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nonnative | ['1m4OTGh2yEp4', '1hRqUhykjMnb', '1GEa7oQPXKPb', '17ivZ4QRgWVC', '1l5tpFwOU7iG', '1kS3bdHnwQD9'] | ['English', 'English', 'Chinese', 'Chinese', 'English', 'Chinese'] | [" This image looks like some trees that are bound together by some kind of plastic wrap. And there are some red bricks in front of it with yellow, I mean white paint on top. The white paint seems to be pretty thick, it might be another brick. And the background is blue tarp it seems, or doesn't seem like water, but an aquamarine color. So it looks like this isn't just a random set of trees, but a kind of decoration in maybe a recreational area, maybe around the neighborhood, or depending on the location, it could also be of cultural significance. There seems to be, this seems to be taken during the day as well, maybe around noon. And there are, there doesn't seem to be any text around that can help me understand what this is. That's okay. Let's see. Work away you go from us. Something of a wonderful personality, I've taken an opportunity to radius the functioning Syndicate layer in Lasnac turns into playoff. I'm currently digging from myself right nasada, and I have no idea what to 요즘 point. So, that's how the colors I think are. On the top of the vest, right let me show you more information about keep the color.", " we have a photo of a mangrove someone for around that way what is this a little mangrove trees well said they've been taken out of their natural habitat and in place inside these containers to to hold them in the mangrove trees are even roped together white string of white rope and somebody's trying to move some vegetation around let's see in the background now it's hard to see but you see someone some blue water very color turquoise fish water yeah if the scene could possibly be coming from like where mangroves are prevalent in Vietnam or I don't know many places there's gonna be Asia South America Africa anyway", 'The entire image that catches the eye is of a very thick tree. This tree seems to have a certain thickness because we can see its entire width, and beside the tree, there are small roots. We can sense that this tree has a significant historical presence. Additionally, we can see some fibrous lines next to the tree that bind it together, possibly to connect these small roots with the larger root, keeping them from scattering. The whole tree is very thick, with the leaves hanging down, as well as some branches and fibers. The main focus of the image is on this large tree, particularly its roots, and we can see how some of the smaller roots are tied together with the lines. The leaves above are green, giving us the impression that it is an image taken in spring or something similar. There is also another tree in the background, but it is not very prominent. In the foreground, there are some stone platforms that are reddish-brown, and in the background, we can see some bluish-green elements, but they are hard to make out; they appear to be glowing and transparent, making it difficult to determine exactly what they are. The whole image is focused on the tree leaves.', "The image shows a tree, with a quantity of 1. Its position is vertical, and this tree has many vines and branches that are very lush. It should be a type of tree that lives in the southern part of China. This forest might be several hundred years old and could be part of an ancient village. There’s a proud place here, and you need to find the branding; I don't have mine.", " This is an outdoor image. In the middle center of the image, there are several different, they look to be very tall, skinny trees, and there is some sort of white rope wrapped around the trees, either to keep them upright or to squeeze them closer together or section them off somehow. They are roped together with some sort of white material and the trees are very skinny. They are brown and gray in color. To the very top of the image, there are some branches with leaves, but it's unclear if they are attached to the trees in the center or if they are branching off from some other trees in the background. There is some sort of red brick to the bottom of the image. Then in the background, you can see some sort of street and the first floor of a couple of buildings and some stone bricks and a stone pathway.", 'The overall focus of the photo is on a giant banyan tree, which looks very old. The branches and aerial roots hanging down are thick and abundant, obscuring the main trunk of the tree. To prevent these branches and roots from dispersing, we can see that the caretaker has wrapped white string around the tree area in circles, binding them to the trunk to keep them from scattering. The base of the tree is surrounded by a structure made of orange bricks. In the background, there are some houses and a wall made of blue and green plastic sheeting. The tree appears to have lush, thriving foliage, indicating it is well-nourished and has a certain age, making it a very old tree.'] | [False, False, False, False, False, False] | [nan, nan, 'No', nan, nan, nan] | This image presents a striking depiction of several trees that are intricately bound together with a plastic wrap or string, creating an almost artistic arrangement. The trees appear to be natural elements, but their binding may suggest they serve a purpose beyond mere nature – perhaps as part of a decorative feature in a recreational area or a neighborhood landscape. In the foreground, there are red bricks, some of which are coated with a thick layer of white paint, making them stand out prominently against the natural hues of the trees. The saturated color of the paint almost suggests a larger piece of brickwork. The background features a blue tarp or an aquamarine surface, which further enhances the visual depth of the scene. The image seems to have been captured during daylight hours, likely around noon, as the bright colors and the clarity of the scene suggest an absence of shade or overcast conditions. Notably, there is an absence of any text or additional context in the image to provide insight into its significance or location. The whimsical language used in describing the scene includes phrases that allude to a certain vibrancy and personality, but it becomes somewhat muddled, making the message unclear. The second part of the description transitions to a photo of what appears to be a group of young mangrove trees. These mangroves have been uprooted from their natural habitat and placed into containers, presumably for transportation or eventual replanting. The trees are secured together with white rope, symbolizing a nurturing effort to maintain their delicate structure as they are moved. A hint of turquoise water can be glimpsed in the background, possibly indicating proximity to a coastal region where mangroves typically flourish. The mention of various geographic regions – from Vietnam to other parts of Asia, South America, and Africa – suggests that mangroves are a common feature in tropical and subtropical coastal areas around the globe. The third transcription provides a detailed description of a large, imposing tree with a thick trunk, showcasing its roots and the fibrous lines binding them, which may serve to stabilize the smaller roots and connect them to the main root system. The lush greenery of the tree’s leaves hints at a vibrant spring season, while the image also captures an additional tree in the background that remains less prominent. The reddish-brown stone platforms in the foreground contrast with some elusive bluish-green elements in the background, which glow and appear translucent, adding an element of mystery to the scene. The emphasis here is on the grandeur and historical significance of the tree, suggesting it may have stood for centuries and possibly be part of an ancient tree lineage. The fourth description focuses on a solitary tall tree featuring a myriad of vines and lush branches, likely representative of a type native to the southern regions of China. The narrative hints at the historical weight of the forest, potentially rooted in an ancient village context, which adds layers of cultural significance to the tree and its surroundings. In another outdoors image, several slender trees dominate the center of the frame, all seemingly wrapped in white rope. This visual suggests a communal effort to either stabilize or organize these trees, which are primarily brown and gray in color. Scattered branches with leaves stretch towards the upper part of the image, although their exact connection to the central trees is ambiguous. A bed of red bricks can be spotted at the bottom, underscoring the man-made elements in contrast to the natural aspects. In the background, remnants of urban life can be seen with a street layout and several buildings made from stone, which implies a blend of nature and civilization in the captured view. Finally, the last image focuses on a magnificent banyan tree, noted for its substantial age and enveloping growth. The branching limbs and aerial roots cascade downward, dramatically hiding much of the trunk and showcasing the tree’s sprawling nature. To maintain order and prevent chaotic growth, white string has been affixed in circular patterns around the branches and roots, acting as a caretaker's measure. Surrounding the base is an orange brick structure, while a backdrop of houses and a wall made from blue and green plastic sheeting signifies a blend of traditional and modern elements in the environment. The lush foliage is a testament to the tree’s health and vitality, reflecting its majestic presence within the landscape. | 845 |
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nonnative | ['18Cs6h0mVvDD'] | ['English'] | [" This is a rectangular image with a very light pink background with Chinese characters on the top, two lines of Chinese characters. The main component of it is an iPhone, a white iPhone with a home button on the bottom, a biometric home button. On the screen of this iPhone, you can see the top with the same color as the pink background. And then three separate images in the center. The first one, all being women, the first one on the bottom is a woman sitting down with her hands on the floor, supporting herself and wearing a top and a very long skirt of red color. And she's holding her right hand towards her face. The second image is a woman standing up. She's wearing a skirt and a top with long sleeves. It seems like she is perhaps dancing. And the last photo on the top, this woman is standing up, but her arms are stretching out. She's wearing a skirt with a top with no sleeves. And she is looking to her right side, making a dance motion. This looks like an app because on the bottom of the screen, you can see some icons. she opens and shows her eyes at her and she does look like an appropriate shirt with her hands. She like an chap, but here is an nother primaver. There's no limit that знак. True one, one will be two. Oh yeah. You are right. Maybe a little bit. Instead of doing On the left. I simply can't talk about a second. I'm just Effie exclusive People who want to take a year to decide And if she needs to do it, And let's just say that she can take sketches,"] | [False] | [nan] | This transcription describes a rectangular image featuring a very light pink background, adorned with two lines of Chinese characters at the top. The focal point of the image is a white iPhone, which includes a home button located at the bottom. This home button is biometric, providing a method for secure access to the device. On the screen of the iPhone, the background color mirrors the light pink of the overall image. Centered on the screen are three distinct images of women, each portraying different poses and outfits. The first image, located at the bottom, shows a woman who is seated with her hands resting on the floor for support. She is dressed in a top and an exceptionally long red skirt. With her right hand raised towards her face, she appears to be in a contemplative pose. The second image depicts a woman standing upright. She is wearing a skirt and a long-sleeved top, and her pose suggests that she may be dancing. In the topmost image, another woman stands with her arms elegantly stretched outwards. She is attired in a sleeveless top and a skirt. Her head is turned to her right side, and her stance and arm position also imply a dance movement, conveying grace and fluidity. At the bottom of the iPhone screen, various application icons are visible, indicating that this image likely serves as a screenshot from a mobile application. Additionally, the transcription includes random phrases and disconnected thoughts, such as mentions of someone possibly needing a year to decide something and references to sketching. These elements appear to be extraneous and do not contribute to the overall description of the image. | 2,153 |
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native | ['197C7KPZ3shJ', '1nBSWwZAvZDY', '13jvxhmwCvIZ'] | ['Chinese', 'Chinese', 'Chinese'] | ['This photo features a fairly large amulet, and on the white board, it indicates there are some trees in the background, possibly some buildings as well. In front of the white board, there are some artificial flowers that appear black but are actually supposed to be green. The image of the elderly man in the photo shows him wearing a black jacket and smiling; he seems to have met a notable figure.', 'This image is a horizontal composition featuring the statue of an elderly man in the center. Above it is an inscription on a stone tablet that says "Thankfulness and Gratitude to the Founding of the Nation and Founding Heroes." The text on the left is in Chinese, and the right side is presumably in English. From this image, one can infer that it is a memorial for a prominent founding figure of China who passed away, commemorated by this monument. In addition to the image and text on the monument, there are many yellow flowers placed underneath it, with yellow symbolizing remembrance. Beneath the yellow flowers, there are also some green plants, creating an overall atmosphere that is very solemn, sacred, and beautiful. Furthermore, on top of the monument, there is not only greenery but also a statue of a Buddha, which seems to express blessings and protection. Therefore, the overall meaning of this image is to commemorate a founding hero of China, creating a memorial site for people to pay their respects.', 'The image appears to be a memorial service for a hero because it has simplified Chinese characters that read "Thankful for the establishment of the country and its achievements." The location information includes a photo, with a statue of a Buddha behind it, along with some white flowers and green leaves. An interesting detail is that, besides the Chinese, there is also English translation beside it, suggesting it may be an international venue that requires both Chinese and English simultaneously.'] | [True, True, True] | ['This is to memorize a person', nan, 'It has Chinese character'] | This photograph showcases a large amulet prominently positioned against a white board. Behind the board, there are several trees visible, and it is possible that there are some buildings in the background as well. In the foreground, artificial flowers are presented, which appear black in color; however, they were intended to be green. The image features an elderly man dressed in a black jacket, who is smiling broadly. His expression suggests a sense of joy or approval, and it appears he has recently encountered a notable figure, which brings an air of significance to the moment captured in the photo. The second image reveals a horizontal composition centered around a statue of another elderly man. Above this statue is a stone tablet inscribed with the words "Thankfulness and Gratitude to the Founding of the Nation and Founding Heroes." The text is presented in two languages, with the left side featuring simplified Chinese characters and the right side providing an English translation. This suggests that the monument serves as a memorial for a significant founding figure of China who has passed away. Surrounding the statue are numerous yellow flowers laid underneath it. Yellow flowers typically symbolize remembrance, adding to the meaningful sentiment of the site. Beneath the vibrant flowers, various green plants are present, which contribute to an atmosphere that feels solemn, sacred, and visually striking. On top of the monument, greenery flourishes alongside a statue of Buddha, which likely represents blessings and protection for those who visit the site. The overall essence of this image conveys a deep respect and commemoration for a founding hero of China, creating a designated memorial space for visitors to pay their respects. Furthermore, the third image depicts what appears to be a memorial service dedicated to a heroic figure. The simplified Chinese characters read "Thankful for the establishment of the country and its achievements," reinforcing the theme of gratitude tied to the nation’s heritage and accomplishments. The location of this event features a statue of Buddha situated behind the gathering, accompanied by white flowers and lush green leaves, which adds an element of purity and serenity to the memorial. Notably, the presence of both Chinese characters and their English translations indicates that the venue is likely intended for an international audience, accommodating speakers of both languages at this significant site of remembrance. | 607 |
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native | ['11DL21iWfIPM'] | ['Russian'] | ['At first glance, there are two little ones with their mother painting something; it seems like they are painting, yes, they are painting some object. There are two children, one mother, and an installation that looks inflatable where the children are playing; it seems to be like a kindergarten or a playground. There is no text, just a mother and her kids at a blue table painting something in a jar with some details. They seem to have some paints; it looks like they are decorating these candles because on the left you can see these candles in the background. Of course, this is a children’s style setup for the photo, and there are lights in blue, green, yellow, and white.'] | [False] | [nan] | In the scene being described, there are two young children engaged in a creative activity with their mother at a vibrant blue table. The atmosphere suggests a playful and artistic environment, likely indicative of a kindergarten or a playground setting. The children appear excited as they are busy painting or decorating an object, with visible focus on their task. Their mother is involved in the creative process alongside them, fostering a sense of togetherness and creativity. The object they are painting may be part of a project to decorate candles, as indicated by the presence of candles visible in the background on the left side of the frame. This detail adds to the whimsical nature of the activity, as children often enjoy crafting and personalizing items. The setup has been designed in a child-friendly manner, emphasizing playful aesthetics. The environment is further enhanced by colorful lights in shades of blue, green, yellow, and white, which contribute to a lively and inviting atmosphere for both children and adults. The overall scene reflects an engaging and joyful moment of artistic expression, showcasing the bond between the children and their mother through the shared experience of painting. | 3,021 |
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nonnative | ['18bKthNBePJ2', '1dFjE1tNISbr', '1c4pz0ruGJPT'] | ['English', 'Chinese', 'Chinese'] | [" This looks like a picture taken of a man who has arms crossed and is very clearly posing for a picture. The face is blurred out, but judging from the skin tone and the hairstyle and also the aesthetics of the shirt, which is a more semi-formal looking shirt with a slight culturally distinct maroon and white stripe going down the middle, It looks like this man may be Indian or Pakistani, but unfortunately there is no text and there's no other real context clues behind this because the background is also blurred, although the background seems to have lots of different lighting. So maybe in a more vibrant area rather than in an everyday setting, an entertainment area potentially. So, let's see. Let's see.", 'I see that this is a photo of a man. Behind him, there is a slightly neon-like blurred background with bright lights. The man in the front has his face pixelated, but you can see that he has black hair and a black beard. He is wearing a type of traditional clothing that looks like it comes from Central Asia or South Asia. This clothing is white-based and has some simple dot-like decorations on it. Some of these decorations appear to be made of thread with a golden hue, giving off a slight shimmer.', "This is a portrait of a person facing forward; it features a male dressed in ethnic clothing. The outfit is in a traditional style with a light yellow color, and it has a transparent cover over it. Underneath, he is wearing a white inner garment. The male in the photo has short hair and a goatee. The background consists of various lighting, including yellow and blue, and there might be some green plants behind him, although it's unclear."] | [True, True, False] | ['Non american attire', 'The clothes looks South Asian', nan] | This image presents a portrait of a male figure who is prominently positioned in the foreground, adopting a confident pose with his arms crossed. The contours of his face are obscured due to pixelation, which protects his identity. However, certain identifiable features remain visible, including his black hair and a neatly trimmed black beard. The man is attired in a garment that suggests regional significance, being reflective of either South Asian or Central Asian traditions. His attire exhibits a predominantly white base with simple yet elegant dot-like embellishments. These decorations appear to be crafted from thread coated with a golden sheen, adding a subtle yet noticeable shimmer to the fabric. This particular style communicates not only a sense of culture but also a level of sophistication, fitting for a semi-formal context. The background, which is blurred and pixelated, is rich in colorful lighting that includes shades of neon, yellow, and blue. This vibrant setting implies that the photograph may have been taken in a lively area; perhaps a festive or entertainment venue, which aligns with the celebratory nature often associated with traditional garments in cultural gatherings. There are also hints of greenery in the background, suggesting a juxtaposition of man and nature, though the plant details remain unclear due to the blur. Additionally, there is another image that features a male dressed in traditional apparel, characterized by a light yellow hue, under which a white inner garment peeks through. This individual also sports short hair alongside a goatee. Similarly, the lighting in the background complements the foreground figure with an array of colors, including yellow and blue, while also indicating the presence of greenery. Overall, the distinct clothing seen in these images, alongside their blurred but colorful backgrounds, illustrates a cultural aesthetic that diverges from typical Western attire, emphasizing the rich tradition of ethnic dress prevalent in South Asian communities. | 29 |
