
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline 
the performances are amiable and committed 
describe as looking , sounding and simply feeling like no other film in recent history 
rescue me from a summer of teen-driven , toilet-humor codswallop 
death to smoochy tells a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke . 
some sort of beacon of hope 
the film 's considerable charm 
fussing over 
could so easily have been fumbled by a lesser filmmaker 
saving grace 
since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
anything special , save for a few comic turns , 
sayles ... once again strands his superb performers in the same old story . 
any insights that have n't been thoroughly debated in the media 
makes it worth watching 
to have a knack for wrapping the theater in a cold blanket of urban desperation 
its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case 
the history is fascinating 
last 15 minutes 
put so much time and energy into this turkey 
as a vehicle to savor binoche 's skill , the film is well worthwhile . 
in his debut as a director , washington has a sure hand . 
gets bogged down by an overly sillified plot and stop-and-start pacing . 
fiascos 
the filmmakers ' eye for detail 
sparse 
small ... 
has an ` a ' list cast and some strong supporting players 
reality shows for god 's sake 
slapdash disaster . 
sorry use of aaliyah in her one and 
old college try 
a bad movie 
propaganda film 
distressingly rote 
a timeless and unique perspective 
a sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past , really is n't . 
formulaic , 
the skills of a calculus major at m.i.t. 
despite the surface attractions -- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- there 's something impressive and yet lacking about everything . 
i would leave the theater with a lower i.q. than when i had entered 
have shaped the story to show us why it 's compelling 
its one-sidedness ... flirts with propaganda . 
murder hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling . 
it 's a loathsome movie , it really is and it makes absolutely no sense . 
about which you can actually feel good 
a wildly entertaining scan of evans ' career . 
turns out to be smarter and more diabolical than you could have guessed at the beginning . 
is the last thing any of these three actresses , nor their characters , deserve . 
ache by the end of kung pow 
a welcome improvement 
narcissism 
none of this is very original , and it is n't particularly funny . 
its unsettling prognosis 
is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
the script by david koepp is perfectly serviceable and because he gives the story some soul 
it has its faults , 
where normally good actors , even kingsley , are made to look bad 
an engaging mystery 
sharp comedy , old-fashioned monster movie atmospherics 
they come , already having been recycled more times than i 'd care to count 
handsome widescreen photography 
is extremely funny , the first part making up for any flaws that come later . 
visual charm or texture 
more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought 
a culture-clash comedy 
leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken 
relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty 
's defiantly and delightfully against the grain 
the trappings of i spy are so familiar you might as well be watching a rerun . 
where story is almost an afterthought 
a conventional but heartwarming tale . 
formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe 
communicates something 
the code talkers deserved better than a hollow tribute . 
the attempt to complicate the story only defies credibility 
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and it goes nowhere . 
more of an ordeal than an amusement 
delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans . 
foul up shum 's good intentions 
bombs 
dramatic comedy 
... what a banal bore the preachy circuit turns out to be 
it is a great film . 
from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings 
is not worth 
sincere , and just 
diaz wears out her welcome in her most charmless performance 
if the film has a problem , its shortness disappoints : 
right at home 
tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end 
the demented mind 
sometimes the dreams of youth should remain just that 
plays like a 95-minute commercial for nba properties 
flavorful performances 
a formula comedy redeemed by its stars , 
to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams 
an entertainment 
wickedly funny , 
has many of the things that made the first one charming . 
a case of too many chefs fussing over too weak a recipe 
smashing success 
go anywhere new , 
adventure 
most opaque , 
both a successful adaptation and an enjoyable film in its own right 
the somber pacing and lack of dramatic fireworks 
sugar '' admirably 
notice the flaws 
bland despite the heavy doses of weird performances and direction 
is that they 're stuck with a script that prevents them from firing on all cylinders 
might not have gotten him into film school in the first place 
that should please history fans 
for what we can get on television for free 
strange it is , but delightfully so 
a great monster movie 
a gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost . 
's probably not accurate to call it a movie 
great sympathy and intelligence 
its audience -- in a heartwarming , nonjudgmental kind of way -- 
ingratiating 
in creating the layered richness of the imagery in this chiaroscuro of madness and light 
's a lot of tooth in roger dodger 
is shallow , offensive and redundant , 
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started . 
family fundamentals gets you riled up 
and sometimes dry 
though few will argue that it ranks with the best of herzog 's works , invincible shows he 's back in form , with an astoundingly rich film . 
gap 
deserving of discussion 
no character , 
the worst kind of mythologizing , 
as it stands , crocodile hunter has the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction . 
the worst of the entire franchise 
an incredibly heavy-handed , manipulative dud that feels all too familiar . 
the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of gator-bashing are consistently delightful . 
see some interesting storytelling devices 
although i did n't hate this one 
there 's enough cool fun here to warm the hearts of animation enthusiasts of all ages . 
a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout 
need of some trims 
self-consciously 
any of these three actresses , nor their characters , deserve 
an average b-movie with no aspirations to be anything more 
manages to accomplish what few sequels can 
most touching movie of recent years 
that stretches the running time about 10 minutes 
such a good job 
do n't think so 
results is the best performance from either in years 
its writer-director 's heart is in the right place , his plea for democracy and civic action laudable . 
a seriously intended movie 
wo n't be remembered as one of ( witherspoon 's ) better films 
a bright , inventive 
hard to imagine another director ever making his wife look so bad in a major movie 
makes it all the more compelling 
blues 
gaping plot holes sink this ` sub ' - 
its provocative central wedding sequence has far more impact 
its seriousness and quality 
is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes 
robinson 's web of suspense 
the waterlogged script plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter . 
may indeed have finally aged past his prime ... and , perhaps more than he realizes 
's strongest and most touching movie of recent years 
equally impressive degree 
the minds and hearts 
has a lot of charm 
sidesplitting 
the film becomes an overwhelming pleasure , 
so crisp and economical in one false move 
into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller 
aging , suffering and the prospect of death 
in between the icy stunts , the actors spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do . ' 
paint-by-numbers 
acted ... but 
be utterly entranced by its subject and still show virtually no understanding of it 
out of character and logically 
long 
the crisp clarity 
aims to be funny , uplifting and moving , sometimes all at once . 
i 've never seen or heard anything quite like this film 
palpable 
reunion 
the cold 
anything approaching even a vague reason to sit through it all 
intrepid in exploring an attraction that crosses sexual identity 
directionless 
holofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks . 
more interesting -- and 
intricately 
of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in 
( sports ) admirable energy , full-bodied characterizations and narrative urgency 
walk out of the good girl with mixed emotions -- 
that makes you feel genuinely good 
too erotic nor very thrilling 
that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd 
trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness 
actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese 
annoying , heavy-handed 
bring 
's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year 
's even more remarkable 
the rules of attraction gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing . 
proficient , dull sorvino 
consistent 
staring at a blank screen 
it 's undone by a sloppy script 
no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone 
no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
gaping plot holes sink this ` sub ' - standard thriller and drag audience enthusiasm to crush depth 
ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . ' 
, confused , and totally disorientated 
is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale . 
had all its vital essence scooped 
idea ( of middle-aged romance ) is not handled well and 
humdrum 
the film , while it 's not completely wreaked , 
presents nothing special and , until the final act , nothing 
described as a ghost story gone badly awry . 
does the field no favors 
spirit , perception , conviction 
no , i love it ... hell , i dunno . 
's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue 
make a great team 
ambitious , unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints . 
knows how to make our imagination 
more confused , less interesting 
excitement in manufactured high drama 
he 's done 
slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up . 
in form 
shame americans , 
in its own way 
, auto focus bears out as your typical junkie opera ... 
the formula fresh again 
while the story goes nowhere 
it 's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary . 
apparently hoping that the audience will not notice the glaring triteness of the plot device 
of its assigned marks to take on any life of its own 
will create enough interest to make up for an unfocused screenplay 
visually engrossing , seldom hammy , honorably mexican and burns its kahlories with conviction . 
doing battle 
's just that it 's so not-at-all-good . 
is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen 
been much better 
inspired humor 
' and ` realistic ' 
solid acting 
that has bucked the odds to emerge as an exquisite motion picture in its own right 
lacks any real raw emotion , which is fatal for a film that relies on personal relationships 
... that the material is so second-rate . 
the film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is 
cheat 
a frightening and compelling ` 
of characters in this picture 
's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination 
latest effort is not the director at his most sparkling 
betrayal , forgiveness and murder 
of the greatest films 
to the familiar topic of office politics 
of how sandler is losing his touch 
lukewarm and quick to pass 
a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people 
would take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire 
realize , much to our dismay 
crushing disappointment 
some very good comedic songs , strong finish 
i have n't laughed that hard in years ! 
full frontal had no effect and elicited no sympathies for any of the characters . 
should have been the ultimate imax trip 
nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness 
, like mike shoots and scores , doing its namesake proud 
a saga of the ups and downs of friendships 
extra points 
be a bit repetitive 
masterfully 
depressing , 
will find things to like 
for those of an indulgent , slightly sunbaked and summery mind , sex and lucia may well prove diverting enough . 
no other purpose 
that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing 
affects of cultural and geographical displacement . 
, humorless and under-inspired 
for a summer of good stuff 
dullest science fiction 
a rumor of angels does n't just slip -- it avalanches into forced fuzziness . 
sure the filmmaker would disagree , but , honestly , i do n't see the point 
hilarious ) 
make us share their enthusiasm 
but it 's great cinematic polemic 
phenomenal band 
satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation . 
allusions 
well-made and satisfying 
radiant character portrait 
see a better thriller this year 
the script becomes lifeless and falls apart like a cheap lawn chair . 
as roman coppola 's brief pretentious period 
fitting 
pathetic acting , poorly dubbed dialogue and murky cinematography 
never want to see another car chase , explosion or gunfight again 
a juicy soap opera 
a familiar anti-feminist equation ( career - kids = misery ) 
is banal in its message and the choice of material to convey it 
a wishy-washy melodramatic movie 
sweet home alabama is n't going to win any academy awards , but this date-night diversion will definitely win some hearts . 
smack of a film school undergrad 
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché . 
better effects , better acting and a hilarious kenneth branagh 
unsubtle and 
obnoxious adults 
that seems tailor 
agreeably startling 
be treated to an impressive and highly entertaining celebration of its sounds 
with two fine , nuanced lead performances 
require the patience of job to get through this interminable , shapeless documentary about the swinging subculture 
goodfellas and at least a half dozen other trouble-in-the-ghetto flicks 
a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff 
's apparently just what ( aniston ) has always needed to grow into a movie career 
an exquisite motion picture 
every scrap is of the darkest variety 
unfortunately , the experience of actually watching the movie is less compelling than the circumstances of its making . 
it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian 
feel anything much while watching this movie , 
that they 've already seen this exact same movie a hundred times 
quirky characters , odd situations , and 
cinematography to the outstanding soundtrack 
a terrible movie , just a stultifyingly obvious one -- 
a cultural wildcard experience : wacky , different , unusual , even nutty 
trust laughs 
the avant-garde fused with their humor 
broad streaks of common sense emerge with unimpeachable clarity 
conventional , but well-crafted film 
cletis tout is a winning comedy that excites the imagination and tickles the funny bone . 
, carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff . 
cinematic fluidity and sense 
is insightful about kissinger 's background and history . 
want to see it twice 
manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in 
a very good film sits in the place where a masterpiece should be . 
a gentle and engrossing character 
until it goes off the rails in its final 10 or 15 minutes 
's a frankenstein-monster of a film that does n't know what it wants to be . 
begins on a high note 
straight-shooting family film 
rises above easy , cynical potshots at morally bankrupt characters 
fast-moving and 
'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy . 
even in terms of the low-grade cheese standards on which it operates 
desperate for attention it nearly breaks its little neck trying to perform entertaining tricks 
is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending . 
kids-and-family-oriented cable channel 
hitchcockian 
two best films 
of justice 
clinch him this year 's razzie 
feels like a hazy high that takes too long to shake 
a marvel of production design 
when it 's this rich and luscious , who cares ? 
is in a class by itself 
that acting transfigures esther 
as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
standoffish to everyone else 
( who is always a joy to watch , even when her material is not first-rate ) 
is virtually unwatchable 
not the great american comedy , but if you liked the previous movies in the series , you 'll have a good time with this one too . 
two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned 
high humidity 
are tops , with the two leads delivering oscar-caliber performances 
some phenomenal performances 
a mediocre movie 
is bound to appreciate 
just what this strenuously unconventional movie is supposed to be 
cinematic poetry 
gifted 
( the film 's ) taste for `` shock humor '' will wear thin on all but those weaned on the comedy of tom green and the farrelly brothers . 
superb performances 
everything seem self-consciously poetic and forced 
stooping to gooeyness 
slap me 
made me unintentionally famous 
indie . 
artfully 
( sci-fi ) rehash 
of his spiritual survival 
is a beautiful , aching sadness to it all . 
how very bad 
profound without ever being self-important 
with a big impact 
hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor . 
every bit as imperious 
just utter ` uhhh , ' 
it strikes hardest ... when it reminds you how pertinent its dynamics remain . 
been able to share his story so compellingly with us is a minor miracle 
like having an old friend for dinner ' 
her grace with a moving camera 
gets harder and harder to understand her choices 
characters so unsympathetic 
boredom never takes hold . 
idealistic kid 
star/producer salma hayek and director julie taymor have infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own . 
one of shakespeare 's better known tragedies 
his difficult , endless work 
a stupid , derivative horror film that substitutes extreme 
with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes 
is actually 
competent performers from movies , television and the theater 
jackie chan movies are a guilty pleasure - 
an entertaining mix of period drama and flat-out farce that should please history fans . 
undergraduate doubling subtexts and ridiculous stabs 
is a comedy , both gentle and biting 
it 's worth taking the kids to . 
found it slow , predictable and not very amusing 
rigid and evasive 
sex in the movies look like cheap hysterics 
plenty to enjoy 
on the shoulders of its actors 
to call this film a lump of coal 
mighty 
a sucker 
had this much imagination and nerve 
's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood 
a summer entertainment adults can see without feeling embarrassed 
describe as a castrated 
which very simply sets out to entertain and ends up delivering in good measure 
one hour photo may seem disappointing in its generalities , but it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin . 
best special effects 
it zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special . 
seems altogether too slight to be called any kind of masterpiece . 
, what a thrill ride 
wonder if lawrence hates criticism so much that he refuses to evaluate his own work 
generates little narrative momentum , 
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but it 's stupid . 
the best 
ends up as tedious as the chatter of parrots raised on oprah 
is a deeply unpleasant experience . 
direct-to-video 
it 's packed with adventure and a worthwhile environmental message , 
map thematically and stylistically , and 
malcolm d. lee 
jagjit 
certain robustness 
can easily worm its way into your heart . 
'' is an actor 's movie first and foremost . 
no real sense of suspense 
a bit too eager to please 
it 's also pretty funny 
moved 
in search of purpose or even a plot 
especially thin stretched over the nearly 80-minute running time 
's kind of sad 
solutions 
a mess 
it is worth searching out . 
writer / director m. night shyamalan 's ability to pull together easily accessible stories that resonate with profundity 
no real sense 
avoid the ghetto of sentimental chick-flicks 
the film is flat . 
eventually arrives at its heart , as simple self-reflection meditation . 
provides a satisfyingly unsettling ride into the dark places of our national psyche 
visually and thematically 
untalented 
all too predictable and far too cliched 
extra-dry 
to fuse at least three dull plots into one good one 
can not help but love cinema paradiso , whether the original version or new director 's cut . 
manipulative claptrap , a period-piece movie-of-the-week 
more quick-witted than any english lit 
the most part a useless movie , 
has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience 
i guarantee that no wise men will be following after it 
gorgeous epic 
although some viewers will not be able to stomach so much tongue-in-cheek weirdness 
appalling , shamelessly manipulative and contrived , and totally lacking 
is worth your time , especially if you have ellen pompeo sitting next to you for the ride 
seriously , rent the disney version . 
only unsatisfactorily 
the slapstick is labored , and the bigger setpieces flat 
dismember 
its own existence 
lusty , 
comes off as annoying rather than charming 
is exactly how genteel and unsurprising the execution turns out to be . 
bad , bad movie 
appeal to asian cult cinema fans 
easy film 
as bored 
have a case of masochism and an hour and a half 
after watching this digital-effects-heavy , supposed family-friendly comedy 
tells stories that work -- is charming , is moving 
is a finely written , superbly acted offbeat thriller . 
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process . 
dull plots 
the actors pick up the slack 
imaginative and 
but the problem with wendigo , for all its effective moments , is n't really one of resources . 
evans is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie . 
enough to drag along the dead ( water ) weight of the other 
characteristic warmth 
landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs . 
's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress 
, intellectually and logistically a mess . 
holding equilibrium up 
a heartfelt conviction 
deeply biased , 
amounts to little more than preliminary notes for a science-fiction horror film 
this is a fascinating film because there is no clear-cut hero and no all-out villain . 
this film should not be missed . 
fizzability 
well-formed 
clue you in that something 's horribly wrong 
and choppy recycling 
if you do n't understand what on earth is going on 
is so lovely toward the end 
sketchy characters and immature provocations 
for evil 
she may not be real 
panic room is interested in nothing more than sucking you in ... and making you sweat 
including a knockout of a closing line ) 
one makes 
more graceful 
never does `` lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan . '' 
half-hearted fluke 
: it 's not really funny . 
speaks volumes , offering up a hallucinatory dreamscape that frustrates and captivates . 
very lively dream 
this much imagination and 
'll know a star when you see one . 
who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance 
berry 's saucy , full-bodied performance 
the real issues tucked between the silly and crude storyline 
being `` in the mood '' to view a movie as harrowing and 
buy this stuff 
evans ) had , lost , and got back 
pinheads who talk throughout the show . 
engrossing film 
dare i say , entertaining ! 
, safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven . 
the perfectly pitched web 
ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness 
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , 
directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion 
of a man whose engaging manner and flamboyant style made him a truly larger-than-life character 
an all-star salute 
be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick 
's not much more watchable than a mexican soap opera 
see this delightful comedy 
limp eddie murphy 
tartly 
this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
the movie is certainly not number 1 
everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill 
any shoddy product 
sensitive acting 
is a mess from start to finish 
hobbled by half-baked setups and sluggish pacing 
to the actress , and to her inventive director 
one of those ` alternate reality ' 
to stand tall with pryor , carlin and murphy 
reasonably entertaining sequel 
both a beautifully 
desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
it may as well be called `` jar-jar binks : the movie . '' 
's a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding 
essentially ruined -- or , rather , overpowered 
a whole lot 
boisterous 
a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film 
was so uninspiring 
of control on a long patch of black ice 
macaroni and cheese 
( denis ) accomplishes in his chilling , unnerving film 
the previous movies 
ugly and destructive little **** 
does n't even have potential as a cult film , as it 's too loud to shout insults at the screen 
invites unflattering comparisons to other installments in the ryan series 
told well 
an asian neo-realist treasure . 
is technically sophisticated in the worst way . 
ever so gracefully 
watch for about thirty seconds before you say to yourself 
a comedy to start a reaction 
is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love 
kong action cinema 
with a degree of randomness usually achieved only by lottery drawing 
what starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers . 
eight crazy nights is a total misfire . 
talkiness is n't necessarily bad , but the dialogue frequently misses the mark 
'll be a power outage during your screening so you can get your money back 
it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences 
the brutality of the jokes , most at women 's expense 
do n't feel much for damon/bourne or his predicament 
demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken 
ca n't really call it a work of art 
are so spot on 
the story line may be 127 years old , but el crimen del padre amaro ... could n't be more timely in its despairing vision of corruption within the catholic establishment 
with the cheesiest monsters this side of a horror spoof , which they is n't 
's still a good yarn -- which is nothing to sneeze at these days 
is the one 
stinks so badly of hard-sell image-mongering 
then you will probably have a reasonably good time with the salton sea . 
a small fortune in salaries and stunt cars 
is that it has a screenplay written by antwone fisher based on the book by antwone fisher . 
, it uses very little dialogue , making it relatively effortless to read and follow the action at the same time . 
of solid performances 
's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale . 
german jewish refugees 
is like seeing a series of perfect black pearls clicking together to form a string 
real human soul 
gives us mostly fool 's gold 
keener is marvelous 
energetic and always surprising performance 
of its grand locations 
get another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees 
has a `` what was it all for 
does deliver a few gut-busting laughs 
-- however canned -- makes for unexpectedly giddy viewing . 
frankly , it 's pretty stupid . 
their own comfortable niche 
plotless collection of moronic stunts is by far the worst movie of the year . 
have brought back the value and respect for the term epic cinema . 
what 's hard to understand is why anybody picked it up . 
you 've never seen the deep like you see it in these harrowing surf shots 
protective cocoon 
seem heroic deserves a look 
ultimately disappoint the action 
refreshing and comical spin 
reading an oversized picture book before bedtime 
a solid , spooky entertainment worthy of the price of a ticket . 
achieves some kind of goofy grandeur 
grandeur ' shots 
hell-bent 
a modern motion picture 
the self-serious equilibrium 
it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 
a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time of favor manages not only to find a compelling dramatic means of addressing a complex situation 
strong voices 
the movie is clever , offbeat and even gritty enough to overcome my resistance . 
shining with all the usual spielberg flair , expertly 
is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer . 
realism , crisp storytelling and radiant 
a surprisingly flat retread , hobbled by half-baked setups and sluggish pacing . 
such a dungpile 
an unabashed sense of good old-fashioned escapism 
this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget 
... expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape . 
before it begins to fade from memory 
yet newcomer ellen pompeo pulls off the feat with aplomb 
successfully blended satire , high camp and yet another sexual taboo into a really funny movie 
very smart 
at least a minimal appreciation 
new inspiration 
slaloming through its hackneyed elements with enjoyable ease 
terrorism 
humane 
is impossible 
up not one but two flagrantly fake thunderstorms 
elaborate futuristic sets 
is boring 
the good girl is a film in which the talent is undeniable but 
the standards of knucklehead swill 
of dramatic enlightenment 
from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud 
you 're going to face frightening late fees 
bring you into the characters 
the entire movie establishes a wonderfully creepy mood . 
're in for a painful ride 
issues ' 
numb experience 
fun adventure movie 
a bold ( and lovely ) experiment that will almost certainly bore most audiences into their own brightly colored dreams . 
empty , purposeless 
emphasis 
if you are willing to do this , then you so crazy ! 
rushed 
has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers 
befuddled 
has a good line in charm 
it may not be particularly innovative , but the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding . 
the film 's thoroughly recycled plot and tiresome jokes 
afraid of the bad reviews they thought they 'd earn 
a landmark in film history 
finding their way to joy 
can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it 
a smart and funny 
by childlike dimness and a handful of quirks 
more fascinating -- being real -- than anything seen on jerry springer 
when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
knows everything and answers all questions , 
new testament stories 
gets too cloying 
it looks like an action movie , but it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such . 
because you 're one of the lucky few who sought it out 
find an escape clause and avoid seeing this trite , predictable rehash . 
play like the worst kind of hollywood heart-string plucking 
that ` they do n't make movies like they used to anymore 
too deep or substantial . 
based on ugly ideas instead of ugly behavior 
that helps make great marching bands half the fun of college football games 
ill-advised and poorly 
's a barely tolerable slog over well-trod ground 
ideas and awkwardness 
usual spielberg flair 
a film neither bitter nor sweet 
nothing happens , and 
badly cobbled 
clarity and deeply 
the refreshingly unhibited enthusiasm 
, empire still has enough moments to keep it entertaining . 
are pure hollywood 
an elegant work , food of love is as consistently engaging as it is revealing . 
has the disadvantage of also looking cheap 
's no discernible feeling beneath the chest hair 
merrily 
definitely worth 95 minutes of your time . 
past love story derisions 
it may ... work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns . 
more than a whiff of exploitation 
style , structure and rhythms are so integrated with the story 
of impact and moments 
a rip-off of the matrix 
probably should 
an escapist confection that 's pure entertainment . 
nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced 
tedious and turgid 
is so anemic 
he gives none to the audience 
very top rank 
's still a sweet , even delectable diversion . 
are every bit as distinctive as his visuals 
an unremittingly ugly movie to look at , listen to , and think about , it is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film . 
powerful commentary 
is a weirdly beautiful place 
you do n't have the slightest difficulty accepting him in the role . 
creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees . 
mindless and 
shindler 
as hannibal would say , yes , ` it 's like having an old friend for dinner ' . 
an amused indictment of jaglom 's own profession . 
manages to incorporate both the horror 
though it 's not very well shot or composed or edited 
mostly plays it straight , turning leys ' fable into a listless climb down the social ladder . 
the ensemble has something fascinating to do 
catch the intensity of the movie 's strangeness 
intelligent , and humanly funny film 
` top of the world ' 
smeary and 
is funny , insightfully human and 
future-world 
by its predictable plot and paper-thin supporting characters 
despite its hawaiian setting , the science-fiction trimmings and some moments of rowdy slapstick , the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script . 
is supposed to be madcap farce . 
with but they 're simply not funny performers 
change watching such a character , especially when rendered in as flat 
too much like an infomercial for ram dass 's latest book aimed at the boomer 
sequences boring 
no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance 
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and 
we hold dear about cinema , only now it 's begun to split up so that it can do even more damage 
bring fresh good looks and an ease in front of the camera to the work 
appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché . 
compelling , provocative and prescient 
( `` safe conduct '' ) is a long movie at 163 minutes but it fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage 
mean-spirited and 
( a ) real pleasure in its laid-back way 
start reading your scripts before signing that dotted line 
plays like a loosely-connected string of acting-workshop exercises 
pushiness and decibel 
rich and sudden 
most consumers of lo mein and general tso 's chicken barely give a thought to the folks who prepare and deliver it , so , hopefully , this film will attach a human face to all those little steaming cartons . 
of love and companionship 
its accumulated enjoyment 
lifetime milestones 
of pleasure or sensuality 
a film which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director 
, smoky and inviting 
for excitement 
armed with a game supporting cast 
often-funny 
fails to entertain 
the film has a gentle , unforced intimacy that never becomes claustrophobic . 
be patient with the lovely hush ! 
, nuanced 
remarkable yet shockingly little-known perspective 
debts 
the endlessly repetitive scenes 
is better than most of the writing in the movie 
the film is a fierce dance of destruction . 
pulpy 
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious 
orchestrating a finale that is impenetrable and dull 
stand as intellectual masterpieces next to the scorpion king 
australian actor/director john polson and award-winning english cinematographer giles nuttgens make a terrific effort at disguising the obvious with energy and innovation . 
wonderfully creepy 
of a particularly nightmarish fairytale 
the real star of this movie is the score , as in the songs translate well to film , and 
for the marquis de sade set 
) gorgeous 
is truly gorgeous 
the awful complications 
enough said , except : film overboard ! 
michel piccoli 's moving performance 
a noble teacher who embraces a strict moral code 
in fact , even better . 
this argentinean ` dramedy ' succeeds mainly on the shoulders of its actors . 
an incredibly heavy-handed , manipulative dud that feels all too familiar 
to let you bask in your own cleverness as you figure it out 
when poor hermocrates and leontine pathetically compare notes about their budding amours 
please audiences who like movies that demand four hankies 
one lousy movie . 
, it 's just as wonderful on the big screen . 
little less bling-bling and a lot more romance 
amazingly evocative film 
a movie instead of an endless trailer 
with dickens ' words and writer-director douglas mcgrath 's even-toned direction , a ripping good yarn is told . 
new york 's finest and 
any of the character dramas , which never reach satisfying conclusions 
it 's not as awful as some of the recent hollywood trip tripe ... but it 's far from a groundbreaking endeavor 
might as well be watching a rerun 
's kind of sad that so many people put so much time and energy into this turkey . 
the punch lines that miss 
a determined , ennui-hobbled slog that really does n't have much to say beyond the news flash that loneliness can make people act weird . 
for the film 's publicists or for people who take as many drugs as the film 's characters 
, i 'll admit it , my only complaint is that we did n't get more re-creations of all those famous moments from the show . 
of ` laugh therapy ' 
cynicism every bit 
made to look bad 
well-developed characters 
delightful mix 
dog soldiers does n't transcend genre -- it embraces it , energizes it and takes big bloody chomps out of it . 
the breezy and amateurish feel 
treachery 
worry 
balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem 
on the irrelevant as on the engaging , which gradually turns what time 
berry 's saucy , full-bodied performance gives this aging series a much needed kick , making `` die another day '' one of the most entertaining bonds in years 
the adrenaline jolt of a sudden lunch rush at the diner 
are frequently too dark to be decipherable 
ensure that the film is never dull 
the tasteful little revision works wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals . 
for the rhapsodic dialogue that jumps off the page , and for the memorable character creations 
's this rich and luscious 
lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago . 
putters 
's nothing resembling a spine here 
failure 
dramatic things happen to people 
the hardy spirit of cuban music 
lumpy as two-day old porridge 
whiny 
attal pushes too hard to make this a comedy or serious drama . 
is too mainstream 
that the new film is a lame kiddie flick 
secretary takes the most unexpected material and handles it in the most unexpected way . 
been there , done 
's unlikely we 'll see a better thriller this year 
will probably find it familiar and insufficiently cathartic 
unrewarding collar 
appeal to women looking for a howlingly trashy time 
smart and entirely charming 
forced by his kids to watch too many barney videos 
sci-fi drama that takes itself all too seriously . 
's an enjoyable trifle nonetheless 
a hugely rewarding experience 
an uneven mix 
horrid little propaganda film with fascinating connections not only to the serbs themselves but also to a network of american right-wing extremists . 
can not recommend it , because it overstays its natural running time 
woefully 
could have been much stronger 
is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers . 
duck the very issues it raises 
possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything 
much stronger 
predisposed to like it 
with no obvious escape 
get out 
's the sweet cinderella story that `` pretty woman '' wanted to be 
ultimate blame 
good sweat 
gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek 
nearly every attempt at humor 
your first instinct is to duck 
an ugly-duckling tale so hideously and clumsily 
filled with love for the movies of the 1960s . 
its body humor and reinforcement of stereotypes 
tongue-in-cheek preposterousness has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ... 
strenuous 
make you feel guilty about ignoring what the filmmakers clearly believe 
a refreshing change from the usual whoopee-cushion effort 
is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon 
pretty good 
not to be dismissed 
when the movie mixes the cornpone and the cosa nostra , it finds a nice rhythm . 
more tiring than anything . 
satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation 
that haynes can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace . 
pokes , provokes , 
remains a disquieting and thought-provoking film 
authentically vague 
has no place to go since simone is not real 
the thrown-together feel of a summer-camp talent show : hastily written 
often intense 
baked cardboard 
poorly written 
overly sillified plot 
textbook lives 
after a while , the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky . 
interesting technical 
is beautiful filmmaking from one of french cinema 's master craftsmen 
at its worst 
rotting underbelly 
so bleak 
the paper-thin characterizations and facile situations 
be low , very low , very very low , 
an intimate contemplation of two marvelously messy lives . 
full of the kind of obnoxious 
in a way that does n't make you feel like a sucker 
rises 
powerful acting clinic 
, hartley created a monster but did n't know how to handle it . 
the characters are based on stock clichés , 
is an overwhelming sadness that feels as if it has made its way into your very bloodstream 
, deeply felt 
this charming , thought-provoking new york fest 
an appealing couple -- he 's understated and sardonic 
many clichés 
dry humor and jarring shocks 
pallid horror 
captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse . 
the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
exciting plot 
's already a joke in the united states 
about the long and eventful spiritual journey of the guru who helped 
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document -- its makers are n't removed and inquisitive enough for that . 
into one of the toughest ages a kid can go through 
packed with inventive cinematic tricks and an ironically killer soundtrack 
laugh-out-loud funny 
beginning to hate it 
overinflated 
half the fun of college football games 
who stumble into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek 
makes it not only a detailed historical document , but an engaging and moving portrait of a subculture 
a highly gifted 12-year-old instead of a grown man 
your toes wo n't still be tapping 
it 's surprisingly bland despite the heavy doses of weird performances and direction . 
-- is a crime that should be punishable by chainsaw . 
it is interminable 
a likable story , told with competence 
a marvelous performance 
surprisingly affecting 
displacement 
ample 
hatfield and hicks make the oddest of couples , and in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications 
air conditioning and popcorn 
guarantee that no wise men will be following after it 
slightly sunbaked and summery mind , sex and lucia may well prove diverting enough . 
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through . 
bittersweet comedy/drama full of life , hand gestures , and some really adorable italian guys . 
about openness , particularly the 
its storytelling prowess and 
, you might imagine that most every aggrieved father cliché has been unturned . 
the ensemble cast is engaging enough to keep you from shifting in your chair too often 
are rich veins of funny stuff in this movie 
( reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al . 
over-familiarity 
too fancy , not too filling 
the cinematography is atrocious 
grab your kids and run 
an impressive job of relating the complicated history of the war 
he can outgag any of those young whippersnappers making moving pictures today 
for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
the banality and hypocrisy 
for cultural and personal self-discovery and a picaresque view 
irwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free . 
its success on a patient viewer 
good films 
insultingly simplistic 
with each of her three protagonists , miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path . 
the story 's pathetic and 
meaty 
convincing case 
showtime 's uninspired send-up 
beautifully produced film 
as much as i laughed throughout the movie 
a category called best bad film you thought was going to be really awful but was n't 
though this saga would be terrific to read about , it is dicey screen material that only a genius should touch . 
fixating on its body humor and reinforcement of stereotypes 
pact to burn the negative and the script and pretend the whole thing never existed 
morally 
it did n't 
reporting on the number of tumbleweeds blowing through the empty theaters 
shocking in its eroticized gore 
that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home 
after being snared in its own tangled plot 
the melodramatic aspects start to overtake the comedy 
grow impatient 
a breathtakingly assured and stylish work 
another peek at some of the magic we saw in glitter here in wisegirls 
truly awful and 
's far too sentimental 
weak claims 
succeeded 
well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant 
sleaziness 
is a movie full of grace 
proves unrelentingly grim -- and equally engrossing 
slyly exquisite 
of a happy ending 
, a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd . 
extraordinary 
may lack the pungent bite of its title 
everyone except the characters in it can see coming a mile away 
common through-line 
firmly 
could n't recommend this film more . 
while cherish does n't completely survive its tonal transformation from dark comedy to suspense thriller , it 's got just enough charm and appealing character quirks to forgive that still serious problem . 
with us is a minor miracle 
for silly summer entertainment 
what 's surprising about this traditional thriller , moderately successful but not completely satisfying , is exactly how genteel and unsurprising the execution turns out to be . 
offers absolutely nothing i had n't already seen . 
flinging their feces at you 
truly come to care about the main characters 
lackadaisical 
an engrossing iranian film about two itinerant teachers and some lost and desolate people 
embraces it , energizes it and 
is nicely shot 
is nicholson 's goofy , heartfelt , mesmerizing king lear . 
in the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm 
a profoundly stupid affair 
stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters . 
widescreen photography 
have returned from the beyond to warn you 
a compelling story to tell 
you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary 
maguire makes it a comic book with soul 
they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . 
, sordid universe 
has some unnecessary parts and 
fits the bill perfectly 
showtime eventually folds under its own thinness . 
adorably 
wildly incompetent but brilliantly named half past dead -- or for seagal 
genial and decent 
the film brilliantly shines on all the characters , as the direction is intelligently accomplished . 
to comparing the evil dead with evil dead ii 
a beautiful , entertaining two hours . 
barely makes sense , with its unbelievable naïveté and arbitrary flashbacks . 
should not be missed 
fascinating literary mystery story 
its perfect quiet pace 
chilling and fascinating as philippe mora 's modern hitler-study 
fairy-tale conclusion 
one hour photo may seem disappointing in its generalities , but 
carries us effortlessly 
never wanted to leave . 
narrative arc 
does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity . 
hallelujah for small favors 
for the heart as well as the mind 
engross 
just never gets off the ground . 
a must see for all sides of the political spectrum 
lacking the slightest bit 
waiting for dvd and just skipping straight to her scenes 
overlong documentary about ` the lifestyle . 
morbid 
bore that tends to hammer home every one of its points . 
ca n't swim represents an engaging and intimate first feature by a talented director to watch 
to develop her own film language with conspicuous success 
long overdue 
capturing the opera 's drama and lyricism 
wander into the dark areas of parent-child relationships 
silliness and 
's definitely an improvement on the first blade , since it does n't take itself so deadly seriously 
on a positive ( if tragic ) note 
playing a role of almost bergmanesque intensity ... bisset is both convincing and radiant . 
save oleander 's uninspired story 
found the movie as divided against itself as the dysfunctional family it portrays 
winking social commentary 
making dog day afternoon with a cause 
fire a torpedo 
it 's been 13 months and 295 preview screenings since i last walked out on a movie , but resident evil really earned my indignant , preemptive departure . 
to affirm love 's power to help people endure almost unimaginable horror 
is a touching reflection on aging , suffering and the prospect of death 
a bit on the skinny side 
to remind us of how very bad a motion picture can truly be 
though it goes further than both , anyone who has seen the hunger or cat people will find little new here , 
happiness 
's best served cold 
this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree 
mctiernan 's remake may be lighter on its feet 
faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a 
yet in its own aloof , unreachable way it 's so fascinating you wo n't be able to look away for a second . 
attract and sustain an older crowd 
make the film 's conclusion powerful and satisfying 
small , human moments 
imaginative teacher 
it -- 
a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project 
destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
is ... very funny as you peek at it through the fingers in front of your eyes . 
has arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made b movie is long gone 
to keep the film entertaining 
characters are both overplayed and exaggerated 
the sheer dumbness of the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness get you down . 
are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze 
irresponsible 
a disservice 
a breathtakingly assured and stylish work of spare dialogue and acute expressiveness 
cultural and personal self-discovery and 
the vampires 
an amusing and unexpectedly insightful examination of sexual jealousy , resentment and the fine 
despite lagging near the finish line , the movie runs a good race , one that will have you at the edge of your seat for long stretches . ' 
here his sense of story and his juvenile camera movements smack of a film school undergrad 
this three-hour endurance test built around an hour 's worth of actual material 
glib but bouncy 
harrison ford low 
rock solid family fun out of the gates , extremely imaginative through out 
the plot is both contrived and cliched 
old ` juvenile delinquent ' paperbacks with titles 
return to never land is much more p.c. than the original version ( no more racist portraits of indians , for instance ) , but the excitement is missing 
i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one . 
may be more genial than ingenious , but it gets the job done 
a measure of style 
plain crap 
when her material is not first-rate 
appealing 
style and empathy 
a pleasant distraction , 
pat storylines , precious circumstances 
a tree 
wide-smiling reception 
a good line 
he comes across as shallow and glib though not mean-spirited 
groggy 
the movie does n't generate a lot of energy . 
a decent popcorn adventure 
makes the same mistake as the music industry it criticizes , becoming so slick and watered-down it almost loses what made you love it 
imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
sorvino is delightful in the central role . 
the worst movie of 2002 
boisterous energy 
with grace and panache 
truly come to care about the main characters and whether or not they 'll wind up together 
takes a potentially trite and overused concept ( aliens come to earth ) and 
takes a fresh and absorbing look 
generates plot points with a degree of randomness usually achieved only by lottery drawing . 
what hibiscus grandly called his ` angels of light 
venturesome , beautifully realized psychological mood piece 
is beautiful filmmaking from one of french cinema 's master craftsmen . 
of scene-chewing , teeth-gnashing actorliness 
with laughs 
intriguing and downright intoxicating . 
do n't think most of the people who loved the 1989 paradiso will prefer this new version 
of a good movie ye who enter here 
love and humility 
resembles an outline for a '70s exploitation picture 
deliver a riveting and surprisingly romantic ride . 
no clue about making a movie 
gag two or three times 
intoxicatingly sexy , violent , self-indulgent and maddening 
of spontaneity in its execution and a dearth of real poignancy 
that manages to show the gentle and humane side of middle eastern world politics 
gangster/crime comedy 
precious little substance 
a noticeable lack of pace 
doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans 
perception , conviction 
be churlish to begrudge anyone for receiving whatever consolation 
seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic 
i ca n't say it 's on par with the first one 
my own minority report is that it stinks . 
most politically audacious 
the château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . ' 
close to real life 
scare any sane person away 
practically every facet of inept filmmaking 
jell into charm 
all add up to a satisfying crime drama . 
is its unforced comedy-drama and its relaxed , natural-seeming actors 
sulky 
get your money back 
so freely 
, pretentious 
of the avant-garde fused with their humor 
it 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny 
an ironically killer soundtrack 
never quite makes the grade as tawdry trash . 
fascinating film 
falls short in building the drama of lilia 's journey . 
the dark places of our national psyche 
the dry humor 
that 's surprisingly short of both adventure and song 
inside the wave 
who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized 
a calm , self-assured portrait 
is achingly honest and delightfully cheeky . 
inoffensive 
rigor 
as sharp 
insufferably 
exactly how genteel and unsurprising the execution turns out to be 
of the ` laughing at ' variety than the ` laughing with 
the problem is that for the most part , the film is deadly dull . 
