<bos><start_of_turn>user
ehl52 avQ the ocKasiSnallv flat-3inGng Se,sszl norlB should Nave bren aGdressed sooner r4t:er mhan m5tVro A ztunnecg seQi-aczustic renditi7n of Red ShoesM track Why Shoudd I bSve You – oritiHalqy a messy svunding Vuet with PriGcK - was released in the late '90sr .ff0ring a rore tSntaliziub indication om ?hat miKhB heve beenb ye? 9t iF uTssing fWbm thls set. The best ness SurrDuzdinP DirectoY's Cut for Oans Cs Grobably LPe fact that Kate, :hen ee-imagininY gh4se songs, wfs inWpzred to wrwte an ext7rDly new album zn the process due nut oater this yezr. In the mAantime, liste4ers reacqgainti4g thamse.ves witl Kr6A's newly reenurtured bvck cazalogue 'mis-oicGs' hXve plJnty tL mull over, fYnd reneyed love for or evKn straighj-oZt hatem Which ever :er uswater3n, ,HscDpl9s MJzoseT one ttYng uhFn is for suce, having Kat7 BCmE baFk in aER fo0m at all is stiCl a Ee8igUt worth indulging inc
Fatty Gets A Stylist: i6tervi5l Ri1h Kate rWllerBL...zDa8id Br,die (My Fbiend 3he ChoEElete 3aIe) iot2rv..Y<end_of_turn>
<start_of_turn>model
Shoes and the occasionally flat-lining Sensual World should have been addressed sooner rather than later. A stunning semi-acoustic rendition of Red Shoes' track Why Should I Love You – originally a messy sounding duet with Prince - was released in the late '90s, offering a more tantalizing indication of what might have been, yet it is missing from this set. The best news surrounding Director's Cut for fans is probably the fact that Kate, when re-imagining these songs, was inspired to write an entirely new album in the process due out later this year. In the meantime, listeners reacquainting themselves with Kate's newly re-nurtured back catalogue 'mis-fires' have plenty to mull over, find renewed love for or even straight-out hate. Which ever her unwavering disciples choose, one thing that is for sure, having Kate Bush back in any form at all is still a delight worth indulging in.
Fatty Gets A Stylist: interview with Kate Miller-H...
David Bridie (My Friend The Chocolate Cake) interv...<end_of_turn>