The Constant Maid
John O'Keefe
 Hartwell is a gentleman who is suffering financial reverses; he is forced to dismiss his servants and shut up his house. Hartwell loves Frances; Frances's mother Bellamy, in order to test her prospective son-in-law's fidelity, pretends to be in love with him herself. Hartwell's friend Playfair advises him to accept the mother's advances &mdash; but their conversation is overheard by Frances's Nurse. The Nurse, who wishes Frances to marry a clownish suitor called Startup, arranges for Frances and Startup to eavesdrop on the conversation between Hartwell and Bellamy. The Nurse conspires with Close, a dismissed servant of Hartwell's who now works for Startup, to smuggle Startup into Frances's bedroom that night; but Close, loyal to his former employer, divulges the plan to Hartwell. Hartwell disguises himself as Startup, and the Nurse unknowingly leads him to Frances's room. Frances recognizes him, but pretends to believe that Hartwell is Startup, and pretends likewise to be receptive to his suit. Bellamy interrupts their conversation and Hartwell leaves, with the mistaken impression that Frances loves Startup. Bellamy, testing her daughter's affections, tells Frances to surrender Hartwell to her. While Hartwell has taken Startup's place, Close has scared away the real Startup by claiming that Hartwell is pursuing him. Close and Startup and Hartwell are all apprehended by the constables of the watch; Hartwell is suspected of doing away with Startup, until Startup appears. The muddle is eventually straightened out, as is Hartwell's understanding with Frances. In the subplot, Playfair is in love with the niece of Hornet the usurer. She feigns madness and is treated by a doctor who is Playfair's cousin. Hornet is tricked into going to Court, where he is granted an audience with a pretended King; meanwhile the niece is spirited away from her uncle's custody and is married to Playfair. Like many plays of its era (including several of Shirley's), the final act of The Constant Maid features a masque &mdash; in this case a representation of the Judgement of Paris. (Shirley would write an entire independent masque on the same subject, in his The Triumph of Beauty.)