The Savage Girl
 To Middle City, a fictional American metropolis built around a volcano, burnt-out art student Ursula Van Urden arrives to care for her younger sister Ivy, a fashion model who has recently suffered a much-publicized schizophrenic meltdown. Ursula soon begins working for Ivy’s former boyfriend, Chas Lacouture, owner of the trendspotting firm Tomorrow, Ltd. She is trained as a trendspotter by both Chas and her coworker, Javier Delreal. A manic optimist, Javier takes her on rollerblading and party-crashing expeditions, predicting a new megatrend he calls the "Light Age," a "renaissance of self-creation," which he believes will coincide with the defeat of irony. By contrast, Chas, a cynical ex-philosophy professor, takes her to skulk in supermarkets and spy on customers, and introduces her to the concept of "paradessence," (Shakar’s invention), the "broken soul" at the center of every product, consisting of two opposing desires that it will promise to satisfy simultaneously: "‘The paradessence of coffee is stimulation and relaxation. Every successful ad campaign for coffee will promise both of those mutually exclusive states." As Ivy, still arguably insane, resumes her modeling activities, Ursula’s own trendspotting work comes to focus on a homeless girl who lives in a city park, makes her own clothing, and hunts pigeons for food. This eponymous “savage girl” forms the basis of a marketing campaign for a new product, "Diet Water," and serves as a harbinger, for Chas and Javier alike, of the new age to come. This age, of "postirony" (another of Shakar’s terms) is not so much unironic as darkly schizophrenic. The story builds to revelations both comic and tragic.