Ibid: A Life
Mark Dunn
 In a series of (fictional) letters exchanged between the author, Mark Dunn, and his editor, it is explained that the only copy of Dunn's excessively and exhaustively researched and documented biography of one Jonathan Blashette - a circus performer born with three legs who goes on to make a fortune in the deodorant business and becomes a famous philanthropist - was accidentally knocked into a bathtub and destroyed. Luckily, Dunn had not yet sent along his voluminous endnotes and they survived, so the editor convinces Dunn to make a virtue of necessity and publish the endnotes by themselves. The reader is left to try and ferret out the details of Blashette's life story through the marginal asides and tangents related therein. While the book's copy and most reviews refer to Ibid: A Life as being a novel made up of footnotes, the novel itself identifies them as being endnotes. As endnotes are collected together and placed after a manuscript, while footnotes are interspersed throughout the manuscript itself, the novel's framing concept necessitates the notes being endnotes, not footnotes. However, from the cover art, it is obvious that the use of the term "footnotes" was as a pun on how the notes are on a three-footed man.