After the Funeral
Agatha Christie
 After the funeral of the wealthy Richard Abernethie, his remaining family assembles for the reading of the will at Enderby Hall. The death, though sudden, was not unexpected and natural causes have been given on his death certificate. Nevertheless, the tactless Cora says, "It's been hushed up very nicely ... but he was murdered, wasn't he?" The family lawyer, Mr. Entwhistle, begins to investigate. Before long there is no question that a murderer is at large. The essentials of Richard's will were told to the gathered family by Mr. Entwhistle. Richard, 68 and a widower, had lost his only child Mortimer to polio (infantile paralysis) six months earlier. The son, about to be married, died with no issue, as the lawyer dryly puts it. Thus Richard was prodded to revise his will. He was the eldest of a family of seven, of which only he, a brother Timothy and a sister Cora, the youngest, still lived when he wrote the will. His favorite brother Leo was killed in the war, as was Gordon. Richard had a nephew and two nieces, the sum total of the next generation, children of siblings who had already died. Richard spent time with his nephew George, and his two nieces and their husbands, to know them better. He called his sister in law Helen for a visit to the family home. Richard visited his reclusive brother, then travelled to his sister at her home, first time in over 20 years. His decision was to split his wealth in six portions, for his five blood relations, and a sixth for the widow of one brother killed in the recent war. Four received the capital directly, while two received a life income from their share of the capital. The house was to be put up for sale. At home the day after her brother's funeral, Cora Lansquenet is brutally murdered in her sleep by repeated blows with a hatchet. The motive for her murder was not obvious. It does not appear to be theft, nor is her own estate a likely motive. Cora's portion of the Abernethie bequest was a life income, which capital reverts to the estate of her brother, Richard, to be divided among the surviving heirs — not adding to her own estate. One possible motive is to suppress anything that Richard might have told Cora about his suspicions that he was being poisoned. These had been overheard by her paid companion, the timid Miss Gilchrist. Entwhistle calls on his long-time friend, Hercule Poirot, to resolve any doubts about the death of Richard. Poirot employs an old friend, Mr. Goby, to investigate the family. Mr. Goby, a most resourceful man, rapidly turns up a number of reasons within the family for members of it to be desperate for the money in Richard Abernethie’s estate. Mr. Goby employs all sorts of clever methods to uncover the most private information, using agents who pose as actors, lawyers or even Catholic nuns. None of the family members can yet be cleared of suspicion. Poirot warns Entwhistle that Miss Gilchrist may herself be a target for the murderer. Cora has been a keen artist and collector of paintings from local sales. Susan Banks, learning she inherited her Aunt Cora's property, went to her cottage to clear up the possessions, ready them for auction, on the day of Cora's inquest. She reviewed Cora’s own paintings as well as those Cora had purchased at local sales. She noticed that Cora has been copying postcards: one of her paintings, which Miss Gilchrist claims were all painted from life, features a pier that was destroyed in the war; however the painting was completed quite recently. The next day, after Cora's funeral, an old friend who is an art critic, Alexander Guthrie, arrives to look through Cora’s recent purchases. His visit had been arranged before Cora's murder. He looked at all her recent purchases, but finds nothing of any value there. That evening, Miss Gilchrist is nearly killed by arsenic poison in a slice of wedding cake apparently sent to her through the post. The only reason that she is not killed is that, following a superstition, she has saved the greater part of the slice of cake under her pillow. Mrs. Gray had declined an offer to share in the slice of cake. Inspector Morton investigates Cora's murder. He recognized Poirot at the inquest, so makes a point of finding him in London to learn why. The two share information as they investigate. Morton focuses on people in the area of Cora's rented cottage. Poirot focuses on the Abernethie family, and a number of red herrings come to light. Rosamund Shane, one of the nieces, is a beautiful but determined woman who seems to have something to hide (which turns out to be her husband’s infidelity and her own pregnancy). Susan’s husband, Gregory, is a dispensing chemist who had been responsible for deliberately administering a nonlethal overdose to an awkward customer. In a surprising twist, he confesses to the murder of Richard Abernethie near the close of the novel. He is discovered to have a punishment complex. Timothy Abernethie, an unpleasant man preoccupied with his own health perhaps to gain attention, might have been able to commit the murder of Cora, as might his country-tweed, strong, healthy wife, Maude. Even the genteel Helen Abernethie left Enderby to fetch her things from her London flat upon agreeing to stay longer at Enderby. In short, all the family had been alone on the day Cora was murdered, for enough time to reach the rented cottage and do the deed. Did any of them do it? Perhaps identifying the murderer may depend on finding a nun whom Miss Gilchrist claims to have noticed twice? But what can all this have to do with a bouquet of wax flowers under glass to which Poirot pays attention? Poirot calls all those involved together to observe them directly, his habitual method, via Entwhistle. They gather to look over and select items