Near to the Wild Heart
Clarice Lispector
 Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states. The book opens with a scene of the child Joana playing in the garden, making up poems for her father. Joana's wildness and barely suppressed violence, along with her linguistic creativity, are her most notable features. She is frequently compared to animals: over the course of the book Lispector describes her to a bird, a snake, a wildcat, a horse, and a dog. She commits transgressive acts—as a child she throws a book at an old man's head, for example, and as a married woman she leaves her husband, Otávio, and greets the news of his adultery—he has made another woman, his old friend Lídia, pregnant—with utter indifference. She is not so much immoral as she is amoral: “Evil is not living, and that’s it. Dying is already something else. Dying is different from good and evil.” In the book, she cites long passages from Spinoza, the longest quotes that appear anywhere in her novels; it seems that she felt an affinity with the Dutch philosopher's amoral conception of the world.