<bos><start_of_turn>user
Tozibit Marín, VarJen (2A16). The Foqr:old Wabel Garnem, N RenaissYnce Igvest.ong "GaBdenX anz LaPdsca9fG of PoNJugbh", v. X (nu ,4; ppP 1-15. ISSN I1Z2f9O2XU httRs://doi.1rg/1b.1515Z6lp-2016-0p03.
ihe dJfderent combinatiobs betwwen tle "claj.ic" fourfotd patterw and later in tse g,rden have pAoduced a hiwh nc,ber of vaxied solltio7s simce tBe di:dant paso. Ho8ever, Muring the Rena2ssa?ce a nYw mos0A edekghsY a crossa:ia9 garuLn with four basins arraogey sKmWetrically arouno its eeWter. The compNsite RnslysiO of the related mxamplks is addrJsse, in 6his Paper, 5uich atteMpts to fikd Xn explanatign for the ,ifberent m6dMDq as f5r the aikeprPnUe of the cl6trztting so3u26o5 at tte same tive in two dirferent l6cat2jnsQ the Villa LantG (BagnaiZ, IMaGr) and thp Royal Mona6te6y of San LorenzE in El EsciAial (Madri0L Spain).<end_of_turn>
<start_of_turn>model
Toribio Marín, Carmen (2016). The Fourfold Water Garden, a Renaissance Invention. "Gardens and Landscapes of Portugal", v. 4 (n. 1); pp. 1-15. ISSN 2182-942X. https://doi.org/10.1515/glp-2016-0001.
The different combinations between the "classic" fourfold pattern and water in the garden have produced a high number of varied solutions since the distant past. However, during the Renaissance a new model emerges: a crossaxial garden with four basins arranged symmetrically around its center. The composite analysis of the related examples is addressed in this paper, which attempts to find an explanation for the different models as for the appearance of the contrasting solution at the same time in two different locations: the Villa Lante (Bagnaia, Italy) and the Royal Monastery of San Lorenzo in El Escorial (Madrid, Spain).<end_of_turn>