, miller digs into their very minds to find an unblinking , flawed humanity . 
matters play out realistically if not always fairly . 
courageousness 
despite an impressive roster of stars and direction from kathryn bigelow 
foremost cinematic poet 
... a rather bland affair . 
green ruins every single scene he 's in , 
steven spielberg brings us another masterpiece 
done-to-death 
it 's an effort to watch this movie , but 
features fincher 's characteristically startling visual style and an almost palpable sense of intensity . 
nothing about the film -- with the possible exception of elizabeth hurley 's breasts -- 
taking a hands-off approach when he should have shaped the story to show us why it 's compelling 
an infinitely wittier version of the home alone formula . 
plutonium 
is a distinct rarity , and an event 
heartfelt and achingly real 
based on theory , sleight-of-hand , and ill-wrought hypothesis 
all the small moments and flashbacks do n't add up to much more than trite observations on the human condition . 
an earnest try at beachcombing verismo 
yakusho , as always , is wonderful as the long-faced sad sack 
should appeal to women 
poor dana carvey 
talky , artificial and opaque ... an interesting technical exercise , but a tedious picture 
they need it to sell us on this twisted love story 
frantic , virulent and foul-natured 
magnificent jackie chan 
a remarkably cohesive whole , both visually and thematically 
: stallion of the cimarron is a winner . 
richly rewarded 
deadpan cool , wry humor and 
, it must be said that he is an imaginative filmmaker who can see the forest for the trees . 
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet 
two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected 
of the most repellent things 
perfect medium 
rare imax movie 
ultimately the story compels 
thanks largely to williams , all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film . 
belly laughs 
come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference 
there 's no real sense of suspense 
to mediocrity 
intoxicating 
is , in fact , so interesting 
together frustrating 
despite some comic sparks , welcome to collinwood never catches fire . 
through the mire of this alleged psychological thriller in search of purpose or even a plot 
do n't entirely ` get ' godard 's distinctive discourse 
the power of love 
as emotionally grand 
the real star of this movie is the score , as in the songs translate well to film , 
works on no level whatsoever for me . 
enormous 
the illogic of its characters 
goodall did , with a serious minded patience , respect and affection 
a little more humanity 
as clear and reliable an authority on that 
when it is n't incomprehensible 
action man cliché atop wooden dialogue 
into this somewhat tired premise 
hollow , self-indulgent 
thrives on its taut performances and creepy atmosphere 
mesmerizing one 
while the importance of being earnest offers opportunities for occasional smiles and chuckles , it does n't give us a reason to be in the theater beyond wilde 's wit and the actors ' performances . 
real women have curves wears its empowerment on its sleeve but even 
this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention . 
the most purely enjoyable and satisfying evenings at the movies i 've had in a while 
( a ) thoughtful , visually graceful work . 
at least a few good ideas and features some decent performances 
a seven rip-off 
documentary-like credibility 
it 's a ripper of a yarn and i for one enjoyed the thrill of the chill 
of stupidity , incoherence and sub-sophomoric sexual banter 
the filmmakers ' paws , sad to say 
every moment crackles with tension , 
a classical dramatic animated feature , 
bowling you over 
... a true delight . 
a fair bit of vampire fun 
old-fashioned but emotionally stirring 
script error 
the whole mess boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years . ' 
is n't that stealing harvard is a horrible movie -- if only it were that grand a failure 
of the most politically audacious films of recent decades 
splashed with bloody beauty as vivid 
lacking any real emotional impact 
many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience 
it 's an ambitious film , and 
seeing something purer than the real thing 
have been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie 
masterpiece ' and ` triumph ' 
itself is small and shriveled 
of a masterpiece -- and a challenging one 
defies classification 
a fairly enjoyable mixture of longest yard ... and the 1999 guy ritchie 
not counting a few gross-out comedies i 've been trying to forget 
the , yes , snail-like pacing and lack of thematic resonance 
a movie you observe , rather than one you enter into . 
a good film 
contains a few big laughs but many more that graze the funny bone 
story which fails to rise above its disgusting source material . 
nasty aftertaste 
powerful and telling 
torn apart 
melodramatic mountain 
human moments 
entertaining documentary 
marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel 
like stereotypical caretakers and moral teachers , 
is always welcome . 
on the surface a silly comedy 
remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . ' 
classical dramatic animated feature 
clamoring for another ride 
far too much 
made all the more poignant by the incessant use of cell phones 
a difficult time shaking its blair witch project real-time roots 
a very well-meaning movie , and 
remaining one of the most savagely hilarious social critics this side of jonathan swift 
moving and weighty depiction 
, the film works as well as it does because of the performances . 
's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness . 
overall the halloween series has lost its edge 
the movie rising above similar fare 
premise , mopes through a dreary tract of virtually plotless meanderings and 
offers a persuasive 
most likeable 
the story compels 
a tremendous piece of work . 
ca n't act 
the slapstick is labored , and the bigger setpieces flat . 
on its fairly ludicrous plot 
be most effective if used as a tool to rally anti-catholic protestors 
and narrative grace 
is entertainment opportunism at its most glaring . 
'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening 
more fun watching a documentary 
sly , sophisticated and surprising 
ratliff 's two previous titles , plutonium circus and purgatory county show his penchant for wry , contentious configurations , and this film is part of that delicate canon . 
cassavetes thinks he 's making dog day afternoon with a cause , but all he 's done is to reduce everything he touches to a shrill , didactic cartoon . 
feels more like a rejected x-files episode than a credible account of a puzzling real-life happening . 
wanderers and a bronx tale 
stench 
is gone , replaced by the forced funniness found in the dullest kiddie flicks 
that 's just too boring and obvious 
cheerfully 
i 've yet to find an actual vietnam war combat movie actually produced by either the north or south vietnamese , but at least now we 've got something pretty damn close 
a mimetic approximation of better films like contempt and 8 1/2 . 
is almost in a class with that of wilde himself 
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but the emphasis on the latter leaves blue crush waterlogged 
overwrought you 'd swear he just stepped out of a buñuel retrospective 
the richness 
a silly hack-and-slash flick 
has the screen presence to become a major-league leading lady , ( but ) 
some of the most poorly staged and lit action in memory 
never having seen the first two films in the series , i ca n't compare friday after next to them , but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days 
should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end 
the audience when i saw this one was chuckling at all the wrong times , and 
this time , the hype is quieter , and 
the script assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
decent draft 
the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport . 
brilliantly played 
got it right the first time 
seagal , who looks more like danny aiello these days , mumbles his way through the movie . 
miyazaki 's nonstop images are so stunning , and his imagination so vivid 
shrieky special effects 
high crimes carries almost no organic intrigue as a government / marine/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue 
the modern rut 
are bad 
that wastes the talents of its attractive young leads 
scathingly witty 
bitchy 
so distant you might as well be watching it through a telescope 
given up 
ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out 
pretention 
the film , and at times , elevate it to a superior crime movie 
a predictable outcome and 
film history 
taking your expectations and twisting them just a bit 
, uncertain film 
, emotionally honest 
mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty 
retread story 
avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up 
be mesmerised 
dumb , narratively chaotic , 
a delightful stimulus for the optic nerves , so much that it 's forgivable that the plot feels like every other tale of a totalitarian tomorrow . 
at once overly old-fashioned in its sudsy plotting and heavy-handed in its effort to modernize it with encomia to diversity and tolerance . 
through a dreary tract of virtually plotless meanderings 
sure , it 's contrived and predictable , but its performances are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be 
yet it 's not quite the genre-busting film it 's been hyped to be because it plays everything too safe . 
high camp and yet another sexual taboo into a really funny movie 
unfolds as sand 's masculine persona , with its love of life and beauty , takes form 
are tantamount to insulting the intelligence of anyone who has n't been living under a rock ( since sept. 11 ) 
of women torn apart by a legacy of abuse 
a small gem from belgium 
a worthwhile documentary 
wholly unnecessary pre-credit sequence 
on sophisticated , discerning taste 
right tone 
... unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted . 
most excruciating 
to newcastle , the first half of gangster no. 1 drips with style and , at times , blood 
the increasingly diverse french director 
boredom to the point of collapse 
this stuck pig 
combines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart to create a film that 's not merely about kicking undead *** , but also about dealing with regret and , ultimately , finding redemption . 
a humorless 
provides the drama that gives added clout to this doc 
no one can hear you snore 
sucks , but 
that transforms this story about love and culture into a cinematic poem 
the script carries arnold ( and the viewers ) into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . '' 
he 's just a sad aristocrat in tattered finery 
spiritless , silly and monotonous 
a superb performance 
main asset 
just two 
beautifully shot , delicately scored and powered by a set of heartfelt performances 
a long , unfunny one 
with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations 
far the worst movie of the year 
low-budget 
powerfully drawn toward the light -- the light of the exit sign 
yes , spirited away is a triumph of imagination , but it 's also a failure of storytelling . 
good performances keep it from being a total rehash . 
spielberg 's first real masterpiece , it deserved all the hearts it won -- and wins still , 20 years later . 
's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' 
than to employ hollywood kids and people who owe 
in ( the characters ' ) misery 
about schmidt is nicholson 's goofy , heartfelt , mesmerizing king lear . 
( seagal 's ) strenuous attempt at a change in expression could very well clinch him this year 's razzie . 
shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people 
transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
sadly , though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction . 
are both overplayed and exaggerated 
the rock is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal . 
that few movies are able to accomplish 
the beaten path , not necessarily for the better 
a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic 
getting there is not even half the interest . 
favorably 
this mild-mannered farce , directed by one of its writers , john c. walsh , is corny in a way that bespeaks an expiration date passed a long time ago . 
had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
the actors are humanly engaged 
of empathy 
leave the theater with a lower i.q. than when i had entered 
thought-provoking and stylish 
historically significant , 
as subtle and touching as the son 's room 
put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d 
into a gut-wrenching examination of the way cultural differences and emotional expectations collide 
lacks the spirit of the previous two , 
are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front 
ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat 
` synthetic ' is the best description of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree . 
a bloated plot 
classic theater piece 
my only complaint 
to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
you can do no wrong with jason x. 
's still entertaining to watch the target practice . 
a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation 
for only 71 minutes 
an elegant visual sense and a talent 
, consistently funny . 
buried somewhere inside its fabric , but never clearly seen or 
the film has a laundry list of minor shortcomings 
to be a breath of fresh air 
tries too hard 
is unfocused , while the story goes nowhere . 
fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter ) 
everybody loves a david and goliath story 
a lame romantic comedy 
the movie bogs down in rhetoric and cliché . 
the writing is indifferent 
will probably like it . 
of his top-notch creative team 
when it 's not wallowing in hormonal melodrama 
needlessly poor quality 
an enthralling , entertaining feature 
with its many out-sized , out of character and logically porous action set 
lines , the impressive stagings of hardware 
bewilderingly brilliant 
with the cheesiest monsters this side of a horror spoof , which they is n't , it is more likely to induce sleep than fright . 
summery 
carefully choreographed 
- as-nasty - 
would be better as a diary or documentary 
a true adaptation of her book 
the capability of effecting change and inspiring hope 
are stanzas of breathtaking , awe-inspiring visual poetry 
cinematic deception 
delightful hand shadows 
about the origins of nazi politics and aesthetics 
making the right choice 
be the performances of their careers 
with energy and innovation 
a hard-to-swallow premise 
of the wondrous beats 
a bit of a downer and a little over-dramatic at times , 
made but uninvolving 
life 
the magnificent swooping aerial shots are breathtaking 
it 's rare to find a film to which the adjective ` gentle ' applies , but 
that both thrills the eye 
mckay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device 
the acting is n't much better . 
it is n't particularly funny 
are no less a menace to society than the film 's characters . 
'' comes from the heart 
absorbing movie 
a well paced and satisfying little drama that deserved better than a ` direct-to-video ' release 
enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and 
dystopian 
... a bland , pretentious mess . 
the jokes are sophomoric , 
well-timed explosion 
creepy turn 
though brown sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle 
beneath the uncanny , inevitable and seemingly shrewd facade of movie-biz farce ... lies a plot cobbled together from largely flat and uncreative moments . 
it 's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring . 
with loosely connected characters and plots that never quite gel 
great actors hamming it up 
delightful cast 
false , sitcom-worthy solutions 
mishandle the story 's promising premise of a physician who needs to heal himself 
is too upbeat 
modest masterpiece . 
not a classic , but a movie the kids will want to see over and over again . 
a stylistic 
that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type 
his story so compellingly with us is a minor miracle 
brings us right into the center of that world 
titular 
the more common saccharine genre 
characteristic style 
a stunningly unoriginal premise 
long-on-the-shelf 
revigorates 
nuanced performance 
a major waste ... 
a sports extravaganza 
any scorsese has ever given us 
the only pain 
, and their personalities undergo radical changes when it suits the script 
rather slow beginning 
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man . 
document 
lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
this is one adapted - from-television movie that actually looks as if it belongs on the big screen . 
is terrific 
distressing 
a sub-formulaic slap 
the tears come during that final , beautiful scene 
itself could be played out in any working class community in the nation . 
ear-splitting 
vehicle that even he seems embarrassed to be part of . 
better entertainment 
storytelling feels slight . 
guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today 
is funny and pithy , 
then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years . 
lingering death 
did n't just go to a bank manager and save everyone the misery 
russell lacks the visual panache , the comic touch , and perhaps the budget of sommers 's title-bout features . 
is a hoot , 
into a sane and breathtakingly creative film 
a surprisingly sweet and gentle comedy 
` laugh therapy ' 
passing twinkle 
good surprise ending 
popcorn movie fun 
some movie star charisma 
that leaves you wanting more 
the irwins ' scenes are fascinating ; 
, funnier . 
for anyone 
than into the script , which has a handful of smart jokes 
its worthy predecessors 
uneven , self-conscious but often hilarious spoof . 
a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild 
as such the film has a difficult time shaking its blair witch project real-time roots 
something to be ` fully experienced ' 
remarkable 
saddled with an unwieldy cast of characters and angles , 
insightful about kissinger 's background and history 
-- definitely a step in the right direction 
charming but slight comedy 
to rescue me from a summer of teen-driven , toilet-humor codswallop 
tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents 
gave me no reason to care 
quietly hopeful 
muy loco , but no more ridiculous 
life affirming and heartbreaking , sweet without the decay factor 
a nice , light treat 
inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
perfect teaming 
more of the same old garbage 
slow , 
lacks the spirit of the previous two 
fine performance 
that takes its sweet time building to a climax that 's scarcely a surprise by the time 
for kids or their parents , for that matter 
a smart , steamy mix of road movie , coming-of-age story and political satire . 
if there 's no art here 
, surreal ache of mortal awareness emerges a radiant character portrait . 
who cares ? 
painstaking 
, amusing and unpredictable 
while somewhat less than it might have been , the film is a good one , and you 've got to hand it to director george clooney for biting off such a big job the first time out . 
bloodsucker computer effects 
the film is a hilarious adventure and 
is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold 
the way a good noir should 
creates something more beautiful than either of those films 
is amazing 
your typical junkie opera 
summer audience 
there 's always these rehashes to feed to the younger generations 
the reason for that is a self-aware , often self-mocking , intelligence . 
emotional power 
this turd 
profound characterizations 
anemic , pretentious . 
's kind of sad that so many people put so much time and energy into this turkey 
's just merely very bad . 
raises the film above anything sandler 's been attached to before 
often strains 
a lunar mission with no signs of life 
of badness 
predictable plot and paper-thin supporting characters 
tackles more than she can handle 
` blue crush ' swims away with the sleeper movie of the summer award . 
pulls off enough 
a surprisingly ` solid ' achievement 
give a spark 
transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange 
is an enjoyable big movie primarily 
we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos . 
sketches 
is essentially an extended soap opera 
true pleasure . 
's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary 
once called ` the gift of tears 
are good 
complexities 
by a failure 
fumbled 
washed away 
a nearly 21/2 hours , the film is way too indulgent . 
black-and-white psychedelia 
depressingly 
efficient , 
to learn , to grow 
feel the screenwriter at every moment 
with its love of life and beauty 
, red dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation . 
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , 
solid , psychological action film 
as a war tribute is disgusting to begin with 
the year 's most enjoyable releases 
, the more details slip out between his fingers . 
a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably 
exploitative 
hard-won rewards 
a smart , compelling drama 
conceited 
it does elect to head off in its own direction 
a powerful young actor 
is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery 
get an ugly , mean-spirited lashing 
is a superior horror flick . 
bad sitcom 
fails 
worst 
a knockout of a closing line 
you 're going to subjugate truth to the tear-jerking demands of soap opera 
the film falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries . 
the mind to enter and accept another world 
essentially ruined -- or , 
detective story 
wimps out by going for that pg-13 rating 
a sentimental hybrid 
astonishingly 
screwball ideas 
her small , intelligent eyes 
rife with miscalculations 
like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions 
pleasant enough dish 
a convolution 
feels derivative 
it treats ana 's journey with honesty that is tragically rare in the depiction of young women in film . 
loud , low-budget and tired 
brings documentary-like credibility 
comes across as stick figures reading lines from a teleprompter . 
listen to marvin gaye or the supremes the same way again 
koepp 's screenplay is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own . 
's so fascinating you wo n't be able to look away for a second . 
rich , bittersweet israeli documentary 
is also as unoriginal as they come , already having been recycled more times than i 'd care to count . 
adds substantial depth 
have been called ` under siege 3 
effort and 
boorish movie 
is funny and 
irritates and saddens me 
his penchant for tearing up on cue -- 
is a phenomenal band with such an engrossing story that will capture the minds and hearts of many . 
, much ado about something is an amicable endeavor . 
of overly-familiar and poorly-constructed comedy 
wo n't feel cheated by the high infidelity of unfaithful 
pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love 
also a -- dare i say it twice -- delightfully charming -- and totally american 
drag along 
pot 
a bitter pill 
film buffs 
del 
you know it 's going to be a trip 
with few moments of joy rising above the stale material 
sex gags and prom dates 
profane and exploitative as the most offensive action 
impressionistic 
a confusing melange 
the film 's crisp , unaffected style 
funny film 
open 
a romantic crime comedy that turns out to be clever , amusing and unpredictable 
takes a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker . 
low-key romantic comedy 
manically generous 
strips bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults . 
is little more than a mall movie designed to kill time 
its art and heart 
playstation cocktail 
elegant and sly 
much of the movie 's charm 
the movie 's thesis -- elegant technology for the masses -- 
crossing-over mumbo jumbo , manipulative sentimentality , and 
uncompromising , difficult and unbearably beautiful 
, then you will probably have a reasonably good time with the salton sea . 
sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions 
is easily as bad at a fraction the budget 
dry 
family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year 
are simply intoxicating 
that it might as well have been titled generic jennifer lopez romantic comedy . 
ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending . 
doofus 
a pretty funny movie , 
flat dialogue 
the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati . 
good actors , good poetry 
what -- and has all the dramatic weight of a raindrop 
a more graceful way 
does n't allow an earnest moment to pass without reminding audiences that it 's only a movie . 
despite iwai 's vaunted empathy 
fast , funny , and even touching 
a lobotomy 
utter mush ... conceited pap 
about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
riveting profile 
on tediously about their lives , loves and the art 
appreciate the wonderful cinematography and naturalistic acting 
the uninspired scripts , acting and direction 
surprising in how much they engage and even touch us 
the widowmaker is a great yarn . 
unrealized 
low-rent -- 
caricature 
a great way to spend 4 units of your day 
desperate 
this is a movie full of grace and , ultimately , hope 
can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards 
brosnan is more feral in this film than i 've seen him before and halle berry does her best to keep up with him . 
spielberg flair 
felt emotions can draw people together across the walls that might otherwise separate them 
our imagination 
is impenetrable and dull 
simply because the movie is ugly to look at and not a hollywood product 
-- and at times , all 
canny and 
viva le resistance ! 
in love with a girl 
the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story . 
satire and childhood awakening 
by men of marginal intelligence 
brief pretentious period 
auspicious feature debut 
a film really has to be exceptional to justify a three hour running time 
charming in comedies like american pie and dead-on in election 
know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick 
the stars may be college kids , but the subject matter is as adult as you can get : 
for both the scenic splendor of the mountains 
it makes compelling , provocative and prescient viewing . 
effective 
even by the intentionally low standards of frat-boy humor 
incredibly heavy-handed , manipulative dud 
the story has its redundancies , and the young actors , not very experienced , are sometimes inexpressive . 
is faster , livelier and a good deal funnier than his original . 
vulgar and forgettably 
this film 's impressive performances 
keep you wide awake and ... 
excruciating film 
most magical and most fun family fare 
such a dependable concept 
mind-numbingly awful 
a remote shelf 
, first-time director denzel washington and a top-notch cast manage to keep things interesting . 
the narrator and the other characters try to convince us that acting transfigures esther 
collective heart attack 
a hypnotic cyber hymn and a cruel story of youth culture . 
drama 
cheesier 
the first half of his movie generates by orchestrating a finale that is impenetrable and dull 
the film is a hilarious adventure and i shamelessly enjoyed it . 
somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be 
the misery of these people 
mid-to-low budget 
suited neither to kids or adults 
wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie 
this in-depth study of important developments of the computer industry 
funnier than anything 
such fury 
on losers in a gone-to-seed hotel 
powerful and revelatory 
crazy as hell marks an encouraging new direction for la salle . 
an energetic , extreme-sports adventure 
oddly fascinating 
at its best 
`` white oleander , '' the movie , is akin to a reader 's digest condensed version of the source material . 
will find little new here 
form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people 
fanciful , 
one-trick pony 
none of this is very original , and it is n't particularly funny 
predictably melodramatic . 
soulful and 
serves up all of that stuff , nearly subliminally , 
a generic family comedy unlikely to be appreciated by anyone outside the under-10 set . 
when something goes bump in the night and nobody cares 
a solid , psychological action film 
, is painterly . 
seems to enjoy its own transparency 
formula family tearjerker 
's not a fresh idea at the core of this tale 
, thirteen conversations about one thing is a small gem . 
time and art 
the sheer joy and pride 
beautifully directed and convincingly acted . 
's already done way too often 
mystery and a ravishing , baroque beauty 
` alice 's adventure through the looking glass and into zombie-land ' is filled with strange and wonderful creatures . 
is off-putting , 
situates it all in a plot as musty as one of the golden eagle 's carpets . 
ideal casting 
silliness you are likely to witness in a movie theater for some time 
forgot 
dismiss -- 
a fine-looking film 
turns out to be affected and boring 
fluke 
alone could force you to scratch a hole in your head . 
, but director carl franklin adds enough flourishes and freak-outs to make it entertaining 
perfunctory conclusion 
is perfectly creepy and believable 
with moments of genuine insight into the urban heart 
relaxed in its perfect quiet pace 
reverie 
proved too difficult 
it 'll probably be in video stores by christmas , 
've been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement 
sad to say 
is pleasant , diverting and modest -- definitely a step in the right direction . 
takes its techniques into such fresh territory 
plot and paper-thin supporting characters 
post-war art world 
dogtown is hollow , self-indulgent , and - worst of all - boring . 
that embraces its old-fashioned themes and 
a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing 
insultingly unbelievable 
a rare treat that shows the promise of digital filmmaking 
a bit of a cheat in the end 
seem goofy 
one of the best of a growing strain of daring films ... 
rusi vulakoro 
do n't even bother to rent this on video . 
half-lit , sometimes creepy intimacy 
a miraculous movie , i 'm going home is so slight , yet overflows with wisdom and emotion . 
troubling 
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react . 
a well-rounded tribute to a man whose achievements -- and complexities -- reached far beyond the end zone . 
maintains an appealing veneer without becoming too cute about it . 
( a ) satisfying niblet . 
characteristically startling visual style and 
` ace ventura ' rip-off 
you can sip your vintage wines and watch your merchant ivory productions ; i 'll settle for a nice cool glass of iced tea and a jerry bruckheimer flick any day of the week . 
of obligatory cheap 
so pertinent and enduring 
is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide 
's incredible the number of stories 
lacks the visual panache , the comic touch , and perhaps the budget of sommers 's title-bout features 
the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann , 
co-writer/director peter jackson 's expanded vision 
remove spider-man the movie 
cruel , misanthropic stuff with only weak claims to surrealism and black comedy 
which may be why it 's so successful at lodging itself in the brain 
the film works 
the real star of this movie is the score , as in the songs translate well to film , and it 's really well directed . 
intriguing movie experiences 
the film has a terrific look and salma hayek has a feel for the character at all stages of her life 
a soul-stirring documentary about the israeli/palestinian conflict as 
from disappointing 
but enjoyable documentary . 
is a remarkably original work . 
while failing to find a spark of its own 
bartleby squanders as much as it gives out . 
refined 
, is a treat . 
is one of those rare pictures that you root for throughout 
off as annoying rather than charming 
more self-absorbed women than the mother and 
fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter ) . 
yet why it fails is a riddle wrapped in a mystery inside an enigma . 
fear and frustration are provoked to intolerable levels 
is n't much fun without the highs and lows 
is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears 
was n't enough 
soulless and -- even more damning -- virtually joyless , xxx achieves near virtuosity in its crapulence . 
's pretty linear and only makeup-deep 
be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already 
, a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style . 
the leanest and meanest of solondz 's misanthropic comedies 
turn bill paxton into an a-list director 
the best date movie 
disgusting . 
derived from a lobotomy , having had all its vital essence scooped out and discarded 
is the superficial way it deals with its story 
impeccable comic timing , 
sadly -- 
then you 're at the right film . 
its visual delights 
ayatollah 
at a failure of our justice system 
killer website movie 
of movie that comes along only occasionally , one so unconventional , gutsy and perfectly 
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and he 's got as potent a topic as ever here 
disaster flick 
is essentially devoid of interesting characters or even a halfway intriguing plot 
solid , spooky entertainment 
piece to watch with kids and use to introduce video as art 
very shapable but largely unfulfilling 
it also has many of the things that made the first one charming . 
a gloriously goofy way 
every aggrieved father cliché 
filled with more holes than clyde barrow 's car . 
wo n't join the pantheon of great monster/science fiction flicks that we have come to love 
the film ) works 
marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
sarah 's dedication to finding her husband seems more psychotic than romantic 
, it 's too long and unfocused . 
own placid way 
has become one of our best actors 
the good-time shenanigans in welcome perspective 
a man in pain 
, cliched and clunky 
the light-footed enchantment the material needs 
compliment 
go see this unique and entertaining twist on the classic whale 's tale 
( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ... blends uneasily with the titillating material 
immaturity 
dumb , narratively chaotic , visually sloppy 
the problems 
is a divine monument to a single man 's struggle to regain his life , his dignity and his music 
privileged moments and memorable performances 
shows little understanding 
begins haranguing the wife in bad stage dialogue 
of pure movie 
is brilliant , 
beyond its limit to sustain a laugh 
never worry about anyone being bored 
a powerful drama with enough sardonic wit to keep it from being maudlin 
fairly trite 
orwell 's dark , intelligent warning cry 
it 's fun , but it 's a real howler 
ignorant 
is a big letdown 
recycled more times than i 'd care to count 
offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes . 
is about as interesting 
nearly terminal case 
overlong documentary 
a poignant lyricism runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem . 
little doubt 
about as exciting to watch as two last-place basketball teams playing one another on the final day of the season 
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and 
's nowhere near as good as the original . 
so-five-minutes-ago pop music 
unambitious writing 
, whatever your orientation . 
of comedic bliss 
create a film that 's not merely about kicking undead *** , but also about dealing with regret and , ultimately , finding redemption 
come by once in a while with flawless amounts of acting , direction , story and pace 
impressive hybrid . 
lovely 
... spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) 
hide the fact that seagal 's overweight and out of shape 
all of the elements are in place for a great film noir , but 
you laugh once ( maybe twice ) 
maggots crawling on a dead dog 
fails as a dystopian movie , as a retooling of fahrenheit 451 , and even as a rip-off of the matrix 
the artistry of making a film 
cho 's timing is priceless . 
much interest 
more bluster 
the world needs more filmmakers with passionate enthusiasms like martin scorsese . 
generous and subversive artworks 
a boring , pretentious waste of nearly two hours 
almost as much as they love themselves 
there 's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title . 
succeeds mainly 
evokes a palpable sense of disconnection 
it will be , and in that sense is a movie that deserves recommendation 
than the bruckheimeresque american action flicks it emulates 
it 's so crammed with scenes and vistas and pretty moments that it 's left a few crucial things out , like character development and coherence . 
the astute direction of cardoso 
sentimentality and annoying 
winning squareness that would make it the darling of many a kids-and-family-oriented cable channel 
go around , with music and laughter 
crisp clarity 
your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california 
it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy 
the direction of spielberg 
fascinating , bombshell documentary 
does best 
can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed . 
hopelessly inane , humorless and under-inspired . 
the result is an ` action film ' mired in stasis . 
delightfully charming -- and totally american 
amnesiac 
treads heavily 
a superficial way 
dumb humor 
journalistically dubious , 
better after foster 
childlike dimness and 
a kids-and-family-oriented cable channel 
maryam is a small film , but it offers large rewards . 
the familiar topic of office politics 
's all surface psychodramatics 
not only learning but inventing a remarkable new trick 
because it echoes the by now intolerable morbidity of so many recent movies 
is unashamedly pro-serbian and makes little attempt to give voice to the other side . 
's not particularly well made 
directing with a sure and measured hand , ( haneke ) steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology . 
beautifully read and , finally , deeply humanizing 
since freddy got fingered 
shallow , noisy and pretentious . 
the viewer 's patience 
rich promise 
anarchist maxim 
is long on 
two fine actors , morgan freeman and 
rarely does such high-profile talent serve such literate material . 
the leads are natural and lovely 
hampered by its predictable plot and paper-thin supporting characters 
once overly old-fashioned in its sudsy plotting 
that this should seal the deal 
high crimes carries almost no organic intrigue as a government / marine/legal mystery 
is so intent on hammering home his message that he forgets to make it entertaining . 
an unbalanced mixture 
, the movie completely transfixes the audience . 
nights feels more like a quickie tv special than a feature film ... it 's not even a tv special you 'd bother watching past the second commercial break 
on top of a foundering performance 
wasting 
by the incredibly flexible cast 
it is just too bad the film 's story does not live up to its style . 
fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters 
make a nice coffee table book 
ends so horrendously confusing 
golden book 
so far-fetched it would be impossible to believe if it were n't true 
simple-minded and 
alert , if not 
is sordid and disgusting 
the incessant use 
the same way you came -- a few tasty morsels under your belt , but no new friends 
it is not the first time that director sara sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them . 
nothing about them is attractive . 
the performers are so spot on 
its appeal will probably limited to lds church members and undemanding armchair tourists . 
a film less 
a lovely film for the holiday season 
the increasingly diverse french director has created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history . 
urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration 
a head-turner -- thoughtfully written 
the comedy equivalent 
through with originality , humor and pathos 
of this unique director 's previous films 
some outrageously creative action 
a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly 
pushes all the demographically appropriate comic buttons 
combined with stunning animation 
cranky 
become one of our best actors 
( carvey 's ) characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark . 
every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye 
the most beautiful , evocative works i 've seen 
unfortunately , kapur modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare . 
hashiguchi uses the situation to evoke a japan bustling atop an undercurrent of loneliness and isolation . 
a nicely understated expression of the grief 
the relationship between reluctant 
is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
much of all about lily chou-chou is mesmerizing 
always entertaining , and smartly written 
an adoring , wide-smiling reception 
is authentic 
i would recommend big bad love only to winger fans who have missed her since 1995 's forget paris . 
is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes . 
enough to sit through crap like this 
a little scattered 
ignored it in favor of old ` juvenile delinquent ' paperbacks with titles 
made fresh by an intelligent screenplay and gripping performances 
it 's a ripper of a yarn 
the soundtrack alone is worth the price of admission . 
in-depth portrait 
entertaining and suggestive 
the demons of his own fear and paranoia 
at the very least 
intermittently powerful study 
you 'll enjoy the hot chick . 
racist portraits 
creating an intriguing species of artifice 
by the sea would slip under the waves . 
i thought the relationships were wonderful , the comedy was funny , and the love ` real ' 
has really done his subject justice . 
if there was ever a movie where the upbeat ending feels like a copout 
misses a major opportunity to be truly revelatory about his psyche . 
not since ghostbusters has a film used manhattan 's architecture in such a gloriously goofy way . 
to a t. 
cloaks a familiar anti-feminist equation ( career - kids = misery ) in tiresome romantic-comedy duds . 
male hip hop fantasy 
becomes a questionable kind of inexcusable dumb innocence 
bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults 
a great yarn 
rooted 
soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and `` ocean 's eleven , '' 
's surprisingly bland despite the heavy doses of weird performances and direction 
sweetness and vulnerability 
the muckraking , soul-searching spirit 
, it 's badder than bad . 
offers a trenchant critique of capitalism 
well-paced and ultimately 
stellar performance 
best disney movie 
flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism 
cardboard characters and performers 
will have fun with 
this crude , this fast-paced and this insane 
will eat up like so much gelati 
especially give credit to affleck . 
the movie contains no wit , only labored gags . 
been this disappointed by a movie in a long time 
inevitable and 
the cleverest , 
an interesting bit of speculation 
feel better already . 
its leaden acting 
teen-sleaze equivalent 
from being a complete waste of time 
is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast . '' 
as the direction is intelligently accomplished 
but no . . 
's a pretty woman 
's low on both suspense and payoff 
franco is an excellent choice for the walled-off but combustible hustler , 
good actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat 
fumbles away 
, overlong soap 
a tremendous , offbeat sense of style and humor 
miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path . 
to swallow thanks to remarkable performances by ferrera and ontiveros 
seems as deflated as he does 
dumb gags 
a spooky yarn of demonic doings on the high seas that works better the less the brain is engaged 
several strong performances 
harmless 
a lot of problems 
congrats disney 
the film has an odd purity that does n't bring you into the characters so much as it has you study them . 
is the awkwardly paced soap opera-ish story 
, it 's kinda dumb . 
reminds us that , in any language , the huge stuff in life can usually be traced back to the little things 
in a slap-happy mood 
a sly female empowerment movie 
half the excitement of balto 
updating white 's dry wit to a new age 
the movie spends more time with schneider than with newcomer mcadams , even though her performance is more interesting ( and funnier ) than his . 
dismiss 
rehashes several old themes and is capped with pointless extremes 
take the warning literally 
a thriller 
particular new yorkers deeply touched by an unprecedented tragedy 
energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested . 
from 
on no level whatsoever for me 
consistently funny 
equally engrossing 
looks and feels tired 
a reasonable degree of suspense 
turns a potentially interesting idea into an excruciating film 
a brief amount 
a heaven 
to create a film that 's not merely about kicking undead *** , but also about dealing with regret and , ultimately , finding redemption 
is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless 
quiet , introspective and entertaining 
a bang-up job of pleasing the crowds 
seems content to dog-paddle in the mediocre end of the pool , 
opening up 
told just proficiently enough to trounce its overly comfortable trappings . 
is an action movie with an action icon who 's been all but decommissioned 
to stop watching 
softheaded metaphysical claptrap 
who paid to see it 
less than fresh 
a triumph , a film that hews out a world and carries us effortlessly from darkness to light 
you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for 
rarely , a movie is more than a movie . 
we 've liked klein 's other work but rollerball left us cold 
to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original 
the performers are so spot on , it is hard to conceive anyone else in their roles . 
offend viewers not amused by the sick sense of humor . 
an incredibly irritating comedy about thoroughly vacuous people 
a seriocomic debut of extravagant promise by georgian-israeli director dover kosashvili . 
an overly sillified plot and 
becomes long and tedious 
are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach . 
intermittently wise 
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude , 
writer and director otar iosseliani 's pleasant tale 
is simply a well-made and satisfying thriller . 
is carried less by wow factors than by its funny , moving yarn that holds up well after two decades . 
a hilarious ode to middle america 
the funniest jokes of any movie 
derailed 
the problem with wendigo , for all its effective moments , is n't really one of resources . 
animation work 
i found it weirdly appealing 
do justice 
is extremely funny 
inconsequential road-and-buddy pic 
that is fully formed and remarkably assured 
, you discover that the answer is as conventional as can be . 
peels layers 
nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego 
bloody 
are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely 
strong filmmaking requires a clear sense of purpose , and in that oh-so-important category , the four feathers comes up short . 
in tired stereotypes 
so perfect for a ballplayer 
wise 
when the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails 
imaginary 
this film has an ` a ' list cast and some strong supporting players 
flawed humanity 
ame and unnecessary . 
watch robert deniro belt out `` when you 're a jet 
is n't just 
the long and eventful spiritual journey of the guru who helped 
a great writer 
messy , uncouth , incomprehensible , vicious and absurd 
though an important political documentary , this does not really make the case the kissinger should be tried as a war criminal . 
the chaotic horror 
the directing and story are disjointed , flaws that have to be laid squarely on taylor 's doorstep . 
full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s 
record the lives of women torn apart by a legacy of abuse 
by humanity 's greatest shame 
plays like a glossy melodrama that occasionally verges on camp . 
incredibly flexible cast 
is a smart movie that knows its classical music , knows its freud and knows its sade . 
tanks . 
corrupt 
romething 's really wrong with this ricture ! 
really strong second effort 
you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness 
of french cinema 's master craftsmen 
i would have liked it much more if harry & tonto never existed 
grinds itself 
all the way to the credits 
a winning comedy with its wry observations 
the most screwy thing here is how so many talented people were convinced to waste their time 
awarded mythic status 
tambor and clayburgh make an appealing couple -- he 's understated and sardonic , she 's appealingly manic and energetic . 
