english: RL: So, what I did is basically I had another screening room experience where I was basically tracking where I was looking, or where we were looking, and of course you're looking at the two people on the bow of the ship, and then at some point, I'm changing the periphery of the shot, I'm changing, it's becoming the rusted wreck, and then I would run it every day, and then I would find exactly the moment that I stopped looking at them and start noticing the rest of it, and the moment my eye shifted, we just marked it to the frame.
non_english: RL: U stvari imao sam drugu sobu za snimanje, gde sam pratio u šta gledam ili gde smo gledali i naravno, gledali ste dvoje na pramcu broda i u jednom momentu menjam okolinu snimka, menjam, postaje zarđala olupina, zatim bih je puštao svaki dan i potom bih pronašao tačan momenat kada prestajem da gledam u njih i kad počinjem da opažam ostalo. Taj momenat kad su moje oči skrenule, samo smo obeležili na frejmu.