The Knights
Aristophanes
 The Knights is a satire on political and social life in 5th-century Athens, the characters are drawn from real life and Cleon is clearly intended to be the villain. However it is also an allegory, the characters are figures of fantasy and the villain in this context is Paphlagonian, a comic monstrosity responsible for almost everything that's wrong with the world. The identity Cleon=Paphlagonian is awkward and the ambiguities aren't easily resolved. This summary features the real-world names Cleon, Nicias and Demosthenes (though these names are never mentioned in the play). See Discussion for an overview of the ambiguous use of characterization in The Knights. Short summary: A sausage seller, Agoracritus, vies with Cleon for the confidence and approval of Demos ('The People' in Greek), an elderly man who symbolizes the Athenian citizenry. Agoracritus emerges triumphant from a series of contests and he restores Demos to his former glory. Detailed summary: Nicias and Demosthenes run from a house in Athens, complaining of a beating that they have just received from their master, Demos, and cursing their fellow slave, Cleon, as the cause of their troubles. They inform the audience that Cleon has wheedled his way into Demos's confidence and they accuse him of misusing his privileged position for the purpose of extortion and corruption. They advise us that even the mask-makers are afraid of Cleon and not one of them could be persuaded to make a caricature of him for this play. They assure us however that we are clever enough to recognize him even without a mask. Having no idea how to solve their problems, they pilfer some wine from the house, the taste of which inspires them to an even bolder theft - a set of oracles that Cleon has always refused to let anyone else see. On reading these stolen oracles, they learn that Cleon is one of several peddlers destined to rule the polis and that it is his fate to be replaced by a sausage seller. As chance would have it, a sausage seller passes by at that very moment, carrying a portable kitchen. Demosthenes informs him of his destiny. The sausage seller is not convinced at first but Demosthenes points out the myriads of people in the theatre and he assures him that his skills with sausages are all that is needed to govern them. Cleon's suspicions meanwhile have been aroused and he rushes from the house in search of trouble. He immediately finds an empty wine bowl and he loudly accuses the others of treason. Demosthenes calls upon the knights of Athens for assistance and a Chorus of them charges into the theatre. They converge on Cleon in military formation under instructions from their leader: ::Hit him, hit him, hit the villain hateful to the cavalry, ::Tax-collecting, all-devouring monster of a lurking thief! ::Villain, villain! I repeat it, I repeat it constantly, ::With good reason since this thief reiterates his villainy! Cleon is given rough handling and the Chorus leader accuses him of manipulating the political and legal system for personal gain. Cleon bellows to the audience for help and the Chorus urges the sausage-seller to outshout him. There follows a shouting match between Cleon and the sausage seller with vulgar boasts and vainglorious threats on both sides as each man strives to demonstrate that he is a more shameless and unscrupulous orator than the other. The knights proclaim the sausage-seller the winner of the argument and Cleon then rushes off to the Boule to denounce them all on a trumped-up charge of treason. The sausage seller sets off in pursuit and the action pauses for a parabasis, during which the Chorus steps forward to address the audience on behalf of the author. The Chorus informs us that Aristophanes has been very methodical and cautious in the way he has approached his career as a comic poet and we are invited to applaud him. The knights then deliver a speech in praise of the older generation, the men who made Athens great, and this is followed by a speech in praise of horses that performed heroically in a recent amphibious assault on Corinth, whither they are imagined to have rowed in gallant style. Returning to the stage, the sausage seller reports to the knights on his battle with Cleon for control of the Council - he has outbid Cleon for the support of the councillors with offers of meals at the state's expense. Indignant at his defeat, Cleon rushes onto the stage and challenges the sausage-seller to submit their differences to Demos. The sausage seller accepts the challenge. They call Demos outdoors and compete with each other in flattering him like rivals for the affections of an eromenos. He agrees to hear them debating their differences and he takes up his position on the Pnyx (here represented possibly as a bench). The sausage-seller makes some serious accusations in the first half of the debate: Cleon is indifferent to the war-time sufferings of ordinary people, he has used the war as an opportunity for corruption and he prolongs the war out of fear that he will be prosecuted when peace returns. Demos is won over by these arguments and he spurns Cleon's wheedling appeals for sympathy. Thereafter the sausage seller's accusations become increasingly absurd: Cleon is accused of waging a campaign against buggery in order to stifle opposition (because all the best orators are buggers) and he is said to have brought down the price of silphium so that jurors who bought it would suffocate each other with their flatulence. Cleon loses the debate but he doesn't lose hope and there are two further contests in which he competes with the sausage seller for Demos's favour - a) the reading of oracles flattering to Demos; b) a race to see which of them can best serve pampered Demos's every need. The sausage seller wins each contest by outdoing Cleon in shamelessness. Cleon makes one last effort to retain his privileged position in the household - he possesses an oracle that describes his successor and he questions the sausage seller to see if he matches the description in all its vulgar details. The sausage seller does match the description. In tragic dismay, Cleon at last accepts his fate and he surrenders his authority to the sausage-seller. Demos asks the sausage seller for his name and we learn that it is Agoracritus, confirming his lowly origin. The actors depart and the Chorus treats us to another parabasis. The knights step forward and they advise us that it is honourable to mock dishonourable people. They proceed to mock Ariphrades, an Athenian with a perverse appetite for female secretions. Next they recount an imaginary conversation between some respectable ships that have refused to carry the war to Carthage because the voyage was proposed by Hyperbolus, a man they despise. Then Agoracritus returns to the stage, calling for respectful silence and announcing a new development - he has rejuvenated Demos with a good boiling (just as if he were a piece of meat). The doors of Demos's house open to reveal impressive changes in Demos's appearance - he is now the very image of glorious 'violet-crowned' Athens, as once commemorated in a song by Pindar. Agoracritus presents his transformed master with the Peacetreaties - beautiful girls that Cleon had been keeping locked up in order to prolong the war. Demos invites Agoracritus to a banquet at the town hall and the entire cast exits in good cheer - all except Cleon, who is required to sell sausages at the city gate as punishment for his crimes.