Dataset Viewer
image_link
stringlengths 107
241
| languages
stringclasses 218
values | ids
stringlengths 16
128
| transcriptions
stringlengths 318
8.68k
| distinct
stringclasses 162
values | explanations
stringclasses 783
values | summary
stringlengths 638
7.35k
| backtranslation
stringlengths 171
9.27k
| language
stringclasses 19
values | __index_level_0__
int64 0
30k
|
|---|---|---|---|---|---|---|---|---|---|
['English', 'Chinese'] | ['1as2RDF5EPCv', '1gCS0wzpcc3o'] | [" There is some interesting looking bread. Yes, this is a bakery. And in the front they have a bread that looks like an alligator, a few that look like alligators, one that looks like a dancing teddy bear or a waving teddy bear. It has a tie. And one that says like a heart and it says forever on it. And then there's a crab. And these are all they look like either pastries or like bread. And you can see that there's bread that's uncooked in the background. That looks like it's on a tray that's about to go in the oven. There's some menus behind the dancing bear. The bear could also be a pig. It's unclear which it is. But it has a round nose and all the food. It all looks like brown bread and it's on metal. And the trays in the background are metal. The menus are black. And the background looks like the inside of the bakery. It looks like we're looking from the outside. There's sun shining onto these things that are in the window.", 'This is a photo taken in a room, which appears to be a corner of a kitchen in a restaurant or bakery. In the photo, there are four baked loaves of bread. One of the loaves resembles a bear or a squirrel, and in front of it, there are two loaves shaped like crocodiles. To its right is a loaf shaped like a crab, and behind it is a heart-shaped loaf with the number four written on top and the word "ever" written below. Behind them, you can see a rack holding three or four loaves of bread, and the bread box below likely contains more baked loaves. To its right, there are many stainless steel plates, and behind them is some clutter placed inside a stainless steel frame. Most of the items and utensils in the photo are made of stainless steel, including the countertops. Although some sunlight is shining in, most of the light in the photo is relatively dim.'] | [False, False] | [nan, nan] | In this scene, the viewer is presented with various interesting and creatively shaped bread products within a bakery setting. The focus is on several whimsical loaves of bread displayed prominently, with each loaf taking on an imaginative form. Among these is a loaf resembling an alligator, with multiple alligator-shaped breads visible. Additionally, there is a loaf that looks like a playful teddy bear or possibly a pig, characterized by its round nose and a decorative tie, which adds to its charming appearance. Accompanying these are a crab-shaped loaf and a heart-shaped loaf, the latter of which has the word "forever" inscribed alongside the number four, indicating a sentimental design likely intended for special occasions. In the background, there are trays of uncooked bread, suggesting the ongoing baking process, with one tray appearing ready to enter the oven. The background also consists of metal trays and is illuminated by sunlight filtering through the window, casting light onto the baked items displayed in the front. Detailed elements of the bakery’s environment include black menus visible behind the dancing teddy bear/pig figure, giving a glimpse into the bakery's offerings and atmosphere, while the overall aesthetic includes a rustic, warm feel due to the brown tones of the pastries and the stainless steel surfaces. The second image captures a moment in what seems to be a corner of a kitchen, either in a restaurant or bakery, showcasing a variety of baked goods. In this photo, four distinct loaves of bread are arranged, including one that resembles either a bear or a squirrel, alongside two crocodile-shaped loaves positioned in front of it. There is also a crab-shaped loaf, with the heart-shaped loaf situated behind it displaying the number four written atop the word "ever". Further back, a rack is visible holding additional loaves of bread, while a nearby bread box suggests there are even more baked items stored within. The kitchen setting is characterized by an array of stainless steel plates placed to the side, along with other kitchen utensils that contribute to a functional workspace. Most of the kitchen items, from countertops to containers, are constructed from stainless steel. While sunlight enters the room, it reveals a relatively dim lighting overall, creating a cozy yet industrious atmosphere, reflective of a place where delightful baked goods are carefully crafted. | এই দৃশ্যে দর্শকদের একটি বেকারির পরিবেশে বিভিন্ন আকর্ষণীয় এবং সৃজনশীল আকারের রুটি পণ্য উপস্থাপিত হচ্ছে। এখানে বেশ কিছু হাস্যকর রুটির টুকরো স্থানীয়ভাবে প্রদর্শিত হয়েছে, প্রতিটি রুটি একটি কল্পনাপ্রসূত আকার নিয়েছে। এর মধ্যে একটি রুটি কুমিরের মতো দেখতে, যেখানে একাধিক কুমির আকৃতির রুটি দৃশ্যমান। এছাড়াও একটি রুটি রয়েছে যা একটি মিষ্টি টেডি বিয়ার অথবা সম্ভবত একটি শূকরের মতো দেখাচ্ছে, যার গোলাপী নাক এবং সাজসজ্জার টুকরো রয়েছে, যা এর আকর্ষণীয় চেহারাকে বাড়িয়ে তোলে। এই রুটির সঙ্গে একটি কাঁকড়ার আকারের রুটি এবং একটি হৃদয় আকৃতির রুটি রয়েছে, যার ওপর "forever" শব্দটি এবং চার সংখ্যা খোদাই করা আছে, যা বিশেষ المناسبের জন্য একটি আবেগপ্রবণ ডিজাইন নির্দেশ করে। পটভূমিতে, অরক্ষিত রুটির ট্রে রয়েছে, যা বিরতিহীন বেকিং প্রক্রিয়ার ইঙ্গিত দেয়, একটি ট্রে ওভেনে প্রবেশের জন্য প্রস্তুত মনে হচ্ছে। পটভূমিটি ধাতব ট্রে এবং জানালার মাধ্যমে প্রবাহিত সূর্যালোক দ্বারা আলোকিত, যা সামনে প্রদর্শিত বেকড আইটেমগুলোর ওপর আলো ফেলছে। বেকারির পরিবেশের বিস্তারিত অংশগুলি কালো মেনু, যা নাচতে থাকা টেডি বিয়ার/শূকর চিত্রের পিছনে দৃশ্যমান, বেকারির অফার এবং পরিবেশের একটি ঝলক দেয়, সম্পূর্ণ শৈলীর মধ্যে পাস্তার বাদামী রঙ এবং স্টেইনলেস স্টিলের পৃষ্ঠগুলির কারণে একটি গ্রামের উষ্ণ অনুভূতি রয়েছে। দ্বিতীয় ছবিটি একটি রান্নাঘরের কোণে, হয় একটি রেস্তোরাঁ বা বেকারি, যে স্থানে বিভিন্ন বেকড পণ্য প্রদর্শন করা হয়েছে। এই ছবিতে চারটি স্বতন্ত্র রুটি সাজানো হয়েছে, যার মধ্যে একটি বিয়ার অথবা গিলতে নাক জাতীয় আকৃতির, পাশাপাশি এর সামনে দুটি কুমির আকৃতির রুটি রয়েছে। সেখানে একটি কাঁকড়ার আকারের রুটি আছে, যার পেছনে হৃদয় আকৃতির রুটি রয়েছে, যার ওপর "ever" শব্দের সাথে চার সংখ্যাটি লেখা আছে। আরও পিছনে, একটি র্যাক দেখা যাচ্ছে যা অতিরিক্ত রুটির উপরে আছে, जबकि একটি নিকটবর্তী রুটি বাক্স ইঙ্গিত দেয় যে আরও বেকড আইটেম সেখানেই সংরক্ষিত রয়েছে। রান্নাঘরের পরিবেশটি স্টেইনলেস স্টিলের পাত্রে সাজানো, অন্যান্য রান্নাঘরের যন্ত্রপাতি দিয়ে একটি কার্যকরী স্থান তৈরিতে অবদান রাখছে। রান্নাঘরের বেশিরভাগ আইটেম, কাউন্টারটপ থেকে কনটেইনার পর্যন্ত, স্টেইনলেস স্টিলের তৈরি। যখন সূর্যালোক ঘরে প্রবাহিত হয়, এটি একটি কিছুটা অন্ধকার আভা উন্মোচন করে, যা একটি আরামদায়ক কিন্তু পরিশ্রমী পরিবেশ তৈরি করে, যা সেই স্থানের প্রতিফলন করে যেখানে আনন্দময় বেকড পণ্য সাবধানে তৈরি হয়। | bn | 19,566 |
|
['Russian'] | ['1khkM0fPGsYv'] | ['In this photo, we see some kind of vehicle, not a nuclear warhead but a missile launcher. We have a reception with a rear trailer and what we can see is that this is the very beginning, that it is located somewhere at a high elevation, at an elevation that is artificially created in a park where everything is in green, in camouflage color. This is, by the way, also a vehicle that makes it difficult to... to see it. It seems to be colorful, with any text absent. And then, what else can be said? This is somewhere in a park, in a overgrown park. Maybe no one is even monitoring this park anymore. It seems to be too overgrown, perhaps even not noticing this vehicle. Well, or maybe it is very wet for this, and people are not really trimming this park, neither the lawn nor the bushes.'] | [True] | [nan] | In this photograph, we observe a particular type of vehicle that is distinctly identified as a missile launcher, rather than a nuclear warhead. This launcher is equipped with a rear trailer, indicating its functionality and purpose. The setting of this vehicle is noteworthy; it is positioned at a high elevation, which appears to be artificially created within a park environment. The park is characterized by lush greenery, each aspect blending into a camouflage color scheme, which serves to conceal the vehicle from onlookers. The missile launcher itself has a vibrant, colorful appearance, yet it is devoid of any textual identifiers or markings. This lack of visible text further aids in the vehicle's concealment, making it less noticeable within the park's landscape. Surrounding the vehicle, the park shows signs of neglect, with thick undergrowth and overgrown vegetation. It gives the impression that this area has not been properly monitored or maintained for some time. One might speculate that the overgrown nature of the park has rendered the vehicle more difficult to detect, as it blends seamlessly into the unruly environment. Additionally, there is an implication that the weather conditions may contribute to the maintenance—or lack thereof—of the park. Perhaps heavy rainfall or persistent dampness has discouraged any attempts to trim the grass or manage the bushes, resulting in nature reclaiming the space around the vehicle. The overall scene hints at a forgotten installation, obscured by the elements and time, reinforcing the idea that this park, in its overgrown state, could very well be overlooked by individuals who might otherwise be tasked with its upkeep. | Dans cette photographie, nous observons un type particulier de véhicule clairement identifié comme un lance-missiles, plutôt qu'une ogive nucléaire. Ce lanceur est équipé d'une remorque arrière, indiquant sa fonctionnalité et son objectif. Le cadre de ce véhicule est remarquable ; il est positionné à une haute élévation, qui semble avoir été créée artificiellement dans un environnement de parc. Le parc se caractérise par une végétation luxuriante, chaque aspect s'intégrant dans un schéma de couleurs de camouflage, ce qui sert à dissimuler le véhicule des regards des passants. Le lance-missiles lui-même a une apparence vibrante et colorée, mais il est dépourvu de tout identifiant ou marquage textuel. Ce manque de texte visible contribue davantage à la dissimulation du véhicule, le rendant moins perceptible dans le paysage du parc. Environnant le véhicule, le parc montre des signes de négligence, avec une végétation dense et envahissante. Cela donne l'impression que cette zone n'a pas été correctement surveillée ou entretenue depuis un certain temps. On pourrait spéculer que l'état envahissant du parc a rendu le véhicule plus difficile à détecter, car il se confond parfaitement avec l'environnement désordonné. De plus, il y a une implication selon laquelle les conditions météorologiques peuvent influencer l'entretien—ou l'absence de celui-ci—du parc. Peut-être que de fortes pluies ou une humidité persistante ont découragé toute tentative de tailler l'herbe ou de gérer les buissons, laissant la nature reprendre l'espace autour du véhicule. La scène dans son ensemble suggère une installation oubliée, obscurcie par les éléments et le temps, renforçant l'idée que ce parc, dans son état envahissant, pourrait bien être négligé par des personnes qui pourraient autrement être chargées de son entretien. | fr | 9,899 |
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1dY7TgXb5kko', '12HXZTocHjHN', '1cHGMQB616zB', '1rFUbeT2J6AZ', '15q4bCbswKxN', '1eir8UYWeCtC'] | [" So I see these are, well at a first glance it seems like these are just three beverage bottles. But after a closer look, these are actually recycling bins that are shaped like beverage bottles. There are three of them and they all have text on them. The one on the left and the one in the middle just says recycle with some smaller text that I can't really make out of. The other one, the one on the right, has more text. It also says recycle but it also talks about a Changi airport. Which means that this is most likely in an airport where there are three recycling bins. These are the ones that are shaped like beverage bottles. They're positioned right next to each other.", " So this photo seems to be taken in the waiting area. So based on the signs, we can see it's in the airport. But I can't tell it's either in departure or arrival. So but it must be in a waiting area. So there's a kind of maybe a chair on the left. We can see some glass doors and windows in the back. And so seems to be taken in the evening. And in the middle of this picture, it shows a recycle point. So there are three different recycle cabinets. Which has a shape. A bottle of a can and maybe also a recycle cabinet of papers. So that indicates like where this recycle item should be put.", "In this image we see in the central part of the image some large beverage dispensers that are in the shape of the bed...oh no. We see some recycle bins that are in the shape of beverages, especially meant for people to put bottles in or their metal beverage containers in. In terms of the objects we see three actually of those recycle dispensers, all unique. So two are in the shape of a bottle, the other one is more in the shape of a newspaper, so that probably means one is meant for paper newspapers, the other one is one of them for more metal-like beverages containers, and the other one for more plastic-like beverage containers based on the shapes of each of these recycle bins. Okay. Clearly in terms of writing we see it says recycle point in English with some small text that I can't read, and it says recycle on the two beverage ones on the left and then in the one on the right that's in the shape of a newspaper it says recycle daily, Changi Airport saves 1832 trees. Because the text is in English... Okay. Okay. Okay. Okay. Not in Chinese, but Changi itself seems to be a Chinese name for an airport. I would assume it's the airport of Singapore or somewhere like that where they have English still as an official language, but obviously many Chinese there. And other than that we see the tiling more in the foreground and a bit in the background. We see the counter area a bit more in the background, some kind of airport counter and some kind of airport counter. kind of glass windows towards the right in the background but there's really not much noteworthy otherwise and in terms of patterns and colors nothing of note really besides maybe that one of the recycle bins is orange and yeah and there's really not much contextual information to know what location well actually besides the writing which of course tells us we're probably in an airport and based on the writing language and the name of the airport tells us that we're probably in Singapore but that's really more in terms of the writing that gives context more than anything else", 'It should be a photo taken in Singapore. Initially, it\'s quite difficult to judge simply based on the objects in the photo, but there are three large bottles prominently displayed, all labeled in English. These three bottles appear to be recycling bins for plastic bottles and cans. On the far right, the third bin is labeled in English as "Changi Airport," which mentions that it has successfully saved 1,832 trees. Since Changi Airport is Singapore\'s airport, I suspect the entire photo was taken in Singapore, likely indoors—perhaps in the airport, a shopping mall, or an office building. The three large and noticeable bins serve specific purposes: the leftmost one is for recycling plastic bottles, the middle one is for recycling cans, and the right one is for recycling paper. To the left, there seems to be a reception area, but it\'s currently evening, as the outside is quite dark and there is no one present at the reception. The floor appears to be tiled, and there is also a fire extinguisher nearby. Overall, it depicts an indoor scene in Singapore.', 'The picture shows an indoor recycling station with three recycling bins, all labeled with the word "recycle," meaning for recycling. The bin on the left is shaped like a plastic bottle and is used for recycling plastic bottles. The middle bin is shaped like an aluminum can and is designated for recycling aluminum cans. The bin on the right is shaped like a newspaper and is meant for recycling paper products. The background features an indoor setting. The left bin represents a space for recycling aluminum cans. The area on the right appears more open, indicating that the indoor space is quite large. The flooring is in shades of gray and dark gray, resembling marble. The design of these three recycling bins is very important. Furthermore, we can deduce from the newspaper-shaped recycling bin that this location is at an airport.', 'This image, at first glance, shows the shape of three bottles. Upon closer inspection, the bottles have the word "recycle" written on them. The largest bottle has an opening in the middle, which seems to remind everyone that they can place corresponding bottles inside, such as the one on the left, which is a white plastic water bottle. This indicates that this plastic bottle can be placed into that opening. The middle one has the design of a can, which likely means that aluminum cans can be tossed into this larger bottle. Lastly, the third one resembles a piece of newspaper and also has an opening in the middle, suggesting that people can deposit paper products for recycling there. This appears to be a recycling station to remind everyone to place recyclable items in these containers.'] | [False, False, False, False, False, False] | [nan, nan, 'No', nan, nan, nan] | The first observation indicates that at first glance, the image seems to show three simple beverage bottles. However, upon closer examination, it becomes apparent that these are not ordinary bottles but rather cleverly designed recycling bins shaped like beverage containers. There are three items in total, each featuring text that encourages recycling. The recycling bins on the left and in the middle prominently display the word "recycle" along with some smaller text that is not clearly legible. The bin on the far right not only has the word "recycle" but also includes additional text that references Changi Airport. This detail signifies that these recycling bins are likely located within an airport, specifically at Changi Airport in Singapore. The second description suggests that the photograph captures a scene in a waiting area of the airport, although it is unclear whether it is within the departure lounge or the arrival area. The waiting area includes some seating, as inferred