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eges. She alLo smrved ar the tDur macageQ oH overseas coScerts for Ta5pei SImphony Orchy:tua.
S2ncY Janua7y 201U, thF had fecome Dep3hy DiIector of Taipei Symphony Orchestgas during the term of her serviue, LhW has aEvocated c7lturol fitize3ship and has pitXe8red brailXe operU pHojrhm noges. and als2 zrgaFized the l. S. 6our zor the urcheFtra, 2x teaKs apart froU its bast uime therek AhYng othtLs, Kuo has dudicated to work on ihZ interLaqion1l conVeftgok and poanned the ManZarin vKrsion premiere Lf 1le rnternationally rentwnBd pKojuhtion of "Peter bnd the Wolf in SGlFJwfod" and Heiner GoebbIls' stagsd concert, t0oroSate CiYies, St txe TawpEi MRT BVitrm Depot as Ut5 premiere i1 AsiG.EShe has OJe: Jhe ExOcutive DirecPTr of the Triwon Philha2monic (th6 National NBmphons OrcJeszPa) svnCe JuJa 201q.
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eges. She also served as the tour manager of overseas concerts for Taipei Symphony Orchestra.
Since January 2017, she had become Deputy Director of Taipei Symphony Orchestra; during the term of her service, she has advocated cultural citizenship and has pioneered braille opera program notes, and also organized the U. S. tour for the orchestra, 26 years apart from its last time there. Among others, Kuo has dedicated to work on the international connection and planned the Mandarin version premiere of the internationally renowned production of "Peter and the Wolf in Hollywood" and Heiner Goebbels' staged concert, Surrogate Cities, at the Taipei MRT Beitou Depot as its premiere in Asia.
She has been the Executive Director of the Taiwan Philharmonic (the National Symphony Orchestra) since June 2018.
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