Gargoyles
Thomas Bernhard
 The German title translates something like Confusion or Disturbance, but the American publisher chose Gargoyles, perhaps in order to render the array of human freaks the novel depicts to its very end. In fact, this is a singular, surreal study of the nature of humanity. One morning a doctor takes his son—an idealistic student of science and rationality—on his daily rounds through the grim mountainous Austrian countryside. They observe the rural grotesques they encounter -- from an innkeeper whose wife has been murdered to a crippled musical prodigy kept in a cage -- coping with physical misery, madness, and the brutality of the austere landscape. But when they meet the insomniac Prince Saurau in his castle at Hochgobernitz, his solitary, stationary mind takes over the rest of the novel in an uninterrupted obsessive paragraph. It's a hundred-page monologue by an eccentric, paranoid man, a relentlessly flowing cascade of words that is classic Bernhard: the furious logorrhea is a mesmeric rant, completing the stylistic formation of his art of exaggeration, where he uses metaphors of physical and mental illness to explore the decay of his homeland.