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native | ['1hecYIm1beV2', '11bKU2Q2wABz', '1l65hIYDwRLi'] | ['Chinese', 'Chinese', 'Chinese'] | ['This is a screenshot from a live broadcast by Beijing Television featuring a new report from the Beijing News. In the center, there is Liu Xiang posing for a photo with a female journalist who is a fan. Liu Xiang is wearing a brown sweater today, and the female journalist on the left is in a white shirt. They probably met at a dining place. This image was taken during a livestream of the two sessions event held at the Beijing Conference Center, organized by the Beijing News and Tencent News, capturing a celebrity with a female journalist.', 'This is the famous Chinese athlete Liu Xiang. At that time in Beijing, I don’t know if it was right after the Olympics ended. Liu Xiang was the Olympic champion in the 110-meter hurdles in China. He took a photo with a female artist fan. Liu Xiang is a Chinese sports star. There should be a meeting here, right? So many teacups are waiting for the leaders. Thank you, thank you. The landscape painting behind is all made of stone, and the furniture is made of wood.', 'This photo looks like a screenshot from a video, evident from the pause symbol in the middle. The photo itself is about a news story. Below, we can see details regarding the news, which refers to a photo of Liu Xiang and a female journalist together as fans. There are also reporters covering this news and the relevant individuals who produced it. In the center of the image, there are two people: one is Liu Xiang himself and the other is the female journalist. In the photo, they are sitting together for a group shot. From the upper left corner of the photo, we can see that this is a report from the Beijing News, aired on Tencent News. In the background, it appears to be in a conference room where two staff members are working. In the foreground, there is a table set with several tea sets for the interviewee, and behind them, a painting is hanging on the wall, which looks like a landscape painting.'] | [False, True, False] | [nan, 'chinese athelete , Liuxiang', nan] | This image captured from a live broadcast by Beijing Television showcases a report from Beijing News. At the heart of the broadcast is Liu Xiang, a renowned Chinese athlete, who is seen posing for a photograph alongside a female journalist who is a fan of his. On this occasion, Liu Xiang is dressed in a brown sweater, while the female journalist to his left is wearing a crisp white shirt. Their meeting likely took place in a dining venue, adding an informal touch to the event. The photograph was taken during a livestream associated with the two sessions, an important political event in China, held at the Beijing Conference Center, which is organized by both Beijing News and Tencent News, illustrating a moment where a sports celebrity interacts with media personnel. Liu Xiang is recognized as a prominent figure in Chinese sports, having achieved significant notoriety as the Olympic champion in the men's 110-meter hurdles. The narrative captures a moment that seems to reflect Liu Xiang's presence in Beijing, potentially around the time following the Olympics. Alongside him, the female journalist shares her enthusiasm, further highlighting the fan-celebrity dynamic. The surroundings hint at a formal setting with multiple teacups set out, suggesting preparations for discussions or interviews among leaders or dignitaries. These elements create an atmosphere filled with anticipation. The image resembles a screenshot from a video, evident by the pause symbol superimposed on it. Beneath the photograph, additional details pertain to the news story currently being covered, which involves the interaction between Liu Xiang and the female journalist. A broader context surrounding this meeting is presented with other reporters capturing the moment. In the center of the shot, Liu Xiang and the female journalist are neatly positioned together, conveying a sense of camaraderie. The report clearly originates from the Beijing News, with the image also airing on Tencent News. Observing the background, it appears to be situated in a conference room where two staff members are engaged in their work, reinforcing the professional environment. Notably, a table in the foreground is elegantly set with several tea sets, emphasizing the customary practice of offering tea in Chinese culture during meetings. Additionally, behind them hangs an artistic landscape painting crafted from stone, which adds a decorative touch to the room, showcasing the blending of natural beauty and artistry within the space. | 2,478 |
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nonnative | ['1fBNEcKePkXF', '17YWXOQez7VE', '18Zd2oanVbqc', '1b74k2i6uoA0', '16xcEIEtJZGm', '1BpubOOFvlIp'] | ['Chinese', 'Chinese', 'English', 'English', 'Chinese', 'English'] | ['This image features a humanoid architectural statue. The main color of the statue resembles dirt, and it appears to be of a man wearing clothing similar to a long coat. On his head is something that should resemble a light, but since the picture is taken during the day, the light is not illuminated; it is likely that it lights up online. Behind the statue is a vast area of trees. The base of the statue seems to be made of marble, and there is a large section of black marble. The facial features of the statue indicate that it is of a Caucasian person.', "The image shows a statue of a person located in an outdoor public space. Overall, the statue is made of metal, and the base has a blurred plaque that cannot be clearly read. The style of the statue is very realistic, depicting a solemn figure dressed in traditional clothing. In the background, trees and a fence can be seen, and the environment is relatively open. The overall colors are soft, primarily featuring shades of brown, gray, and green. Notably, there is a solar panel on top of the statue, possibly for night lighting or other uses, reflecting a detail that combines modern technology with traditional memorial statues. This combination of modern and traditional elements highlights contemporary society's attention to eco-friendly technology. Based on the environment and the style of the statue's attire, it can be inferred that this statue may be located in an Asian country, such as India or South Asia, especially considering the distinct cultural characteristics expressed through the figure's clothing and headdress. This carries significant regional or cultural connotations. Overall, the statue may have been erected locally to commemorate a historical figure or national hero, reflecting the community's respect and admiration for historical figures, as well as showcasing the unique cultural atmosphere and values of the area.", " This looks like a culturally significant statue. The statue is like a brownish-orange color, the color of maybe copper. It's hard to tell what exactly this image is of, but it looks like a proud woman in maybe older, not modern, colored dress, so maybe from before the 1900s. It looks also like it's standing on a pedestal, but unfortunately it looks like the words on the pedestal are blurred out, so it can't give any context as to who this is. And in addition, it looks like there's a tree in the background, but there's nothing particularly significant about the tree that can give hints as to what this is. Definitely information such as where this is from would help understand the image as some of the clearer, as it would help clarify who this prominent figure is. Thank you. Thank you. Thank you. Thank you.", " I see a tan-colored statue of a woman. It looks like the statue is folding its arms, and it's in front of a tree. I see in the background that the sky has a lot of clouds, white clouds. It looks like a multicolored image. It seems that the statue is likely outdoors. It appears that this is an important monument in the community that it's in. It is a large size of a tree. It is in the eyes실, the客 essay looks completely different. It appears that it's in a small town, and it's just a drawing 3D so it can be. The story is masterpiece.", "The scene shows an outdoor statue situated on a stone base. The statue depicts a person with both hands placed on their chest, wearing a long robe that resembles a ceremonial garment, and it seems they are wearing a headscarf. The entire statue is a shiny golden color, although it's unclear what material it's made of; perhaps it is made of gold, giving it a glittering appearance. Above the statue, at the top of its head, there is a black panel. It is uncertain if this is used to illuminate the statue at night, resembling a small shade panel for sun or rain protection. The weather in the scene is quite cloudy and overcast, and in the distance, a tree can be seen behind the statue. The photo is taken from below, at a slightly upward angle, capturing the statue's image.", " This image is a statue. The statue is a sub guy folding his arms and he's underneath what looks like a heat lamp and he's folding his arms and he looks like he's made of something hard. He's made of gold. It's like a gold color. And can't really tell how ethnicity the person is. It looks like he might have a turban on and he's got some kind of robe on. Of course the robe and the turban, everything is made out of this hard substance that looks like gold. Maybe it's metal and gold color. And he's got these weird shoes on, these boots, and he's standing on top of this platform. And behind the statue is a tree, a green tree. And this big green tree is just hanging out there and behind it is a gray. It's a very gray day. There's gray clouds outside. And he's just standing up there and he's looking out into the distance. And he's not looking at the camera. He's just looking out into the distance. And there's a pole behind him that's holding up this heater. ... ... ... ... ... ..."] | [False, True, False, False, False, False] | ['no', "from the costume of this statue, it's very Indian", nan, nan, 'No', nan] | The image prominently features a humanoid architectural statue characterized by its earthy tones resembling dirt. The statue depicts a man garbed in attire reminiscent of a long coat, which adds an air of formality to the representation. Notably, atop his head is an object that appears to resemble a light, though it is not illuminated in the daylight when this photograph was taken. It is likely designed to light up when viewed at night, enhancing its visual appeal. The statue is positioned against a vast expanse of trees, providing a natural backdrop. The base of the statue is composed of marble, with a significant section made of black marble, which introduces a refined aesthetic element. The facial features of the statue suggest that it portrays a Caucasian individual. In another image, a statue of a person stands prominently in an outdoor public area. The statue is primarily constructed from metal, and its base features a plaque that appears blurred, rendering the inscription illegible. This realistic sculpture depicts a solemn figure dressed in traditional clothing, creating a heartfelt tribute. Surrounding the statue, trees and a fence can be observed, contributing to an open environment. The color palette of this statue comprises soft shades of brown, gray, and green, which harmonizes with the natural setting. Of particular note is a solar panel situated atop the statue, suggesting a connection between modern technology and traditional memorial practices. This technological element reflects contemporary society's awareness of eco-friendly initiatives. The attire and overall aesthetic of the statue imply it may originate from an Asian country, possibly India or South Asia, as evidenced by the distinct cultural characteristics expressed in the clothing and headdress. Such cultural symbols carry significant regional connotations, hinting that the statue likely commemorates a historical figure or national hero, celebrating the community’s reverence for its history and cultural identity. Another statue featured is characterized by a brownish-orange hue, resembling copper. This statue seems to portray a proud woman dressed in traditional attire from a bygone era, potentially before the 1900s. It appears that the statue stands on a pedestal; however, the words inscribed on it are blurred, preventing any context regarding the figure’s identity. In the background, there is a tree that does not appear to have particular significance, making it difficult to ascertain additional information about the statue's history or cultural relevance. From the context provided, knowing the location or origin of this statue could significantly aid in understanding its significance and the identity of the prominent figure it represents. Another observation shows a tan-colored statue of a woman with her arms folded, placed near a tree. The background reveals a sky filled with white clouds, enhancing the visual contrast of the statue against the natural elements. The statue appears to be substantial, possibly serving as an important monument within its community’s structure. It signifies its potential role in local heritage or history. In a different scene, an outdoor statue stands on a stone base, presenting a figure with both hands placed on their chest while wearing a long robe akin to ceremonial garb. The figure dons a headscarf, and the statue possesses a shiny golden hue, yet the specific material remains uncertain—suggesting a possibility of it being gold due to its glittering finish. Above the statue, a black panel is present, possibly designed for nighttime illumination or protection from the elements. The weather conditions appear cloudy and overcast, with a tree visible in the background. The photograph, taken from a slightly lower angle, accentuates the statue's towering presence. Lastly, another image depicts a statue of a man, arms folded beneath what resembles a heat lamp. The statue exhibits a golden color, though the exact ethnicity of the figure is indeterminate; the individual appears to wear a turban and a robe, both crafted from a hard, golden-hued substance. The figure is also notable for wearing unusual boots. Positioned on a platform, the statue stands against the backdrop of a green tree, under gray, cloudy skies. The subject appears to be gazing into the distance, rather than directly at the viewer, contributing to a sense of contemplation or reflection. In the background, a pole is visible, providing support for the heat lamp above the statue. | 77 |
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native | ['15VSBCRoDv0Z'] | ['Korean'] | ['The photo features a sticker sheet against a white background, showcasing blue characters displaying various expressions and actions. Each character has a head that is disproportionately large compared to their body, giving them a cute and whimsical appearance. For instance, some are holding cheer props or balloons, while others are depicted with additional party-themed accessories. The stickers come in various sizes, and around the characters, there are decorative elements such as hearts, stars, and small animals. At the bottom of the sticker sheet, there is a small barcode and text that appears to be a logo or brand name, possibly reading "Pub Rock." In the hand of the person who took the photo is an acrylic keychain shaped like one of the blue characters, matching the form and color of the stickers for a cohesive look. The keychain has a three-dimensional representation of the shiny eyes and resembles a cute animal character with a tail. The background appears to be an outdoor space, with a floor finished in gray or light green materials, and in the left rear of the photo, hints of green plants, such as trees or flower beds, can be seen. Overall, the character design exudes a bright and adorable vibe, making both the stickers and the keychain potentially appealing items for fans of character merchandise. It was stickers and a keychain. The bot would like witnesses to call this a character mom, I hope. Light determinate applause? That\'s the end; you have produced some quality tenants from the outset.'] | [False] | [nan] | The photograph prominently features a vibrant sticker sheet set against a pristine white background. This sheet showcases a variety of blue-colored characters, each displaying distinct expressions and engaging in different actions that contribute to their playful demeanor. The design element of these characters includes heads that are remarkably large in proportion to their bodies, resulting in an endearing and whimsical aesthetic. Among the characters, some are depicted holding festive cheer props such as pom-poms and balloons, while others are adorned with additional party-themed accessories that enhance their festive appearance. The stickers are offered in a range of sizes, allowing for versatile use in decorating personal items or crafting. Surrounding the characters are decorative embellishments, including charming motifs like hearts, stars, and small animal figures, which further enrich the visual appeal of the sticker sheet. At the bottom of the sheet, a small barcode is printed, alongside text that likely belongs to a brand or logo, which appears to read “Pub Rock.” In the grasp of the individual who captured this image is an acrylic keychain that is shaped like one of the blue characters from the sticker sheet. This keychain complements the stickers perfectly, as it mirrors both the form and the color scheme of the characters, resulting in a cohesive brand aesthetic. The keychain boasts a three-dimensional design that highlights shiny, expressive eyes, and it resembles a cute animal character complete with a tail, adding a playful touch to the accessory. The setting of the photograph appears to be an outdoor space characterized by a floor composed of gray or light green materials, which suggests a pleasant, inviting environment. In the left rear portion of the image, there are subtle hints of greenery, including glimpses of trees or flower beds, which provide a natural backdrop to the scene. Overall, the character design emanates a bright and adorable vibe, making both the stickers and the keychain highly appealing to fans of character merchandise. The mention of a "character mom" suggests a playful notion that someone may appreciate these items for their charming qualities, possibly invoking feelings of nostalgia or joy. This light-hearted context indicates a recognition of the items' potential as endearing collectibles. The playful language, such as "Light determinate applause?" suggests a whimsical and light-hearted tone, encapsulating the joy that these colorful characters can bring to those who appreciate character-themed merchandise. This delightful composition embodies the essence of whimsical artistry, aiming to delight and engage those who encounter it. | 1,132 |
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nonnative | ['17klvq04y5as', '1ffcGDCxLnWh'] | ['English', 'Chinese'] | [" Pictured in this image is two dishes. One is in the foreground, closer to the camera, which contains some sort of noodle dish. The noodles themselves are brown, probably due to their seasoning. They have broccoli on them, as well as some carrots and some Chinese lettuce. And it's on a relatively large plate. That has some decoration on the side. That appears to be some sort of image of a braid on the outer rim of the plate. It is accompanied by a cup of tea with some sort of stirrer or spoon in it. On the opposite side of the wooden table, there is another plate that appears to have a similar dish, except without broccoli. It is also a noodle dish. And it has a fork that is stuck up within the noodles and potentially is held up by a hand that is out of frame. There also appears to be a person sitting outside on the other end of the table who is mostly out of frame, as well as an open Coca-Cola can next to the other dish. Next to both of the dishes, there are utensils. A series of utensils that are wrapped by paper towels. A series of on report to the other items that areAAAAQ-A === TheME elastic and có тот on the surfaceե grocer trapped inietc obstacles. Have fun with theabilitationastre.koips.", 'In this photo, there are two plates of stir-fried noodles on a table. The plate of noodles closer to the camera contains broccoli, cabbage, carrots, and noodles. The second plate of stir-fried noodles behind it doesn’t have broccoli but has carrots, cabbage, and noodles. Both plates are the same size, but they have different patterns around the edges. Next to the plates, there are napkins and appropriate utensils. To the left of the plate of noodles in front, there is a glass of drink that could be coffee. Next to the other plate of noodles, there is a can of Coca-Cola. Behind this plate of noodles, there is a person sitting who is eating and using a fork. The person’s face is not visible in the image, but it can be seen that this stir-fried noodle dish is freshly made. This picture appears to have been taken in a restaurant, capturing the food on the dining table.'] | [False, False] | [nan, nan] | In the foreground of the image, we see two distinct plates of stir-fried noodles placed on a wooden table. The plate closest to the camera is vibrant and colorful, featuring a savory noodle dish that has been generously garnished. The noodles, which are a rich brown color likely due to various seasonings, are topped with fresh broccoli florets, grated carrots, and pieces of Chinese lettuce, also known as napa cabbage. This combination of vegetables not only adds a pop of color but also offers a variety of textures and flavors. The large plate the dish is served on is ornamented with decorative patterns, featuring an intricate design of braids along the rim, enhancing its visual appeal. Alongside the main dish, there is a cup of tea that comes with a stirrer or spoon—indicating that it may be a hot beverage served for sipping alongside the meal, a common practice in Asian dining culture where tea accompanies food as a palette cleanser and digestive aid. On the opposite side of the table, we catch a glimpse of another plate of stir-fried noodles, which shares a similar style and size to the first yet differs slightly in its toppings. This second plate lacks the broccoli but contains cabbage and carrots mingled with the noodles. A fork is seen stuck within the noodles, perhaps being held by a hand just out of the frame, suggesting someone is actively enjoying their meal. In the background, a person is seated, engaged in their dining experience; their face is not visible, reinforcing the focus on the beautifully prepared food. There is also a can of Coca-Cola positioned next to the second plate, highlighting the array of drinks that often accompany meals in casual dining settings. Napkins and utensils are neatly arranged beside the plates, adhering to the appropriate dining etiquette. Notably, to the left of the first plate, a glass of an unknown drink, potentially coffee, adds to the diverse offerings on the table. This scene captures a lively yet relaxing atmosphere typical of a restaurant, celebrating the act of enjoying freshly prepared stir-fried noodles among diners. | 1,519 |