from what appears to be a chair to the left. The background consists of glass doors and windows, indicating an open atmosphere typical of airport settings. The time of day appears to be evening, as the lighting suggests a dimmer environment. Centrally positioned in this image are three unique recycling cabinets, distinctively shaped: one mimics a bottle, another resembles a can, and the last one likely represents a paper recycling cabinet. This setup indicates designated places for various recyclable items. As we delve deeper into the specifics of the image, we note the presence of three large recycling dispensers that resemble beverage containers, designed to encourage users to deposit their recyclable bottles or metal beverage containers. Two of the dispensers are bottle-shaped, while another one is designed to look like a newspaper, suggesting its purpose is to accept paper products. The text prominently displayed indicates a "recycle point," with notes written in English, including the term "recycle" found on the bottle-shaped bins, while the newspaper-shaped bin reads "recycle daily, Changi Airport saves 1832 trees." This information, along with the use of English, further reinforces the idea that this scene is set at an airport in Singapore, where English is an official language alongside Mandarin Chinese, reflecting the multicultural fabric of the city-state. The fourth description reaffirms the assumption that the photograph is taken in Singapore, particularly as Changi Airport is renowned as the main airport serving the region. Though the objects in the photo initially seem ambiguous, the three large bins distinctly marked in English signal their function for recycling plastic bottles and cans. The addition of the "Changi Airport" label stresses the environmental efforts by noting the preservation of 1,832 trees, indicative of the airport's commitment to sustainability. This scene appears to be set inside the airport, although it could also potentially fit within other public indoor environments such as shopping malls or office buildings. The left bin serves the purpose of recycling plastic bottles, the middle bin is designed for aluminum cans, and the right bin caters to paper. Adjacent to these bins is an area that resembles a reception space, but given the evening setting characterized by darkness outside, it is currently unoccupied. The fifth description focuses on the indoor recycling station, highlighting three recycling bins that are uniformly labeled with "recycle." The left bin is crafted in the likeness of a plastic bottle, designated for recycling plastic. The central bin, shaped like an aluminum can, is allocated for recycling aluminum products. Meanwhile, the rightmost bin takes the form of a newspaper and is reserved for paper recycling. The backdrop suggests a spacious indoor environment, with the flooring exhibiting shades of gray reminiscent of marble tiles. The distinct designs of these recycling bins highlight their intended functions and signify an awareness towards recycling and sustainability, particularly emphasizing the presence of the newspaper-shaped bin, which suggests the narrative that this location is situated within an airport setting. The final observation reiterates the initial finding that the three depicted objects resemble bottles at first glance; however, they bear the word "recycle" upon closer inspection. The largest of the bins features an opening for easy disposal of recyclable items, such as the white plastic water bottle that is seen being designated for placement within that particular opening. The middle bin resembles an aluminum can, indicating that it is intended for the disposal of cans, while the newspaper-shaped bin also has an opening, clearly designated for paper products. This whole setup appears to serve as a recycling station, designed to encourage the responsible disposal of recyclable materials and to promote public recycling awareness. | 第一次观察表明，乍一看，这幅图像似乎显示了三个简单的饮料瓶。然而，仔细观察后很明显，这些并不是普通的瓶子，而是巧妙设计的回收箱，外形像饮料容器。总共有三个物品，每个物品上都有鼓励回收的文字。左侧和中间的回收箱显著展示了“回收”这个字，以及一些不太清晰的小字。最右侧的箱子不仅有“回收”字样，还包含提到樟宜机场的额外文字。这一细节表明这些回收箱可能位于机场，特别是在新加坡的樟宜机场。 第二个描述暗示这幅照片捕捉了机场的候车区场景，虽然不清楚它是在登机口还是到达区。候车区包括一些座位，可以从左侧似乎有一把椅子中推测出来。背景是玻璃门和窗户，表明这是一个典型的机场环境，气氛开阔。时间看起来是晚上，因为光线暗淡，营造出一种昏暗的环境。在这幅图像的中央，有三个独特的回收柜，形状各异：一个模仿瓶子，另一个类似罐头，最后一个可能代表纸类回收柜。这一设置表明有专门的地方回收各种可回收物品。 深入分析图像的细节，我们注意到有三个大型回收装置，它们看起来像饮料容器，旨在鼓励用户投放可回收的瓶子或金属饮料容器。两个装置是瓶子形状，而另一个则设计为报纸的样子，表示其接受纸类产品。显著展示的文字指示一个“回收点”，用英文写的注释，包括在瓶子形状的箱子上找到的“回收”一词，而报纸形状的箱子上则写着“每天回收，樟宜机场节约1832棵树”。这一信息，加上使用英语，进一步强调这个场景设在新加坡机场，那里英语是与汉语一起的官方语言，反映了这个城市国家的多元文化。 第四个描述重申这一照片是在新加坡拍摄的假设，特别是樟宜机场作为该地区主要机场而闻名。虽然照片中的物体起初看起来模糊不清，但这三个明显用英文标记的大型箱子清楚地表明它们的功能是回收塑料瓶和罐头。“樟宜机场”的标签突显了环境保护工作的努力，指出保护了1832棵树，表明该机场对可持续性的承诺。这个场景似乎设在机场内部，尽管它也可能适合其他公共室内环境，如购物中心或办公大楼。左侧的箱子用于回收塑料瓶，中间的箱子为铝罐设计，右侧的箱子则用于纸张回收。这些箱子旁边有一个类似接待区的区域，但考虑到外面黑暗的晚间环境，目前是空着的。 第五个描述聚焦于室内回收站，强调三个统一标有“回收”的回收箱。左侧的箱子模仿塑料瓶，专门用于回收塑料。中央的箱子呈铝罐形状，用于回收铝制品。同时，最右侧的箱子呈报纸的形状，专用于纸张回收。背景暗示这是一个宽敞的室内环境，地板展示出类似大理石砖的灰色阴影。这些回收箱独特的设计突出它们的预期功能，并表明对回收和可持续性的关注，特别强调有报纸形状的箱子，暗示该地点位于机场环境中。 最后一次观察重申了最初的发现，这三个描绘的物体乍一看像瓶子；然而，仔细观察后它们上面都带有“回收”的字样。最大的一只箱子有一个开口，方便投放可回收物品，比如看到的那个白色塑料水瓶正被放入该开口中。中间的箱子类似铝罐，表明它是用于投放罐头，而报纸形状的箱子也有一个开口，专门用于纸类产品。这整个设置似乎作为一个回收站，旨在鼓励对可回收材料的负责任投放，并提升公众的回收意识。 | zh-cn | 4,050 |
|
['English'] | ['12xaqUtyGt6k'] | ["This image has a red background with some sort of line coming from the left to the middle slash right with tones of red and orange. And behind that seems to be some sort of logo, which is an eyeball. And the outline of the eyeball is white. And it's filled with red. And the eye itself is a white eye filled with, and in the middle is a red dragon, which seems to be from a special house or family. And there is text all over what seems to be Mandarin in white. And under this text in white is smaller text in black, which seems to be in English. It's hard to read because of the color patterns. But it seems to say the 22nd Beijing College Student Film Festival and the 16th College Student Film Competition Closing Ceremony and winning film. And it's exchange, show and exchange. It's really hard to read. There seem to be times and dates underneath it. And then something on the bottom left, Mandarin. And on the bottom right would seem to be sponsors and QR codes."] | [True] | [nan] | The image features a vibrant red background, which serves as the main visual element. From the left side of the image, there is a bold line that extends toward the center, creating a dynamic slash that transitions into various shades of red and orange, adding depth and intensity to the composition. Central to the design is a distinctive logo, prominently depicting an eyeball. The outline of this eyeball is rendered in white, while the inner part is filled with a rich red hue. Within the eyeball, the eye itself is portrayed as white, and prominently featured in the center is an intricate red dragon. This dragon likely symbolizes a specific house or family, indicative of cinematic traditions or cultural references tied to the film festival context. Surrounding and overlaying the logo are sections of text that appear to be written in Mandarin, rendered in white. Beneath this Mandarin text, there is additional smaller English text depicted in black. However, the contrasting colors and intricate patterns in the background make this text somewhat challenging to read. Upon closer examination, the English text seems to include information about the 22nd Beijing College Student Film Festival, along with references to the 16th College Student Film Competition Closing Ceremony and a designation for the winning film. Phrases within the text include "exchange" and "show and exchange," though the details are obscured by the vivid color palette. Further details such as times and dates can be identified beneath the main text, although they remain difficult to decipher due to the color contrasts. Additionally, there is Mandarin text positioned in the bottom left corner of the image, while the bottom right corner features logos or symbols that appear to represent sponsors, along with QR codes that may direct viewers to more information about the event or related activities. | இந்த படத்தில் முதன்மை காட்சியாக வேகமாகத் திரிந்த சிவப்பு பின்னணி உள்ளது. படத்திற்கு இடைந்த நாளில் இருந்து, மையத்திற்கு எட்டும் ஒரு வலுவான கோடு உள்ளது, இது சற்று கலக்கமான பாடலில் சிவப்பு மற்றும் ஆரஞ்சு நிறங்களில் மாறுகிறது, இயல்பிற்குப் பெரும் ஆழம் மற்றும் முறைமையை சேர்க்கிறது. வடிவமைப்பின் மையத்தில் ஒரு தனித்துவமான லோகோ உள்ளது, இது வெளிப்படையாக ஒரு கண்களைப் பிரதிபலிக்கிறது. இந்த கண்களின் கட்டமைப்பு வெள்ளையில் உருவாக்கப்பட்டுள்ளது, உட்புறம் மலரும் நிறச் சிவப்பில் நிறமிட்டுள்ளது. கண்ணில், கண் வெள்ளையாக காட்சியளிக்கப்படுகிறது, மேலும் மையத்தில் ஒரு சிக்கலான சிவப்பு அஞ்சலியாக்கம் prominently உள்ளது. இந்த அஞ்சலியானது ஒரு குறிப்பிட்ட வீட்டிற்கு یا குடும்பத்திற்கு சின்னமாக இருக்க வாய்ப்பு உள்ளது, இது சினிமாவுக்கான மரபுகள் அல்லது திரைப்பட விழா சூழலில் உள்ள கலாச்சார குறிப்புகளை குறிக்கிறது. லோகோவைச் சுற்றி மற்றும் மேலே மந்தரின் எழுத்துகள் அமைந்துள்ளன, இது வெள்ளையிலேயே எழுதப்பட்டுள்ளதுபோல தோன்றுகிறது. இந்த மந்தரின் எழுத்துகளின் கீழே, ஒரு சிறிய ஆங்கில எழுத்து கருப்பில் காட்சியளிக்கப்படுகிறது. இருப்பினும், பின்னணி உள்ள மார்க்கங்கள் மற்றும் சிக்கலான வடிவங்கள் மிகுந்த நிறப் குறிப்புகளில் இந்த எழுத்துகளைப் படிக்க அவசரமாகவோ அல்லது சிரமமாகவே இருக்கும். முதலில் பணிகள் குறித்து 22வது பீஜிங் கல்லூரி மாணவர்களின் திரைப்பட விழா, 16வது கல்லூரி மாணவர்களின் திரைப்பட போட்டியின் மூடல் விழா மற்றும் வெற்றியாளரின் திரைப்படத்தின் குறிப்பிடங்கள் உள்ளன என்று நெருங்கிய சோதனையீட்டின் மூலம் தெரிகிறது. "மாற்றம்" மற்றும் "காட்சியளிக்கவும் மாற்றவும்" என்ற உள்ளீடுகள் உள்ளன, ஆனால் விவரங்கள் விரிவாக அழியாத நிறங்கள் மூலம் மறைக்கப் படுகின்றன. முக்கியக் எழுத்துகளின் கீழே நேரங்கள் மற்றும் தேதிகளை அடையாளம் காணலாம், ஆனால் அவை நிறங்களின் மீதமான முரண்பாடுகளால் சின்மைமயமாகவோ இருக்கின்றன. கூடுதலாக, படத்தின் கீழ் இடதுபுறம் உள்ள கோணத்தில் மந்தரின் எழுத்துகள் உள்ளன, அவற்றின்கீழே வலதுபுறம் உள்ள கோணத்தில் நிதி வழங்குநர்களைக் கண்காணிக்கும் காட்சிகள் அல்லது சின்னங்கள் உள்ளன, மேலும் QR குறியீடுகள் இவ்விழா அல்லது தொடர்புடைய செயல்பாடுகள் பற்றி மேலதிகமாக தகவல்களை வழங்கும் வாய்ப்பு இருக்கிறது. | ta | 26,344 |
|
['English', 'Russian', 'Chinese'] | ['1fhhfygHaG03', '1ohpA9ouRZzT', '1bUWweH1dDhk'] | [' This is a room that appears to be part of a very nice hotel. It is yellow on the ceiling and along the walls. And on the ceiling, there is a circular mirror with four smaller circles around it. And the mirror is partitioned with a circle and four sections around it. The mirror is also framed by white trim with yellow balls on top, which is also framed by more white trim. There are two tables and one desk and two couches. The rug is a checkered sort of pattern and the entire room is very yellow, red, and white themed. Around the table on the right are four brown chairs. There is a countertop with two more ornate chairs and a kitchen. And some rooms in the back with more mirrors and framed pictures.', "Here we photographed in some, I think, either a hotel or something similar, where the floor has carpet, many different lamps, a nice room, quite old. It’s clear that this was taken during the day because there is light coming in from outside, but they also said there is lamp light around. There is a television on the left, but nothing is playing on it. On the right, there is a small table with four chairs. There is also a table on the left with just one table. And behind, on the right, there is some kind of bar with two tables, but no one is there. In this photo, there is actually no one. Just, yes, a photograph of this hotel. On the ceiling, I think there is a mirror, or maybe there's a second floor. What exactly is happening there is hard to understand. But right in front of us, we can see that there is a white door.", "This picture looks a bit like a hotel lobby, but I'm not entirely sure. It seems to have a more upscale vibe, like a high-end place. The ceiling is adorned with circular lights, featuring different kinds of fixtures, and the circles have intricate patterns. In the center of one of these circles, there appears to be a light. The floor seems to be covered with carpet, and on the left side, there are several tables arranged. The nearest table to us definitely has one chair next to it. A little further ahead, there seem to be two pairs of small sofas opposite each other, with a small coffee table in between. It gives the impression of a hotel lobby area, with many lights, including table lamps and overhead spotlights illuminating the space. It looks like there’s also a display screen hanging on the wall. To the right, at a distance, we can see a table with two chairs beside it. Closer to us is a round table with four chairs around it, and next to it, there is a plant."] | [False, False, False] | [nan, nan, nan] | This is a beautifully decorated room that appears to be part of a high-end hotel. The ceiling is painted a vibrant yellow, which complements the yellow accents that run along the walls. An eye-catching feature of the ceiling is a large circular mirror, surrounded by four smaller circles, creating a unique and artistic design that is both intriguing and elegant. The mirror itself is divided into sections by white trim, with decorative yellow balls positioned atop the trim, giving it a sophisticated look. The room is furnished with two tables, one desk, and two comfortable couches, all arranged thoughtfully to create a welcoming atmosphere. The floor is covered with a checkered patterned rug that adds a touch of style to the space. The color scheme of the entire room is a harmonious blend of yellow, red, and white, contributing to its cheerful and warm ambiance. On the right side of the room, there are four brown chairs placed around a table, offering a cozy gathering space. Additionally, there is a counter that features two more ornate chairs, likely providing a place for dining or socializing. In the background, there are more rooms featuring additional mirrors and framed pictures, which further enhance the overall opulence of the hotel. In another photograph, the setting seems to be a hotel or a similar establishment characterized by its plush carpeting and various kinds of lamps that illuminate the space. The ambiance is nostalgic, hinting at a time when decor was more ornate and traditional. The photograph captures a sunlit scene, indicating that it was taken during the day, with natural light streaming in through windows along with supplemental lamp light providing a warm glow. The room features a television on the left side of the image; however, it is not currently playing anything. A quaint table equipped with four chairs occupies the right side. There is also a smaller table on the left side with only one chair. In the background, on the right, there appears to be a bar area with two tables, which although visually appealing, is devoid of any patrons, enhancing the sense of stillness in the photograph. Notably, the ceiling might contain a mirror or suggest the presence of a second floor, adding a touch of intrigue to the image. A prominent white door sits directly in front of the viewer, contributing to the hotel's classic decor. The next image gives an impression of a hotel lobby, exuding an upscale and high-end vibe. The ceiling is embellished with circular lights that showcase various fixtures, each featuring intricate patterns that attract the eye. In the center of one of these circles, a stylish light fixture is prominently displayed, contributing to the elegant atmosphere. The floor, once again, is carpeted, maintaining warmth underfoot. On the left side, a series of tables are arranged, the closest of which features a lone chair beside it. Further into the space, there are two pairs of small sofas facing each other across a charming coffee table, which encourages conversation and relaxation among guests. The lobby area is generously illuminated by multiple lights, including table lamps and overhead spotlights that enhance the inviting feel of the space. A display screen hangs on one of the walls, likely providing information or entertainment for guests. To the right, at a distance, there is a table accompanied by two chairs, while a round table with four chairs surround it sits closer to the viewer, nestled next to a decorative plant that softens the overall aesthetic of the lobby area. | 这是一间装饰精美的房间，看起来是高端酒店的一部分。天花板涂成鲜艳的黄色，与沿墙面布置的黄色装饰相得益彰。天花板上最引人注目的特色是一个大型圆形镜子，周围环绕着四个较小的圆形镜子，创造出一种独特而艺术的设计，既引人入胜又优雅。镜子本身由白色装饰条分割成几个部分，装饰性的黄色球体位于装饰条顶部，赋予它一种精致的外观。房间内配有两张桌子、一张书桌和两张舒适的沙发，布置得恰到好处，营造出一种温馨的氛围。地板上铺有棋盘图案的地毯，为这个空间增添了一丝风格。整个房间的配色方案是黄色、红色和白色的和谐融合，使其充满欢快和温暖的气息。在房间的右侧，有四把棕色椅子围绕着一张桌子，提供了一个舒适的聚会空间。此外，还有一个带有两个精致椅子的吧台，可能是供用餐或社交的地方。在背景中，还有更多的房间，配有额外的镜子和挂框的图片，进一步提升了酒店的整体奢华感。 在另一张照片中，环境似乎是一个酒店或类似的场所，拥有华丽的地毯和各种各样的灯具，照亮了空间。氛围让人怀旧，暗示着装饰曾经更加华丽和传统。这张照片捕捉到了阳光明媚的场景，表明是在白天拍摄的，窗户透进自然光，配合补充的灯光，营造出温暖的氛围。房间左侧有一台电视，不过当前没有播放任何节目。右侧有一张配备了四把椅子的雅致桌子。左侧还有一张只有一把椅子的小桌子。在背景右侧，似乎有一个吧台区域，配有两张桌子，虽然视觉上吸引人，但没有顾客，增强了照片中静谧的感觉。值得注意的是，天花板上可能有镜子或暗示二楼的存在，给画面增添了一丝神秘感。明显的白色门正对着观众，增强了酒店经典的装饰。 下一张图片给人一种酒店大堂的印象，散发出高档和奢华的气息。天花板上装饰着圆形灯具，展示了各种装置，每个都有精致的图案吸引眼球。在其中一个圆形灯具中央，显眼地展示着一个时尚的灯具，增添了优雅的氛围。地板再次铺有地毯，保持了脚下的温暖。左侧排列着一系列桌子，最靠近的桌子旁边有一把孤独的椅子。深入空间中，有两对小沙发面对面坐在一个迷人的咖啡桌旁，鼓励客人之间的交谈和放松。大堂区域散发着温馨的光线，由多个灯具照亮，包括台灯和天花板上的聚光灯，增强了空间的邀请感。墙上挂着一个展示屏，可能为客人提供信息或娱乐。在右侧，远处有一张配有两把椅子的桌子，而离观众更近的圆桌则配有四把椅子，靠近一个装饰植物，为大堂区域的整体美感增添了柔和的气息。 | zh-cn | 14,849 |
