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The Human Aura


It extends from two to three feet, in all directions, from the body. It assumes an oval shape--a great egg-shaped nebula surrounding the body on all sides for a distance of two or three feet. This aura is sometimes referred to, in ordinary terms, as the "psychic atmosphere" of a person, or as his "magnetic atmosphere." This atmosphere or aura is apparent to a large percentage of persons in the sense of the psychic awareness generally called "feeling," though the term is not a clear one. The majority of persons are more or less aware of that subtle something about the personality of others which can be sensed or felt in a clear though unusual way when the other persons are near by, even though they may be out of the range of the vision. Being outside of the ordinary range of the five senses, we are apt to feel that there is something queer or uncanny about these feelings of projected personality. But every person, deep in his heart, knows them to be realities and admits their effect upon his impressions regarding the persons from whom they emanate. Even small children, infants even, perceive this influence and respond to it in the matter of likes and dislikes. But human testimony regarding the existence and character of the human aura does not stop with the reports of the psychic senses to which we have just referred. There are many individuals of the race--a far greater percentage than is generally imagined--who have the gift of psychic sight more or less developed. Many persons have quite a well-developed power of this kind, who do not mention it to their acquaintances for fear of ridicule, or of being thought "queer." In addition to these persons, there are here and there to be found well-developed, clear-sighted or truly clairvoyant persons whose powers of psychic perception are as highly developed as are the ordinary senses of the average individual. And the reports of these persons, far apart in time and space though they may be, have always agreed on the main points of psychic phenomena, particularly in regards to the human aura. To the highly developed clairvoyant vision, every human being is seen as surrounded by the egg-shaped aura of two or three feet in depth, more dense and thick in the portion nearest the body, and then gradually becoming more tenuous, thin and indistinct as the distance from the body is increased. By the psychic perception, the aura is seen as a luminous cloud--a phosphorescent flame--deep and dense around the center and then gradually shading into indistinctness toward the edges. As a matter of fact, as all developed occultists know, the aura really extends very much farther than even the best clairvoyant vision can perceive it, and its psychic influence is perceptible at quite a distance in many cases. In this respect it is like any flame on the physical plane--it gradually fades into indistinctness, its rays persisting far beyond the reach of the vision, as may be proved by means of chemical apparatus, etc. To the highly developed clairvoyant vision, the human aura is seen to be composed of all the colors of the spectrum, the combinations of colors differing in various persons, and constantly shifting in the case of every person. These colors reflect the mental (particularly the emotional) states of the person in whose aura they are manifested. Each mental state has its own particular combination formed from the few elementary colors which represent the elementary mental conditions. As the mind is ever shifting and changing its states, it follows that there will ever be a corresponding series of shifting changes in the colors of the human aura. The shades and colors of the aura present an ever changing kaleidoscopic spectacle of wonderful beauty and most interesting character.

The trained occultist is able to read the character of any person, as well as the nature of his passing thoughts and feelings, by simply studying the shifting colors of his aura. To the developed occultist, the mind and character become as an open book, to be studied carefully and intelligently. Even the student of occultism who has not been able to develop the clairvoyant vision to such a high degree is soon able to develop the sense of psychic perception whereby he is able to at least "feel" the vibrations of the aura, though he may not see the colors, and thus be able to interpret the mental states which have caused them. The principle is, of course, the same, as the colors are but the outward appearance of the vibrations themselves, just as the ordinary colors on the physical plane are merely the outward manifestation of vibration of matter. But it must not be supposed that the human aura is always perceived in the appearance of a luminous cloud of ever-changing color. When we say that such is its characteristic appearance, we mean it in the same sense that we describe the ocean as a calm, deep body of greenish waters. We know, however, that at times the ocean presents no such appearance, but instead is seen as rising in great mountainous waves, white capped and threatening the tiny vessels of men with its power. Or again we may define the word flame in the sense of a steady bright stream of burning gas, whereas we know only too well that the word also indicates the great hot tongues of fiery force that stream out from the windows of a burning building and lick to destruction all with which it comes in contact. So it is with the human aura. At times it may be seen as a beautiful, calm, luminous atmosphere, presenting the appearance of a great opal under the rays of the sun. Again, it blazes like the flames of a great furnace, shooting forth great tongues of fire in this direction and that, rising and falling in great waves of emotional excitement or passion, or perhaps whirling like a great fiery maelstrom toward its center, or swirling in an outward movement away from its center. Again, it may be seen as projecting from its depths smaller bodies or centers of mental vibration, which like sparks from a furnace detach themselves from the parent flame and travel far away in other directions--these are the projected thought forms of which all occultists are fond of speaking and which make plain many strange psychic occurrences. So, it will be seen, the human aura is a very important and interesting phase of the personality of every individual.