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nonnative | ['1mnWqfu9bDgd', '1eKUIgqPupew'] | ['Chinese', 'English'] | ["At first glance, it resembles a seat that has been suspended to become a swing. This swing is placed between two ancient trees, and it has already begun to be overtaken by green moss. The main object is this bench, but it is made into a swing. There are no obvious words in the image; the swing occupies most of the scene. To the left, there is a tree with many twisted branches, but they have all turned gray, along with some green vines. Looking at this instance, it doesn't seem like it has been used by anyone, as there is some white substance, possibly bird droppings, and green moss on it. Overall, it could appear anywhere because it looks like quite an ordinary swing. The background seems to be bright during the day, making it feel even more serene. In the last half, based on the moss, one might feel a sense of decay or neglect.", ' This is an image of a bench in a very heavily digitated area. The bench itself is very old. This is a bit of wood, but it is covered in green moss. And it is clearly been in a lot of siphon for a very long time. There is also a lot of vegetation around the bench, with the vines, trees, and leaves. The pepichich is over some grass, based on the puneary of some siphon. That is a f-off in the image. There are two other speek fruits or nuts that fall onto the bench. There is a metal bar above the bench. And the vines itself is a greenish shade of brown, over the moss, over the wood. But the background is a small few browned vines and vines and green leaves. Greenness is a dominant color in the finish. There is no mix.\\'] | [False, False] | [nan, nan] | At first glance, the scene presented resembles a seat that has been ingeniously transformed into a swing. This swing finds its place suspended between two ancient trees, which bear witness to many years gone by. As time has passed, the surface of the swing has started to be overtaken by patches of vibrant green moss, lending it a natural and rustic charm. The primary focus of this image is indeed the bench, which is now functioning as a swing. The visual composition does not include any text; rather, the swing commands the majority of the space in the image. On the left side of the scene, viewers can observe a tree characterized by numerous twisted branches that have all taken on a gray hue, intertwined with green vines that cling to its bark. This imagery evokes a sense of age and history, suggesting a long-standing relationship between the vegetation and the bench. However, upon closer inspection, it appears that the swing has not been used in quite some time, evidenced by the presence of a white substance on its surface, likely bird droppings, alongside patches of green moss that have accumulated. This accumulation hints at a level of neglect and decay, offering a poignant contrast to the overall serene setting. The background of the image is bright, indicating that it was taken during daylight hours, which adds an element of tranquility to the scene. This atmosphere deepens as one contemplates the presence of moss, which suggests the passage of time and the gradual decay of the swing. Additionally, there is another description of a bench located in a predominantly vegetated area. This bench is notably aged, composed of wood that has been extensively weathered over time, resulting in a covering of green moss. Observations indicate that the bench is situated in a terrain rich with vegetation—evident from the surrounding vines, trees, and scattered leaves. The base on which the bench rests is a patch of grass, hinting at the fertility of the environment. Moreover, there are references to fallen nuts or fruit, likely derived from nearby trees, that have landed on the bench's surface, emphasizing the interplay between the bench and its natural surroundings. Above the bench, there is a metal bar, possibly serving as a structural support for the swing mechanism. The vines themselves exhibit a greenish-brown coloration, showcasing the diverse palette of nature that envelopes the bench, while the background reveals a mixture of browned vines juxtaposed with youthful green leaves, reinforcing the theme of nature's resilience and its cycles of growth and decay. Overall, the dominant color in the composition is green, which symbolizes life and vitality, yet this vibrancy is tempered by the hints of wear and decay that suggest a long history within this tranquil outdoor setting. This scene captures a delicate balance between nature's beauty and the inevitability of time's passage. | 1,716 |
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native | ['16XynRoEz75M'] | ['Spanish'] | ['This photo seems to be of two people dancing, and there are many people in the background. In this street, there are also buildings and trees. On the right side, we see that this is around a beach with sand and water. This is a very crowded photo with people, and it looks like these are dancers. So, more specifically, the woman is dancing in a dress, wearing high heels, and the man is dressed in a gentleman or horse collar and has riding boots. He is wearing some sort of shirt and has something covering most of his body, not a towel but something similar.'] | [False] | [nan] | The image captures a lively scene featuring two individuals who are engaged in a dance amidst a bustling crowd. The background is filled with numerous spectators who seem to be enjoying the vibrant atmosphere. Surrounding the dancers, there are a variety of buildings as well as trees lining the street, which adds to the urban charm of the setting. On the right side of the photograph, it becomes evident that this location is near a beach, characterized by stretches of fine sand and glistening water, suggesting a leisurely coastal vibe. In terms of the dancers' attire, the woman is elegantly dancing in a flowing dress, accentuating her movements, while she gracefully balances on high heels, which adds an element of sophistication to her appearance. The man accompanying her is dressed in a gentleman's outfit that features a horse collar, which is a type of formal collar often seen in traditional or historical dress. He completes his ensemble with riding boots that lend a rugged charm to his look. His shirt appears to be well-fitted, and he is adorned with an additional garment that closely resembles a cover, though it is not simply a towel; this may suggest a more ceremonial or stylized piece typical in certain dance or cultural performances. The overall ambiance of the photo is one of exuberance and cultural expression, encapsulating a festive occasion with a strong sense of community and celebration. | 1,284 |
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native | ['11d1YKf4wFj4', '1gnJlYzqdXFI', '13b5FNTGrChf'] | ['Chinese', 'Chinese', 'Chinese'] | ['This is a wild donkey that resembles the Asian wild ass or the Tibetan wild ass, walking through the open grasslands or desert areas. It has strong limbs and a long body, with a coat that is a mix of brown and white. The entire scene is covered in grass, with a background of vast wilderness and sparse grassland, where the ground is rocky. There is no noticeable text information in the image; the wild donkey is positioned slightly to the right of the center, moving in a lively manner. The background features an expansive grassland and scattered vegetation with no evident man-made structures or roads. A metal rod on the left side may indicate that this area is under some form of protection or designated range. The donkey’s coat is dark brown, while its belly and the inner sides of its limbs are white. It has a short tail, upright ears, and a watchful gaze, appearing agile; its leg muscles are well-defined. The background is relatively flat, but the vegetation is sparse, which suggests it could be semi-desert grasslands or plateau areas. The absence of obvious human structures indicates that this might be a nature reserve or a remote wilderness environment. This belongs to wildlife photography that emphasizes the documentation of natural environments and animal behavior, predominantly in shades of brown, green, and beige, showcasing the primitive feel of wild ecosystems. This area could be the Tibetan Plateau, Mongolian grasslands, or the wilds of northwestern China, all of which are major habitats for the wild donkey.', 'This picture features an animal that resembles a horse, but it appears to be a smaller size. The horse is positioned in the center of the image and has a color pattern that includes brown, white, and some black fur, indicating three different colors in various parts of its body. The horse seems to be in an outdoor setting, possibly a grassy area, as the image shows plenty of green grass and some stones, suggesting that the photo was taken outside. In the image, there is only this little horse itself in the center.', "This photo shows a relatively small horse on a grassland. This horse is likely a wild horse, but it could also be a type of mule or donkey, as it appears significantly shorter than an ordinary horse. The horse's coat color is brown on the back, white on the legs, and slightly white on the neck. The mane of this horse is black. Its head is relatively large, and its legs are not particularly short, so it might be an immature foal or simply this breed. The height of the grass in the grassland is not particularly high and is dark green, with some soil patches visible. The overall color of the image is quite dark, suggesting it may not have been directly photographed and could have been adjusted to appear darker."] | [False, False, False] | [nan, nan, nan] | The first transcription describes a wild donkey that closely resembles both the Asian wild ass and the Tibetan wild ass. This donkey is observed traversing through open grasslands or arid desert regions, showcasing strong limbs and a long body structure. Its coat displays a blend of brown and white hues, enhancing its adaptation to the environment. The surrounding scene is richly covered in grass, characterized by vast expanses of wilderness along with sparse grassland featuring rocky ground. Notably, there is no textual information present within the image; however, the wild donkey stands slightly to the right of the center, exhibiting lively movement characterized by agility. The background consists of an expansive grassland interspersed with scattered vegetation, with no visible man-made structures or roads, suggesting a natural, undisturbed habitat. A metal rod positioned on the left side of the scene may imply that this region is designated as a protected area or a wildlife range, highlighting conservation efforts. The donkey is depicted with a dark brown coat, complemented by a white belly and inner sides of its limbs, along with a short tail and erect ears, conveying a sense of alertness. Its watchful gaze and well-defined leg muscles further emphasize its agility. The landscape in the background exhibits flat terrain with sparse vegetation, possibly indicating it belongs to semi-desert grasslands or plateau regions. The absence of obvious human development suggests that this environment might serve as a wildlife sanctuary or a remote wilderness location, resonating with the principles of wildlife photography that aims to document natural habitats and behavior patterns of animals. The color palette predominantly features shades of brown, green, and beige, evoking a primitive and natural feel characteristic of wild ecosystems. The described area could be situated in the Tibetan Plateau, Mongolian grasslands, or the rugged terrains of northwestern China, all recognized as major habitats for the wild donkey. The second transcription captures a smaller-sized equine animal that closely resembles a horse, occupying the central portion of the image. This horse displays a distinctive color pattern comprising brown, white, and some black fur, showcasing the integration of three different colors across various areas of its body. Set in what appears to be an outdoor environment, possibly a grassy field, the image reveals a substantial amount of green grass intermixed with some stones, indicating the open-air setting where the photograph was taken. Notably, the focus is on this little horse alone, which occupies a substantial amount of space within the frame. The third transcription presents another depiction of a relatively small horse situated on a grassland. This particular horse is likely a wild horse, though it may also be categorized as a type of mule or donkey due to its significantly shorter stature compared to a typical horse. The horse’s coat exhibits a brown color on its back, contrasting with the white observed on its legs and the hint of white on its neck. The mane is distinctly black, providing a striking visual contrast. Its head appears relatively large, yet its leg proportions do not seem particularly short, suggesting that it could either be an immature foal or simply reflective of the characteristics inherent in this breed. The grass in the surrounding grassland is not particularly tall, presenting a dark green hue interspersed with visible patches of soil. The overall tone of the image is notably dark, which might imply that it was either not photographed directly or has undergone adjustments to present a darker aesthetic. This contributes to the impression that the image might convey a distinct ambiance, possibly aiming to depict the mystery or allure of wild equines in their natural habitat. | 133 |
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native | ['1hjRhiHczgFm'] | ['Korean'] | ["This photo shows a row of Dolharubangs from Jeju Island. Dolharubangs are traditional stone statues of Jeju, primarily placed at village entrances or significant locations to serve as guardians. They are well-known for their rugged facial expressions and the characteristic pose of hands clasped in front of their bellies, mainly made from basalt. In the photo, the Dolharubangs vary in size and each has colorful flower decorations atop their heads, creating a unique atmosphere. A total of eight Dolharubangs can be seen in this image. These statues, set against the natural landscape, demonstrate a harmonious blend of Jeju's unique traditions and a modern sensibility. Additionally, there are trees in the background, which display the Dolharubangs nestled within a forest setting. Dolharubangs have become a popular photo spot for tourists visiting Jeju and are recognized as a symbolic element of Jeju's culture."] | [True] | ['It features Dol Hareubang which is traditional stone statues that are unique to Jeju Island, South Korea.'] | This photograph showcases a captivating display of Dolharubangs, which are traditional stone statues that originate from Jeju Island, South Korea. These figures are primarily located at village entrances or other significant areas, where they serve the important function of guardians, believed to protect the locales they adorn. The Dolharubangs are easily recognizable by their rugged facial expressions, which are both compelling and distinctive, and by their characteristic pose, where their hands are clasped gently in front of their bellies. Most of these statues are crafted from basalt, a volcanic rock that is abundant in the region, contributing to their durability and iconic appearance. In the image, a total of eight Dolharubangs can be observed, each varying in size, which adds to the visual interest of the scene. Unique to this particular photograph is the colorful flower adornments that sit atop the heads of the statues. These floral decorations introduce a splash of color and creativity, enhancing the overall aesthetic and creating a unique atmosphere around the sculptures. The Dolharubangs are positioned against a backdrop of lush greenery, as indicated by the presence of trees in the background, placing these guardians within a serene forest setting. This arrangement beautifully illustrates a harmonious blend of Jeju's rich traditional heritage and the evolving modern sensibility, showcasing how the statues maintain their cultural significance while also appealing to contemporary visitors. The Dolharubangs have gained popularity among tourists who visit Jeju Island, making them a favored photo opportunity for those looking to capture a piece of the island's cultural essence. They stand as a symbolic representation of Jeju's cultural identity, reflecting not only the artistic craftsmanship of the local people but also the spiritual beliefs embedded within the island's enduring traditions. | 1,104 |
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nonnative | ['1kEf52kglxCV', '17AxFPqB3pWS', '18mCl8GaCwS9', '1lZz34u77lc2'] | ['Chinese', 'English', 'Chinese', 'English'] | ["In this picture, there seems to be a mural depicting a scene. At the bottom of the mural, two horses are pulling a cart, and there's a farmer on the cart holding a whip to drive the horses. Above the cart, there are two people dancing. In the lower right corner of the image, there's also a person dancing. Above the dancing person, there are some stones, including triangular, square, rectangular, and circular shapes. The majority of the image is occupied by two trees, which appear to have two birds on them. This mural might depict a scene from people's lives in ancient times.", " this is a picture it looks like it may have been drawn on a wall or it looks um it reminds me of sort of like cavemen paintings but it's a little bit it looks like it's been done it's pretty clear of an image um the background is this beige reddish color and then the ink is all white and so on the side or on both the sides there's this this branch of leaves but the branch is squiggly and then the leaves are all pretty pointy and then it looks like there's an animal on the leaves there's a couple animals on the leaves it looks to like be maybe deer or like foxes or something and then they're in the center of this of these branches of leaves there's a hue it looks like they're people but they're more like characters they're more like pictures of people so it looks like their bodies are drawn with geometric shapes um so for example the there's a there's a person because there's eyes and a mouth but their head is just a circle and their body is just a square and then you can see um you can see like a carriage it's a pretty interesting carriage because there's a wheel on the top and a wheel on the bottom and in between there's it looks like horizontal and vertical lines that make up the carriage it looks like there's a person sitting on the carriage again the person has is like a head that's a circle a neck that's a square a body that's a triangle and then the bottom of the body that's another like a um so the top of the body is an upside down triangle with the point pointing down and then a lower body is a right side up triangle and then there's another human in the front and it looks like they're holding a whip and to motivate the animals that are dragging the carriage the animals are probably horses um yeah so you you you you you you you you", "In this photo, we can see what appears to be a mural. At the very bottom, there are two figures painted in white that resemble paths, and we can see a person blowing what seems to be a whistle. Additionally, on the left and right sides of the image, there are objects that look like trees, and there are also a few figures depicted in a simple style. These figures appear to be dancing. Meanwhile, in the trees, we can see animals that seem to be climbing. In the center, I'm unable to clearly describe what it is, but it looks like there is a person with some objects around them that might indicate this person's identity and status. This should represent a mural situation.", " All right, a piece of artwork here, possibly from Africa, maybe Asia. So you got a reddish, brownish, tannish background. A bunch of white figures. They represent vegetation. And also stick figures with some people. Most of people are doing some dancing or fighting. And there's more figures of somebody perhaps riding a chariot or a car that's being pulled by a beast of burden. And those that keep whipping those beasts of burden to move faster. Also inside the car, in the back of the car, is a woman sitting in the car. And there also seems to be a, I don't know, just in the middle is a display of some sort of a broken or abstract statue with a human face on it. And there's some kind of instrument here. So we want to're going to play with two神 at heart rates if you're not feeling loud. And that's still a musical. Not only their part of the car, can you, for someone right here, get more information right as tłDelete潮甜ie? And we still have a good finalmente Pipeline now as well, so I think you've got a piece of Ahem sales,. But I thought this is right here with this Talmud Nath, is also about the formation of пом Alguns at the得, you can't see how they can, and then they rent with meio taling point. So you'd really deal with that. I want to talk a little bit about the Republic of America. So I what's going to think of the olabilir woman?"] | [False, True, True, True] | [nan, 'The style of art seems like it belongs to a certain culture', nan, 'Distinctive art style'] | In this picture, there appears to be a mural that vividly depicts a lively scene. At the bottom of the mural, two horses are shown pulling a cart, and a farmer is positioned on the cart, holding a whip in order to guide and drive the horses forward. Above the cart, there are two figures engaged in dancing, showcasing movement and joy in the scene. In the lower right corner of the image, a single person is also depicted dancing, adding to the festive atmosphere of the mural. Above the dancing figures, stones of various shapes, including triangular, square, rectangular, and circular forms, can be observed, contributing to the intricate nature of the artwork. Dominating the majority of the image are two large trees, which appear to be home to two birds, adding an element of nature and life to the portrayal. This mural may very well represent a glimpse into the daily lives and activities of people in ancient times, reflecting their culture and traditions. The second transcription describes what seems to be another mural that may have been painted on a wall, resembling ancient cave paintings but showcasing a clearer image. The background features a beige to reddish color scheme, while the figures and details are rendered in white ink. On both sides of the mural, there are branches adorned with pointy leaves; amongst these branches, one can find multiple animals that appear to be deer or foxes, adding to the pastoral aesthetic. At the center of the leaves, figures that resemble human-like characters are drawn using basic geometric shapes. For instance, one figure has a circular head, a square neck, and a triangular body, illustrating a simplistic yet imaginative approach to representation. A carriage is also depicted in this mural, characterized by wheels positioned both above and below, with horizontal and vertical lines forming its structure. It seems a person is seated within the carriage, depicted with the same geometric style, and who is holding a whip to direct the animals potentially pulling the carriage, which are likely horses. In the third transcription, the author describes another mural where, at the very bottom, two figures can be seen painted in white, seemingly resembling paths, and one person is shown blowing a whistle. On both the left and right sides of the image, objects resembling trees are present, along with several figures depicted in a simplistic artistic style, most of whom appear to be engaged in dancing. Among the trees, animals can be spotted seemingly climbing, illustrating a connection to the natural world that surrounds these figures. In the middle area of the mural, there is something that cannot be clearly described but looks to represent a person, surrounded by objects that may signify their identity and status; this detail suggests an important social or cultural context within the mural. Lastly, the fourth transcription discusses an intriguing piece of artwork, possibly originating from Africa or Asia. It features a reddish, brownish, tannish background filled with a multitude of white figures that symbolize vegetation, alongside stick and simplistic figures of people. Many of these figures are depicted as dancing or engaged in a combat-like stance. Additionally, there are representations of individuals riding what could be a chariot or cart being pulled by a beast of burden, with some figures appearing to whip the animals to encourage them to move faster. Within the cart, there is a woman seated, hinting at a social hierarchy. The mural also presents an abstract statue featuring a human face, symbolizing perhaps a deity or significant figure within the culture. There are references to musical instruments present in the mural, signifying the community's engagement in music and festivities, while the overall composition and figures reveal much about the lifestyle and values of the people represented in this artwork. | 1,467 |
