<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Zenzo Nkobi, ZAPU Photographer: Exile, Visibility and the Anteroom of War in Zambia, 1977-1980."
Abstract:"Zenzo Nkobi acted as official photographer from 1977 for Joshua Nkomo, president of the Zimbabwe African People's Union (ZAPU). ZAPU was based in Zambia after the banning of the nationalist organisation in Rhodesia in 1963. This article takes up the question of nationalist photography, as it were, and how the modes of documenting presidentialism and pan-African and socialist solidarity in newly independent African states from the 1960s might have shaped Nkobi's influences. Among the photographs taken by Nkobi are pictures of education camps in Zambia during official visits by Nkomo with accompanying foreign delegations. On such occasions, it appears that the youthful camp recruits prepared 'cultural performances' for the visitors. Here, at times, Nkobi's camera goes beyond ostensible political necessity and offers a sense of the contingent and the incidental. The article directs attention to these aspects of the camp photographs and to the spectral implications of the material damage to and digitisation of Nkobi's negatives, which now constitute the photographic heritage of a liberation movement marginalised since independence in 1980.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
Q2 = [];
Q3 = [];
Q4 = [];
Q5 = [];
Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:

Zenzo Nkobi, ZAPU Photographer: Exile, Visibility and the Anteroom of War in Zambia, 1977-1980
Zenzo Nkobi acted as official photographer from 1977 for Joshua Nkomo, president of the Zimbabwe African People's Union (ZAPU). ZAPU was based in Zambia after the banning of the nationalist organisation in Rhodesia in 1963. This article takes up the question of nationalist photography, as it were, and how the modes of documenting presidentialism and pan-African and socialist solidarity in newly independent African states from the 1960s might have shaped Nkobi's influences. Among the photographs taken by Nkobi are pictures of education camps in Zambia during official visits by Nkomo with accompanying foreign delegations. On such occasions, it appears that the youthful camp recruits prepared 'cultural performances' for the visitors. Here, at times, Nkobi's camera goes beyond ostensible political necessity and offers a sense of the contingent and the incidental. The article directs attention to these aspects of the camp photographs and to the spectral implications of the material damage to and digitisation of Nkobi's negatives, which now constitute the photographic heritage of a liberation movement marginalised since independence in 1980.