The psychic phase of man is as much the man himself as is the physical phase--the complete man being made up of the two phases. Man invisible is as much the real man as is man visible. As the finer forms of nature are always the most powerful, so is the psychic man more potent than the physical man. In this book, I speak of the human aura and its colors as being perceived by astral or clairvoyant vision, for this is the way in which it is perceived and studied by the occultist. The occult teaching is that, in the evolution of the race, this astral vision will eventually become the common property of every human being--it so exists even now, and needs only development to perfect it. But modern physical science is today [1911] offering corroborative proof (though the same is not needed by the occultist who has the astral vision) to the general public, of the existence of the human aura. In Europe especially, a number of scientists have written on the subject of the aura, and have described the result of the experiments in which the aura has been perceived, and even photographed, by means of fluorescent screens, such as are used in taking X-ray photographs, etc. Leading authorities in England, France, and still more recently, in Germany, have reported the discovery of a nebulous, hazy, radioactive energy or substance around the body of human beings. In short, they now claim that every human being is radioactive, and that the auric radiation may be registered and perceived by means of a screen composed of certain fluorescent material interposed between the eye of the observer and the person observed. This aura, so discovered by the scientists, is called by them the "human atmosphere" and is classified by them as similar to the radiations of other radioactive substances, radium, for instance. They have failed to discover color in this atmosphere, however, and know nothing, apparently, of the relation between auric colors and mental and emotional states, which are so familiar to every advanced occultist. I mention this fact merely as a matter of general interest and information to the student, and not as indicating, even in the slightest degree, any idea on my part that the old occult teaching and the observed phenomena accompanying the same regarding the human aura require any proof or backing up on the part of material scientists. On the contrary, I feel that material science should feel flattered by the backing up by occult science of the new discovery of the "human atmosphere." A little later on, material science may also discover the auric colors and announce the same to the wondering world as a new truth.

The Prana-Aura

Many writers on the subject of the human aura content themselves with a description of the colors of the mental or emotional aura, and omit almost any reference whatsoever to the basic substance or power of the aura. This is like the play of Hamlet with the character of Hamlet omitted, for, unless we understand something concerning the fundamental substance of which the aura is composed, we cannot expect to arrive at a clear understanding of the phenomena which arise from and by reason of the existence of this fundamental substance. We might as well expect a student to understand the principles of color without having been made acquainted with the principles of light. The fundamental substance of which the human aura is composed is none other than that wonderful principle of nature of which one reads so much in all occult writings, which has been called by many names, but which is perhaps best known under the Sanskrit term prana, but which may be thought of as vital essence, life power, etc. It is not necessary in this book to go into the general consideration of the nature and character of prana.

It is sufficient for us to consider it in its manifestation of vital force, life essence, etc. In its broadest sense, prana really is the principle of energy in nature, but in its relation to living forms it is the vital force which lies at the very basis of manifested Life. It exists in all forms of living things, from the most minute microscopic form up to living creatures on higher planes, as much higher than man as man is higher than the simple microscopic lifeforms. It permeates them all and renders possible all life activity and functioning. Prana is not the mind or the soul, but is rather the force or energy through which the soul manifests activity, and the mind manifests thought.

It is the steam that runs the physical and mental machinery of life. It is the substance of the human aura, and the colors of mental states are manifested in that substance, just as the colors of chemical bodies are manifested in the substance of water. But prana is not material substance--being the underlying substance of energy or force in nature. While it is true, as we have seen, that all auras are composed of the substance of prana, it is likewise true that there is a simple and elementary form of auric substance to which occultists have given the simple name of the prana-aura in order to distinguish it from the more complex forms and phases of the human aura. The simplicity of the character of the prana-aura causes it to be more readily sensed or perceived than is possible in the case of the more complex phases or forms of the aura. For whereas it is only the more sensitive organisms that can distinguish the finer vibrations of the mental and emotional aura, and only the clairvoyant sight which can discern its presence by its colors, almost any person, by a little careful experimenting, may become aware of the presence of the prana-aura, not only in the way of "feeling" it, but in many cases of actually seeing it with the ordinary vision rightly directed. That which is known as the prana-aura is of course the most simple form or phase of the human aura.

It is the form or phase which is more closely bound up with the physical body, and is less concerned with the mental states. This fact has caused some writers to speak of it as the "health aura," or "physical aura," both of which terms are fittingly applied as we shall see, although we prefer the simpler term we have used here, the prana-aura. For the prana-aura does show the state of the health of the individual radiating it, and it also really contains physical power and magnetism which may be and is imparted to others. The basic prana-aura is practically colorless; that is to say, it is about the color of the clearest water or a very clear diamond.

By the clairvoyant vision it is seen to be streaked or marked by very minute, bristle-like lines radiating outward from the physical body of the individual in a manner very like "the quills upon the fretful porcupine," as Shakespeare puts it. In the case of excellent physical health, these bristle-like streaks are stiff and brittle-looking, whereas, check punctuation of whereas if the general health of the person be deficient these bristle-like radiations seem to be more or less tangled, twisted or curly, and in some cases present a drooping appearance, and in extreme cases present the appearance of soft, limp fur. It may interest the student to know that minute particles of this prana-aura, or vital magnetism, is sloughed off the body in connection with physical exhalations such as scent, etc., and remain in existence for some time after the person has passed from the particular place at which they were cast off. In fact, as all occultists know, it is these particles of the prana-aura which serve to give vitality to the "scent" of living creatures, which enables dogs and other animals to trace up the track of the person or animal for a long time after the person has passed. It is not alone the physical odor, which must be very slight as you will see upon a moment's consideration. It is really the presence of the particles of the prana-aura which enables the dog to distinguish the traces of one person among that of thousands of others, and the feat is as much psychical as physical. Another peculiarity of the prana-aura is that it is filled with a multitude of extremely minute sparkling particles, resembling fiery electric sparks, which are in constant motion. These sparks, which are visible to persons of only slightly developed psychic power, impart a vibratory motion to the prana-aura which under certain conditions is plainly visible to the average person. This vibratory movement is akin to the movement of heated air arising from a hot stove, or from the heated earth on a mid-summer day. If the student will close his eyes partially until he peers out from narrowed lids, and then will closely observe some very healthy person sitting in a dim light, he may perceive this undulating, pulsing vibration extending an inch or two from the surface of the body. It requires some little knack to recognize these vibrations, but a little practice will often give one the key; and after the first recognition, the matter becomes easy. Again, in the case of persons of active brains, one may perceive this pulsating prana-aura around the head of the person, particularly when he is engaged in concentrated active thought. A little practice will enable almost anyone to perceive faintly the dim outlines of the prana-aura around his own fingers and hand by placing his hand against a black background, in a dim light, and then gazing at it with narrowed eyelids, squinting if necessary. Under these circumstances, after a little practice, one will be apt to perceive a tiny outlined aura, or radiation, or halo of pale yellowish light surrounding the hand. By extending the fingers fan shape you will perceive that each finger is showing its own little outlined prana-aura. The stronger the vital force, the plainer will be the perception of the phenomenon. Often the prana-aura, in these experiments, will appear like the semiluminous radiance surrounding a candle flame or gas light. Under the best conditions, the radiation will assume an almost phosphorescent appearance. Remember, this is simply a matter of trained ordinary sight, not clairvoyant vision. This prana-aura is identical with human magnetism, which is employed in ordinary magnetic healing.

