The Shepherd's Paradise
Walter Montagu
 The Shepherd's Paradise deals with a mythical pastoral community dedicated to Platonic love, a refuge for unrequited lovers of both genders &mdash; "a peaceful receptacle of distressed minds." The Shepherd's Paradise is ruled by Bellesa, "beauty," who was certainly played by Henrietta Maria. The heroine of the piece is Fidamira. Much of Montagu's plot, such as it is, centers upon a prince named Basilino and his bosom friend Agenor, who have a shared tendency to fall in love with the same women. (The work is complicated by the fact that characters take on pseudonyms when entering the Paradise: Basilino becomes Moramente, while Agenor calls himself Genorio.) By the close of the play, Agenor/Genorio is revealed to be Prince Palante, long-lost son of the king of Navarre. The masque also features an extended debate on the nature of love, between Martiro, who speaks for the Platonic ideal, and Moramente and Melidoro, who argue for marriage. Since the play ends in the marriages typical of comedy &mdash; Basilino/Moramente marries Bellesa who is actually Sapphira, Princess of Navarre, his original betrothed, while Agenor/Genorio/Palante marries Basilino's sister &mdash; the text can be interpreted as suggesting a triumph of marital union over Platonic love. Fidamira is revealed as sister to both Bellesa/Sapphira and Agenor/Genorio/Palante, the lost princess Miranda; she remains chaste, but she gets to be queen of the Shepherd's Paradise at the end.