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native | ['1k59yp74oRt4'] | ['Chinese'] | ['This photo is of Huang Guanzhong receiving an award. Huang Guanzhong is a singer from China. He has short hair and is wearing a black suit, with a black shirt underneath and a black tie that has some faint white spots on it. He is holding two trophies, one in each hand, while looking towards the camera. The trophies on his left and right look the same, with black bases that have yellow labels indicating the specific award. The upper part of the trophies is transparent, with a black treble clef and three yellow stars. The background appears to be a poster for a music gala, featuring the words "King of Songs" in Chinese, followed by "Global Chinese Music Scene" and possibly terms indicating an annual music event. The text is white, and the overall background is black, with the words "King of Songs" visible; "Song" is in blue and "King" is in red, both outlined with yellow borders.'] | [False] | [nan] | Huang Guanzhong, a well-known singer from China, is depicted in this photograph as he proudly receives an award. He has a modern, stylish appearance characterized by his short hair, and he is dressed elegantly in a black suit. Underneath the suit jacket, he opts for a black shirt, complemented by a matching black tie that features subtle white spots, adding a touch of detail to his polished look. In this snapshot, Huang is holding two identical trophies, one in each hand, showcasing his accomplishments. These trophies are distinctive in design, featuring black bases adorned with yellow labels that clearly indicate the specific award he is receiving. The upper portion of the trophies is crafted from transparent material, elegantly showcasing a black treble clef symbol that is prominently displayed, alongside three yellow stars, which likely represent excellence in musical achievements or categories. The photo's backdrop features a poster for a music gala that prominently displays the phrase "King of Songs" in Chinese characters. This title suggests a prestigious recognition within the music industry, hinting at Huang Guanzhong's significant influence and status as an artist. The poster also includes the words "Global Chinese Music Scene" and potentially additional text indicating this is an annual music event, celebrating significant contributions to Chinese music. The poster employs a color scheme where the text is primarily white against a black background, enhancing visibility and impact. The words "King of Songs" stand out with "King" rendered in a vibrant red and "Song" in a striking blue, both outlined with yellow borders, creating a visually appealing and eye-catching look that draws attention to the event. | 2,654 |
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nonnative | ['17erLIAIFrez', '1gJq2B9sfx8m', '1m4NafTt5XYY'] | ['English', 'English', 'English'] | [" The image appears to be of a sign. The sign is a cardboard cutout of a man of East Asian descent. He is wearing a blue policeman's uniform that includes a blue hat. He has a silver belt buckle and has a firearm on his right side. His right hand is making a stop sign motion and his left hand is in a fist. In front of him is an image of a man at a self-checkout counter. The smaller image is encased in a silver metal frame. There is some text in the image that says seven years and don't do it. I can infer that this is a sign that is most likely trying to discourage people from shoplifting. There is also another blue sign on the right of the picture. The sign has three smaller signs that all have red borders. The bottom two have the word save with some numbers on it, so I can infer that this is advertising some special deals that the store has. Behind the signs is a metal railing. The metal railing is silver in color. There is also an enclosure in the background. Because this enclosure is slanted downwards, I can infer that there is most likely a staircase or an escalator inside of it. I can also see the sky at the top of the picture and it is a darker blue color. It is independent. Everyone is nice to at the back store. And what happens désert мор解 nero? Barap World Red contre Front gyms And a larger", " This image is a picture of a cutout poster of a police with his hands stretched out. At first glance, this appears to be a sign to stop shop theft or something to deter shop theft itself. The objects and the accounts are as follows. There is a cutout of a police officer, one of which is standing right in the centre of the picture itself. To the right of it will actually be three price signs, perhaps signalling that this sign was actually placed in the middle of a shop to deter shop theft. The cutout of the policeman is in the centre of the image, with the price tag wall to the right of it. There is some structure behind the cutout of the policeman which appears to be an escalator. This may actually highlight that the picture was taken in the shopping mall. With regard to subtour details that are noticeable, I noticed that there is a small crest symbol on the top of the cutout of the policeman's head. And this may suggest that the police is actually from Singapore. He is similarly dressed up in the attire that I am familiar with with regard to Singapore police officers. There is also a small price sign to the right of the police officer which highlights that things are actually being sold for $1, $8 and $35. The style and colour is generally bluish. This does not really hint anything but I may nevertheless suggest that this is in some place whereby people do come to and fro. With regard to the image, I would therefore be able to infer that this image has been taken in the shopping mall, at least a place where there is quite a big crowd of people because there is a need to detail shop theft. place it would also be signs of snapping on the market under exactly what people do. It was, it'sapat chaisee with a loyal husband, it is theיקown. Here is our national citizenship. There is no magic. It happens when an manraising and a captain lookout. It happens when an mechanic or a manraising comes with asonian. What we have heard if anterioricitoson says is taking offsc bird術. The pedestrian bless a mae.", " This is an image of a cardboard cutout of what looks like a police officer. They have a black belt with a gun holster, or it looks like a gun, and they have some wording on their uniform that says police. Their uniform is navy blue, and they are holding up their hand with the palm facing the photographer. And in front of the cardboard cutout is another sign that has the number 7, some text below it that's too small to read, and it says don't do it. And it looks like a person is at a self-checkout counter. So contextually, this looks like this is a sign dissuading people from shoplifting. The man appears to be Asian, so contextually this looks like a photo taken in Asia. But there's text on the right-hand side and in front of the cutout that is all in English, and I don't see a different language there. So it looks like English is primarily spoken in this country."] | [False, True, False] | [nan, "The cutout of the police officer's hat has a Singapore symbol.", nan] | The image features a sign that consists of a cardboard cutout representing a police officer of East Asian descent. He is attired in a navy blue police uniform that includes a matching blue hat. On his attire, there is a notable insignia or crest symbol located on the top of the cutout's hat, which suggests that this police figure is likely associated with the police force in Singapore, a country known for its strict law enforcement and public safety measures. The officer's uniform is complemented by a silver belt buckle and he is equipped with a firearm, which is holstered on his right side. His right hand is raised in a stop sign motion, while his left hand is clenched into a fist, creating an authoritative stance that conveys a message against unlawful behavior. In front of the police cutout is a smaller image depicting a man who appears to be at a self-checkout counter, encased in a silver metal frame. Accompanying this image is text that specifically reads "seven years" along with the admonition "don’t do it." This implies a serious warning, likely aimed at dissuading potential shoplifters by indicating severe consequences for theft, including a possible seven-year prison sentence. To the right of the image of the police officer, there is an additional blue sign, which features three smaller signs, each adorned with red borders. The bottom two signs display the word "save," accompanied by numbers, suggesting that the store may be promoting special deals or discounts, aiming to attract customers. The overall setup of the signs indicates that this cutout and surrounding signage are likely placed strategically in a shopping environment, possibly a shopping mall, to deter theft and encourage legitimate shopping practices. Behind the signs, a metal railing painted in silver can be observed, adding to the structural elements of the shopping area. The background includes an enclosure that is slanted downward, hinting at the presence of a staircase or escalator, which reinforces the notion that this image was captured in a bustling commercial space. The top part of the image reveals a darker blue sky, which might indicate that the photograph was taken during the day. The setting conveys an atmosphere of a public space where shoppers frequently come and go, emphasizing the importance of security measures against shoplifting in such environments. The various elements combined—namely, the police cutout, the warning signs, and the shopping context—suggest a coherent effort to maintain order and discourage theft in a communal shopping location. | 552 |
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nonnative | ['1acEVrIEQfzH', '13kdSC8wG6Tc'] | ['English', 'Chinese'] | [" At first glance, the image seems to show a baseball game. The image is taken from the perspective of someone in the stands, and they're roughly behind the right side of home plate. You can see about six baseball players onto the field, around 20-plus fans at the bottom of the image looking out towards the field. Here you can see that the pitcher is mid-pitch, and the batter is waiting to swing at the pitch. There is a bunch of text in the image, mainly advertisements. Those that I can read say Journal Sentinel, Pepsi, and Associated Bank. There is additional signs that I cannot read. You can see the entire field going into the outfield. The outfield has a lit-up scoreboard along it, which is non-readable. Above that, there is a bunch of room for fans. There are three levels of fans, as well as one mid-level that has box seats. To the right, above midfield, you can see the very large scoreboard with many of the advertisements. There seems to be a window and roofing to this, which may imply that this is an indoor ballpark. And there is also an area with a slide in the background. We will give turns to the audience an hour, and thez right now goes to the jake.", 'At first glance, it looks like a scene from the middle of a baseball game. In the center is a baseball field, with different people positioned on the field. To the left, slightly towards the center, there is a player holding a baseball bat, ready to hit. His teammates include one who is pitching and another who is standing behind with a bat waiting. There are also some players crouching on the ground. From the surrounding numbers, you can see many spectators sitting around the field. The image doesn’t have any obvious text, but you can spot some sponsor advertisements, like Pepsi in the top right corner. Most people in the background are seen from the back of their heads, making it hard to see their faces, but I lean towards the idea that this scene is from a baseball game taking place in the Western world. Can you see this? I feel like I’ve seen a lot of scenes like this before.'] | [False, False] | [nan, nan] | At first glance, the image appears to capture a lively moment during a baseball game. The perspective is from the stands, located behind the right side of home plate, allowing viewers to see a vibrant scene unfolding on the field. In the foreground, there are approximately six baseball players actively engaged in the game. The pitcher is depicted in the midst of his pitching motion, while the batter is poised, ready to swing at the approaching pitch. Surrounding them, around twenty fans can be seen at the bottom of the image, all focused intently on the field, contributing to the atmosphere of excitement. The scene is embellished with various advertising elements scattered throughout the image; some of the legible advertisements include "Journal Sentinel," "Pepsi," and "Associated Bank." However, there are additional signs present that remain unreadable due to their positioning or design. The layout of the field stretches into the outfield, where a large illuminated scoreboard is mounted, though it is not legible in the image. Above the field, there is ample seating for fans, showcasing three distinct levels of seating options. Additionally, there is a mid-level that features premium box seats for spectators seeking a more upscale experience. Prominently to the right of the image, above midfield, stands an elaborate scoreboard adorned with numerous advertisements, indicating the commercial nature of sports events. The presence of roofing and windows suggests that this venue may be indoors, which is a characteristic of modern ballparks designed to enhance the viewer experience regardless of weather conditions. In the background, a unique element is introduced with the sight of a slide, likely for children's entertainment, further emphasizing a family-friendly environment at the stadium. Overall, the description encapsulates not only the immediate action of the baseball game but also the broader experience of attending a game, characterized by the architectural features of the ballpark and the various advertisements that typify the commercialization of sports in contemporary Western culture. The excitement of the crowd and the moments captured serve as a reminder of the communal enjoyment found in spectator sports. | 1,929 |
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nonnative | ['1eUn68ChD1a3', '12FVsBv5F41N'] | ['English', 'Chinese'] | [" This is a desk setup with two monitors. There are two PCs, a printer, there's one lamp, there are nine pictures in which they show pictures of dogs and a sunset and also some hallways. There are two plants, there are three plants, and something else in the middle of those plants so that the plants create a sort of triangle and everything is relatively symmetric for those things on the wall. There's a wooden desk, there's a keyboard, there's some pencil holders, there are some cabinets, the ground is carpet. There is no text, though it is clear that the monitor is on and there are documents that are on the desktop of the monitor. In terms of position, there is one monitor in the center, there is another monitor slightly tilted inwards. On the left side, lamp is on the left, printer is on the right, the PCs are relatively well spaced apart. The subtle details are that, for example, there are files on the monitor's desktop and what the pictures are. And in the background is just the wall and the plants. And this seems to be a photo. So far it doesn't seem to have any editing and taken from eyes level.", "This photo is of someone's office, right? In front, there are two big computers, and behind, there are many pictures. Two of the pictures are of dogs, and there are other photos of flowers, stairs, and different pieces of art. It has two computers, two tilted horse figurines, and there’s a coffee cup next to a notepad. This photo looks quite like it’s from around the year 2000. There are a lot of things in this home office, and on the wall, there are also two flower decorations, as well as a table with seasonal items."] | [False, False] | [nan, nan] | This transcription describes a detailed overview of a desk setup and home office space. The first image presents a workspace featuring two monitors positioned on a wooden desk. Accompanying the monitors are two personal computers, a printer situated on the right side, and a lamp placed on the left side of the desk. The arrangement is quite organized and symmetrical, enhanced by decorative elements including nine pictures affixed to the wall. These pictures depict various themes: two show dogs, while others feature a beautiful sunset and distinct hallways. The workspace also includes three plants arranged to create a triangular design at the center. The flooring is carpeted, contributing a cozy feel to the overall environment. Although the monitor displays documents on its desktop, there is no visible text in the image itself. The central monitor is placed directly in front, with the second monitor slightly tilted inwards for easier visibility. In the background, the wall and plants serve as a subtle backdrop, ensuring the visuals are not overcrowded. The setup is presented at eye level in the photograph and appears to be unedited, showcasing a true representation of the workspace. The second image shifts focus to another individual's office, emphasizing a similar theme of functionality. Here, two large computers are placed prominently at the forefront, while an array of pictures adorns the walls. Notably, two of the images capture dogs, alongside additional photographs of flowers, stairs, and various pieces of art that add vibrancy and personal touch to the space. This office is further characterized by the presence of two figurines shaped like horses that are tilted at an angle, adding whimsy to the decor. A coffee cup next to a notepad suggests a working environment that fosters creativity and comfort. The style and elements depicted in this photo appear reminiscent of the year 2000, hinting at a nostalgic charm. The wall decor includes two ornamental flower arrangements, complemented by a table showcasing seasonal items, enhancing the aesthetic appeal of the office. Together, these elements weave a detailed tapestry of personal and professional life, encapsulated within inviting workspaces. | 1,931 |
