A picture with a style that blends your two favorite painters, Salvador Dali and Hieronymus Bosch. The image consists of several parts, but generally depicts a very epic moment, with you as the central figure, a 30s year old curly-haired European man with black hair and a microphone hairstyle, standing at 175 cm tall. The essence of the image is to turn off the day, for which you find a huge switch lever, which requires all your strength and your entire weight to move and you need to lean onto it completely and only then can you move it. On the right side of the picture, imagine an underground base that winds like a huge snake into the distance, with a glass roof that allows you to see inside where scientists and laboratories are located. On the left side, there would be you, in a dark, crumbling wooden shed-like outbuilding that barely lets in sunlight, but some holes allow the sun's rays to filter through. This shed is positioned as if connected to the laboratory and hides some sort of secret exit. You would be inside the shed trying to pull down the massive switch lever, and partly succeeding, so the Sun would partially become blurred, as if there was a solar eclipse, but from the inside out, the Sun would become blurred, not as if it was being covered by something, but as if it was dying. And the landscape should also be depicted in some way, with a large perspective required.
A picture with a style that blends your two favorite painters, Salvador Dali and Hieronymus Bosch. The image consists of several parts, but generally depicts a very epic moment, with you as the central figure, a 30s year old curly-haired European man with black hair and a microphone hairstyle, standing at 175 cm tall. The essence of the image is to turn off the day, for which you find a huge switch lever, which requires all your strength and your entire weight to move and you need to lean onto it completely and only then can you move it. On the right side of the picture, imagine an underground base that winds like a huge snake into the distance, with a glass roof that allows you to see inside where scientists and laboratories are located. On the left side, there would be you, in a dark, crumbling wooden shed-like outbuilding that barely lets in sunlight, but some holes allow the sun's rays to filter through. This shed is positioned as if connected to the laboratory and hides some sort of secret exit. You would be inside the shed trying to pull down the massive switch lever, and partly succeeding, so the Sun would partially become blurred, as if there was a solar eclipse, but from the inside out, the Sun would become blurred, not as if it was being covered by something, but as if it was dying. And the landscape should also be depicted in some way, with a large perspective required.
A picture with a style that blends your two favorite painters, Salvador Dali and Hieronymus Bosch. The image consists of several parts, but generally depicts a very epic moment, with you as the central figure, a 30s year old curly-haired European man with black hair and a microphone hairstyle, standing at 175 cm tall. The essence of the image is to turn off the day, for which you find a huge switch lever, which requires all your strength and your entire weight to move and you need to lean onto it completely and only then can you move it. On the right side of the picture, imagine an underground base that winds like a huge snake into the distance, with a glass roof that allows you to see inside where scientists and laboratories are located. On the left side, there would be you, in a dark, crumbling wooden shed-like outbuilding that barely lets in sunlight, but some holes allow the sun's rays to filter through. This shed is positioned as if connected to the laboratory and hides some sort of secret exit. You would be inside the shed trying to pull down the massive switch lever, and partly succeeding, so the Sun would partially become blurred, as if there was a solar eclipse, but from the inside out, the Sun would become blurred, not as if it was being covered by something, but as if it was dying. And the landscape should also be depicted in some way, with a large perspective required.
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