<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Refugees as Innocent Bodies, Directors as Political Activists: Humanitarianism and Compassion in European Cinema."
Abstract:"This article explores the ways in which refugees and humanitarianism appear in European film productions. It argues that European films often present images of innocent and victimized refugees in order to raise compassion of their liberal spectators. In the meanwhile their directors are praised for their humanitarian activism as they are considered to save refugees and their suffering from anonymity and placing their stories and humanity on the screen. Examining a number of European productions of the 2000s (Children of Men, Dheepan, In This World, Terraferma, and Welcome) this study suggests that politics of humanitarianism and of filmmaking on refugees share a similar problematic approach: in order to prove refugee eligibility for asylum and to raise compassion, they seek to establish the precarity and innocence of refugees, especially through showing their bodily pain.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
Q2 = [];
Q3 = [];
Q4 = [];
Q5 = [];
Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:

Refugees as Innocent Bodies, Directors as Political Activists: Humanitarianism and Compassion in European Cinema
This article explores the ways in which refugees and humanitarianism appear in European film productions. It argues that European films often present images of innocent and victimized refugees in order to raise compassion of their liberal spectators. In the meanwhile their directors are praised for their humanitarian activism as they are considered to save refugees and their suffering from anonymity and placing their stories and humanity on the screen. Examining a number of European productions of the 2000s (Children of Men, Dheepan, In This World, Terraferma, and Welcome) this study suggests that politics of humanitarianism and of filmmaking on refugees share a similar problematic approach: in order to prove refugee eligibility for asylum and to raise compassion, they seek to establish the precarity and innocence of refugees, especially through showing their bodily pain.