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nonnative | ['18WGRt4uGowi'] | ['English'] | [" This appears to be some type of sign containing Chinese characters and text. Specifically, in the center of the sign, there is a QR code. To the right of the QR code, there is a fingerprint icon. Below both of these two things, there is a small text possibly describing these images. In Chinese. And below that, there is also another text box containing Chinese characters and a Chinese sentence. And above, there appears to be some type of metadata containing a link that says www.licai.com and a phone number as well. There also appears to be other types of Chinese characters and text that I'm unable to read. I would say the main colors used in this are black and red. Here you are. And in the last minute, I would say each other is a QR code. Number 8. deben falsed. dinero está neste global interne antes Let us pay signed的人 driving directly to the first media Para어�wanek, vamos 검�� coups嗎? Then we will return to the APIs-m 읽的話 Toistan. She will return to the icon and let us find it here. She will return to the knight by the trustworthy model of Mr. And this is a couple of pages waiting for each column andriment. But it's the title that I'll replay the eyes round and add it to the study ticket."] | [False] | [nan] | This transcription describes a sign that displays various elements, prominently featuring Chinese characters and text. In the center of the sign, there is a QR code, which is a type of two-dimensional barcode that can be scanned using a smartphone or other devices to access encoded information, often leading to specific websites or digital content. To the right of the QR code, there is a fingerprint icon, typically indicative of biometric identification or security features, implying that some form of personal verification or identification might be related to the content of the sign. Below the QR code and the fingerprint icon, there is a small section of text that is presumably in Chinese, likely providing additional explanatory information about the images or services represented on the sign. The information could pertain to the use of the QR code and the purpose of the fingerprint icon, although the exact wording of this text is not provided in the transcription. Further down, there is an additional text box that also contains Chinese characters and a full Chinese sentence. This could represent further details, instructions, or descriptions directly related to the intent of the sign. Above these elements, there appears to be some type of metadata that includes a web link, specifically “www.licai.com,” which suggests that this sign is likely advertising or providing access to a website affiliated with financial services or investments, as “licai” translates to "wealth management" or "investment" in Chinese. Additionally, a phone number is included, providing a means for individuals to contact the agency or business represented by the sign. The visual theme of the sign seems to be dominated by black and red colors, which are often used in Chinese culture to convey significance, such as good fortune or importance. Red is particularly auspicious in Chinese traditions, commonly associated with happiness and prosperity. In the latter part of the transcription, there are disjointed phrases and sentences in various languages, hinting that the sign or the discussion surrounding it might deal with international or multi-lingual elements. Phrases appearing in Spanish such as “dinero está neste global interne antes,” translate to “money is in this global internet before,” while others seem to include unintelligible or fragmented content that may include several languages and reference various other topics or messages. This multifaceted sign likely serves a functional purpose along with its cultural significance, combining technology (like QR codes) with traditional themes and imagery to provide useful information or services to its viewers. | 2,333 |
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native | ['1gEBRSydMPeX'] | ['Hindi'] | ['This image depicts the burning of Ravana, and it seems like there are four pictures. In one, Ravana is shown alongside his son Meghnath. In the first picture, Ravana has not yet been burned; initially, Meghnath is set on fire. In the second picture, Meghnath has been burned first, then in the third picture, Ravana is being burned, and by the fourth picture, Ravana is completely engulfed in flames. This is a special festival called Dussehra, which generally falls in the months of October or November, and it is one of the significant festivals that occurs around 20 days before Diwali. The belief here is that Lord Ram, whose wife was abducted by Ravana, reached Lanka and defeated Ravana to rescue his wife Sita. This event is celebrated every year by burning Ravana, and there are also many fireworks inside Ravana.'] | [True] | ['Image is from Indian festival, Dussera.'] | The image presented captures a sequence of events that visually narrate the traditional ritual of the burning of Ravana, a key element of the Indian festival known as Dussehra. There are four distinct pictures in this series, each depicting a significant moment in the ceremonial act. In the first picture, Ravana, a ten-headed demon king from Hindu mythology, is portrayed standing alongside his son Meghnath, also known as Indrajit. The atmosphere is charged with anticipation as the spectacle has not yet commenced. In the second picture, a transition occurs as Meghnath is set ablaze, symbolizing his defeat. As the images progress, the third picture captures the pivotal moment where Ravana himself is being ignited, representing the climax of this traditional festival. By the fourth picture, we witness Ravana entirely engulfed in flames, showcasing the culmination of the ritual. The act of burning Ravana serves as a dramatic representation of the victory of good over evil, as it symbolizes the triumph of Lord Ram over Ravana. This event is pivotal in the larger narrative of the Ramayana, an ancient Indian epic, where Lord Ram embarks on a quest to rescue his wife, Sita, who was kidnapped by Ravana. Dussehra, the festival during which this event occurs, typically takes place in the months of October or November, occurring roughly 20 days prior to Diwali, another major festival celebrated in India signifying the victory of light over darkness. The celebration includes not only the burning of effigies like Ravana but also features an array of fireworks that are set off during the ritual, adding to the festive exuberance and communal spirit of the occasion. | 783 |
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native | ['12n0YH1Mpjha'] | ['Bengali'] | ["In a bowl with white color, there is a mixture that resembles a dim substance. Long Julian-cut red vegetables, such as tomatoes or carrots, along with some other unknown vegetables, are present. Additionally, they are being illuminated, and it's unclear how everything is coming together."] | [False] | [nan] | In a bowl that is predominantly white in color, there is a mixture that appears to be a dim substance. This mixture prominently features long, Julian-cut red vegetables, which could likely be tomatoes or carrots, suggesting a fresh and vibrant inclusion. Alongside these recognizable vegetables, there are also some other unidentified vegetables present in the mixture, adding an element of mystery to the overall appearance. The scene is further enhanced by the presence of illumination, which casts a soft light on the contents of the bowl, creating an intriguing visual effect. However, the connection between all of these components remains elusive, leaving one to ponder how they all come together to form a cohesive dish or presentation. | 67 |
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nonnative | ['19eKDgI9EcNf'] | ['English'] | [" All right, we're looking at some sort of poster or advertisement. There's three monkeys on it. One of them is drawn like a cartoon. The other two are just the outline of the monkeys. The cartoon one is a very traditional monkey colors of brown and light brown. The two other monkeys are outlines. The primary drawing image or part of the poster is the title of it, Sexy Look. To the left, there's a woman wearing a black mask. I'm going to leave it at that. Background is red. You know what? I take it back. There are four monkeys because there's one monkey in red highlighting in the background. There's some Asian lettering that I can't read. The primary Asian letters are in red. And outlined gold with outline in red. I'm assuming it says Sexy Look as well. But overall, interesting poster. And I don't get it. All right. Any other things can read or wonder to me, isn't it? The other thing is, there's so many every Sadly I will say, the other tornar, is not it? I was hoping for some people because there's no one until you're outside. One day, once again, you say a picture. You've seen a history that? But what the four Junctions come up with a laser attempt for you, isn't it? You know, leading to the letter to the poster. And highlight the bruh of the paper. So… So take it to thehu Study Imagine. Interesting one day for you to every Ralph Tattano. There is hope there. The latter comes with a picture of the Rex, 13 Jeezxx. By the way, he's a gambler. We'll see you. The other thing is tied to the kaniej mere."] | [False] | [nan] | All right, we are examining an advertisement or poster featuring a unique design. The focal point of this poster is a total of four monkeys. Out of these, three are noteworthy: one is illustrated in a cartoon style, showcasing traditional monkey colors that include shades of brown and light brown, while the remaining two are depicted merely as outlines without detailed features. It's important to note that the cartoon monkey stands out due to its colorful presentation compared to the others. The title prominently displayed on the poster is "Sexy Look," which captures immediate attention. Positioned to the left of this title is an intriguing image of a woman wearing a black mask, adding an element of mystery that accompanies the overall theme of the poster. The background is designed in a vibrant red hue, which not only enhances the visuals but also intensifies the impact of the design. Upon closer inspection, I realize that there is indeed a fourth monkey figure that has been highlighted in red, making it more prominent against the other elements of the poster. In addition to the illustrations, there are Asian characters featured prominently in the design—these letters are rendered in red and outlined in gold, with an additional red outline that emphasizes them further. While I can't decipher the meaning of these characters, I presume that they also convey the title "Sexy Look," creating a visual synergy with the unique artistic design. Overall, this poster presents an interesting visual experience, though I find myself puzzled by its intent and message. There's a sense of curiosity about what it represents or aims to convey. The chaotic elements of the poster, alongside the intriguing characters and their placement, stir several questions for me. However, it appears that there are no individuals depicted in the scene, which leaves it rather abstract and open to interpretation. Additionally, I am reminded of how art often challenges conventional expectations, and this poster seems to push boundaries in that area. It feels like an invitation to reflect on the cultural implications behind the imagery and text, especially given the incorporation of Asian lettering, which may connect to broader cultural themes or artistic statements. Overall, it's a captivating piece that encourages deeper thought and analysis regarding its artistic choices and intended message. | 2,041 |
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native | ['14k0h7MliYCX'] | ['Korean'] | ["In the photo, there are three grandmothers and one uncle preparing kimchi. In the center, there's a large amount of kimchi, and next to it, there are just cabbages being prepped for mixing with the sauce. Some people are already mixing. The photo was taken during kimjang season, and two ladies are wearing red while one woman with white hair is in front. In the lower left corner, there is one man, and on both sides, there are tubs filled with kimchi. From the look of the photo, there appears to be a lot of plastic at the bottom, suggesting it might not have been taken at a home but rather in a place like a greenhouse, where kimjang is done. The black attire seems to underline the serious task."] | [True] | ['makign kimchi'] | In the photograph, there are three grandmothers and one uncle actively engaged in the traditional Korean practice of making kimchi, known as kimjang. At the heart of the scene, there is a considerable heap of freshly prepared kimchi, which is a staple Korean side dish made from fermented vegetables, primarily napa cabbage. Adjacent to the kimchi, several heads of cabbage are being prepped, indicating that they are in the process of being mixed with a flavorful sauce, often composed of red pepper flakes, garlic, ginger, and fish sauce. The image captures the essence of the kimjang season, a festive time in Korea typically occurring in late autumn when families come together to prepare large quantities of kimchi for winter storage. Among the women, two are dressed in vibrant red attire, which is often associated with good fortune and celebration, while one woman, who has white hair, stands prominently in the front, showcasing her experience and perhaps highlighting her role as a matriarch in this gathering. In the lower left corner of the photo, there is one man, presumably a family member, who is also participating in this significant cultural activity. Flanking the scene are large tubs teeming with kimchi, a sign of the abundant production intended to last through the colder months. The presence of plastic on the ground hints that this particular kimjang may not be taking place in a traditional home setting, but rather in a facility such as a greenhouse—an environment that can accommodate the large-scale preparation and storage of kimchi. The contrast of black attire worn by some participants further emphasizes the seriousness of the task at hand, suggesting a blend of solemnity and dedication to this beloved tradition. Overall, the photograph vividly illustrates a communal and time-honored aspect of Korean culture, where families bond over the intricate and labor-intensive process of making kimchi, a symbol of nourishment and resilience. | 1,096 |
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nonnative | ['189Sb7r11mPl', '1gpXCd3AzJSs', '1isyNb1xPSgR'] | ['English', 'Vietnamese', 'Chinese'] | [" The image at first glance contains a full pizza on a tray. There is one pizza and one tray. It seems to have about eight tomatoes on it, roughly ten olives, ten bell peppers. It has cheese and red sauce. Around it there seems to be some small plastic container of a carb-like food. As well as a menu with text that is not readable. The tray is a dark brown with a white napkin underneath it. And the pizza seems to have a thin golden crust, melted cheese, and red sauce. The pizza is cut into eight smaller slices, but it's still mainly together. This is on a brown table. It's mainly front and center. There's not too many other objects in the background. So... It's cold. I've put the fat deck inside, but I'm on my Ms.orian. I'm on my isso. The apple p salvage. I think small pieces... I don't have a中国 cheaper. I'm on my side. I say that with 패ton time. That's what I'm putting up there. I come Who am. It's really tight enough a rifle. I'm going not to buy przewers. I think if I'm looking who's going blind or can't see theelf price I have,", 'In the picture, there is a pizza placed in the empty space of the image. This pizza has tomato sauce and cheese on it, and the toppings include many unusual items. The first item is slices of tomato, the second is olives, and the third is small green peppers. The pizza is cut into eight pieces. The pizza is set on a white plate on the table. In the upper right corner of the image, there is a plastic container. Inside the container, there are small brown items. To the left of the plastic container is a white piece of paper. This picture seems to have been taken in a hotel.', "This is a very good-looking large pizza. This pizza looks like it has a lot of meat, a lot of ingredients, and is very big with many decorations. It seems to be something very delicious. When everyone sees these goods, they are all big and visually appealing, and these items are indeed quite beautiful. You can tell that this pizza is made very well and everyone should know that they should eat this very good-looking pizza. The pizza is indeed very tasty, and I'll save some for... goodbye, interrupt Clay. Well, it should be..."] | [False, False, False] | [nan, nan, nan] | The image presents a visually appealing large pizza prominently located in the center of a brown table. At first glance, one can identify a whole pizza resting on a dark brown tray, accompanied by a white napkin placed underneath it. The pizza features a thin golden crust that looks perfectly baked, with melted cheese and a rich red sauce spread generously across its surface. The toppings are vibrant, comprising approximately eight slices of juicy red tomatoes, around ten black olives, and an equal number of small green bell peppers, all of which contribute to the pizza's colorful presentation. The pizza is carefully cut into eight slices, yet it maintains its overall integrity, appearing as a cohesive pie. Beside this culinary centerpiece, there is a small plastic container that seems to hold a carbohydrate-rich food item, although the specific contents are not identifiable in the image. Additionally, a menu is present in the scene, but its text is not legible, leaving the items available for selection a mystery. In the upper right corner of the image, the plastic container filled with small brown items suggests a side dish or snack that complements the pizza. Just to the left of this container, there is a white piece of paper, possibly indicating a written message or additional information regarding the meal. The overall setting gives off a casual dining vibe that one might associate with a hotel or a cozy eatery. The commentary continues to praise the pizza, calling attention to its large size and the abundance of ingredients, which convey both visual delight and an enticing aroma, suggesting that it is exceptionally delicious. The narrator notes the sheer beauty and the appetizing nature of the pizza, emphasizing that it has been skillfully made and should certainly be enjoyed. The enthusiasm expressed in the commentary points to the expectation that anyone who sees the pizza will recognize its high quality and deliciousness, reinforcing the idea that it deserves to be tasted. | 1,706 |
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nonnative | ['1cuuHKISd2D4'] | ['English'] | [" This looks like the front of a magazine or maybe a poster of a movie or a book. It says international bestseller Black Sad. It has some text on the right and on the bottom. The bottom says introduction by Steranko and the image which is the main component of this poster is a cat in form of a man wearing a suit and a trench coat. He is holding a gun and looking to our right side but for him it would be towards his front and a woman who also looks like a cat but in form of a human is has her hands on his chest and her back to us but is also looking the same direction as the man cat is. She is wearing a black one-piece clothes or maybe it's a shirt and a skirt. You can see that her hair is red and that she's wearing some red lipstick."] | [False] | [nan] | The visual depicted appears to serve as the cover for a magazine, or alternatively, it could be a promotional poster for either a film or a literary work. Prominently featured at the top of the design is the title "International Bestseller Black Sad," suggesting that the content has achieved significant commercial success and acclaim in the literary world. To the right and bottom of the design, there are additional text elements, with the bottom section specifically stating "Introduction by Steranko." This indicates that Steranko, likely recognized in the realm of comics, illustrations, or literature, has contributed an introductory passage for the material, which adds a layer of authority and prestige to the work. The central image, which is the primary focus of the poster, depicts an anthropomorphic cat styled as a man. He is elegantly attired in a suit complemented by a classic trench coat, embodying a detective-like persona. This character is portrayed holding a gun and looking towards the right side of the image, which for viewers is towards their left but is facing forward from the perspective of the character. Accompanying him is another anthropomorphic character, also appearing as a cat in the form of a human, who has an alluring posture with her hands resting against the man's chest, while her back is turned towards the viewers. She, too, is gazing in the same direction as the male character, implying a connection or mutual focus. The female figure is dressed in a striking black one-piece outfit, which could be either a singular garment or a combination of a top and skirt. Notably, her hair is rendered in a vibrant shade of red, and her makeup includes bold red lipstick, which accentuates her features and adds to the overall allure of the illustration. Both characters blend elements of classic noir and whimsical illustration, potentially appealing to fans of graphic novels, fantasy storytelling, or anthropomorphic art. The combination of serious attire with feline characteristics suggests a unique narrative that may blend mystery, action, and perhaps romance, thereby inviting viewers to delve deeper into the setting and storyline presented within the work. | 2,758 |
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nonnative | ['12aamcCSIp6G'] | ['English'] | [" Okay, we are looking at a meet theater stage. I'm uncertain what the action is, but it looks like it's very bright in color, almost like a circus coloring with the amount of colors on it. It appears to be in the middle of a performance though, given that all the characters are moving, it doesn't look like they're bowing or that it's wrapping up, but it's just begun. The primary color of the set is red, and next we're going to count all the individuals on stage. So 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 13, 16, 17. All the figures are standing and appear to be in a mid-dance, which makes me further think that this is in the middle of a performance. There seems to be one main character who is standing behind the rest, while two fog machines blow fog and welcome for a epic shot."] | [False] | [nan] | We are currently observing a vibrant theater stage, characterized by its bright and lively colors that strongly resemble a circus theme. The set is predominantly decorated in shades of red, which sets a dynamic and energetic atmosphere for the performance. As we assess the scene, it becomes evident that the action is unfolding in real-time, as all the characters on stage are actively engaged in movement. This lively activity suggests that the performance is still in progress, rather than nearing its conclusion, as there are no signs of the performers bowing or preparing to wrap things up. Upon closer examination, we can count a total of seventeen individuals on the stage. This ensemble appears to be in the midst of a dance sequence, further confirming that we are witnessing a significant moment within the performance. Among the cast, there is one central character positioned behind the others, likely serving a key role in the narrative being presented. In addition to the performers, two fog machines are strategically placed on stage, producing a dramatic haze that enhances the visual impact of the scene. This fog adds an epic quality to the moment, creating a captivating atmosphere that draws the audience's attention and builds anticipation for what is to come. | 2,528 |
