Laura
Vera Caspary
 Like Wilkie Collins' groundbreaking detective novel The Moonstone (1868), Laura is narrated in the first person by several alternating characters. These individual stories all revolve around the apparent murder of the title character, a successful New York advertiser killed in the doorway of her apartment with a shotgun blast that obliterated her face. Detective Mark MacPherson, assigned to the case, begins investigating the two men who were closest to Laura: her former lover, a narcissistic middle-aged writer named Waldo Lydecker, and her fiance, the philandering Shelby Carpenter. As he learns more about Laura, Mark &ndash; not the most sentimental of men &ndash; begins to fall in love with her memory. When Laura turns out to be very much alive, however, she becomes the prime suspect. The novel has some autobiographical elements; Caspary, like Laura, was an independent woman who earned her living as an advertiser and who struggled to balance career and romance.