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1lfwVxxgeTuH', '169KvRSK0saB', '16NMMyVzdOeV', '1ndmP9dkLF8P', '1bi92mpimSR9', '13FhJHT0rsxk'] | [" Here we see just a bunch of like maybe bells of some sort. It's shaped like a bell, but there are like kind of these stubs coming out from the shell of that bell. There are multiple of these. It's in a glass container. It's displayed very beautifully, so it's probably in some sort of museum. They're kind of on the floor, on the display floor, as well as kind of some are hanging above. It's a little hard to describe specifically what they might be used for, but they seem like they're just bells or some sort of a bell. Maybe a helmet of some sort. But they're like maybe made out of bronze.", " This is an image of traditional brown structures. Most likely in a museum, the structures look like they are made of wood or stone because they are mostly grey and it's hard to tell what they are but they look like they are on a red platform and within a glass casing. The red platform looks like cloth. On the far left, you can see people viewing the art pieces or the museum pieces. Yeah!", "Okay, so this picture is also taken in the museum. And in the middle of the picture, we can see some musical instrument in bronze. And it should be back to 2000 years ago in Qing Dynasty. And the instrument, the Chinese name of the instrument is Bianzhong. When people use the different sides of the bronze instrument to play the music for the empire. And the background is red color. And I can see it's through a glass. So there are many other tourists on the other side, visiting the museum and looking at this great piece. So I think the photo is taken, actually taken in CN. Here, it is a picture with obtainable Voltron'sةл And so thank you for your attention and see you in the other part! Bye, soon!", 'There are Chinese bronze artifacts, so I feel this must be in a museum because such things are not allowed to appear in homes. There are no texts on it, so it’s likely a photo taken by a visitor while touring the museum. These items look like they were excavated; I don’t know what they are, but they resemble bronze artifacts, though this one is not green, so it definitely isn’t a bronze piece. However, it belongs to relatively ancient Chinese culture, and there are at least fifty to sixty items. There are also three or four people beside it, likely visitors examining the piece. The previous photo seemed to be quite cool, so it was probably taken in the summer. But I don’t know which country this museum is in, as sometimes there are exhibitions of Chinese products in museums in other countries, like the United States.', "This image looks like it features the Chinese zenghouyi chime bells, which include many chimes. We can't count them precisely; there might be dozens, and there are no words. In the center of the picture, below, there is an exhibition platform. In the background, there are some people, indicating that this should be in a museum. The background is indeed that of a museum, and the exhibition platform is red. The chimes appear to be of a copper color, resembling a deep reddish hue. There isn't much else to say about the content, but from this image, we can infer that it is related to Chinese culture, and these artifacts are definitely quite ancient. All the bells are displayed in a rectangular arrangement right in the middle of the photo.", 'This is likely in a museum, and the exhibit features a set of chimes, with more than ten in total. There are some smaller chimes and some larger ones, each representing different melodies. The chimes are displayed under a glass dome and placed on a red pedestal. This instrument has a rich historical background, dating back to a very ancient time. In the background, you can see some people visiting the museum and admiring the exhibits, and you can also vaguely see other contemporaneous exhibits.'] | [False, True, True, True, True, True] | [nan, nan, nan, 'They are from ancient China.', nan, 'This is about a Chinese ancient instrument.'] | Here we observe a fascinating collection of objects resembling bells, characterized by their bell-like shape and adorned with stubs protruding from their surfaces. Multiple examples of these items are housed within a beautifully designed glass container, suggesting that they are part of a curated display in a museum setting. The artifacts are arranged thoughtfully, with some positioned directly on the display floor while others are suspended above, enhancing their visibility to visitors. Although it is somewhat challenging to identify their specific purpose, they could be interpreted as either bells or potentially helmets. These items appear to be constructed from bronze, giving them a distinctive historical quality. Next, we examine a depiction of traditional brown structures, which are likely part of a museum's collection. The structures are predominantly gray, indicating that they are possibly crafted from wood or stone. They rest on a red platform, which seems to be composed of fabric. In the image, visitors can be seen on the far left, engaging with the displayed art pieces, signifying a lively atmosphere within the museum. In another portion of the museum, we find a close-up image featuring a bronzed musical instrument, known in Chinese as the Bianzhong. This particular artifact dates back approximately 2000 years to the Qing Dynasty, serving as a historical testament to the music played for the empire during that era. The instrument displays different playable sides, designed to produce varying musical notes. The background of the photograph is a vibrant shade of red, and the photo is taken through a glass display case. Numerous tourists are visible in the background, indicating a healthy interest in the artifact, while the image itself seems to be captured within China. There are also additional Chinese bronze artifacts captured in this image, further confirming the museum setting, as such historically significant items are not typically found in private collections. The absence of any inscriptions suggests that the photo was likely taken by a visitor while they were exploring the exhibits. Although the specific identities of the artifacts are unclear, they bear resemblance to ancient bronze equestrian gear, approximately fifty to sixty pieces altogether, suggesting a significant historical collection. Observers can be seen in close proximity, indicating active engagement with the exhibits. The subsequent image appears to showcase the Chinese Zenghouyi chime bells, a unique collection that includes numerous chimes, possibly numbering in the dozens. The exhibition platform, clearly visible in the foreground, is colored red, accentuating the rich cultural significance of the artifacts on display. The chimes themselves possess a copper hue that leans toward a deep reddish shade, indicative of their ancient origins. A museum backdrop enhances the atmosphere of the photo, and visitors can be seen in the background, helping to contextualize the setting as a space dedicated to cultural appreciation and historical education. Lastly, we view a notable exhibit featuring a set of chimes, each contributing to a symphony of unique melodies representing different tones. The collection consists of more than ten chimes, some larger and others smaller, creating a varied sound spectrum. Residing under a protective glass dome atop a red pedestal, these instruments possess a rich historical narrative that is evident even to casual observers. Throughout the background, individuals can be glimpsed as they traverse the museum, admiring the carefully curated exhibits and contributing to a vibrant cultural exchange within the space. | यहाँ हम घंटियों के समान वस्तुओं के एक दिलचस्प संग्रह का अवलोकन करते हैं, जो अपनी घंटी जैसी आकृति के लिए जानी जाती हैं और जिनकी सतह से बाहर निकले हुए स्टब्स हैं। इन वस्तुओं के कई उदाहरण एक खूबसूरती से डिज़ाइन किए गए कांच के कंटेनर में रखे गए हैं, यह सुझाव देते हुए कि वे एक संग्रहालय के सेटिंग में एक संग्रहित प्रदर्शन का हिस्सा हैं। कलाकृतियाँ विचारशीलता से व्यवस्थित की गई हैं, कुछ प्रदर्शन मंजिल पर सीधे रखी गई हैं जबकि अन्य ऊपर लटकती हुई हैं, जिससे दर्शकों के लिए उनकी दृष्टि बढ़ जाती है। जबकि उनके विशेष उद्देश्य को पहचानना थोड़ा चुनौतीपूर्ण है, इन्हें या तो घंटियों के रूप में या संभवतः हेलमेट के रूप में व्याख्यायित किया जा सकता है। ये वस्तुएँ पीतल से बनी प्रतीत होती हैं, जो उन्हें एक विशिष्ट ऐतिहासिक गुण देती है। इसके बाद, हम पारंपरिक भूरे रंग की संरचनाओं का चित्रण करते हैं, जो संभवतः एक संग्रहालय के संग्रह का हिस्सा हैं। संरचनाएँ प्रमुख रूप से भूरे रंग की हैं, जो इंगित करती हैं कि वे संभवतः लकड़ी या पत्थर से बनी हैं। ये लाल प्लेटफॉर्म पर रखी गई हैं, जो कपड़ों से बनी प्रतीत होती है। चित्र में, दूर बाएं दर्शकों को प्रदर्शित कला के टुकड़ों के साथ इंटरैक्ट करते देखा जा सकता है, जो संग्रहालय के भीतर एक जीवंत वातावरण का संकेत देता है। संग्रहालय के एक अन्य हिस्से में, हमें एक करीब से लिए गए चित्र में पीतल का एक संगीत वाद्ययंत्र दिखाई देता है, जिसे चीनी में बियांझोंग कहा जाता है। यह खास कलाकृति क़िंग राजवंश के समय से लगभग 2000 साल पुरानी है, जो उस युग में साम्राज्य के लिए बजाई जाने वाली संगीत का ऐतिहासिक प्रमाण है। इस वाद्ययंत्र में खेलने के लिए विभिन्न तरफें हैं, जो विभिन्न संगीत नोट उत्पन्न करने के लिए डिज़ाइन की गई हैं। फ़ोटोग्राफ का पीछे का बैकग्राउंड उत्साही लाल रंग का है, और तस्वीर एक कांच के प्रदर्शन केस के माध्यम से ली गई है। पार्श्व में कई पर्यटक दृष्टिगोचर होते हैं, जो कलाकृति में रुचि का संकेत देते हैं, जबकि यह छवि चीन के भीतर कैप्चर की गई प्रतीत होती है। इस तस्वीर में अतिरिक्त चीनी पीतल की कलाकृतियाँ भी कैद की गई हैं, जो संग्रहालय के वातावरण की पुष्टि करती हैं, क्योंकि ऐसे ऐतिहासिक रूप से महत्वपूर्ण वस्तुएँ आमतौर पर निजी संग्रहों में नहीं पाई जाती हैं। कोई भी अभिलेख के अभाव से यह सुझाव दिया जाता है कि यह तस्वीर संभवतः एक आगंतुक द्वारा ली गई थी जब वे प्रदर्शनों की खोज कर रहे थे। हालाँकि कलाकृतियों की विशिष्ट पहचान स्पष्ट नहीं है, वे प्राचीन पीतल की घोड़े की गियर के समान प्रतीत होती हैं, कुल मिलाकर लगभग पचास से साठ टुकड़े, जो एक महत्वपूर्ण ऐतिहासिक संग्रह का सुझाव देते हैं। अवलोकनकर्ता निकटता में देखे जा सकते हैं, जो प्रदर्शनों के साथ सक्रिय रूप से जुड़ाव को इंगित करते हैं। अगली छवि में चीनी जेंघुयी घण्टी घंटियों का एक अनोखा संग्रह दिखाया गया है, जिसमें कई घण्टियाँ शामिल हैं, संभवतः दर्जनों की संख्या में। प्रदर्शनी का प्लेटफ़ॉर्म, जो स्पष्ट रूप से अग्रभूमि में दिखाई देता है, लाल रंग में है, जो प्रदर्शित कलाकृतियों के समृद्ध सांस्कृतिक महत्व को उजागर करता है। घण्टियों का रंग तांबे जैसा है जो गहरे लाल रंग के शेड की ओर झुकता है, जो उनके प्राचीन मूल की पहचान करता है। एक संग्रहालय का बैकग्राउंड फोटो के वातावरण को बढ़ाता है, और पीछे कई दर्शक देखे जा सकते हैं, जो एक सांस्कृतिक प्रशंसा और ऐतिहासिक शिक्षा के लिए समर्पित स्थान के संदर्भ में सेटिंग को स्थापित करने में मदद करते हैं। अंत में, हम घण्टियों के एक उल्लेखनीय प्रदर्शन को देखते हैं, प्रत्येक अद्वितीय सुरों की सिम्फनी में योगदान देता है जो विभिन्न टोन को दर्शाता है। संग्रह में दस से अधिक घण्टियाँ शामिल हैं, कुछ बड़ी और कुछ छोटी हैं, जो ध्वनि स्पेक्ट्रम को विविधता प्रदान करती हैं। ये वाद्ययंत्र एक लाल मेच पर कांच के संरक्षित गुंबद के नीचे रखे गए हैं, जिनका सांस्कृतिक ऐतिहासिक कथा है जो साधारण दर्शकों के लिए भी स्पष्ट है। बैकग्राउंड में, व्यक्तियों को देखा जा सकता है जैसे वे संग्रहालय में चलते हैं, सावधानीपूर्वक संग्रहित प्रदर्शनों की प्रशंसा करते हुए और स्थान में एक जीवंत सांस्कृतिक विनिमय में योगदान करते हुए। | hi | 1,263 |
|
['English', 'Vietnamese', 'Chinese'] | ['19WcEdrWxKxs', '1n3t3InAlGru', '1kiu1fJqHKr4'] | [" There appears to be a man at a market of some kind with a dog. You can kind of tell by looking at it more closely that the dog is not necessarily one that the man owns because he's not holding a leash or any indication of having ownership over the dog. And the stand appears to be in a garage-like area with mainly selling only fruit. There are many, many fruits in this photo, mainly bananas and oranges that I can tell, but possibly other kinds of fruits, maybe tomatoes, lots of orange-colored brown fruits. There's also another individual behind the man who appears to be picking up something related to the sale of the fruits. The man is wearing a white t-shirt and truck pants and a red hat. The dog appears to be a German shepherd. It is brown. There are a few subtle details that you could pick out. Lots of cardboard boxes for fruit companies. There's refrigerators in the back that appear to be holding juice cartons, some liquids of some kind. And there's also fans in the back and fluorescent light in the top of this garage structure.", 'A photo shows a man selling goods in this store, which sells household items and fruits. In front of the picture, there are two boxes of fruit that look like cans, and hanging from the ceiling are many bunches of bananas. On the left side of the image, there is a dog, and on the right side, another person is bending down in front to adjust the shelves. The man in the center of the image is wearing a white shirt, silver pants, and a red hat.', "This picture shows an open-air market scene, typically a grocery market. There are some bananas and other fruits, such as tomatoes and oranges. Some people are shopping, and there are some shelves to hold these goods. There is also a dog present. There isn't much textual information on the image; the main focus is on the fruits like bananas and tomatoes, which are inside a building. The people are next to these goods, with some items displayed on the shelves. There are also fans mounted on the walls. The dog is standing next to the people. Additionally, there is a poster or advertisement stuck on the wall. The background depicts a relatively old and worn-out market, and the overall style is quite simple, characterized by dark and muted colors."] | [False, True, False] | [nan, nan, nan] | There appears to be a man situated at a market of some kind, accompanied by a dog. Upon closer examination, it is evident that the dog does not seem to be under the man's ownership, as he is not holding a leash or exhibiting any other signs of ownership over the animal. The market stand itself seems to be located in a garage-like area and is primarily focused on selling fruit. The assortment includes a wide variety of fruits, predominantly bananas and oranges, although there may be additional types present, such as tomatoes and various other orange-colored or brown fruits. In the background, another individual can be seen behind the man, actively engaged in the process of picking up something relevant to the sale of these fruits. The man is dressed in a white t-shirt, complemented by silver pants, and topped off with a red hat. The dog is identified as a German Shepherd, with a brown coat. In the scene, there are notable details, such as numerous cardboard boxes associated with fruit companies scattered about. Refrigerators in the background are seemingly stocked with juice cartons and other liquids. Additionally, there are fans mounted around the area, providing ventilation, and fluorescent lights hang overhead, illuminating this garage-like structure. The image captures an open-air market environment, where numerous people are shopping amidst the displayed goods. The focus is primarily on various fruits including bananas, tomatoes, and oranges, all presented on shelves. The dog stands alongside the patrons, contributing to the lively market atmosphere. A poster or advertisement can be spotted mounted on the wall, adding some character to the relatively aged market backdrop, which features dark and muted colors, signifying a simple yet functional setting for the commerce of everyday items. | Il semble qu'un homme se trouve à un type de marché, accompagné d'un chien. À y regarder de plus près, il est évident que le chien ne semble pas appartenir à l'homme, car il ne tient pas de laisse ni ne montre d'autres signes de possession sur l'animal. L'étal du marché semble situé dans une zone ressemblant à un garage et est principalement axé sur la vente de fruits. L'assortiment comprend une grande variété de fruits, principalement des bananes et des oranges, bien qu'il puisse y avoir des types supplémentaires présents, comme des tomates et divers autres fruits de couleur orange ou brune. En arrière-plan, une autre personne est visible derrière l'homme, engagée activement dans le processus de ramassage de quelque chose lié à la vente de ces fruits. L'homme porte un t-shirt blanc, complété par un pantalon argenté et un chapeau rouge. Le chien est identifié comme étant un berger allemand, avec un pelage brun. Dans la scène, on note des détails notables, comme de nombreuses boîtes en carton associées à des entreprises de fruits éparpillées. Des réfrigérateurs en arrière-plan semblent être remplis de cartons de jus et d'autres liquides. De plus, des ventilateurs sont montés dans la zone, offrant une ventilation, et des lumières fluorescentes pendent au-dessus, illuminant cette structure ressemblant à un garage. L'image capture un environnement de marché en plein air, où de nombreuses personnes font leurs courses parmi les marchandises exposées. L'accent est principalement mis sur divers fruits, y compris des bananes, des tomates et des oranges, tous présentés sur des étagères. Le chien se tient aux côtés des clients, contribuant à l'atmosphère animée du marché. Un poster ou une publicité peut être aperçu monté sur le mur, ajoutant du caractère à l'arrière-plan relativement ancien du marché, qui présente des couleurs sombres et atténuées, signifiant un cadre simple mais fonctionnel pour le commerce d'articles du quotidien. | fr | 17,458 |
|
