Caballero: A Historical Novel
 The novel consists of a forward and thirty-six chapters. In chronological sequence, it interweaves both historical and fictional events that occurred near or in other ways impacted the Mexico-United States border in the late 1840s. The forward establishes the history of the Mendoza family's presence in Texas. This commences in 1748, when Don José Ramón de Mendoza y Robles, a Spanish explorer, receives permission from the viceroy in Mexico City to lead an expedition of wealthy landowners to the land between the Rio Grande and Nueces rivers. The land he claims for himself he names the Rancho La Palma de Cristo. Soon after, he marries the blonde and green-eyed Susanita Ulloa, who is his junior by many years, and they have one son who survives childhood, named Francisco. Francisco marries Amalia Soría, who bears him three children—Santiago, Dolores and Ramón—before she dies. Santiago, Dolores and Ramón are raised by their grandmother, Susanita, who instills in them their grandfather's greatness and the importance of upholding one's Catholic faith. Susanita, Francisco and Ramón have all died before the novel's proper beginning, leaving the Rancho La Palma completely under Don Santiago's care. Chapter One introduces us to Don Santiago, the uncontested patriarch of Rancho La Palma, and his family. He, like his father and grandfather before him, has also married a pureblooded Spanish woman, Doña María Petronilla, who is characterized by her simple and unprepossessing dresses. They have four children, all of whom are in their teenage years. Two of these are sons—Alvaro and Luis Gonzaga—and two are daughters—María de los Ángeles and Susanita. Susanita, like the grandmother whose name she shares, is blonde and green-eyed. She is described as Don Santiago's "dearest" child and as he watches her join the family for dinner, he glumly acknowledges that time has come to find her a husband. Dinner is interrupted by Don Gabriel del Lago, a friend of Don Santiago's and a neighboring Spanish-Mexican landowner, who brings news that Texas has been taken from Mexico by the Americans, and that American soldiers under the leadership of Zachary Taylor have infiltrated the territory and are busy establishing defensive outposts. Each of the characters responds differently to this turn of events: Don Santiago scoffs, refusing to consider Americans any threat to his way of life; Alvaro wants to know what military action can be undertaken to stave off the American forces; Luis Gonzaga contemplates whether or not Americans really are the uncultured hoodlums he has heard them to be; María de los Ángeles, under the assumption that Americans are not Catholic, assumes the invasion is punishment from God for Mexico's sins; and Susanita wonders what it would be like to dance with a tall white-skinned man. The narrative that unfolds tracks these characters, and others, as their suspicions about the invading forces are explored—sometimes confirmed, but more often reformed. A partial text version of Caballero is available at Google Books.