english: (Music) That's Hugo. (Music) And we felt that if we could basically move the camera with him, we would feel what it feels like to be this boy who is basically the master of his universe, and his universe is, you know, behind the scenes in the bowels of this particular train station that only he can actually navigate through and do it this way, and we had to make it feel that this is his normal, everyday sort of life, so the idea of doing it as one shot was very important, and of course, in shooting in 3D, which is basically it's a huge camera that's hanging off of a giant stick, so to recreate a steadycam shot was the task, and make it feel kind of like what the reaction you got when you saw the "Goodfellas" shot.
non_english: (Muzika) To je Hugo. (Muzika) Osetili smo da kad bismo mogli pomerati kameru zajedno sa njim, osetili bi kako je biti taj dečak koji je gospodar svog sveta, a njegov svet je iza scene u utrobi ove posebne železničke stanice kroz koju se samo on može kretati i to ovako, morali smo to napraviti da se oseti da je ovo njegova normalna svakodnevica. Ideja da se to napravi sa samo jednim snimkom je vrlo važna i snimanje sa 3D, što je u osnovi ogromna kamera koja visi sa ogromnog štapa pa je stvaranje mirnog snimka bio zadatak, postići da izazove sličnu reakciju kao kad gledate snimak iz "Dobrih momaka".