Rough Crossing
Tom Stoppard
 Playwrights Sandor Turai, Alex Gal and their new composer Adam Adam have embarked on the trans-Atlantic ocean liner, The S.S. Italian Castle and are about to surprise their actors Natasha Navratilova and Ivor Fish with the newest song from their nearly-finished (or so they hope) musical comedy, The Cruise of the Dodo. Unfortunately, they go to surprise the pair just as Ivor declares his love for Natasha, as Adam listens on in horror. Sending Gal to take Adam back to his cabin to comfort him, Turai hatches a plan to convince Adam that what they actually overheard was Ivor's pathetic attempt at playwrighting. Turai stays up the whole night writing a scene for Ivor and Natasha to play as an alternative version of Turai's ending, with the declaration of love inserted and played as a scene. They are assisted by the sometimes dimwitted, sometimes brilliant, but always unconventional steward, Dvornichek. Despite many near revelations of Turai's plan, Adam and Natasha are reunited, and the playwrights find inspiration for a new comedy, courtesy of a script by the ship's captain. Having scripts thrust upon them by amateurs is only one of the running gags of the play. Others include Dvornichek's inability to gain his sea legs, until the ship is thrust into a turbulent storm, when only he is able to stay upright; Natasha and Ivor's inability to keep their scripts, both for the stage and their life, straight; Adam's peculiar speech impediment—he has trouble starting a sentence and often must continue a monologue indefinitely for fear of not starting ever again; and a very long delayed Cognac for Turai.