english: Pietro was suspicious of formal art training, art history training, because he feared that it filled people up with jargon, and then they just classified things rather than looking at them, and he wanted to remind us that all art was once contemporary, and he wanted us to use our eyes, and he was especially evangelical about this message, because he was losing his sight.
non_english: Pjetro je bio sumnjičav prema  formalnom umetničkom obrazovanju iz istorije umetnosti, plašio se da ono puni ljude žargonom i da oni potom klasifikuju stvari bez posmatranja, a on je hteo da nas podseti da je sva umetnost nekad bila savremena, hteo je da otvorimo oči, posebno je bio pobožan u vezi sa tim jer je gubio vid.