Equinox
Mel Keegan
 Equinox concerns the sexual and violent encounters that ensue -"the search for erogenous gratification of a diverse collection of people"- when an unnamed Black sea captain, sailing his 72-foot diesel boat, the Scorpion, with his dog Niger and two teenagers Gunner and Kirsten, docks at a small American seaport and meets its inhabitants including Robby, a naive drifter; Catherine, a Countess; Proctor, an artist; Bull, the town sheriff (who is himself an active criminal) and his equally thuggish operative Nazi; and various low-life characters including the black and white twins (self described rape artists) Nig and Dove. A lost wallet is traced to its owner, the artist Jonathan Proctor. At his studio, Proctor tells the Captain the story of his life in picaresque episodes, culminating in his first encounter, many years before, with the bewitching Catherine. She is depicted as a kind of baleful Madonna: depraved, hypocritical, perversely saintlike. Proctor mobilises the Captain and the other characters in a kind of amorous military assault against her as a personification of religious double standards. In the novel's closing movement, the perpetrators of an appalling sex crime are protected by their corrupt friends, while the completely innocent vagabond Robby is lynched and punished in their place. The apparent brevity of the novel thus detailed, and the slightness of its narrative, is only achieved by passing over its many long and very explicit sexual descriptions. These are polymorphous, bisexual, often involving multiple and underage partners, and incorporating urophilic and SM elements. Though very detailed and gratuitous (in that the author seems to revel in and enjoy the sexual descriptions), these passages are generally written in a poetic, obscure and oblique language which removes them from the realm of mere pornography and inserts the novel into a modern tradition of challenging and thoughtful erotica shared by such works as Burroughs' The Wild Boys and Trocchi's Cain's Book. There is an additional leitmotif relating to the myth of Faust, and at several points the Captain himself is either likened to the Devil or actually supposed to be Satan himself. Though sexually rapacious, the Captain's character is sympathetic, and in his conduct and attitudes seen to be one of the least truly evil personages in the narrative.