das das salvation come church composed leipzig sixth sunday trinity based hymn das bach composed fill gap cycle written performances leipzig structured seven movements framed earlier setting twelfth stanza original words reformer published lutheran theme salvation sin god grace anonymous content inner alternating bach scored chamber ensemble vocal parts strings gave bass like sermon interrupted reflection tenor aria solo violin duet soprano alto wind instruments history words bach composed sixth sunday trinity filled gap second annual cycle written performance leipzig composed cycle engagement sunday left text later completion based hymn das published lutheran theme lutheran creed salvation sin god grace justification faith summarized stanza deeds help faith jesus christ prescribed readings sunday romans christ death dead sin romans gospel matthew passage sermon mount better justice justice merely observing laws rules matthew stanza hymn matches topic gospel unknown poet transformed seven movements dropping kept stanza stanza movement ideas stanza aria movement derived directly conclusion considered sermon according comments speak god laws lack attitudes clearly planned group fundamental lutheran creed intervening finally reflect extend statements assumes text written bach cycle bach selected hymn stanza conclude stanza conclude parts stanza conclude sage structure scoring bach structured seven movements framing closing sequence alternating scored chamber music ensemble vocal soprano alto tenor bass choir violins solo viola title page reads das bach following table movements scoring follows bach keys time signatures taken symbol common time instruments shown separately winds strings playing shown music opening chorus das salvation come vocal embedded instruments melody soprano long notes lower voices engage imitation scoring instruments flute contrast strings unusual violin takes god gave law sung bass voice christ like sermon deepened exception final line movement und embrace arms jesus rendered major key tender vocal phrase late semi line tenor aria depicts sinking deeply sunk downward motifs irregular rhythm observed image descent abyss sin bass continues sermon das law fulfilled duet lord instead good works set parts equal weight soprano alto voices flute intricate form bass continues sermon time die recognize sin law closing appears set parts bach closing simple lower voices set unusual selected recordings listing taken selection provided bach website recordings traditionally large symphonic groups bach choir orchestra increasingly historically informed performances boys choir dedicated church music chamber groups voice matching instrumental playing baroque period instruments historically informed performance
Es ist das Heil uns kommen her, BWV 9