A Woman With No Clothes On
 The aristocratic Manet and the working-class Victorine Meurent narrate A Woman With No Clothes On. A chance meeting between the two leads to an intense relationship of painting and sexual tension. Manet creates a scandal when he exhibits Le déjeuner sur l'herbe and Olympia in which the naked model is a young Victorine. While critics and the general public dismiss the works, and label Victorine a common prostitute, she is determined to make her mark in the art world as a painter in her own right. Her bitter struggle to succeed is punctuated by the exchanges between Manet and his friend Baudelaire on the matter of modernism.