The Girl at the Lion D'or
Sebastian Faulks
 A wet and dark winter night sees young and beautiful Anne Louvert arrive in Janvilliers from Paris to take up a lowly position at the village inn, 'The Lion d'Or'. She gets to know the staff- the formidable Madame Concierge, the drunken Cook, the sex-starved Porter- and to meet the mysterious Patron. Then there are the customers: the evil Mattlin and the sensitive Hartmann most prominent among them. A generation older than she, the cultured, rich and married Hartmann begins an affair with Anne. She reveals her secrets, her fears and her hopes to him trusting in their mutual love. His wife, Christine, knows him better and in the end its no real contest for her to keep her husband and see off her latest rival. Although Faulks writes the love story with commitment, the nature of the novel determines that it can only end badly for Anne. An historical novel in which history is treated seriously, The Girl at the Lion d'Or is tragic drama and its real subject is France herself. A happy fairy-tale ending would be incongruous: it did not happen for the French Third Republic; therefore, it could not happen for Anne. Anne's childhood has been blighted by the First World War. Her father was shot on a charge of mutiny while serving in the trenches at Verdun, and her mother, harassed and victimised because of his fate, driven to suicide. Anne endured a wandering, hand-to-mouth existence with her uncle Louvert, whose name she adopts. Louvert, vainglorious and empty dispenser of fine sounding phrases- 'Courage is the only thing that counts'-, joined a right wing revolutionary organisation with the aim of 'making France great again' but deserted both Anne and France for a new life in America. Anne later invests her emotions in Hartmann and although devastated by his rejection, she does not allow it to destroy her. She intuitively turns away from suicide and the last line of the novel leads us to believe that she will, though there will be dark days ahead, overcome her situation. The battle of Verdun and the French army mutinies a year later were momentous events for the French nation. That the battle and a charge of mutiny played such a major part in Anne's personal history suggests a metaphorical link between her and France. The fact that the prologue to the narrative dedicates the story to Anne, 'an unknown girl' rather than the 'important public' figures of the time also indicates that the character represents something larger than an individual. The use of the adjective 'unknown', in the context of this novel, is loaded with meaning, as it evokes the Unknown Soldier. By making Anne a homeless, friendless, orphaned young woman, Faulks is pushing the limits of melodrama in his wish to create a character who is the opposite of those in the male-dominated world of political power. She is the victim of political decisions and human spite but does not embrace victimhood. Instead she embodies most of the virtues and a certain defiance. More importantly she is vital: she makes decisions and acts on them. The polemic thrust of the book, backed-up by references to newspaper stories of political crises and scandal at home and mounting threat of war from abroad, is that the period's political leaders were, at best, inert. The setting of the story is also much removed from the centre of power and influence in the political sense if not geographically. In fact the author is shy of saying where in France the town of Janvilliers is. The descriptions of the seasons in the book and that Hartmann walks on a beach near his house from which 'the sea has disappeared' puts it somewhere on the north coast. Imprecise as this is, it rules out the real Janvilliers being the location though its name may have been used because of that town's proximity to Verdun. Geographical imprecision serves the function of making the fictional Janvilliers a French "everytown" where the attitudes and experiences of its inhabitants typify those of towns throughout France of the period. Choosing 'Lion d'Or', a common and therefore typical name for French inns, as the name of the town hotel is meant to strengthen the idea of this representational aspect of Janvilliers. A war monument in the town centre commemorating the dead of the First World War could be found in any town in the country. Similarly, 'M. Bouin', a woman bereaved of her menfolk by the war and finding solace in religion, would be a familiar character in 1930's France. 'M. le Patron' typifies the defeatist mindset among many of the time while the odious 'Mattlin' is the town's future fifth columnist and collaborator. 'Hartmann' is the ineffectual liberal. His failure to confront 'Mattlin', whose slanders are undermining 'Hartmann's' reputation just as surely as the builder hired to renovate his house undermines its foundations, can be read as a metaphor of the centre-left government's failure to confront fascism either at home or abroad.