Datta (2005) shows that, following the collapse of militaristic Boulangism in the late 1880s, the Napoleonic legend was divorced from party politics and revived in popular culture. Concentrating on two plays and two novels from the period—Victorien Sardou's Madame Sans-Gêne (1893), Maurice Barrès's Les Déracinés (1897), Edmond Rostand's L'Aiglon (1900), and André de Lorde and Gyp's Napoléonette (1913) Datta examines how writers and critics of the Belle Époque exploited the Napoleonic legend for diverse political and cultural ends.
What year was Maurice Barrès's Les Déracinés written?
1897
Concentrating on two plays and two novels from the period—Victorien Sardou's Madame Sans-Gêne (1893), Maurice Barrès's Les Déracinés (1897), Edmond Rostand's L'Aiglon (1900), and André de Lorde and Gyp's Napoléonette (1913) Datta examines how writers and critics of the Belle Époque exploited the Napoleonic legend for diverse political and cultural ends.
Concentrating on two plays and two novels from the period--Victorien Sardou's Madame Sans-Gene (eighteen ninety-three), Maurice Barres's Les Deracines (eighteen ninety-seven), Edmond Rostand's L'Aiglon (nineteen hundred), and Andre de Lorde and Gyp's Napoleonette (nineteen thirteen) Datta examines how writers and critics of the Belle Epoque exploited the Napoleonic legend for diverse political and cultural ends.
What year was Maurice Barres's Les Deracines written?