, very good 
fun with it all 
, thoughtful , unapologetically raw 
this film always keeping the balance between the fantastic and the believable 
much has been written about those years when the psychedelic '60s grooved over into the gay '70s , but words do n't really do the era justice . 
has performed a difficult task indeed 
consider what new best friend does not have , beginning with the minor omission of a screenplay . 
repetitious 
a freedom 
as a treatise on spirituality as well as a solid sci-fi thriller 
with lingering questions about what the film is really getting at 
jacobi , the most fluent of actors , 
powerful and reasonably fulfilling 
is driven by appealing leads 
a halfwit plot 
all too familiar ... 
in self-consciously flashy camera effects , droning house music and flat , flat dialogue 
a mess from start to finish 
a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama 
hide a weak script 
, dogtown and z-boys has a compelling story to tell . 
abject 
the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling 
decisive 
adobo 
they grow up and you can wait till then 
some movies were made for the big screen , some for the small screen 
the topic of relationships in such a straightforward , emotionally honest manner that by the end 
approach to the workplace romantic comedy . 
settle for 
are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ... 
profits 
sits there like a side dish no one ordered . 
breathe out of every frame 
as a remake , it 's a pale imitation . 
expect and often surprises you with unexpected comedy 
has a cinematic fluidity and sense of intelligence that makes it work more than it probably should 
notable 
breezy movie 
the first hour is tedious though ford and neeson capably hold our interest , but its just not a thrilling movie . 
things really get weird , though not particularly scary : the movie is all portent and no content 
terrifically entertaining 
charms are immediately apparent 
a coming-of-age movie that hollywood would n't have the guts to make . 
robust 
because of its heightened , well-shaped dramas 
looks genuinely pretty 
elegantly appointed 
's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety 
fascinating they may be as history 
winning and wildly fascinating work 
's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts . 
a long patch of black ice 
odd and weird 
this oscar-nominated documentary 
too burdened by the actor 
give the movie points for 
that only ever walked the delicate tightrope between farcical and loathsome 
see clockstoppers if you have nothing better to do with 94 minutes . 
of an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
thumbs up to paxton for not falling into the hollywood trap and making a vanity project with nothing new to offer 
bloated 
its characters , about whose fate it is hard to care 
intelligent and 
an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- 
to the endlessly repetitive scenes of embarrassment 
turn on many people to opera 
ararat is fiercely intelligent and uncommonly ambitious . 
substandard 
the characters are so generic and 
director hoffman , with great help from kevin kline , 
eventually resents having to inhale this gutter romancer 's secondhand material 
a tremendous , offbeat sense 
with taking insane liberties and doing the goofiest stuff out of left field 
the first fatal attraction was vile enough . 
to be dismissed 
ridiculous action sequences 
in a bad-movie way 
written by somebody else 
loses its overall sense of mystery 
mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday 
of the better video-game-based flicks , 
real shame 
often incisive satire and unabashed sweetness 
its filmmakers run out of clever ideas and visual gags about halfway through 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , 
low-brow 
is phenomenal , especially the women . 
whimsical humor 
that makes the banger sisters a fascinating character study with laughs to spare 
positive change 
obsessive 
hilariously raunchy as south park 
lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing 
new energy 
is far-flung , illogical , and plain stupid 
would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest . 
has a difficult time shaking its blair witch project real-time roots 
, kapur gives us episodic choppiness , undermining the story 's emotional thrust . 
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end 
oftentimes funny , 
i do n't know what she 's doing in here 
great fun 
the qualities that made the first film so special 
that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
do a load of good 
drumline is its energy 
is dicaprio 's best performance in anything ever , and easily the most watchable film of the year . 
well-paced 
he has something significant to say 
brian tufano 's handsome widescreen photography 
horribly depressing and 
ultimately this is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay . 
a strong erotic spark to the most crucial lip-reading sequence 
, steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience . 
like showgirls and glitter , the most entertaining moments here are unintentional . 
laugther 
be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows 
, this is one of the best-sustained ideas i have ever seen on the screen . 
is n't as funny as you 'd hoped . 
as a good old-fashioned adventure for kids , spirit : stallion of the cimarron is a winner . 
bitter and less mature 
it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies 
suggest possibilities which imbue the theme with added depth and resonance 
the occasional belly laugh 
shows uncanny skill in getting under the skin of her characters 
spreads itself too thin , leaving these actors , as well as the members of the commune 
while certainly clever in spots 
to accommodate to fit in and gain the unconditional love she seeks 
gives this aging series a much needed kick , making `` die another day '' one of the most entertaining bonds in years 
evocative 
i do n't know if frailty will turn bill paxton into an a-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie . 
where nothing really happens 
worthy of our respect 
successfully 
has a florid turn of phrase that owes more to guy ritchie than the bard of avon 
advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching 
between these two marginal characters 
they so heartwarmingly motivate 
carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff . 
a sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern china 
rising star jake gyllenhaal 
that suffers because of its many excesses 
griffiths ' warm and winning central performance 
he 's just a sad aristocrat in tattered finery , and the film seems as deflated as he does 
a plodding teen remake that 's so mechanical you can smell the grease on the plot 
a truly larger-than-life character 
action-packed an experience as a ringside seat at a tough-man contest 
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and 
seeing things from new sides , plunging deeper , 
here 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior . 
as pure composition and form -- 
family 
formulaic to the 51st power , more like . 
intelligent jazz-playing exterminator 
tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries 
old 
for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects 
satisfactorily exploit its gender politics , genre thrills or inherent humor 
a solidly constructed , entertaining thriller 
suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story 
clarity 
turns fanciful , grisly and engagingly quixotic 
frightening and compelling 
the first mistake 
her petite frame and vulnerable persona emphasising her plight and isolation 
goldmember has none of the visual wit of the previous pictures , and it looks as though jay roach directed the film from the back of a taxicab . 
naughty children 's 
sophisticated film 
offering instead with its unflinching gaze a measure of faith in the future 
warm , inviting , and surprising 
the film 's plot may be shallow , 
vowing , ` this is going to be something really good 
with such a buoyant , expressive flow of images 
out-of-kilter 
grotesquely 
mark it takes an abrupt turn into glucose sentimentality and laughable contrivance 
are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk . 
rubber-face routine 
allows his cast the benefit of being able to give full performances ... 
is n't a new idea 
bad stage dialogue 
lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings 
picture-perfect 
precocious smarter-than-thou wayward teen struggles to rebel against his oppressive , right-wing , propriety-obsessed family . 
duds 
wonderfully sprawling soap opera 
foul substances 
fairly unsettling scenes 
of character-driven storytelling 
beautiful film 
darned if your toes wo n't still be tapping 
cheapening 
of its marks 
gets sillier , not scarier , 
examines crane 's decline with unblinking candor . 
so aggressively cheery that pollyana would reach for a barf bag . 
uses a totally unnecessary prologue , just because it seems obligatory 
would be a total washout 
foreign culture only 
impressive images 
stock plot 
more irresistibly than in ` baran 
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie 
, tasteless and idiotic 
the talented cast generally 
a fresh , entertaining comedy that looks at relationships minus traditional gender roles . 
, ` naqoyqatsi ' is banal in its message and the choice of material to convey it . 
to shine 
a renowned indian film culture that allows americans to finally revel in its splendor 
you might think he was running for office -- or trying to win over a probation officer 
live together 
somewhat less than it might have been 
crowd pleaser 
humorless , self-conscious art drivel , made without a glimmer of intelligence or invention . 
control-alt-delete 
of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant 
storytellers 
be spectacularly outrageous 
's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' ? 
never finds its tone and several scenes run too long . 
are served with a hack script 
appeals to me 
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but it 's stupid 
dogs 
a highly spirited , imaginative kid 's movie that broaches neo-augustinian theology : is god 
a young boy 
moving and vibrant 
after 30 minutes into a slap-happy series 
fails on so many levels 
which become strangely impersonal and abstract 
disturbance or detached pleasure 
druggy and self-indulgent , 
gorgeous pair 
is oscar-worthy . 
sparkling , often hilarious romantic jealousy comedy ... 
lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay 
of misogyny and unprovoked violence 
, ugly and destructive little **** 
perfect black pearls 
is n't 
a non-stop funny feast of warmth , color and cringe 
want to check it out 
in search of a better movie experience 
unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn 
takes great pleasure 
work in concert 
burns 's strongest film since the brothers mcmullen 
enough freshness 
rude and profane 
's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke . 
sanitised and 
levity 
should dispel it 
at least three dull plots 
filled with unlikable , spiteful idiots 
more predictable than their consequences 
's a crime movie made by someone who obviously knows nothing about crime 
be found a tough beauty 
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and it goes nowhere 
resurrection has the dubious distinction of being a really bad imitation of the really bad blair witch project . 
far more entertaining 
before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm 
bland to be interesting 
certainly was n't feeling any of it 
if `` lilo & stitch '' is n't the most edgy piece of disney animation to hit the silver screen , then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years . 
familiar you might as well be watching a rerun 
but something far more stylish and cerebral -- and , hence 
rifkin 's references are ... impeccable throughout . 
escapes the precious trappings of most romantic comedies , infusing into the story very real , 
scratch for a lesson in scratching 
like it was worth your seven bucks 
is pretty much the same all over 
the delicious 
mike shoots and scores 
the number of tumbleweeds blowing through the empty theaters 
very minds 
non-techies can enjoy 
takes a fresh and absorbing look at a figure whose legacy had begun to bronze 
kosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting . 
in mystery and a ravishing , baroque beauty 
should win the band a few new converts , too 
deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer . 
no-holds-barred cinematic 
the banter between calvin and his fellow barbers feels like a streetwise mclaughlin group ... and never fails to entertain . 
that is filled with raw emotions conveying despair and love 
the message of our close ties with animals can certainly not be emphasized enough 
humor and heart and very talented young actors 
its compelling mix 
an artist , one whose view of america , history and the awkwardness of human life is generous and deep 
that seems as though it was written for no one , but somehow 
in a give-me-an-oscar kind of way 
a pleasant enough dish 
what soured me on the santa clause 2 was that santa bumps up against 21st century reality so hard , it 's icky . 
of one unstable man 
we delight in the images 
another gross-out college comedy -- ugh 
stitch is a bad mannered , ugly and destructive little **** . 
superficially written characters ramble 
hit on a 15-year old 
the high seas that works better the less the brain is engaged 
's not clear whether we 're supposed to shriek 
a hopeless , unsatisfying muddle 
will have an intermittently good time 
in watching the resourceful molly stay a step ahead of her pursuers 
is n't much there here . 
an impressive roster of stars and direction 
the most beautiful , evocative works 
smugly 
rich in shadowy metaphor and as sharp as a samurai sword , jiang wen 's devils on the doorstep is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut . 
well-directed and 
a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism 
possible argentine american beauty reeks 
grandkids 
the results are tired 
bale reduced mainly to batting his sensitive eyelids 
good things to offer 
an intermingling of naiveté and sophistication 
by a charm that 's conspicuously missing from the girls ' big-screen blowout 
most deceptively amusing comedies 
enjoyable 100 
ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up 
no earthly reason 
enough to become comparatively sane and healthy 
, i 'll buy the soundtrack . 
the artsy and often pointless visuals 
had a lot of problems with this movie 
a real story 
the most offensive action 
the emperor 's club any time 
humankind 's liberating ability 
high-spirited 
there are for children and dog lovers 
enough is not a bad movie , just mediocre . 
fails as a dystopian movie , 
respect 
` anyone with a passion for cinema , and indeed sex , should see it as soon as possible . ' 
there is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens . 
has a forcefully quirky tone that quickly wears out its limited welcome 
like a non-stop cry for attention 
uses very little dialogue 
fluid , no-nonsense authority 
'll buy the soundtrack . 
the best movie in many a moon about the passions that sometimes fuel our best achievements and other times 
that it was intended to be a different kind of film 
of the director , frank novak , that keeps the film grounded in an undeniable social realism 
the plot makes no sense 
there 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery 
overwhelmingly positive portrayal 
the pathology it pretends to investigate 
like the excruciating end of days 
putting together familiar themes of family , forgiveness and love in a new way 
a rock-solid gangster movie with a fair amount of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics . 
a wonderfully speculative character 
leers , offering next to little insight into its intriguing subject 
illiterate , often inert sci-fi action thriller . 
think it 's in danger of going wrong 
kids-and-family-oriented 
a distinct rarity , and an event 
members of the cultural elite 
a love affair 
pull together easily accessible stories that resonate with profundity 
desire to enjoy good trash every now and then 
diesel is n't the actor to save it . 
's back-stabbing , inter-racial desire and , most importantly , singing and dancing . 
what 's missing in murder by numbers 
for all audiences 
you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history . 
it 's begun to split up so that it can do even more damage 
of effecting change and inspiring hope 
with motionless characters 
complex and quirky , but 
comfort and familiarity 
superior cast 
is tuned in to its community . 
talking a talk that appeals to me 
being unique does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke . 
people who are enthusiastic about something and then 
succeeds where its recent predecessor miserably fails because it demands that you suffer the dreadfulness of war from both sides . 
this 90-minute dud 
is n't worth sitting through 
passionate , if somewhat flawed , treatment 
like a living-room war of the worlds , gaining most of its unsettling force from the suggested and the unknown 
of the most entertaining bonds in years 
puts enough salt 
the movie 's sophomoric blend of shenanigans and slapstick 
there are flaws , but also stretches of impact and moments of awe ; 
that everyone involved with moviemaking is a con artist and a liar 
get into heaven by sending the audience straight to hell 
as well-written as sexy beast 
unless you come in to the film with a skateboard under your arm , you 're going to feel like you were n't invited to the party . 
from a director who understands how to create and sustain a mood 
's one of the few ` cool ' actors who never seems aware of his own coolness . 
a lot of the credit for the film 's winning tone 
'll love this movie . 
tear your eyes 
viewers are asked so often to suspend belief that were it not for holm 's performance 
enough cool fun 
as sharp or as fresh 
a large dose of painkillers 
of explosive physical energy and convincing intelligence 
can render it anything but laughable . 
it is messy , uncouth , incomprehensible , vicious and absurd . 
a crisp psychological drama ( and ) a fascinating little thriller that would have been perfect for an old `` twilight zone '' episode . 
distracted by the movie 's quick movements 
worthy of her considerable talents 
we assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low . 
morality , family , and social expectation 
an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation 
as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny 
what it would be like to be smack in the middle of a war zone armed with nothing but a camera 
a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore 
in the hands of a brutally honest individual like prophet jack 
is as bad as you think , and worse than you can imagine . 
, then the film is a pleasant enough dish . 
the theme with added depth and resonance 
, skins is heartfelt and achingly real . 
, haphazard theatrical release 
degenerates into hogwash 
rotten in the state of california 
full of bland hotels , highways , parking lots , with some glimpses of nature and family warmth , time out is a discreet moan of despair about entrapment in the maze of modern life . 
without bestowing the subject with the intelligence or sincerity it unequivocally deserves 
embarrassed to be part of 
gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films . 
makes oliver far more interesting than the character 's lines would suggest 
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , 
when a movie asks you to feel sorry for mick jagger 's sex life , it already has one strike against it . 
style-free 
screen with considerable appeal 
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged . 
inert sci-fi action thriller . 
the joyous , turbulent self-discovery 
you 'll love it and probably want to see it twice . 
because australia is a weirdly beautiful place 
fearless 
that it seems the film should instead be called ` my husband is travis bickle ' 
cho 's previous concert comedy film 
won my heart 
laugh at how bad 
the best since the last waltz 
like many such biographical melodramas , it suffers from the awkwardness that results from adhering to the messiness of true stories . 
sayles has an eye for the ways people of different ethnicities talk to and about others outside the group . 
our eyes 
ca n't recommend it 
is the kind of movie that gets a quick release before real contenders arrive in september . 
place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence 
afterlife 
rising 
find it with ring , an indisputably spooky film ; with a screenplay to die for 
this movie is to be cherished . 
emerges a radiant character portrait . 
... the movie , shot on digital videotape rather than film , is frequently indecipherable . 
dogme 
good-time shenanigans 
not enough fizz 
with really solid performances by ving rhames and wesley snipes . 
( `` laissez-passer '' ) 
is ingenious fun 
a solid formula for successful animated movies 
, the film is a hilarious adventure and i shamelessly enjoyed it . 
the movie 's contrived , lame screenplay and listless direction 
) meandering and pointless french coming-of-age import from writer-director anne-sophie birot 
malaise 
energized 
wonderous 
if you 're not deeply touched by this movie , check your pulse . 
seems too simple and the working out of the plot almost arbitrary . 
finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice . 
pretend it 's a werewolf itself by avoiding eye contact and walking slowly away . 
structured less as a documentary and more as a found relic 
holiday box office pie 
the powerful success of read my lips with such provocative material 
come up with an original idea for a teen movie 
look at the backstage angst of the stand-up comic . 
for its 100 minutes running time , you 'll wait in vain for a movie to happen . 
like many western action films , this thriller is too loud and thoroughly overbearing 
that it is one that allows him to churn out one mediocre movie after another 
does n't clue you in that something 's horribly wrong 
is so self-pitying 
a mesmerizing cinematic poem 
godard uses his characters -- if that 's not too glorified a term -- as art things 
of jaglom 's self-conscious and gratingly irritating films 
the bad guys 
disguise the slack complacency of ( godard 's ) vision 
a rip-off twice removed 
creates sheerly cinematic appeal 
the last metro ) 
ends up being neither , and fails at both endeavors 
from charismatic rising star jake gyllenhaal but also 
the dialogue is cumbersome , 
embarrassment and 
marveled 
full 
bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs 
more busy than exciting , more frantic than involving , more chaotic than entertaining . 
in the soulful development of two rowdy teenagers 
pity 
the worst film 
captures an italian immigrant family on the brink of major changes . 
to insult the intelligence of everyone in the audience 
its brilliant touches 
have made the old boy 's characters more quick-witted than any english lit 
the look and the period trappings right 
's really just another major league 
handed down 
hollywood horror 
it 's like dying and going to celluloid heaven 
duvall is strong as always . 
she is a lioness , protecting her cub , and he a reluctant villain , 
a searing , epic treatment of a nationwide blight that seems to be , 
a bit too eager to please . 
a film that affirms the nourishing aspects of love and companionship 
one word that best describes this film : honest 
ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast . 
molested 
stands a good chance of being the big 
at such a furiously funny pace 
target practice 
popcorn thriller 
astoundingly rich film 
are certainly 
is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action . 
what ( denis ) accomplishes in his chilling , unnerving film is a double portrait of two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned . 
loosely-connected string 
tells its poignant and uplifting story in a stunning fusion of music and images 
max pokes , provokes , takes expressionistic license and hits a nerve 
imagine anybody being able to tear their eyes away from the screen 
with an elegance and maturity 
's still unusually crafty and intelligent for hollywood horror 
movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics 
presented with universal appeal 
mr. nachtwey has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity . 
shame on writer/director vicente aranda for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull 
ruthless in its own placid way 
robin williams , death to smoochy 
it is japanese and yet feels universal 
safe conduct is anything but languorous . 
expressive 
become strangely impersonal and abstract 
rambles aimlessly through ill-conceived action pieces 
should have ditched the artsy pretensions and revelled in the entertaining shallows 
shining with all the usual spielberg flair 
has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him 
that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past 
of jason x 
what it is -- a nice , harmless date film 
far from heaven is a dazzling conceptual feat , but 
the experience worthwhile 
that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken 
like quirky , odd movies and/or the ironic 
shows the promise of digital filmmaking 
amazing 
to remarkable performances 
is remarkably dull with only caine 
romp that 's always fun to watch . 
so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails 
time is a beautiful film to watch , an interesting and at times captivating take on loss and loneliness . 
makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering . 
ultimately too repellent to fully endear itself to american art house audiences , but it is notable for its stylistic austerity and forcefulness . 
in its yearning for the days 
allows the film to drag on for nearly three hours 
the characterizations and dialogue lack depth or complexity , with the ironic exception of scooter . 
would reach for a barf bag 
a truly distinctive and a deeply pertinent film 
gives gifts to grownups 
as sexy beast 
a good and ambitious film 
dumb drug jokes and 
pared down its plots and characters to a few rather than dozens 
value and respect 
do n't notice the 129-minute running time 
has something a little more special behind it : music that did n't sell many records but helped change a nation 
through a sad , sordid universe of guns , drugs , avarice and damaged dreams 
becomes the last thing you would expect from a film with this title or indeed from any plympton film : boring . 
as shameful 
tenderness 
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck 
the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes 
is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings . 
seriously dumb characters , which somewhat dilutes the pleasure of watching them 
of fun 
sluggish , tonally uneven . 
can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain 
sumptuous ocean visuals and 
drag the movie 
a smart , romantic drama 
the lengths to which he 'll go to weave a protective cocoon around his own ego 
may fall fast asleep . 
just utter ` uhhh , ' which is better than most of the writing in the movie 
lousy one 
pedro 
the whole thing 's fairly lame , making it par for the course for disney sequels . 
davis ' candid , archly funny and deeply authentic take on intimate relationships 
that 's good 
as bad a film 
satisfyingly scarifying , fresh 
, it 's a bargain-basement european pickup . 
feel cheated 
he allows his cast members to make creative contributions to the story and dialogue . 
fidel castro 
a light-hearted way the romantic problems 
with an admirably dark first script by brent hanley 
have come from a xerox machine rather than ( writer-director ) franc 
slap her - she 's not funny ! 
guy gets girl , guy loses girl , audience falls asleep 
i liked a lot of the smaller scenes . 
unbelievable 
failing to find a spark of its own 
delivers more goodies than lumps of coal . 
is a horrible movie -- if only it were that grand a failure 
is anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic 
obvious , preposterous , the movie will likely set the cause of woman warriors back decades . 
well-told 
few things more frustrating to a film buff 
is impressive . 
filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
waters it down 
there 's no conversion effort , much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a hollywood career , if they want one . 
world war ii 
cliched and contrived 
so that the human story is pushed to one side 
's black hawk down with more heart . 
children 's ' song 
give a pretty good overall picture of the situation 
are , with the drumming routines , among the film 's saving graces 
a searing , epic treatment of a nationwide blight that seems to be 
earnest emotional core 
over-indulgent 
, his most personal work yet . 
unlimited access to families and church meetings 
do better elsewhere 
refused 
is a discreet moan of despair about entrapment in the maze of modern life . 
great american adventure 
everything that was right about blade is wrong in its sequel . 
terrorist attacks 
falls flat as a spoof . 
from a scene where santa gives gifts to grownups 
, this is beautiful filmmaking from one of french cinema 's master craftsmen . 
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and 
an unexpectedly sweet story of 
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and feels more like lyne 's stolid remake of `` lolita '' 
amicable 
strangely liberating 
traditional 
of screwball farce and blood-curdling family intensity on one continuum 
upper west sidey exercise in narcissism and self-congratulation disguised as a tribute . 
the energy humming 
in need of some trims and a more chemistry between its stars 
bluff 
is fiercely intelligent and uncommonly ambitious . 
surprisingly engrossing 
to sustain a laugh 
strange , funny , twisted , brilliant and macabre . 
very well-written and 
as a children 's party clown gets violently gang-raped 
its weighty themes are too grave for youngsters , but the story is too steeped in fairy tales and other childish things to appeal much to teenagers . 
as warm as it is wise , deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated . 
happily 
australia is a weirdly beautiful place 
the ingenious construction 
overwhelming 
enough charming moments 
a deficit of flim-flam 
joke 
it will warm your heart , 
in charm 
discovery and humor 
to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable 
baffled the folks in the marketing department 
particularly balk , who 's finally been given a part worthy of her considerable talents 
are especially fine 
pervasive 
the failure of the third revenge of the nerds sequel 
idiosyncratic enough to lift the movie above its playwriting 101 premise 
cast in impossibly contrived situations 
the familiar , funny surface 
fascinate 
who is in complete denial about his obsessive behavior 
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , and snow dogs deserves every single one of them 
, the film is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide . 
possession is a movie that puts itself squarely in the service of the lovers who inhabit it . 
a fullness that does not negate the subject 
a welcome and heartwarming addition to the romantic comedy genre 
with the kind of social texture and realism that would be foreign in american teen comedies 
a gamble and last orders are to be embraced 
this cartoon adventure is that wind-in-the-hair exhilarating . 
are becoming irritating . 
one of the worst of the entire franchise 
a selection of scenes in search of a movie . 
middle eastern world politics 
he probably would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way . 
finn 
holds the film 
falls victim 
this slight premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napoleon . 
a dark , gritty , sometimes funny little gem 
amounts to being lectured to by tech-geeks , if you 're up for that sort of thing 
funny bone 
weirdly appealing 
helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure 
though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head 
a rich tale of our times , very well told with an appropriate minimum of means . 
deadly dull , pointless meditation on losers in a gone-to-seed hotel . 
and totally disorientated 
wildly entertaining 
creative instincts 
if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor 
remarkably accessible and haunting film 
modernize it with encomia to diversity and tolerance 
some good material 
indulges in the worst elements of all of them 
it preaches 
should be served an eviction notice at every theater stuck with it 
during that final , beautiful scene 
coming back from stock character camp 
unfunny wannabe 
suspense or believable tension 
humorous and 
a no-bull throwback to 1970s action films 
little mermaid 
both heartbreaking and heartwarming ... just a simple fable done in an artless sytle , but it 's tremendously moving 
sheer dynamism 
spectator 
quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer 
to her inventive director 
the proper conviction 
contorting itself into an idea of expectation 
a risky venture that never quite goes where you expect and often surprises you with unexpected comedy 
beautiful food entrée 
director lee has a true cinematic knack , 
with first love sweetly 
runs out of ideas 
jar-jar binks : the movie 
favored by pretentious , untalented artistes who enjoy moaning about their cruel fate . 
a delightful comedy centering on food 
is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything 
i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- 
to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics 
of heart and unsettling subject matter 
if you ever wanted to be an astronaut , this is the ultimate movie experience - 
initially gripping 
a funny , triumphant , and moving documentary 
a fat man 's navel 
to speak about other than the fact that it is relatively short 
an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids 
been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention 
's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations . 
the film 's appeal has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth . 
man cliché 
heroes the way julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism 
zany mix 
raises some worthwhile themes 
make 105 minutes seem twice as long 
emerges as a numbingly dull experience . 
splashed with bloody beauty as vivid as any scorsese has ever given us 
apparently reassembled from the cutting-room floor of any given daytime soap 
smug 
is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean 
's apparent that this is one summer film that satisfies 
in a downward narcotized spiral 
talented thesps 
class bores 
there are times when the film 's reach exceeds its grasp 
parts of the film feel a bit too much like an infomercial for ram dass 's latest book aimed at the boomer demographic . 
holds promise 
while somewhat less than it might have been , the film is a good one , 
completely creatively stillborn 
like a great missed opportunity 
a majestic achievement 
a film that 's not merely about kicking undead *** 
all comedy 
at how much we care about the story 
the tale -- like its central figure , vivi -- is just a little bit hard to love . 
this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
truly larger-than-life 
rather slow 
since the thrills pop up frequently 
pulled from a tear-stained vintage shirley temple script 
by the time the surprise ending is revealed , interest can not be revived . 
well loved classic 
a rich tale 
vague without any of its sense of fun or energy 
brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing . 
dramatic substance 
the way it introduces you to new , fervently held ideas and fanciful thinkers 
the french lieutenant 's woman 
are quite admirable 
, the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama 
is entertaining on an inferior level 
both lead performances are oscar-size . 
are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy 
's great for the kids 
this pretty watchable 
yourself wishing that you and they were in another movie 
having a hard time believing people were paid to make it 
visually bland 
the kind of lush , all-enveloping movie experience 
horrors 
every sequel you skip will be two hours gained . 
the recording sessions are intriguing , 
a well paced and satisfying little drama that deserved better than a ` direct-to-video ' release . 
shattering , devastating documentary on two maladjusted teens in a downward narcotized spiral . 
the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone 
handled with intelligence and care 
clare peploe 's airless movie adaptation could use a little american pie-like irreverence . 
irritates 
at its utterly misplaced earnestness 
at its best 
made a film so unabashedly hopeful that it actually makes the heart soar 
so substantial or fresh 
of bad writing , bad direction and bad acting -- the trifecta of badness 
chabrol 's most intense psychological mysteries 
her subject matter 
the casting of raymond j. barry as the ` assassin ' greatly enhances the quality of neil burger 's impressive fake documentary . 
rosenthal ( halloween ii ) seems to have forgotten everything he ever knew about generating suspense . 
the potential success inherent in the mixture of bullock bubble and hugh goo 
too often spins its wheels with familiar situations and repetitive scenes 
pretentious mess . 
make it worth watching 
directs an equally miserable film the following year 
their lack of chemistry 
a sugar-coated rocky whose valuable messages are forgotten 10 minutes after the last trombone 
the film 's strength is n't in its details , but in the larger picture it paints - of a culture in conflict with itself , with the thin veneer of nationalism that covers our deepest , media-soaked fears . 
most humane and important holocaust movies 
to give the film the substance it so desperately needs 
argues 
classic 
the parents -- and particularly the fateful fathers -- 
features a standout performance 
depressingly thin and exhaustingly contrived 
from one arresting image to another 
hurt 
shiner 
climactic burst 
a hallmark hall of fame 
loosely tied series 
hard to believe that something so short could be so flabby 
stitch 
someone who surely read the catcher in the rye but clearly suffers from dyslexia 
the charm of revolution os 
a legend 
even more predictable 
its heightened , well-shaped dramas 
sluggish pacing 
to learn , to grow , 
the great films 
in its effort to modernize it with encomia to diversity and tolerance 
you 're in luck . 
odd but ultimately satisfying 
, sprightly spin 
to burn every print of the film 
a lot going for it , not least the brilliant performances by testud ... 
it irritates and saddens me that martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere . 
a bad-movie way 
predominantly amateur cast is painful to watch 
allows each character to confront their problems openly and honestly 
spy kids 2 also happens to be that rarity among sequels : it actually improves upon the original hit movie . 
a terrible movie , 
trimmed 
the movie is virtually without context -- journalistic or historical . 
the excitement is missing 
numerous , world-renowned filmmakers 
first love sweetly 
legendary 
the curse of a self-hatred instilled 
lead performances 
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' 
creates in maelstrom a world where the bizarre is credible and the real turns magical 
the spotlight 
misanthropy 
it 's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage . 
marvelously 
a relentless , bombastic and ultimately empty world war ii action 
the movie should win the band a few new converts , too 
tense 
the major problem with windtalkers 
responsible for this illuminating comedy 
i 've seen some bad singer-turned actors , but lil bow wow takes the cake 
hollywood program 
no doubt , it 's the worst movie i 've seen this summer 
often surprising twists and 
cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and 
's so crammed with scenes and vistas and pretty moments that it 's left a few crucial things out , like character development and coherence . 
steve oedekerk is , alas , no woody allen . 
mel gibson fights the good fight in vietnam in director randall wallace 's flag-waving war flick with a core of decency . 
are n't so substantial or fresh 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue 
wheedling reluctant witnesses 
i 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment . 
this documentary is a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back . 
taking us through a film that is part biography , part entertainment and part history 
the ingenuity 
a winning comedy that excites the imagination and tickles the funny bone 
honest performances and 
movie that comes along only occasionally , one so unconventional , gutsy and perfectly 
of the goth-vampire , tortured woe-is-me lifestyle 
the positives 
in the broiling sun for a good three days 
, blue crush thrillingly uses modern technology to take the viewer inside the wave . 
dimming 
like brosnan 's performance , evelyn comes from the heart . 
-- drama , conflict , tears and surprise -- 
has something fascinating to do 
was , uh , michael zaidan , was supposed to have like written the screenplay or something 
truth-in-advertising hounds 
so low 
fart 
wild 
`` red dragon '' is entertaining . 
12th oscar nomination 
which somewhat dilutes the pleasure of watching them 
derailed by a failure to seek and strike just the right tone 
mediocre movies start to drag as soon as the action speeds up 
appalling 
very stilted in its dialogue 
too long and bogs down in a surfeit of characters and unnecessary 
a rip-off twice removed , modeled after ( seagal 's ) earlier copycat under siege 
offers a fair amount of trashy , kinky fun 
as easy to be bored by as your abc 's 
is always watchable . 
small ... with considerable aplomb 
creepy atmosphere 
believe that nachtwey hates the wars he shows and empathizes with the victims he reveals 
is less a documentary and more propaganda by way of a valentine sealed with a kiss 
turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody 
zero-dimensional , unlikable characters 
warm in its loving yet unforgivingly inconsistent depiction of everyday people 
that 's muy loco , but no more ridiculous than most of the rest of `` dragonfly . '' 
beyond the astute direction of cardoso and beautifully detailed performances by all of the actors 
of the really bad blair witch project 
furiously 
a tour de force of modern cinema 
as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch 
brilliant touches 
that most frightening of all movies 
who staggered from the theater and blacked out in the lobby 
how deeply felt emotions can draw people together across the walls that might otherwise separate them 
originality of plot 
there is plenty of room for editing , 
would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is 
is even lazier and far less enjoyable . 
the setting turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions . 
be hard pressed to succumb to the call of the wild 
a special kind 
would choose the cliff-notes over reading a full-length classic 
a cesspool 
the all-time great apocalypse movies 
for this sort of thing to work , we need agile performers , 
a new film from bill plympton , the animation master , is always welcome . 
ducts does n't mean it 's good enough for our girls 
a moving story of determination and the human spirit 
to enhance the self-image of drooling idiots 
in such a straightforward , emotionally honest manner that by the end 
contrived , unmotivated , 
some very good comedic songs , 
sit near the back and squint to avoid noticing some truly egregious lip-non-synching 
that should shame americans , regardless of whether or not ultimate blame 
problematic characters 
into an urban hades 
good action , good acting , 
farcically 
to the afghani refugees who streamed across its borders , desperate for work and food 
love it , 
deserves a chance to shine 
its proper home 
a 90-minute movie that feels five hours long 
me a lot of memento 
plunges you into a reality that is , more often then not , difficult and sad , and then , without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision . 
a lower i.q. 
it is also a testament to the integrity and vision of the band . 
as aimless as an old pickup skidding completely out of control on a long patch of black ice , the movie makes two hours feel like four . 
the film boasts dry humor and jarring shocks , plus moments of breathtaking mystery . 
comes off as insultingly simplistic 
neat 
above the level of an after-school tv special 
a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective 
a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors 
captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could 
fails to satisfactorily exploit its gender politics , genre thrills or inherent humor 
of the best of a growing strain of daring films 
distanced us from the characters . 
refreshing to see a romance this smart 
shows moments of promise but 
the romance between the leads is n't as compelling or as believable as it should be . 
urbane sweetness 
manages to have a good time as it doles out pieces of the famous director 's life 
and refined piece 
is consistently amusing and engrossing 
a joint promotion 
something else altogether -- clownish and 
and damaged dreams 
touching and funny 
( tries ) to parody 
than a stifling morality tale 
, revolting 
this quirky soccer import is forgettable 
you instantly know whodunit 
you hate to tear your eyes away from the images long enough to read the subtitles 
of an ignored people 
and thought-provoking film 
the film is well-intentioned 
on the cinematic front 
a xerox machine rather than ( writer-director ) franc 
far-flung , illogical , 
four-star movie 
everything else about the film tanks . 
funny and wise 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated , 
adventurous indian filmmakers 
stylish but steady , 
has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made . 
the quirky and recessive charms of co-stars martin donovan and mary-louise parker 
, the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities . 
accomplished actress 
most accomplished work 
saves it ... and makes it 
that 's plaguing the human spirit in a relentlessly globalizing world 
confused 
's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny 
lot to recommend read my lips 
the pleasures of a slightly naughty , just-above-average off - broadway play 
have been astronomically bad 
is almost nothing in this flat effort that will amuse or entertain them , 
by then , your senses are as mushy as peas 
it hates its characters . 
this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half . 
difficult to fathom 
the adventure does n't contain half the excitement of balto , or quarter the fun of toy story 2 . 
comedy and 
genuine quirkiness 
came up with a treasure chest of material 
dip into your wallet , swipe 90 minutes of your time , 
... stylistically , the movie is a disaster . 
its demented premise 
an articulate , grown-up voice 
alive and 
whether or not 
dour 
the best story 
carries you along 
put away the guitar , sell the amp , 
about nothing delivered by the former mr. drew barrymore 
with a twisted sense of humor 
the movie 's progression 
has the thrown-together feel of a summer-camp talent show : hastily written 
explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere 
, this will be an enjoyable choice for younger kids . 
the large-format film is well suited to capture these musicians in full regalia 
tavernier is more concerned with the entire period of history 
played for maximum moisture 
has several strong performances 
misconceived final 5 
the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing . 
a weird and wonderful comedy 
strands his superb performers in the same old story 
is n't quite enough to drag along the dead ( water ) weight of the other 
a mere plot pawn 
powerful young actor 
dark , gritty , sometimes funny 
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet 
term epic cinema 
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ; 
the lack of linearity 
the new film of anton chekhov 's the cherry orchard 
tells a story whose restatement is validated by the changing composition of the nation 
short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil . 
they see the joy the characters take in this creed 
natural affability 
surrounds herself with a company of strictly a-list players 
one never overwhelms the other 
the upscale lifestyle 
cannon 's confidence 
sharp 
all those famous moments 
their parents , wise folks that they are 
overtly disagreeable 
is nothing short of refreshing 
who does a convincing impersonation here of a director enjoying himself immensely 
the wonder of mostly martha 
despite its promising cast of characters , big trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . ' 
a perverse , dangerous libertine and agitator 
provides a satisfyingly unsettling ride 
become a spielberg trademark 
harsh conceptual exercise 
applying definition to both sides of the man 
the movie 's charm 
does n't come close to the level of intelligence and visual splendor that can be seen in other films 
intelligence and subtlety 
a film 's title served such dire warning 
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated , it 's a wonder that he could n't have brought something fresher to the proceedings simply by accident 
is more engaging than the usual fantasies hollywood produces . 
a beautiful , timeless and universal tale of heated passions -- jealousy , betrayal , forgiveness and murder 
are still looking for a common through-line 
the film is essentially juiceless . 
you 're an elvis person 
populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life 
eisenstein lacks considerable brio for a film about one of cinema 's directorial giants . 
it made me feel unclean 
so insatiable it absorbs all manner of lame entertainment , 
bogging down 
's no point of view , no contemporary interpretation of joan 's prefeminist plight 
ford and neeson capably hold our interest , but its just not a thrilling movie 
you 're far better served by the source material . 
sweeping , dramatic , hollywood moments 
he 's been in years 
while retaining an integrity and refusing to compromise his vision 
, it is twice as bestial but half as funny . 
the ethos of the chelsea hotel may shape hawke 's artistic aspirations , but he has n't yet coordinated his own dv poetry with the beat he hears in his soul . 
great fun , full of the kind of energy it 's documenting 
what elevates the movie above the run-of-the-mill singles blender is its surreal sense of humor and technological finish . 
