english: The one on the left is where the shot ends, and the shot on the right is where it takes over, and now we switch boys, so it went from Asa Butterfield, who's the star of the show, to his stand-in. (Music) I wouldn't say his stunt double. There's a crazy rig that we built for this. (Music) And so this is, and now this is set number three we're into, and then we're going to go into, basically the very last moment of the shot is actually the steadycam shot. Everything else was shot on cranes and various things like that, and it literally was done over five different sets, two different boys, different times, and it all had to feel like it was all one shot, and what was sort of great for me was it was probably the best-reviewed shot I've ever worked on, and, you know, I was kind of proud of it when I was done, which is, you should never really be proud of stuff, I guess.
non_english: Ovaj levo je onaj gde je snimak gotov, a snimak desno je mesto gde preuzima i sada zamenjujemo dečake, tako da je  snimak išao od Ase Baterfilda, zvezde filma, do njegove zamene. (Muzika) Ne bih rekao kaskadera. Evo ga ludi tobogan koji smo napravili za ovo. (Muzika) Ovo sad je set broj tri, i zatim idemo u poslednji momenat snimka, to je u stvari snimak mirnom kamerom. Sve ostalo je  snimljeno na kranovima i raznim stvarima kao to, bukvalno je urađeno kroz pet raznih setova, dva dečaka, u različitim vremenima, a sve to na kraju deluje kao jedan snimak. Za mene je sjajno to što je taj snimak verovatno dobio najbolje kritike od kako snimam. Bio sam ponosan kad je bio gotov i nikad ne bi trebalo da ste ponosni na stvari.