That is to say it is the outer manifestation of the wonderful pranic force. It is felt when you shake hands or otherwise come in close physical contact with a strongly magnetic person. On the other hand it is what the weakly, human vampire-like persons unconsciously, or consciously, try to draw off from strong persons, if the latter allow them so to do from want of knowledge of self protection. Who has not met persons of this kind, who seem to sap one's very life force away from him? Remember, then, that the prana-aura is the aura or radiation of life force, or vital power, which is the steam of your living activity, physical and mental. It is the pouring out of the vital "steam" which is running your vital machinery. Its presence indicates life--its absence lifelessness.

The Astral Colors

The term astral, so frequently employed by all occultists, is difficult to explain or define except to those who have pursued a regular course of study in occult science. For the purpose of the present consideration, it is enough to say that over and above the ordinary physical sense plane there is another and more subtle plane, known as the astral plane. Every human being possesses the innate and inherent faculty of sensing the things of this astral plane, by means of an extension or enlargement of the powers of the ordinary senses, so to speak. But in the majority of persons in the present stage of development, these astral senses are lying dormant, and only here and there do we find individuals who are able to sense on the astral plane, although in the course of evolution the entire race will be able to do so, of course. The colors of the human aura, which arise from the various mental and emotional states, belong to the phenomena of the astral plane and hence bear the name of "the astral colors." Belonging to the astral plane, and not to the ordinary physical plane, they are perceived only by the senses functioning on the astral plane, and are invisible to the ordinary physical plane sight. But to those who have developed the astral sight, or clairvoyance, these colors are as real as are the ordinary colors to the average person, and their phenomena have been as carefully recorded by occult science as have the physical plane colors by physical science. The fact that to the ordinary physical senses they are invisible does not render them anytheless check real. Remember, in this connection, that to the blind man our physical colors do not exist. And, for that matter, the ordinary colors do not exist to "colorblind" persons. The ordinary physical plane person is simply "color blind" to the astral colors--that's all. On the astral plane each shade of mental or emotional state has its corresponding astral color, the latter manifesting when the form appears.

It follows then, of course, that when once the occultist has the key to this color correspondence, and thus is able to perceive the astral colors by means of his astral vision, he also is able to read the mental and emotional states of any person within the range of his vision, as easily as you are now reading the printed words of this book. Before proceeding to a consideration of the list of astral colors in the human aura, I wish to call your attention to a slight variation in the case of the prana-aura. I have stated that the prana-aura is colorless, like a diamond or clear water. This is true in the average case, but in the case of a person of very strong physical vitality or virility, the prana-aura takes on, at times, a faint warm pink tinge, which is really a reflection from the red astral color, the meaning of which color you shall now learn. astral no italics Like their physical plane counterparts, all the astral colors are formed from three primary colors, namely: (1) red; (2) blue; and (3) yellow. From these three primary colors, all other colors are formed. Following the primary colors, we find what are known as the secondary colors, namely: (1) green, derived from a combination of yellow and blue; (2) orange, formed from a combination of yellow and red; and (3) purple, formed from a combination of red and blue. Further combinations produce the other colors, as for instance, green and purple form olive; orange and purple form russet; green and orange form citrine. Black is called an absence of color, while white is really a harmonious blending of all colors, strange as this may appear to one who has not studied the subject. The blending of the primary colors in varied proportions produce what is known as the "hues" of color. Adding white to the hues, we obtain "tints," while mixing black produces "shades." Strictly speaking, black and white are known as "neutral" colors. Now for the meaning of the astral colors--that is, the explanation of the mental or emotional state represented by each. I ask that the student familiarize himself with the meaning of the primary colors and their combinations. A clear understanding of the key of the astral colors is often an aid in the development of astral sight.


Red. Red represents the physical phase of mentality. That is to say, it stands for that part of the mental activities which are concerned with physical life. It is manifested by the vitality of the body, and in other hues, tints and shades, is manifested by passions, anger, physical cravings, etc. I shall describe the various forms of red manifestation a little later on. Blue. Blue represents the religious, or spiritual, phase of mentality.

That is to say, it stands for that part of the mental activities which are concerned with high ideals, altruism, devotion, reverence, veneration, etc. It is manifested, in its various hues, tints and shades, by all forms of religious feeling and emotion, high and low, as we shall see as we proceed. Yellow. Yellow represents the intellectual phase of mentality. That is to say, it stands for that part of the mental activities which are concerned with reasoning, analysis, judgment, logical processes, induction, deduction, synthesis, etc. In its various hues, tints and shades, it is manifested by the various forms of intellectual activity, high and low, as we shall see as we proceed. White. White stands for what occultists know as Pure Spirit, which is a very different thing from the religious emotion of "spirituality," and which really is the essence of the All that really is. Pure Spirit is the positive pole of Being. We shall see the part played by it in the astral colors, as we proceed. Black. Black stands for the negative pole of Being--the very negation of Pure Spirit, and opposing it in every way.