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nonnative | ['12BURYWiQFjS', '1lfYljv0FyTl', '1gZkSbnUfoJf'] | ['Chinese', 'English', 'Vietnamese'] | ['This is a black and white old photograph, depicting what appears to be a daytime street scene. The street is wide, with many pedestrians, and in the middle of the street is a clock. On the left side of the street, there are numerous shops, while on the right side, there are many cars. The building looks very beautiful, with many display windows. The clock is of the round type, with Roman numerals on it. Above the clock, there seems to be a light shaped like a street lamp. Coming towards us, we can clearly see a man wearing a dark jacket and dark pants. The weather seems to be around autumn or winter, as many people in the background are seen wearing coats and hats.', " This is a black and white photo. It's a guy walking down a sidewalk. On the right, there's cars lined up. The guy's in the middle. He's facing towards us. And then on the left, there's a bunch of buildings. It looks like something called Walton's, a restaurant. And then there's a big, there's a thing in the, basically a preview board in the middle that says Otis, clap, and sun. And then there's a clock on it. There's some more words on it that I can't make out. Maybe it says tablets as one of those words. You can see door drugs in the background in one of those doors. You can see sun in the very top left, clap, and sun it says. Yeah.", 'The black and white photograph depicts an old city scene. On the left side of the image are various buildings and shops. On the right side, there is a line of cars parked by the sidewalk. In the foreground of the picture, there is a clock showing that it is four fifty in the morning. The clock features a sign that reads "Potiech & Son." The image also shows many people walking on the sidewalk.'] | [False, False, False] | [nan, nan, nan] | This is a black and white old photograph that captures a bustling daytime street scene. The street depicted in the image is wide and lively, filled with numerous pedestrians going about their day. In the middle of the street stands a round clock adorned with Roman numerals, which serves as a striking focal point in the composition. Above the clock, a light fixture shaped like a traditional street lamp adds a touch of authenticity to the historical context of the photograph. On the left side of the street, a variety of shops can be seen, with many of them featuring display windows that showcase their merchandise, contributing to the vibrant atmosphere. The architectural design of the buildings is particularly striking, suggesting a time when craftsmanship was highly valued. On the right side of the street, there is a lineup of cars, which hints at the era in which this photograph was taken, possibly indicating a time of post-automobile revolution in urban settings. The clothing of the pedestrians reveals a seasonal change, as many individuals are dressed warmly in coats and hats, suggesting that the weather is akin to autumn or winter. In a separate part of the scene captured in another black and white photo, we can see a man walking down the sidewalk towards the viewer. He is positioned in the center of the image, wearing a dark jacket and dark pants, conveying an air of casual yet purposeful movement. To his right, cars are neatly lined up along the street, while to his left, there are more buildings with one notable establishment identified as "Walton's," which appears to be a restaurant. In the foreground, a preview board is displayed, featuring the words "Otis, clap, and sun," with a clock integrated into this structure. The words on this board offer a glimpse into the businesses or advertisements of that time, though some text remains illegible, with "tablets" possibly being one decipherable word. Additionally, a door labeled "drugs" is visible in the background, indicating the presence of a pharmacy or drugstore in the vicinity. Another depiction of a city scene in black and white catches the eye with its array of buildings and shops on the left and a lined parking of cars on the right. Notably, a clock in the foreground indicates it is four fifty in the morning, adding a time-specific context to this urban environment. The clock is associated with a sign that reads "Potiech & Son," further intensifying the historical feel of the photograph. In this image as well, many pedestrians can be observed on the sidewalk, enhancing the sense of community and liveliness inherent to the city life captured in these snapshots. | 1,872 |
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native | ['1l8XFIkuhN4a'] | ['Korean'] | ['This appears to be a rest area. Inside the rest area, there seems to be a shop like this. From seeing the words "food plus luggage," it looks like it might be a shop inside an airport. There are a lot of people, and everyone is either making payments or looking at the products. There are various colors, with the signs here being in green, red, blue, and yellow. It\'s not clear what specific items are being sold. At the bottom of the image, there are several checkout counters visible. You can see the counters, the people making payments, and the staff working there. Overall, the photo has many people in it. Thank you. Thank you. Thank you.'] | [False] | [nan] | This scene appears to be set within a rest area, likely located inside an airport terminal. The interior includes a retail shop that prominently displays the phrase "Food plus luggage," suggesting it specializes in offering both food items and travel-related merchandise, catering to the needs of travelers. The atmosphere is bustling with a significant number of people present, all engaged in various activities; some are in the process of making payments while others are browsing the different products on display. The signage within the shop is vibrant, featuring an array of colors including green, red, blue, and yellow, which may indicate a lively and inviting shopping environment. However, the specific types of items available for purchase remain unclear from the description alone, leaving open the possibility of a diverse selection of travel necessities, snacks, or souvenirs. Additionally, the image showcases several checkout counters, clearly indicating the points where customers complete their purchases. These counters are staffed, suggesting a well-managed retail operation, with employees attending to the shoppers' needs. The overall impression conveyed by the photo is one of a lively marketplace within a transit space, filled with energy as travelers navigate their way through a variety of options before continuing on their journeys. The repeated phrase of gratitude, "Thank you. Thank you. Thank you," could either indicate the speaker's appreciation for the moment or perhaps be a reflection of the courtesy often exchanged in busy customer service settings. | 2,956 |
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native | ['1ip2u6ZbadGG', '1dxDuWm0Bfv1'] | ['Korean', 'Korean'] | ['The object visible in this photo appears to be a traditional Korean pouch called "bokjumeoni." Originally, bokjumeoni has been used to wish for luck and fortune, mainly serving as a means to present gifts or money during holidays or special events. This particular bokjumeoni is made from bright red silk and features intricate embroidery of cranes and flowers, as well as elaborate patterns. In Korean culture, cranes symbolize longevity and peace, and such design elements emphasize the traditional meaning of wishing for good fortune. Additionally, it has a delicately tied traditional knot decoration, adding to its elegant appearance. The background under the bokjumeoni seems to consist of a sky-blue blanket and a white embroidered cloth. Bokjumeoni can frequently be seen during traditional celebrations like weddings, first birthday parties, Lunar New Year, and Chuseok. In modern times, it is also commonly used for decorative purposes or gift wrapping that preserves traditional beauty.', 'The object in the picture appears to be a pouch or wrapping made of red fabric, resembling a traditional lucky pouch or cloth. It has an elongated shape overall, and the central portion features an intricate embroidery of two cranes, giving it a vibrant and delicate appearance. Cranes frequently appear in Korean traditional culture as symbols of good fortune and longevity, and it seems that this lucky pouch carries similar meanings. The opening of the pouch is adorned with a decorative knot that allows for tightening, making it suitable for holding small items or gifts. The red fabric itself seems to have a glossy texture, and the embroidered areas feature a variety of colored threads, including green, pink, and yellow, resulting in a rich color palette. Traditionally, during Korean ceremonies, holidays, or special events, it is customary to exchange gifts or blessings within lucky pouches or cloths, and the bright red color and patterns specifically symbolize a long and auspicious atmosphere. Overall, this item is a typical representation of a lucky pouch found in Korean traditional rituals or events, characterized by its elaborate embroidery and striking red color.'] | [True, True] | ['The object in the image appears to be a Korean traditional silk pouch, known as a "bokjumeoni".', 'Yes, this image is culturally distinct. It features a traditional Korean-style pouch (복주머니) with symbolic crane embroidery and a bright red color, both of which are deeply tied to Korean customs and heritage.'] | The object visible in this photo is a traditional Korean pouch referred to as a "bokjumeoni." Historically, bokjumeoni has been utilized as a means to convey wishes for luck and fortune. They primarily serve as a vessel for presenting gifts or money during holidays and significant events. This specific bokjumeoni is crafted from vibrant red silk, accentuated with intricate embroidery that showcases cranes and flowers, along with elaborate decorative patterns. In Korean culture, cranes are symbolic of longevity and peace; thus, these design elements are significant as they emphasize the traditional message associated with the item, which is to wish for good fortune. Furthermore, this pouch features a delicately tied traditional knot decoration, enhancing its elegant and culturally rich appearance. The background beneath the bokjumeoni consists of a sky-blue blanket and a white embroidered cloth, which contrast beautifully with the bright red color of the pouch. Bokjumeoni are commonly seen during traditional celebrations such as weddings, first birthday parties (a significant event called "doljanchi" in Korean culture), the Lunar New Year, and Chuseok, which is a harvest festival celebrated by many Koreans. In contemporary times, these pouches are also utilized for decorative purposes or for wrapping gifts, allowing them to maintain their traditional beauty while adapting to modern uses. In the image, the object also appears to be a pouch or wrapping made of red fabric that resembles the traditional lucky pouches. Its overall shape is elongated, and the central area features fine embroidery of two cranes, lending it a vibrant and delicate aesthetic. Cranes hold significant cultural meaning in Korean tradition as symbols of good fortune and longevity, indicating that this lucky pouch carries similar auspicious connotations. The opening of the pouch is finished with a decorative knot, which allows it to be tightened securely, making it ideal for holding small items or gifts. The shiny texture of the red fabric is noteworthy, and the embroidered sections display a variety of colored threads, including green, pink, and yellow, which contribute to a rich and visually appealing color palette. Traditionally, during Korean ceremonies, holidays, or special occasions, it is customary to exchange blessings or gifts within these lucky pouches or cloths. The vibrant red color and intricate patterns are specifically emblematic of a long and prosperous atmosphere. Overall, this item stands as a representative example of a lucky pouch found within Korean traditional rituals or events, characterized by its elaborate embroidery and striking red hue. | 1,138 |
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native | ['1d8xxtzhQwTV', '1fBq5Kf7rSTt'] | ['Chinese', 'Chinese'] | ["In this picture, it seems to be a group of children watching a cartoon that looks like it's set in an underwater world. They are in a playroom, and many of them are looking at the screen. The children appear to be about two or three years old because they are all quite short and wearing different outfits. There are a total of seven children; one child seems to be outside the screen but has their hand in it. Besides that, they have other toys, such as a height-variable stepping pad on the floor, and one of the children is crawling over these pads. However, most of them are currently engrossed in the moving images on the screen or the underwater world displayed there, which features blue tones along with various marine creatures and seaweed.", 'In this photo, I can see many young children in the middle, around two or three years old, watching something on a wall that looks like a projection. The projection resembles an animated film, depicting something akin to a cartoon set in an ocean world. The overall projection on the wall has an animated effect, including some coral and various ocean plants, as well as what appears to be a marine animal, located slightly below the center of the image. There are also some toys spread out on the ground in the shape of a hunting scene; these toys are mainly green, with some red ones mixed in. In total, there are seven children in the picture, with five of them looking at the projection on the wall while two are playing with toys. One child is walking on top of the green toy, and another child is lying down on the green toy.'] | [False, False] | [nan, nan] | In this vibrant and engaging scene, a group of seven young children, approximately two to three years old, is captured watching an animated cartoon that is projected onto a wall. The setting appears to be a playroom, characterized by a playful atmosphere filled with various toys and activities. The children are of diverse appearances, each dressed in colorful and distinct outfits that reflect their playful nature. While most of the children are focused intently on the captivating underwater imagery presented in the cartoon—filled with soothing blue tones, lively marine creatures, and graceful seaweed—two of them seem to be more engaged in the physical toys around them. The animated film projected on the wall transports the children into an enchanting oceanic world, showcasing visuals of coral reefs and various ocean flora, alongside depictions of marine animals swimming gracefully across the screen. One of the notable features of this visual experience is the animated effect that enhances the illusion of an underwater adventure, captivating the children’s attention and stimulating their imaginations. Among the toys scattered across the play area is a unique stepping pad that is height-variable, which provides an interactive play experience. One child is observed crawling over these padded toys, displaying curiosity and a sense of exploration. Another child is found walking atop a bright green toy, reminiscent of a hunting scene; this green toy is mixed with red pieces that add a vivid contrast. Notably, one child can be seen lying down on a green toy, possibly taking a moment to rest while remaining in close proximity to the animated spectacle. The poignant tableau encapsulates the innocence and enthusiasm of early childhood, illustrating how imagination can flourish in a stimulating environment filled with interactive play and engaging visual stimuli. | 2,035 |
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native | ['15pTgPSrHcRg'] | ['Korean'] | ['In the photo, there is a round earthenware pot filled with soup. The color of the broth has a somewhat cloudy brown hue, and it is garnished with chopped green onions, red pepper flakes, and sesame seeds on top. Although there are ingredients inside the broth, their specific shapes are not clearly visible due to the murky color. While there is no visible steam rising to indicate that the broth is boiling hot, it is presumed to be a typical Korean soup or gukbap. The pot is placed at the center of the table, surrounded by side dishes served on white plates. One plate contains a green vegetable salad, similar to seasoned green onion, while another plate holds red kimchi. The table itself appears to be made of wood, presenting an overall setup commonly seen in Korean restaurants. Given the ingredients in the broth creating a rich, unique color typical of gukbap, it is possible that the dish is a hangover soup made with bones, innards, or blood. Overall, the setting suggests that it is prepared for a warm bowl of gukbap or soup, reminiscent of a dining scene commonly encountered in Korea. The garnishes of green onions, red pepper flakes, and sesame seeds add visual appeal and create an impression of being hearty and appetizing.'] | [True] | ['Yes, this image is culturally distinct. It shows a traditional Korean soup or stew (likely 국밥 or 탕) served in a characteristic clay pot (뚝배기) with typical Korean side dishes such as kimchi and seasoned vegetables. These elements are uniquely tied to Korean culinary culture, making the scene distinctly representative of Korea.'] | In the photograph, one can observe a round earthenware pot, commonly referred to as a ddukbaegi in Korean, which is filled with a rich, flavorful soup. The broth exhibits a somewhat cloudy brown hue, indicative of the depth of flavor it likely possesses. The surface of the soup is adorned with a sprinkle of chopped green onions, vibrant red pepper flakes, and white sesame seeds, all of which not only enhance the visual appeal but also contribute to the overall taste profile of the dish. While there are ingredients simmering within the broth, their precise shapes and characteristics remain obscured due to the murky appearance of the liquid. Although steam is not visibly rising from the pot to suggest that the broth is boiling hot, it can be inferred that this dish represents a typical Korean soup, potentially classified as gukbap, which can be defined as a hearty soup often served with rice. The arrangement includes the pot strategically placed at the center of a wooden dining table, which serves to be a common feature in Korean restaurants, emphasizing the communal aspect of dining. Surrounding the central pot of soup are several side dishes, elegantly presented on white plates. One plate showcases a green vegetable salad that bears similarities to seasoned green onions, providing a fresh contrast to the richer soup. Another plate prominently features red kimchi, a staple in Korean cuisine, made of fermented vegetables that add a complex flavor and a spicy kick. The overall setting of this meal suggests a warm, inviting ambiance meant to comfort and nourish, similar to what one would experience when enjoying a traditional bowl of gukbap or soup in Korea. The specific garnishes of green onions, red pepper flakes, and sesame seeds are not merely for decoration; they further imply the dish's heartiness and appetite appeal, making it an enticing meal. This image is culturally distinct, as it portrays a traditional Korean soup or stew, likely either gukbap or tang, served in a characteristic clay pot known as ddukbaegi. Additionally, the presence of typical Korean side dishes such as kimchi and seasoned vegetables emphasizes the deep-rooted culinary customs of Korea, rendering the scene a vivid representation of the nation's food culture. | 1,120 |
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nonnative | ['1ksHgoABZjjO', '12NLFCIHfYC5'] | ['Telugu', 'English'] | ['The song has a lot of melody, and it has a very unique design. There’s something in it that makes you feel a certain way. It’s very American in essence. There’s a lot happening in it. It has a mix of different elements; it’s very exciting. There’s a vibe that resonates. It gives you the feeling of being alive and vibrant. It’s something that stays with you.', " The image is of two very large pots or vases inside a brick enclosure. There's a gate, metal gate, in front of them. It appears these pots are on display. The pots are very old, as well as the enclosure around it. This may be part of an old archaeological site that's been open to the public for display. The metal fence is very new. Clearly signifies this is Fortisville. In the background, towards the right, we can see a bit of trees. This is clearly outdoors. There's a dirt path around this area. The dominant color here is brown. The vases are brown, the bricks are brown, the floors are brown. The pots themselves, pots and vases, they have very detailed designs on them with handles and etchings, etching markings on them."] | [False, False] | [nan, nan] | The song is characterized by a rich melodic quality, featuring a distinctive and unconventional design. It possesses an emotional depth that evokes specific feelings in the listener. The essence of the song can be described as quintessentially American, incorporating a diverse array of elements that contribute to its excitement and vibrancy. There is a palpable energy or vibe that resonates throughout the piece, providing a sense of aliveness and vibrancy that lingers with the audience long after the song has ended. In a visual description, the focus is on two impressively large pots or vases situated within a brick enclosure. In front of these pots is a metal gate, which indicates that the pots are currently on display for public viewing. The pots themselves appear to be very old, as does the surrounding enclosure, suggesting that this location may be part of an archaeological site that has been opened to the public. In contrast, the metal fence is relatively new, reinforcing the idea that this site is the historic Fortisville. Toward the right side of the background, there are some trees visible, indicating an outdoor setting. A dirt path encircles the area, enhancing the natural appearance of the surroundings. The overall color scheme is dominated by shades of brown, with the pots, bricks, and floors all exhibiting similar hues. The pots feature intricate, detailed designs, complete with handles and various etchings that adorn their surfaces, highlighting their artistic value and historical significance. | 1,754 |