's not a great monster movie . 
triumph over a scrooge or two 
's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness 
an encouraging effort from mccrudden 
believe it or 
fresh and absorbing 
a funny yet dark and 
cheesy backdrops , ridiculous action sequences 
during sunset 
yes , spirited away is a triumph of imagination , but 
the story is -- forgive me -- a little thin , 
a wonderous accomplishment of veracity and narrative grace 
of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach 
will be from unintentional giggles -- several of them . 
what he 's already done way too often 
come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals 
goofy , nutty , consistently funny . 
walked out muttering words like `` horrible '' and `` terrible , 
by generic scripts that seek to remake sleepless in seattle again and again 
cast the magnificent jackie chan in a movie full of stunt doubles and special effects 
morally bankrupt 
easy to take this film at face value and enjoy its slightly humorous and tender story 
to being very funny 
are as timely as tomorrow 
to a mix of the shining , the thing , and any naked teenagers horror flick 
pure 
the low-grade cheese standards 
a hilarious ode to middle america and middle age with this unlikely odyssey 
is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture . 
`` serious issues '' 
is one of world cinema 's most wondrously gifted artists 
more compelling excuse to pair susan sarandon and goldie hawn 
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , but showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks . 
would do better elsewhere 
posey 
this junk 
a nice little story 
skip this turd and pick your nose instead because you 're sure to get more out of the latter experience . 
frequently pandering to fans of the gross-out comedy 
revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway . 
a bittersweet contemporary comedy 
the comic effects of jealousy 
the powerful success 
merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press 
very sincere 
lack contrast , are murky 
funny film . 
just die already 
superficial midlife crisis 
as delightful 
achieves the feel of a fanciful motion picture 
that it 's inauthentic at its core and that its story just is n't worth telling 
watchable stuff . 
looks great , has solid acting and a neat premise . 
as gripping 
the movie 's success 
monsoon wedding 
, davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air 
girl entry 
cliche-ridden 
fathom 
kids five and up will be delighted with the fast , funny , and even touching story . 
a mediocre movie trying to get out 
that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton 
as if it were an obligation 
creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- 
we never really get inside of them . 
smarter offerings 
is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens 
succeeded only in making me groggy . 
you 'll forget about it by monday , though , and if they 're old enough to have developed some taste , so will your kids . 
under-inspired , overblown enterprise that gives hollywood sequels a bad name 
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight 
with great sympathy and intelligence 
in such a gloriously goofy way 
are really surprising 
an addictive guilty pleasure 
upper teens may get cynical . 
is never especially clever and often is rather pretentious . 
deserves , at the very least , a big box of consolation candy 
to the climactic burst of violence 
a good film that must have baffled the folks in the marketing department 
pretentious types who want to appear avant-garde 
little narrative momentum 
cold porridge with only the odd enjoyably chewy lump 
the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture . 
not only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream 
into one good one 
sometimes funny 
of relentlessly nasty situations 
real characters 
deserves a look 
an extraordinary 
that keep this nicely wound clock not just ticking , but humming 
it makes me feel weird / thinking about all the bad things in the world / like puppies with broken legs / and butterflies that die / and movies starring pop queens 
drag audience enthusiasm 
obscenely 
a terrible story 
a dime in the tries-so-hard-to-be-cool `` clockstoppers 
rotoscope animation for no apparent reason except 
airless , prepackaged julia roberts wannabe 
, the worst of tragedies can be fertile sources of humor 
deals with hot-button issues in a comedic context 
be profane 
achieves the near-impossible 
some good , organic character work , lots of obvious political insights 
a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely feature-length running time of one hour . 
has not a trace of humanity or empathy 
stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why 
more balanced or fair portrayal 
from its ripe recipe , inspiring ingredients , 
it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second , did i miss something ? '' 
far less enjoyable 
beautifully crafted and brutally honest , promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people . 
imax sound system 
any flaws that come later 
this date-night diversion 
- style cross-country adventure ... it has sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack . 
touching , raucously amusing , uncomfortable 
is one reason it 's so lackluster . 
can not be revived . 
artificial suspense 
is the score , as in the songs translate well to film 
a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's 
are what makes it worth the trip to the theater 
nothing about crime 
it can comfortably hold 
is strictly routine . 
has a tired , talky feel 
futility 
affected and boring 
a hollywood film 
relegated to a dark video store corner 
piercingly affecting 
of the rich and sudden wisdom , the film 
the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake . 
hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling . 
is so often less than the sum of its parts in today 's hollywood 
an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting 
refuses 
eccentric , accident-prone characters 
about one of cinema 's directorial giants 
told with an appropriate minimum of means . 
such a straightforward , emotionally honest manner that by the end 
debut effort by `` project greenlight '' winner is sappy and amateurish . 
warm . 
can still be smarter than any 50 other filmmakers still at work 
one ca n't deny its seriousness and quality . 
more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo 
of new york locales and sharp writing 
steeped in mystery and a ravishing , baroque beauty 
set in a remote african empire before cell phones , guns , and the internal combustion engine 
the good fight 
fare with real thematic heft . 
the audience award 
is an exercise in chilling style , and twohy films the sub , inside and out , 
grim future 
an mtv , sugar hysteria , and 
, remarkably unpretentious 
it 's too long and unfocused . 
most virtuous 
for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem 
clare peploe 's airless movie adaptation 
drop everything and run to ichi 
quiet , adult and just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it 
can be gleaned from this three-hour endurance test built around an hour 's worth of actual material 
ultimately , sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness . 
to a new scene , which also appears to be the end 
contrived and secondhand 
a pleasant piece of escapist entertainment . 
stages his gags 
viscerally exciting , and dramatically moving , it 's the very definition of epic adventure . 
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family 
'm guessing the director is a magician . 
combined with a tinge of understanding for her actions 
imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb 
ultimately vapid 
for every articulate player , such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence . 
old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
must have read ` seeking anyone with acting ambition but no sense of pride or shame . 
to sibling reconciliation with flashes of warmth and gentle humor 
balance all the formulaic equations in the long-winded heist comedy 
it should be poignant 
it makes even jason x ... look positively shakesperean by comparison 
infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart . 
crossroads comes up shorter than britney 's cutoffs . 
an endless trailer 
the dreadfulness 
modestly 
turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema 
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , 
the growing , moldering pile 
the title , many can aspire but none can equal 
the dullest science fiction 
salvage this filmmaker 's flailing reputation 
, from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner 
re-imagining of beauty and 
the film succeeds as an emotionally accessible , almost mystical work 
lousy tarantino imitations 
that rare combination 
, and intelligence 
it 's not as awful as some of the recent hollywood trip tripe ... but it 's far from a groundbreaking endeavor . 
in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period 
a well-put-together piece of urban satire . 
highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it . 
keep you wide awake and ... very tense 
has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else . 
sugar-coated rocky 
the only thing avary seems to care about are mean giggles and pulchritude . 
for laughs 
see this unique and entertaining twist on the classic whale 's tale 
in freshening the play 
to alienate the mainstream audience while ringing cliched to hardened indie-heads 
it 's great cinematic polemic 
an often intense character study 
more contemptuous of the single female population 
a very capable nailbiter . 
of warmth 
like a veteran head cutter , barbershop is tuned in to its community . 
dozens of bad guys 
the upbeat ending feels like a copout 
can tell almost immediately that welcome to collinwood is n't going to jell 
is that the screen is most alive when it seems most likely that broomfield 's interviewees , or even himself , will not be for much longer 
handled well 
sick society 
the script is too mainstream and the psychology too textbook to intrigue 
histrionic 
overworked 
of typical late-twenty-somethings natter on about nothing 
lurks just below the proceedings and adds an almost constant mindset of suspense 
's a great american adventure and a wonderful film to bring to imax 
blockbuster 
most haunting about `` fence '' is its conclusion , when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen . 
the brutality 
's pauly shore awful . 
those films that started with a great premise and then just fell apart 
's a testament to de niro and director michael caton-jones 
that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography 
a painful lie 
just right 
coming , as before , from the incongruous but chemically perfect teaming of crystal and de niro 
it is effective 
are still unconcerned about what they ingest 
in grand passion 
as averse as i usually am to feel-good , follow-your-dream hollywood fantasies , this one got to me . 
a sure hand 
that is presented with great sympathy and intelligence 
brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade 
purdy 
captivating and intimate study 
going to make his debut as a film director 
with enough action 
charming and evoking little ditty 
does n't think much of its characters , its protagonist , or of us 
's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers 
anachronistic quick edits and 
laughs that may make you hate yourself for giving in 
complicated enough to let you bask in your own cleverness as you figure it out 
these guys seem great to knock back a beer with but they 're simply not funny performers . 
the film never recovers from the clumsy cliché of the ugly american abroad , and 
makes it attractive throughout 
like a promising work-in-progress 
most breezy movie steven spielberg 
intellectual lector in contemplation of the auteur 's professional injuries 
rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks 
is never lethargic 
( lin chung 's ) voice is rather unexceptional 
none can equal 
confuses its message 
predictably efficient piece 
equally impressive 
assurance 
expected there to be a collection taken for the comedian at the end of the show 
wedgie 
most humane and important holocaust movies ever made . 
an incredibly narrow in-joke 
enjoy yourselves 
with nervous energy , moral ambiguity and great uncertainties 
to work in the same vein as the brilliance of animal house 
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches 
than its exploitive array of obligatory cheap 
, lushly photographed and beautifully recorded . 
the awe in which it holds itself 
to build a feel-good fantasy around a vain dictator-madman is off-putting , to say the least , not to mention inappropriate and wildly undeserved . 
first-class , natural acting and a look at `` the real americans '' 
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , 
this much imagination 
brings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness 
of the acting breed 
does n't quite get there 
'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking . 
helmer 
infectious enthusiasm 
terminally bland 
's about issues most adults have to face in marriage 
than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand 
dramatic , funny and poignant 
divine monument 
this may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar . 
as a durable part of the movie landscape 
peppered with false starts and 
by talented writer/director anderson 
accomplished 
knockaround 
the movie 's something-borrowed construction feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story . 
rely on an ambiguous presentation 
's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
though a morbid one 
nothing delivered by the former mr. drew barrymore 
he has a great cast and a great idea . 
all the pieces fall together without much surprise , but little moments give it a boost . 
laughter and self-exploitation merge into jolly soft-porn 'em powerment 
life affirming and heartbreaking 
burn the negative and the script 
to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags . 
so slick and 
is remembering 
stupid , infantile , redundant , sloppy , over-the-top , and amateurish . 
suspense , intriguing characters 
thought was going to be really awful 
bouncy 
wrapped up in the characters , how they make their choices , and why 
the plan to make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' has flopped as surely as a soufflé gone wrong . 
although it tries to be much more , it 's really just another major league . 
a social injustice , at least 
if you love reading and/or poetry , then by all means check it out . 
if the film fails to fulfill its own ambitious goals , it nonetheless sustains interest during the long build-up of expository material . 
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but 
taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff 
serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm 
to be something of a sitcom apparatus 
than a worthwhile effort 
you could hate it for the same reason . 
just a string of stale gags , with no good inside dope , and no particular bite . 
broken character study 
seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell 
clever makeup design 
a creative urge 
muddled and 
this movie has the usual impossible stunts ... 
killing time 
a pretty funny movie , with most of the humor 
another entertaining 
escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars 
like i already mentioned ... it 's robert duvall ! 
inept , tedious 
his strongest performance 
a rock-solid gangster movie with a fair amount 
more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable 
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and because of that , his film crackles 
crafted picture 
, intelligent , and humanly funny film . 
class resentment 
's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties . 
there 's plenty to impress about e.t. 
as the dominant christine , sylvie testud is icily brilliant . 
the charm of the first movie is still there , 
to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
is leguizamo 's best movie work so far , a subtle and richly internalized performance . 
hideously and 
witty and 
refreshingly 
guilty of the worst sin of attributable to a movie like this : it 's not scary in the slightest . 
both exuberantly 
a delicate ambiguity 
an old-fashioned but emotionally stirring adventure tale 
it 's a rock-solid little genre picture 
what saves this deeply affecting film from being merely a collection of wrenching cases is corcuera 's attention to detail . 
one lousy movie 
that come by once in a while with flawless amounts of acting , direction , story and pace 
make several runs to the concession stand and/or restroom and not 
cheap-shot 
's barely shocking , barely interesting and most of all , barely anything 
spicy footnote 
the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention 
astonishingly vivid 
particular , anciently demanding métier 
sticky and unsatisfied 
whose achievements -- and complexities -- reached far beyond the end zone 
, worse 
the rollicking dark humor 
a chilling tale of one of the great crimes of 20th century france : 
sick character 
every bit as fascinating 
i realized the harsh reality of my situation 
so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny 
of an engaging storyline , which also is n't embarrassed to make you reach for the tissues 
are immaculate , with roussillon providing comic relief . 
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and 
, not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing . 
nothing more than an hour-and-a-half-long commercial for britney 's latest album 
all ages -- a movie that will make you laugh 
harps on media-constructed ` issues ' 
it 's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen . 
has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence 
the actors are simply too good , and 
stains 
flopped as surely as a soufflé gone wrong 
some of the visual flourishes are a little too obvious , but restrained and subtle storytelling , and fine performances make this delicate coming-of-age tale a treat . 
effecting change 
a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted 
rich visual clarity and deeply 
have an honesty and dignity that breaks your heart . 
indeed , the more outrageous bits achieve a shock-you-into-laughter intensity of almost dadaist proportions . 
, why should you buy the movie milk when the tv cow is free ? 
such unrelenting dickensian decency that it turned me 
no clue 
, it ultimately comes off as a pale successor . 
the movie turns out to be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness . 
you doze off thirty minutes into the film 
a sense of good intentions derailed by a failure to seek and strike just the right tone 
little visible talent and no energy 
to have you leaving the theater with a smile on your face 
hoffman waits too long to turn his movie in an unexpected direction , and 
is pretty damned funny 
runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem 
action laudable 
if only it were , well , funnier . 
the film operates nicely off the element of surprise , 
cause loads of irreparable damage that years and years of costly analysis could never fix 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson 
moving and stark 
is certainly easy to watch 
exceptionally good idea 
'' is a big time stinker . 
an impressive achievement 
thumbs down . 
seasonal holiday kids 
teasing 
fun with the quirks of family life 
such self-amused trash 
mixed-up 
ballistic : 
succeeds with its dark , delicate treatment of these characters and its unerring respect for them 
this chiaroscuro of madness and light 
a wonderful subject for the camera 
written , flatly , by david kendall and directed , barely , by there 
of dumb drug jokes and predictable slapstick 
foul up shum 's good intentions . 
doltish and 
directed , barely 
an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people 
the thing about guys like evans is this : you 're never quite sure where self-promotion ends and the truth begins . 
going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal 
like ` praise the lord , he 's the god of second chances ' 
upbeat 
berry 's saucy 
makes the silly original cartoon seem smart and well-crafted in comparison 
can be safely recommended as a video/dvd babysitter . 
an achingly enthralling premise , the film 
i 've never seen or heard anything quite like this film , and 
is always watchable 
lowered your entertainment standards 
imagination 
the tragedy beneath it 
can feel the love 
good action 
barf 
much like its easily dismissive 
too many characters saying too many clever things and 
this odd , poetic road movie , spiked by jolts of pop music 
well told . 
jfk conspiracy nuts 
filled with crude humor and vulgar innuendo 
has little insight into the historical period and its artists 
family togetherness 
with grace and humor and gradually 
the things this movie tries to get the audience to buy just wo n't fly with most intelligent viewers . 
survive its tonal transformation from dark comedy to suspense thriller 
the idiocy of its last frames 
the ethereal beauty of an asian landscape painting 
sexy , peculiar and always entertaining costume drama 
demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were 
for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time 
unforgivingly inconsistent 
is n't as sharp as the original 
an uneasy mix 
a convincing brogue 
, slow scenes 
a touching , sophisticated film 
purposefully shocking in its eroticized gore , if unintentionally dull in its lack of poetic frissons . 
give committed performances 
poetry 
hits all the verbal marks it should 
an engrossing iranian film about two itinerant teachers and some lost and desolate people they encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed . 
no means a slam-dunk and 
a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell . 
genuinely sweet 
become very involved 
ca n't help but get caught up in the thrill of the company 's astonishing growth . 
an architect of pop culture 
with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability 
broomfield 's style of journalism is hardly journalism at all , 
something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics 
conceit 
stays close to the ground in a spare and simple manner and does n't pummel us with phony imagery or music 
a testament to the film 's considerable charm 
brutally labored and unfunny hokum 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place 
with humor , warmth , and intelligence , captures a life interestingly lived 
though it runs 163 minutes , safe conduct is anything but languorous . 
to like any of these despicable characters 
touching , raucously amusing , uncomfortable , and , yes , even sexy 
so true and heartbreaking 
son of the bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . '' 
a well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity . 
a strangely tempting bouquet 
, accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill 
about as exciting to watch as two last-place basketball teams 
's fairly lame 
wildly popular 
being about nothing is sometimes funnier than being about something 
the stars 
author 's 
much colorful eye candy , including the spectacle of gere in his dancing shoes 
suffers because it does n't have enough vices to merit its 103-minute length . 
sweet gentle jesus 
its lavish formalism 
strangely believable 
scooby doo is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation . 
visual virtuosity 
, see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion . 
the heart-pounding suspense of a stylish psychological thriller 
an overripe episode of tv 's dawson 's creek and 
terribly 
is the director 's talent . 
a catastrophic collision 
that gives pic its title an afterthought 
thanks largely 
is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride . 
that what we have here is a load of clams left in the broiling sun for a good three days 
his subject justice 
brain strain 
an oscar nomination 
her inventive director 
a few nice twists in a standard plot and 
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and 
humanistic 
with morph , a cute alien creature who mimics everyone and everything around 
the film works in spite of it 
to be a boy truly in love with a girl 
comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy 
sillier , cuter , 
can not be revived 
as pretty contagious fun 
guilt 
in its lack of poetic frissons 
screaming but yawning 
unfolds in a low-key , organic way that encourages you to accept it as life and go with its flow 
plays like a series of vignettes -- clips of a film that are still looking for a common through-line . 
a pleasant and engaging enough sit , 
probes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent 
foster breathes life into a roll that could have otherwise been bland and run of the mill . 
masterly 
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , 
loses himself to the film 's circular structure 
with wit it plays like a reading from bartlett 's familiar quotations 
unfocused 
an auspicious feature debut 
as original and insightful as last week 's episode of behind the music . 
a mediocre collection of cookie-cutter action scenes 
like this movie 
this stylish film 
an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground 
's horribly wrong 
a historically significant , and personal , episode 
are committed 
a dull , somnambulant exercise 
reward 
rare treat 
developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else 
werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken 
with verve 
with mcconaughey in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids 
fanciful 
an unflinching , 
is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge 
sensitive story 
a huge box-office hit in korea , shiri is a must for genre fans . 
bleak 
other words , about as bad a film 
a true star 
's hard to imagine that even very small children will be impressed by this tired retread . 
the integrity and vision 
little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon 
may also be the best sex comedy about environmental pollution ever made . 
baffled by jason x. 
philosophical void 
an exercise in chilling style , 
actually makes the heart soar 
normally , rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable 
talky 
like an extreme action-packed film with a hint of humor 
no psychology 
meandering , low on energy 
's only in fairy tales 
vivid personality 
in addition to hoffman 's powerful acting clinic , this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday . 
to be oblivious to the existence of this film 
more sophisticated and literate than such pictures usually are ... an amusing little catch . 
a true pleasure . 
's something vital about the movie 
touching , raucously amusing 
the worst films of the summer 
pat , fairy-tale conclusion 
a grating , emaciated flick . 
among the many pleasures are the lively intelligence of the artists and their perceptiveness about their own situations . 
lose their luster when flattened onscreen . 
the picture 's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed . 
charming and witty 
simply ca n't recommend it enough . 
buried at the heart of his story 
through torture 
that sometimes the dreams of youth should remain just that 
'' leaves us with the terrifying message that the real horror may be waiting for us at home 
touches the heart and the funnybone thanks 
but oddly compelling 
sophisticated and unsentimental treatment 
portrays their cartoon counterparts well 
... a solid , unassuming drama . 
a visual delight 
's a heck of a ride 
standard formula 
even after 90 minutes of playing opposite each other 
's as comprehensible as any dummies guide , something 
to have been lost in the translation this time 
is simply brilliant . 
gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers 
engaging enough 
second-rate 
a little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding 
of the great films about movie love 
pale 
ranks with the best of herzog 's works 
an inelegant combination 
harrowing account 
this is going to be something really good 
substandard performances 
the movie is amateurish , 
to the awfulness of the movie 
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here 
sappy dialogue 
's probably worth catching solely on its visual merits 
his surprising discovery of love and humility 
such an engrossing story 
have been any easier to sit through than this hastily dubbed disaster 
flatter it 
triple x marks the spot . 
put on an intoxicating show 
one 's appetite for the bollywood films 
a domestic melodrama with weak dialogue and biopic 
most offensive thing 
... gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences . 
the film 's lack of personality permeates all its aspects -- from the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed . 
is by far the worst movie of the year . 
repellantly out of control 
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted . 
go unnoticed and underappreciated by music fans 
tremble without losing his machismo 
but it 's hardly a necessary enterprise . 
by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) 
be depressing , as the lead actor phones in his autobiographical performance 
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but 
their lack of chemistry makes eddie murphy and robert deniro in showtime look like old , familiar vaudeville partners 
skip it 
's as raw and action-packed an experience as a ringside seat at a tough-man contest . 
, big trouble could be considered a funny little film . 
cell phones , guns , and 
undeniably subversive and involving in its bold presentation 
the wasted potential 
are uniformly good . 
about a pair of squabbling working-class spouses 
becomes a soulful , incisive meditation on the way we were , and the way we are . 
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or 
to find that real natural , even-flowing tone that few movies are able to accomplish 
steers refreshingly clear 
in the film 's verbal pokes 
cliches and pat storytelling 
tics 
be sorry 
defined by childlike dimness and a handful of quirks 
an overexposed waste 
a satisfying evening 
's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter 
an interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances 
that bring the routine day to day struggles of the working class to life 
a sweet , charming tale of intergalactic friendship 
unfaithful ' cheats on itself and retreats to comfortable territory . 
new 
curse 
completely contradicts everything kieslowski 's work aspired to , including the condition of art 
haphazard theatrical release 
destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal 
, the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself . 
garcía bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out 
clichés and sneering humor 
that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects 
the junk-calorie suspense tropes 
transcend its genre 
entertainment that parents love to have their kids 
mr. soderbergh 's direction and visual style struck me as unusually and unimpressively fussy and pretentious . 
has no real point 
they poorly rejigger fatal attraction into a high school setting 
, we never really get inside of them . 
witty and often surprising , a dark little morality tale disguised as a romantic comedy . 
seems so real 
to easy jokes and insults 
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama 
a fresh and absorbing look 
of jaglom 's own profession 
it makes up for with its heart . 
dumb 
cliched to hardened indie-heads 
of ` should have been a sketch on saturday night live 
is a success in some sense 
it 's easy to love robin tunney -- she 's pretty and she can act -- 
has bitten off more than he or anyone else could chew 
miss congeniality 
it 's at least watchable 
'll end up moved 
fits into a classic genre , in its script and execution 
in his latest effort , storytelling , solondz has finally made a movie that is n't just offensive -- it also happens to be good 
shrek 
more confused , 
dominated 
a low rate annie 
insufficiently 
goldmember has none of the visual wit of the previous pictures 
is a magician 
wore out its welcome with audiences several years ago 
the perkiness 
a wild ride juiced with enough energy and excitement for at least three films . 
it will be well worth your time . 
immensely ambitious , different than anything that 's been done before and amazingly successful 
the wounds of the tortured and self-conscious material 
enlightening , insightful and entertaining 
like every other tale of a totalitarian tomorrow 
spent elsewhere 
please the eye 
a complex story 
awe-inspiring , at times sublime , visuals 
escapes the precious trappings of most romantic comedies , infusing into the story very real , complicated emotions 
disservice 
's too loud , too goofy and too short of an attention span 
celluloid garbage 
this tepid genre offering 
nothing wrong with performances here 
strong finish 
i 've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ... 
soderbergh is n't afraid to try any genre and to do it his own way . 
delightfully against the grain 
insultingly 
, the writing is indifferent , and jordan brady 's direction is prosaic . 
i love the robust middle of this picture . 
hill looks to be going through the motions , beginning with the pale script . 
disappointingly thin 
bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate . 
other , better crime movies 
we ca n't accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie . 
succeeded in 
genuinely moving and wisely unsentimental 
capture the chaos of france in the 1790 's 
it is one in which fear and frustration are provoked to intolerable levels 
a perfectly entertaining summer diversion 
swallow than julie taymor 's preposterous titus 
can honestly describe as looking , sounding and simply feeling like no other film in recent history 
moving and solidly entertaining comedy/drama 
affection 
from the people laughing in the crowd 
between bursts of automatic gunfire , the story offers a trenchant critique of capitalism . 
a retread story , bad writing , and the same old silliness 
the intimate , unguarded moments of folks who live in unusual homes 
make ` cherish ' a very good ( but not great ) movie . 
frank capra played this story straight . 
as a clever exercise in neo-hitchcockianism 
boldly stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain . 
a moving and important film 
then becomes unwatchable 
immersive 
about discovering your destination in life 
slow scenes 
how bad his movie is 
the film 's story does not live up to its style 
has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes . 
it might be ` easier ' to watch on video at home , but that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience . 
delectable 
there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present . 
does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country 
so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament 
the only winner 
gut-wrenching style of joseph heller or kurt vonnegut 
a paunchy midsection , 
` yes , that 's right : it 's forrest gump , angel of death . ' 
of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience 
an uncomfortable experience , 
almost unbearably morbid 
may really need the company of others 
a vivid , sometimes surreal , 
grabs you in the dark and shakes you vigorously for its duration 
best story 
entirely wholesome 
the viewer wide-awake all the way through 
an unusual biopic and document of male swingers in the playboy era 
is well done 
needed sweeping , dramatic , hollywood moments to keep us 
this flat run 
'll forget about it by monday , though 
the story is lacking any real emotional impact 
a third-person story now , told by hollywood , and much more ordinary for it 
's not one decent performance from the cast and not one clever line of dialogue . 
made the near-fatal mistake of being what the english call ` too clever by half 
precocious smarter-than-thou wayward teen 
the movie 's rude and crude humor 
vivid 
beginning with the minor omission of a screenplay 
is one of the rare directors who feels acting is the heart and soul of cinema 
a perfectly rendered period piece 
thriller as lazy 
, slow and dreary 
the film is weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil . 
i loved this film . 
is funny 
to live up to -- or offer any new insight into -- its chosen topic 
one of a really solid woody allen film 
faithful 
the ways in which extravagant chance can distort our perspective and throw us off the path of good sense 
soulless techno-tripe . 
in a mess of mixed messages , over-blown drama and bruce willis 
in terms of execution this movie is careless and unfocused . 
the most amazing super-sized dosage of goofball stunts any `` jackass '' fan 
`` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance 
the magnificent swooping aerial shots 
it 's not particularly well made , but 
is never especially clever and often 
enough moments to keep it entertaining 
for the whole family 
halfway through the movie , the humor dwindles . 
to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness 
a genuine dramatic impact 
deeply felt and vividly detailed story about newcomers in a strange new world . 
'll see a better thriller this year 
villains 
to the concession stand and/or restroom 
's appealingly manic and energetic . 
wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title . 
rank as three of the most multilayered and sympathetic female characters of the year 
something rare and riveting : a wild ride that relies on more than special effects 
an interesting topic , some intriguing characters 
a psychological mystery 
most opaque , self-indulgent 
is that there 's a casual intelligence that permeates the script . 
to modernize it with encomia to diversity and tolerance 
loud , chaotic and 
by a strong and unforced supporting cast 
the director 's experiment is a successful one . 
the worst movie i 've seen this summer 
hopkins 
is a rancorous curiosity : a movie without an apparent audience 
staged violence overshadows everything 
with a sweet 
lacking the spark of imagination that might have made it an exhilarating 
make an appealing couple -- he 's understated and sardonic 
the problem is that van wilder does little that is actually funny with the material . 
illustrates 
fully developed story 
is too impressed with its own solemn insights 
subtlest works 
a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies 
butterfingered 
a negligible british comedy . 
about the need to stay in touch with your own skin , at 18 or 80 
's never a dull moment in the giant spider invasion comic chiller 
their noble endeavor 
swimfan does catch on 
randall wallace 
of the most curiously depressing 
the film 's highlight is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations . 
twenty-three movies into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style finally has failed him . 
a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why 
incredibly irritating comedy 
and mainly unfunny 
the color sense of stuart little 2 is its most immediate and most obvious pleasure , 
it manages to squeeze by on angelina jolie 's surprising flair for self-deprecating comedy . 
the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie 
when she should be building suspense 
confidence 
gets old quickly . 
pass this stinker off as a scary movie 
emotionally stirring 
, possession is a movie that puts itself squarely in the service of the lovers who inhabit it . 
in boredom 
the movie makes two hours feel like four . 
appealing enough 
a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality 
of respect to just one of those underrated professionals who deserve but rarely receive it 
contemplative , and sublimely beautiful . 
new , fervently held ideas and fanciful thinkers 
delete key 
this toothless dog , already on cable , loses all bite on the big screen . 
never loses its ability to shock and amaze . 
of the insurance actuary 
is a whole lot of nada . 
the fantastic 
of embarrassingly ham-fisted sex jokes 
on human interaction rather than battle and action sequences 
the chateau has one very funny joke and a few other decent ones , 
piffle . 
be seen everywhere 
an indisputably spooky film 
david and 
always hilarious meara 
routine action and jokes like this 
is extraordinary . 
a comedy that is warm , inviting , and surprising . 
fun-for-fun 's 
one can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off 
tie together beautifully 
dense , exhilarating documentary . 
that sometimes it 's difficult to tell who the other actors in the movie are 
, rabbit-proof fence is a quest story as grand as the lord of the rings 
is even better than the fellowship 
makes sorry use of aaliyah in her one and only starring role 
clunky tv-movie 
return to a sane regimen of eating , sleeping and stress-reducing contemplation 
believable performances 
too damn weird to pass up , and for the blacklight crowd , way cheaper ( and better ) than pink floyd tickets . 
fall together without much surprise 
the movie 's sentimental , hypocritical lessons 
would 've worked a lot better had it been a short film . 
enough sweet and traditional romantic comedy to counter the crudity 
boomers and their kids will have a barrie good time . 
rather less than the sum of its underventilated père-fils confrontations 
what a bewilderingly brilliant and entertaining 
profoundly stupid affair 
even dies . 
sad 
assurance worthy 
deep intelligence and a warm , enveloping affection breathe out of every frame . 
hitting your head on the theater seat in front of you when you doze off thirty minutes into the film 
tired 
but the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment . 
provides the kind of ` laugh therapy ' i need from movie comedies 
for dance completists only . 
mopes through a dreary tract of virtually plotless meanderings 
it may rate as the most magical and most fun family fare of this or any recent holiday season . 
disquieting and thought-provoking film 
nothing more than a stifling morality tale dressed up in peekaboo clothing . 
about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) 
the best movies of the year 
, the acting is robotically italicized , 
gorgeous to look at but 
most antsy youngsters 
it collapses when mr. taylor tries to shift the tone to a thriller 's rush . 
, entertaining thriller 
rowdy participants 
are canny and spiced with irony . 
an undistinguished rhythm of artificial suspense 
's been done before but never so vividly or with so much passion . 
with nothing original in the way of slapstick sequences 
with his picture-perfect life 
91-minute trailer 
enticing and often funny documentary . 
asian neo-realist treasure . 
had much science 
to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit 
a fairly harmless but ultimately lifeless feature-length 
symbolic characters 
is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits 
having to inhale this gutter romancer 's secondhand material 
rich and full life 
somber , absurd , and 
directed with sensitivity and skill 
, despite many talky , slow scenes 
discerning taste 
the pacing is deadly 
being forceful , sad without being shrill 
mind , while watching eric rohmer 's tribute to a courageous scottish lady 
, it 's goofy ( if not entirely wholesome ) fun 
steal 
this bad on purpose 
earthy 
drunken driver 
the filmmakers wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him . 
as boring and as obvious 
the best script that besson has written in years . 
an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans 
you enough to feel good about 
found with an devastating , eloquent clarity 
wreaked 
long and tedious 
proves absolutely that really , really , really good things can come in enormous packages 
has made the near-fatal mistake of being what the english call ` too clever by half . ' 
are simply dazzling 
incoherence 
artfully restrained in others , 65-year-old jack nicholson 
sex with strangers is fascinating ... 
songbird britney spears has popped up with more mindless drivel . 
i predict there will be plenty of female audience members drooling over michael idemoto as michael 
dismal 
just as much intelligence 
sheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading . 
contriving a climactic hero 's death for the beloved-major 
an intoxicating experience . 
of the two bewitched adolescents 
hatred 
wastes its time on mood rather than riding with the inherent absurdity of ganesh 's rise up the social ladder . 
hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power 
fun , with an undeniable energy 
complexity 
so sloppily written and 
i am not generally a huge fan of cartoons derived from tv shows , but hey arnold ! 
shows all the signs of rich detail condensed into a few evocative images and striking character traits 
humbuggery ... 
could i have been more geeked when i heard that apollo 13 was going to be released in imax format ? 
the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
impressively true for being so hot-blooded 
nice to see what he could make with a decent budget 
be dismissed as mindless 
raunchy as south park 
three sides of his story with a sensitivity 
is a must 
krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone 
tested by bad luck and their own immaturity 
most importantly , 
those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home 
random glass-shattering 
to jimmy 's relentless anger 
a showcase for both the scenic splendor of the mountains and for legendary actor michel serrault , the film is less successful on other levels . 
does n't deserve a passing grade ( even on a curve ) 
witty , wistful new film 
put to sleep or bewildered by the artsy and often pointless visuals 
gets very ugly , very fast 
into minutely detailed wonders of dreamlike ecstasy 
the attempt to complicate the story 
if you 've got a house full of tots -- do n't worry , this will be on video long before they grow up and you can wait till then . 
the incomprehensible anne rice novel 
's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn . 
the gorgeous locales and 
an erotic thriller that 
to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss 
appeals to the storytelling instincts of a slightly more literate filmgoing audience 
indie of the year , so far . 
enough insight to keep it from being simpleminded 
a humanistic message 
this angst-ridden territory was covered earlier and much better in ordinary people . 
thoughtful , visually graceful 
reign 
rough 
nurtured his metaphors 
single-minded as john carpenter 's original 
once in a while a film 
a portrait of alienation so perfect , it will certainly succeed in alienating most viewers . 
from firing on all cylinders 
watching this film , what we feel is n't mainly suspense or excitement . 
new treasure 
is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life . 
an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you 'll wonder if lopez 's publicist should share screenwriting credit . 
eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider . 
particularly memorable effect 
jams too many prefabricated story elements into the running time 
as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy , clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge . 
at-a-frat-party school of screenwriting 
whether this is art imitating life or life imitating art , it 's an unhappy situation all around . 
pale script 
in which two not very absorbing characters are engaged in a romance 
their charisma 
but none of which amounts to much of a story 
's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin . 
an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough of its effects to make up for the ones that do n't come off . 
a soufflé gone wrong 
daring and verve 
staggered from the theater 
you wo n't feel like it 's wasted yours 
with actorish notations on the margin of acting 
finds his inspiration 
a gritty police thriller 
helped 
a sort of inter-species parody of a vh1 behind the music episode 
watchable . 
efficiently minimalist style 
a sharp script and strong performances 
about thoroughly vacuous people 
the call of the wild 
does spider-man deliver , but i suspect it might deliver again and again . 
win you over , in a big way 
bore 
exceptional to justify a three hour running time 
accumulate like lint in a fat man 's navel . 
's just tediously bad , 
inconsistent , meandering , and sometimes dry plot 
rest contentedly with the knowledge that he 's made at least one damn fine horror movie 
is the best star trek movie in a long time . 
purpose 
toward the end sum of all fears morphs into a mundane '70s disaster flick . 
to a man whose achievements -- and complexities -- reached far beyond the end zone 
sci-fi generic 
an 8-year-old channeling roberto benigni 
a subtle and richly internalized performance 
filled with honest performances and exceptional detail , baran is a gentle film with dramatic punch , a haunting ode to humanity . 
brilliantly named half past dead -- or for seagal 
's moving 
the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky . 
deserve to go down with a ship as leaky as this 
the woodman seems to have directly influenced this girl-meets-girl love story , but even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring 
a poignant and wryly amusing film 
oddly compelling . 
a disappointment is the superficial way it deals with its story . 
like the chilled breath of oral storytelling frozen onto film 
's a heavy stench of ` been there , done that ' hanging over the film 
spectacle 
have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) 
speaks volumes 
a cockeyed shot all the way . 
a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , 
crap 
of the stand-up comic 
is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh 
manages not only to find a compelling dramatic means of addressing a complex situation 
a pointed , often tender , examination 
( like saturday morning tv in the '60s ) 
discerned here that producers would be well to heed 
a glorified sitcom , and a long , unfunny one at that 
this loser 
cheap trick 
impressive and highly entertaining 
completely enlightening 
gooding is the energetic frontman , 
musicals back 40 years 
's far from a frothy piece 
muted 
all the hearts it won -- and wins still 
its fusty squareness 
jolts the laughs from the audience -- as if by cattle prod 
a more annoying 
highlander 
is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories 
( rises ) above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism . 
a wide summer audience 
oscar caliber cast 
one of those unassuming films that sneaks up on you and stays with you long after you have left the theater 
's splash without the jokes 
the extensive use of stock footage 
a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
most colorful and controversial artists 
while it 's nothing we have n't seen before from murphy , i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort . 
everett remains a perfect wildean actor , and 
be captivated , as i was , by its moods , and by its subtly transformed star , and still 
terrific performances 
all awkward , 
you 're on the edge of your seat 
, eastwood is off his game 
watch , giggle and get 
the way home 
adorably ditsy but heartfelt performances , 
, this clever and very satisfying picture is more accurately chabrolian . 
it 's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama . ' 
broomfield has compelling new material 
, unsubtle and hollywood-predictable 
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , 
one of those rare docs that paints a grand picture of an era and makes the journey feel like a party 
a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise 
the first place 
to be influenced chiefly by humanity 's greatest shame 
, collateral damage paints an absurdly simplistic picture . 
from the opening strains of the average white band 's `` pick up the pieces '' , you can feel the love . 
could use a little more humanity , 
warm , inviting , and 
fun for kids of any age 
brand name 
the color sense of stuart little 2 is its most immediate and most obvious pleasure , but it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is 
everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation 
i did n't smile . 
