Glasshouse
Charles Stross
 It is the 27th century. The culture featured in the novel is based on the culture portrayed in the last chapter of Accelerando, "Survivor" (full chapter here). Humanity has spread throughout the galaxy using the wormhole technology copied from the alien routers, forming a plethora of societies and 'polities'. Robin, a human male, is recovering from a memory excision process in a rehabilitation centre. Though he remembers nothing of his past life(s), he suspects that he lived through traumatic times as a participant in the series of wars that raged many years before. Suspecting that he has been targeted for assassination by persons unknown, he agrees to sign-up with a radical, isolated social experiment that will attempt to recreate the forgotten "Dark Ages", the late 20th and early 21st centuries. On being transferred to the polity in which the program is being held, he discovers that he has been given the body of a woman, Reeve. As the experiment unfolds, she begins to suspect that all is not what it seems, and that the founders of the experiment are engaged in a very sinister conspiracy. Slowly, she realises that her role is not as clear-cut as she originally thought, which leads her to question, and then struggle against the program. In the context of the novel, "glasshouse" refers to a military prison. The polity in which the bulk of the story takes place was formerly a high-security facility for war criminals. The term was first used to describe the glass-roofed military detention barracks based in Aldershot, UK, in the mid-19th century. Stross also refers to the Glasshouse as a type of panopticon, a prison constructed in such a way that the guards in the center can see everything the prisoners are doing, but the prisoners can never tell if the guards are watching. Philosopher Michel Foucault used the model to represent the way humans tend to conform to and internalize societal ideals based on this kind of omnipresent gaze, an idea Stross exploits in the novel.