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native | ['18TtzDcpujV4', '1inoo8b5DOG1', '1k5Ul2EOYYxP'] | ['Chinese', 'Chinese', 'Chinese'] | ["This photo depicts a bowl of noodles that looks very delicious. The bowl is served in a green bowl, which is placed on a black tray. To the left of the bowl on the tray, there are two spoons. The tray is placed on a brown or light coffee-colored table. In the background, there's a red advertisement. Returning to the bowl of noodles, the main part consists of yellow, somewhat curved noodles, and on top of the noodles, there are some white fish slices. A deep brown crumb is sprinkled with some green and white chopped scallions. Additionally, the noodles also contain some greens and some green fish slices.", 'The image depicts a meal with an Asian style. First, there is a plate on the left side of the image, and next to it, there appears to be a utensil similar to a spoon. At the top of the image, there is a part that seems to be a promotional advertisement. The focal point is the dish itself, which is in a green bowl containing what should be instant noodles as the main component. On top, there are some fried garlic slices sprinkled, and the broth appears to be a clear type of soup. You can see slices of fish, chopped green onions, and vegetables, which mainly make up the dish. It looks like a very Asian-style meal, likely on the lighter side. Additionally, it can be seen that it is placed on a wooden table, which has a clear quality.', 'This image seems to show a very unique dish. We see a bowl of noodles placed in a green bowl, which in turn is on a black tray. We can see cutlery beside it - a spoon and a fork. This bowl looks like instant noodles, and it appears to be made with seafood. Within the noodles, we can see vegetables, fish slices, fish balls, and a lot of fried garlic, as well as some green onions. The soup is white, so I think this should look like a bowl of seafood noodles. In the background, there’s possibly an advertisement from a shop, which is red and has some writing that looks like it might be in English or another Southeast Asian language, followed by a phrase that seems to read "bunu对好 Sweden".'] | [False, True, False] | [nan, 'Asian', nan] | This captivating photo showcases a bowl of noodles, which is artfully presented and appears to be quite appetizing. The bowl is vibrant green and rests atop a sleek black tray, lending a modern touch to the setting. To the left side of the bowl, there are two utensils: a spoon and a fork, indicating preparation for enjoying this meal. The entire tray is placed on a table that exhibits a lovely brown hue, reminiscent of light coffee. In the background, one can notice a striking red advertisement that adds a pop of color and draws the viewer's attention. Focusing on the bowl of noodles, the main attraction consists of yellow, slightly curved noodles which are likely designed to provide a satisfying texture that complements the meal. On top of this delightful mound of noodles sit thin slices of white fish, thoughtfully arranged to enhance the presentation. Sprinkled over the dish is a generous amount of deep brown crumbs, likely fried garlic, alongside vibrant green and white chopped scallions that add freshness and flavor contrast. The dish is not only assembled beautifully but also incorporates a medley of greens and additional green fish slices, elements that contribute to both the taste and aesthetic appeal. Additionally, another interpretation of the meal emerges from a different angle captured in another image. This scene emphasizes the Asian culinary tradition, where the essential components can be observed in all their glory. On the left side of the frame, there is a plate alongside a spoon, suggesting a neatly organized dining experience. A promotional advertisement is displayed prominently at the top, indicating this dining setting's connection to a broader culinary context. The main focus, however, remains the dish itself, defined by its rich, colorful presentation that includes instant noodles served within the same green bowl. The dish features a clear broth that hints at a lighter, yet flavorful soup base. On top of the noodles, fried garlic slices are generously scattered, providing an aromatic crunch. Mixed within the noodles, one can observe slices of fish and chopped green onions, complemented by an assortment of fresh vegetables, all working harmoniously together. The image indicates that this meal is a seafood noodle dish, characterized by its clean and invigorating taste. A hint of sophistication can be seen in the white soup, which signifies culinary care and attention to detail. Furthermore, the background includes a red advertisement that is suggestive of a shop, featuring letters that might be in English or another Southeast Asian language, including a phrase that could be translated or interpreted as "bunu对好 Sweden," implying a delightful fusion of cultures in edible form. | 479 |
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nonnative | ['1jYoyelAtk3u'] | ['English'] | [" The image has a woman and a man on a bed. The man is laying sideways with one of his hands extending out with a TV remote control pointing towards what's assumed to be a TV. His other hand is groping the woman's left breast. The woman is sitting on the side of the bed. She is looking downwards and the bed is white. The man is wearing a white t-shirt. The woman is wearing a black and white striped undershirt with a white short sleeve top over that. The wall behind them is made of wood and there is a nightstand that also looks to be made out of wood. The man is wearing a pair of checkered plaid black and white shorts and one of his legs is propped up and the other one is laying down. Both the man and the woman look to be Asian and have black hair. The woman has medium length black hair."] | [False] | [nan] | The image depicts a scene between a man and a woman on a bed, creating an intimate atmosphere. The man is positioned sideways on the bed, with one of his arms extending out towards a television, holding a remote control that is directed at what is presumed to be a television set. His other hand is engaged in a physical gesture, specifically groping the left breast of the woman beside him, indicating a level of intimacy and physical closeness between them. The woman is sitting at the edge of the bed, looking downward, which may suggest a contemplative or passive state in the moment captured. She is dressed in a black and white striped undershirt layered beneath a white short-sleeve top, offering a contrast in her attire that is visually appealing. The bed they are on is covered with a white comforter, providing a clean and neutral backdrop which further emphasizes the subjects. The man is attired in a casual white t-shirt paired with checkered plaid shorts that feature a black and white pattern. His legs are positioned in a way that one leg is propped up while the other rests flat on the bed, contributing to his relaxed posture. Both individuals in the image are of Asian descent, with the man and woman sporting black hair; the woman has medium-length hair that frames her face, enhancing her features. In the background, the setting includes a wooden wall that suggests a cozy, home-like environment, and a nightstand of similar wood material, which adds to the rustic charm of the scene. This intimate tableau captures a moment that combines elements of casual comfort with a hint of romance, set against a backdrop of warm, natural textures. | 2,066 |
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nonnative | ['1ajW2ZFynmci', '1a3y6PuDR1kM', '1YKyuxSipxbU'] | ['English', 'English', 'English'] | [" The image appears to be at night with some East Asian style figurines that are lit up. There's some children, it appears, riding on top of a cow. One of them appears to be holding a balloon or a pole with an East Asian character on the top. And there are no people in the image that are visible. There's a tree on the right hand side that's kind of overhanging and the leaves are visible. And there's some sort of fence or railing in the left hand side in the background. And there are other figurines, perhaps more people on the right hand side, but it's difficult for me to identify. But they are all brightly lit with what appears to be light bulbs inside them. And there's four children riding on the cow. Las Vegas diems like an esteretat in the ice hay. And we are now auditing andYEgon after an hour with an orange-proof everybody who merge into a mieuxcoher and NUSININE and found out there's plenty of holes in the above to look at those who Mittelman.", " The image at first glance looks like a couple of lit up statues for Chinese New Year, a couple of kids on top of it, and there's a very obvious fool, which means prosperity on the structure that the kids from the second to the front in the main bull in the middle is holding. The kids seem to be Chinese, and I think this is obviously culturally Chinese with the Chinese words on top of the image. There are also two bulls, it seems like it's night time, and it seems like it's probably around Chinese New Year, or before that, such that these structures are commonly seen in these festivities. It's probably also the Year of the Bull, which warrants the bull to be brought out here, the Year of the Cow, in the zodiac. So thank you… …the zodiac. Bunu właśnieediere donna trafruj și chúng tael ۔ Vyərationsa de la�� exponentially bens ni flash interpătură baisă și dătacă tel ft găt de găt. Sunt flăte, frauță păt de făt. Kýn e nu u la ți. E pr这是 2 dólares. Côl de verstehen la parte din. Neste-ul d'acqua, bucăt de făt. Băt băt Bir de Lieckène, chât afpat Recht realizatokedありがとうございました. Băt-băt găt băt 0,40r fœt. Guimt pisat băt.", " This image is a picture of an ox lantern with several kids sitting on top of it, with the word prosperity, Fu in Chinese, at the top of the lantern. It is flanked by several other lanterns, which, if I am correct, is likely another lantern of that ox. At first glance, this is likely some sort of festival. More specifically, it is the mid-autumn festival, largely celebrated in Chinese culture. The objects and accounts are as follows. There is an ox lantern in the center of the image, and there are several lanterns along the line of the ox as well. Although there is a small text, Fu, at the top part of the lantern, which can be translated into prosperity, this is a largely significant word in Chinese culture, and therefore is often connected with lanterns as well. With regard to subtle details, I note that there are other animals in the background. So these animals might actually be the 12 zodiac animals that are often portrayed in Chinese culture. The background highlights that this picture was taken at night, given the dark sky. And this is often an appropriate time to celebrate mid-autumn festival, whereas people will often take their lighted lanterns out to actually celebrate this festive occasion. The star in color is red colorful. The ox is orange in color. The other ox in the background is green in color, and the other lanterns are white too. The four kids that are sitting already are lighter in color, and this presents a very nice contrast with the dark night sky, and creates a very atmospheric and festive atmosphere. Well, for example, Selen, the color is a few changes. Yeah, well, it's a very interesting one. I have saidSI Yes! I am going to pray for the dark night sky. When I watch this in New mercifulCorps and it's a happy tone, the lateristance map will emerge from the Kel Est stake in colour. And I'm talking about that, though, the first of the short2018-like fidelity and Al experiência Lyris â of the sun is not yet pleasing and flair. Numberolen Oh! Number Medien Online Of course 2 Asfer Than"] | [True, True, True] | ['Yes, because of the Asian text.', nan, 'Yes. The lanterns and Chinese character highlights that this image is connected to the Chinese culture.'] | The image presents a vibrant scene illuminated at night, showcasing several East Asian-style figurines that are lit up, creating a festive atmosphere. In the foreground, a group of children can be observed riding atop a cow. One child appears to be holding either a balloon or a pole adorned with an East Asian character, which emphasizes the cultural significance of the scene. It's noteworthy that the rest of the image lacks visible human presence aside from the children. On the right side of the picture, a tree with an overhanging canopy can be seen, its leaves shimmering against the nighttime backdrop, adding a natural element to the composition. In the left-hand background, a fence or railing is evident, providing a boundary to the scene. Further right, there are additional figurines, which may represent more people, but their features are difficult to ascertain from this angle. All the figurines are brightly lit, seemingly using small light bulbs, accentuating the celebratory motif of the image. Additionally, an interesting note remarks that Las Vegas diems, likely referring to a specific event or cultural highlight, takes place in conjunction with the visual elements of the image. This might indicate a connection between the imagery and experiences in Las Vegas, perhaps during a cultural festival or exhibition. On closer examination, the central figure, an ox lantern, is the focal point of the image, with the word "Fu," signifying prosperity, prominently displayed at its peak. This character is particularly important in Chinese culture, as it's associated with blessings and good fortune, especially during festive periods. The lantern is part of a larger display, likely linked to a festival, and is commonly seen during events like the Mid-Autumn Festival or Chinese New Year, emphasizing a significant cultural celebration. Notable details reveal that there are additional lanterns paired with the central ox, highlighting the importance of these illuminated decorations in engaging the community and celebrating traditional customs. The presence of other animals in the background hints at the representation of the twelve zodiac animals in Chinese astrology, connecting the image to broader cultural narratives around the zodiac. The overall ambiance, characterized by a night sky and illuminated lanterns, creates a striking contrast that enhances the festive spirit of the occasion. The ox lantern is presented in shades of orange, with other lanterns appearing in red and green, contributing to a colorful and vivid landscape. The children, illuminated brightly, create a joyful scene that resonates with cultural significance. In summary, the image encapsulates a celebration deeply rooted in Chinese tradition, evident through the symbolic elements such as the "Fu" character, ox lantern, and vibrant festivities associated with the lunar calendar. | 232 |
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nonnative | ['1IaRUABlsAer', '158RP7cnKcjo', '1kanKvvfgjiD'] | ['English', 'English', 'English'] | [' This is an image of a Chinese celebration. In the center of the photo is a large dragon costume with two people inside of it that is typically used at traditional Chinese celebrations. The two people are jumping in the air. They are mid-jump and they are far above a crowd of people that is watching. Many of them have cameras out and are filming the festivities. And a lot of them have umbrellas as well. Behind them there is a brick structure or stone. It is made up of many small slabs of stone put together. And there are some barred windows and a barred door. And there is a large Chinese sign in the background as well for the building. That seems to be the label for what the building is. There are also small podium like pole things in front of the people. And it seems to be a part of the celebration as well.\\', " This image is of somebody celebrating some sort of Asian, possibly Chinese, dragon ceremony. In the main photo, there is one person on top of a set of pillars in a dragon costume. He is visible as he's lifting it off of his head. It's pink and black. The pillars are orange and green. There's a number of people watching on in the back of the photo. They have different umbrellas. There's maybe about 20 to 40 people in the background. There's Chinese writing, what I'm assuming is Chinese writing, in the top right. There's a window in the left. The stone structure is made of some sort of green, possibly limestone. In terms of the style and color, lots of bright colors. A daytime photo. I believe in terms of location, that's probably Chinese or possibly Japanese, depending on the script in the background. And the floor in the front contrast This is my view which is my view long If my sight metallic that's from here I will see you what I can I", ' This image is a lion dance. At the center of the picture, I see a vibrant red lion dancing on top of a long pole with the background image of a Chinese character against it. There is a huge crowd watching the lion dance, and the lion appears to be in the middle of performing a stunt as seen by the man who is wearing the lion costume. The objects and its counts are as follows. There are several poles, probably amounting to 10 at the bottom of the image, one lion, and many watches at the background of the picture. There is a word, xia-something-tian-ti, at the background, which probably suggests that this is a location found in China, or perhaps Taiwan as well. With regard to what subtle details are noticeable, I see several pictures of people carrying umbrellas, and the lion is actually decorated really nicely too. The style in color is interesting as the lion is actually darker in color while the poles are bright in color. This may seem to accentuate the lion dance itself and allow the audience to enjoy a more spectacular show. With regard to contextual information, given the fact that there are Chinese characters in the background, I could actually guess that this is in China, and this helps me to understand that there is some sort of traditional Chinese dance.\\'] | [True, True, True] | ['Chinese celebration', 'Chinese characters in the background as well as a dragon ceremony.', 'This is a traditional lion dance and I can see Chinese characters in the background.'] | This is an image depicting a traditional Chinese celebration, often associated with significant cultural events such as Chinese New Year or other festive occasions. At the center of the photo is a large, intricately designed dragon costume, which is a staple for such celebrations. Two performers are seen inside the costume, energetically leaping into the air as part of a synchronized performance, captivating a crowd below. Many spectators are present, several of whom are holding cameras, eagerly recording the lively festivities. Additionally, numerous individuals are seen utilizing umbrellas, likely for protection against sunlight or in the event of rain, which is common during large outdoor events. In the background, there is a brick or stone structure that appears to be an older cultural or historical building, constructed from many small slabs of stone meticulously assembled. This structure features barred windows and a barred door, suggestive of its historic significance or function. Prominently displayed on the building is a substantial Chinese sign, which acts as an identifier for the structure, conveying its purpose or name to those fluent in the language. Furthermore, several podium-like poles are positioned in front of the performers, indicating they may be part of the overall celebration, possibly serving as staging for performers or elements of the act. Another image showcases a vibrant lion dance, central to traditional Chinese culture. In this depiction, a bright red lion is performing atop a long pole, an important aspect of this dynamic dance. The lion costume is elaborately adorned and appears to be midway through executing an impressive stunt, demonstrating the skill and artistry of the performer inside. Surrounding the lion is a large crowd of spectators, all engaged and observing the performance intently. The vibrant colors of the lion contrast strikingly with the brightly painted orange and green pillars, further enhancing the festive atmosphere. In the image, Chinese characters are visible, possibly indicating the location of the performance. The stone used in the structure is likely a form of green limestone, contributing to the overall aesthetic of the celebration. The setting captures a daytime scene filled with diverse, colorful umbrellas, implying a lively environment filled with joy and cultural pride. The details of the lion dance, combined with the traditional Chinese context signaled by the characters observed, clearly position this event within the cultural framework of China, reflecting a rich tradition that continues to engage audiences both locally and globally. | 466 |
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nonnative | ['1ioqHGzz98m4'] | ['English'] | [" She looks to be some kind of actress or artist that is posing for a picture. She seems very kept to herself and although she is smiling at the camera, she can be seen to have her hands wrapped around each other, placed around the waist. Her hairstyle is very interesting. It comes on top of her eye, her left eye specifically, because of how lengthy the hair is. But on the right hand side, it is more mellow. In the background, we see some kind of poster, possibly for the movie or the art that she is portraying. And it looks like she's very excited too and happy to be there. She's probably getting photographed by people, although the photographers are not being shown on screen. Her dress is a mix of black and green. Green on the bottom and black and gray on top. New to the third. New to. One. First."] | [False] | [nan] | The subject in the image appears to be an actress or an artist, who is clearly engaging in a photoshoot. She presents herself as somewhat reserved; however, despite her composed demeanor, she is smiling at the camera. Notably, her hands are clasped together and wrapped around her waist, which adds to her modest demeanor. Her hairstyle is notably intriguing. It drapes long over her left eye, lending her a somewhat mysterious aura due to the way it partially obscures her vision. In contrast, the right side of her hair is styled more softly, creating a balanced appearance on her face. In the background of this scene, there is a poster visible, which likely promotes the movie or artistic project that the subject is associated with. This detail suggests that she is in a professional environment related to her artistic pursuits. Additionally, the actress seems to radiate joy and excitement, likely indicative of her happiness at the event she is attending. Although the photographers who are capturing her image are not visible in the frame, it's evident that they are present, likely snapping photos of her in this moment. She is dressed in a striking ensemble, featuring a blend of black and green hues. The green hue dominates the lower part of her dress, while the upper part incorporates shades of black and gray. This color combination could symbolize a connection to her artistic persona or the theme of the project she is involved in. Overall, the visual captures a moment of both professionalism and personal expression, encapsulating the emotions of the actress as she embraces this opportunity. | 2,014 |