['English', 'Tamil', 'Chinese', 'Chinese'] | ['195m3Rdade0P', '1obCexi6mmjp', '1dybDtaAN0WY', '1cTRSEW5eSMF'] | [" This picture is of a person who is doing a TED Talk. Behind him it says TEDxBitsGOA. And behind him it says Artificial Glacier, but you can't see the AR part of the word artificial. The guy is holding a microphone in his left hand. And he is talking towards the audience. Looking at the audience. And he's got a blue shirt on. Kind of a blueish greenish shirt. Beige khaki pants and beige tennis shoes. And he's got full head of hair, some gray hair, some black hair. And he's standing on a stage. And there's a bit of a reflection going on on the floor of the stage. And there's also a black background behind him. And he looks like he's in the middle of giving a speech. And he's standing on a stage.", "It seems like someone, in the way of writing behind, is discussing while wearing a black band and is holding something. There’s a box that looks different, like a red box, a white box, and a black box. There’s also a picture, and it looks like a screen behind where he seems to be talking into a microphone held in one hand, and in the other hand, he’s showing something. He’s talking as if he’s behind the screen, and there's nothing else on that stage which looks like it was made of wood. He will speak there, and behind is a photographer.", 'The image shows a TED talk stage, and in front of it stands a person wearing brown pants and a blue T-shirt, holding a flower tube in their left hand. The person appears to be of Asian descent, and behind them is the TED logo with the letters TEDXBITSGAO. On the right side, there are small squares in black, white, and red. Further back in the background is a large screen displaying text in English that reads "TIFICIALGLACIER." The person looks to be around 40 years old and is of Asian descent.', 'The scene in the center features a person giving a TED talk. It’s clear that he is standing on a podium; this man holds a microphone and is dressed in very traditional attire. He is the only one on the stage, and the background reads TED multiplied by BITSGOA, indicating that BITSGOA is a collaborative organization for this talk. You can see the man positioned slightly left of the center, making a gesture with the microphone, suggesting he is speaking. He appears to be in his thirties or forties and seems to be a South Asian male, wearing clothing that has characteristics typical of his culture. The topic seems to be related to glaciers, possibly concerning environmental protection, as the large screen in the background displays the word "glacier." Therefore, he is likely discussing glaciers or related environmental issues. The background is white, while the man is wearing a dark blue outfit and brown trousers. Overall, he is situated on the stage of this conference, but there isn\'t additional information to further identify the location or country.'] | [False, False, False, False] | [nan, nan, nan, nan] | The image depicts a man delivering a TED Talk, specifically identified as taking place at TEDxBitsGOA. The backdrop prominently features the words "Artificial Glacier," although the letters forming "AR" are not fully visible. The speaker is positioned at the center of the stage, actively engaging with the audience while holding a microphone in his left hand. He is dressed in a blue shirt that leans towards a bluish-green hue, complemented by beige khaki pants and beige tennis shoes. His hair showcases a mix of gray and black strands, indicating he is likely in his forties. The stage presents a polished surface with some reflections visible, and a stark black background enhances the focus on the speaker. Additionally, another scene features a different speaker who is also giving a TED Talk. This individual is attired in brown pants and a blue T-shirt and is of Asian descent. In her left hand, she is holding a flower tube while speaking towards the audience. Behind her, the TED logo is displayed alongside the words TEDXBITSGAO, emphasizing the event's branding. On the right side of the setup, there are several small squares in varying colors—black, white, and red—that contribute a vibrant touch to the visual design. A large screen in the backdrop shows text reading "TIFICIALGLACIER," further reinforcing the theme. Moreover, a third image centers on a speaker who is engaged in a TED Talk, representing a fluid integration of traditional and contemporary elements. He is standing at a podium and holds a microphone while donned in traditional attire that reflects South Asian cultural characteristics. Positioned slightly left of the center on the stage, he gestures with the microphone, indicating an animated delivery. His age appears to be around thirty to forty years. The stage's artistic design features the phrase "TED multiplied by BITSGOA," signifying a collaborative initiative. Behind him, a white background serves to highlight the man’s dark blue outfit and brown trousers, seamlessly integrating with the TED Talk's thematic focus on glaciers, likely touching on environmental concerns. Overall, the scene is set in a conference stage with an absence of extraneous information regarding the exact location or country. | この画像は、TED Talkを行っている男性を描写しています。特に、TEDxBitsGOAで行われていることが特定されています。背景には「Artificial Glacier」という言葉が目立つように表示されていますが、「AR」の部分は完全には見えません。スピーカーはステージの中央に位置し、左手にマイクを持ちながら、観客と積極的に交流しています。彼は青みがかった緑色のシャツを着ており、ベージュのカーキパンツとベージュのテニスシューズを合わせています。髪の毛は灰色と黒の混ざったもので、彼が四十代であることを示しています。ステージは磨かれた表面を持ち、一部に反射が見られ、黒の背景がスピーカーへの焦点を強調しています。 さらに、別のシーンでは異なるスピーカーがTED Talkを行っています。この人物は茶色のパンツに青いTシャツを着ており、アジア系の出身です。左手に花のチューブを持ちながら、観客に向かって話しています。彼女の背後には、TEDのロゴと「TEDXBITSGAO」という言葉が表示されており、イベントのブランディングを強調しています。設定の右側には、黒、白、赤といったさまざまな色の小さな四角がいくつかあり、視覚的デザインに活気を与えています。背景の大きなスクリーンには「TIFICIALGLACIER」というテキストが表示されており、テーマをさらに強化しています。 また、第三の画像はTED Talkを行っているスピーカーに焦点を当てており、伝統的な要素と現代的な要素が流れるように統合されています。彼は演壇に立ち、マイクを持ちながら、南アジアの文化的特徴を反映した伝統的な衣装を身に着けています。ステージの中央より少し左に位置し、マイクを使って身振りをしながら熱心に話しています。彼の年齢は30代後半から40代前半に見えます。ステージのアートデザインには「TED multiplied by BITSGOA」というフレーズがあり、コラボレーションの取り組みを示しています。彼の背後にある白い背景は、彼の濃紺の衣服や茶色のズボンを際立たせており、TED Talkの氷河に関するテーマと環境問題に関連して seamlessly 統合されています。全体として、このシーンは会議のステージに設定されており、正確な場所や国に関する余計な情報はありません。 | ja | 11,345 |
|
['English', 'Norwegian', 'Chinese'] | ['1i8kLoY6dLVS', '1eRUmIvYermH', '1kEAekGqz64n'] | [' The image is of a kitchen. The kitchen has a white fridge on the right side that has many different magnets and pictures on it. One of the magnets spells out enthusiastic funeral. There are some other images that are of various sizes that are on both the top part and the bottom part of the fridge. There is also a white microwave on top of the fridge with red lights. On the left side, there is some empty space that has posters. The posters are of different faces and they look like they are hand-drawn. The left side of the picture indicates the countertop. The sink is full of dishes and on the right side of the sink is a countertop that has a picture of the kitchen. The kitchen has a dish rack that has some dishes in the dish rack. There is also a flower pot on the right side of the countertop. There is a paper towel roll hung from the cabinets at the top part of the cabinets. On the left side, there is also a stovetop with one black pan on top of it. There are some towels that are on the bottom parts of the cabinets. There are towels on the bottom parts of the cabinets. There are five top cabinets and four bottom cabinets. There are also four pull-out drawers. The wood is of a dark brown color. The image is of a general everyday style and looks like it has been taken at eye level.', 'In the picture, we see a small kitchen. There is a gas stove on the far left, a white refrigerator on the right with many pictures on the door, and several drawn pictures and posters hanging on the wall behind the refrigerator. On top of the refrigerator, we see a white microwave. The kitchen cabinets are dark brown. In the sink, we see many cups and bowls that have not been washed. On the stove, there is a black frying pan. To the right in the picture, there are several stripes of different colors that appear to be painted. On the middle cabinet door at the top, there is a pink post-it note. On the lower cabinet doors, several towels are hanging. On the top refrigerator door, something is written with magnets.', 'In this photo, there is a kitchen in an apartment. On the left side of the kitchen, there are wooden cabinets and a stove, a sink, and some cupboards. In the middle, there is a white refrigerator and a white microwave. In the lower right corner of the image, there is a kettle. On the wall, there are seven sheets of paper posted; three of them are portraits of people, while two others are some doodles. The largest sheet in the middle resembles a poster. Above the refrigerator, there are many colorful English letters and photos. On the stove, there is a pot, and the sink is filled with many bowls and chopsticks, with two dishcloths placed nearby.'] | [False, False, False] | [nan, nan, nan] | The first image showcases a domestic kitchen, characterized by a white refrigerator positioned on the right side. This refrigerator is adorned with an array of magnets and personal pictures, one of which prominently displays the phrase "enthusiastic funeral" made from magnetic letters—a combination of words that could evoke curiosity or humor, depending on the context in which it is understood. The fridge also exhibits additional images in varying sizes both on its upper and lower sections. Perched atop the refrigerator is a white microwave that features red lights, suggesting it's functional and possibly in use. On the left side of the kitchen, there is noticeable empty wall space decorated with hand-drawn posters that depict various faces, hinting at a personal touch or artistic expression within the space. Below this area, the kitchen countertop is visible; it appears cluttered, with a sink full of unwashed dishes, which might indicate a busy household. Adjacent to the sink is another section of the countertop featuring a dish rack that holds additional dishes, and a flower pot situated on the right side, adding a touch of nature to the otherwise utilitarian space. Suspended from the upper cabinets is a paper towel roll, a common fixture for quick clean-ups. The left side of the space reveals a stovetop that has a single black pan placed on it, suggesting readiness for cooking. Around the base of the cabinets, towels are draped, indicating a practical approach to kitchen maintenance. There are five upper cabinets and four lower cabinets, alongside four pull-out drawers, all crafted from dark brown wood, which contributes to a warm and inviting aesthetic. The image is captured at eye level, lending an intimate view of this everyday kitchen setting. The second depiction of the kitchen further emphasizes its compact nature. The gas stove is located on the far left, while the white refrigerator on the right side is similar to the first image, cluttered with pictures and artwork. Behind the refrigerator, there are various posters and hand-drawn illustrations, illustrating personal creativity and possibly the importance of family or memories in this space. The white microwave resting atop the refrigerator reinforces the practicality of the kitchen setup. Dishes pile up in the sink, including numerous cups and bowls, showcasing a busy lifestyle. A black frying pan rests on the stove, indicating either recent cooking activity or preparation for upcoming meals. Adding to the character of the kitchen, colorful stripes on the walls suggest a playful choice of decoration. A pink post-it note affixed to the middle cabinet door adds an element of organization or a reminder within the bustling environment. Lower cabinet doors reveal hanging towels, providing easy access for kitchen tasks. Once again, magnetic letters on the top refrigerator door confirm a personal and thoughtful touch within the home. The last photo presents a glimpse of a kitchen within an apartment, featuring similar elements. The left side comprises wooden cabinets, a stove, a sink, and additional cupboards. Centrally located are the white refrigerator and microwave, maintaining consistency with the previous representations. In the lower right corner, a kettle resides, an essential tool for tea or cooking. On the kitchen wall, there are seven sheets of paper—three serving as portraits while two appear to be doodles, adding an artistic flair or personal significance to the kitchen ambiance. The largest sheet, which resembles a poster, dominates the wall space, perhaps conveying an important message or artwork that holds sentimental value. Above the refrigerator, colorful English letters alongside photos create a vibrant display, enhancing the familial atmosphere. A pot is visible on the stove, and the sink's contents reveal a mixture of bowls and chopsticks, accompanied by two dishcloths nearby, suggesting frequent meal preparation and a culturally rich culinary practice. | முதல் சித்திரம் ஒரு உள்ளூரு சமையலறையை காட்டுகிறது, இதில் வலது பக்கத்தில் உள்ள வெள்ளை நூதனமேக்ரெடரேட்டர் உள்ளது. இந்த ஃபிரிட்ஜ் பல மினு magnet சமூகம் மற்றும் தனிப்பட்ட புகைப்படங்களால் அலங்கரிக்கப்பட்டுள்ளது, அதில் "enthusiastic funeral" என்றது மினு எழுத்துக்களால் உருவாக்கப்பட்ட பரிணாமமாக வெளிப்படுகிறது—இது பொருள் படிக்கப்படுவது சார்ந்தும், ஆர்வம் அல்லது நகைச்சுவையை பிறப்பிக்கும் பதத்தில் உள்ள நபர்களுக்கு ஒரு கூட்டு வாக்கியம். ஃபிரிட்ஜ் மேலே மற்றும் கீழே உள்ள பகுதிகளில் வித்தியாசமான அளவின்மான புகைப்படங்களைக் காட்டுகிறது. ஃபிரிட்ஜின் மேலே வெள்ளை மைக்ரோவேவ் உள்ளது, அது சிவப்பு வெளி வெளிக்கொள் பணி செய்யப்படுவதாகக் கூறுகிறது. சமையலறையின் இடது புறப்பகுதியில், கைவைத்துப் போடும் போஸ்டர்கள் கொண்டனர், இது ஒரு தனிப்பட்ட தொட்டியை அல்லது கலை வெளிப்பாட்டைக் காட்சியளிக்கின்றது. இந்த இடத்தின் கீழே சமையலறை கடையை காணலாம்; அது ஒரு குழப்பமான நிலையில் உள்ளது, கழிப்பாயில் முறையாக கழிப்பதற்காக தூய்மையான வண்ணங்கள் அதிகமாக உள்ளன, இது ஒரு வேலை மூன்றுகுழளை குறிப்பதாக இருக்கலாம். கழிப்பாயின் அடுத்ததாக, மற்றொரு பகுதியாக, மேலும் தடுப்பு சமையல் சாதனங்கள் உள்ளன, மேலும் வலது புறத்தில் ஒரு மலர் குடை உள்ளது, இது பயணக்கூட்டத் தகவலுக்கு அனுமதி கிடைக்கின்றது. மேலான பெரிய மாடல்களிலிருந்து உலோகம் நெய்யப்படுகிறது, இது விரைவான தூய்மையில் சமையலறைக்கு ஒரு பொதுவான கைப்பாடு. இடத்தின் இடது பக்கம் ஒரு கிண்ணம் உள்ளது, அதில் ஒரு கறுப்பு குக்கர் இருக்கின்றது, இது சமைத்துவிட தயாராக இருக்கின்றது. மாடல்களின் அடியில், துணிகள் சுற்றி முடிக்கின்றன, இது சமையலறை பராமரிப்புக்கு நடைமுறைக் கூறும். ஐந்து மேலே மற்றும் நான்கு கீழே மாடல்கள், நான்கு கிழுக்கத்தோடு, இத்தனம் பாத்திரம் அனைத்தும் ஆழ்ந்த மிட்டல்பேக்கூடிய மரங்களால் செய்யப்பட்டு, இதை வெப்பமாகவும் அழகானதாகவும் எடுக்கின்றன. இந்த சித்திரம் கண்களின் அளவிலுள்ள காட்சியினைப் பெற்றுள்ளது, இந்த நாள் சமையலறை அமைவுக்கு அருகில் உள்ள தனிப்பட்ட முகம். இரண்டாவது சித்திரம் சமையலறையின் சிறிய தன்மையை மேலும் வலியுறுத்துகிறது. காஸ் சோ ஷியத்தை மிக இடது புறத்தில் உள்ளது, வலது பக்கத்தில் வெள்ளை ஃபிரிட்ஜ் கொண்டு முதல் சித்திரத்தின் போலவே, புகைப்படங்கள் மற்றும் கலைத்துடன் நிரம்பியிருக்கின்றது. ஃபிரிட்ஜின் பின்னுக்கு, பல போஸ்டர்கள் மற்றும் கைவைத்துப் போடும் படங்கள் இருக்கின்றன, இது தனிப்பட்ட சான்றுகளை மற்றும் family அல்லது நினைவுகளின் முக்கியத்துவத்தை அடையாளமாக்குகிறது. ஃபிரிட்ஜின் மேலே இருந்த வெள்ளை மைக்ரோவேவ் சமையலறையின் அமைப்பு உடறுக்கும் நிர்வாகம் கொண்டு உள்ளது. கழிப்பாயில் சோப்பு நிரம்பியுள்ளது, இது பல கிண்ணங்கள் மற்றும் துண்டுகளை அடங்கிக்கொண்டு, பிஸியான வாழ்க்கை முறை என்று காட்டுகிறது. கிண்ணத்தின் மேலே கறுப்பு வதிக்கிண்ணம் உள்ளது, இது சமையலின் முறையாக அல்லது வரவிருக்கும் உணவுகளை தயாரிக்கிறது. சமையலறையின் தகவலுக்கு காமிக்ஸ் சாயலான குழிகள் கட்டுமானத்தில் குறிக்கைகள் ஊட்டுவதாக இருக்கின்றன. மைய மாடலுக்கான அலைச்சிலை.எல்லாவற்றிற்கு செல்வாக்கு அல்லது ஒரு நினைவூட்டத்தை குறிப்பிடுகிறது. ஒரு முறை மேலும், மேல்நிலை ஃபிரிட்ஜ் கதவின் மேலே மினு எழுத்துகள் உள்ளன, இது வீட்டில் தனிப்பட்ட மற்றும் கவனமாக வடிவமைப்பாக இருக்கின்றது. கடைசி புகைப்படம் ஒரு மாடியில் உள்ள சமையலறையை காட்சியளிக்கிறது, இதுவரை உள்ள பரிமாணங்கள் தரப்பட்டுள்ளன. இடது பக்கம் மரத்துக்கூடுகள், சோப்பு, கழிப்பாய் மற்றும் கூடுதல் கடைகள் உள்ளன. மையத்தில் வெள்ளை ஃபிரிட்ஜ் மற்றும் மைக்ரோவேவ் உள்ளன, முந்தைய பிரதிநிதிகளை பராமரிக்கின்றது. கீழ்புறவலையில், ஒரு கெட்டில் உள்ளது, இது தேனை அல்லது சமைக்கவேண்டிய முக்கிய கருவி. சமையலறையின் சுவரில், ஏழு துண்டுகள் உள்ளன—மூன்று உருவ சித்திரகப்படமாகவும், இரண்டு படம் மூலம் டூட்டல் ஆகவும் கூடுவதன் மூலம், சமையலறை காட்சிக்கான கலைஞர் தொடர்பான வந்துவந்த சரிக்கழுக்களை வடிவமைத்துள்ளன. மிகப்பெரிய காகிதம், இது போஸ்டராக தெரியும்படியாக இருக்கிறது, சுவரின் பகுதியில் மிகமான பகுதியாக உள்ளது, வரும் முக்கிய செய்தி அல்லது கலைசிட்டும்குகளை வெளியிடுகிறது. ஃபிரிட்ஜின் மேல், பல வண்ணமான ஆங்கில எழுத்துகள் மற்றும் புகைப்படங்கள் ஒரு வாய்ப்பார்வையை உருவாக்குகிறது, குடும்பத்தின் சூழல் நிலையை மேம்படுத்துகிறது. கிண்ணம் சோப்பு மீது இருக்கின்றது, மற்றும் கழிப்பாயின் உள்ளடக்கம் பல கிண்ணங்கள் மற்றும் பட்டைகள் கொண்டுள்ளன, இது அடிக்கடி உணவுகளை தயாரிக்கும் சிந்தனைகளை குறிக்கின்றது. | ta | 14,839 |
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['14eUfwLp6Iew', '1c8HUqTj1JTA', '1fbFLOPJ5o6F', '1nzwvtYfhybo', '1mUX892WFyTG', '1hxBE4di9fK9'] | [" The photo describes an outdoor environment in the city. So the bottom part of the photo is a gray road. And there are two yellow taxis driving on the road. On the side of the taxis, there are blue ads. And on the side of the road, we can see a lot of people. And there are a lot of people coming out from a white building. There's a red sign on the building. And it looks like it might be a subway station. And then behind the station, there is a white building. And it looks like a church with these white towers. And then behind the station, there is a white building. And it looks like a church with these white towers. And aside from that, there are multiple trees on the side of the road and behind the buildings.", ' This image depicts a roadway with traffic moving towards the right direction. And in the image we can see two taxi cabs driving down the road, which are colored yellow. And one has doors on the side that are colored blue with some writing on them. And on the road it is a dark pavement with dashed lines and arrows pointing in the direction of traffic. And those are colored white. Behind the road there is a sidewalk that is full of people sort of waiting for cars on the side. And behind them there is a building with windows. And further in the distance there is a tall white castle. And spread throughout the buildings there are tall trees with green leaves. And in the background the sky is bright and blue with some clouds covering it.', "So this photo is very likely taken in the middle of a city and it's like a single direction lane. There are three lanes and there are two taxis. We can see yellow taxis. And on the other side of the road, we can see a bus stop. There are like around 10 people waiting near the roadside for the bus. And there's also something like a shop. We can see on the side of the road, there are also several trees. And further side, we can see a building like a big church. The church is pretty white. And behind the tree, on the further side, we can see a church. And on the other side, we can also see like another building. So this is a pretty blue sky. There are a few clouds on top.", "This picture looks like a bus stop, and behind it appears to be a very beautiful church-shaped building. The trees along this road look very tall, and their species seem like those from tropical regions. There are also many other vehicles on the road, including two low-profile cars, but it's unclear which country they are from. The text on the cars is not legible enough to determine the language. However, from the clothing of the pedestrians, one can guess that the people are mostly East Asian in style. If this were a Southeast Asian country like Malaysia or Indonesia, there would likely be more people dressed in Muslim attire, but there aren’t. Based on the newness of the building, I suspect this is Singapore.", 'This photo depicts a scene in a city, with a road surrounded by various elements. At the bottom of the photo, on the gray road, there are two bright yellow taxis. The bodies of the yellow taxis have a dark blue advertisement on them. There are also some pedestrians standing by the roadside. You can see that behind the pedestrians, there is a white building with a red sign, which should be a subway station. Additionally, there are some very tall green trees planted along the roadside, and in the background, there is a white building that looks like a church, with several white spires.', "This is a photo of a street scene. In the background, there is a white