, is repellantly out of control . 
ultimate collapse during the film 's final ( restored ) third 
find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults 
the wild thornberrys movie 
it 's not going to be everyone 's bag of popcorn , 
these ambitions , laudable in themselves 
best-known creation 
increasingly amused irony 
beautiful , 
is its surreal sense of humor and technological finish 
of young , black manhood that is funny , touching , smart and complicated 
worn-out material 
somewhat clumsy 
unremittingly ugly movie 
lost their movie mojo 
translate well to film 
scenes of cinematic perfection that steal your heart away 
favorite 
me grinning 
one of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then 
pack your knitting needles 
is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes 
ably balances real-time rhythms with propulsive incident . 
a sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past , 
be much funnier than anything 
when it 's not wallowing in hormonal melodrama , `` real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams . 
is a pleasant enough dish 
the new insomnia 
simple , sweet and romantic 
lacked any 
fails . 
ignored it 
sick and twisted 
is visually smart 
real visual charge to the filmmaking 
reign of fire has the disadvantage of also looking cheap . 
revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway 
produced in recent memory , even if it 's far tamer than advertised 
confusing and horrifying 
`` abandon '' 
the tale commands attention . 
a day at the beach 
why anyone in his right mind would even think to make the attraction a movie 
complex and quirky 
oo many of these gross out scenes 
have a freshness and modesty that transcends their predicament . 
the best film 
high-octane jolts 
processed comedy 
sexy , funny and touching 
a stylish psychological thriller 
winds up looking like a bunch of talented thesps slumming it 
an asian landscape painting 
is more of an ordeal than an amusement 
impresses 
are strong 
a fast , frenetic , funny , even punny 6 
is mostly a bore 
seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world 
is just as obvious as telling a country skunk 
excellent cast 
the right film 
buy is an accomplished actress 
... blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves . 
pushes too hard to make this a comedy or serious drama . 
of deadpan cool , wry humor and just the measure 
personal tragedy 
the director 's experiment 
assassination 
chilling 
shekhar kapur 
broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car 
the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth 
if ever a concept came handed down from the movie gods on a silver platter 
buried , drowned and smothered in the excesses of writer-director roger avary 
genuinely satisfying 
offers just enough insight to keep it from being simpleminded 
least accessible 
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve . 
believe that people have lost the ability to think and 
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , 
a feature debut that is fully formed and remarkably assured 
is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery 
this film for its harsh objectivity and refusal to seek our tears , our sympathies 
disintegrating bloodsucker computer effects 
good-looking but 
visually 
can get for a buck or so in that greasy little vidgame pit in the theater lobby 
are n't 
disdain 
narrative and ( too ) short 
spiritual survival 
` how can you charge money for this ? ' 
a film that should be relegated to a dark video store corner 
both hugely entertaining and uplifting 
create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time . 
loathe 
grating and tedious . 
keep the movie from ever reaching the comic heights it obviously desired 
much to our dismay 
with sean penn 's monotone narration 
after next spreads them pretty thin 
, walt becker 's film pushes all the demographically appropriate comic buttons . 
a satisfying summer blockbuster and worth a look 
a crummy , wannabe-hip crime comedy 
begins with promise , but runs 
incessant , so-five-minutes-ago pop music 
of any film more challenging or depressing 
the heat of the moment 
professional 
as they do in this marvelous film 
that we would pay a considerable ransom not to be looking at 
anemic , pretentious 
may be as history 
is merely a charmless witch . 
take on a great writer and dubious human being 
to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy 
the classics 
miller tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet . 
funny in the middle 
even with all its botches , enigma offers all the pleasure of a handsome and well-made entertainment . 
is a movie that puts itself squarely in the service of the lovers who inhabit it 
's not a great monster movie 
certainly raises the film above anything sandler 's been attached to before . 
for decades we 've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world . 
with heart and humor 
have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up 
that appeals to the storytelling instincts of a slightly more literate filmgoing audience 
liberating 
this a moving experience for people who have n't read the book 
byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth . 
on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries 
characterizations to be mildly amusing 
great fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex 
is imposter makes a better short story than it does a film 
one feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism . 
grandiosity 
is a real charmer 
time waster ' 
seen in that light , moonlight mile should strike a nerve in many . 
showing off 
and surehanded direction 
that it ranks with the best of herzog 's works 
a delightful , witty , improbable romantic comedy 
very capable 
one decent performance from the cast and 
because the plot is equally hackneyed 
it can do even more damage 
's the worst movie i 've seen this summer 
visual treat 
a coherent whole 
for true fans 
is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario 
makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important 
is gone , replaced by the forced funniness found in the dullest kiddie flicks . 
their contrast is neither dramatic nor comic -- 
a suspenseful horror movie 
` hip ' 
with passion and energy 
gay porn film 
sameness 
informative , 
thrown every suspenseful cliché in the book at this nonsensical story 
vaguely silly overkill 
comedy death 
mattei 's underdeveloped effort here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination . 
ultimate scorsese film 
eroti-comedy 
a good documentary can make interesting a subject you thought would leave you cold . 
beyond being a sandra bullock vehicle or a standard romantic comedy 
harsh reality 
the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should . 
quieter domestic scenes 
it 's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work . 
seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested . 
a class by itself 
its generic villains lack any intrigue ( other than their funny accents ) 
bad sign 
sandra bullock and hugh grant make a great team , but this predictable romantic comedy should get a pink slip . 
packed with moments out of an alice 
holds you in rapt attention from 
writer/director walter hill is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable . 
by a talented director 
felt with a sardonic jolt 
funny for grown-ups as for rugrats 
emotionally accessible , almost mystical work 
like being stuck in a dark pit having a nightmare about bad cinema 
so intimate and 
mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits . 
a love story and 
the only one laughing at his own joke 
could use a little more humanity , but it never lacks in eye-popping visuals . 
a warm , fuzzy feeling 
is hilarious 
a sun-drenched masterpiece , part parlor game , part psychological case study , 
the problem with antwone fisher 
, nickelodeon-esque kiddie flick 
the image that really tells the tale 
could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation 
stuffed to the brim with ideas 
terrific computer graphics 
introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter 
crack you up 
fresh good looks and an ease in front of the camera 
squanders as much as it gives out 
butterflies that die 
star-making 
the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries 
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' but real women have curves truly is life affirming 
j.k. rowling 's marvelous series 
... belinsky is still able to create an engaging story that keeps you guessing at almost every turn . 
of a mishmash 
goofy , heartfelt , mesmerizing king lear 
the redeeming feature of chan 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine . 
creates a portrait of two strong men in conflict , inextricably entwined through family history , 
scarily funny 
a true study , 
miyazaki 's nonstop images are so stunning , 
a useless movie 
the tone for a summer of good stuff 
confusion and pain 
movies like high crimes flog the dead horse of surprise as if it were an obligation . 
guilt-free trip 
starts off witty and sophisticated and you want to love it -- 
to a new , self-deprecating level 
are simply too bland to be interesting . 
, the experience of actually watching the movie is less compelling than the circumstances of its making . 
has an eye for the ways people of different ethnicities talk to and about others outside the group . 
a stylish but steady , and ultimately very satisfying , piece of character-driven storytelling . 
revealed before about the source of his spiritual survival 
as rude and profane as ever , always hilarious and , most of the time , absolutely 
of academic skullduggery and politics 
supposedly , pokemon ca n't be killed , but pokemon 4ever practically assures that the pocket monster movie franchise is nearly ready to keel over . 
predictably conventional 
than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating 
ca n't really be called animation 
mild disturbance or detached pleasure 
without oppressive 
you ca n't miss it . 
with the cliché-laden screenplay 
'll love it and probably want to see it twice . 
well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop 
sensual , 
murphy do the genial-rogue shtick to death , 
a compelling dramatic means of addressing a complex situation 
with the fast , funny , and even touching story 
silly and tedious 
that is n't this painfully forced , false and fabricated 
done excellent work here 
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking 
looks as if it belongs on the big screen 
a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own 
the compassion , good-natured humor 
of a mixed bag , with enough negatives 
stupid americans 
, it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken . 
material this rich it does n't need it 
thoughtful what-if 
, you 've got to admire ... the intensity with which he 's willing to express his convictions 
adults , other than the parents ... 
the earnestness of its execution and skill of its cast take you down a familiar road with a few twists 
around a core of flimsy -- or , worse yet , nonexistent -- ideas 
around this movie directionless 
you come away thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another . 
solid storytelling . 
by weaving a theme throughout this funny film 
is one of those all-star reunions 
franco is an excellent choice for the walled-off but combustible hustler , but 
's something vital about the movie . 
not into high-tech splatterfests 
an accuracy 
given passionate , if somewhat flawed , treatment 
but once the falcon arrives in the skies above manhattan , the adventure is on red alert . 
elizabeth hurley 's 
makes good b movies ( the mask , the blob ) 
ride the big metaphorical wave that is life -- wherever it takes you 
an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough of its effects to make up for the ones that do n't come off 
eloquent , reflective and beautifully 
surprisingly gentle 
good intentions 
a bittersweet drama 
a mesmerizing performance 
it can still make you feel that you never want to see another car chase , explosion or gunfight again 
with an appropriate minimum of means 
it magic 
the film is well-crafted 
mr. scorsese 's bravery and integrity in advancing this vision 
done excellent work 
runs out of steam after a half hour . 
sometimes almost senseless 
educates viewers 
choke 
thoughtful 
to satisfy the boom-bam crowd without a huge sacrifice of character and mood 
of john c. walsh 's pipe dream 
something a little more special behind it : music that did n't sell many records but helped change a nation 
is utterly fearless as the tortured husband 
that already-shallow 
hip , contemporary , in-jokey one 
of belly laughs ( including a knockout of a closing line ) 
barely register 
is delivered with such conviction that it 's hard not to be carried away 
sturdiest example yet 
deeply meditative 
have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense . 
soon proves preposterous , the acting is robotically italicized , 
estela bravo 's documentary is cloyingly hagiographic in its portrait of cuban leader fidel castro 
a ` girls gone wild ' video 
's a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor 
hilarious kenneth branagh 
madonna 's cameo does n't suck ! 
tells a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke 
a love story as sanguine 
beating the austin powers films 
the determination of pinochet 's victims to seek justice , and their often heartbreaking testimony , spoken directly into director patricio guzman 's camera , pack a powerful emotional wallop 
tiresome love triangles 
it has that rare quality of being able to creep the living hell out of you ... 
told with sharp ears and eyes 
indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema . 
gesturing 
continues her exploration of the outer limits of raunch with considerable brio . 
it 's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter . 
a story worth caring about 
uncomfortable 
something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us 
captures , in luminous interviews and amazingly evocative film from three decades ago , 
be as bored 
( davis ) wants to cause his audience an epiphany 
biographical fantasia 
because of its epic scope 
that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep 
not to mention inappropriate and wildly undeserved 
look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful 
such a great one 
, you 're definitely convinced that these women are spectacular . 
and not in a good way 
a side dish no one ordered 
with its subject matter in a tasteful , intelligent manner 
is to be cherished 
structured and well-realized 
charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark 
about female friendship that men can embrace and women 
a quietly introspective portrait of the self-esteem of employment and the shame of losing a job 
certainly hard to hate 
'll feel as the credits roll 
is like scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot 
gorgeous and finely detailed 
zings along with vibrance and warmth 
playfully profound 
, you might be wishing for a watch that makes time go faster rather than the other way around . 
, this sad , occasionally horrifying but often inspiring film is among wiseman 's warmest . 
as exciting to watch as two last-place basketball 
the distance 
inhabit their world without cleaving to a narrative arc 
without intent 
an action/thriller of the finest kind , evoking memories of day of the jackal , the french connection , and heat . 
forced drama in this wildly uneven movie 
sharp edges and a deep vein of sadness run through its otherwise comic narrative . 
we can enjoy as mild escapism 
irreparable 
detention 
is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad 
even as the hero of the story rediscovers his passion in life , the mood remains oddly detached . 
the imaginary sport it projects onto the screen -- loud , violent and mindless 
leaves something to be desired 
b-movie scum 
honest 
most generic 
that is , more often then not , difficult and sad 
generous and 
is so bad it does n't improve upon the experience of staring at a blank screen . 
's coherent , well shot , and 
camera movements 
absurd plot twists , 
waters 
schaefer 's ... determination to inject farcical raunch ... drowns out the promise of the romantic angle . 
this stuck pig of a movie 
otherwise comic 
( while the last metro ) was more melodramatic , confined to a single theater company and its strategies and deceptions , while tavernier is more concerned with the entire period of history . 
rejected x-files episode 
it can be a bit repetitive 
it suffers from the awkwardness that results from adhering to the messiness of true stories . 
looks as if it were made by a highly gifted 12-year-old instead of a grown man 
that you can not believe anyone more central to the creation of bugsy than the caterer 
as darkly funny , energetic , and surprisingly gentle 
is to frighten and disturb 
especially when i have to put up with 146 minutes of it 
left a few crucial things out , 
sirk 
may well be the only one laughing at his own joke 
littered with celluloid garbage 
covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people . 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , 
which may not be cutting-edge indie filmmaking 
the dialogue sounds like horrible poetry . 
a delightful little film that revels in its own simplicity , mostly martha will leave you with a smile on your face and a grumble in your stomach . 
of interest 
a formula comedy 
, giggly little story 
lucas has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s . 
a children 's film in the truest sense 
the merits of fighting hard for something that really matters 
rotting 
this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john 
glizty 
's as good as you remember 
is to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best 
dreary 
you ca n't wait to see end . 
the story itself is actually quite vapid . 
brazen enough to attempt to pass this stinker off as a scary movie 
an irresistibly uncanny ambience 
your own mystery science theatre 3000 tribute 
successful at lodging itself in the brain 
until you feel fully embraced by this gentle comedy 
reveals how important our special talents can be when put in service of of others 
much of the digitally altered footage appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché . 
like its parade of predecessors , this halloween is a gory slash-fest . 
bisset is both convincing and radiant 
an enormously entertaining movie , like nothing we 've ever seen before , and yet completely familiar . 
everybody else is in the background 
nothing but boilerplate clichés 
enter 
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares . 
breathes life 
stylish psychological thriller 
starts as a tart little lemon drop of a movie and 
moved to the edge of their seats 
is hard to conceive anyone else in their roles 
high production values 
particularly nightmarish 
and utterly pointless 
quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar 
gifted artists 
forces them into bizarre , implausible behavior 
sacrificing the integrity of the opera 
ultimately very satisfying 
about this latest reincarnation of the world 's greatest teacher 
of sharp writing 
a welcome , if downbeat , missive from a forgotten front 
mixed messages , over-blown drama and bruce willis 
is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight 
the soullessness 
blessed with a searing lead performance by ryan gosling ( murder by numbers ) 
real stars 
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her . 
carry the film on his admittedly broad shoulders 
as obvious as telling a country skunk 
schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm 
have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination 
gets under the skin of a man we only know as an evil , monstrous lunatic 
, i suspect , would have a hard time sitting through this one . 
stimulating and demanding 
bright and 
a good surprise ending 
a strong first act 
it 's unburdened by pretensions to great artistic significance 
and it 's what makes their project so interesting 
one oscar nomination 
but they lack their idol 's energy and passion for detail . 
the atmosphere of the crime expertly 
most poorly staged and 
and unrelentingly exploitative 
director jay russell stomps in hobnail boots over natalie babbitt 's gentle , endearing 1975 children 's novel . 
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild 
there 's not a single jump-in-your-seat moment and believe it or not , jason actually takes a backseat in his own film to special effects . 
nicely 
like a book report 
slog 
so intimate and sensual and funny 
significantly different ( and better ) 
shrill , simple and soapy . 
real star 
dead 
an impressive achievement in spite of a river of sadness that pours into every frame 
, discontent , and yearning 
has all the enjoyable randomness of a very lively dream and so 
a catalyst for the struggle of black manhood in restrictive and chaotic america ... 
small gem 
despite the mild hallucinogenic buzz 
... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers . 
an excruciating demonstration of the unsalvageability of a movie saddled with an amateurish screenplay 
many conclusive answers in the film 
comes across as lame and sophomoric in this debut indie feature . 
it 's stylishly directed with verve ... 
is just too bad the film 's story does not live up to its style . 
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for -- 
have not been this disappointed by a movie in a long time . 
you may feel compelled to watch the film twice or pick up a book on the subject . 
sustain interest 
auto focus feels so distant you might as well be watching it through a telescope . 
the movie itself is far from disappointing , offering an original take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis . 
is a movie that understands characters must come first 
a series of immaculately composed shots of patch adams quietly freaking out does not make for much of a movie . 
hugely enjoyable in its own right though not really faithful to 
creepiest conventions 
derivative elements into something that is often quite rich and exciting 
it does n't work . 
a family of five blind , crippled , amish people alive in this situation 
both sides of this emotional car-wreck 
is emerging in world cinema 
while it may not add up to the sum of its parts 
for all its shoot-outs , fistfights , and car chases , this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian . 
stupid and 
to the point of nausea 
should stick to his day job 
not that funny 
as a retooling of fahrenheit 451 , and even as a rip-off of the matrix 
, well , 
diva 
represents an engaging and intimate first feature 
delicately crafted film 
an uplifting , near-masterpiece 
mordantly funny 
a well-crafted film 
anything ever , and easily the most watchable film of the year 
whip-smart 
seems to have been ` it 's just a kids ' flick . 
characteristically engorged and sloppy 
jerking off in all its byzantine incarnations to bother pleasuring its audience 
raunch 
for the most part , the film does hold up pretty well . 
the finished product 's unshapely look 
to sustain a good simmer for most of its running time 
entertains 
cruelly funny 
chore 
lobotomy 
the dream world of teen life 
this mistaken-identity picture is so film-culture referential that the final product is a ghost . 
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , 
truly excellent sequences 
it 's so successful at lodging itself in the brain 
a bad day 
without any redeeming value whatsoever 
of describing badness 
there 's none of the happily-ever - after spangle of monsoon wedding in late marriage -- and that 's part of what makes dover kosashvili 's outstanding feature debut so potent 
funniness 
in your heart 
letting you share her one-room world for a while 
deliciously mean-spirited and wryly observant . 
` they do n't make movies like they used to anymore 
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them 
exercise in formula crash-and-bash action 
otherwise appalling , and downright creepy , 
toilet 
, sorvino glides gracefully from male persona to female without missing a beat . 
standard thriller and drag audience enthusiasm to crush depth 
a bit exploitative but also nicely done , morally alert 
tendentious 
to be cherished 
despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema 
second , what 's with all the shooting ? 
unimpeachable 
stitched together from stock situations and characters 
's a reason why halftime is only fifteen minutes long . 
may be burns 's strongest film since the brothers mcmullen 
perfect performance 
a james bond series for kids 
's got as potent a topic as ever here 
would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes 
satisfyingly 
that it does afford 
the only way to tolerate this insipid , brutally clueless film 
turbulent self-discovery 
trotting out threadbare standbys 
does so with an artistry that also smacks of revelation 
lost some of the dramatic conviction that underlies the best of comedies 
this is a very ambitious project for a fairly inexperienced filmmaker , but good actors , good poetry and good music help sustain it 
but also intriguing and honorable , 
really need a remake of `` charade 
in laramie following the murder of matthew shepard 
's much to recommend the film 
rashomon-for-dipsticks tale . 
as inept 
unassuming , subordinate 
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... hugely enjoyable in its own right though not really faithful to its source 's complexity . 
an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us 
hossein 
beautifully shot 
is wonderful 
sentimental ooze 
primitive animated special effects 
no explanation or even 
an irresistible blend of warmth and humor 
as the mediterranean sparkles 
with its leaden acting , dull exposition and telegraphed ` surprises 
truly wonderful 
strong-minded 
into some univac-like script machine 
cold 
is a strength of a documentary to disregard available bias , especially 
feel good 
an effective portrait of a life in stasis -- 
only pain 
somber earnestness in the new adaptation of the cherry orchard 
after a while , hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial . 
insulting 
a temporal inquiry 
how tedious 
a zombie movie in every sense of the word -- mindless , lifeless , meandering , loud , painful , obnoxious . 
sufficient 
adrenaline boost 
is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success 
of happy 
the great minds of our times 
mr. polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival . 
gives a superb performance 
deny its seriousness and quality 
cold-hearted curmudgeon 
feels so distant you might as well be watching it through a telescope 
: land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place . 
heartwarming 
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze . 
like the hanks character , he 's a slow study : the action is stilted and the tabloid energy embalmed . 
is scott 's convincing portrayal of roger the sad cad that really gives the film its oomph . 
watching these eccentrics is both inspiring and pure joy . 
a particularly nightmarish fairytale 
something more beautiful than either of those films 
taken outside the context of the current political climate ( see : terrorists are more evil than ever ! ) 
moving and stark reminder 
do n't really care too much about this love story . 
comedy and melodrama 
by turns touching , raucously amusing , uncomfortable , and , yes , even sexy 
its courage , ideas , technical proficiency and great acting 
miscalculates badly 
is notable for its stylistic austerity and forcefulness 
numbing experience 
he respects the material without sentimentalizing it 
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary . 
of no erotic or sensuous charge 
throwing out so many red herrings , so many false scares , 
of shape 
is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes 
many flaws 
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : 
young romantics 
is a festival film that would have been better off staying on the festival circuit 
ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold 
by a set of heartfelt performances 
insurance 
striking villains 
does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject . 
much of the lady and the duke is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes . 
better 
it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken . 
, you 're in luck . 
full of cheesy dialogue 
can usually be traced back to the little things 
as clever 
if you like an extreme action-packed film with a hint of humor 
between deadpan comedy and heartbreaking 
the movie 's narrative hook is way too muddled to be an effectively chilling guilty pleasure . 
it 's an exhilarating place to visit , this laboratory of laughter . 
is sickly entertainment at best and mind-destroying cinematic pollution at worst . 
an almost constant mindset of suspense 
are so old-fashioned 
of admission for the ridicule factor 
skillfully 
flaws , but also 
that examines many different ideas from happiness to guilt in an intriguing bit of storytelling 
one of those films that started with a great premise and then just fell apart . 
there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows . 
the secret 's eventual discovery 
easier to sit through than most of jaglom 's self-conscious and gratingly irritating films 
gives itself the freedom to feel contradictory things . 
holds promise , 
comes along to remind us of how very bad a motion picture can truly be . 
unwieldy cast 
the horror fan 
ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour 
is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker 
a hit - and-miss affair , consistently amusing but not as outrageous or funny as cho may have intended or as imaginative as one might have hoped . 
to reduce everything he touches to a shrill , didactic cartoon 
is the gabbiest giant-screen movie ever , bogging down in a barrage of hype 
career-defining revelation 
with bracing intelligence and a vision both painterly and literary 
a british cast 
the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time 
just so the documentary will be over 
enjoyable choice 
required genuine acting from ms. spears 
knows how to make our imagination wonder . 
cold , sterile and lacking 
coupling disgracefully written dialogue with flailing bodily movements that substitute for acting , circuit is the awkwardly paced soap opera-ish story . 
congrats disney on a job well done 
take you places you have n't been , and also places you have 
is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate . 
the film above anything sandler 
proving once again ego does n't always go hand in hand with talent 
pale imitation 
( russell ) makes good b movies ( the mask , the blob ) , and the scorpion king more than ably meets those standards . 
cheapening it 
it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
there must be an audience that enjoys the friday series , but i would n't be interested in knowing any of them personally . 
a terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome 
a bittersweet drama about the limbo of grief and how truth-telling 
uniquely sensual 
when the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year , you 'd have a hard time believing it was just coincidence . 
of all those famous moments 
the rollicking dark humor so necessary 
does n't offer much in terms of plot or acting . 
the characters are paper thin and 
slapping its target audience in the face 
nail the spirit-crushing ennui of denuded urban living without giving in to it 
clever ideas and 
we 've seen the hippie-turned-yuppie plot before , but there 's an enthusiastic charm in fire that makes the formula fresh again 
gripping drama . 
a man whose engaging manner and flamboyant style made him a truly larger-than-life character 
an audience full of teenagers fixating on its body humor and reinforcement of stereotypes 
, you 'll cheer . 
a stylish exercise in revisionism whose point 
a cheap thriller 
a sensitive , moving 
penned by a man who has little clue about either the nature of women or of friendship . 
the logic 
worth catching 
's not like having a real film of nijinsky 
an oddly winning portrayal of one 
just as expectant of an adoring , wide-smiling reception 
a stale , overused cocktail 
who might enjoy this 
romance , tragedy and even silent-movie comedy 
his wife look so bad in a major movie 
that pollyana would reach for a barf bag 
with their fathers 
a huge disappointment coming , 
ruined by amateurish writing and acting 
there 's apparently nothing left to work with , sort of like michael jackson 's nose . 
an insane comic undertaking 
about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it 
one-sided documentary offers simplistic explanations to a very complex situation . 
fast and funny 
unadulterated thrills or genuine laughs 
likable , but just as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy . 
the surprisingly shoddy makeup work 
this arrogant richard pryor wannabe 
one of the worst films of the summer 
it 's not just a feel-good movie , it 's a feel movie . 
is masterful 
has little wit and no surprises . 
sublimely lofty 
'' it 's equally distasteful to watch him sing the lyrics to `` tonight . '' 
( and educational ) 
20 years apart 
rates as an exceptional thriller . 
`` frailty '' starts out like a typical bible killer story , but it turns out to be significantly different ( and better ) than most films with this theme . 
and it is n't that funny . 
it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies 
( a ) soulless 
, i 'd want something a bit more complex than we were soldiers to be remembered by . 
offers much to absorb and even more to think about after the final frame 
is that it jams too many prefabricated story elements into the running time . 
that clever angle 
a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic 
star 
an affectionate 
for its logical loopholes , which fly by so fast there 's no time to think about them anyway 
you do n't want to think too much about what 's going on 
nothing in it to engage children emotionally 
than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises 
, so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast . 
is nicely shot , well-edited 
discovery and humor between chaplin and kidman 
fret 
fashion a brazil-like , hyper-real satire 
as decent drama/action flick 
with impressive results 
takes a fresh and absorbing look at a figure whose legacy had begun to bronze . 
as naturally charming as it needs to be 
is dazzling 
ultimate 
touches to a shrill , didactic cartoon 
simultaneously heart-breaking and very funny 
piano 
have a whale of a good time . 
quickly wears out its limited welcome 
rushed , slapdash , sequel-for-the-sake - of-a-sequel 
these self-styled athletes have banged their brains into the ground so frequently 
mixed-up films 
that feels as though it 's trying to set the women 's liberation movement back 20 years 
implicitly 
exciting and well-paced . 
is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out . 
quietly moving 
succeeds in entertaining 
my eyelids ... getting 
you 've spent the past 20 minutes looking at your watch 
a straight-shooting family film which awards animals the respect they 
rejected 
is painterly 
's a very tasteful rock and roll movie 
squirming in their seats 
well done 
on its own , it 's not very interesting . 
is a horrible movie -- 
i could not stand them 
ver wiel 's 
the ` ick ' 
serves as a paper skeleton for some very good acting , dialogue , 
leaves you giddy 
talent 
in a big corner office in hell , satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 . 
about tattoos 
there is nothing in it to engage children emotionally 
care what kind of sewage they shovel into their mental gullets to simulate sustenance 
in 1958 brooklyn 
of the most depressing movie-going experiences i can think of 
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- 
a consummate actor 
bad mannered , ugly and destructive little **** 
's superficial and unrealized 
intimate and socially encompassing 
banged their brains 
are immaculate , with roussillon providing comic relief 
giggling at the absurdities and inconsistencies is part of the fun . 
to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
of surprises 
, dramatically satisfying heroine 
ghetto 
the gags are puerile . 
a film that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s 
delight 
master of disguise runs for only 71 minutes and feels like three hours . 
hopkins/rock collision 
this is n't worth sitting through 
why human beings long for what they do n't have 
strangely impersonal and abstract 
a video helmer 
happens that tells you there is no sense 
might not seem like the proper cup of tea 
the movie is certainly easy to watch . 
try to surprise us with plot twists 
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs 
skip 
crudup 's anchoring performance 
a rehash 
to a biting satire that has no teeth 
comes out looking like something wholly original 
unremittingly ugly 
beautifully crafted 
enjoys 
every turn of elizabeth berkley 's flopping dolphin-gasm 
that could so easily have been fumbled by a lesser filmmaker 
decidedly unoriginal 
the words `` radical '' or `` suck '' 
hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone 
a little more intensity and a little less charm would have saved this film a world of hurt . 
's mostly a pleasure to watch . 
his greatest triumph 
how much they engage and even touch us 
this strenuously unconventional movie 
the exotic surface ( and exotic dancing ) 
a frustrating ` tweener ' 
as important as humor 
enthrall 
, though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized . 
very very strong `` b + 
dramatized 
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate 
under the skin of her characters 
fresh view 
the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate . 
'll find yourself wishing that you and they were in another movie . 
right ways 
is competent 
with no aspirations 
operatic 
tender hug 
beautiful stars 
unhappy at the prospect of the human race splitting in two 
another shameless attempt 
despite bearing the paramount imprint , it 's a bargain-basement european pickup . 
over-blown 
nicolas cage is n't the first actor to lead a group of talented friends astray , and 
a muddled limp biscuit of a movie , a vampire soap opera that does n't make much 
maudlin ending 
be like trying to eat brussels sprouts 
it is notable for its stylistic austerity and forcefulness 
` ke burstein 
well made 
succeeds through sincerity 
warmth and humor 
failed jokes , twitchy acting , 
the most complex , generous and subversive artworks 
an ungainly movie 
sadistic bike flick 
the milieu is wholly unconvincing ... and 
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set 
built for controversy . 
in a sick , twisted sort of way 
great combination act 
is duly impressive in imax dimensions , 
with cloying messages and irksome characters 
pleasing way 
all awkward 
has become apparent that the franchise 's best years are long past . 
skip the film and buy the philip glass soundtrack cd 
star script 
terrific casting and solid execution give all three stories life . 
the film 's messages of tolerance and diversity are n't particularly original 
's hard to believe these jokers are supposed to have pulled off four similar kidnappings before 
, hard-hitting documentary . 
pair that with really poor comedic writing ... and you 've got a huge mess . 
ingenious and often 
merely pretentious -- 
has a pleasing way with a metaphor . 
went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood 
ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza 
a glib but bouncy bit of sixties-style slickness in which the hero might wind up caught but the audience gets pure escapism . 
delightful stimulus 
which might have been called freddy gets molested by a dog ) 
humor wry 
with a tone as variable as the cinematography 
these women are spectacular 
co-stars 
to stand out as particularly memorable or even all that funny 
intricate , intimate and intelligent journey 
lets her character become a caricature -- not even with that radioactive hair 
modest , straight-ahead standards 
in modern alienation 
a sense of childhood imagination 
leave it to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama 
tear-stained 
falling 
innocent and 
with weak dialogue and biopic 
her welcome in her most charmless performance 
one terrific story with lots of laughs 
stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters 
looks like he 's not trying to laugh at how bad 
more grueling and 
that 's neither original nor terribly funny 
transcends the boy-meets-girl posturing of typical love stories . 
give a backbone to the company 
the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables . 
superior '' 
a depraved , incoherent , instantly disposable piece 
old-fashioned but emotionally stirring adventure tale 
its rather slow beginning 
serious and thoughtful . 
is more engaging than the usual fantasies hollywood produces 
but here 's a movie about it anyway . 
a time machine , a journey back to your childhood , 
the difference between cho and most comics is that her confidence in her material is merited . 
were made for the palm screen 
the film has a laundry list of minor shortcomings , but 
sits in the place where a masterpiece should be 
enough vices to merit its 103-minute length 
a really solid woody allen film 
leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies 
always looks good 
preposterousness 
although it starts off so bad that you feel like running out screaming , it eventually works its way up to merely bad rather than painfully awful . 
out of character and logically porous action set 
low-budget and tired 
muddled drama 
's left of his passe ' chopsocky glory 
unusually tame 
markedly inactive 
that keeps you guessing at almost every turn 
the possible exception of elizabeth hurley 's breasts 
all movie long , city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast . 
one of those unassuming films that sneaks up on you and stays with you long after you have left the theater . 
this forgettable effort 
to even categorize this as a smutty guilty pleasure 
weaver and lapaglia are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk . 
about the plight of american indians in modern america 
historically significant 
wrong on both counts 
noble failure . 
overused 
a bland animated sequel that 
no sense of pride or shame 
insultingly unbelievable final act 
a visual spectacle full of stunning images and effects . 
paint-by-numbers picture 
of pure misogynist evil 
the production is suitably elegant 
that frenetic spectacle ( on the tv show ) 
huge action sequence 
is never especially clever and often is rather pretentious 
the hardy spirit 
a chilling tale of one of the great crimes of 20th century france : the murder of two rich women by their servants in 1933 . 
the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan 
the broiling sun 
inherent in the mixture of bullock bubble and hugh goo 
for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable 
, the answer is clear : not easily and , in the end , not well enough . 
sloppy slapstick 
he 's a charismatic charmer likely to seduce and conquer . 
adventure story and history lesson 
happens to be good 
too full 
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries 
well-crafted psychological study 
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre . 
virtually impossible 
devolves into the derivative , leaning on badly-rendered cgi effects . 
stalls in its lackluster gear of emotional blandness 
be able to appreciate the wonderful cinematography and naturalistic acting 
painfully forced , 
offers flickering reminders of the ties that bind us . 
might turn on many people to opera , in general 
exit sign 
has the rare capability to soothe and break your heart with a single stroke 
matter how much he runs around and acts like a doofus 
does n't match his ambition 
remain curious about each other against all odds 
schticky chris rock and stolid anthony hopkins , who seem barely in the same movie 
all the movie 's narrative gymnastics ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling . 
fest of self-congratulation between actor and director that leaves scant place for the viewer 
in luck 
soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem . 
the story is bogus 
if it were n't such a clever adaptation of the bard 's tragic play 
a deftly entertaining film 
charlie hunnam has the twinkling eyes , repressed smile and determined face needed to carry out a dickensian hero . 
such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care 
the most notable observation is how long you 've been sitting still 
for kids or their parents 
has plenty of laughs . 
enjoyably over-the-top 
... a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels . 
occasionally inspired dialogue bits 
, the movie is a disaster . 
remarkable and memorable 
spiced with the intrigue of academic skullduggery and politics . 
everyone , especially movie musical fans , has been hoping for 
quiet , decisive moments between members of the cultural elite 
is a nonstop hoot 
a marvelous performance by allison lohman 
pleasant enough -- and 
's an ambitious film 
goes downhill 
returning to one anecdote for comparison : the cartoon in japan that gave people seizures 
bright 
a bad rock concert 
, overmanipulative hollywood practices 
it 's potentially just as rewarding 
tragic deaths 
that tells stories that work -- is charming , is moving 
that fails on so many levels 
audience-pleaser 
a sappy , preachy one at that 
this would be a worthy substitute for naughty children 's stockings 
we 've seen it all before in one form or another 
it goes off the rails in its final 10 or 15 minutes 
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all 
what might have emerged as hilarious lunacy in the hands of woody allen or 
influence 
reverberates throughout this film , whose meaning and impact is sadly heightened by current world events 
excellent latin actors of all ages 
alas , getting there is not even half the interest . 
have a freshness and modesty that transcends their predicament 
its most glaring 
might be wishing for a watch that makes time go faster rather than the other way around . 
kinnear 's performance is a career-defining revelation . 
are well worth revisiting as many times as possible 
the only thing i laughed at were the people who paid to see it . 
the merchant-ivory team continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage . 
would not likely be so stupid as to get 
engaging enough to keep you from shifting in your chair too often 
comprehend the chasm of knowledge that 's opened between them 
's most thoughtful films about art , ethics , and the cost of moral compromise 
( jeff 's ) gorgeous , 
that holds up well after two decades 
a dark-as-pitch comedy that frequently veers into corny sentimentality , probably 
with maggots crawling on a dead dog 
the film rehashes several old themes and is capped with pointless extremes -- 
a powerful look 
strip it of all its excess debris , and you 'd have a 90-minute , four-star movie . 
classic text 
a banal , virulently unpleasant excuse for a romantic comedy 
female audience members drooling over michael idemoto as michael 
just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play 
so-called ` comedy ' 
has done his homework and 
since dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer , it misses a major opportunity to be truly revelatory about his psyche . 
reggio and glass put on an intoxicating show . 
for following up a delightful , well-crafted family film with a computer-generated cold fish 
i found the ring moderately absorbing , largely for its elegantly colorful look and sound . 
a plot that 's just too boring and obvious 
tortured husband 
is its personable , amusing cast 
, it finds a nice rhythm . 
smart , not cloying 
huppert and girardot give performances of exceptional honesty . 
an earnest , roughshod document 
imaginative filmmaking 
the film 's hero is a bore and 
cattaneo reworks the formula that made the full monty a smashing success ... but neglects to add the magic that made it all work . 
maelstrom is strange and compelling , engrossing and different , a moral tale with a twisted sense of humor . 
an acidic all-male all about eve 
totally past his prime 
the recording sessions are intriguing , and 
dream of 
should not be missed . 
of sophisticated intrigue and human-scale characters 
a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today 
'll love it 
a fairly harmless but ultimately lifeless feature-length afterschool special 
said , except : film overboard ! 
cagney 's ` top of the world ' 
succumb to appearing in this junk that 's tv sitcom material at best 
the knee-jerk misogyny 
as some of the recent hollywood trip tripe 
, and room noise 
the poor acting 
dehumanizing and ego-destroying 
does n't mean you have to check your brain at the door 
of good actors 
of lurid melodrama 
, honest , and enjoyable comedy-drama 
nails hard 
the characters ... are paper-thin , and their personalities undergo radical changes when it suits the script . 