We shall see the part played by it in the astral colors as we proceed. The various combinations of the three astral primary colors are formed in connection with black and white as well as by the blending of the three themselves. These combinations, of course, result from the shades of mental and emotional activity manifested by the individuality, of which they are the reflection and the key. The combinations and blending of the astral colors, however, are numberless, and present an almost infinite variety.

Not only is the blending caused by the mixing of the colors themselves, in connection with black and white, but in many cases the body of one color is found to be streaked, striped, dotted or clouded by other colors. At times there is perceived the mixture of two antagonistic color streams fighting against each other before blending. Again we see the effect of one color neutralizing another. In some cases great black clouds obscure the bright colors beneath and then darken the fierce glow of color, just as is often witnessed in the case of a physical conflagration.

Again, we find great flashes of bright yellow or red flaring across the field of the aura, showing agitation or the conflict of intellect and passion. The average student who has not developed the astral vision is inclined to imagine that the astral colors in the human aura present the appearance of an eggshaped rainbow or spectrum, or something of that sort. But this is a great mistake. In the first place, the astral colors are seldom at rest, for all mental and emotional activity is the result of vibration, change and rhythmic motion. Consequently, the colors of the aura present a kaleidoscopic appearance of constant change of color, shape and grouping--a great electrical display, so to speak, constantly shifting, changing and blending. Great tongues of flamelike emanations project themselves beyond the border of the aura under strong feeling or excitement, and great vibratory whirls and swirls are manifested. The sight is most fascinating, although somewhat terrifying at first. Nature is wise in bestowing the gift of astral vision only gradually and by almost imperceptible stages of advance. There are many unpleasant, as well as pleasant, sights on the astral plane.

Remembering always the significance of the three primary colors on the astral plane, let us consider the meaning of the combinations, shades, hues and tints of these colors. The Red Group: In this group of astral colors seen in the human aura we find strongly in evidence the clear bright red shade, similar to that of fresh, pure arterial blood as it leaves the heart, filled with pure material freshly oxygenated. This shade in the aura indicates health, life-force, vigor, virility, etc., in pure and untainted form. The aura of a healthy, strong child shows this shade of color very plainly and strongly. Strong, pure natural emotions, such as friendship, love of companionship, love of physical exercise, healthy clean sports, etc., are manifested by a clear, clean shade of red.

When these feelings become tainted with selfishness, low motives, etc., the shade grows darker and duller. Love of low companionship, unclean sports or selfish games, etc., produce an unpleasant, muddy red shade. A shade of red very near to crimson is the astral color of love, but the tint and shade vary greatly according to the nature of this form of emotional feeling. A very high form of love, which seeks the good of the loved one, rather than the satisfaction of oneself, manifests as a beautiful rose tint--one of the most pleasing of the astral tints, by the way. Descending in the scale, we find the crimson shade becoming darker and duller, until we descend to the plane of impure, sensual, coarse passion, which is manifested by an ugly, dull, muddy crimson of a repulsive appearance, suggesting blood mixed with dirty earth or barnyard soil.

A peculiar series of red shades are those manifesting anger in its various forms, from the vivid scarlet flashes of anger color, arising from what may be called "righteous indignation," down the scale to the ugly flashes of deep, dull red, betokening rage and uncontrolled passion. The red of anger generally shows itself in flashes, or great leaping flames, often accompanied by a black background, in the case of malicious hate, or by a dirty, greenish background when the rage arises from jealousy or envy. The color of avarice is a very ugly combination of dull, dark red and a dirty ugly green. If persons could see their own astral colors accompanying these undesirable mental states, the sight would perhaps so disgust them with such states as to work a cure. At any rate, they are most disgusting and repulsive to the occultist who beholds them in the human aura, and he often wonders why they do not sicken the person manifesting them--they often do just this thing, to tell the truth. The Yellow Group. In this group of astral colors seen in the human aura we find as many varieties as we do in the red group. Yellow, denoting intellect, has many degrees of shade and tint, and many degrees of clearness. An interesting shade in this group is that of orange, which represents different forms of "pride of intellect," intellectual ambition, love of mastery by will, etc. The greater degree of red in the astral orange color, the greater the connection with the physical or animal nature. Pride and love of power over others have much red in its astral color, while love of intellectual mastery has much less red in its composition. Pure intellectual attainment, and the love of the same, is manifested by a beautiful clear golden yellow. Great teachers often have this so strongly in evidence that at times their students have glimpses of a golden "halo" around the head of the teacher. Teachers of great spirituality have this "nimbus" of golden yellow, with a border of beautiful blue tint, strongly in evidence.

The paintings of the great spiritual teachers of the race usually have this radiance pictured as a "halo," showing a recognition of the phenomenon on the part of the great artists. Hoffman's celebrated painting of the Christ in the Garden of Gethsemane shows this nimbus so accurately depicted that the occultist is convinced that this artist must have actually witnessed a similar scene in the astral light, so true to the astral facts are its details. The images of the Buddha also show this radiance. The rich golden shades of intellectual yellow are comparatively rare, a sickly lemon color being the only indication of intellectual power and found in the aura of the great run of persons. To the sight of the occultist, employing his power of astral vision, a crowd of persons will manifest here and there, at widely separated points, the bright golden yellow of the true intellect, appearing like scattered lighted candles among a multitude of faintly burning matches. The Green Group. This is a peculiar group, consisting as of course it does of various combinations of blues and yellows, tinted and shaded by white or black. Even skilled occultists find it very difficult to account for the fact of certain green shades arising from the spiritual blue and the intellectual yellow. This is one of the most obscure points in the whole subject of the astral colors, and none but the most advanced occultists are able to explain the "why" in some instances. To those who are fond of analysis of this kind, I will drop the following hint, which may help them out in the matter, viz. The key is found in the fact that green lies in the center of the astral spectrum and is a balance between the two extremes, and is also influenced by these two extremes in a startling manner.

