rice released internationally song rice film dutch_east_indies modern day indonesia directed featured amateur native cast starred story follows forbidden love fisherman farmer daughter began work film working brothers served gathered budget times budget local productions brought netherlands assist production film edited netherlands shot indies film commercial critical success european audiences disliked native ones despite success producers resulted change cinema dutch_east_indies chinese oriented years films began effort targeting local audiences later found commercial success american visual considers important cinematic works dutch_east_indies 1930s premise fisherman love farmer daughter local relationship bring disaster prove true village leader stolen eventually able unite help fellow villagers production early feature films released dutch_east_indies produced based chinese mythology martial arts targeted low class audiences generally ethnic chinese situation created great depression led dutch_east_indies government collecting higher taxes asking money cinemas selling tickets lower prices ensured low profit margin local films period cinemas country mainly showed hollywood productions dutch journalist began work unlike inexperienced chose target film dutch audiences brought brothers chinese filmmakers inactive making donated studio old flour factory filmmaking equipment funding came according indonesian film historian money came cinema records indicate film backed meant promote migration java sumatra spent years compiling necessary funds charge general operations head joint operation insisted perfection clear idea kind actor wanted film unlike earlier filmmakers country invested time money searching best locations actors possible considering person celebrity ultimately cast acted including stars role filled coffee saw young man tall strong handsome expected role driving called got car chased caught young man man noble descent told use title film family abandoned according indonesian emphasis title meant way draw higher class audience artistic direction handled avant garde documentary filmmaker netherlands brought indies insisted including shots better present local culture international audiences took interest documentary aspects film directing shots portions handled general shots according reflected camera angles recorded film single system devices brought netherlands editing original voices cast dubbed actors netherlands resulting language use heavy dutch accents initially filmmakers planned music poor quality recording equipment indies led soundtrack redone european style music netherlands start finish production cost approximately times regular local production editing metres film equivalent minutes release reception screened netherlands noted beginning november film shown indies unable costs producers film critically acclaimed netherlands partially owing emphasis involvement commercial success indies failure lower class native audiences viewed film historical reception generally positive writing indonesian author cultural critic opined technically contemporary indies cinema careful continuity dynamic cuts critical film tendency indies native population european eyes depict primitive american film historian writing described detailed costly film attempted earn money local culture american visual considers important cinematic works dutch_east_indies 1930s later work moon note film acceptable technical quality best remembered changing path cinematic developments country legacy release followed shift genres local cinema continued active filmmaker country began focusing modern stories popular native audiences suggests influenced filmmakers late 1930s partially inspired began improve quality audio films notes following films produced domestically longer centred ethnic european casts met set married appearing later production included cast highly successful leading renewed interest filmmaking indies proved successful local production crisis released indonesia independent
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