EmoGen: Eliminating Subjective Bias in Emotional Music Generation
Chenfei Kang Peiling Lu Botao Yu Xu Tan Wei Ye Shikun Zhang Jiang Bian
Music is used to convey emotions, and thus generating emotional music is
important in automatic music generation. Previous work on emotional music
generation directly uses annotated emotion labels as control signals, which
suffers from subjective bias: different people may annotate different emotions
on the same music, and one person may feel different emotions under different
situations. Therefore, directly mapping emotion labels to music sequences in an
end-to-end way would confuse the learning process and hinder the model from
generating music with general emotions. In this paper, we propose EmoGen, an
emotional music generation system that leverages a set of emotion-related music
attributes as the bridge between emotion and music, and divides the generation
into two stages: emotion-to-attribute mapping with supervised clustering, and
attribute-to-music generation with self-supervised learning. Both stages are
beneficial: in the first stage, the attribute values around the clustering
center represent the general emotions of these samples, which help eliminate
the impacts of the subjective bias of emotion labels; in the second stage, the
generation is completely disentangled from emotion labels and thus free from
the subjective bias. Both subjective and objective evaluations show that EmoGen
outperforms previous methods on emotion control accuracy and music quality
respectively, which demonstrate our superiority in generating emotional music.
Music samples generated by EmoGen are available via this
link:https://ai-muzic.github.io/emogen/, and the code is available at this
link:https://github.com/microsoft/muzic/.