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native | ['16e29R1CFc85'] | ['Chinese'] | ['In this picture, there is a boy standing in the center, slightly to the right. His hairstyle is very trendy and upright, with black hair. He is wearing a white outfit along with a white fur coat, and underneath, he has on red laser-printed pants. He is also wearing a black and white spotted tie. His hands are in a fist position, with his thumb extended to indicate a thumbs-up. The background features an advertising board with the words "Nian Ci An" and "Music Broadcasting" among others. The overall style of the image is very fashionable.'] | [False] | [nan] | In this picture, we see a young boy positioned in the center of the frame, slightly towards the right side. His hairstyle is notably trendy, characterized by an upright and stylish design, showcasing his glossy black hair. The boy is dressed in an all-white outfit that radiates a sense of modern fashion. Over this pristine attire, he dons a luxurious white fur coat, adding an element of sophistication and flair to his look. Beneath the fur coat, he sports striking red pants that feature a unique laser-printed design, demonstrating a bold fashion choice. Completing his ensemble, the boy wears a visually engaging tie that is black and white spotted, contributing a playful contrast to his outfit. His hands are positioned in fists, with his thumb extended outward in a thumbs-up gesture, an expression commonly associated with approval or encouragement. In the background, there is an advertising board featuring the phrases "Nian Ci An" and "Music Broadcasting" among other elements. These textual features suggest a potential connection to music or a broadcasting event that might be taking place, adding context to the setting of the photograph. The overall aesthetic of the image is very much in tune with contemporary fashion trends, capturing a moment that is both stylish and emblematic of youthful exuberance. | 1,959 |
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native | ['16weL8KdK9iz'] | ['Korean'] | ['The image shows an old smartphone. The smartphone is black and has "T-Mobile" written on it. The screen of the smartphone is on, and at the very top, the Google search bar is visible. The wallpaper appears to be a dark navy blue photo. At the bottom, there are basic apps such as messaging and email. Below that, there are more options like phone and others. Based on the smartphone\'s screen, picture quality, and the shapes of the icons, it seems to be a very old model.'] | [False] | [nan] | The image features an old smartphone that is primarily black in color. Prominently displayed on the device is the brand name "T-Mobile," indicating that it is associated with the telecommunications company known for providing mobile services. The smartphone's screen is illuminated, showcasing an active Google search bar positioned at the top of the display. The wallpaper set on the device is a notable dark navy blue, providing a stark contrast to the black frame of the smartphone. As we move down the screen, various basic applications are visible at the bottom, including icons for messaging and email, which are essential functions for communication. Below these primary apps, the screen displays additional options for other functions, including the phone application and potentially more utilities, which are consistent with general smartphone layouts. Upon inspection of the smartphone's screen, the overall picture quality appears aged, and the shapes of the icons suggest that this is indeed a very old model of smartphone. The design and technology that have been integrated into the device are reflective of earlier generations of smartphones, which were less advanced compared to modern devices. | 2,898 |
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nonnative | ['1iDGsuCNPCgQ'] | ['English'] | [" At first glance, this image appears to be of some sort of celebrity walking alongside either her friend or significant other. There is a man and a woman. The woman is wearing, is dressed in a very eloquent ball gown, very spunky. She's wearing very high heels, walking down some sort of steps that have text on it that is likely advocating for whatever event they're at. The man sitting next to him is wearing sunglasses, a big black trench coat, and some sort of long suit. He's carrying some sort of award as well, a likely one that they just won. And they are walking down the stairs out of some sort of doorway that looks to be kind of like a nicer, modern venue. Based on the... Based on the building materials."] | [False] | [nan] | At first glance, the image features a captivating scene of what seems to be a celebrity walking alongside either a close friend or a significant other. The focus is on a man and a woman. The woman stands out prominently as she is dressed in an exquisite, eloquent ball gown that exudes sophistication and elegance. Her gown showcases a vibrant and spunky design that catches the eye. Complementing her outfit are extremely high heels, highlighting her stylish appearance as she descends a set of stairs. These stairs are adorned with text, likely promoting or advocating for the event they are attending. Beside her, the man presents an equally striking appearance. He is donning a pair of sunglasses that add an air of mystery and coolness to his look. He is dressed in a large black trench coat over a long suit, which gives him a polished yet edgy appearance. In his hands, he is holding an award, presumably one that they just received at the event, suggesting a moment of recognition or achievement. The backdrop of their descent is a modern and upscale venue. The architectural design features contemporary building materials, hinting at a well-crafted environment that amplifies the elegance of the occasion. The doorway they are exiting adds to the upscale atmosphere of the event, further emphasizing the significance of the moment captured in the image. | 2,479 |
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nonnative | ['1IaRUABlsAer', '1kanKvvfgjiD', '158RP7cnKcjo'] | ['English', 'English', 'English'] | [' This is an image of a Chinese celebration. In the center of the photo is a large dragon costume with two people inside of it that is typically used at traditional Chinese celebrations. The two people are jumping in the air. They are mid-jump and they are far above a crowd of people that is watching. Many of them have cameras out and are filming the festivities. And a lot of them have umbrellas as well. Behind them there is a brick structure. It is made up of many small slabs of stone put together. There are some barred windows and a barred door. There is a large Chinese sign in the background as well for the building. That seems to be the label for what the building is. There are also small podium pole things. In front of the people and it seems to be a part of the celebration as well.', "This image is a lion dance. At the center of the picture, I see a vibrant red lion dancing on top of a long pole with the background image of a Chinese character