Ruled Britannia
Harry Turtledove
 Shakespeare is a modest upstart playwright just coming into his own when he is contacted by Nicholas Skeres on behalf of members of an underground resistance movement who are plotting to overthrow the Spanish dominion of England and restore Elizabeth I to the throne. To do this, they employ Shakespeare himself, tasking him to write a play depicting the saga of Boudicca, an ancient Iceni queen who rebelled against the Roman invasion of Britain in the 1st century A.D. The conspirators hope that the play will inspire its audience, Britons once again under the heel of a foreign enemy, to overthrow the Spanish. The plan is complicated by the Spaniards who, also recognizing Shakespeare's talents, commission him to write a play depicting the life of King Philip II of Spain and the Spanish conquest of England. Now Shakespeare must write two plays—one glorifying the valor of Britain, the other glorifying its conquest and return to the Catholic Church—at the same time. There is also a subplot of the exploits of the skirt-chasing Spanish playwright and soldier Lope de Vega, who is tasked by his superiors in the Spanish military hierarchy to keep an eye on Shakespeare (in fact, de Vega even has a part in Shakespeare's King Philip) and while he does so flits from woman to woman. Despite danger at every turn from both the Spanish Inquisition and a home-grown English Inquisition, the secret play comes to fruition, and despite qualms from Shakespeare and his fellow players it is performed. As the conspirators had hoped, the audience is roused into an anti-Spanish fury and rampages through London, killing any Spaniard they see and freeing Elizabeth from the Tower of London. Despite this victory and England's reclaimed freedom, there is considerable loss of life on both sides. Shakespeare is rewarded by the reinstated Queen Elizabeth with a knighthood and an annulment of his unhappy marriage to Anne Hathaway, which frees him to marry his longtime mistress. The queen also grants his daring request that his King Philip play, which he considers to contain some of his best work, be staged. At the end of the story Shakespeare uses his new status to facilitate the release of Lope de Vega from English captivity.