A certain restful green denotes love of nature, out of door life, travel in the country, etc., and also, slightly differing in tint, the love of home scenes, etc. Again, a clear beautiful lighter tint of green indicates what may be called sympathy, altruistic emotion, charity, etc. Again, illustrating variety in this group of astral colors, another shade of green shows intellectual tolerance of the views of others. Growing duller, this indicates tact, diplomacy, ability to handle human nature, and descending another degree or so blends into insincerity, shiftiness, untruth, etc. There is an ugly slate-colored green indicating low, tricky deceit--this is a very common shade in the colors of the average aura, I am sorry to say. Finally, a particularly ugly, muddy, murky green indicates jealousy and kindred feelings, envious malice, etc. The Blue Group. This interesting group of astral colors represents the varying forms and degrees of religious emotion, "spirituality," etc. The highest form of spiritual, religious feeling and thought is represented by a beautiful, rich, clear violet tint, while the lower and more gross phases of religious emotion and thought are represented by the darker and duller hues, tints and shades until a deep, dark indigo is reached, so dark that it can scarcely be distinguished from a bluish black. This latter color, as might be expected, indicates a low superstitious form of religion, scarcely worthy of the latter name. Religion, we must remember, has its low places as well as its heights--its garden grows the rarest flowers and at the same time the vilest weeds. High spiritual feelings--true spiritual unfoldment--are indicated by a wonderfully clear light blue, of an unusual tint, something akin to the clear light blue of the sky on a cool autumn afternoon, just before sunset. Even when we witness an approach to this color in nature, we are inspired by an uplifting feeling as if we were in the presence of higher things, so true is the intuition regarding these things. Morality, of a high degree, is indicated by a series of beautiful shades of blue, always of a clear, inspiring tint. Religious feeling ruled by fear is indicated by a shade of bluish gray. Purple denotes a love of form and ceremony, particularly those connected with religious offices or regal grandeur of a solemn kind. Purple, naturally, was chosen as the royal color in the olden days. The Brown Group. The brown group of astral colors represents desire for gain and accumulation, ranging from the clear brown of industrious accumulation, to the murky dull browns of miserliness, greed and avarice. There is a great range in this group of brown shades, as may be imagined. The Gray Group. The group of grays represents a negative group of thought and emotions. Gray represents fear, depression, lack of courage, negativity, etc. This is an undesirable and unpleasant group. Black. Black, in the astral colors, stands for hatred, malice, revenge and "devilishness" generally. It shades the brighter colors into their lower aspects, and robs them of their beauty. It stands for hate--also for gloom, depression, pessimism, etc. White. White is the astral color of Pure Spirit, as we have seen, and its presence raises the degree of the other colors and renders them clearer. In fact, the perception of the highest degree of Being known to the most advanced occultist is manifested to the highest adepts and masters in the form of "The Great White Light," which transcends any light ever witnessed by the sight of man on either physical or astral plane--for it belongs to a plane higher than either and is absolute, rather than a relative, white. The presence of white among the astral colors of the human aura, betokens a high degree of spiritual attainment and unfoldment, and when seen permeating the entire aura it is one of the signs of the master--the token of adeptship.

The Auric Kaleidoscope

As we have seen, the human aura is never in a state of absolute rest or quiet. Motion and change are ever manifested by it. It has its periods of comparative calm, of course, but even in this state there is a pulsing, wave-like motion apparent. The clouds of changing color fly over its surface and in its depth like the fast driven fleecy clouds over the summer sky, illumined by the rays of the setting sun. Again, fierce storms of mental activity, of emotional stress, disturb its comparative calm, and the wildest scenes are witnessed in the aura by the observer. So intense are the vibrations of some of these mental storms that their effect is plainly felt by the average person, though he is not able to distinguish the colors of the great whirls and swirls of auric substance accompanying them. A person sunk in reverie, dream states or sleep presents an interesting auric kaleidoscope which possesses great beauty if the person be normal and of average morality. In such a case there is a cloudy clearness (if the term may be used) tinged with tints and shades of varying colors, blending in strange and interesting combinations, appearing gradually from previous combinations and sinking gradually into new ones. To the observer of the aura the term opalescent instinctly presents itself, for there is a striking resemblance to the opaline peculiar play of colors of delicate tints and shades in a body of pearly or milky hue. Color shades into color, tint into tint, hue into hue, as in the color scale of the spectrum of which the rainbow is the most familiar example. But the rainbow or spectrum lacks the peculiar semi-transparency of the auric colors, and also the constantly changing and dissolving body of colors of the aura. At this point I wish to call your attention to a phase of the aura which I purposely passed over in the preceding chapters. I allude to the phase of the aura which presents the "pearly" appearance of the opalescent body, which we have just noted. This appearance is manifested neither by any of the mental or emotional states, nor is it the prana-aura or vital force which I have described in a previous chapter. It is the manifestation of what is known to occultists as "etheric substance" and is a very interesting feature of the auric phenomena. This etheric substance, which manifests this peculiar radiance in the body of the aura, composes that which is called by some occultists "the astral body," but this latter term is also employed in another sense, and I prefer to use the term "etheric double" to indicate what some others know as "the astral body." Etheric substance is much finer form of substance than that which composes the physical body. It is really matter in a very high degree of vibration--much higher than even the ultragaseous matter of physical substance. It may be sensed, ordinarily, only on the astral plane, which is its own particular plane of activity. The etheric double, composed of this etheric substance, is the exact counterpart of its physical counterpart--the ordinary physical body of the individual--although it is capable of great expansion or shrinking in space. Like the physical body, it radiates an aura, and this combining with the other forms of the auric body gives to it its peculiar pearly appearance, which is the background of its opalescence previously noted. The etheric double explains the phenomenon of spectral appearances or ghosts, for it persists for a time after the death of the physical body and under some conditions becomes visible to the ordinary sight. It sometimes is projected from the physical body and at such times appears as an apparition of the living, of which there are many cases recorded by the societies investigating psychical subjects. The etheric double, or astral body, is referred to here, however, merely to explain the peculiar pearly tint of the background, or body, of the aura in and through which the mental and emotional auric colors play and move. It may interest you, however, to know that this phase of aura is always present around and about a "ghost" or dematerialized disembodied soul, or "spirit," as common usage terms it. The aura of the wide-awake person is, of course, far more active and more deeply colored than is that of the person in reverie, dream or sleep.