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nonnative | ['1bTl1noIuEdp'] | ['English'] | [" At first glance, the image is of a cabin on a snowy mountaintop. There's one cabin. There are a couple of fences in the front of it. It's on top of a snowy ledge. There's about 10 trees in the background and two mountains in the background. There also seems to be some sort of mailbox towards the front. The text is in a different language, so I don't know what it says. The cabin is towards the front. The trees are slightly behind it, and the mountain is then behind all of that. There are some subtle details, like I mentioned, the snow covering the cabin, covering the mountain, and covering the trees as well. There's also a sun in the back radiating a lot of light, and there also seems to be a bit of lightning or something like that in the sky. In the background, like I mentioned, there are two mountains. There's a hazy sky that it seems to be reddish blue. The coloring of the cabin is dark, assuming it to be brown, maybe black. The fence is brown. The snow is white. The trees are green. The trees are green."] | [True] | [nan] | The image presents a picturesque view of a cozy cabin nestled atop a snowy mountaintop, creating a serene winter landscape. The cabin, which is prominently positioned in the foreground, appears to be constructed from dark materials, likely wood, giving it a rustic charm; it could be interpreted as either brown or black. Surrounding the cabin are a couple of wooden fences that complement its earthy tone, their color mirroring that of the cabin. In front of this inviting structure is a snowy ledge, leading into a blanket of white snow that envelops the cabin, the ground, and the surrounding trees. There are approximately ten trees visible just behind the cabin, standing robustly amidst the snowy environment. These trees are notably green, contrasting beautifully with the predominantly white landscape, and suggesting that they are evergreens, which typically retain their foliage through the winter months. In the background, the scene is dominated by two majestic mountains, their grandeur magnified by the snow cap that rests upon them, reinforcing the winter theme. The mountains loom behind the cabin and trees, creating a natural backdrop that enhances the solitude and tranquility of the scene. The sky above is characterized by a haziness that blends shades of red and blue, possibly indicating the time of day—perhaps dawn or dusk—when the sky is often filled with such hues. This coloring adds a dreamlike quality to the image. Further enriching the atmosphere, the sun can be seen positioned in the back, radiating a warm light that illuminates the scene and casts gentle shadows, enhancing the three-dimensionality of the landscape. There are also some intriguing details in the sky, where a hint of lightning or a similar phenomenon might be present, creating a dynamic contrast with the peaceful scenery below. Additionally, towards the front, there appears to be a mailbox, suggesting human habitation and possibly adding to the rustic charm of the location. The presence of text in an unknown language implies that the image could be from a different cultural context, adding an element of mystery and intrigue to the visual narrative. Overall, this harmonious composition captures the essence of a remote winter retreat, blending natural beauty with cozy human habitation. | 2,757 |
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native | ['1dOlHDEAaTx3'] | ['Korean'] | ['In this photo, it seems to be a drawing in a cartoon style. In the front, there is a man and a woman. The man, on the right, is wearing blue clothing, a blue hat, a blue upper body, and golden lower body attire, and he is kneeling. It looks like an indoor setting. On the left, there is a woman dressed in hanbok, with a red skirt, a white upper garment, and a blue ribbon, wearing a golden hat. Her hair is neatly styled as well. The man and woman appear quite young. In the background, there is a luxurious gate, along with two birds, the sun, green trees, and a blue sky. At the very front, there are four characters that look like Chinese characters. On the right side, there are also white letters that appear to say "cool," "ding ding ding," and "Busan." While the clothing reflects special aspects of Korean culture, Chinese characters are also visible.'] | [True] | [nan] | In this illustration, depicted in a vibrant cartoon style, we see a scene that captures a moment between two young individuals in an indoor setting. The gentleman is positioned on the right side of the image; he is dressed in striking blue attire that includes a blue hat and a blue upper garment. His lower body is adorned in golden clothing, and he is kneeling, indicating a posture of either submission or reverence, perhaps reflecting a traditional cultural gesture. On the left side of the frame stands a young woman elegantly dressed in a traditional hanbok, which is a classic Korean dress known for its vibrant colors and beautiful design. Her outfit consists of a red skirt paired with a white upper garment, complemented by a blue ribbon that adds an additional layer of color and charm. Atop her head, she wears a golden hat, which is likely an ornamental piece indicative of traditional attire. The woman's hair is styled neatly, further emphasizing her graceful appearance and the importance of grooming within cultural contexts. In the background, the scene features a luxurious gate, possibly suggesting a cultural or historical significance, symbolizing entry into a sacred space. Surrounding the gate are elements of nature, specifically two birds, a bright sun illuminating the scene, green trees that add vibrancy, and a clear blue sky, which together contribute to a serene and cheerful atmosphere. At the very front of the illustration, there are four characters that resemble Chinese characters, which may signify a deeper cultural connection or meaning behind the artwork. To the right, there are also white letters that read "cool," "ding ding ding," and "Busan." The inclusion of “Busan” ties the illustration to a specific location in South Korea, known for its beautiful beaches, mountains, and vibrant city life. The use of both Korean and Chinese cultural elements in the clothing and inscriptions highlights the interconnectedness of Asian cultures and the sharing of traditions across borders. | 2,990 |
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nonnative | ['1cwa5hUsZLTF', '1jMXniJnc2eo', '1ewZ70ApjxkH'] | ['Chinese', 'English', 'Telugu'] | ['This photo shows a bathroom, so we can see what a bathroom looks like. On the left is the door, which is open, revealing the interior of the bathroom. On the far right is the sink, which has a cup that might be a toothbrush holder; it’s not very clear if it has a toothbrush inside. Next to the cup, there seems to be something red, but it’s hard to tell exactly what it is; it could be a candle, but I’m not sure. Below the sink is a cabinet made of wood, which has a somewhat brownish color typical of wooden furniture. Above the sink is glass, and it looks like it’s surrounded by blue fabric strips. The sink is also decorated with blue fabric strips. Over there is the toilet; behind it is the bathtub, which is also covered with blue fabric strips. It feels like this might be a newly renovated bathroom, possibly just completed.', " This is a picture of a bathroom. This bathroom is mostly white. There is a mirror with a blue frame in the image. In the bathroom you can see a toilet. You can see a sink. The sink has a wood cabinet beneath it. You can see a shower in the background, and the shower has a seat inside of it, and the seat is white. And there's also a stool, a wooden stool, opposite the toilet. And above the wooden stool is a half-used roll of toilet paper, and to the left of the toilet paper is something blue. It's unclear exactly what it is. You can also see a shadow in the bathroom. The shadow covers much of the shower. And there's also a door. The door to the bathroom is open, and you can see the door that is open. And there's also what looks to be some sort of soap dispenser near the sink, along with a toothbrush-holding receptacle. above what does the да Andes in the bathroomister need to be injected into the kitchen installed? But why is it gonna be stuff to you... So... And it'saku... And it's that hope that you forest control. So you do the bathroom everything. Wait for some sort of interior control. So let's play all this upgrade. And remember, can you fill out ? Oh, well, you know,aky tidal and pé secrecy. I'm going to see you on the front row. And when I mess with a foio, I set it up. Just like it. Again, let me know you get a bit of a�tonical sozial. And where do you put the bathroom GoPro and the Wash now. And I do satu. And the atmosphere for you might as well. And I can wake up the bathroom and see what一樣24 olvidations where you put your", "There is a roof over there that seems to be visible. There is also a small area next to the toilet that is noticeable. A sink is next to it, and there is a bathtub visible. In the bathtub, there is someone sitting. They have mentioned that it seems they have called for help. There is someone inside, but they haven't opened the door yet; it seems they will soon."] | [False, False, False] | [nan, nan, nan] | This photo captures a bathroom, allowing us to visualize its layout and features. To the left, the door stands open, giving us a glimpse of the bathroom's interior. On the far right side of the image, there is a sink equipped with a cup that may serve as a toothbrush holder; however, it is not entirely clear if there is a toothbrush present inside the cup. Adjacent to the cup, there is an indeterminate object, possibly red in color, which could be a candle, but its exact nature remains uncertain. Underneath the sink, there is a wooden cabinet exhibiting a brownish hue typical of wooden furniture. Above the sink, there is a glass feature that appears to be encircled by strips of blue fabric, which also decorate the sink area. Facing the toilet, which is positioned close to the sink, we observe a bathtub located directly behind it that is similarly draped with blue fabric strips. The overall aesthetic suggests that this could be a newly renovated bathroom, indicating contemporary design choices. In another depiction of a bathroom, the predominant color scheme is white. The image includes a mirror framed in blue, beyond which we can see a toilet and a sink. The sink possesses a wooden cabinet beneath it. In the background, a shower stall features a white seat built within it, while opposite the toilet rests a wooden stool. Above this stool, there is a half-used roll of toilet paper, and next to it is an ambiguous blue object. The image contains a shadow that extends over a significant portion of the shower area. The bathroom door is also open, revealing the entryway. Nearby the sink, there appears to be a soap dispenser in addition to the toothbrush-holding receptacle. Another element in the bathroom scene is the visible roof. Notably, there is a small area adjacent to the toilet that draws attention. Next to it, a sink is present, and a bathtub is also visible with an individual seated inside. This person appears to have signaled for help, suggesting that they might be in need of assistance. They have not opened the door yet, but it seems imminent that they will do so. | 1,605 |
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native | ['19hn3HtjqZwk', '1flYL2M5ioAY', '1jYIh9vlp6tZ'] | ['Chinese', 'Chinese', 'Chinese'] | ['There are four people on a stage. From front to back, one is dressed in black, another in red, another in gray, and a woman is wearing mixed clothing. In the background, there are three characters that read "Shu Ya," but the third character is not very clear. The overall style should be of a theatrical performance stage. We can see that everyone is basically in costumes, which come in different colors: black and gold in the front, red and blue in the middle. They even have special face paintings. If it\'s about mice, it might be a Sichuan opera performance. Typically, there are also face-changing acts and performances where they hold fans and do various transformations. The overall importance of this stage is related to enhancing the performance.', 'This is a stage for a Peking opera performance. In the background, we can see a building with traditional Chinese architectural style. The patterns on the wall appear to depict two dragons playing with a pearl, and there are some Chinese characters; one character looks like "雅" and another should be "运." In the center of the stage, there are two actors. The one in the front is wearing a black costume with gold embroidery and a black hat. His face is covered, so we can\'t see it, and he is holding a blue silk fan, seemingly performing a segment of a fan dance. Behind him stands an actor in a red costume who is dressed in a red embroidered outfit and wearing a red hat. His face is painted with white, black, and red colors, and he is coordinating with the actor in black in this performance. There are also some actors in the back, although they are not clearly visible, they are likely performing traditional Chinese instruments such as the huqin and erhu to accompany these actors. This photo embodies the art of Jingju (Peking opera) and showcases the cultural richness of China.', "Oh, this is about face-changing, which is a very traditional aspect of Chinese culture, specifically the face-changing culture. I just noted behind me something about rat teeth, perhaps indicating it's a store related to that, or if it's in Sichuan, maybe it's on a stage where performers are showcasing Sichuan opera and the face-changing act. There are two or three characters, and the other two might be handling the music. They might be dressed in black, and one of them is holding a fan. The background is somewhat dark, suggesting it’s an evening performance. In the background, there’s someone in a red outfit, who might be the next performer ready to take the stage."] | [True, True, True] | ['Chuan Opera', 'This image is about Jing Ju, a special performance originated from China. The performer are all dressed in Chinese specific costume.', 'It has Chinese words.'] | There are four individuals on a stage, each exhibiting distinct costumes that contribute to the theatrical ambiance. The arrangement from front to back includes one performer dressed in black, another in red, yet another in gray, and a woman wearing a unique mix of clothing that stands out. Positioned in the background, we notice three Chinese characters, one of which reads "Shu Ya." However, the third character’s appearance is somewhat ambiguous. The overall aesthetic of the stage aligns with that of a traditional theatrical performance. The costumes on display are quite vibrant, primarily featuring colors like black and gold for the front performer, while the individual in the middle showcases red and blue attire. Notably, all the performers have elaborate facial paintings, integral to the performance style that they represent. Given the mention of mice, this could be indicative of a Sichuan opera performance, which is known for its unique storytelling methods. Such performances typically include exciting elements like face-changing acts, where performers swiftly change their masks and appearances. Additionally, it is common to see performers using fans while executing a variety of transformations, which adds dynamism and depth to the art form. The significance of this stage, therefore, lies not just in the visual spectacle but also in enhancing the overall narrative and performance experience. Shifting focus to another performance, we find ourselves on a stage decorated for a Peking opera. The backdrop features a building that reflects traditional Chinese architectural styles. The wall patterns vividly depict two dragons playing with a pearl, a representation rich in symbolism, suggesting power and auspiciousness. There are also Chinese characters visible, one of which closely resembles "雅" (meaning elegance or refinement), while another seems to represent "运" (which signifies fortune or luck). In the center of this stage, two actors are present. The actor at the forefront is adorned in a striking black costume embellished with gold embroidery, complemented by a black hat. His face is obscured, making it impossible for the audience to discern his features; nevertheless, he holds a blue silk fan, performing what appears to be a segment of a fan dance—a key element of Peking opera. Behind him is another performer dressed entirely in red, showcasing a beautifully embroidered outfit and wearing a matching red hat. His facial makeup, painted in white, black, and red hues, adds to the dramatic visual impact and signifies his character role. This actor skillfully coordinates with the front performer, embodying the spirit of Peking opera. In the background, although not clearly visible, there are additional actors likely accompanying the performance with traditional Chinese instruments such as the huqin and erhu, enriching the auditory experience. This scene captures the essence of Jingju (Peking opera), reflecting the cultural wealth of China. An additional observation highlights the concept of face-changing, an esteemed traditional aspect of Chinese culture, particularly relevant to Sichuan opera. There is a reference to rat teeth, which may indicate a connection to a store associated with this theme, or possibly hint at the performers’ preparations for showcasing face-changing acts. The performance environment is set against a darker backdrop, signaling that it is an evening performance. Among the background performers, one individual dressed in a red outfit may signify the next performer poised to take the stage, adding an element of anticipation to the overall ambiance. | 469 |
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nonnative | ['1jIu8KpEWlLr', '1gdyKWbSS4Nb', '1d7u7eISGjsl'] | ['English', 'Chinese', 'English'] | [" This is a picture of a building that contains columns. There's one, two, three, four, five, six columns with windows behind them. The building itself seems to be made of a concrete that's kind of beige with some off-coloring. The sky is blue with some clouds, and there's trees in front of this building with grass, and it looks like there's cars parked alongside it since it's on a road. There's a good number of cars taking up most of the spots, and in the middle of the road, there's a divider with another road on the very front, where the tree is casting a shadow, so the sun appears to be coming on the forward face of this building. The building seems very flat, not too wide, but it is very long, and it goes throughout the length of the image. Mond cuántica, a building having a Love Enαquist gorilla is called Park SeWise. They are으로 energia, so the 쌓 between the iTunes and eventually it turns to the Moon. So let's continue to see the next where we are going to go.", 'This is a building. The photo taken from across the street shows a group of buildings. There are many vehicles parked outside the building, and behind the vehicles is a strip of greenery. Located behind the greenery is a row of buildings. The entire structure stands four stories tall, while inside, there are three-story-high columns. The background features a blue sky.', " This looks like a picture of a building along a road. This looks like a rather large building but it's rather thin. In terms of the distance from the front of the building to the back of the building is maybe the length of two cars at most. There's a bunch of cars along the side of the road next to the building and there's a bunch of trees next to the car. So it looks rather scenic. Maybe this gives a hint that this is a more official building like a government building or maybe a university building. There doesn't seem to be anything particularly distinct about the architectural design. So in terms of what country it may be from. So that's anyone's guess. There's no text that I can see in the image nor are there other details that might give me more of a hint as to where this building might be. But it definitely looks like something, a fancier building just judging from how thin it is. And there's definitely some kind of architectural expertise that went into this. Thanks, Ethan, and that's it. Thanks very much. Thanks. Thanks, Stephen. Thanks for having me here,"] | [False, False, False] | [nan, nan, nan] | This is a detailed description of a building characterized by its six prominent columns. Each column features windows behind them, allowing light to filter into the structure. The building is constructed from a beige concrete material that exhibits some irregular coloring, giving it an aged or weathered appearance. The sky above is clear blue with a few scattered clouds, enhancing the visual appeal of the scene. In front of the building, there is a stretch of grass with trees that add a touch of greenery to the landscape. The area surrounding the building shows multiple parked cars along the roadside, indicating active usage of the space. A central divider can be seen in the middle of the road, leading to another side road, which is also shaded by the trees. The sunlight is striking the frontal aspect of the building, suggesting that it is positioned in a way that takes advantage of natural light. The architectural design of the building is quite flat—not particularly wide but extending along the entire length of the image, giving it a notable presence. The additional descriptive text includes mentions of "Mond cuántica," which suggests a connection to topics in quantum physics, potentially hinting at advanced scientific pursuits within the building. It also references a "Love Enαquist gorilla" called "Park SeWise," which may allude to a specific project or installation that merges art with scientific themes. This text seems somewhat disjointed and may be indicative of a more conceptual or experimental approach to the building's purpose. The second part of the transcription elaborates on the building from an external perspective, emphasizing that it is a four-story tall structure. It contrasts this with the internal space that includes three-story-high columns, showcasing a blend of architectural sophistication and practicality. The greenery situated behind parked vehicles further enriches the environment, contributing to a pleasant aesthetic. The final narrative addresses the building's profile, suggesting it appears large yet slender, extending only a modest distance from front to back—roughly equivalent to the length of two cars. This peculiarity, combined with the surrounding scenic landscape of cars and trees, inspires a notion that the building might be a significant governmental or educational facility. However, the architectural style does not provide immediate clues about its geographical origins, leaving its cultural context quite ambiguous. The observer notes the absence of distinguishing texts or features that might hint at its whereabouts, reinforcing the idea of its elegant but non-specific design. The conversation wraps up with a series of polite acknowledgments, showcasing camaraderie among friends or colleagues, possibly discussing architectural aesthetics or community landmarks. | 1,230 |
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