Wives and Daughters
Pam Morris
 The novel opens with young Molly Gibson, who has been raised by her widowed father, Mr. Gibson (Bill Paterson). While visiting the local 'great house', Molly feels tired so she is sent to rest in the former governess's room. The woman, Clare (Francesca Annis), makes noise about her kindness to Molly, but is actually careless and thoughtless of Molly's concerns. The afternoon passes and Clare forgets about the child and Molly misses her ride home after the picnic. The little girl is distressed at the idea of staying the night away from home and is relieved when her father comes to collect her. Seven years later, Molly (Justine Waddell) is now an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices, Mr. Coxe (Richard Coyle). Mr Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall, a gentry family that purportedly dates from the Heptarchy but whose circumstances are now reduced. There she finds a mother substitute in Mrs. Hamley (Penelope Wilton), who embraces her almost as a daughter. Molly also becomes friends with the younger son, Roger (Anthony Howell). Molly is aware that, as the daughter of a professional man, she would not be considered a suitable match for the sons of Squire Hamley (Michael Gambon). The elder son in particular, Osborne (Tom Hollander), is expected to make a brilliant marriage after an excellent career at Cambridge: he is handsome, clever and more fashionable than his brother. However, he has performed poorly at university, breaking the hearts of his parents. Molly also discovers his great secret: Osborne has married for love, to a French Roman Catholic ex-nursery maid, Aimee (Tonia Chauvet), whom he has established in a secret cottage. Meanwhile, after a startlingly brief love affair (of which Molly knows nothing), Mr Gibson abruptly decides to remarry, less from his own inclination than from a perceived duty to provide Molly with a mother to guide her. He is seduced by Mrs Hyacinth Kirkpatrick (formerly Miss Clare), a former governess at nearby Cumnor Towers whom Molly remembers with no affection. Dutiful Molly does her best, for her father's sake, to get on with her socially ambitious and selfish stepmother, but the home is not always happy. However, Molly immediately gets on well with her new stepsister, Cynthia (Keeley Hawes), who is about the same age as Molly. The two girls are a study in contrasts: Cynthia is far more worldly and rebellious than Molly, who is naive and slightly awkward. Cynthia has been educated in France, and it gradually becomes apparent that she and her mother have secrets in their past, involving the land agent from the great house, Mr. Preston (Iain Glen), who is rumoured to be a gambler and a scoundrel. Osborne Hamley's failures make his invalid mother's illness worse and widens the divide between him and his father, which is amplified by the considerable debts Osborne has run up in maintaining his secret wife. Mrs Hamley dies, and the breach between the squire and his eldest son seems irreparable. Younger son Roger continues to work hard at university and ultimately gains the honours and rewards that were expected for his brother. Mrs. Gibson tries unsuccessfully to arrange a marriage between Cynthia and Osborne, as her aspirations include having a daughter married to landed gentry. Molly, however, has always preferred Roger's good sense and honourable character and soon falls in love with him. Unfortunately, Roger falls in love with Cynthia and when Mrs. Gibson overhears that Osborne may be fatally ill, she begins promoting the match. Just before Roger leaves on a two-year scientific expedition to Africa, he asks for Cynthia's hand and she accepts, although she insists that their engagement should remain secret until Roger returns. Molly is heartbroken at this and struggles with her sorrow and the lack of affection that Cynthia feels for Roger. Scandals begin to show themselves when it is revealed that several years before, when she was just fifteen, Cynthia promised herself to Mr Preston for a loan of 20 pounds. Mr Preston is violently in love with Cynthia but she hates him. Molly intervenes on Cynthia's behalf and breaks off the engagement, giving rise to rumours of her involvement with Preston and endangering her own reputation. Cynthia breaks off her engagement to Roger, sustaining both family and public rebukes and insults for her inconstancy, then quickly accepts and marries Mr Henderson (Tim Wallers), a professional gentleman she met in London. Osborne, ill and convinced that he will die soon, begs Molly to remember his wife and child when he is gone. Osborne dies shortly thereafter, and Molly reveals the secret to the grieving Squire Hamley. Osborne's widow, Aimee, arrives at Hamley Hall after receiving word that her husband is ill, bringing with her their little son, the heir to Hamley Hall. Roger has rushed home to be with his father, and his affection and good sense bring the squire to see the possible joy to be had in this new family, especially the grandson. As he resettles into the local scientific community, Roger begins to realise that his brotherly affection for Molly is really more. Aided by the kind interference of Lady Harriet (Rosamund Pike), who has always recognized Molly's worth and charms, he finds himself pained at the thought of Molly with anyone else. Still, he hesitates at giving in to his feelings, feeling unworthy of her love after throwing away his affection on the fickle Cynthia. Before he returns to Africa, he confides his feelings to Mr Gibson, who heartily gives his blessing to the union. Tragically, Roger is thwarted, this time by a scarlet fever scare, and is unable to speak to Molly before he leaves. At this point, Gaskell's novel stops, unfinished at her death. She related to a friend that she had intended Roger to return and present Molly with a dried flower (a gift to him before his departure), as proof of his enduring love. This scene was never realised and the novel remains unfinished. In the BBC adaptation, an alternative ending was written, in which Roger is unable to leave Molly without speaking of his love, and they marry and return to Africa together.