church, which seems to be a church-like building. It looks a bit Gothic, but I'm not sure exactly what style it is. Anyway, it is a white church-like structure. In front of it, there is a glass house, and on the roadside, there are several tall trees. One of the trees obscures part of the church's spire. There are also many other trees and numerous pedestrians. In the center of the picture, slightly to the left, there is a yellow taxi, and on the right, there appears to be another yellow taxi. Basically, there are just these two cars on the road, with many people waiting for a ride. There should be a bus stop nearby. This photo was taken during the day, and you can see that the sky is relatively blue with some scattered clouds. Overall, it's hard to determine exactly where this is because the taxi has English writing on it, but it's not clear what letters are shown, so it's difficult to ascertain the location."] | [False, False, False, False, False, False] | [nan, nan, nan, nan, nan, nan] | The collection of images showcases a bustling urban environment, characterized by various elements that signify the vibrancy of city life. The foremost detail in the scenes is a gray roadway, which serves as a thoroughfare for different vehicles, predominantly featuring two bright yellow taxis. The taxis, notable for their distinct color, have dark blue advertisements affixed to their sides, though the specifics of the advertisements remain non-readable. The scene reveals a relatively busy sidewalk populated with pedestrians. Many individuals are gathered near the roadside, likely waiting for transportation, which hints at the city's energetic pace. These pedestrians appear to be predominantly East Asian based on their clothing styles, though signs of diverse cultural backgrounds may be present. It is suggested that had this scene been set in a Muslim-majority Southeast Asian country such as Malaysia or Indonesia, one might expect to see additional individuals in Muslim attire. The absence of such clothing indicates a distinct cultural context. In the background of the images, there exists a white building with a prominent red sign that suggests it is a subway station, a vital part of the urban transport infrastructure. Just beyond this, the silhouette of a white church-like structure can be seen, characterized by white towers that may evoke Gothic architectural influences, though the exact style remains ambiguous. Its presence adds a historical and cultural depth to the cityscape, harmonizing with the contemporary urban elements. Surrounding this scene, there are tall trees with vibrant green foliage lining the roadside, contributing to the natural beauty of the city amidst its bustling activity. The skies overhead present a bright blue hue with occasional fluffy clouds, indicative of a clear day that enhances the visibility of the surrounding structures. Moreover, as the photo captures a street scene during daytime operations, there are other vehicles present, including two low-profile cars that contribute to the urban traffic dynamics. However, the origins of these vehicles are not discernible due to the obscured text and stylings. Overall, the photos encapsulate a captivating moment in this city; they reflect the interplay of public transport, natural elements, and urban architecture, painting a picture of a lively urban setting that one might encounter in a cosmopolitan hub, with suspicions leaning toward being in a city like Singapore, based on the modernity of the buildings depicted. The provided details vividly highlight the intricate combination of transportation, community, and urban architecture that represents city life. | Сборник изображений демонстрирует бурную городскую среду, характеризующуюся различными элементами, символизирующими яркость городской жизни. Наиболее заметной деталью в сценах является серая дорога, служащая магистралью для различных транспортных средств, среди которых выделяются две ярко-желтые такси. Эти такси, примечательные своим отличительным цветом, имеют темно-синие рекламные щиты, прикрепленные к бокам, хотя детали реклам не читаемы. Сцена показывает относительно оживленный тротуар, заполненный пешеходами. Многие люди собрались у обочины дороги, вероятно, ожидая транспорт, что подчеркивает энергичный ритм города. Эти пешеходы, судя по стилям одежды, в основном выглядят как восточноазиаты, хотя могут присутствовать признаки разнообразия культурных традиций. Можно предположить, что если бы эта сцена была в мусульманской стране Юго-Восточной Азии, такой как Малайзия или Индонезия, можно было бы ожидать большего количества людей в мусульманской одежде. Отсутствие такой одежды указывает на другой культурный контекст. На заднем плане изображений находится белое здание с заметной красной вывеской, что указывает на то, что это станция метро, важная часть городской транспортной инфраструктуры. Чуть дальше виден силуэт белой церкви, характерный белыми башнями, которые могут напоминать готическую архитектуру, хотя точный стиль остается неопределенным. Ее присутствие добавляет историческую и культурную глубину к городскому пейзажу, гармонируя с современными городскими элементами. Вокруг этой сцены высокие деревья с яркой зеленью обрамляют обочину дороги, что способствует природной красоте города на фоне его бурной активности. Небо над головой имеет ярко-синий оттенок с редкими пушистыми облаками, что указывает на ясный день, подчеркивающий видимость окружающих объектов. Более того, поскольку фотография запечатлела уличную сцену в дневное время, здесь присутствуют и другие транспортные средства, включая два низкопрофильных автомобиля, которые влияют на динамику городского трафика. Тем не менее, происхождение этих автомобилей неразличимо из-за нечеткого текста и оформления. В целом, фотографии запечатлевают увлекательный момент в этом городе; они отражают взаимодействие общественного транспорта, природных элементов и городской архитектуры, рисуя картину живой городской обстановки, которую можно было бы встретить в космополитическом центре, с подозрениями, что это может быть город, подобный Сингапуру, исходя из современности изображаемых зданий. Приведенные детали ярко подчеркивают сложное сочетание транспорта, сообщества и городской архитектуры, представляющее жизнь города. | ru | 4,457 |
|
['Korean'] | ['1i50VOpSYotU'] | ['The photo depicts the door leading into a traditional Korean temple. In the center of the photo, the large stone steps that lead up to the temple are prominently featured. At the top of the stone steps is the door to the temple, which is a traditional Korean door built using tiled roofing. In front of the door, two people are standing guard. They are wearing hanbok, which is the traditional Korean attire. Surrounding the steps and the door, trees and a forest are lush and dense. To the right of the steps, there is a signpost indicating various destinations, including a restroom.'] | [True] | [nan] | The image showcases the entrance to a traditional Korean temple, clearly centered around the striking door that marks the sacred threshold. Prominently featured in the foreground are the large stone steps that ascend towards the temple, their sturdy structure inviting visitors to approach this cultural landmark. At the pinnacle of the steps stands the temple's door, characterized by its elegant design and adorned with tiled roofing, a hallmark of traditional Korean architecture. Flanking the entrance, two individuals are positioned as guardians of this revered space. They don hanbok, which is the traditional attire of Korea, known for its vibrant colors and elegant lines, reflecting the cultural heritage of the nation. The hanbok worn by each person showcases distinct qualities that highlight the rich history of their craftsmanship. Surrounding this serene setting, the temple is enveloped by a lush and dense forest, with trees that thrive and flourish, emphasizing the connection between nature and spirituality within Korean traditions. Their vibrant greenery adds an air of tranquility and reverence to the scene. To the right of the stone steps, a signpost is present, directing visitors to various destinations including the location of a restroom, serving a practical purpose while maintaining the decorum expected in such a sacred environment. Overall, the image vividly captures the essence of a Korean temple, showcasing its architectural beauty, cultural significance, and the harmony of nature. | Изображение демонстрирует вход в традиционный корейский храм, центральное место в котором занимает впечатляющая дверь, отмечающая священный порог. На переднем плане устойчивые каменные ступени ведут вверх к храму, их прочная конструкция приглашает посетителей подойти к этому культурному памятнику. На вершине ступеней расположена дверь храма, отличающаяся элегантным дизайном и украшенная плиточной кровлей — отличительной чертой традиционной корейской архитектуры. По обе стороны от входа стоят два человека, выступающие в роли хранителей этого почитаемого пространства. Они одеты в ханбок — традиционную одежду Кореи, известную своими яркими цветами и элегантными линиями, отражающими культурное наследие нации. Ханбок каждого человека демонстрирует уникальные качества, подчеркивающие богатую историю их мастерства. Вокруг этого спокойного окружения храм окружен густым лесом, деревья которого процветают и цветут, подчеркивая связь между природой и духовностью в корейских традициях. Их яркая зелень добавляет атмосферу умиротворения и благоговения к сцене. Справа от каменных ступеней находится указатель, который направляет посетителей к различным направлениям, включая расположение туалета, выполняя практическую функцию, сохраняя при этом декорум, ожидаемый в таком священном окружении. В целом, изображение ярко запечатлевает суть корейского храма, демонстрируя его архитектурную красоту, культурное значение и гармонию с природой. | ru | 27,422 |
|
['Korean'] | ['1hW5DnNpZQDo'] | ['The photo shows a woman performing pole dance. In the picture, there is one woman who is holding the pole with both hands to dance. The text in the photo reads "Daily Sports," which is the logo representing the company that took the picture. The woman is dancing in the center of the image. She is wearing a pink top and blue bottoms, and she has long hair. In the background, there are three large lights. Daily Sports features the woman performing pole dance. There are three large lights in the background. The woman is performing pole dance. The woman is performing pole dance. The woman is performing pole dance.'] | [False] | [nan] | The image captures a woman engaged in a pole dance performance, showcasing her athleticism and artistry. She is situated centrally within the photograph, grasping the pole with both hands as she executes her dance moves. The dancer is adorned in a striking outfit consisting of a pink top that accentuates her figure and blue bottoms, highlighting her physicality and style. Her long hair flows gracefully, adding to the overall dynamic aesthetic of the performance. The backdrop of the photograph is illuminated by three large lights, which serve to enhance the scene by casting a dramatic glow on the dancer, thus emphasizing her movements and the intricate positioning of her body. The lighting not only highlights the performance but also contributes to the energetic ambiance of the setting. Prominently featured in the image is the text "Daily Sports," which is the logo of the company that has captured this moment. This branding indicates that Daily Sports is potentially involved in sports or fitness promotion, showcasing remarkable talents and activities such as pole dancing. The repeated mention of the woman's pole dance performance underlines its significance and focus in the imagery, illustrating both the skill involved in this art form and the company's dedication to promoting various forms of physical expression and fitness through visual media. | 이미지는 한 여성이 폴 댄스 공연을 하고 있는 모습을 포착하고 있으며, 그녀의 운동 능력과 예술성을 보여줍니다. 그녀는 사진의 중앙에 위치해 있으며, 두 손으로 폴을 잡고 자신의 춤 동작을 수행하고 있습니다. 댄서는 핑크색 상의와 파란색 하의라는 눈에 띄는 의상을 입고 있어 그녀의 몸매를 강조하고 스타일을 나타냅니다. 그녀의 긴 머리는 우아하게 흘러내려 공연의 역동적인 미학을 더욱 돋보이게 합니다. 사진의 배경은 세 개의 큰 조명에 의해 밝혀져 있으며, 이는 댄서에게 극적인 광채를 비추어 그녀의 움직임과 몸의 복잡한 자세를 강조하는 역할을 합니다. 조명은 공연을 부각시킬 뿐만 아니라, 전체적인 에너지 넘치는 분위기에도 기여하고 있습니다. 이미지에는 "Daily Sports"라는 텍스트가 두드러지게 나타나 있으며, 이는 이 순간을 포착한 회사의 로고입니다. 이 브랜드는 Daily Sports가 스포츠 또는 피트니스 홍보에 관련되어 있을 가능성을 나타내며, 폴 댄싱과 같은 뛰어난 재능과 활동을 보여주고 있습니다. 여성의 폴 댄스 공연에 대한 반복적인 언급은 이 이미지에서 그 중요성과 초점을 강조하며, 이 예술 형태에 필요한 기술과 다양한 신체 표현 및 피트니스를 시각 매체를 통해 홍보하려는 회사의 헌신을 설명합니다. | ko | 27,886 |
|
['English', 'Spanish', 'Chinese'] | ['178LXe5V4Zid', '1kCmLre6PEUx', '17kvrVsTKZSY'] | [" This image shows a woman preparing something that looks like a meal. There are two bowls right in front of her. Each one with something that looks like a spoon. There's a long table. There's something that looks like a drink with a green straw-like structure in it. There are two chairs, I think three chairs. Four actually. There's three on the left side and one visible from the right side. In the background we see a huge shrine-like structure that has a picture of the Virgin Mary and a lot of flowers. A lot of yellow flowers and candles. There's also a shelf on the left with items that I can't quite seem to identify. There's also a lot of smaller... ... Clothes... ... ... ... Cloth-like materials that are hanged on top of the shrine structure. Back to the woman, she's wearing a purple top. She seems a little... ... ... Thank you.", "This image shows a table with chairs around it and a woman who looks to be around 60 years old wearing a purple shirt. The most important part of this image is what is behind her. It looks like a type of manger and a religious site for the people living in what seems to be a house of worship. There's a picture of the Virgin Mary in the background. There are many flowers around this religious setting, yellow flowers, some green fruits, lights, and the table is made of wood.", 'This image should depict a scene of daily life in a household. On the right side, there is a woman dressed in purple who is serving dishes on a table with two purple bowls. To the left of the table, there are three black chairs. At the end of the image, there is some kind of altar or platform used for sacrificial offerings, which has some candles lit on it. Around the altar, there are decorated with some orange ornaments and ribbons. It is possible that, after the ritual ceremony, the host is entertaining her guests and engaging them in a dining activity.'] | [True, False, False] | ['Seems like the picture is from a catholic cultural background', nan, nan] | This image presents a detailed scene capturing a woman engaged in meal preparation. The woman, who appears to be around 60 years of age, is dressed in a purple top, which adds a vibrant touch to her appearance. In front of her are two bowls, each accompanied by a spoon, suggesting that a meal is being served or prepared. The setting features a long wooden table with an additional three black chairs situated to the left side, while a fourth chair is partially visible from the right side of the frame. A significant aspect of the image is the backdrop, which is characterized by a shrine or altar-like structure serving a religious purpose. This visually rich scene includes a prominent depiction of the Virgin Mary, a central figure in Christianity, surrounded by a plethora of yellow flowers and lit candles, enhancing the spiritual ambiance. The shrine is further adorned with smaller cloth-like materials that hang across its top, likely serving as decorations or offerings. Additionally, there are elements present that suggest this may be a household within a community that reveres such religious symbols and practices. The presence of green fruits, orange ornaments, and ribbons around the altar indicates a celebratory or ritualistic setting, potentially tied to cultural practices within this community. It might be inferred that after engaging in any ceremonial acts at this sacred spot, the host will welcome guests to partake in a meal, thus blending the sacred with daily life and hospitality. | Esta imagen presenta una escena detallada que captura a una mujer involucrada en la preparación de comida. La mujer, que parece tener alrededor de 60 años, está vestida con una blusa morada, lo que añade un toque vibrante a su apariencia. Frontalmente, hay dos cuencos, cada uno acompañado de una cuchara, lo que sugiere que se está sirviendo o preparando una comida. El entorno cuenta con una mesa larga de madera y tres sillas negras adicionales situadas a la izquierda, mientras que una cuarta silla es parcialmente visible desde el lado derecho del marco. Un aspecto significativo de la imagen es el telón de fondo, que se caracteriza por una estructura tipo santuario o altar de propósito religioso. Esta escena visualmente rica incluye una representación prominente de la Virgen María, una figura central en el cristianismo, rodeada de una abundancia de flores amarillas y velas encendidas, lo que realza la atmósfera espiritual. El santuario está además adornado con materiales más pequeños tipo tela que cuelgan en su parte superior, probablemente sirviendo como decoraciones u ofrendas. Adicionalmente, hay elementos presentes que sugieren que este puede ser un hogar dentro de una comunidad que venera tales símbolos y prácticas religiosas. La presencia de frutas verdes, adornos naranjas y cintas alrededor del altar indica un entorno celebratorio o ritualista, potencialmente vinculado a prácticas culturales dentro de esta comunidad. Se podría inferir que, después de participar en cualquier acto ceremonial en este lugar sagrado, la anfitriona dará la bienvenida a los invitados para que compartan una comida, fusionando así lo sagrado con la vida diaria y la hospitalidad. | es | 10,312 |
|