And again, the aura of the person manifesting a high degree of mental activity or strong feeling or passion is still brighter and deeper than the ordinary person performing his daily routine work. In the state of anger, or love-passion, for instance, the aura is violently disturbed, deep shades of color whirling and swirling in the depths and surface of the auric body. Lightning-like flashes shoot forth, and great bodies of lurid smoky clouds fly on the surface. Looking into the aura of a man wild with rage and passion is like peering into Inferno. The astral plane in the region of a lynching mob or other body of persons filled with rage becomes a frightful scene of auric radiation. A person filled with the emotion of pure love fills his aura with the most beautiful tints and shades of high rosy color, and to behold the same is a pleasure fully appreciated by the occultist. A church filled with persons of a high devotional ideality is also a beautiful place, by reason of the mingling of auric violet-blue vibrations of those therein assembled. The atmosphere of a prison is most depressing and presents a most unpleasant appearance to one possessing the astral vision. Likewise, the astral atmosphere of an abode of vice and passion becomes really physically nauseating to the occultist of high ideals and taste. Such scenes on the astral plane are avoided by all true occultists, except when the call of duty leads them to visit them to give aid and help. There are two distinct features connected with the auric coloring of every person.

The first is the coloring resulting from the more habitual thoughts and feelings of the person from his character, in fact; while the second is the coloring resulting from the particular feelings or thoughts manifested by him at that particular moment or time. The color of the feeling of the moment soon disappears and fades away, while the more habitual feeling, bound up with his character, causes its corresponding color to abide more permanently and thus to give a decided hue to his general auric color appearance. The trained occultist is, therefore, able to ascertain not only the passing thoughts and feelings of a person, but also to determine infallibly his general character, tendencies, past character and actions, and general nature simply from a careful examination and study of the auric colors of the person in question. As all occultists well know, every place, dwelling, business place, church, courtroom--every village, city, country, nation--has its own collective aura, known as "astral atmosphere," which is simply but a combined reflection of the individual auras of the human units of which its body of inhabitants is made up. These atmospheric vibrations are plainly felt by many persons, and we are instinctively attracted or repelled by reason thereof. But to the developed occultists, these places manifest the auric colors in the combinations arising from the nature of the mentalities of the persons dwelling in them. Each place has its collective aura, just as each person has his individual aura.

The astral plane presents a wonderful scene of color by reason of this and similar causes. The harmony of the color scheme in some cases is marvelously beautiful, while the horrible aspect of scenes resemble a nightmare vision of the worst kind. It is easy to understand why some of the ancients who stumbled into glimpses of the astral plane, while in dreamstate or trance, reported the vision of terrible hells of unquenchable fire, fiery lakes of smoking brimstone, etc., for such ideas would naturally come to the mind of the uninformed person who had peered into the astral plane in such cases. And in the same way, the visions of heaven reported by the saints and others of high spirituality are explainable on the theory that these persons had sensed some of the beautiful scenes of the higher astral planes, filled with the combined auric tints and hues of souls of high development. The principle of auric colors holds good on all the many planes of being and existence--high as well as low. I merely hint at a great occult truth in making the above statements. The thoughtful will be able to read between my lines.

I have given you a little key which will unlock the door of many mysteries, if you will but use it intelligently.

