Always Coming Home
Ursula K. Le Guin
 The book weaves around the story of a Kesh woman called Stone Telling, who lived for years with her father's people&mdash;the Dayao or Condor people, whose society is rigid, patriarchal, hierarchical and militarily expansionist. The story fills less than a third of the book, with the rest being a mixture of Kesh cultural lore (including poetry, prose of various kinds, mythos, rituals, and recipes), essays on Kesh culture, and the musings of the narrator, "Pandora". Some editions of the book were accompanied by a tape of Kesh music and poetry. Pandora describes the book as a protest against contemporary civilization, which the Kesh call "the Sickness of Man". Pandora muses that one key difference is that the Kesh have solved the problem of overpopulation—there are many fewer of them than there are of us. They use such inventions of civilization as writing, steel, guns, electricity, trains, and a computer network (see below). However, unlike most neighboring societies, they reject government, a non-laboring caste, expansion of population or territory, disbelief in what we consider supernatural, and human domination of the natural environment. They blend millennia of human economic culture by combining aspects of hunter-gatherer, agriculture, and industry, but reject cities; indeed, what they call towns would count as villages now.