['English'] | ['18jkxktX9AnF'] | [' The image is an Asian man sitting on a very Asian style of sofa. The sofa is blue with an array of yellow or gold flowers adorning the cushions. The man has very short hair and is wearing a computer bag over his shoulder. He has a white dress shirt, some light brown gray khaki pants, and some sneakers. This looks like he might be in his living room or some type of sitting room. The couch itself also has two circular cushions which match the pattern of the couch. The outside frame of the couch is made out of wood. The couch is carved to be very detailed and ornamented.'] | [False] | [nan] | The image presents an Asian man seated comfortably on a distinctly Asian-style sofa, characterized by its vibrant blue color embellished with a rich assortment of yellow or gold floral patterns that grace the cushions. The man, displaying very short hair, carries a computer bag draped over one shoulder, suggesting a blend of functionality and style. He is dressed in a crisp white dress shirt paired with light brown or gray khaki pants, complemented by a casual pair of sneakers, contributing to an overall relaxed yet polished appearance. The setting appears to be either his living room or a cozy sitting area, offering a warm and inviting atmosphere. The sofa itself is adorned with two circular cushions that echo the floral design of the couch, enhancing its aesthetic appeal. The frame of the sofa is crafted from wood, showcasing intricate carvings that reflect a high level of artisanship and attention to detail, indicative of traditional Asian furniture design. This design not only adds to the visual richness of the piece but also speaks to cultural values of craftsmanship and the beauty of natural materials. | 画像には、アジア系の男性が快適に座っている様子が描かれています。彼が座っているソファは明確にアジア風で、鮮やかな青色に、クッションを飾る黄色または金色の花柄の豊かな模様が施されています。男性は非常に短い髪をしており、片方の肩にコンピューターバッグをかけており、機能性とスタイルの融合を示唆しています。彼はきちんとした白いドレスシャツに、薄茶色または灰色のカーキパンツを合わせており、カジュアルなスニーカーが全体的にリラックスした中にも洗練された印象を与えています。設定は、彼のリビングルームか居心地の良い座るエリアのようで、温かく迎え入れてくれる雰囲気を提供しています。ソファ自体には、ソファの花柄と呼応する2つの円形クッションが飾られており、その美的魅力を高めています。ソファのフレームは木製で、繊細な彫刻が施されており、高い技術と細部へのこだわりを反映しており、伝統的なアジア家具のデザインを示しています。このデザインは、作品の視覚的な豊かさに寄与するだけでなく、職人技や自然素材の美しさといった文化的価値をも表現しています。 | ja | 26,808 |
|
['English', 'Chinese', 'Chinese', 'Chinese'] | ['1kBe9DOKQqzg', '1NrX5sHlDZJb', '15zjloK9h8n0', '1n23ofcI9OmQ'] | [" At first glance, this photo is a picture of a man, a woman, a dog, where the man is holding a leash that's attached to a dog and he's also holding the hand of the woman. In the background, you see another man. The objects in this picture are three people, two men and one woman, and a dog in the front. There's a leash. You can also see two microphones. There's a door, as well as some contraption on the left. The text in this photo reads Tongue Star, and then there's also some other text that gives a website and maybe a company name, but it's also a dog. There's also Romanized letters, as well as some Japanese characters. So in the front, in the foreground of the picture is the dog. There's a leash. It's a very hairy dog. And then the man is right behind him holding its leash. A little bit behind that man to the left of the picture is a woman. To the right of the man is a man. To the left of the man is a man. To the left of the man is a man. To the right of the man is a woman. And then there's another man in the background. The man in the background is holding two microphones in his hands. In the background, also there's a wall and a doorway. Some subtle details about this photo is that there's some maybe like set props or decoration on the right side of the photo. You can see that the man in the background is also holding his microphones. And then over in the doorway, you might see maybe like a light fixture or some sort of tool used for the lights. So this makes me think that this picture was taken on a set, maybe on a game show or a talk show or a host show. The style and color of this photo is it's in full color. And the style is sort of like capturing the moment candidly on whatever set and whatever's going on here.", 'This picture features a male celebrity named Ruan Jingtian, who is a star from Taiwan, China, holding a dog. They are all Chinese because Taiwan is a part of China. In the scene, they seem to be at a festive event. In the background, there are several girls who are dressed quite sexy, suggesting that it is indeed a holiday evening, which is why they are wearing such fancy clothes. I don’t think this represents a cultural distinction because there are no specific cultural elements or traditions from a particular region present. I found myself attracted to the dog at first sight; it is very ugly. There is no text in the image.', "In this photo, there is a man in the middle holding a dog, and to his left, a woman is smiling at the dog. On the right side of the photo, there is another man who seems to be walking by without smiling. The man in the middle is wearing a leather jacket, a gray T-shirt, gray pants, and black shoes. He has the dog leashed with a pink bag. The dog's fur is very long, mostly light yellow, with some gray fur around its neck. The woman on the left is wearing a gray outfit, while the man on the right is dressed in a black jacket and jeans. The background wall is white with some gray lines, and the woman seems to be coming out of a door, with the ground being gray. The photo looks like a professional shot because it is very clear and was taken with a flash.", 'The picture depicts three people and a dog. On the far left is a girl wearing a gray tank top with black stripes on the sides and gray suit pants that match her top. In the middle is a man holding a very long pink dog leash attached to a small dog below. He is dressed in a black leather jacket, a light gray t-shirt, and dark gray pants. The dog he is walking has fur that is a mix of white and golden, with some black fur around its neck. On the far right, there is a man passing by behind the two people; he looks older and is dressed in black clothing and a dark jacket, with light blue jeans and yellow-brown shoes. The overall style of the image is very cheerful.'] | [True, False, False, False] | ['Makes use Japanese characters in watermark. Possibly a Japanese talk show or game show.', nan, nan, nan] | At first glance, the photograph captures a charming scene featuring a man, a woman, and a dog. The man is holding a leash that is attached to the dog, while simultaneously grasping the hand of the woman beside him. In the background, there is another man present. The objects displayed in this image include three individuals—two men and one woman—along with a dog prominently positioned in the foreground. Alongside the leash, the photo includes two microphones, a door, and a contraption on the left side of the frame. Additionally, the text within the image reads "Tongue Star," along with other text that likely pertains to a website or a company name. The presence of Romanized letters and Japanese characters adds a layer of cultural depth, suggesting a connection to Japanese influence or branding within the context of the photograph. The dog is notably hairy, and it stands in the foreground of the image. The man holding its leash is positioned right behind the dog, with a woman appearing slightly to the left. To his right, there is another man, while another man occupies the background, holding two microphones in his hands. The background also features a wall and a doorway, and subtle details suggest the presence of set props or decorations on the right side, possibly indicating the scene was captured on a film or television set, like a game show or a talk show. The overall aesthetic of the photograph is vibrant and fully colored, conveying a candid moment amid whatever activity is taking place. In another interpretation, a male celebrity named Ruan Jingtian, known for his stature in entertainment from Taiwan, China, is seen holding a dog in a festive atmosphere. Several girls in the background, wearing glamorous outfits, further suggest that the setting is one of celebration, potentially a holiday evening. However, there are no distinctive cultural elements explicitly identifiable in this scenario. On a personal note, the appeal of the dog is commented on, noted as being unconventional in appearance. A different image focuses on a man in the center holding a dog, with a woman to his left, smiling at the canine companion. To the right of the man, another man walks by without a smile. The central figure is attired in a leather jacket, gray T-shirt, gray pants, and black shoes, while he uses a pink bag as part of handling the dog’s leash. The dog itself has notably long fur, predominantly light yellow, with touches of gray around its neck. The woman on the left is dressed in a gray ensemble, whereas the man on the right sports a black jacket paired with jeans. The background features a white wall with gray lines, and it appears the woman is emerging from a doorway. The gray ground and clarity of the photo, which appears to have been taken with flash, suggest a professional quality. In a separate description, a photograph displays three individuals and a dog. To the left, a girl is dressed in a gray tank top adorned with black stripes and matching gray suit pants. In the center, a man holds a lengthy pink dog leash connected to a small dog below, dressed in a black leather jacket over a light gray T-shirt and dark gray pants. The dog, leashed, features a fur coat that combines white and golden shades, accented with some black fur around its neck, contributing to its charming appearance. On the far right, an older man is seen passing by the two people, attired in dark clothing with a jacket, light blue jeans, and yellow-brown shoes. Overall, the style of the image conveys a cheerful disposition, encapsulating a lively moment shared among the subjects. | Ved første øyekast fanger fotografiet en sjarmerende scene med en mann, en kvinne og en hund. Mannen holder en bånd som er festet til hunden, samtidig som han holder hånden til kvinnen ved siden av seg. I bakgrunnen er det en annen mann tilstede. Gjenstandene som vises i dette bildet inkluderer tre personer—to menn og en kvinne—sammen med en hund som er plassert fremtrdende i forgrunnen. I tillegg til båndet inkluderer bildet to mikrofoner, en dør, og en apparat på venstre side av rammen. I tillegg står det tekst i bildet som sier "Tongue Star", sammen med annen tekst som sannsynligvis er relatert til et nettsted eller et firmanavn. Tilstedeværelsen av romaniserte bokstaver og japanske tegn gir en kulturell dybde, som antyder en forbindelse til japansk innflytelse eller merkevare innen konteksten av fotografiet. Hunden er spesielt hårete, og den står i forgrunnen av bildet. Mannen som holder båndet, er plassert rett bak hunden, med en kvinne akkurat litt til venstre. Til hans høyre er det en annen mann, mens en annen mann befinner seg i bakgrunnen og holder to mikrofoner i hendene. Bakgrunnen inneholder også en vegg og en døråpning, og subtile detaljer antyder tilstedeværelsen av rekvisitter eller dekorasjoner på høyre side, noe som kan indikere at scenen ble fanget på et film- eller TV-sett, som et spillprogram eller et talkshow. Den overordnede estetikken til fotografiet er livlig og fargerik, og formidler et uformelt øyeblikk midt i hva som skjer. I en annen tolkning sees en mannlig kjendis ved navn Ruan Jingtian, kjent for sin status innen underholdning fra Taiwan, Kina, mens han holder en hund i en festlig atmosfære. Flere jenter i bakgrunnen, iført glamorøse antrekk, antyder videre at settingen er en feiring, muligens en høytidskveld. Imidlertid er det ingen distinkte kulturelle elementer som tydelig kan identifiseres i dette scenariet. På en personlig merknad kommenteres hundens tiltrekningskraft, og den bemerkes som å ha et uvanlig utseende. Et annet bilde fokuserer på en mann i sentrum som holder en hund, med en kvinne til venstre som smiler til hundevennen. Til høyre for mannen går en annen mann forbi uten å smile. Den sentrale figuren er kledd i en skinnjakke, grå T-skjorte, grå bukser og svarte sko, mens han bruker en rosa veske som del av håndteringen av hundens bånd. Selve hunden har bemerkelsesverdig lang pels, overveiende lys gul, med innslag av grått rundt halsen. Kvinnen til venstre er iført et grått antrekk, mens mannen til høyre har på seg en svart jakke kombinert med jeans. Bakgrunnen har en hvit vegg med grå linjer, og det ser ut til at kvinnen kommer ut fra en døråpning. Den grå bakken og klarheten i bildet, som tilsynelatende er tatt med blitz, antyder en profesjonell kvalitet. I en separat beskrivelse viser et fotografi tre personer og en hund. Til venstre er en jente iført en grå tanktopp prydet med svarte striper og matchende grå dressbukser. I sentrum holder en mann et langt rosa hundebånd festet til en liten hund nedenfor, iført en svart skinnjakke over en lys grå T-skjorte og mørke grå bukser. Hunden, som er i bånd, har en pels som kombinerer hvite og gyldne nyanser, med noen svarte hår rundt halsen, noe som bidrar til dens sjarmerende utseende. Lengst til høyre sees en eldre mann som passerer de to personene, kledd i mørke klær med en jakke, lyseblå jeans og gul-brune sko. Totalt sett formidler stilen i bildet en munter holdning, som fanger et livlig øyeblikk delt mellom deltakerne. | no | 23,141 |
|
['English', 'English', 'English', 'Tamil', 'Chinese'] | ['1kMkiAZ8aFZP', '1mQrkH0ICloX', '1etiHrnYbIDP', '1bml2dmQlYdL', '1aqP4JWjJpSA'] | [' It is of a building of a specific style. It looks to be a temple in the, perhaps in the Himalayan mountains. In the back, we can see these white mountains, these majestic white mountains that are surrounded by beautiful blue, clear sky. There are some darker mountains that are not covered in snow. Closer to the temple itself, the temple has a flag on top. It seems to have two different parts to the structure. In the front, in the entrance, we can see some sort of brown or multicolored trim. And then there are these tassels hanging from the front that are perhaps made of flowers or beads. And these tassels are orange. We can see something that seems to resemble a symbol of a cow on the front. And there is lots of symbols, perhaps. The OM symbol is also depicted on the front and the moon symbol as well. That helps us infer what the location or the representation of this building is and why it is culturally and religiously significant.', " This is an image taken of a building. In the foreground the building is red. It's made of like hanging, there are a lot of hanging red things like vertically hanging things off the the roof of this building. The roof is sort of lined with different smaller objects. It's hard to see what exactly they are. Looks like there might be some symbolage on there. Just behind this building and maybe part of it sticking up there is like a tower made out of a light gray stone with a little statue in the front of it. On top of the tower there's a pointed roof with a large peak at the top of something that sticks up a little bit of a spire. There are some arches along the front part of this roof structure with some speakers. The front part of this roof structure has like some blue and gold accents but the top of the roof appears to be very gold. In the background of this image there are some large white snow covered mountains. In the foreground the mountains are a little greener and not covered in snow but in the background there are large like snow-capped mountains with gray stone. The sky is very blue behind these mountains but the mountains are very distinct in their white snow with some gray sticking out where there's not snow.", " This photo shows a building structure in nature. It looks like the building has orange decorations on it. It's of Asian style. The roof is golden with a tip. Behind this building, there is a giant mountain. It feels like the Himalayas, but because you can see the top of the mountain, it's probably not Himalayas. It could be the base leading to the rest of the Himalayas. It's definitely not in the United States because the style of the building is more Asian. The mountains are not the mountains you see in the United States. It looks like a mountain. It looks like a mountain range. The mountain has snow on it, so it's very elevated and cold. There are no trees because it's too cold to grow trees. The building is at the center of the picture and no text can be seen, so no signs to tell you where it is.", 'In these Inveja temple shrines, the Inveja driver has come and decorated it with orange color, with orange-colored curtains. There is a Covid tower, and a garland of kumkum is there. The month has come, and it looks like a mountain. If you look at the work story, the offering was made on the mountain for the month of Kandhan, and if it is done, it should be done properly.', 'This image appears to have been taken in front of a snow-capped mountain. In the center of the picture, there is a building with a very ethnic style, and behind it is the snow-covered mountain, which I personally find very beautiful. The building, which has distinct cultural characteristics, features very vibrant colors. The base of the structure is primarily red, and it looks like there are some red decorations hanging from the lower part of the building, giving it an overall bright red appearance. Behind this building, there is a slanted tower made of gray bricks. From what I understand, this might be in the Lhasa region of China or near Nepal, possibly in the Tibetan Plateau or close to Mount Everest; their styles should be similar, as that is my assumption.'] | [True, True, False, True, True] | ['This picture is of a temple that is specific to a religion and the cultures associated with it.', 'distinct cultural architecture', nan, 'yes', 'The building seemed very cultural.'] | It is of a building of a specific style, likely a temple, situated perhaps in the Himalayan mountains. In the background, majestic white mountains rise, surrounded by a beautiful, clear blue sky. Some darker mountains, which are not covered in snow, can also be seen. Closer to the temple, there is a flag prominently displayed on top of the structure. The temple seems to have two distinct sections. At the entrance, multicolored trim can be observed, with brown details accentuating its features. Additionally, there are tassels hanging from the front, possibly crafted from flowers or beads, which are vibrant orange in color. Something resembling the symbol of a cow is visible on the front of the temple, along with various other symbols that contribute to understanding its cultural and religious significance, including the OM symbol and the moon symbol. In another description, this image captures a building characterized by its red color in the foreground. The building features a series of vertically hanging red decorations from its roof. Lining the roof are various smaller objects that are not fully identifiable. Just behind this primary structure, there is a light