of interest before the estate auction. This lures even the reclusive Timothy from his home, back to the family mansion of Enderby, bringing his wife Maude and Miss Gilchrist, who is now assisting them. Poirot briefly poses as Monsieur Pontalier of UNARCO, a group that has purchased the estate to house refugees. He is at the house on that same weekend. His guise is uncovered by Rosamund the first evening. After playing games in mirrors, Helen Abernethie telephones Entwhistle early the next morning with the news that she has realized what struck her odd the day of the funeral. Before she can say who it concerns, she is savagely struck on the head. Mr. Entwhistle is left speaking out over a telephone where no one is listening. Poirot’s explanation in the denouement is a startling one. He gathered those at Enderby Hall, in his own identity as a detective the next evening. Helen is safely away to recover from her concussion. Added to the group is Inspector Morton, whose own investigations lead him out of his home county of Berkshire to Enderby Hall, increasing the tensions for the family. Inspector Morton spent the afternoon asking each member of the family to account for themselves on the day of Cora's murder. Cora had never come to the funeral at all. It was Miss Gilchrist, who disguised herself as Cora as part of a complicated plot for her own gain, leaving Cora home asleep from a sedative in her tea. She wished to plant the idea that Richard’s death had been murder. Therefore when Cora herself was murdered, it would seem that the alleged murderer had struck again. None of the family had seen Cora for over 20 years, from the ill feeling at the time of her marriage. Miss Gilchrist had successfully copied her mannerisms, well enough to fool those who had known her as adults. The flaw in her portrayal of Cora was spotted by Helen Abernethie. Miss Gilchrist had rehearsed a characteristic turn of the head in a mirror, where the reflection is a reverse of reality. When she came to the house after the funeral, she turned her head to the left, not the right. Helen had had the feeling that something was wrong when Cora had made her startling statement, but took some days and a timely conversation among the young cousins to realize precisely what it was. Miss Gilchrist had further given herself away to Poirot, by referring to the wax flowers on the green malachite table the first day the relatives gathered to select objects before the auction. These were on display on the day of the reading of Richard's will but had been put out of sight by the time Miss Gilchrist, as herself, visited Enderby Hall. She had deliberately poisoned herself with the arsenic-laced wedding cake to avoid suspicion; ironically this only aroused Poirot's and Inspector Morton's misgivings. Miss Gilchrist saw what Cora had missed among the paintings that Cora had bought at the local sales. Miss Gilchrist felt sure one was a painting by Vermeer, yet Cora had no idea how valuable the artwork was, and thus Miss Gilchrist began her desperate plot. The painting's value would likely have been revealed to Cora when her friend the art critic visited, explaining in part the timing of the murder. Miss Gilchrist covered the Vermeer with her own painting depicting the destroyed pier copied from the postcard, to disguise it amongst others done by Cora. The scent of the oils lingered when Mr. Entwhistle visited the cottage the day after Cora's murder. She hoped to inherit some of Cora's paintings; the will confirmed she inherited all of them. Miss Gilchrist loathed Cora; even more, she loathed life as a dependent. Her dream was to sell the Vermeer to escape her dreary life with the capital to rebuild her beloved teashop, "the essence of gentility", lost during the war to food shortages. Poirot deduced the key role of the painting. He had Mr. Entwhistle take it from the Timothy Abernethie home where Miss Gilchrist had left it. The art critic was found to be authentic by Inspector Morton, so Poirot asked Entwhistle to bring the painting to him. In that same day, Mr. Guthrie sent a wire to Poirot that said tersely, definitely a Vermeer, Guthrie. Inspector Morton added that two nuns had called at Cora's cottage the day of Richard's funeral. No one answered, yet they heard noises from a person. Added to Poirot's explanation, these nuns became witness to the real Cora's presence in her own home as Miss Gilchrist was impersonating her at Enderby Hall. There is a motif of nuns in this mystery, appearing at each house where Miss Gilchrist stayed. Miss Gilchrist had invented what she overheard about Richard's fear of poisoning, for the furtherance of her plot. She told her lie to Mrs. Banks first. With revisions implicating Mrs. Banks, she repeated it to Poirot and Inspector Morton, very shortly before Poirot revealed her plot to all present at Enderby Hall. Once accused, Miss Gilchrist broke down in a flood of complaints of the unbearable hardships of her life, her convoluted justification for the murder of an innocent woman. She went quietly with Inspector Morton. Cora's was the only murder. There was no evidence that Richard Abernethie died any but a natural death in his sleep, from the disease his doctor had diagnosed. Thus Poirot answered the question Mr. Entwhistle hired him to resolve, as well as untangled, by deduction, the mystery of Cora's death. Miss Gilchrist is found guilty as the murderer of Cora at the Assizes. In her time in prison during legal proceedings, she was quickly becoming insane, planning one tea shop after another. Mr. Entwhistle and Hercule Poirot suspect her punishment might be served in Broadmoor, but have no doubt she had plotted and carried out the cold blooded murder in full possession of her faculties — this ladylike murderer.