Thought Forms

That interesting phase of occult phenomena known as thought forms is so closely related to the general subject of the human aura that a mention of one must naturally lead to the thought of the other. Thought forms are built up of the very material composing the aura, and manifest all of the general characteristics thereof, even to the auric colors. An understanding of the facts of the human aura is necessary for a correct understanding of the nature of the thought forms composed of the same substance. A thought form is a peculiar manifestation of mental activity on the astral plane. It is more than a powerful disturbance in the body of the human aura, although this is the place of its embodiment or birth in the objective world. It is formed in the following manner. A person manifests a strong desire, feeling or idea which is naturally filled with the dynamic force of his will. This sets up a series of strong vibrations in the body of the aura which gradually resolve themselves into a strong whirling center of thought force involved in a mass of strongly cohesive auric substance and strongly charged with the power of the prana of the person. In some cases these thought forms survive in the auric body for some little time and then gradually fade away. In other cases they survive and maintain an almost independent existence for some time and exert a strong influence upon other persons coming in the presence of the person. Again, these thought forms may be so strongly charged with prana and so imbued with the mental force of the person that they will actually be thrown off and away from the aura itself and travel in space until they exhaust their initial energy--in the meantime exerting an influence upon the psychic aura of other persons. A thought form is more than merely a strongly manifested thought--it really is such a thought but surrounded by a body of ethereal substance, charged with prana and even carrying with it the vibration of the life energy of its creator. It is a child of the mind of its creator and acquires a portion of his life-essence, so to speak, which abides with it for a longer or shorter time after its birth. In extreme instances it becomes practically a semi-living elemental force of necessarily comparatively short life. To those who find it difficult to understand how a thought form can persist after separation from the presence of the thinker, I would say that the phenomenon is similar to that of light traveling in space, long after the star which originated it has been destroyed. Or, again, it is like the vibrations of heat remaining in a room after the lamp or stove causing it has been removed, or the fire in the grate having died out, or like the sound waves of the drum-beat persisting after the beat itself has ceased. It is all a matter of the persistence of vibrations. Thought forms differ greatly one from the other in the matter of shape and general appearance. The most common and simple form is that of an undulating wave or series of tiny waves resembling the circles caused by the dropping of a pebble into a still pond. Another form is that of a tiny rotating bit of cloud-like substance, sometimes whirling towards a central point, like a whirlpool, and sometimes swirling away from the central point like the familiar "pinwheel" fireworks toy. Another form is akin the ring of smoke projected from the coughing locomotive, or the rounded lips of the cigar smoker, the movement in this kind being a form of spiral rotation. Other thought forms have the appearance of swiftly rotating balls of cloudy substance, often glowing with a faint phosphorescence. Sometimes the thought form will appear as a great slender jet, like steam ejected from the spout of a tea-kettle, which is sometimes broken up into a series of short, puffedout jets, each following the jet preceding it and traveling in a straight line. Sometimes the thought form shoots forth like a streak of dim light, almost resembling a beam of light flashed from a mirror. Occasionally, it will twist its way along like a long, slender corkscrew, or auger, boring into space. In cases of thought forms sent forth by explosive emotion, the thought form will actually take the form of a bomb, which literally explodes when it reaches the presence of the person toward whom it is aimed. Every person has experienced this feeling of a thought bomb having been exploded in his near vicinity, having been directed by a vigorous personality. This form is frequently found in the thought forms sent out by a strong, earnest, vigorous orator. There are strong thought forms which seem to strive to push back the other person, so correctly do they represent the idea and feeling back of their manifestation. Others seem to strive to wind around the other person and to try to literally drag him toward the first person, this form often accompanying strong appeal, persuasion, coaxing, etc., when accompanied by strong desire. A particularly vigorous form of this kind of thought form takes on the appearance of a nebulous octopus with long, winding, clinging tentacles, striving to wrap around the other person and to draw him toward the center. The force of the feeling behind the manifestation of the thought form will often travel a long distance from the sender--in fact, in cases of great power of concentration, space seems to be no barrier to its passage. In striking instances of thought transference, etc., it will be found that thought forms play an important part. The variety of shapes of thought forms is almost endless. Each combination of thought and feeling creates its own form, and each individual seems to have his own peculiarities in this respect.

The forms I have above described, however, will serve as typical cases to illustrate the more common classes of appearances. The list, however, might be indefinitely expanded from the experience of any experienced occultist and is not intended to be full by any means. All varieties of geometrical forms are found among the thought forms, some of them being of remarkable beauty. In considering the subject of projected thought forms, moreover, it must be remembered that they partake of and manifest the same colors as does the aura itself, for they are composed of the same material and are charged with the same energy. But note this difference, that whereas the aura is energized from the constant battery of the organism of the individual, the thought form, on the contrary, has at its service only the energy with which it was charged when it was thrown off--being a storage battery, as it were, which in time expends all of its power and then is powerless. Every thought form bears the same color that it would possess if it had been retained in the body of the aura itself. But as a rule, the colors are plainer and less blended with others--this because each thought form is the representation of a single definite feeling or thought, or group of same, instead of being a body of widely differing mental vibrations. Thus, the thought form of anger will show its black and red with its characteristic flashes. The thought form of passion will show forth its appropriate auric colors and general characteristics. The thought form of high ideal love will show its beautiful form and harmonious tinting, like a wonderful celestial flower from the garden of some far-off paradise. Many thought forms never leave the outer limits of the aura, while others are projected to great distances. Some sputter out as they travel and are disintegrated, while others continue to glow like a piece of heated iron for many hours. Others persist for a long time, with a faint phosphorescent glow.

A careful study of what has been said regarding the characteristics of the various feelings and emotions as manifested in the auric body will give the student a very fair general idea of what may be the appearance of any particular variety of thought form, for a general principle runs through the entire series of auric phenomena. An understanding of the fundamental principles will lead to an understanding of any of the particular varieties of the manifestation thereof. Finally, remember this: a thought form is practically a bit of the detached aura of a person, charged with a degree of his prana and energized with a degree of his life energy. So, in a limited sense, it really is a projected portion of his personality.

