<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"The (in)disputable 'power' of images of outrage: public acknowledgement, emotional reaction, and image recognition."
Abstract:"A recent news image - that of a drowned 3-year-old Syrian boy washed ashore on the Turkish coast as a result of refugees fleeing the ongoing war in Syria - resonated with international audiences and world leaders, becoming a seeming catalyst for action. But, as time has shown, the effect was short-lived. Through survey data, this research explores iconic images and visual collective memory throughout history and into the era of digital news and social media. More specifically, the research considers connections between public acknowledgement, emotional reaction, and image recognition. Studying such relationships will help us to further understand the (in)disputable 'power' that famous photographs possess to imprint themselves onto people's minds, thus leading to supposed effect and action.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

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Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:

The (in)disputable 'power' of images of outrage: public acknowledgement, emotional reaction, and image recognition
A recent news image - that of a drowned 3-year-old Syrian boy washed ashore on the Turkish coast as a result of refugees fleeing the ongoing war in Syria - resonated with international audiences and world leaders, becoming a seeming catalyst for action. But, as time has shown, the effect was short-lived. Through survey data, this research explores iconic images and visual collective memory throughout history and into the era of digital news and social media. More specifically, the research considers connections between public acknowledgement, emotional reaction, and image recognition. Studying such relationships will help us to further understand the (in)disputable 'power' that famous photographs possess to imprint themselves onto people's minds, thus leading to supposed effect and action.