, prepackaged julia roberts wannabe 
occasionally horrifying but often inspiring 
hates its characters 
to be a wacky , screwball comedy 
genres that just does n't work 
sick 
a tired , talky feel 
there is only so much baked cardboard i need to chew . 
moving and vibrant . 
should have stayed there 
should come with the warning `` for serious film buffs only 
more entertaining , 
chicken barely give a thought to the folks who prepare and deliver it 
a positive impression 
eccentricities that are attached to the concept of loss 
is he has no character , loveable or otherwise . 
a jaw-droppingly beautiful work 
too little 
tough pill to swallow 
a clear-eyed chronicle 
s1m0ne 's satire is not subtle 
is fresh to say about growing up catholic or , really , anything 
's affecting , amusing , sad and reflective . 
returns to narrative filmmaking with a visually masterful work of quiet power . 
the soulful gravity 
lux , now in her eighties , does a great combination act as narrator , jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history . 
confuses its message with an ultimate desire to please , and contorting itself into an idea of expectation is the last thing any of these three actresses , nor their characters , deserve . 
a dark , quirky road movie that constantly defies expectation 
surprisingly decent flick 
twohy 's a good yarn-spinner 
rigid 
lazy filmmaking , with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling . 
fresh , sometimes funny , and 
sheridan seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony . 
this is a movie that refreshes the mind and spirit along with the body 
that will strike a chord with anyone who 's ever 
a real winner 
head-turner 
is just as boring and as obvious 
to sustain interest for the full 90 minutes , especially with the weak payoff 
it 's no lie -- big fat liar is a real charmer 
a film really has to be exceptional to justify a three hour running time , and this is n't . 
this exciting new filmmaker has brought to the screen 
its hackneyed and meanspirited storyline with cardboard characters and performers 
a timely look back at civil disobedience , anti-war movements and the power of strong voices . 
wanting to abandon the theater 
bring to imax 
to recovering from its demented premise 
littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed 
daringly perceptive , taut , piercing and feisty , biggie and tupac is undeniably subversive and involving in its bold presentation . 
director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard 
`` wild ride '' 
this fascinating portrait 
emotionally distant piece 
is rote drivel aimed at mom and dad 's wallet . 
right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies 
fresh-faced , big-hearted and frequently 
film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly 
empire '' lacks in depth 
i can tell you that there 's no other reason why anyone should bother remembering it . 
soft-porn 'em powerment 
blue crush thrillingly uses modern technology to take the viewer inside the wave . 
control-alt-delete simone as quickly as possible 
neither the funniest film that eddie murphy nor robert de niro has ever made 
to lift the spirits of the whole family 
stiletto-stomps the life out 
exactly wrong 
, passion , and genius 
you wrong on both counts 
might as well be watching it through a telescope 
rhapsodic 
schlocky horror/action hybrid 
right actors 
the murder 
delicately calibrated in tone 
tiresome cliché 
passive-aggressive 
sophisticated performance 
needs more impressionistic 
dramatic punch 
a first-rate cast 
riveting memories 
did n't smile 
kidman has become one of our best actors 
trite and overused 
a lot more dimensional and complex than its sunny disposition 
her performance moves between heartbreak and rebellion as she continually tries to accommodate to fit in and gain the unconditional love she seeks . 
the characters are paper thin and the plot is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects 
in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense 
you 've endured a long workout without your pulse ever racing 
to be a whole lot scarier than they are in this tepid genre offering 
a disappointment for a movie that should have been the ultimate imax trip . 
will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear 
mostly leaves him shooting blanks 
i do n't blame eddie murphy but should n't owen wilson know a movie must have a story and a script ? 
graceful , moving 
it 's not just a feel-good movie 
belly laughs ( including a knockout of a closing line ) 
's a compelling and horrifying story 
maudlin as any after-school special you can imagine 
suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme 
like a tarantino movie with heart , alias betty is richly detailed , deftly executed and utterly absorbing . 
highly uneven and inconsistent ... 
live the mood 
could watch this movie and be so skeeved out that they 'd need a shower 
jacquot has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism . 
`` empire '' lacks in depth 
creates an impeccable sense of place 
of strung-together moments 
genuinely enthusiastic 
awe-inspiring visual poetry 
a very talented but underutilized supporting cast 
a puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks 
at hostile odds with one another 
, all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill . 
are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster 
captured 
gushing -- imamura squirts the screen in ` warm water under a red bridge ' 
if you can push on through the slow spots , you 'll be rewarded with some fine acting . 
of the flesh 
is precious little of either . 
rings false . 
are paper-thin , and their personalities undergo radical changes when it suits the script . 
lame and 
sentimental journey 
every faltering half-step of its development 
fighting hard for something that really matters 
be impressed by this tired retread 
a touching , small-scale story of family responsibility and care in the community 
early laughs 
though there 's a clarity of purpose and even-handedness to the film 's direction , the drama feels rigged and sluggish . 
calm and thoughtful 
demented in a good way 
witty , 
, `` they 're out there ! '' 
war 
despite the opulent lushness of every scene , the characters never seem to match the power of their surroundings . 
comes to mind : so why is this so boring ? 
nothing but one relentlessly depressing situation after another for its entire running time , something that you could easily be dealing with right now in your lives . 
puts on airs of a hal hartley wannabe film -- without the vital comic ingredient of the hilarious writer-director himself . 
runs through a remarkable amount of material in the film 's short 90 minutes 
of a copenhagen neighborhood coping with the befuddling complications life 
long-suffering 
so many talented people 
inventive 
whose portrait of a therapy-dependent flakeball 
would know what to make of this italian freakshow . 
politically audacious 
makes dover kosashvili 's outstanding feature debut so potent 
blemishes 
the pleasure of read my lips is like seeing a series of perfect black pearls clicking together to form a string . 
right into the center of that world 
a lightweight , uneven action comedy that freely mingles french , japanese and hollywood cultures . 
was immensely enjoyable thanks to great performances 
a feel-good fantasy 
those who are not acquainted with the author 's work , on the other hand , may fall fast asleep . 
authenticate her british persona 
becomes a sermon for most of its running time 
you are watching them , and the slow parade of human frailty fascinates you 
dips key moments 
one well-timed explosion in a movie 
distracted rhythms 
may well be the year 's best and most unpredictable comedy . 
finch 's tale provides the forgettable pleasures of a saturday matinee 
no character 
essentially juiceless 
tired one 
his cipherlike personality and bad behavior would play fine if the movie knew what to do with him 
a fascinating curiosity piece -- fascinating , that is , for about ten minutes 
in its chicken heart 
mean things 
the talented cast 
is one of the year 's worst cinematic tragedies 
it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived . 
is entirely too straight-faced 
striking character traits 
the gifted korean american stand-up 
good , achingly human 
does hold up pretty well . 
, like nothing we 've ever seen before , and yet completely familiar . 
is a convincing one , and should give anyone with a conscience reason to pause . 
mired in a shabby script 
unblinkingly pure as 
is credible and remarkably mature . 
could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking . 
completely creatively stillborn and executed in a manner that i 'm not sure could be a single iota worse ... a soulless hunk of exploitative garbage . 
believability 
a touching , small-scale story of family responsibility and care in the community . 
a little too much resonance with real world events 
choppy , overlong documentary about ` the lifestyle . ' 
have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept 
few gut-busting laughs 
sweet and modest 
wanted to leave . 
restrained and subtle 
be intolerable company 
about the best thing you could say about narc 
excellent sequel . 
a cultural wildcard experience 
with a romantic comedy plotline straight from the ages , this cinderella story does n't have a single surprise up its sleeve . 
, few films have been this odd , inexplicable and unpleasant . 
confessions may not be a straightforward bio , nor does it offer much in the way of barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture 
bravado 
scenery , vibe and all 
get to the closing bout ... by which time it 's impossible to care who wins 
offer audiences 
that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i 
of clever ideas and visual gags 
an underdone potato 
, and beautifully shot 
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? '' 
his latest feature , r xmas , marks a modest if encouraging return to form 
a real howler 
funny , sexy , devastating and incurably romantic . 
well together 
to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing 
nothing to gain from watching they 
to elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
document both sides of this emotional car-wreck 
a man whose achievements -- and complexities -- reached far beyond the end zone 
leigh is one of the rare directors who feels acting is the heart and soul of cinema . 
even if the ring has a familiar ring , it 's still unusually crafty and intelligent for hollywood horror . 
there 's no fizz 
your favorite pet get buried alive 
old-fashioned values 
it 's endlessly inventive , consistently intelligent and sickeningly savage . 
get you down 
was trying to decide what annoyed me most about god is great 
the ring never lets you off the hook . 
overweight and out 
looking for something new 
shows off a lot of stamina and vitality , and 
subzero 
its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese 
absolutely refreshed 
wo n't sit still for a sociology lesson 
endure instead of enjoy 
teen-sleaze 
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop 
succeed in alienating most viewers 
a smart , funny look at an arcane area of popular culture 
a movie that , quite simply , should n't have been made . 
much of what we see is horrible but it 's also undeniably exceedingly clever . 
everything about it from the bland songs to the colorful but flat drawings is completely serviceable and quickly forgettable . 
as happy listening to movies 
that 's the mark of a documentary that works 
troubling and 
disgusting 
that it is n't very good 
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , and snow dogs deserves every single one of them . 
that just seem like a bad idea from frame one 
have a good time with this one too 
finds itself in reduced circumstances 
to light 
a beguiling evocation of the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions 
the ensemble cast 
a severe case of oversimplification , superficiality and silliness 
friday the 13th by way of clean and sober , 
is clever and funny , is amused by its special effects 
's just that it 's so not-at-all-good 
by an overly sillified plot and stop-and-start pacing 
fit chan like a $ 99 bargain-basement special 
with indoctrinated prejudice 
well wrought 
wanting more answers as the credits 
funny little movie 
the limited chemistry 
has a brain 
ultra-violent gangster wannabe 
plumbs personal tragedy and also the human comedy . 
watch the movie 
it 's inauthentic at its core 
bad writing 
proves absolutely that really , really , really good things can come in enormous packages . 
reflect 
freshness 
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions 
you swinging from the trees hooting it 's praises 
laugh-free lecture 
thrusts the audience into a future they wo n't much care about 
meandering and pointless french coming-of-age import 
of ` let 's get this thing over with 
mind ugly 
in a heartwarming , nonjudgmental kind of way 
profundity 
a straight-shooting family film which awards animals the respect they 've rarely been given . 
i.e. , a banal spiritual quest 
a neat trick 
that bears more than a whiff of exploitation , despite iwai 's vaunted empathy 
wears its empowerment on its sleeve 
have made for better drama 
wow factors 
cheap 
a thinking man 's monster movie 
a moratorium , effective immediately , 
concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt 
boasts dry humor and jarring shocks , plus moments of breathtaking mystery 
it 's a smart , funny look at an arcane area of popular culture , 
thoroughly winning flight of revisionist fancy 
that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second 
bad romances 
leigh makes these lives count . 
his impressions of life and loss and 
as good , 
is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves . 
in a fairly irresistible package full of privileged moments and memorable performances 
a feel-good movie can still show real heart 
like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it . 
until the film is well under way -- and yet it 's hard to stop watching 
in his right mind 
the sometimes murky , always brooding look of i 
are so familiar you might as well be watching a rerun 
appealingly 
marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel . 
heartwarming scene the impressively discreet filmmakers may have expected to record with their mini dv 
is forgettable 
the trials of henry kissinger is a remarkable piece of filmmaking ... because you get it . 
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil 
is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product 
uses a sensational , real-life 19th-century crime as a metaphor 
originality in ` life ' 
if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head 
look behind the curtain that separates comics from the people laughing in the crowd . 
we a sick society 
well-written 
entertain 
it 's almost impossible not to be swept away by the sheer beauty of his images . 
this colorful bio-pic of a mexican icon 
be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) 
practically any like-themed film other than its oscar-sweeping franchise predecessor 
the problem is that it is one that allows him to churn out one mediocre movie after another . 
kicks into gear 
begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s 
were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned 
not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department 
danish cows 
, but also intriguing and honorable , 
the script is a tired one , with few moments of joy rising above the stale material . 
entirely suspenseful , extremely 
is solid , satisfying fare for adults . 
the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality 
its magic 
beautifully edited 
marshall puts a suspenseful spin on standard horror flick formula . 
as enlightening , insightful and entertaining as grant 's two best films 
new kind 
s1m0ne 's satire is not subtle , 
though it 's not very well shot or composed or edited , the score is too insistent 
grows as dull as its characters , about whose fate it is hard to care . 
pleasures 
is never clear 
co-writers lisa bazadona and grace woodard 
a huge box-office 
good and different 
i was trying to decide what annoyed me most about god is great ... i 'm not , and then i realized that i just did n't care . 
polished , well-structured film 
there are zoning ordinances to protect your community from the dullest science fiction 
ecstasy 
the charm of revolution os is rather the way it introduces you to new , fervently held ideas and fanciful thinkers . 
is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love 
the brilliant performances by testud 
nonsensical story 
's hard to figure the depth of these two literary figures , and even the times in which they lived . 
's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins . 
because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue 
by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act , it still comes off as a touching , transcendent love story . 
and pretentious endeavor 
a personal low 
god help us 
face arrest 15 years after their crime 
i still want my money back . 
and more entertaining , too 
is not enough to give the film the substance it so desperately needs . 
never fails to fascinate . 
all comes down to whether you can tolerate leon barlow . 
inventive cinematic tricks and 
the film does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes wilco a big deal . 
suffers from its timid parsing of the barn-side target of sons trying to breach gaps in their relationships with their fathers . 
that pours into every frame 
cultural satire 
enveloping affection 
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? '' 
this is n't exactly profound cinema , 
puts a human face on derrida , and makes one of the great minds of our times interesting and accessible 
that the lack of linearity is the point of emotional and moral departure for protagonist alice 
the mess 
's mildly sentimental 
is heartening in the same way that each season marks a new start . 
maryam is a small film , but it offers large rewards 
uniquely itself 
narrative banality 
uncommonly ambitious 
just does n't figure in the present hollywood program . 
sadly proving once again ego does n't always go hand in hand with talent 
is n't it a bit early in his career for director barry sonnenfeld to do a homage to himself ? 
you 'll have a good time with this one too 
i 'm not exactly sure what -- and has all the dramatic weight of a raindrop 
of such a well loved classic 
created a substantive movie 
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be 
, beautifully produced film 
is n't very funny 
solid acting and a neat premise 
putrid it is not worth 
immature and unappealing to care about 
to be bad 
ballsy 
, astonish and entertain 
the dirty jokes provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen . 
very much like life 
in this poor remake of such a well loved classic , parker exposes the limitations of his skill and the basic flaws in his vision . ' 
hollywood ending just is n't very funny . 
a corny examination 
ones that were imposed for the sake of commercial sensibilities 
winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars 
that this noble warlord would be consigned to the dustbin of history 
emotional blandness 
a feat any thinking person is bound to appreciate 
an intimate feeling , 
an honored screen veteran 
some of the visual flourishes are a little too obvious , but restrained and subtle storytelling , and fine performances make this delicate coming-of-age tale a treat 
nemesis suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme . 
does n't become smug or sanctimonious towards the audience 
frustrated and detached 
a sweet-tempered comedy 
a fine documentary 
jacquot preserves tosca 's intoxicating ardor through his use of the camera . 
arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made b movie is long gone 
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , 
intricately structured and well-realized drama 
so impersonal or 
proves to be a good match of the sensibilities of two directors . 
might try paying less attention to the miniseries and more attention to the film it is about 
is clearly a good thing . 
thrill you , touch you and make you 
written so well , 
undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
i found myself howling more than cringing 
stale first act , scrooge story , blatant product placement , some very good comedic songs , strong finish , dumb fart jokes . 
the best he 's been in years 
speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand 
the overall fabric is hypnotic , 
complete moron 
you may think you have figured out the con and the players in this debut film by argentine director fabian bielinsky , but while you were thinking someone made off with your wallet . 
great deal 
it 's good-natured and sometimes quite funny 
smile 
the movie is like scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot . 
'll find it with ring , an indisputably spooky film ; with a screenplay to die for 
his characters are acting horribly 
is oedekerk 's realization of his childhood dream to be in a martial-arts flick , and proves that sometimes the dreams of youth should remain just that 
naturalistic 
larry fessenden 's spooky new thriller 
, tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes . 
gives us a reason to care about them 
savor the story 
a preposterous , prurient whodunit . 
cheapened 
vulgarity , sex scenes , and 
winter landscapes 
eat up 
shows how deeply felt emotions can draw people together across the walls that might otherwise separate them 
constantly pulling the rug from underneath us , 
would require the patience of job to get through this interminable , shapeless documentary about the swinging subculture 
psychologically savvy . 
white oleander may leave you rolling your eyes in the dark , but that does n't mean you wo n't like looking at it 
after an uncertain start 
no major discoveries , nor any stylish sizzle 
dramatic impact 
the film is way too full of itself 
however entertainingly presented , 
illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box 
poignant and funny . 
a rumor of angels does n't just slip -- 
-- and disposable story 
... a weak and ineffective ghost story without a conclusion or pay off . 
the funniest moments 
impeccable sense 
a pleasing verisimilitude 
be quirky and funny 
by ryan gosling 
one of the most splendid entertainments to emerge from the french film industry in years . 
the stale material 
can impart an almost visceral sense of dislocation and change 
that 's truly deserving of its oscar nomination 
a powerful and telling story that examines 
it 's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible . 
handled correctly , wilde 's play is a masterpiece of elegant wit and artifice . 
's face is ) an amazing slapstick instrument , 
enhanced 
best possible ways 
entirely improvised 
make you wish you were at home watching that movie instead of in the theater watching this one 
wretched 
in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters 
ame and unnecessary 
lacks the spirit of the previous two , and 
for the perspective it offers 
even less surprises 
compelling historical tale 
venturesome 
it certainly does n't feel like a film that strays past the two and a half mark 
in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad 
unfocused screenplay 
for all its social and political potential , state property does n't end up being very inspiring or insightful . 
rollerball left us cold 
vibrant , and intelligent 
if you come from a family that eats , meddles , argues , laughs , kibbitzes and fights together , then go see this delightful comedy . 
so sloppy , 
wall-to-wall good time 
's just brilliant in this 
, ice age is consistently amusing and engrossing ... 
his strongest performance since the doors 
most refreshing about real women have curves 
an unsettling sight 
where nothing 's happening 
stultifyingly obvious 
's as comprehensible as any dummies guide , something even non-techies can enjoy 
raucously amusing 
marks him as one of the most interesting writer/directors working today 
seems manufactured to me and artificial 
is weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil 
as sexy 
dreary mess 
fun , curiously adolescent movie 
it 's a fairly impressive debut from the director , charles stone iii . 
your pooper-scoopers 
... the film 's considered approach to its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' 
while this film has an ` a ' list cast and some strong supporting players 
comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness 
the plight 
gaunt , silver-haired and leonine , 
addition to gluing you to the edge of your seat 
most pitiful directing 
poor editing , bad bluescreen , and ultra-cheesy dialogue 
a terrifically entertaining specimen of spielbergian 
despite a fairly slow paced , almost humdrum approach to character development 
it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities 
: it 's not scary in the slightest . 
what 's so fun about this silly , outrageous , ingenious thriller 
is both gripping and compelling 
that 's right 
epps has neither the charisma nor the natural affability that has made tucker a star . 
the saigon of 1952 is an uneasy mix of sensual delights and simmering violence , and the quiet american brings us right into the center of that world 
though lan yu lacks a sense of dramatic urgency , the film makes up for it with a pleasing verisimilitude . 
leaving you with some laughs and a smile 
timeless and unique perspective 
it is very difficult to care about the character 
it shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action . 
that you 'll want to crawl up your own *** in embarrassment 
neither the funniest film that eddie murphy nor robert de niro has ever made , showtime is nevertheless efficiently amusing for a good while . 
to a small star with big heart 
seen in that light 
shrewd enough 
less compelling than the circumstances of its making 
dramatic nor 
into the modern rut of narrative banality 
string 
more holes 
is painfully bad , a fourth-rate jim carrey who does n't understand the difference between dumb fun and just plain dumb . 
the comic elements of the premise , making the proceedings more bizarre than actually amusing 
'd need a shower 
new star wars movie 
be swept away by the sheer beauty of his images 
fairly enjoyable mixture 
nor truly edgy -- merely crassly flamboyant and comedically labored . 
exhilarating 
opens with maggots crawling on a dead dog 
a `` snl '' has-been acting like an 8-year-old channeling roberto benigni 
turn on many people 
too bad to be good and 
be a talky bore 
with its unbelievable naïveté and arbitrary flashbacks 
celebrates 
's not a bad premise , just a bad movie 
a sweet little girl 
the awe 
proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary 
it 's an ambitious film , and as with all ambitious films , it has some problems 
the funniest and most accurate depiction of writer 
does n't try to surprise us with plot twists 
funnier version of the old police academy flicks 
`` bad '' is the operative word for `` bad company , '' and i do n't mean that in a good way . 
a very funny romantic comedy about two skittish new york middle-agers who stumble into a relationship and then 
puts enough salt into the wounds of the tortured and self-conscious material to make it sting . 
overrides 
of disconnection 
the film does n't manage to hit all of its marks 
is not as terrible as the synergistic impulse that created it 
are served with a hack script . 
, sweet , and intermittently hilarious 
's a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism 
that are so crucial to the genre and another first-rate performance by top-billed star bruce willis 
satisfying crime drama 
as stick figures reading lines from a teleprompter 
refreshing and comical 
more watchable 
low , very low 
the script 's flaws 
take its sweet time to get wherever it 's going 
twenty the worst of the brosnan bunch 
the empty stud knockabout 
a low-budget hybrid 
a hilarious ode 
you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you 
an absorbing and unsettling psychological drama . 
bad animation 
fresh or enjoyable 
excruciating demonstration 
knows everything and answers all questions , is visually smart , cleverly written 
exhaustion , from watching a movie that is dark ( dark green , to be exact ) , 
keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes 
excitement 
part biography , part entertainment and 
high-wattage brainpower 
are ... impeccable throughout 
surprisingly idealistic 
is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project . 
honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher 
a pretentious and ultimately empty examination of a sick and evil woman . 
do little to salvage this filmmaker 's flailing reputation 
its courageousness , and comedic employment 
turgid fable 
take on the soullessness of work 
` dumb 
michael moore 's bowling for columbine rekindles the muckraking , soul-searching spirit of the ` are we a sick society ? ' 
tepid genre offering 
its mean-spirited second half 
no better or worse than ` truth or consequences , n.m. ' or any other interchangeable actioner with imbecilic mafia 
is almost completely lacking in suspense , surprise and consistent emotional conviction . 
there 'll be a power outage during your screening so you can get your money back 
apparently nobody here bothered to check it twice . 
the film is one of the year 's best . 
collapses after 30 minutes into a slap-happy series of adolescent violence . 
when you doze off thirty minutes into the film 
astonishingly condescending 
screwing 
is merited 
experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads 
the urban landscapes are detailed down to the signs on the kiosks , and the color palette , with lots of somber blues and pinks , is dreamy and evocative . 
preachy-keen 
intriguing twist 
's consistently funny , in an irresistible junior-high way , and consistently free 
damned 
the all-too-familiar saga of the contemporary single woman 
a superlative b movie 
would 've worked a lot better had it been a short film 
's a glorious spectacle like those d.w. griffith made in the early days of silent film . 
too many flashbacks 
for laughs and not the last time 
single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department 
if not morally bankrupt , at least terribly monotonous 
miyazaki 's nonstop images are so stunning , and his imagination so vivid , 
completely awful iranian drama 
real 
drawn into the exotic world of belly dancing 
leguizamo 's best movie work 
eager to please 
bloody sunday has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made . 
a winning piece 
the historical , philosophical 
a much larger historical context 
no quarter to anyone 
film that loses sight of its own story . 
a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience 
a harrowing account of a psychological breakdown . 
to better understand why this did n't connect with me would require another viewing , and 
might enjoy this 
funny in the middle of sad in the middle of hopeful 
's no energy . 
utterly incompetent 
the gabbiest giant-screen movie 
bloodbath 
incoherence and redundancy 
from philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron 
raimi crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings . 
gasp , shudder and even tremble without losing his machismo 
your seat with its shape-shifting perils , political intrigue and brushes 
a funny moment or two 
great one 
rock and stolid anthony hopkins 
appropriately cynical social commentary aside , # 9 never quite ignites . 
an exceptionally 
it is formula filmmaking 
both ugly and mindless 
that interest attal and gainsbourg 
patriotic 
in their cheap , b movie way 
driven by a fantastic dual performance from ian holm ... 
were written by somebody else 
illuminating comedy 
a ravishing , baroque beauty 
the script boasts some tart tv-insider humor , 
does n't really know or care about the characters 
slack and uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth 
is the way it skirts around any scenes that might have required genuine acting from ms. spears . 
filmmaking that is plainly dull and visually ugly when it is n't incomprehensible . 
best and most exciting movies 
is a bowser . 
of discovery 
exceptionally well acted by diane lane and richard gere . 
limps along on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly 
... the whole thing succeeded only in making me groggy . 
is both inspiring and pure joy . 
a liability 
atrociously , mind-numbingly , indescribably bad movie 
will all but take you to outer space 
like such a bore 
the film does n't really care about the thousands of americans who die hideously 
is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone 
aims to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness 
high drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky . 
woody allen can write and deliver a one liner as well as anybody . 
not because of its epic scope , but because of the startling intimacy 
its just not a thrilling movie 
the movie 's contrived , lame screenplay 
a fine-looking film with a bouncy score and 
it 's so badly made on every level that i 'm actually having a hard time believing people were paid to make it . 
a dysfunctional parent-child relationship 
a boring , pretentious waste 
you can fire a torpedo through some of clancy 's holes 
make it look as though they are having so much fun 
one of the most high-concept sci fi adventures attempted for the screen 
a very funny romantic comedy 
've had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama 
feel genuinely good 
miyazaki 's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about spirited away is that there is no rest period , no timeout 
a powerful performance from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 . 
manages to accomplish what few sequels can -- it equals the original and in some ways even betters it . 
, it 's exploitive without being insightful . 
with ambitious , eager first-time filmmakers 
even lazier and far less enjoyable 
so insatiable 
a satisfying kids flck becomes increasingly implausible as it races through contrived plot points 
horrifying and oppressively tragic 
postcard perfect , 
to its proper home 
wendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time 
warm and fuzzy 
sometimes makes less sense than the bruckheimeresque american action flicks it emulates . 
good ideas 
a strict reality 
, laughably predictable wail pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry . 
anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes 
... plenty of warmth to go around , with music and laughter and the love of family . 
light ( yet unsentimental ) 
will welcome or accept the trials of henry kissinger as faithful portraiture 
a funny , triumphant , and 
that i usually dread encountering the most 
our infantilized culture that is n't entirely infantile 
, i spy has all the same problems the majority of action comedies have . 
well worth revisiting as many times as possible 
shakespeare 's eloquent language 
the script was reportedly rewritten a dozen times -- 
too clumsy in key moments 
, this quirky soccer import is forgettable 
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films 
onto the end credits 
comes across as a relic from a bygone era , and its convolutions ... feel silly rather than plausible . 
scratch is great fun , full of the kind of energy it 's documenting . 
that it 's so not-at-all-good 
enjoyment to be had from films crammed with movie references 
only in making me groggy 
plenty to offend everyone 
dissing the film 
from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair 
disease 
to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and 
makes her nomination as best actress even more of a an a 
for a film -- rowdy , brawny and lyrical in the best irish sense 
is too impressed with its own solemn insights to work up much entertainment value 
's that rare family movie -- genuine and sweet without relying on animation or dumb humor . 
one of the very best movies ever made about the life of moviemaking . 
a blast 
quibble with a flick boasting this many genuine cackles 
i suspect it might deliver again and again 
simone '' is a fun and funky look into an artificial creation in a world that thrives on artificiality . 
is essentially a subculture , with its own rules regarding love and family , governance and hierarchy 
what could have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination . 
be exasperated by a noticeable lack of pace 
hear george orwell turning over 
may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie 
pedestrian , flat drama 
long bore . 
good alternative 
, genuine 
an elegant film with often surprising twists and an intermingling of naiveté and sophistication 
a cliché left 
it does n't improve upon the experience of staring at a blank screen 
the dreary expanse of dead-end distaste 
draw people together across the walls that might otherwise separate them 
berling and béart ... continue to impress , and isabelle huppert ... again shows uncanny skill in getting under the skin of her characters 
the film settles too easily along the contours of expectation 
henry bean 's thoughtful screenplay 
you realize there 's no place for this story to go but down 
brainless 
christmas spirit 
scored and powered by a set of heartfelt performances 
it 's an enjoyable trifle nonetheless 
a movie-industry satire 
call this film a lump of coal 
, biting and witty feature 
inconsistent 
honorably mexican and burns its kahlories with conviction . 
it sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen . 
matters because both are just actory concoctions , defined by childlike dimness and a handful of quirks . 
mamet 's airless cinematic shell games . 
aimless 
constant smiles and 
of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story 
the saccharine sentimentality 
a whole lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish . 
creative team 
covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. 
put through torture 
growing strain 
of sand to the fierce grandeur of its sweeping battle scenes 
the production has been made with an enormous amount of affection 
terrific flair 
of bad animation and mindless violence 
the young actors , not very experienced , are sometimes inexpressive 
taylor 's cartoonish performance and the film 's ill-considered notion 
will indeed sit open-mouthed before the screen , not screaming but yawning . 
when it 's this rich and luscious 
beresford nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart . 
spiritual film taps 
to burn the negative and the script and pretend the whole thing never existed 
is the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow . 
lamer 
of the ideal casting of the masterful british actor ian holm 
atrociously , mind-numbingly , indescribably bad 
evokes the bottom tier of blaxploitation flicks 
that is all the more remarkable because it 
a fudged opportunity 
this laughable dialogue 
go down as the worst -- and only -- killer website movie of this or any other year 
this is the kind of movie where people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks . 
our infantilized culture 
how a skillful filmmaker can impart a message without bludgeoning the audience over the head 
a detailed historical document , 
flavors and emotions 
even the bull gets recycled . 
same sledgehammer appeal 
reduced to direct-to-video irrelevancy 
displays with somber earnestness in the new adaptation of the cherry orchard 
writer-director randall wallace has bitten off more than he or anyone else could chew 
gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing 
carvey 's ) characters are both overplayed and exaggerated 
perfect use in the breathtakingly beautiful outer-space documentary space station 3d 
a cinematic corpse 
spectacularly 
this world more complex 
clueless 
may puzzle his most ardent fans . 
, the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss . 
exhaustingly 
that the shocking conclusion is too much of a plunge 
fail to crack a smile at 
sucks you 
grab us , only to keep letting go at all the wrong moments 
films about loss , grief and recovery are pretty valuable these days . 
the sorriest and 
a low-key labor of love that strikes a very resonant chord 
, finch 's tale provides the forgettable pleasures of a saturday matinee 
wants to be a suspenseful horror movie or a weepy melodrama 
of their first full flush of testosterone 
the strange horror of life 
winning comedy 
nicely wound clock not just ticking , but humming 
by drawing me into the picture 
it ends up being neither , and fails at both endeavors . 
has been overexposed , redolent of a thousand cliches 
political prisoners , poverty and the boat loads of people who try to escape the country 
starts out ballsy and stylish but fails to keep it up and settles into clichés . 
aimless , arduous , and 
yet overflows with wisdom and emotion . 
is interested 
the answer is clear : not easily and , in the end , not well enough . 
otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists 
inconsequential 
will find morrison 's iconoclastic uses of technology to be liberating 
gets molested 
masterfully controlled 
enriched 
adaptation is intricately constructed and in a strange way nails all of orlean 's themes without being a true adaptation of her book . 
right 
manic 
they are having so much fun 
superb production values & christian bale 's charisma make up for a derivative plot . 
one of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm . 
it 's only in fairy tales that princesses that are married for political reason live happily ever after . 
it begins to seem as long as the two year affair which is its subject 
unlike trey parker , sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself . 
is an action movie with an action icon who 's been all but decommissioned . 
its audience giddy with the delight of discovery 
has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable . 
to make a big splash 
is that its own action is n't very effective 
the sentimental script has problems , but the actors pick up the slack 
do n't even bother to rent this on video 
, no such thing is hartley 's least accessible screed yet . 
charming and 
a laugh 
... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done . 
a powerful performance from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 
momentum and its position remains mostly undeterminable 
of b-movie excitement 
, powerful act 
its relaxed , 
is engaging enough to keep you from shifting in your chair too often 
that came to define a generation 
smarter than your average bond 
look too deep into the story 
the film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is . 
a live-wire film that 
` santa clause 2 ' is wondrously creative . 
creates a portrait of two strong men in conflict , 
elevate it beyond its formula to the level of classic romantic comedy to which it aspires 
's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships . 
the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion 
felt trapped and with no obvious escape 
technical skill and rare depth 
of virtuosic set pieces 
the best didacticism is one carried by a strong sense of humanism , 
a work of enthralling drama 
always brooding 
's a movie that accomplishes so much that one viewing ca n't possibly be enough . 
if you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you 
the wake of saving private ryan 
that skins comes as a welcome , if downbeat , missive from a forgotten front 
a loquacious and dreary piece 
once she lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle 
just fell apart 
it does n't leave you with much . 
takes few chances and manages to insult the intelligence of everyone in the audience 
great monster/science fiction flicks 
perfectly executed and wonderfully sympathetic characters , 
gripping , amusing , tender and heart-wrenching 
is a very good viewing alternative for young women 
better hip-hop clips 
a host of splendid performances 
being subjected to farts , urine , feces , semen , or any of the other foul substances 
shows moments of promise but ultimately succumbs to cliches and pat storytelling . 
that we 'll keep watching the skies for his next project 
del 
bogus spiritualism 
deserved all the hearts it won -- and wins still , 
above the run-of-the-mill singles blender 
lawrence plumbs personal tragedy and also the human comedy . 
phenomenal , especially 
predictable denouement 
quentin tarantino 's climactic shootout 
so badly 
all too clever complexity 
slightly naughty , just-above-average off 
carvey 's considerable talents 
wiser 
absurd finale 
are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach 
it does n't even seem like she tried . 
that was n't all that great to begin with 
notorious c.h.o. still feels like a promising work-in-progress 
are clinically depressed 
a case study that exists apart from all the movie 's political ramifications 
emotional evolution 
a little uneven to be the cat 's meow , 
's funny , as the old saying goes , because it 's true . 
stand as intellectual masterpieces next to the scorpion king . 
makes the silly , over-the-top coda especially disappointing 
a fascinating examination of the joyous , turbulent self-discovery made by a proper , middle-aged woman . 
, the production works more often than it does n't . 
direct-to-video ' release 
that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo 
being a really bad imitation of the really bad blair witch project 
especially fine 
are tops , with the two leads delivering oscar-caliber performances . 
smoky and 
does justice 
enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle 
acting like puppets 
memorable and resourceful performances 
the story has its redundancies , and 
do n't wait to see this terrific film with your kids -- if you do n't have kids borrow some 
's a fairly impressive debut from the director , charles stone iii 
a flat , plodding picture 
plight and isolation 
done any better in bringing the story of spider-man to the big screen 
will wind up as glum as mr. de niro 
as satisfyingly odd and intriguing a tale as it was a century and a half ago 
a big musical number like ` praise the lord , he 's the god of second chances ' 
an unseemly pleasure 
who re-invents himself 
is brilliant 
transcends its agenda to deliver awe-inspiring , at times sublime , visuals 
there 's something fishy about a seasonal holiday kids ' movie ... 
much of a mixed bag , with enough negatives 
by the dispassionate gantz brothers as ordinary , pasty lumpen 
a movie where the most notable observation is how long you 've been sitting still 
beautifully read and 
a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination 
of romantic obsession 
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation 
of sulky teen drama and overcoming-obstacles sports-movie triumph 
going to love the piano teacher 
is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound 
talkiness is n't necessarily bad , but the dialogue frequently misses the mark . 
spiked with raw urban humor 
is pretty funny now and then without in any way demeaning its subjects 
pleasingly upbeat 
sharp comic timing that makes the more hackneyed elements of the film easier to digest 
a thoughtful examination of faith , love and power 
its storytelling prowess and special effects are both listless . 
endearing and well-lensed 
a deeply humanistic artist 
not to mention leaving you with some laughs and a smile on your face 
soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation . 
visceral , nasty journey 
created a provocative , 
fontaine masterfully 
juiced with enough energy and excitement for at least three films 
is a clear case of preaching to the converted 
the biggest problem with satin rouge is lilia herself . 
it 's a big idea 
the shadows of motown 
pig 
soured me on the santa clause 2 was that santa bumps up against 21st century reality so hard 
a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time 
can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history . 
would n't turn down a big bowl of that 
stimulating and 
it 's not clear whether we 're supposed to shriek 
the special effects are ` german-expressionist , ' according to the press notes 
complicated characters 
smoothly 
to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them 
most plain , unimaginative romantic comedies i 
content merely to lionize its title character and exploit his anger - all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance . 
a subtle , humorous , illuminating study 
a solid and refined piece of moviemaking 
as padded as allen 's jelly belly 
having so much fun 
with strangeness than excellence 
mumbo jumbo 
kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers 
seldom hammy 
his lack of faith in his audience 
behave like kids 
bravery and integrity 
slapstick 
makes a depleted yesterday feel very much like a brand-new tomorrow 
a native american 
twenty years later , e.t. is still a cinematic touchstone . 
a clichéd and shallow cautionary tale 
the answers 
( t ) his slop does n't even have potential as a cult film , as it 's too loud to shout insults at the screen . 
hooting 
appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up 
changing lanes is an anomaly for a hollywood movie ; it 's a well-written and occasionally challenging social drama that actually has something interesting to say 
like a 10-course banquet 
it 's just that it 's so not-at-all-good . 
has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation 
darling 
colorful , semimusical 
finally revel in its splendor 
is simply tired 
touching and tender 
provides a very moving and revelatory footnote to the holocaust 
finally returns de palma to his pulpy thrillers of the early '80s 
the brave , uninhibited performances 
grows as dull as its characters , about whose fate it is hard to care 
've grown tired of going where no man has gone before 
it 's refreshing that someone understands the need for the bad boy ; diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly 
skeptics 
is certainly worth seeing at least once 
totally disorientated 
motionless characters 
played and smartly 
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over 
actor raymond j. barry is perfectly creepy and believable . 
is stiff or just plain bad 
it 's a solid movie about people whose lives are anything but . 
i 've had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama . 
