The Mask of Apollo
Mary Renault
 Nikeratos is a successful professional actor, and the author vividly evokes the technologies and traditions of classic Greek Tragedy. There are detailed recreations of what might have been involved in the staging of a theatrical production of the time, describing the music, scenery, mechanical special effects devices, and especially the practice of the three principal actors sharing the various roles in a performance, along with authentic gossip involved in these casting decisions. Nikeratos befriends Dion, a moderate politician, who entrusts him with conveying sensitive documents between Athens and the powerful but unstable city-state of Syracuse. Dion is trying to bring stability and democracy to the transitional government there, but the young heir to the tyrant of the city, Dionysius the Younger, instead attempts ineptly to apply Plato’s theories of an ideal republic, with dire results. At the end of the book, Nikeratos encounters the young Alexander the Great and his lover Hephaistion, and laments that Plato never tutored Alexander, who might have pursued Plato's social ideals with greater success.