Nonetheless, by 2015 there were still only 13% of companies who had adopted all five of these basic technologies. And there was still a tail of 9-10% of companies who had adopted only 2 or fewer of them. This tail appears to be largely made up of smaller firms. In innovation surveys, UK SMEs fare poorly by th  European comparison on introducing new product and process innovations, ranking 20 out of 36. 35  This picture is less encouraging still when it comes to the adoption of more advanced technologies. Chart 15 looks at adoption rates across UK companies of six such technologies (mobile access to email, documents and software, websites with online ordering, fast broadband access and electronic data interchange sales) on two dates (2011 and 2015). Progress towards adoption of these technologies appears to have been slow between 2011 and 2015, with only a modest rightward shift. Even by 2015, fewer than 10% of UK companies had four or more of these advanced technologies. More than half of all UK companies had adopted one or less of them and a quarter had yet to adopt any. This suggests a patchy picture of technological adoption among UK companies, with a long tail of slow-adopters of basic and especially advanced technologies. If we turn to penetration rates, the picture is in some respects similar. There appears to be a significant but small upper tail of companies with high utilisation of technologies and a large lower tail whose penetration rates are low and patchy.
It was only founded a year ago and we believe it will continue to develop and be fully fledged as a legacy of our national memory. In mid 1800s, announcing the competition on American banknote, the US Secretary of the Treasury, specified two obligatory requirements to participants about the design: it had to be original, and unpublished previously, and have a national character. Since at the beginning, the banknote is thought as not only a means of exchange, but also as an education tool for the public. As such, it should bear important moments of the history. The banknote performs this function through complicated techniques of subtly fine lines, to prevent reproduction, attributable also to robust security features. Although we frequently have these valuable papers on our hands, seldom do we concentrate for a few minutes and enjoy the art embedded in them. We very rarely focus on examining how the work of a talented painter is intertwined in a sort of a miniature canvas with that of a talented engraver, turning that piece of paper into an elegant expression of creative art. The image is familiar, but it is hard to believe that 14% of interviewers in advanced countries are able to remember recognise the picture designed on each banknote. Even less people may recognise the portrait depicted on 1000 Leke or 2000 Leke Albanian banknotes.