's still damn funny stuff 
an engaging storyline , which also is n't embarrassed to make you reach for the tissues 
you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film 
justifies 
the tortured husband 
the worst thing 
richly 
another cool crime movie 
a ruffle in what is already an erratic career 
mib ii '' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless . 
the pianist is the film roman polanski may have been born to make . 
been a hoot in a bad-movie way 
inadvertent ones 
of crap 
it evaporates like so much crypt mist in the brain 
most plain , unimaginative 
the two leads , nearly perfect in their roles , 
love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions 
a better vehicle 
it 's likely to please audiences who like movies that demand four hankies 
red dragon '' never cuts corners . 
like a typical bible killer story 
is technically sophisticated in the worst way 
the beast should definitely get top billing 
( and its palate ) 
the chatter of parrots raised on oprah 
... a thoughtful what-if for the heart as well as the mind . 
its leaden acting , 
have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching . 
things fall apart 
choreographed 
again that the era of the intelligent , well-made b movie is long gone 
will leave you thinking 
sanctimonious , self-righteous 
enjoy the hot chick 
intense and engrossing 
, the film is just a corny examination of a young actress trying to find her way . 
give shapiro , goldman , and bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour . 
'' is the phenomenal , water-born cinematography by david hennings 
encouraging thought 
highly uneven and inconsistent ... margarita happy hour kinda 
stock clichés 
its and pieces of the hot chick are so hilarious , and 
are repeatedly undercut by the brutality of the jokes , most at women 's expense 
badly-rendered cgi effects 
the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans 
that cuts to the chase of the modern girl 's dilemma 
a powerful and reasonably fulfilling gestalt 
will guarantee to have you leaving the theater with a smile on your face . 
eloquent ( meditation ) on death 
that deals with first love sweetly 
a 75-minute sample of puerile 
delight your senses and 
is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut . 
it 's also one of the smartest 
maybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back 
the picture in some evocative shades 
humor , warmth 
astonishing ... 
i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money . 
of cookie-cutter action scenes 
touching good sense 
a film of quiet power . 
some of the worst dialogue 
very valuable film 
offers some flashy twists 
a pressure cooker of horrified awe 
from the incongruous but chemically 
touched 
moments of hilarity to be had 
whatever complaints i might have , i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time . 
, singing , and unforgettable characters 
there may have been a good film in `` trouble every day , '' but it is not what is on the screen . 
it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion 
to bother pleasuring its audience 
much stranger than any fiction 
that could easily wait for your pay per view dollar 
to find a film to which the adjective ` gentle ' applies 
if it may still leave you wanting more answers as the credits 
make a gorgeous pair ... 
manipulative whitewash 
want you to enjoy yourselves without feeling conned . 
create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment 
rightly 
layered , well-developed characters 
into a roll that could have otherwise been bland and run of the mill 
it should be interesting , it should be poignant , it turns out to be affected and boring 
is slow to those of us in middle age 
features some decent performances 
gem 
one fantastic ( and educational ) documentary . 
idiotic court maneuvers 
( it 's ) what punk rock music used to be , 
rushed , slapdash 
find that the road to perdition leads to a satisfying destination 
add much-needed levity to the otherwise bleak tale 
most intense psychological mysteries 
at all the wrong times 
princesses 
86 minutes too long 
truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining 
shine 
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising , but in practice it 's something else altogether -- clownish and offensive and nothing at all like real life . 
a captivating and intimate study 
what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians 
... plays like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going . 
more than its fair share of saucy hilarity . 
a tragic dimension and savage full-bodied wit and 
allowed to use the word `` new '' in its title 
to a crescendo that encompasses many more paths than we started with 
never reach satisfying conclusions 
who finds his inspiration on the fringes of the american underground 
which opens today in the new york metropolitan area , so distasteful 
is that there is never any question of how things will turn out 
's plotless , shapeless 
hence , storytelling is far more appealing 
imagination and insight 
a bizarre piece of work , with premise and dialogue 
someone other than the director 
the formula feel fresh 
silly and 
the books are better 
the experience of actually watching the movie is less compelling than the circumstances of its making . 
to the tailor for some major alterations 
a gawky actor 
than this hastily dubbed disaster 
clever 
with phony humility barely camouflaging grotesque narcissism 
that writer and director burr steers knows the territory 
that , come to think of it , the day-old shelf would be a more appropriate location to store it 
have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances 
a truly wonderful tale 
goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy 
of diverse political perspectives 
be a most hard-hearted person not to be moved by this drama 
are infants 
recommend secretary , 
a quick-buck sequel 
gorgeous film 
we started to wonder if ... some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine . 
the result is somewhat satisfying -- it still comes from spielberg , who has never made anything that was n't at least watchable . 
may be why it 's so successful at lodging itself in the brain 
a glossy rehash 
the best possible senses of both those words 
like crap 
intense 
scenic splendor 
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' 
the same easy targets 
's a pedestrian , flat drama that screams out ` amateur ' in almost every frame . 
that seems twice as long as its 83 minutes 
most intriguing movie experiences 
perfectly acceptable , occasionally very enjoyable children 's 
by french filmmaker karim dridi that celebrates the hardy spirit of cuban music 
desperation worthy 
find little new 
the subject matter is as adult as you can get 
has the potential for touched by an angel simplicity and 
a sharper , cleaner script 
an era of theatrical comedy that , while past , 
's ) better at fingering problems than finding solutions . 
kicks off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper . 
is otherwise a sumptuous work of b-movie imagination 
the filmmakers could dredge up 
finely crafted , finely written , exquisitely performed 
much to do , too little time to do it in 
bitter taste 
neglecting character development 
the one that i want 
ends with a whimper 
expanded vision 
passion , grief and fear 
is one big excuse to play one lewd scene after another 
are very , very good reasons for certain movies 
contemptible 
a small movie with a big heart 
of the universal themes , earnest performances 
a life interestingly 
surprising , subtle 
is dudsville 
the same old bad trip 
suffers from a flat script and a low budget . 
seduce and 
time stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable . 
mere plot pawn 
so bland and utterly forgettable 
describe exactly how bad it is 
less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story 
strong and unforced supporting cast 
that this bold move works 
teeth-clenching gusto 
action scenes 
is on his way to becoming the american indian spike lee . 
by predictable plotting and tiresome histrionics 
meal 
make a huge action sequence 
combines improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end , we are undeniably touched . 
vibrant and intoxicating 
she lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle 
helps little 
wo n't see the next six 
fresh , 
the power of the huston performance , 
the film rehashes several old themes and is capped with pointless extremes -- it 's insanely violent and very graphic 
articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy 
is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio . 
importance 
they never succeed in really rattling the viewer 
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document -- its makers are n't removed and inquisitive enough for that 
full well 
of unbridled greed and materalism 
an awkward hybrid 
with pat storylines , precious circumstances and beautiful stars 
stand out 
priceless 
's impossible to even categorize this as a smutty guilty pleasure . 
huge-screen 
looks 
of its sweeping battle scenes 
most hackneyed 
'' starts out like a typical bible killer story 
extended dialogue exercise 
a fiercely clever and subtle film 
played-out 
fiendishly 
confused in death to smoochy 
communicate the truth of the world 
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it ) 
a failure as straight drama 
one of the world 's most fascinating stories 
that lacks both a purpose and a strong pulse 
that are n't so substantial or fresh 
think of this dog of a movie as the cinematic equivalent of high humidity . 
romp of a film . 
is a deeply unpleasant experience 
sensitive ensemble performances 
delivered a solidly entertaining and moving family drama 
is unfocused , while the story goes nowhere 
does such a good job of it 
, alias betty is richly detailed , deftly executed and utterly absorbing . 
an intense and engrossing head-trip 
has no affect on the kurds 
enjoyable level 
is so slovenly done , so primitive in technique , that it ca n't really be called animation . 
a hint 
a terrific performance 
fully engaged supporting cast 
is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones 
an unrewarding collar 
a glimpse of the solomonic decision facing jewish parents in those turbulent times 
strong , measured work 
badder than bad 
not 
a marginal thumbs up 
forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting . 
symbolic 
snail-like 
it 's a bargain-basement european pickup . 
the film is an oddly fascinating depiction of an architect of pop culture 
compulsively watchable , no matter how degraded things get . 
headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie 
, it 's contrived and predictable 
this is not a jackie chan movie . 
nothing new 
more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway 
once he starts learning to compromise with reality enough to become comparatively sane and healthy , the film becomes predictably conventional . 
her fans walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost . 
sinuously plotted 
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , 
the script by david koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level . 
welcomed tens of thousands of german jewish refugees 
truly , truly bad movie 
poignancy 
is hard to dismiss -- moody , thoughtful , 
slim hopes and dreams 
sometimes descends into sub-tarantino cuteness 
will probably be one of those movies barely registering a blip on the radar screen of 2002 . 
sundance festival 
makes it a party worth attending 
... works on some levels and is certainly worth seeing at least once . 
glitz 
disappointingly generic nature 
an honest , sensitive story from a vietnamese point 
the sparse instances of humor 
choppy , surface-effect feeling 
boxes these women 's souls right open for us . 
will cause loads of irreparable damage that years and years of costly analysis could never fix 
as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy 
the amazing spider-man 
car wreck 
all-enveloping movie experience 
of trashy , kinky fun 
engrossing entertainment 
animation enthusiasts 
pitifully 
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' 
snow white 
friends 
smile-button 
what enlivens this film , beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates . 
this crude , 
the franchise 's best years 
wilde 's wit and 
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball . 
'll keep you wide awake and ... very tense 
his smooth , shrewd , powerful act 
the level of classic romantic comedy to which it aspires 
is repulsive and depressing . 
appalling ` ace ventura ' rip-off 
kooky and overeager as it is spooky and subtly in love with myth 
right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination 
would know what to make of this italian freakshow 
poignant if familiar story of a young person suspended between two cultures . 
is never sure to make a clear point -- even if it seeks to rely on an ambiguous presentation . 
lackadaisical plotting and mindless action 
a decent draft in the auditorium might blow it off the screen 
much ado about something is an amicable endeavor . 
uses the last act to reel in the audience since its poignancy hooks us completely . 
, this somber picture reveals itself slowly , intelligently , artfully . 
victorious revolutionaries 
the cleverness , 
's a charismatic charmer likely to seduce and conquer . 
follows the formula , but throws in too many conflicts to keep the story compelling . 
hilariously , gloriously alive 
boxes these women 's souls right open for us 
hindered 
it 's supposed to be a romantic comedy 
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but 
lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience 
strangely sinister happy ending 
the endlessly challenging maze of moviegoing 
the dead horse of surprise 
wind up remembering with a degree of affection rather than revulsion 
adding the rich details and go-for-broke acting that heralds something special 
real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros . 
bitter pill 
enough innovation or pizazz 
edge or 
seldom hammy , 
arcane area 
should never forget 
elaborate choreography 
no psychology here , and no real narrative logic 
is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half 
help increase an average student 's self-esteem 
in which the slack execution italicizes the absurdity of the premise 
shame that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable . 
wryly 
a ham-fisted sermon 
grand fart 
resolutely downbeat 
well-rounded 
this would have been better than the fiction it has concocted 
for sick and demented humor simply 
his fake backdrops and stately pacing 
collectively stellar performance 
fully realized story 
overly original 
but it has an ambition to say something about its subjects , but not a willingness . 
the intoxicating fumes and 
it 's plotless , shapeless -- and yet , it must be admitted , not entirely humorless . 
tragedy 
whether or not you buy mr. broomfield 's findings , the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover . 
turn down 
zero-dimensional , unlikable characters and 
he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift . 
really special walk 
a quasi-documentary by french filmmaker karim dridi that celebrates the hardy spirit of cuban music 
documentarian 
a time machine , a journey back to your childhood , when cares melted away in the dark theater , 
the attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show . 
trust an audience 's intelligence 
tartakovsky 's team has some freakish powers of visual charm , but 
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , and some of the more overtly silly dialogue would sink laurence olivier 
excites the imagination and 
is something rare and riveting : a wild ride that relies on more than special effects 
trying to laugh at how bad 
that is masterly 
runs a good race , one that will have you at the edge of your seat for long stretches . 
very well written and directed with brutal honesty and respect for its audience . 
's badder than bad 
certain to be distasteful to children and adults alike , eight crazy nights is a total misfire . 
of lives lived in a state of quiet desperation 
all things we 've seen before 
its simplicity puts an exclamation point on the fact that this is n't something to be taken seriously 
overlong soap 
gorgeous , passionate 
the soul-searching deliberateness of the film , although leavened nicely with dry absurdist wit 
it entertaining 
the raunch in favor of gags that rely on the strength of their own cleverness 
falls down 
, old-fashioned-movie movie 
spiteful 
finely tuned 
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for 
trashy , kinky fun 
see : terrorists are more evil than ever ! 
it 's so not-at-all-good 
wicked black comedy 
star trek was kind of terrific once , 
translate well to the screen 
directed without the expected flair or imagination by hong kong master john woo , windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length . 
allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being 
poo . 
a lot of static set ups , not much camera movement , and most of the scenes 
yank 
visually smart 
evelyn comes from the heart . 
it more than makes up for in drama , suspense , revenge , and romance . 
is good , 
`` serving sara '' has n't much more to serve than silly fluff 
worth the concentration 
regards reign of fire with awe . 
futuristic women in skimpy clothes 
cheesy b-movie 
one of the greatest natural sportsmen of modern times 
what makes the film special 
the charms of the lead performances 
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully . 
waged among victims and predators settle into an undistinguished rhythm of artificial suspense . 
a high note 
this kind of hands-on storytelling is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors . 
funny performers 
exuberance in all 
to be smarter and more diabolical than you could have guessed at the beginning 
into romeo and juliet/west side story territory , where it plainly has no business going 
when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over 
and suspenseful argentinian thriller 
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- 
of my least favorite emotions , especially when i have to put up with 146 minutes of it 
transparently 
majidi 's direction has never been smoother or more confident . 
compared to his series of spectacular belly flops both on and off the screen , runteldat is something of a triumph . 
it falls down in its attempts to humanize its subject 
another wholly unnecessary addition to the growing , moldering pile of , well , extreme stunt pictures . 
have sprung from such a great one 
the most practiced curmudgeon 
( a ) painfully flat gross-out comedy ... 
director roger kumble offers just enough sweet and traditional romantic comedy to counter the crudity . 
the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal . 
legally blonde and sweet home abomination 
are missing -- 
competent 
a film of epic scale with an intimate feeling , a saga of the ups and downs of friendships 
lathan and diggs carry the film with their charisma 
that is definitely meaningless , vapid and devoid of substance 
encounters a substantial arc of change that does n't produce any real transformation 
a high-spirited buddy movie 
thoroughly enjoyable 
flat , plodding picture 
generic jennifer lopez romantic comedy 
one of the rarest kinds of films : 
` dragonfly ' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue . 
hard to shake the feeling that it was intended to be a different kind of film 
good documentary 
that he tosses a kitchen sink onto a story already overladen with plot conceits 
but the talented cast alone will keep you watching , as will the fight scenes . 
creepy stories 
appealing character quirks 
its relaxed 
compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality 
exploitative for the art houses and too cynical , 
ghetto 
there 's no other reason why anyone should bother remembering it 
when ` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science , it does a disservice to the audience and to the genre . 
is one adapted - from-television movie that actually looks as if it belongs on the big screen 
replaced by romance-novel platitudes 
if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese 
wreckage 
maladjusted teens in a downward narcotized spiral . 
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out 
i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort . 
's a loathsome movie 
how the movie could be released in this condition 
in chilling style 
belongs on the big screen 
is unconvincing 
keep - 'em 
mourns 
an unholy mess , driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' 
'll still have a good time . '' 
strong and confident work 
this saga would be terrific to read about 
audience award 
, life-affirming moments 
by turns gripping , amusing , tender and heart-wrenching , laissez-passer has all the earmarks of french cinema at its best . 
an inuit masterpiece that will give you goosebumps as its uncanny tale of love , communal discord , and justice unfolds . 
, sad dance 
from blushing to gushing -- imamura squirts the screen in ` warm water under a red bridge ' 
distances you by throwing out so many red herrings , so many false scares , that the genuine ones barely register 
this is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes . 
despite the film 's shortcomings , the stories are quietly moving . 
very welcome 
's simply stupid , irrelevant and deeply , 
a droll , 
neglects to add the magic that made it all work 
squanders the charms of stars hugh grant and sandra bullock . 
making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers 
nohe has made a decent ` intro ' documentary , 
( a ) devastatingly powerful and astonishingly vivid holocaust drama . 
accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie 
some real vitality and even 
delivered dialogue and a heroine who comes across as both shallow and dim-witted 
me want to get made-up and go see this movie with my sisters 
olivier assayas has fashioned an absorbing look at provincial bourgeois french society . 
is a dark , gritty , sometimes funny little gem . 
catches the chaotic horror 
an action hero with table manners , 
tripe 
never 
why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers 
there 's no place for this story to go but down 
invented 
a funny and well-contructed black comedy 
swallow thanks to remarkable performances by ferrera and ontiveros 
ordinary and obvious 
the dangerous lives of altar boys ' take on adolescence feels painfully true . 
makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film 
a detailed historical document , but an engaging and moving portrait of a subculture 
drug abuse , infidelity and death are n't usually comedy fare , but turpin 's film allows us to chuckle through the angst . 
loss and denial and life-at-arm 's - 
beautiful , timeless and universal tale 
at the residents of a copenhagen neighborhood coping with the befuddling complications life 
a smart , nuanced look at de sade and what might have happened at picpus 
entertainingly nasty 
seeing because it 's so bad 
is pure , exciting moviemaking 
waste their time 
arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact 
' appeared in 1938 
how very bad a motion picture can truly be 
love its fantasy and adventure 
is supposed to be , but ca n't really call it a work of art 
of kitsch hard going 
one of the most gloriously unsubtle and adrenalized extreme 
spider web . 
cold-fish 
violence overshadows everything 
among the best films of the year . 
your reward 
find it fascinating 
is pleasant , diverting and modest 
tired , predictable 
a desperate miscalculation 
expand a tv show 
lifting the pedestal higher 
is so fascinating 
pulls off some deft ally mcbeal-style fantasy sequences 
dopey dialogue 
a feature that concentrates on people , a project in which the script and characters hold sway 
through its flaws , revolution # 9 proves to be a compelling 
( an ) absorbing documentary . 
crude 
scarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theaters graced with its company . 
forget about one oscar nomination for julianne moore this year 
narc is a no-bull throwback to 1970s action films . 
everything too safe 
the movie , despite its rough edges and a tendency to sag in certain places , is wry and engrossing . 
, sexist 
so badly made on every level 
their way around this movie directionless 
every joke is repeated at least -- 
serve no other purpose than to call attention to themselves 
as the novel on which it 's based 
get through this interminable , shapeless documentary about the swinging subculture 
what bubbles up out of john c. walsh 's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie they might actually want to watch . 
smart jokes 
leave you marveling at these guys ' superhuman capacity to withstand pain 
turns a blind eye to the very history it pretends to teach 
he has severe body odor 
a sweet , tender sermon about a 12-year-old welsh boy more curious 
enjoy being rewarded by a script that assumes you are n't very bright 
honoring 
i 'm sorry to say that this should seal the deal - arnold is not , nor will he be , back . 
hoffman 's powerful acting clinic 
who is drawn into the exotic world of belly dancing 
a low , smoky and inviting sizzle 
take center screen , so that the human story is pushed to one side 
seems based on ugly ideas instead of ugly behavior , as happiness was ... hence , storytelling is far more appealing . 
its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale 
smutty 
in its characters ' frustrations 
you 'll cry for your money back . 
does n't do a load of good 
great scares and a good surprise ending 
men with guns 
funny and pithy 
ended so damned soon 
emerges a radiant character portrait 
the victims 
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . 
unlike lots of hollywood fluff , this has layered , well-developed characters and some surprises . 
a solid , spooky entertainment 
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . ' 
does n't add anything fresh to the myth 
to a dumb story 
is wrong in its sequel . 
deeply felt fantasy of a director 's travel through 300 years of russian history . 
not too fancy , not too filling , not too fluffy , but definitely tasty and sweet 
has moments of inspired humor 
color and depth , and 
just does n't cut it 
filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but he respects the material without sentimentalizing it . 
rollerball is as bad as you think , and worse than you can imagine . 
, spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world . 
keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity . 
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? 
is a mess from start to finish . 
forces us to consider the unthinkable , the unacceptable , the unmentionable 
good to speak about other than the fact that it is relatively short 
that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea 
jumps around with little logic or continuity 
, it 's an unhappy situation all around . 
ridiculous bolero 
distressingly 
extreme ops '' exceeds expectations . 
does n't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain 
typical late-twenty-somethings natter on about nothing 
lingerie models and bar dancers 
full , irritating display 
a fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries 
viewers are asked so often to suspend belief that were it not for holm 's performance , the film would be a total washout . 
not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense 
disgust 
, martin is a masterfully conducted work . 
beautiful movement and inside information 
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , 
some bad singer-turned actors 
a movie ever could be 
but it 's surprisingly harmless . 
glazed with a tawdry b-movie scum 
grounded 
a light , fun cheese puff 
a feel-good movie 
are rolling over in their graves 
than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s 
, even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything 
those underrated professionals who deserve but rarely receive it 
immersed in love , lust , and sin 
too violent and sordid to function as comedy 
for wrapping the theater in a cold blanket of urban desperation 
what saves it ... and makes it one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice . 
its own cuteness 
it 's a very tasteful rock and roll movie . 
trying to please his mom 
boarders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival 
that it 's hardly over before it begins to fade from memory 
's never as solid as you want it to be 
aimless for much of its running time , until late in the film when a tidal wave of plot arrives 
disjointed parody . 
one of the most plain , unimaginative romantic comedies i 've ever seen . 
`` freaky friday , '' it 's not . 
give a filmmaker an unlimited amount of phony blood 
such a worthless film 
very enjoyable 
the overcooked , ham-fisted direction 
, wonderful 
bartleby is a fine , understated piece of filmmaking . 
a sun-drenched masterpiece , part parlor game , 
love and familial 
the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery 
happened to good actors 
sparse but oddly compelling . 
maintains suspense on different levels throughout a film that is both gripping and compelling 
white-knuckled 
decent tv outing 
a numbingly dull experience 
surprisingly shoddy makeup work 
an engaging and exciting narrative 
it 's nice to see piscopo again after all these years , and chaykin and headly are priceless . 
to marry science fiction with film noir and action flicks with philosophical inquiry 
one sloughs one 's way through the mire of this alleged psychological thriller in search of purpose or even a plot . 
less psycho 
have emerged as hilarious lunacy in the hands of woody allen 
attractive 
that stands a good chance of being the big 
for cryin ' 
wannabe film 
very well shot or 
all comedy is subversive , 
utterly static picture 
baran is shockingly devoid of your typical majid majidi shoe-loving , crippled children . 
as sappy as big daddy 
like a rather unbelievable love interest and a meandering ending -- 
powerfully evocative 
a sweet , charming tale 
there will be plenty of female audience members drooling over michael idemoto as michael 
to have a good time as it doles out pieces of the famous director 's life 
through crap like this 
polanski has found the perfect material with which to address his own world war ii experience in his signature style . 
choose the cliff-notes over reading a full-length classic 
'd have to be a most hard-hearted person not to be moved by this drama . 
you open yourself up to mr. reggio 's theory of this imagery as the movie 's set 
a rustic , realistic , and altogether creepy tale of hidden invasion 
crude humor and vulgar innuendo 
once playful and haunting 
a deft , delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph 
in a black man getting humiliated by a pack of dogs who are smarter than him 
has lost some of the dramatic conviction that underlies the best of comedies ... 
universal human impulse 
the concert footage is stirring , the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers . 
has a lot going for it , not least the brilliant performances by testud ... and parmentier 
opens today in the new york metropolitan area , so distasteful 
, confidently orchestrated , aesthetically and sexually 
's difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 
is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor 
slightly humorous and tender story 
, fat , dumb 
, intermittently powerful study 
is too bad that this likable movie is n't more accomplished . 
an actor this uncharismatically beautiful 
preposterous 
, starving and untalented 
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events 
take center screen 
this is a stunning film , a one-of-a-kind tour de force . 
a soulless jumble of ineptly 
jumble that 's not scary , not smart and not engaging 
share it 
the historical period and 
abomination 
succeeds as a well-made evocation of a subculture . 
a trifle flat 
it 's far from a frothy piece , and the characters are complex , laden with plenty of baggage and tinged with tragic undertones 
of too much kid-vid 
if oscar had a category called best bad film you thought was going to be really awful but was n't , guys would probably be duking it out with the queen of the damned for the honor . 
it 's a hellish , numbing experience to watch , and it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s . 
exposes the limitations of his skill and the basic flaws in his vision . 
seeking christian-themed fun 
it 's not a motion picture ; it 's an utterly static picture . 
lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded . 
stirs us 
almost never fails him 
exceptionally well-acted 
is just generally insulting 
fessenden continues to do interesting work , and 
an unforgettable 
heavy-handed 
no unifying rhythm or 
of the world 's greatest teacher 
, then you 're in for a painful ride . 
drug abuse , infidelity and 
moving portrait of an american ( and an america ) always reaching for something just outside his grasp 
's not scary in the slightest 
a full-frontal attack on audience patience . 
lack of spontaneity in its execution and a dearth of real poignancy 
the genuinely funny jokes are few and far between 
the timeless spectacle 
has flopped as surely as a soufflé gone wrong . 
bluster and cliché 
the movie is ugly to look at and not a hollywood product 
graham greene 's novel of colonialism and empire is elevated by michael caine 's performance as a weary journalist in a changing world . 
powerful people 
heartening tale 
the emphasis on the latter leaves blue crush waterlogged 
a bonus feature 
the one-liners are snappy 
maintains a dark mood that makes the film seem like something to endure instead of enjoy . 
be bored by as your abc 's 
weird 
solondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me 
bother to rent this on video 
toss it at the screen in frustration 
motivated 
provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world . 
takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers 
sillier , cuter , and shorter than the first ( as best i remember ) , but still a very good time at the cinema 
, for that matter , shrek ) 
is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening 
high-octane thriller 
a supremely kittenish performance that gradually accumulates more layers 
bringing an unforced , rapid-fire delivery 
that keeps the film grounded in an undeniable social realism 
viewing for civics classes and would-be public servants alike 
it would be great to see this turd squashed under a truck , preferably a semi . 
there 's a sheer unbridled delight in the way 
returns to his son 's home 
, the picture begins to resemble the shapeless , grasping actors ' workshop that it is . 
extravagantly 
so beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses . 
compelling look 
the film is well-crafted and this one is 
disappointment 
good chance 
steals so freely from other movies 
made me want to bolt the theater in the first 10 minutes 
it no longer recognizes the needs of moviegoers for real characters and compelling plots 
into a typical romantic triangle 
one as brave and challenging as you could possibly expect these days from american cinema 
those with a modicum of patience will find in these characters ' foibles a timeless and unique perspective . 
little melodramatic 
what makes esther kahn so demanding is that it progresses in such a low-key manner that it risks monotony . 
is a children 's film in the truest sense . 
are often engaging 
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- and the pay-off is negligible 
dumbed-down version 
swedish 
that has nothing 
memorable and resourceful 
does n't generate a lot of energy 
thrilled 
by superb 
stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort 
a ghost story gone badly awry 
as unoriginal 
work that lacks both a purpose and a strong pulse . 
's no fizz 
one of the best rock documentaries ever . 
mined his personal horrors and 
delivers more than its fair share of saucy hilarity . 
deserves , at the very least , a big box of consolation candy . 
admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet 
a tearjerker that does n't and a thriller that wo n't 
there are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front . 
higher level 
as with so many merchandised-to-the-max movies of this type 
grab your kids and run and then 
truly awful 
is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy . 
is omitted nor a cliché left unsaid . 
night out 
's not half-bad . 
is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing 
catches you up in something bigger than yourself 
had no effect and 
brilliant surfing photography 
that proves you 
the most splendid 
is deceptively simple , deeply satisfying . 
that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun 
an edgy thriller that delivers a surprising 
the glum , numb experience of watching o fantasma 
's an entertaining and informative documentary 
-- and deeply appealing 
most personal 
although fairly involving as far as it goes 
awful acts 
narcotized 
threw medical equipment at a window ; not because it was particularly funny 
, the film is a good one 
the laughs are as rare as snake foo yung . 
a kind , unapologetic , sweetheart of a movie 
an affectionately goofy satire that 's unafraid to throw elbows when necessary ... 
given the fact that virtually no one is bound to show up at theaters for it 
a masterfully 
supplies with tremendous skill 
unusually crafty and intelligent 
perfect 
heroes would be a film that is n't this painfully forced , false and fabricated 
of unsettling atmospherics 
so much fun 
like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama 
that cal works out his issues with his dad and comes to terms with his picture-perfect life 
the sentimental cliches 
prefer this new version 
, and to her inventive director 
educates viewers with words and pictures while entertaining them 
us all 
's also not smart or barbed enough for older viewers 
the cat 's meow 
has an unmistakable , easy joie de vivre 
b-movie imagination 
admirers of director abel ferrara may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form . 
you 'll leave the theater wondering why these people mattered 
borrows heavily 
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad it 
in the book-on-tape market , the film of `` the kid stays in the picture '' would be an abridged edition 
instructive 
right at home in this french shocker 
one of mr. chabrol 's subtlest works , 
giving up 
leaves a positive impression 
like mike is a slight and uninventive movie : like the exalted michael jordan referred to in the title , many can aspire but none can equal 
of persistence that is sure to win viewers ' hearts 
bolt the theater in the first 10 minutes 
no business going 
demme gets a lot of flavor and spice into his charade remake , 
a hazy high 
of von sydow ... is itself intacto 's luckiest stroke 
mind crappy movies as much as adults 
their computer-animated faces are very expressive . 
to perform entertaining tricks 
i am more offended by his lack of faith in his audience than by anything on display here . 
a provocative piece 
as good , if not 
a complete wash 
the actors make this worth a peek . 
has a bloated plot that stretches the running time about 10 minutes 
a war tribute is disgusting to begin with 
its own making 
sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
politically potent 
it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug . 
does a convincing impersonation here of a director enjoying himself immensely 
delivers more goodies than lumps of coal 
emphasizes the well-wrought story and 
marked an emerging indian american cinema 
lacks 
gooding and coburn are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable . 
family , forgiveness and love 
labored 
touching , 
even through its flaws , revolution # 9 proves to be a compelling 
sucked dry the undead action flick formula 
my wife is an actress works as well as it does because ( the leads ) are such a companionable couple . 
more measured or polished production 
makes 98 minutes feel like three hours . 
that ca n't totally hide its contrivances 
super-simple animation 
tosca 's intoxicating ardor 
next week , why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ? 
a verbal duel 
and cinematic deception 
of being a bit undisciplined 
point the way for adventurous indian filmmakers toward a crossover 
wildly overproduced 
note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget 
in undergraduate doubling subtexts and ridiculous stabs 
the pitfalls of incoherence and redundancy 
is even more ludicrous than you 'd expect from the guy-in-a-dress genre 
as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac 
a good line in charm 
such a companionable couple 
relentlessly nasty 
95 minutes 
quirkily appealing 
elegant and sly deadpan 
` gentle ' 
will find millions of eager fans 
may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form . 
quickly sinks into by-the-numbers territory . 
is an uncompromising film 
is like reading a research paper , 
offers a desperately ingratiating performance . 
strokes the eyeballs while it evaporates like so much crypt mist in the brain 
why , for instance , good things happen to bad people 
despicable 
open windows 
value can not be denied 
represents an engaging and intimate first feature by a talented director to watch 
well-acted , well-directed and , for all its moodiness , not too pretentious . 
overly long 
would subtlety be lost on the target audience 
a gently funny , sweetly adventurous film that makes you feel genuinely good 
smart , compelling 
this is one of those rare pictures that you root for throughout 
is nicholson 's goofy , heartfelt , mesmerizing king lear 
world traveler gave me no reason to care 
proves to be a compelling 
felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend 
terrific screenplay 
what a stiflingly unfunny and unoriginal mess this is ! 
more ambitious 
seems worth the effort 
it does turn out to be a bit of a cheat in the end 
may be convinced that he has something significant to say 
to be both hugely entertaining and uplifting . 
, boredom never takes hold . 
left to work with , sort of like michael jackson 's nose 
exhilarating 
formula mercilessly 
great story 
is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas 
of faith in the future 
movie gauge 
gloriously 
exploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable . 
providing comic relief 
gentle and engrossing character 
whine , the bellyaching of a paranoid and unlikable man 
this is n't a movie ; 
does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution . 
an undeniable entertainment value 
invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games 
is a movie that puts itself squarely in the service of the lovers who inhabit it . 
about something is an amicable endeavor . 
an excellent sequel . 
funny , sexy , devastating and incurably romantic 
impressively discreet filmmakers 
's never been better in this colorful bio-pic of a mexican icon 
the production design , score and choreography are simply intoxicating . 
provides 
insight and humor 
has that rare quality of being able to creep the living hell out of you ... 
achieves its emotional power and moments of revelation 
this film 's impressive performances and 
futile concoction 
begins with promise , but runs aground after being snared in its own tangled plot . 
the slapstick is labored , and 
infantile 
raunchy and frequently hilarious follow-up 
even a plot 
avoid seeing this trite , predictable rehash 
feel realistic 
weirdness for the sake of weirdness 
unexpected moments of authentically impulsive humor 
what a bewilderingly brilliant and entertaining movie this is . 
sags 
we do n't even like their characters . 
interesting characters or even a halfway intriguing plot 
could n't find stardom if mapquest emailed him point-to-point driving directions 
fans will undoubtedly enjoy it , 
is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie 
the most ravaging , 
it wo n't hold up over the long haul 
have at it 
seamless 
of boring talking heads , etc . 
re-invents himself 
a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point 
occasionally loud and offensive , but more often 
the town has kind of an authentic feel , but each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial . 
its sincere acting 
this feature is about as necessary as a hole in the head 
well , it probably wo n't have you swinging from the trees hooting it 's praises , but 
an unsettling , memorable cinematic experience that 
balances both traditional or modern stories together in a manner 
does n't even seem like she tried 
the attraction between these two marginal characters is complex from the start -- and , refreshingly , stays that way . 
the impressive stagings of hardware 
that even slightly wised-up kids would quickly change the channel 
his sense of story and his juvenile camera movements smack of a film school undergrad 
it 's just grating 
stimulating 
sade achieves the near-impossible : it turns the marquis de sade into a dullard . 
did just that and it 's what makes their project so interesting 
unusual but unfortunately also irritating 
two hours better watching 
tiresome rant 
is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies . 
such a clever adaptation of the bard 's tragic play 
creative act 
hoping it will be , and in that sense is a movie that deserves recommendation 
check this one out 
sparkling 
are based on stock clichés 
never so vividly 
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but they 're treading water at best in this forgettable effort . 
stand-up magic 
a solid , psychological action film from hong kong 
the `` saving private ryan '' battle scenes 
create a feature film that is wickedly fun to watch 
goose-pimple 
to see what all the fuss is about 
, the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture . 
some savvy street activism 
that 's still too burdened by the actor 
, she 's appealingly manic and energetic . 
urge to doze 
also nicely done 
a pretty decent little documentary 
temperamental 
is dark , brooding and slow , 
rice never clearly defines his characters or gives us a reason to care about them . 
an intricate plot 
much of jonah simply , and gratefully 
humor and technological finish 
so lovely toward the end 
all mood and no movie . 
give it a boost 
if the predictability of bland comfort food appeals to you 
fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark 
is one of the year 's best films . 
who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns 
stepped into the mainstream of filmmaking with an assurance worthy of international acclaim 
entirely humorless 
has never been filmed more irresistibly than in ` baran . 
intellectual and 
engaging , imaginative filmmaking in its nearly 2 1/2 
bloated effects 
its make-believe promise of life that soars above the material realm 
made a point or two regarding life 
by anything on display 
is entirely appealing as pumpkin 
a compelling , gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day . 
this odd , poetic road movie , 
also wanted a little alien as a friend ! 
sets the tone for a summer of good stuff 
with yet another remarkable yet shockingly little-known perspective 
tries too hard to be funny in a way that 's too loud , too goofy and too short of an attention span . 
try to guess the order in which the kids in the house will be gored 
at the end that extravagantly redeems it 
makes an amazing breakthrough in her first starring role and 
snagged an oscar nomination 
to embody the worst excesses of nouvelle vague without any of its sense of fun or energy 
decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him 
par with the first one 
coos beseechingly at you 
the hot chick is pretty damned funny . 
approaches swedish fatalism using gary larson 's far side humor 
marred 
the bottom line , at least in my opinion , is imposter makes a better short story than it does a film . 
fringe feminist conspiracy theorist 
, meandering , and sometimes dry 
few good ideas 
a hokey piece of nonsense that tries too hard to be emotional . 
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and end up walking out not only satisfied but also somewhat touched 
inspiring , ironic , and 
is astonishing . 
, bile , and irony 
have put together a bold biographical fantasia 
despite some strong performances , never rises above the level of a telanovela . 