Psychic Influence of Colors

In all of nature's wonderful processes we find many evidences of that great principle of action and reaction, which, like the forward and backward swing of the pendulum, changes cause into effect, and effect into cause, in a never ending series. We find this principle in effect in the psychic relation of mental states and colors. That is to say that just as we find that certain mental and emotional states manifest in vibrations causing particular auric astral colors, so do we find that the presence of certain colors on the physical plane will have a decided psychic effect upon the mental and emotional states of individuals subject to their influence. And as might be expected by the thoughtful student, the particular astral colors manifested in the aura by the presence of some particular mental or emotional state exactly correspond with the particular physical colors which influence that particular mental or emotional state. Illustrating the statements in the preceding paragraph, I would say that the continued presence of red will be apt to set up emotional vibrations of anger, passion, physical love, etc., or in a different tint, the higher physical emotions. Blue of the right tint will tend to cause feelings of spirituality, religious emotion, etc. Green is conducive to feelings of relaxation, repose, quiet, etc. Black produces the feeling of gloom and grief. And so on, each color tends to produce emotional vibrations similar to those which manifest that particular color in the astral aura of the person. It is a case of "give and take" along the entire scale of color and emotions, according to the great natural laws. While the explanation of these facts is not known to the average person, nevertheless nearly everyone recognizes the subtle effect of color and avoids certain colors, while seeking certain others. There is not a single living human being but who has experienced the sense of rest, calm, repose and calm inflow of strength when in a room decorated in quiet shades of green. Nature herself has given this particular shade to the grass and leaves of trees and plants, so that the soothing effect of the country scene is produced. The aura of a person experiencing these feelings and yielding to them will manifest precisely the tint or shade of green which is shown on the grass and leaves around him, so true is this natural law of action and reaction. The effect of scarlet upon animals, the bull for instance, is well known--to use the familiar term, it causes one to "see red." The sight of the color of blood is apt to arouse feelings of rage, or disgust, by reason of the same law. The sight of the beautiful clear blue sky tends to arouse feelings of reverence, awe or spirituality. One can never think of this shade of blue arousing rage; or red arousing feelings of spirituality. It is a well-known fact that in insane asylums, the use of red in decorations must be avoided, while the proper shades of blue or green are favored. On the other hand, the use of a proper red in certain cases will tend to arouse vitality and physical strength in a patient.

It is not by mere chance that the life-giving blood is a bright, rich red color when it leaves the heart. When one "feels blue" he does not have the impression of a bright or soft blue--but he really is almost conscious of the presence of a dull bluish gray. And the presence of such a color in one's surroundings tends to cause a feeling of depression. Everyone knows the "gray day" in the fall or spring. Again, who does not know the feeling of mental exaltation coming from the sight of a day filled with golden sunshine or from a golden sunset. We find proofs of this law of nature on all sides, every day of our lives. It is an interesting subject which will repay the student for the expenditure of a little time and thought upon it. Speaking of the general class characteristics of the three primary groups of colors, all occultists, as well as many physiologists and psychologists, are agreed on the following fundamental propositions, viz.: that (1) red is exciting to the mind and emotions; (2) yellow is inspiring and elevating and intellectually stimulating; and (3) blue is cool, soothing and calming. It is also universally conceded that the right shades of green (combining the qualities of blue and yellow in appropriate proportions) is the ideal color of rest and recuperation, followed by a stimulation and new ambition. The reason for this may be seen when you consider the respective qualities of blue and yellow, which compose this color. It is interesting to note that the science of medicine is now seriously considering the use of colors in the treatment of disease, and the best medical authorities investigating the subject are verifying the teachings of the old occultists regarding the influence of colors on mental states and physical conditions. Dr. Edwin Babbitt, a pioneer in this line in the Western world, gave the general principles in a nutshell when he laid down the following rule: "There is a trianal series of graduations in the peculiar potencies of colors, the center and climax of electrical action, which cools the nerves, being in violet; the climax of electrical action, which is soothing to the vascular system, being in blue; the climax of luminosity being in yellow; and the climax of thermism, or heat, being in red. This is not an imaginary division of qualities, but a real one, the flame-like red color having a principle of warmth in itself; the blue and violet, a principle of cold and electricity. Thus we have many styles of chromatic action, including progression of hues, of lights and shades, of fineness and coarseness, of electrical power, luminous power, thermal power, etc." Read the above statement of Dr. Babbitt and then compare it with the occult teaching regarding the astral colors, and you will perceive the real basis of the science which the good doctor sought to establish and in which cause he did such excellent pioneer work. The result of his work is now being elaborated by modern physicians in the great schools of medicine, particularly on the Continent, in Europe--England and America being somewhat behind the times in this work. The advanced occultist also finds much satisfaction in the interest on the part of physicians and jurists in the matter of the influence of color upon the mental, moral and physical welfare of the public. The effect of color upon morality is being noticed by workers for human welfare occupying important offices. The American journals report the case of a judge in a large Western city in that country who insisted upon his courtroom being decorated in light, cheerful tints, instead of in the old, gloomy, depressing shades formerly employed. This judge wisely remarked that brightness led to right thinking, and darkness to crooked thinking; also that his court, being an uplift court, must have walls to correspond, and that it was enough to turn any man into a criminal to be compelled to sit in a dark, dismal courtroom day after day. This good judge, who must have had some acquaintance with the occult teachings, is quoted as concluding as follows: "White, cream, light yellow and orange are the colors which are the sanest.

I might add light green, for that is the predominant color in nature; black, brown and deep red are incentives to crime--a man in anger sees red." Surely a remarkable utterance from the bench! The effect of color schemes upon the moral and mental welfare of persons is being recognized in the direction of providing brighter color schemes in schools, hospitals, reformatories, prisons, etc. The reports naturally show the correctness of the underlying theory. The color of a tiny flower has its effect upon even the most hardened prisoner, while the minds of children in school are quickened by a touch of brightness here and there in the room. It needs no argument to prove the beneficial effect of the right kind of colors in the sickroom or hospital ward.

The prevailing theories and practice regarding the employment of color in therapeutics and human welfare work are in the main correct.

But I urge the study of the occult significance of color, as mentioned in this book in connection with the human aura and its astral colors, as a sound basis for an intelligent, thorough understanding of the real psychic principles underlying the physical application of the methods referred to.

Go to the center of the subject and then work outward--that is the true rule of the occultist which might well be followed by the nonoccult general public.

By Swami Panchadasi 1912

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