gray stone tower that features what appears to be a small statue at its base. This tower has a pointed roof with a pronounced peak that resembles a spire. Arches are present along the front part of the roof structure, which also contains speakers. Blue and gold accents can be observed on the lower part of the roof, while the upper portion of the roof has a very prominent gold appearance. In the background, large, snow-capped mountains create a stunning vista, contrasting with the greener, less snowy mountains in the foreground. The sky is notably blue, accentuating the distinct white snow of the mountains alongside gray rock formations visible where snow is absent. This photo depicts a building structure situated in nature, characterized by orange decorations. The architectural style is distinctly Asian, with the roof appearing golden and embellished with a pointed tip. Behind the building lies a gigantic mountain, which could be part of the Himalayas; however, the visible mountain top suggests it may not be the Himalayas proper, but rather a base leading into the range. The visual elements strongly indicate that this structure is not located in the United States, as the building’s style is heavily influenced by Asian architecture and the mountain range seen does not resemble typical American landscapes. The snow-dusted mountain signifies a high elevation and cold climate, which inhibits tree growth in the area. The building is prominently centered in the composition, with no text or signage available to indicate its specific location. In the Inveja temple shrines, a driver has decorated the area with vibrant orange curtains. A Covid tower is present, adorned with a garland of kumkum, a bright red powder often used in Hindu rituals. The month has arrived, suggesting a period of significance, and the surroundings evoke imagery of a mountain. There is mention of offerings made on the mountain for the month of Kandhan, implying a cultural practice that needs to be conducted properly. In this image, a captivating view unfolds in front of a snow-capped mountain. The central structure showcases an ethnic architectural style rich in cultural characteristics, with vibrant colors prominently featured. The base of the building is primarily red, and it appears embellished with red decorations hanging from its lower sections, contributing to its striking appearance. Behind this culturally significant building stands a slanted tower constructed from gray bricks. Based on the architectural features, it is hypothesized that this location could be in the Lhasa region of China, near Nepal, possibly within the Tibetan Plateau or in close proximity to Mount Everest, as those styles are often visually similar. | Transkripsjon: Dette beskriver en bygning av en spesifikk stil, sannsynligvis et tempel, som ligger kanskje i Himalaya-fjellene. I bakgrunnen reiser majestetiske hvite fjell seg, omgitt av en vakker, klar blå himmel. Noen mørkere fjell, som ikke er dekket av snø, kan også sees. Nærmere tempelet er det det en flagg som er plassert prominent på toppen av strukturen. Tempelet ser ut til å ha to distinkte seksjoner. Ved inngangen kan man observere flerfargede detaljer, med brune elementer som fremhever dets trekk. I tillegg henger det dusker fra fronten, sannsynligvis laget av blomster eller perler, som har en livlig oransje farge. Noe som ligner symbolet på en ku, er synlig på fronten av tempelet, sammen med diverse andre symboler som bidrar til å forstå dens kulturelle og religiøse betydning, inkludert OM-symbolet og månesymbolet. I en annen beskrivelse fanger dette bildet en bygning preget av sin røde farge i forgrunnen. Bygningen har en serie vertikalt hengende røde dekorasjoner fra taket. Langs taket er det ulike mindre objekter som ikke er fullt identifiserbare. Rett bak denne hovedstrukturen er det et lys grå steintårn som har det som ser ut til å være en liten statue ved basen. Dette tårnet har et spisst tak med en markant topp som minner om et spir. Buene er til stede langs den fremre delen av takstrukturen, som også inneholder høyttalere. Blå og gullfargede detaljer kan observeres på den nedre delen av taket, mens den øvre delen av taket har et svært fremtredende gullutseende. I bakgrunnen skaper store, snødekte fjell en fantastisk utsikt, som står i kontrast til de grønnere, mindre snødekte fjellene i forgrunnen. Himlen er merkbart blå, noe som fremhever den distinkte hvite snøen på fjellene ved siden av grå bergformasjoner som er synlige der snøen er fraværende. Dette bildet viser en bygning strukturert i naturen, preget av oransje dekorasjoner. Den arkitektoniske stilen er tydelig asiatisk, med taket som fremstår som gyldent og pyntet med en spiss topp. Bak bygningen ligger et gigantisk fjell, som kan være en del av Himalaya; imidlertid antyder den synlige fjelltoppen at det kanskje ikke er helt Himalaya, men heller en base som fører inn i fjellkjeden. De visuelle elementene indikerer sterkt at denne strukturen ikke ligger i USA, da bygningens stil er sterkt påvirket av asiatisk arkitektur, og fjellkjeden som sees ikke ligner typiske amerikanske landskap. Det snødekte fjellet antyder høyde og kaldt klima, noe som hindrer trevekst i området. Bygningen er tydelig sentrert i komposisjonen, uten tekst eller skilt tilgjengelig som kan indikere dens spesifikke beliggenhet. I Inveja tempelhelligdommene har en sjåfør dekorert området med livlige oransje gardiner. Et Covid-tårn er til stede, pyntet med en krans av kumkum, et lyst rødt pulver som ofte brukes i hinduistiske ritualer. Månedene har kommet, noe som antyder en betydningsfull periode, og omgivelsene vekker bilder av et fjell. Det er nevnt om ofringer gjort på fjellet for måneden Kandhan, noe som impliserer en kulturell praksis som må utføres på riktig måte. I dette bildet utfolder det seg en fengslende utsikt foran et snødekt fjell. Den sentrale strukturen viser en etnisk arkitektonisk stil rik på kulturelle karakteristikker, med livlige farger som er tydelig fremhevet. Basen til bygningen er hovedsakelig rød, og den ser ut til å være pyntet med røde dekorasjoner som henger fra dens nedre seksjoner, noe som bidrar til dens slående utseende. Bak denne kulturelt betydningsfulle bygningen står et skrått tårn bygget av grå murstein. Basert på de arkitektoniske trekkene, antas det at dette stedet kan være i Lhasa-regionen i Kina, nær Nepal, muligens innenfor det tibetanske høylandet eller i nær tilknytning til Mount Everest, da disse stilene ofte ser visuelle lignende ut. | no | 11,980 |
|
['English', 'Chinese'] | ['1fnEzHKnrXdD', '1deZlkTItlAu'] | [" Okay, so it looks like this image is showing three young men, three Asian young men with medium long hair, so nothing like going over the collar but covering most of their forehead. They are all wearing black suits, white dress shirts, black eyes, one of them appears to have a white, let me call it a white, pink shirt in their pocket. All three are staring directly towards this new image. So little details. All their faces have it. All three of their faces, half of it is covered in shade and the background as well is black. In general this is a black image. I'm very worried. I'm very worried about the color outside of the dress shirts and the skin.", 'In this photo, there are three men, all dressed in black suits with white shirts underneath, and wearing black ties. If you recognize them, you should know that they are members of a Korean group. The overall photo has a darker tone; apart from their dark attire, the background is completely black, creating some shadows on their faces. Their expressions are very serious and cool, suggesting that it might be a promotional photo for their new work.'] | [False, False] | [nan, nan] | The image features three young Asian men, each of them dressed in sleek black suits complemented by crisp white dress shirts and black ties. Their hairstyles are medium to long, neatly styled so that it neither reaches the collar nor obstructs their forehead. One of the individuals has a distinctive pink shirt peeking out from the pocket of his suit, adding a touch of contrast to the predominantly dark attire. The trio is looking directly at the camera, exuding a sense of stalwart determination. The lighting in the photograph is predominantly dark, casting shadows that partially obscure their faces, creating an intense and moody atmosphere. This shadowy effect further emphasizes the seriousness of their expressions, which are cool and composed. The background of the image is entirely black, enhancing the focus on the men and their formal outfits. This composition suggests a professional promotional photo, likely intended for a new project or release, highlighting their personas as members of a well-known Korean group. The combination of the dark color scheme, their attire, and facial expressions collectively conveys a compelling narrative for their upcoming work. | La imagen presenta a tres jóvenes asiáticos, cada uno vestido con elegantes trajes negros complementados con camisas de vestir blancas y corbatas negras. Sus peinados son de longitud media a larga, cuidadosamente estilizados de tal manera que no alcanzan el cuello ni obstruyen su frente. Uno de los individuos tiene una distintiva camisa rosa asomando del bolsillo de su traje, añadiendo un toque de contraste a la indumentaria predominantemente oscura. El trío mira directamente a la cámara, emanando una sensación de firme determinación. La iluminación de la fotografía es predominantemente oscura, proyectando sombras que oscurecen parcialmente sus rostros, creando una atmósfera intensa y sombría. Este efecto de sombras enfatiza aún más la seriedad de sus expresiones, que son tranquilas y compostas. El fondo de la imagen es completamente negro, realzando el enfoque en los hombres y sus atuendos formales. Esta composición sugiere una foto promocional profesional, probablemente destinada a un nuevo proyecto o lanzamiento, destacando sus personalidades como miembros de un conocido grupo coreano. La combinación de la paleta de colores oscuros, su indumentaria y expresiones faciales transmite colectivamente una narrativa convincente para su próximo trabajo. | es | 24,158 |
|
['Russian'] | ['1mDF4z6cw71G'] | ["In the image, we see a young man holding one, two, three, four, five sticks of shashlik. He is wearing a green jacket with a purple scarf and is most likely indoors. In the background, we observe a broom and a cupboard filled with various items. The central focus of the image is on the man, and we see small details like the fact that the shashlik is already cooked and well-roasted. This man looks very pleased, probably because he is about to enjoy a delicious meal. The style of the image is colorful; it is entirely vibrant, which helps convey the state of the shashlik. Additionally, according to the context of the situation, this is likely taking place either at a dacha or at someone's private home, since he came to make shashlik and must have cooked it somewhere."] | [True] | [nan] | In the image, we see a young man proudly holding five sticks of shashlik, a popular dish consisting of skewered and grilled meat, often enjoyed at social gatherings or special occasions. He is dressed in a green jacket complemented by a vibrant purple scarf, suggesting a casual yet stylish attire that could be suited for a cozy indoor setting. The environment appears to be warm and welcoming, reinforcing the idea that this moment is cherished. In the background, there are notable domestic elements, including a broom, which hints at the general tidiness of the space, and a cupboard filled with various miscellaneous items, perhaps personal belongings or kitchenware, providing a glimpse into the everyday life within this setting. The focus remains on the young man, whose expression reveals immense joy, likely due to the anticipation of indulging in a delicious meal he has just prepared. The shashlik itself is well-cooked, showcasing a beautifully roasted appearance that suggests it has been grilled to perfection, enhancing the overall visual appeal of the image. The color palette of the image is rich and vibrant, elevating the excitement surrounding the meal and further emphasizing the mouth-watering nature of the shashlik. Given the context, it is reasonable to infer that this scene takes place either at a dacha, which is a Russian country house often used for relaxation and recreation, or at someone's private home, where the tradition of cooking shashlik is a cherished and communal activity. This sense of community and the enjoyment of good food are central themes that resonate within this picturesque moment. | تصویر میں ایک نوجوان آدمی فخر سے پانچ سیخوں پر لگے شاشلیک کو پکڑے ہوئے ہے، یہ ایک مقبول ڈش ہے جو سیخوں پر لگے ہوئے اور گرل کیے گئے گوشت پر مشتمل ہوتی ہے، اور عموماً سماجی ملاقاتوں یا خاص مواقع پر لطف اندوز کی جاتی ہے۔ اس نے ایک سبز جیکٹ پہنی ہوئی ہے جس کے ساتھ ایک زندہ دل جامنی اسکارف ہے، جو ایک آرام دہ اور پھر بھی سجیلا لباس ظاہر کرتا ہے جو کسی خوشگوار داخلی ماحول کے لئے موزوں ہو سکتا ہے۔ ماحول گرم اور خوش آئند نظر آتا ہے، جو اس بات کا اشارہ ہے کہ یہ لمحہ قیمتی ہے۔ پس منظر میں کچھ اہم گھریلو عناصر ہیں، جیسے جھاڑو، جو جگہ کی عمومی صفائی کا اشارہ کرتا ہے، اور ایک کابینہ جس میں مختلف چیزیں ہیں، شاید ذاتی اشیاء یا کچن کی چیزیں، جو اس سیٹنگ کے اندر روزمرہ زندگی کی جھلک فراہم کرتی ہیں۔ توجہ نوجوان آدمی پر مرکوز ہے، جس کے چہرے پر خوشی کا بڑا اظہار ہے، شاید اس لذیذ کھانے کے انتظار کی وجہ سے جو اس نے ابھی تیار کیا ہے۔ شاشلیک خود اچھی طرح پک سکتا ہے، اس کی خوبصورتی سے بھنا ہوا نظر آتا ہے، جو یہ ظاہر کرتا ہے کہ اسے مکمل طور پر گرل کیا گیا ہے، اور تصویر کی عمومی بصری دلکشی میں اضافہ کرتا ہے۔ تصویر کا رنگین پیلیٹ بھرپور اور زندہ دل ہے، جو کھانے کے گرد excitement کو بڑھاتا ہے اور شاشلیک کی لذیذ نوعیت پر مزید زور دیتا ہے۔ سیاق و سباق کی بنا پر، یہ قیاس کرنا معقول ہے کہ یہ منظر یا تو ایک ڈاچا (روسی دیہی گھر) میں ہے جو اکثر آرام اور تفریح کے لئے استعمال ہوتا ہے، یا کسی کے ذاتی گھر میں، جہاں شاشلیک پکانے کی روایت ایک قیمتی اور مشترکہ سرگرمی ہے۔ کمیونٹی کا یہ احساس اور اچھی غذا کا لطف اٹھانا اس دلکش لمحے کے مرکزی موضوعات ہیں۔ | ur | 9,672 |
|
['English', 'Chinese'] | ['1eH6jIKTvsZJ', '115eBfn6IIEM'] | [" This is a photo of a four lane street, two that are on the left side that are going forward. So people drive on the left side and there are two on the right side. There are three double decker buses. They're red and lining the street, which goes from the bottom of the image towards the top left of the image due to perspective. Lining the street are pedestrian sidewalks. There is a bus stop and there are buildings surrounding it. The buildings are brick and there is no, there is discernible text. There is a bridge. There is a bridge. There is a bridge. There is a bridge. There is a bridge. is a place for a bus stop on the left as well as a bus stop on the right which is indicated by the words bus stop on the street and one of the bus stops also have an ad for a movie called boy girl and there is a black car with a yellow license plate in the front center of the image and there are street lights that are hanging over the top and there are also traffic lights located in the center of the two sides of the street. it is daytime and that means that in the background there's a very white light coming from the sky or like the sun so you can't exactly see the lights in the background, even though there is a lot of light in the background. see too far into the back and this photo is taken seems to be from a double decker bus due to its elevated height as well as the reflected blue on the bottom of the image it is unclear where that blue is from but it seems to be a window glint", 'This photo shows the street where we can see tall buildings on both the left and right sides, and in the middle is the road. So this is a photo taken on a street. This road is either in the UK or in Hong Kong, as both places have vehicles driving on the left side. Therefore, it is very likely to be in the UK or in a place that was previously a British colony. On our right, we can see a bus, a double-decker bus, which is very much a British icon—one of those red double-decker buses that are seen everywhere in the UK. There are also many streetlights, and the buildings are a reddish-brown color, resembling bricks. So it is quite likely to be in the UK. The bus on the right seems to be stopping because there is a bus stop nearby, suggesting it is very likely that the bus is stopping at this bus station.'] | [False, True] | [nan, 'Britain'] | This image captures a vibrant urban scene on a four-lane street. The street is divided with two lanes designated for forward-moving traffic on the left side and two lanes on the right. Notably, the vehicles are driving on the left side of the road, indicating that this location is likely in the United Kingdom or a former British colony where left-hand driving is the norm. Prominently featured in the composition are three iconic red double-decker buses, a classic representation of British public transportation culture. These buses are aligned along the street, which extends diagonally from the bottom of the image to the top left corner, accentuated by perspective. Flanking the street are pedestrian sidewalks, and we can observe a bus stop accessible from both sides of the street, marked clearly with signs indicating "bus stop." One of the bus stops prominently displays an advertisement for a movie titled "Boy Girl." In the foreground, there is a black car with a yellow license plate positioned centrally, adding to the bustling atmosphere of urban life. The environment is well-lit, owing to daytime, and a bright white light permeates the scene from the sky, likely indicating a sunny day. This brilliance somewhat obscures the visibility of background features, even though there is a substantial amount of light present. Surrounding the street are buildings constructed primarily from brick, characterized by a reddish-brown color. Despite the visual appeal, no discernible text is visible on these buildings. Among these structures, a bridge is noted, although details about it are not elaborated on. Streetlights gracefully hang over the road, complementing the functional urban infrastructure, along with traffic lights positioned at the center of the road between the two sets of lanes, providing necessary signals for the flow of traffic. The perspective from which this photograph was taken suggests it could have been captured from a double-decker