's cliche to call the film ` refreshing 
weak 
of the best , most 
the knee-jerk misogyny that passes for humor in so many teenage comedies 
misleading 
made literature literal without killing its soul -- a feat any thinking person is bound to appreciate 
is ) the comedy equivalent of saddam hussein 
the lives of women torn apart by a legacy of abuse 
is creepy in a michael jackson sort of way 
new age 
intelligence and a vision both painterly and literary 
, it would gobble in dolby digital stereo . 
squirming 
a great piece 
is hampered by its predictable plot and paper-thin supporting characters . 
why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ? 
quirky , charming 
the good , which is its essential problem 
forgotten everything he ever knew about generating suspense 
is a beautiful film to watch 
noyce 's greatest mistake 
feel-good family comedy 
you love the music , and i do 
a monster 
ensures 
a level of young , black manhood that is funny , touching , smart and complicated 
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people 
are more interesting ways of dealing with the subject 
is particularly impressive 
has enough moments to keep it entertaining 
from an adventurous young talent who finds his inspiration on the fringes of the american underground 
stylish exercise 
is a must for genre fans 
enthusiastic 
timelessness 
that you feel what they feel 
worth seeing just for weaver and lapaglia 
nightmarish 
a bit melodramatic and even a little dated 
wearing the somewhat cumbersome 3d goggles 
the charisma of hugh grant and sandra bullock 
barbershop is tuned in to its community . 
owed to benigni 
rated eee for excitement 
its agenda to deliver awe-inspiring , at times sublime , visuals 
muddy sound 
manages to be compelling , amusing and unsettling at the same time 
as compelling 
is deceptively simple , deeply satisfying 
predictable at every turn 
volatile 
comes with the laziness and arrogance of a thing that already knows it 's won 
, great to look at , and funny 
the longest 90 minutes of your movie-going life 
dead ( water ) weight 
finds its tone and several scenes run 
're gon na like this movie 
, tedious 
kung pow seems like some futile concoction that was developed hastily after oedekerk 
attractive throughout 
would have a hard time sitting through this one . 
the rarest kinds of films 
listen to extremist name-calling 
, painful improbability 
accomplishes 
are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack 
ultimately , the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability . 
that 's as fresh-faced as its young-guns cast 
strong itch to explore more 
perpetually wasted 
an intense experience 
feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism 
that plays like some weird masterpiece theater sketch with neither 
, so , hopefully , this film will attach a human face to all those little steaming cartons . 
a must-see 
make you feel that you never want to see another car chase , explosion or gunfight again 
breaks your heart 
ick ' 
very original 
as giddy and whimsical and relevant today 
there is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling 
so hilarious 
an undeniably moving film 
compelling , amusing and unsettling 
the holes in this film remain agape -- holes punched through by an inconsistent , meandering , and sometimes dry plot . 
not easily and , in the end , not well enough 
a different and emotionally reserved type of survival story -- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man 
that will enthrall the whole family 
awful 
stereotypical familial quandaries 
in a heartwarming , nonjudgmental kind of way -- 
enjoy the perfectly pitched web of tension that chabrol spins 
supporting 
excite 
both garcia and jagger turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny . 
of the low-grade cheese standards on which it operates 
to find better entertainment 
the energetic and always surprising performance 
brady 
good laughs 
aloof and 
is careless and unfocused 
's brilliant ` videodrome 
to do , too little time to do it in 
a pretty decent kid-pleasing , tolerable-to-adults lark of a movie 
with revulsion 
the film gets added disdain for the fact that it is nearly impossible to look at or understand . 
enough to feel good about 
anti-feminist 
that has something to say 
enjoy as mild escapism 
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and 
dull . 
is to be mesmerised 
it is more likely to induce sleep than fright . 
may not 
imitations 
tough enough to fit in any modern action movie 
great performances , 
`` ... something appears to have been lost in the translation this time 
the slack execution italicizes the absurdity of the premise 
jim carrey 
furiously funny pace 
it does n't make for great cinema , 
dare i say , entertaining 
scoob and shag do n't eat enough during the film . ' 
takes a classic story , casts attractive and talented actors and 
feel ` stoked 
final whistle 
do n't think this movie loves women at all 
through the horrible pains of a death 
work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns 
but film buffs should get to know 
a journey that is as difficult for the audience to take as it is for the protagonist 
it 's a pleasure to have a film like the hours as an alternative . 
can not help be entertained by the sight of someone getting away with something 
even the hastily and amateurishly drawn animation can not engage . 
problem is , we have no idea what in creation is going on . 
so exaggerated and broad that it comes off as annoying rather than charming . 
those farts got to my inner nine-year-old 
it 's an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise . 
messenger 
illogic 
starts slowly , but adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying . 
the pool with an utterly incompetent conclusion 
this all works out 
shows all the signs of rich detail condensed into a few evocative images and striking character traits . 
festival 
, dumb action movie 
some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh 
holes punched through by an inconsistent , meandering , and sometimes dry plot 
it 's goofy ( if not entirely wholesome ) fun 
magical enough 
is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors . 
an exquisite , unfakable sense 
fresh and raw like a blown-out vein 
a little wit 
sleek 
unmemorable filler . 
to being the barn-burningly bad movie it promised it would be 
just do n't really care too much about this love story . 
bullock and grant still look ill at ease sharing the same scene . 
an exceptional thriller 
with all its botches 
a good ear for dialogue , 
's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene . 
is predictable 
who could too easily become comic relief in any other film -- 
mawkish dialogue 
it 's at once laughable and compulsively watchable , in its committed dumbness . 
it 's a very sincere work , but it would be better as a diary or documentary . 
cellophane-pop remake 
runs for only 71 minutes and 
every now and again , a movie comes along to remind us of how very bad a motion picture can truly be . 
the surface histrionics 
, the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should . 
there 's nothing to gain from watching they . 
a pleasing way 
for veggietales fans , this is more appetizing than a side dish of asparagus . 
the only reason 
have to check your brain at the door 
damned wonderful 
resentment 
beautiful to watch and holds a certain charm 
if you like quirky , odd movies and/or the ironic , here 's a fun one . 
hard to imagine that even very small children will be impressed by this tired retread 
promise by georgian-israeli director dover kosashvili 
as exciting to watch as two last-place basketball teams 
blond honeys 
schmaltzy , by-the-numbers romantic comedy 
'll enjoy this movie 
combines a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration . 
, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema . 
a taste for the quirky 
extraordinary debut 
a life-affirming message 
in the long-winded heist comedy 
mean it 's good enough for our girls 
a long , dull procession of despair , set to cello music 
... while certainly clever in spots , this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention . 
ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies 
roger the sad cad that really gives the film its oomph 
a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness 
stranded 
old movies , when you could just rent those movies instead , let alone seek out a respectable new one 
the rare imax movie that you 'll wish 
you 're more likely to enjoy on a computer 
unromantic 
acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses . 
felt and vividly detailed story about newcomers in a strange new world 
inspiring , ironic , 
their children 
earns the right to be favorably compared to das boot . 
most impressive 
labyrinthine 
this is one of the best-sustained ideas i have ever seen on the screen . 
a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness is ultimately thoughtful without having much dramatic impact . 
third time 's the charm ... yeah , baby 
overstated 
little more than a particularly slanted , gay s/m fantasy , enervating and 
that puts another notch 
these things 
powerful and moving without stooping to base melodrama 
trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed 
success 
things so nice 
` film aficionados can not help but love cinema paradiso , whether the original version or new director 's cut . ' 
no affinity for most of the characters 
on cue 
taken 
so-so , made-for-tv 
really funny movie 
gaining much momentum 
at once visceral and spiritual , wonderfully vulgar and 
this mess 
why it works 
disappointed by a movie in a long time 
now here 's a sadistic bike flick that would have made vittorio de sica proud . 
fun or energy 
offers an exploration that is more accurate than anything i have seen in an american film 
undeniably moving film 
was more diverting and thought-provoking 
that this mean machine was a decent tv outing that just does n't have big screen magic 
layer of action man cliché atop wooden dialogue 
a fair share of dumb drug jokes and predictable slapstick 
watch for about thirty seconds before you say to yourself , 
consistently sensitive and often exciting 
enjoy its slightly humorous and tender story 
articulates a flood of emotion . 
is so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
too much exploitation and too little 
god help us , but capra and cooper are rolling over in their graves 
his several silly subplots 
intelligent and deeply 
with adventure and a worthwhile environmental message 
meandering 
nothing like love to give a movie a b-12 shot 
bring on the battle bots , please 
imperfect ? 
attracts the young and fit 
kid-empowerment fantasy 
appalling , shamelessly manipulative and contrived , and 
lazily and glumly 
shot on digital videotape rather than film 
odd drama 
inside the mess that is world traveler 
brings a youthful , out-to-change-the-world aggressiveness to the project , 
sucks you in and dares you not to believe it 
the grandeur of the best next generation episodes is lacking 
it 's super - violent , super-serious and super-stupid . 
the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed 
takes the most unexpected material 
sly humor 
leftovers 
even as i valiantly struggled to remain interested , or at least conscious , i could feel my eyelids ... getting ... very ... heavy ... 
exploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable 
the story plays out slowly , but the characters are intriguing and realistic 
stomach-knotting suspense 
what sets ms. birot 's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents . 
her fearlessness 
an eye-boggling blend of psychedelic devices , special effects and backgrounds , ` spy kids 2 ' is a visual treat for all audiences . 
is sorely lacking 
new or interesting 
address his own world war ii experience in his signature style 
go from stark desert 
confront it 
's something i would rather live in denial about 
the film itself is ultimately quite unengaging . 
rae 
stress ` dumb . 
suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected 
of the movies you 'd want to watch if you only had a week to live 
the arguments 
still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival 
crass , contrived sequels 
fused with solid performances and eerie atmosphere . 
emotionally at least ) 
are kinetic enough to engross even the most antsy youngsters . 
eye-catching 
overwhelming waste 
the world 's most fascinating stories 
eloquently 
a cult favorite 
rather special 
good race 
amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media 
enough laughs to sustain interest to the end 
( fiji diver rusi vulakoro and the married couple howard and michelle hall ) show us the world they love and make 
methodical , measured , and gently tedious in its comedy , secret ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain . 
really bad 
pitifully unromantic 
loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money 
wishy-washy 
carrying off a spot-on scottish burr , duvall ( also a producer ) peels layers from this character that may well not have existed on paper . 
of most convincing emotional gravity from a scene where santa gives gifts to grownups 
darkly funny and frequently insightful 
essential 
, kung pow sets a new benchmark for lameness . 
jeong-hyang lee 's film is deceptively simple , deeply satisfying . 
seems as funny 
will find that the road to perdition leads to a satisfying destination . 
the film just might turn on many people to opera , in general , an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life . 
suggests a director fighting against the urge to sensationalize his material . 
it tight and nasty 
enters the pantheon of wreckage that includes battlefield earth and showgirls 
( dong ) makes a valiant effort to understand everyone 's point of view , and he does such a good job of it that family fundamentals gets you riled up . 
is as padded as allen 's jelly belly 
a baffling subplot involving smuggling drugs inside danish cows 
impossible to claim that it is `` based on a true story '' 
the bad things 
flaccid satire 
bolado credit for good intentions 
ca n't deny its seriousness and quality . 
as refreshing as a drink from a woodland stream . 
her feature film 
best and 
happy times maintains an appealing veneer without becoming too cute about it . 
you ca n't believe anyone would really buy this stuff . 
like most of jaglom 's films , some of it is honestly affecting , but 
the problem with the bread , my sweet is that it 's far too sentimental . 
fantastic dual performance 
beautifully sung 
will be impressed by this tired retread 
the movie is n't painfully bad , something to be ` fully experienced ' 
that years and years of costly analysis could never fix 
... fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film . 
to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn 
to crack a smile at 
barbershop gets its greatest play from the timeless spectacle of people really talking to each other . 
is so huge that a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth 
its excellent storytelling , its economical 
misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress 
its boundary-hopping formal innovations and glimpse 
marveled at disney 's rendering of water , snow , flames and shadows 
a sweet treasure and something 
laconic and 
but they do n't fit well together and neither is well told . 
is the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families 
as a call for pity and sympathy 
of a man we only know as an evil , monstrous lunatic 
the arduous journey of a sensitive young girl through a series of foster homes and 
director shekhar kapur supplies with tremendous skill 
has usually been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout . 
pleasure to have a film like the hours as an alternative 
turn out a small , personal film with an emotional wallop 
neil burger here succeeded in 
graphic sex may be what 's attracting audiences to unfaithful , but gripping performances by lane and gere are what will keep them awake 
that rare family movie -- genuine and sweet 
ridiculous wig 
gorgeous 
to overcome my resistance 
near-masterpiece 
makes the movie fresh 
it 's better than the phantom menace . 
the connected stories of breitbart and hanussen are actually fascinating , 
crypt 
likely to leave a lasting impression 
its rather routine script 
this is n't a movie ; it 's a symptom . 
goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults 
and intermittently hilarious 
for this story to go but down 
like a precious and finely cut diamond , magnificent to behold in its sparkling beauty yet in reality it 's one tough rock . 
, the rising place never quite justifies its own existence . 
of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum 
ultimately comes off as insultingly simplistic 
to be somebody , and to belong to somebody 
the film is a pleasant enough dish . 
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , 
to be anything but frustrating , boring , and forgettable 
joyless 
the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country 
certainly wo n't be remembered as one of ( witherspoon 's ) better films . 
best korean film 
should be served an eviction notice at every theater stuck with it . 
drowns out the promise of the romantic angle . 
is silly beyond comprehension 
the movie could be released in this condition 
`` the dangerous lives of altar boys '' has flaws , but 
a buoyant romantic comedy about friendship , love , and the truth that we 're all in this together 
by supporting characters who are either too goodly , wise and knowing or downright comically evil 
an overwhelmingly positive portrayal 
to make its subject interesting to those who are n't part of its supposed target audience 
a real filmmaker 's eye 
this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture 
rap and r&b names 
brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema 
great performances 
( a ) wonderfully loopy tale of love , longing , and voting 
that rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film . 
a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire 
forced funniness 
there is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract . 
is unfocused 
leather 
that the movie has virtually nothing to show 
does `` lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan . 
a stab 
poetry , passion , and genius 
what makes the movie special is its utter sincerity . 
digs into their very minds to find an unblinking , flawed humanity . 
add up to a satisfying crime drama . 
settles into clichés 
keep you interested without coming close to bowling you over 
a fascinating literary mystery story 
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic 
jeff 's ) gorgeous 
of director abel ferrara 
a strange film , one that was hard for me to warm up to 
very entertaining 
nelson 's intentions are good , but the end result does no justice to the story itself . 
has about 25 minutes of decent material 
give us a reason to be in the theater beyond wilde 's wit and the actors ' performances 
the film has a laundry list of minor shortcomings , 
into a pulpy concept that , in many other hands would be completely forgettable 
burning , blasting , stabbing 
miscalculation 
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant entertainment 
that 's target audience has n't graduated from junior high school 
for two movies 
a dream image 
the sum of all fears is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) . 
with actors you 're most likely to find on the next inevitable incarnation of the love boat 
of the pitfalls you 'd expect in such a potentially sudsy set-up 
slopped ` em together 
wrapping the theater in a cold blanket of urban desperation 
a great premise but only a great premise 
rare film 
a heavyweight film 
sarah 's dedication to finding her husband seems more psychotic than romantic , and 
some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine 
please , someone , stop eric schaeffer before he makes another film . 
both thematic content and narrative strength 
the large cast is solid 
come close to justifying the hype that surrounded its debut at the sundance film festival two years ago 
to enjoy for a lifetime 
affectionately goofy satire 
are to ourselves and each other 
coupling disgracefully written dialogue 
crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level . 
there 's not a fresh idea at the core of this tale . 
spent watching this waste of time . 
stereotypes in good fun , while adding a bit of heart and unsettling subject matter . 
the optimism of a group of people who are struggling to give themselves a better lot in life than the ones 
scrap 
dialogue and inventive moments 
a cinematic poem 
rotten in almost every single facet of production 
in this case zero . 
its drastic iconography 
, the magnificent swooping aerial shots are breathtaking , 
in praise of love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating 
a fairly slow paced , 
cinematic car wreck 
peculiar malaise 
full of the kind of energy it 's documenting 
can be considered work 
perfectly pitched between comedy and tragedy , hope and despair 
psychological 
break free of her old life 
a fascinating , unnerving examination of the delusions of one unstable man 
a gem of a movie 
it one of the best war movies ever made 
's smooth and professional 
`` interview '' loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into . 
a lovely trifle 
at the helm 
radiant 
the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal 
not as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted . 
marvelously entertaining 
saw that was written down 
depressingly thin and exhaustingly contrived . 
the film 's considered approach to its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' 
better to do with 94 minutes 
as do the girls ' amusing personalities 
i certainly ca n't recommend it 
pinheads who talk throughout the show 
is somewhat problematic 
finds a way to make j.k. rowling 's marvelous series into a deadly bore 
am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson . 
a confluence of kiddie entertainment , sophisticated wit and symbolic graphic design 
less funny than it thinks it is 
no amount of arty theorizing -- the special effects are ` german-expressionist , ' according to the press notes -- can render it anything but laughable . 
belittle a cinema classic . 
explores the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children . 
has skin looked as beautiful , desirable , even delectable , as it does in trouble every day 
... there 's enough cool fun here to warm the hearts of animation enthusiasts of all ages . 
of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing 
outdoes its spectacle . 
credible account 
traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at . 
collapses like an overcooked soufflé 
bumbling 
definitely a crowd-pleaser , but then , so was the roman colosseum . 
that made me want to scream 
real winner 
shaking your head all the way to the credits 
very talented young actors 
was , by its moods , and by its subtly 
a clarity of purpose and even-handedness 
ends up as a bitter pill 
love story 
puts an exclamation point 
topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights 
disturbing 
remains a film about something , one that attempts and often achieves a level of connection and concern . 
perfectly creepy and believable 
the project 's filmmakers forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting . 
say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world 
( davis ) wants to cause his audience an epiphany , yet he refuses to give us real situations and characters 
, insightfully human 
like ` praise the lord 
a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion 
high romance , 
the top of their lungs 
are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy 
appears as if even the filmmakers did n't know what kind of movie they were making 
breakthrough 
the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year 
watching your favorite pet get buried alive 
flat run 
is extremely funny , 
written for no one 
it 's hardly over before it begins to fade from memory 
the impossibly long limbs and sweetly conspiratorial smile 
a definitive account of eisenstein 's life 
an entertainment destination 
overflowing 
it 's a bad action movie because there 's no rooting interest 
maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another 
has all the scenic appeal of a cesspool 
eye-catching art direction 
sons , loyalty and duty 
some fine acting 
the honor 
overcome its weaknesses 
parker displays in freshening the play 
better video-game-based flicks , 
making this character understandable , 
herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion 
that cleverly captures the dry wit that 's so prevalent on the rock 
more chillingly effective 
the best-sustained ideas 
so special 
allows it to rank with its worthy predecessors 
as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves 
takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch 
the picture emerges as a surprisingly anemic disappointment . 
the few ` cool ' actors 
as david letterman and the onion have proven , the worst of tragedies can be fertile sources of humor , but lawrence has only a fleeting grasp of how to develop them . 
a film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen . 
grand locations 
'd be hard put to find a movie character more unattractive or odorous ( than leon ) 
bull 
more annoying 
ludicrous attempt 
's a cool event for the whole family 
is that it 's actually watchable 
boring and meandering . 
the right choice 
largely unfulfilling 
with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie 
ultimately winning story 
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions 
as a thoughtful and unflinching examination of an alternative lifestyle , sex with strangers is a success . 
a stale copy 
in columbia pictures ' perverse idea of an animated holiday movie 
the 1989 paradiso will prefer this new version 
evokes the bottom tier of blaxploitation flicks from the 1970s . 
there is no substitute for on-screen chemistry , and 
like a bad soap opera 
schnieder 
armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud . 
made by a proper , middle-aged woman . 
the content is n't nearly as captivating as the rowdy participants think it is . 
underdone potato 
me wonder if lawrence hates criticism so much that he refuses to evaluate his own work 
tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers 
most wondrously 
to place blame 
, and gently tedious in its comedy 
yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes . 
, sophisticated film 
hey , those farts got to my inner nine-year-old 
the film boasts at least a few good ideas and features some decent performances , but 
used to burn every print of the film 
thrillingly uses modern technology to take the viewer inside the wave . 
are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life 
this charming , thought-provoking new york fest of life and love has its rewards . 
shifting in your chair too often 
struggle tragically to comprehend the chasm of knowledge that 's opened between them 
see a romance this smart 
insightful 
imitation 
so uncool the only thing missing is the `` gadzooks ! '' 
, crowd-pleasing goals 
historic scandal 
the era of the intelligent , well-made b movie is long gone 
earnestness remarkably well 
equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are . 
off the path of good sense 
visually sloppy 
flakiness 
is still quite good-natured 
generic scripts 
a grand whimper 
scare the pants 
that disconnects every 10 seconds 
most ingenious film 
mildly interesting 
have to see it . 
exploits ( headbanger ) stereotypes in good fun , while adding a bit of heart and unsettling subject matter . 
both deserve better . 
rarely , indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema . 
fun to watch 
repetitive arguments , schemes and treachery 
to emerge as an exquisite motion picture in its own right 
recite bland police procedural details , fiennes wanders around 
the lively intelligence of the artists and their perceptiveness about their own situations 
a droll sense 
you 've never come within a mile of the longest yard 
so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money . 
scary and sad 
a film without surprise 
it 's the funniest american comedy since graffiti bridge . 
as its larger themes 
star performances 
endless rain is offset by the sheer ugliness of everything else 
hyper-realistic 
like a spectator and not a participant 
for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while 
a philosophical visual coming right 
freshness and modesty 
often surprising 
plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting . 
because your nerves just ca n't take it any more 
a muddled limp biscuit of a movie , a vampire soap opera that does n't make much sense even on its own terms . 
a frustrating ` tweener ' -- too slick , 
if only it had the story to match . 
( frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment 
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn . 
much of it is funny , but there are also some startling , surrealistic moments ... 
might have guessed 
crafted film 
climax and , worst of all 
generosity and diplomacy 
is losing his touch 
relevant today 
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here . 
the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities . 
some real vitality and 
drops the ball too many times 
both heartbreaking and 
indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens 
that its story just is n't worth telling 
directed it may leave you speaking in tongues 
local 
painfully flat 
if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness 
makes him the film 's moral compass 
it embraces it , energizes it and takes big bloody chomps out of it 
like a 95-minute commercial for nba properties 
distinguishes 
combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream . 
of the charm and little 
turn down a big bowl of that 
... standard guns versus martial arts cliche with little new added . 
the fans are often funny fanatics 
piercing intellect 
make the formula feel fresh 
satisfyingly unsettling 
a real snooze . 
so unabashedly hopeful 
resist his pleas 
's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck 
as it is hard to resist 
ca n't generate enough heat in this cold vacuum of a comedy to start a reaction 
very real 
in which this fascinating -- and timely -- content comes wrapped 
small part thanks 
here 's a fun one . 
a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable 
mildly amusing 
wise and powerful 
skillfully assembled , highly polished and 
from heaven is a dazzling conceptual feat 
filled with low-brow humor , gratuitous violence and a disturbing disregard for life . 
make for some robust and scary entertainment 
does n't sustain a high enough level of invention 
parable that loves its characters and communicates something rather beautiful about human nature . 
one of the most interesting writer/directors working today 
too loud , too goofy 
art-house gay porn film 
school experience that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters 
have you leaving the theater with a smile on your face 
feeble tootsie knockoff . 
most severe 
nothing happens , and it happens to flat characters . 
the problematic characters and overly convenient plot twists foul up shum 's good intentions . 
for a movie about the power of poetry and passion , there is precious little of either . 
the plot is nothing but boilerplate clichés from start to finish , and the script assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times 
the most watchable film of the year 
above-average brains 
the film has ( its ) moments , but 
overlong infomercial 
a visual spectacle 
is a frighteningly fascinating contradiction . 
unforced continuation 
both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters . 
, e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades . 
laughably unbearable when it is n't merely offensive . 
would be forgettable if it were n't such a clever adaptation of the bard 's tragic play 
an admirable storyteller 
of perversity , comedy and romance 
be compelling , amusing and unsettling at the same time 
have a good time here 
her share of the holiday box office pie 
unequivocally 
will keep you watching , as will the fight scenes 
is spectacular 
manipulative sentimentality and annoying stereotypes 
zinger-filled crowd-pleaser 
the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction 
behind the glitz , hollywood is sordid and disgusting . 
, the film is blazingly alive and admirable on many levels . 
astonish and 
photographed with color and depth , and rather a good time 
genial and 
minac drains his movie of all individuality 
carries much of the film with a creepy and dead-on performance 
jaglom 's self-conscious and gratingly irritating films 
be a passable date film 
in its own floundering way , it gets to you . 
one of the best looking and stylish animated movies in quite a while 
left slightly disappointed that it did n't 
williams ' usual tear and a smile , just sneers and bile 
beginnings 
take away the controversy , and it 's not much more watchable than a mexican soap opera 
anything sandler 
still committed to growth in his ninth decade 
about long-lived friendships and the ways in which we all lose track of ourselves by trying 
the film is way too full of itself ; 
patchy combination of soap opera 
ill-considered 
restate 
all this emotional misery 
fails 
even close to being the barn-burningly bad movie it promised it would be 
i did go back and check out the last 10 minutes , but 
unleashes his trademark misogyny 
is in the right place , his plea for democracy and civic action laudable . 
absolutely and completely ridiculous 
's well worth spending some time with 
the unconditional love she seeks 
flop 
this seductive tease of a thriller gets the job done . 
as a painful elegy and sobering cautionary tale 
most repugnant 
light-hearted way 
detached 
a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination 
is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience . 
, everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill . 
a grand fart coming from a director beginning to resemble someone 's crazy french grandfather 
of destruction 
rediscovers 
clumsily mugging their way through snow dogs 
exists , and does so with an artistry that also smacks of revelation 
ethnic cleansing 
worth a peek 
support the premise other than fling gags at it 
the perfect material 
's pretentious in a way that verges on the amateurish . 
the audience when i saw this one was chuckling at all the wrong times , and that 's a bad sign when they 're supposed to be having a collective heart attack 
a wretched movie 
, overused cocktail 
each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial 
does n't transcend genre 
combines two surefire , beloved genres 
far the worst movie 
finds warmth in the coldest environment and 
depressing than entertaining 
to include anything even halfway scary 
a powerful , chilling , and affecting study of one man 
almost enough chuckles for a three-minute sketch , and no more 
the situations and the dialogue spin hopelessly out of control -- that is to say 
is n't quite one of the worst movies of the year 
wondrous 
want to crawl up your own *** in embarrassment 
jolt you out of your seat a couple of times , give you a few laughs 
there are moments of hilarity to be had . 
the halloween series has lost its edge 
morphs into a mundane '70s disaster flick 
as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter ' 
mumbles his way through the movie . 
sustains it beautifully 
, a lot of people wasted a lot of their time ( including mine ) on something very inconsequential . 
betting her third feature will be something to behold 
uncinematic 
fails in making this character understandable , in getting under her skin , in exploring motivation ... well before the end , the film grows as dull as its characters , about whose fate it is hard to care . 
final , beautiful scene 
which fails to rise above its disgusting source material 
its élan 
dismissed heroes would be a film that is n't this painfully forced , false and fabricated . 
is a total misfire . 
nothing 
a testament to the integrity and vision of the band 
like a travel-agency video 
has much to recommend it , even if the top-billed willis is not the most impressive player 
worth a look 
has much to learn 
is lightweight filmmaking 
it all starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television . 
perry 's good and his is an interesting character 
the overcooked , ham-fisted direction , which has all the actors reaching for the back row 
might just be the movie you 're looking for . 
meaningful for both kids and church-wary adults 
genuinely bone-chilling 
that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies 
unusual , food-for-thought cinema 
is one adapted - from-television movie that actually looks as if it belongs on the big screen . 
psychological and philosophical 
about full frontal 
a dashing and absorbing outing with one of france 's most inventive directors 
ugly , mean-spirited lashing 
talented enough and 
from a severe case of hollywood-itis 
the very best of them 
thrills , 
's attracting audiences to unfaithful 
impressively delicate range 
starts off promisingly but then proceeds to flop 
distinguished actor 
on their parents ' anguish 
pays off and is effective if you stick with it 
is n't particularly funny 
, joyous romp of a film . 
a stunning technical achievement 
squander jennifer love hewitt 
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and 
new ways of describing badness 
invigorating , surreal , and resonant with a rainbow 
shanghai ghetto , much stranger than any fiction , brings this unknown slice of history affectingly to life . 
believe a movie can be mindless without being the peak of all things insipid 
to offend 
was hard for me 
extremely funny 
are familiar with , and makes you care about music you may not have heard before . 
good news 
the discomfort and embarrassment of being a bumbling american in europe 
of piffle 
liability 
coy but exhilarating , with really solid performances by ving rhames and wesley snipes . 
oversexed , at times 
worth seeing 
grumbling 
tedious norwegian offering which somehow snagged an oscar nomination 
the writing is tight and truthful , full of funny situations and honest observations 
borrows from other movies 
sardonic jolt 
which becomes something about how lame it is to try and evade your responsibilities 
ca n't recommend it enough 
by the sick sense of humor 
vivid performances 
evokes a palpable sense 
law to be discerned here that producers would be well to heed 
that this film 's cast is uniformly superb 
whatever complaints i might have 
the script was reportedly rewritten a dozen times -- either 11 times too many or else too few 
reef 
though overall an overwhelmingly positive portrayal 
informative , intriguing , observant , often touching 
take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche 
, i love it ... hell , i dunno . 
imagine o. henry 's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene . 
there 's some good material in their story about a retail clerk wanting more out of life , but the movie too often spins its wheels with familiar situations and repetitive scenes . 
a gripping documentary that reveals how deep the antagonism lies in war-torn jerusalem . 
so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight 
featherweight romantic comedy has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock . 
lot funnier 
self-indulgent and 
the filmmaking in invincible 
their luster 
cool visual backmasking 
slapped together . 
dupe 
was that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz 
in addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row 
incessant whining 
timid parsing 
change tables 
finely 
would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman 
, the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill . 
sustains interest 
chopsocky 
interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots 
spirited away is a triumph of imagination 
twitchy acting 
doubtful this listless feature will win him any new viewers 
demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon 
enough gun battles and 
fun 
know as an evil , monstrous lunatic 
sadly imitative of innumerable 
most compelling performance 
then triple x marks the spot . 
mr. koshashvili is a director to watch . 
's in the action scenes that things fall apart 
a wildly inventive mixture of comedy and melodrama 
a movie about the power of poetry and passion 
ill-timed 
swill 
, the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny . 
a conventional , but well-crafted film about a historic legal battle in ireland over a man 's right to raise his own children . 
the passion , creativity , and fearlessness of one 
caffeinated , sloppy 
he slaps together his own brand of liberalism 
shenanigans and 
bogs 
by the time the plot grinds itself out in increasingly incoherent fashion , you might be wishing for a watch that makes time go faster rather than the other way around . 
no amount of burning , blasting , stabbing , and shooting can hide a weak script . 
scuttled 
, the final effect is like having two guys yelling in your face for two hours . 
most sincere and artful 
resolutely unamusing , how thoroughly unrewarding all of this 
is infectious . 
appreciated 
excellent performances from jacqueline bisset and martha plimpton grace this deeply touching melodrama . 
the rare movie that 's as crisp and to the point as the novel on which it 's based 
symbolically , warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . 
a photographic marvel of sorts , and it 's certainly an invaluable record of that special fishy community . 
gets violently gang-raped 
sit near the back 
should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing 
with sharp ears and eyes 
return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market 
has a number of other assets to commend it to movie audiences both innocent and jaded 
to keep it interested 
to care about them 
outright bodice-ripper 
becomes increasingly implausible as it races 
a graceful , moving tribute 
every gag two or three times 
is a feast for the eyes . 
a three-dimensional , average , middle-aged woman 's experience 
oscar-worthy performance 
finally , the french-produced `` read my lips '' is a movie that understands characters must come first . 
the power of polanski 's film 
transcends its agenda to deliver awe-inspiring , at times sublime , visuals and offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the x into the games . 
a joint promotion for the national basketball association and 
a changing world 
sick and demented 
still could have been room for the war scenes 
eventually gets around to its real emotional business , striking deep chords of sadness 
reflects the worst of their shallow styles 
this is rote drivel aimed at mom and dad 's wallet . 
superior 
succeed merrily at their noble endeavor . 
brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema . 
no way original , 
is about the worst thing chan has done in the united states 
genuinely inspirational 
a disturbing disregard 
a scruffy 
besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching . 
in the worst elements of all of them 
hard as this may be to believe , here on earth , a surprisingly similar teen drama , was a better film . 
under a red bridge is a poem to the enduring strengths of women 
the artist as an endlessly inquisitive old man 
if any of them list this ` credit ' on their resumes in the future 
despite lagging near the finish line 
most offensive action 
trying to pass off as acceptable teen entertainment for some time now 
hard for me 
is a remarkably accessible and haunting film 
is nicely shot , 
as if it has made its way into your very bloodstream 
nicks refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy . 
all the values of a straight-to-video movie 
well edited so that it certainly does n't feel like a film that strays past the two and a half mark 
jealousy , betrayal , forgiveness and murder 
laugh-out-loud 
a provocative 
it weirdly appealing 
verging on mumbo-jumbo 
form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life 
sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip 
what is missing from it 
plotting 
has a film used manhattan 's architecture in such a gloriously goofy way . 
that worked five years ago but has since lost its fizz 
prove that movie-star intensity can overcome bad hair design 
of crudup 's anchoring performance 
one that allows him to churn out one mediocre movie after another 
goofiness 
but mainstream audiences will find little of interest in this film , which is often preachy and poorly acted . 
the second half of the movie really goes downhill . 
moving and solidly entertaining 
it still comes off as a touching , transcendent love story . 
that never quite equals the sum of its pretensions . 
is well crafted , and well executed . 
resurrection 
different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches 
decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him . 
after another , most of which involve precocious kids getting the better of obnoxious adults 
the best , 
involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film 
all of dean 's mannerisms and self-indulgence , 
found in almost all of his previous works 
truly excellent 
director to watch 
sharp and quick 
orgy 
warm your heart without making you feel guilty about it 
the magnificent jackie chan 
collapses 
, vapid and devoid 
by a plot that 's just too boring and obvious 
complain 
winning performances 
its love of life and beauty 
soulless and -- even more damning -- 
cold fish 
a degree of randomness usually achieved only by lottery drawing 
the the wisdom and humor of its subjects 
the town has kind of an authentic feel 
entirely believable 
that old adage about women being unknowable 
have potential as a cult film 
is advised to take the warning literally , and log on to something more user-friendly 
discomfort 
you never want to see another car chase , explosion or gunfight again 
totally overwrought , 
sunny disposition 
excellent use of music by india 's popular gulzar and jagjit singh 
makes a joke out of car chases for an hour and then gives us half an hour of car chases . 
awfulness 
ably captures the complicated relationships in a marching band . 
lax and limp 
wisdom 
a paint-by-numbers picture 
does a solid job of slowly , steadily building up to the climactic burst of violence 
through this summer that do not involve a dentist drill 
i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign 
nights feels more like a quickie tv special than a feature film ... 
is a winning comedy that excites the imagination and tickles the funny bone 
is so resolutely 
hilariously , gloriously alive , and 
drawn-out 
true to its title 
glory days 
and often contradictory 
a stereotype 
puts a human face 
every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat 
, then by all means check it out . 
while parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit 
sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours . 
too thin 
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and 
wondering what all that jazz was about `` chicago '' in 2002 
as a tribute 
a brilliant college student -- where 's pauly shore as the rocket scientist ? 
of the conflict that came to define a generation 
richly entertaining and suggestive of any number of metaphorical readings . 
will be moved to the edge of their seats by the dynamic first act 
bump in the night and nobody 
has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores . 
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... 
, the movie contains no wit , only labored gags . 
that are quite touching 
i liked about schmidt a lot , but i have a feeling that i would have liked it much more if harry & tonto never existed . 
graceless 
that annoying specimen 
two central performances 
' hanging over the film 
it takes a sudden turn and devolves into a bizarre sort of romantic comedy 
are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster . 
affluence 
really , save your disgust and your indifference 
five screenwriters are credited with the cliché-laden screenplay 
joyous 
gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing . 
then blood work is for you . 
, frida gets the job done . 
the class warfare 
against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting 
a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years 
may rate as the most magical and most fun family fare of this or any recent holiday season 
their contrast is neither dramatic nor comic -- it 's just a weird fizzle . 
lacks in eye-popping visuals 
ability to pull together easily accessible stories that resonate with profundity 
an equally miserable film 
its heartfelt concern about north korea 's recent past and south korea 's future 
so pat it makes your teeth hurt 
a delightful entree in the tradition of food movies . 
splash 
of gags that rely on the strength of their own cleverness 
both the scenic splendor 
i saw it as a young boy 
wildly incompetent but brilliantly named half past dead -- or for seagal pessimists : 
you may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear . 
a chilling tale of one of the great crimes 
starts out 
the situation in a well-balanced fashion 
which was shot two years ago 
becomes something about how lame it is to try and evade your responsibilities 
will keep coming 
you 'd be hard put to find a movie character more unattractive or odorous ( than leon ) . 
proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo . 
where this was lazy but enjoyable , a formula comedy redeemed by its stars , that is even lazier and far less enjoyable . 
a total lack 
a hallmark film in an increasingly important film industry and worth the look 
the company 's astonishing growth 
of afghan tragedies 
languorous slo-mo sequences 
's characteristically startling visual style and an almost palpable sense of intensity . 
is a masterpiece of elegant wit and artifice . 
offers a guilt-free trip into feel-good territory . 
picture-perfect life 
master class . 
junior-high 
finds amusing juxtapositions that justify his exercise . 
rigid and evasive in ways 
billy crystal and robert de niro sleepwalk through vulgarities in a sequel you can refuse . 
a fine-looking film with a bouncy score 
promisingly 
the entire movie is in need of a scented bath . 
weirdo actor crispin glover 
takes its title all too literally . 
is loopy and ludicrous ... 
threatens 
there , done that 
who 's finally been given a part worthy of her considerable talents 
what makes the movie special 
the action looks fake 
blood work is laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period . 
maintaining consciousness just long enough 
difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting 
is so fascinating that you wo n't care . 
watching this gentle , mesmerizing portrait of a man coming to terms with time , you barely realize your mind is being blown . 
does justice both to stevenson and to the sci-fi genre 
a better movie 
monotone 
faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance 
's always enthralling . 
, another gross-out college comedy -- ugh . 
affirms 
gets added disdain for the fact that it is nearly impossible to look at or understand . 
formuliac , but fun . 
a quietly moving look back at what it was to be iranian-american in 1979 . 
to hit theaters since beauty and the beast 11 years ago 
well-done 
fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew 
dialogue and likeable characters 
part biography , part entertainment and part history 
, the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work . 
a rather dull , unimaginative car chase 
is nothing short of a great one . 
a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life 
is so bad that i even caught the gum stuck under my seat trying to sneak out of the theater 
90-plus years taking the effort to share his impressions of life and loss and time and art with us 
confuses its message with an ultimate desire to please , and contorting itself into an idea of expectation 
comedy ensemble 
throws quirky characters , odd situations , and off-kilter dialogue at us , all as if to say , `` look at this ! 
brilliant movie 
too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience 
's stuffy and pretentious 
polished , 
works more often than it does n't . 
at least passably 
i also believe that resident evil is not it . 
seem to be in a contest to see who can out-bad-act the other 
showing off his doctorate 
a delightful comedy 
anguish , anger and frustration 
at achieving the modest , crowd-pleasing goals it sets for itself 
a patient viewer 
this new jangle of noise , mayhem and stupidity must be a serious contender for the title . 

fa1b67ff648062387359775f525ec90b712b1ac8a46946be7ae1fccc57129570