Loving Frank
Nancy Horan
 The book opens to notes written by Mamah Borthwick, reminiscing on her life and expressing her longing to tell her views of what happened. The story begins with an account of Mamah’s attendance, with great trepidation, at a public talk given by Frank Lloyd Wright, the famous architect of the School of Chicago. The author tells us that some years earlier, Wright had designed Mamah's house at the insistence of her husband Edwin Cheney. We learn of the already tumultuous and intermittent affair between Wright and Mamah, which began with their working together on the architectural plans for the house. The novel is an intricate analysis of Mamah's emotional torments as an intellectual in her own right, wife, mother, friend, and member of society. It also touches on the human aspects of Wright in addition to his artistic talent and eccentricities. Throughout the novel, Mamah explains the artistic or philosophical underpinnings of Wright's extravagant views. We experience the poignancy of both of their family situations and internal conflicts. The novel allows the reader to see Wright through the prism of Mamah’s deep admiration. The Swedish feminist Ellen Key rightfully unnerves the female protagonist when she declares that Mamah may have cowardly followed Wright in order to bask in his brilliance rather than accomplishing anything she can claim her own. A talented writer and novelist, Nancy Horan spins an intricate web of themes in her novel. One of the main themes is that of guilt and judgment of others and society in general. Another is the role of the artist in society. The novel also explores the development of the feminist movement in the United States and Europe. We are told that in America, the focus is on the woman’s right to vote and equal pay whereas the European woman is more concerned about her right to live her life free from the ties of marriage. Mamah’s and Wright’s travels in Europe are described as a form of escape from the constraints experienced at home. They soon realize, however, that the fantasy is short lived and they are inevitably called back to face reality. It is the more conformist and more guilt ridden Mamah who stands her ground and resists the urge to return to her family obligations. She struggles between the ties to her family and her invisible bond to Wright. She chooses the latter but inevitably realizes that her passion for Wright often brings her to abandon her own intellectual aspirations. Even Wright, the self proclaimed free spirit, succumbs to some of society’s pressures in the end. The novel also explores some deeper aspects of love. It is the intellectual inclinations and natural independence of Mamah which piqued Wright’s interest. Yet, while the two travel through Europe together where they can pass as husband and wife, Wright vehemently asks that Mamah play the role of the traditional woman expected to give up her pursuits to follow him where his career takes him. Mamah keenly reminds him that his views are contradictory, which Wright concedes reluctantly. The novel depicts some very positive aspects to the relationship between Mamah and Wright. Although Mamah is recorded to have said that she was not Wright’s muse and that nature was, it is obvious that she and Wright inspired each other. They had a deep understanding of each other’s needs and longings, which brought their lives together to another level. Their inherent idiosyncrasies since childhood had isolated both from many of their contemporaries. The feeling of loneliness is evident in the case of Mamah particularly. Their story ends tragically. Frank Lloyd Wright eventually decides to rebuild Taliesin (studio) located in Wisconsin.