bus, inferred from the elevated viewpoint and the intriguing blue reflection seen at the bottom of the image, which may be a result of sunlight glinting off a window. This angle offers a captivating overview of the street and its surroundings, contributing to the dynamic and lively ambiance depicted in the photograph. | Dieses Bild zeigt eine lebendige städtische Szene auf einer vierspurigen Straße. Die Straße ist unterteilt, wobei auf der linken Seite zwei Fahrspuren für den vorwärts fahrende Verkehr und auf der rechten Seite zwei weitere Spuren vorgesehen sind. Bemerkenswert ist, dass die Fahrzeuge auf der linken Seite der Straße fahren, was darauf hindeutet, dass sich dieser Ort wahrscheinlich im Vereinigten Königreich oder in einer ehemaligen britischen Kolonie befindet, wo das Fahren auf der linken Seite die Norm ist. In der Komposition sind drei ikonische rote Doppeldeckerbusse prominent dargestellt, eine klassische Repräsentation der britischen öffentlichen Verkehrskultur. Diese Busse sind entlang der Straße ausgerichtet, die diagonal von der unteren Bildkante zur oberen linken Ecke verläuft, was durch die Perspektive betont wird. Flankiert wird die Straße von Bürgersteigen, und wir können eine Bushaltestelle erkennen, die von beiden Seiten der Straße zugänglich ist und deutlich mit Schildern "Bushaltestelle" gekennzeichnet ist. Eine der Bushaltestellen zeigt prominent eine Werbung für einen Film mit dem Titel "Boy Girl". Im Vordergrund steht ein schwarzes Auto mit einem gelben Nummernschild, das zentral positioniert ist und zur geschäftigen Atmosphäre des Stadtlebens beiträgt. Die Umgebung ist gut beleuchtet, da es Tag ist, und ein helles weißes Licht durchdringt die Szene aus dem Himmel, was wahrscheinlich auf einen sonnigen Tag hinweist. Dieses Licht verdeckt etwas die Sicht auf die Hintergrundmerkmale, obwohl eine erhebliche Menge Licht vorhanden ist. Um die Straße herum befinden sich hauptsächlich aus Ziegeln errichtete Gebäude, die durch eine rötlich-braune Farbe charakterisiert sind. Trotz der visuellen Anziehungskraft ist kein wahrnehmbarer Text auf diesen Gebäuden sichtbar. Unter diesen Strukturen ist eine Brücke zu erkennen, obwohl keine Einzelheiten darüber ausgeführt werden. Straßenlaternen hängen anmutig über der Straße und ergänzen die funktionale städtische Infrastruktur, ebenso wie Verkehrsampeln, die in der Mitte der Straße zwischen den beiden Fahrspuren positioniert sind und notwendige Signale für den Verkehrsfluss geben. Die Perspektive, aus der dieses Foto aufgenommen wurde, deutet darauf hin, dass es möglicherweise von einem Doppeldeckerbus aus fotografiert wurde, was sich aus dem erhöhten Blickwinkel und der faszinierenden blauen Reflexion am unteren Bildrand ableitet, die durch Sonnenlicht entstehen könnte, das an einem Fenster blitzt. Dieser Winkel bietet einen fesselnden Überblick über die Straße und ihre Umgebung und trägt zur dynamischen und lebhaften Atmosphäre bei, die in dem Foto dargestellt wird. | de | 13,391 |
|
['English', 'Chinese'] | ['1lyr1kjmzcXb', '1efwh6l6n9cG'] | ["This image seems to be what someone might post on Instagram in 2016 or around 10 years ago. In the background is some sort of design that is a white wall with the red butterflies on it. And there is a girl who's posing for this picture. Her eyes are closed and she's smiling and she's holding out cotton candy that's white. It takes up most of the image. She's wearing a blue jacket, it seems like. And she seems very happy in this image because of the cotton candy. She has black hair or brown hair. And she seems to be wearing some sort of light colored shirt or blouse. As well.", 'This picture is of a woman with black hair, her eyes closed, wearing a blue jacket with a white shirt underneath. She is holding a relatively large white cotton candy. Behind her is a white wooden backdrop or wall decorated with some butterflies or rounded patterns in red and dark red. The light source seems to be on her right side, creating some shadows in her left rear. This is just a half-body shot, and the woman appears to be closing her eyes, possibly posing for a photo or engaged in some related activity.'] | [True, False] | [nan, nan] | The image captures a moment reminiscent of typical Instagram posts from around 2016, showcasing a young woman enjoying a whimsical treat. She stands against a background that features a white wooden wall embellished with decorative red butterflies and rounded patterns in varying shades of red, creating a visually striking backdrop. This intricate design adds an artistic flair to the composition. The woman in the photo is portrayed with her eyes gently closed, as a smile graces her face, exuding a sense of happiness and delight. She is engaging with the camera, possibly posing for the photograph or savoring a joyful moment. She holds out a large, fluffy piece of white cotton candy, which dominates the foreground of the image and serves as a symbol of carefree joy and childhood innocence. The cotton candy, being white, contrasts against the vibrant backdrop, drawing the viewer's eye. She is dressed in a blue jacket, which seems to be the outer layer over her light-colored shirt or blouse that subtly peeks out beneath. Her hair appears to be either black or dark brown, contributing to her overall youthful appearance. The photograph is captured from the waist up, offering a half-body view of her, and the lighting source comes from her right side. This creates gentle shadows on her left side, adding depth to her figure and enhancing the three-dimensional quality of the image. The woman’s expression and the whimsical nature of the cotton candy together evoke emotions related to joy and spontaneity, making the photograph a relatable slice of youthful exuberance. | ছবিটি ২০১৬ সালের typical Instagram পোস্টগুলির স্মৃতি মনে করিয়ে দেয়, যেখানে একটি তরুণী একটি আশ্চর্যজনক মিষ্টি উপভোগ করছেন। তিনি একটি পেছনের দৃশ্যের বিরুদ্ধে দাঁড়িয়ে আছেন, যেখানে একটি সাদা কাঠের দেওয়াল রয়েছে যা সাজসজ্জামূলক লাল প্রজাপতি এবং বিভিন্ন শেডের লাল রঙে গোলাকার প্যাটার্নে সজ্জিত। এই জটিল নকশাটি সংমিশ্রণে একটি শৈল্পিক আভা যোগ করছে। ছবির রিপোর্টে মহিলা তার চোখ আলতোভাবে বন্ধ করে রেখেছেন এবং তার মুখে একটি হাসি রয়েছে, যা সুখ ও আনন্দের অনুভূতি প্রকাশ করছে। তিনি ক্যামেরার দিকে মুখ ফিরিয়ে রেখেছেন, সম্ভবত ছবির জন্য পোজ দিচ্ছেন বা একটি আনন্দময় মুহূর্ত উপভোগ করছেন। তিনি একটি বড়, ফuzzy সাদা কটন ক্যান্ডি ধারণ করছেন, যা ছবির সামনের অংশে রয়েছে এবং অনায়াস আনন্দ ও শিশুদের নিষ্কামত্বের প্রতীক হিসাবে কাজ করছে। সাদা কটন ক্যান্ডিটি রঙ্গিন পেছনের দৃশ্যের বিরুদ্ধে তীক্ষ্ণ প্রতিক্রিয়া সৃষ্টি করেছে, দর্শকের চোখকে আকর্ষণ করে। তিনি একটি নীল জ্যাকেট পরধারিত, যা তার হালকা রঙের শার্ট বা ব্লাউজের ওপরের স্তর হিসাবে দেখা যাচ্ছে, যা সাবধানে তার নিচে উকি দিচ্ছে। তার চুল সম্ভবত কালো বা গা dark া বাদামী, যা তার সামগ্রিক যুবক আবির্ভাবকে বাড়াচ্ছে। ছবিটি কোমরের উপরের অংশ থেকে তোলা হয়েছে, যা তার অর্ধ-শরীরের দৃশ্য প্রদান করছে, এবং আলোর উত্স তার ডান দিক থেকে আসছে। এর ফলে তার বাঁ দিকের ওপর হালকা ছায়া সৃষ্টি হয়েছে, যা তার অবয়বে গভীরতা যোগ করছে এবং ছবির তিন-মাত্রিক গুণগত মানকে উন্নত করছে। মহিলার অভিব্যক্তি এবং কটন ক্যান্ডির আশ্চর্যজনক প্রকৃতি একত্রে আনন্দ ও স্বত spontaneতায় সম্পর্কিত আবেগ উজ্জীবিত করছে, যা ছবিটিকে যুবক উচ্ছ্বাসের একটি সম্পর্কযুক্ত টুকরোতে রূপান্তরিত করছে। | bn | 20,948 |
|
['Hindi', 'Chinese', 'Chinese'] | ['1dKzEQKUA7Su', '14mYb70Ql5iB', '11TiYT79hqZj'] | ['This picture looks like a Rajasthani painting where a few people are seated outside a house. There are two doors visible, both made of wood, and they are decorated with woodwork. A lock is also attached to the doors, and there are two handles on them. There is a wall between the doors, with some bricks visible; some bricks are small and others are larger. Outside the house, three women and one man in a traditional outfit can be seen. The man is wearing a Rajasthani kurta and has a turban on his head. The faces of everyone are somewhat blurry. This man has a mustache, and the woman sitting on the left side has donned a purple saree. The woman next to her is also wearing a scarf on her head, while the third woman on the right is dressed in a blue suit and has jewelry on. This woman is wearing earrings as well. The picture was taken during the daytime and is quite clear.', "This image features an elderly man dressed in traditional attire, wearing a white or light-colored long robe, and his head is wrapped in a turban, possibly made of fabric typical of India or the Middle East. His posture appears very firm, suggesting he is a respected and experienced person in the local area. In the background, several women in traditional clothing can be seen, their garments adorned with purple and pink patterns, highlighting the distinction from the man's attire. Behind them, there are wooden doors and stone walls, indicating that this scene may have been photographed in a traditional market, village, or cultural site. Based on the clothing and environment, the photo may have been taken in India, Pakistan, or the Middle East, particularly in regions like Rajasthan and Gujarat in India, or Sindh in Pakistan, where people still maintain traditional styles of dress. In terms of details, the man's clothing is likely handmade, reflecting local craftsmanship and traditions, while the way the turban is wrapped is a unique symbol of identity in these regions, possibly indicating his social status, profession, and cultural background. Overall, this image reflects the traditional clothing culture of South Asia or the Middle East, showcasing the everyday attire of local people and the social atmosphere, rich in regional characteristics and cultural value.", 'This photo showcases what seems to be a traditional attire. The four people in the image are all wearing purple-toned clothing. The elderly man in the front has his hair wrapped up, and similarly, the young woman to his left also has her hair covered. This does not appear to be a gender distinction, as the young woman behind the elderly man does not have her hair wrapped. They seem to belong to the same family and might be attending some sort of celebration that requires them to wear matching outfits in a uniform color scheme.'] | [True, True, False] | ['Yes', 'Yes, this image is culturally distinct because it depicts a man wearing traditional attire, including a turban and long tunic, commonly seen in India, Pakistan, or parts of the Middle East. The style of dress, head covering, and background architecture suggest a deep-rooted cultural identity, often associated with rural or traditional communities in South Asia or the Middle East.', nan] | This picture appears to be reminiscent of a traditional Rajasthani painting, showcasing a scene where a few individuals are seated outside a house. Two wooden doors are prominently visible in the image, both adorned with intricate woodwork that highlights local craftsmanship. A robust lock is attached to the doors, which are fitted with two handles, enhancing their rustic charm. Between the doors, a wall is present, showcasing a combination of bricks—some small and others larger—demonstrating varied construction techniques typical of the region. In the foreground, three women and one man appear, all dressed in traditional attire that reflects the cultural heritage of Rajasthan. The man, prominently featured, is clad in a Rajasthani kurta and wears a turban, a defining element of traditional male attire in this area. His facial features include a nicely groomed mustache, adding to the overall character of his appearance. The women show a diversity in their traditional clothing: the woman to the left is adorned in a vibrant purple saree, signifying cultural elegance; next to her, another woman has covered her head with a scarf, which is common in many South Asian communities, symbolizing modesty and respect; to the right, the third woman is dressed in a blue suit complemented with jewelry, including earrings that enhance her overall traditional look. Importantly, the faces of the individuals are somewhat blurred, perhaps to focus on their attire or to create an artistic effect. The image is captured during the daytime, offering clarity and vivid colors that bring the scene to life. In a separate depiction, the image features an elderly man dressed in traditional attire, specifically a long robe that is either white or light-colored, characteristic of many cultures in India and the Middle East. His head is wrapped in a turban made from fabric typical of the region. The man’s posture exudes strength and dignity, indicating his respected status within the community as an experienced individual. In the backdrop, several women are observed, all wearing traditional garments that showcase purple and pink patterns. These colors contrast with the man's attire, emphasizing the cultural distinctions in their clothing. The setting of the photograph suggests it may have been taken in a traditional market, village, or significant cultural site, indicative of India, Pakistan, or the Middle East. Locations such as Rajasthan and Gujarat in India or Sindh in Pakistan are noted for their preservation of traditional dress, which reflects regional craftsmanship and lifestyle. The man's attire is likely handcrafted, embodying the local artistry and traditions of his community. The way he wears his turban serves as a symbol of identity, potentially representing his social status, profession, and cultural background. This image encapsulates the rich cultural tapestry of South Asia or the Middle East, depicting everyday life and the attire of local individuals, which are steeped in socio-cultural significance. Additionally, another photo presents what appears to be traditional attire worn by four individuals, all clad in purple-toned clothing, suggesting a coordinated family appearance. The elderly man in the forefront has his hair wrapped, while the young woman to his left similarly covers her hair, although this does not seem to indicate a strict gender distinction, as the young woman positioned behind the elderly man does not have her hair wrapped. The familial connection among these individuals is evident, and their matching outfits may imply participation in a celebration or an event where such attire is customary, reflecting a unified aesthetic that enhances their familial bond and cultural identity. | Bức tranh này dường như gợi nhớ đến một tác phẩm sơn dầu truyền thống của Rajasthan, thể hiện một cảnh mà một vài người đang ngồi bên ngoài một ngôi nhà. Hai cánh cửa gỗ nổi bật trong hình ảnh, cả hai đều được trang trí bằng những chi tiết mộc mạc tinh xảo, làm nổi bật sự khéo léo của nghề thủ công địa phương. Một ổ khóa chắc chắn gắn trên cánh cửa, được trang bị hai tay cầm, tăng thêm vẻ đẹp mộc mạc của chúng. Ở giữa hai cánh cửa là một bức tường, thể hiện sự kết hợp giữa gạch - một số nhỏ và một số lớn - cho thấy các kỹ thuật xây dựng đa dạng đặc trưng của khu vực. Ở phía trước, ba phụ nữ và một người đàn ông xuất hiện, tất cả đều mặc trang phục truyền thống phản ánh di sản văn hóa của Rajasthan. Người đàn ông, với phong thái nổi bật, mặc một chiếc kurta Rajasthan và đội một chiếc khăn turban, một yếu tố đặc trưng của trang phục nam giới truyền thống trong khu vực này. Các đặc điểm khuôn mặt của ông bao gồm một bộ râu được chăm sóc cẩn thận, làm tăng thêm tính cách tổng thể của vẻ ngoài. Các phụ nữ thể hiện sự đa dạng trong trang phục truyền thống của họ: người phụ nữ bên trái mặc một chiếc saree màu tím rực rỡ, biểu trưng cho sự tinh tế văn hóa; bên cạnh cô ta, một phụ nữ khác đã dùng khăn che đầu, điều này rất phổ biến trong nhiều cộng đồng Nam Á, biểu thị cho sự khiêm nhường và tôn trọng; bên phải, người phụ nữ thứ ba mặc một bộ đồ màu xanh được điểm xuyết với trang sức, bao gồm cả bông tai tôn lên vẻ truyền thống của cô. Quan trọng là, khuôn mặt của các cá nhân có phần bị mờ nhòe, có thể để tập trung vào trang phục của họ hoặc tạo ra hiệu ứng nghệ thuật. Hình ảnh được chụp vào ban ngày, mang lại sự rõ ràng và màu sắc sống động, làm cho cảnh vật trở nên sống động. Trong một hình ảnh khác, có một người đàn ông lớn tuổi mặc trang phục truyền thống, cụ thể là một chiếc áo choàng dài màu trắng hoặc màu sáng, đặc trưng của nhiều nền văn hóa ở Ấn Độ và Trung Đông. Đầu ông được quấn bằng một chiếc khăn turban làm từ vải đặc trưng của khu vực này. Tư thế của người đàn ông tỏa ra sức mạnh và phẩm giá, chỉ ra vị thế được tôn trọng của ông trong cộng đồng như một người có kinh nghiệm. Ở phông nền, vài phụ nữ được quan sát, tất cả đều mặc trang phục truyền thống với các họa tiết màu tím và hồng. Những màu sắc này đối lập với trang phục của người đàn ông, làm nổi bật sự khác biệt văn hóa trong trang phục của họ. Bối cảnh của bức ảnh gợi ý rằng nó có thể được chụp tại một chợ truyền thống, làng quê hoặc một địa điểm văn hóa quan trọng, đặc trưng cho Ấn Độ, Pakistan hoặc Trung Đông. Các khu vực như Rajasthan và Gujarat ở Ấn Độ hay Sindh ở Pakistan nổi tiếng với việc bảo tồn trang phục truyền thống, phản ánh nghệ thuật và lối sống địa phương. Trang phục của người đàn ông có thể được làm thủ công, thể hiện nghệ thuật và truyền thống của cộng đồng ông. Cách ông đội khăn turban là biểu tượng cho danh tính, có thể đại diện cho địa vị xã hội, nghề nghiệp và nền văn hóa của ông. Hình ảnh này khái quát bức tranh văn hóa phong phú của Nam Á hoặc Trung Đông, khắc họa cuộc sống hàng ngày và trang phục của các cá nhân địa phương, đắm chìm trong ý nghĩa xã hội - văn hóa. Ngoài ra, một bức ảnh khác trình bày những trang phục truyền thống mà bốn cá nhân đang mặc, tất cả đều mặc đồ có tông màu tím, gợi ý về một ngoại hình gia đình đồng bộ. Người đàn ông lớn tuổi ở phía trước có tóc được quấn, trong khi người phụ nữ trẻ bên trái cũng che tóc, mặc dù điều này không có vẻ chỉ ra sự phân biệt giới tính nghiêm ngặt, vì người phụ nữ trẻ đứng sau người đàn ông lớn tuổi không có tóc được quấn. Mối liên kết gia đình giữa những cá nhân này rất rõ ràng, và trang phục giống nhau của họ có thể ám chỉ việc tham gia vào một lễ kỷ niệm hoặc sự kiện mà trang phục như vậy là truyền thống, phản ánh một thẩm mỹ thống nhất làm tăng thêm sự gắn bó giữa họ và bản sắc văn hóa của gia đình. | vi | 6,171 |
End of preview. Expand
in Data Studio
README.md exists but content is empty.
- Downloads last month
- 43
Size of downloaded dataset files:
145 MB
Size of the auto-converted Parquet files:
145 MB
Number of rows:
29,955
Data Sourcing report
powered
by
Spawning.aiNo elements in this dataset have been identified as either opted-out, or opted-in, by their creator.