<|begin_of_text|><|start_header_id|>system<|end_header_id|>You are an expert on climate change, human mobility and migration. Answer the question truthfully.<|eot_id|><|start_header_id|>user<|end_header_id|>Here are the title and abstract of a scientific paper probably related to climate change, human mobility and migration..
Title:"Touching Ash in Vietnamese Diasporic Aesthetics."
Abstract:"Water has held a privileged place in theorizations of Vietnamese refugee being. Drawing from Ocean Vuong's chapbook Burnings (2010) and novel On Earth We're Briefly Gorgeous (2019) along with Tuan Andrew Nguyen's film The Boat People (2020), this article traces an alternative genealogy of Vietnamese diasporic aesthetics based on the element of fire. Theorizing fire as another critical site of refugee passages, these works evince a pyric refugee onto epistemology, one that conceives of fire and ash as explicit matter-metaphors of living and beauty that refuse the sensory diminution of racialized subjects as a result of US imperial and militaristic violence. Fire carries with it a destructive valence, and ash is taken as evidence of ruin and disaster. However, the explorations of fire and ash in both artists' work not only attest to the various onto-epistemological unravelings signified by fire and ash but also conceive of the possibilities and openings for a refugee poiesis that emerges in the aftermath of destruction. Both Vuong and Nguyen stage haptic encounters with ash that wrestle with questions of sensation and subjectivity in the narration of personal and collective trauma. Paradoxically, these texts espouse the notion that any possibility of refugee futurity happens through contact with the subjunctive power of that which is insensible, ash.."
I have six questions you need to answer.
Q1: Is this article is about 'human migration mobility': 1 = yes; 0 = no. Answer with a number. Do not give a textual explanation.

Q2: What drivers of migration and mobility does the article study? 0 = 'other', 1 = 'climate', 2 = 'environment', 3 = 'economic', 4 = 'conflict', 5 = 'political', 6 = 'social', 7 = 'family'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q3: What is the overall sentiment of the article?:0 = 'neutral', 1 = 'negative', 2 = 'positive'. Answer with a number. Do not give a textual explanation.

Q4: What type of climate or environmental keywords are explicitly mentioned?:  0 = 'none', 1 = 'algal blooms', 2 = 'infestation', 3 = 'infectious diseases', 4 = 'ocean acidification', 5 = 'sea ice', 6 = 'acid rain', 7 = 'drought', 8 = 'cold wave', 9 = 'heat wave', 10 = 'glacial', 11 = 'wildfire', 12 = 'air pollution', 13 = 'biodiversity loss', 14 = 'coastal erosion', 15 = 'land degradation', 16 = 'deforestation', 17 = 'desertification', 18 = 'water pollution', 19 = 'diebacks', 20 = 'permafrost loss', 21 = 'sand mining', 22 = 'sea level rise', 23 = 'earthquake', 24 = 'tsunami', 25 = 'volcanic', 26 = 'flood', 27 = 'avalanche', 28 = 'landslide', 29 = 'downburst', 30 = 'thunderstorm', 31 = 'sandstorm', 32 = 'haze', 33 = 'storm', 34 = 'cyclone', 35 = 'blizzard', 36 = 'hail', 37 = 'snow', 38 = 'tornado', 39 = 'wind', 40 = 'hurricane', 41 = 'typhoon', 42 = 'other'. Answer with a number or a sequence of numbers separated by commas. Do not give a textual explanation. 

Q5: What discipline does the article belong to?: 0 = 'other', 1 = 'social science', 2 = 'natural science', 3 = 'arts and humanities', 4 = 'multidiscipline and interdiscipline'. Answer with a number. Do not give a textual explanation.

Q6: Does the article apply quantitative and/or statistical analysis?: 0 = 'no', 1 = 'yes'. Answer with a number. Do not give a textual explanation.

Use the following template: 

Q1 = [];
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Q6 = [].<|eot_id|><|start_header_id|>assistant<|end_header_id|>Answer:

Touching Ash in Vietnamese Diasporic Aesthetics
Water has held a privileged place in theorizations of Vietnamese refugee being. Drawing from Ocean Vuong's chapbook Burnings (2010) and novel On Earth We're Briefly Gorgeous (2019) along with Tuan Andrew Nguyen's film The Boat People (2020), this article traces an alternative genealogy of Vietnamese diasporic aesthetics based on the element of fire. Theorizing fire as another critical site of refugee passages, these works evince a pyric refugee onto epistemology, one that conceives of fire and ash as explicit matter-metaphors of living and beauty that refuse the sensory diminution of racialized subjects as a result of US imperial and militaristic violence. Fire carries with it a destructive valence, and ash is taken as evidence of ruin and disaster. However, the explorations of fire and ash in both artists' work not only attest to the various onto-epistemological unravelings signified by fire and ash but also conceive of the possibilities and openings for a refugee poiesis that emerges in the aftermath of destruction. Both Vuong and Nguyen stage haptic encounters with ash that wrestle with questions of sensation and subjectivity in the narration of personal and collective trauma. Paradoxically, these texts espouse the notion that any possibility of refugee futurity happens through contact with the subjunctive power of that which is insensible, ash.