english: Precisely. (Laughter) Brings me to the next, and final -- Marty's not going to see this, is he? (Laughter) This isn't viewed outside of -- (Laughter) The next illustration is something that, there's like all one shot theory. It's a very elegant way of telling a story, especially if you're following somebody on a journey, and that journey basically tells something about their personality in a very concise way, and what we wanted to do based on the shot in "Goodfellas," which is one of the great shots ever, a Martin Scorsese film, of basically following Henry Hill through what it feels like to be a gangster walk going through the Copacabana and being treated in a special way.
non_english: Upravo. (Smeh) Dolazimo do sledećeg i konačnog -- Marti ovo neće videti, zar ne? (Smeh) Ovo se ne gleda van -- (Smeh) Sledeća ilustracija je nešto kao, teorija jednog snimka. To je vrlo elegantan način pričanja priče, posebno ako pratite nečije putovanje, a putovanje vam u osnovi kaže nešto o njihovoj ličnosti na vrlo precizan način, ono što smo hteli, kao u snimku u "Dobrim momcima", a to je jedan od najbolje napravljenih snimaka, film Martina Skorsezea. U njemu prati Henrija Hila kroz nešto što deluje kao gangsterski hod kroz Kopakabanu i to je posebno urađeno.