Agents and Patients
Anthony Powell
 Blore-Smith, a young Londoner with more money than sense, feels himself to be living a dull life. A chance meeting with Peter Maltravers (an aspiring filmmaker) and Oliver Chipchase (an amateur psychologist) sends Blore-Smith on a voyage, ostensibly of self-discovery, during which he is analyzed by Chipchase and becomes a patron of the arts by funding a Maltravers film. The “two knaves” bring Blore-Smith to art galleries, to restaurants, to Paris—at each stage extracting both money and entertainment from their ‘patient’. Blore-Smith falls in love with Maltravers’ wife, Sarah (a motoring enthusiast), becomes entangled with Mrs Mendoza (Mendie), whose flower shop, la cattleya, evokes Proust, and eventually travels with Maltravers and Chipchase to Berlin, where he observes first-hand the workings of the cinema. A film is being prepared with several different endings, each catering to the self-perception of the nation in which it will be shown. The novel returns to a country estate for its conclusion. The end of Blore-Smith’s saga is ambiguous: perhaps he has gained something valuable from his experiences; perhaps he has not yet reached the point of intellectual development at which he can recognize his gains. The novel remains Burtonesque, clearly showing that the persistent belief that life does have something else to offer, no matter what one may currently have, is the essence of melancholy.