against it. There's a huge crowd watching the lion dance, and the lion appears to be in the middle of performing a stunt, as seen by the man who is wearing the lion costume. The objects and its counts are as follows. There are several poles, probably amounting to 10 at the bottom of the image, one lion, and many watchers at the background of the picture. There's a word, 下 something天地, at the background, which probably suggests that this is a location found in China or perhaps Taiwan as well. With regard to what subtle details are noticeable, I see several pictures of people carrying, and the lion is decorated nicely. The style and color is interesting, as the lion is darker in color while the poles are brighter in color. This may seem to accentuate the lion dance itself, and allow the audience to enjoy a more spectacular show. With regard to contextual information, given the fact that there are Chinese characters in the background, I could guess that this is in China, and this helps me to understand that this is some sort of traditional Chinese dance. It's an interesting spectacle.", "This image is of somebody celebrating some sort of Asian, possibly Chinese, dragon ceremony. In the main photo there is one person on top of a set of pillars in a dragon costume. He is visible as he is lifting it off of his head. It's pink and black. The pillars are orange and green. There's a number of people watching on in the back of the photo. They have different umbrellas. There's maybe about 20 to 40 people in the background. There's Chinese writing, what I'm assuming is Chinese writing, in the top right. There's a window in the left. The stone structure is made of some sort of green, possibly limestone. In terms of the style and color, lots of bright colors. A daytime photo. I believe in terms of location that it's probably Chinese or possibly Japanese, depending on the script in the background. And... Okay. Okay. Okay."] | [True, True, True] | ['Chinese celebration', 'This is a traditional lion dance and I can see Chinese characters in the background.', 'Chinese characters in the background as well as a dragon ceremony.'] | This transcription captures a vibrant scene of a traditional Chinese celebration featuring a dragon costume. In the foreground of the image, there is a large dragon outfit animated by two performers who are energetically leaping into the air. They are positioned high above a gathering crowd, many of whom are engaged in capturing the event with their cameras, illustrating the communal excitement around this festive occasion. Additionally, some spectators are holding umbrellas, possibly to shield themselves from the sun or light rain, indicating the outdoor nature of this celebration. Behind the performers, there is a notable brick structure comprised of numerous small stone slabs meticulously arranged. This building features barred windows and a barred door, suggesting it may have historical significance or be representative of traditional Chinese architecture. There is also a prominent Chinese sign, which likely indicates the name or purpose of the structure, providing contextual details about the location. In front of the entertainers, small podiums or poles can be seen, which appear to be integral elements of the celebration, enhancing the overall festive atmosphere. Another scene describes a traditional lion dance, characterized by a dynamic and colorful representation of a lion atop a long pole. The vivid red lion costume is central to the image, with the performer inside executing an impressive stunt, showcasing the dance's energetic and athletic nature. A large crowd has gathered to watch the spectacle, reflecting the cultural significance of the lion dance within Asian celebrations. In the background, there is a visible Chinese character that may correspond to a specific location in China or Taiwan, further grounding the event's cultural context. As for aesthetic details, the lion costume is adorned with intricate decorations, with its darker colors contrasting against the vibrant hues of the poles that support it. This deliberate choice of color not only highlights the lion itself but also enhances the visual impact of the performance for the audience, thereby elevating the overall experience. Additionally, there is another segment depicting an individual engaged in a dragon ceremony. The performer is atop a set of pillars, lifting a dragon costume, which is depicted in a pink and black color scheme. The pillars, bright orange and green, create an arresting visual contrast. The background features a diverse crowd of 20 to 40 onlookers, each holding various umbrellas, which reinforces the lively atmosphere of the event. Chinese characters can be discerned in the top-right corner of the image, allowing for speculation about the origin of the celebration. The structure, likely made from a green stone such as limestone, contributes to the authenticity and cultural richness of the scene portrayed. The overall impression is one of joy and festivity, capturing the essence of the vibrant traditional celebrations that are integral to Chinese culture. | 415 |
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nonnative | ['1duEjDhg36nG', '16KhnSz2yG9d', '1aEzyTj1fGcY', '17AVdIeODT8l'] | ['German', 'English', 'English', 'Chinese'] | ['The picture shows three farmers in the wild. On the left side of the image is a larger farmer, and in the middle and on the right side are two smaller farmer boys. The larger farmer is partly blocked by a bush. In the lower right corner of the picture is a stilted wooden walker. The larger farmer and the middle boy are moving on all fours. But the last boy on the right side of the image is standing on two legs and facing the camera. All the farmers have flat brown fur. The background mainly consists of grass with green pines at the top.', " In this photo, I think this is probably taken in the wild. Definitely in the wild, because we see three bears. You never find three bears anywhere close to civilization. So we can see there's a mama bear, and there's two baby bears, and they're relatively grown. I don't think they're... They look like they're at least a couple of years old. And they're just following the mama bear. The mama bear, it looks like they're walking. One of the bears has actually noticed the camera, has stood up, is in an upright form, and is just kind of like, you know, standing up and just looking at the camera. The other baby bear is just following the mama bear. Mama bear doesn't seem... Maybe just doesn't care, but hasn't seemed to notice the camera yet. We can see in the foreground, there's a lot of grass that covers, is blocking the view of the mama bear. And in the background, we see a bunch of trees. I'm not sure exactly what type of trees these are, but there's also a lot of broken twigs. It looks like it's very much... It's a photo in nature and in the wild.", " The image captures a charming and lively wildlife scene featuring a bear family in a lush forest clearing. In the foreground, a large adult bear, likely the mother, is partially obscured by shrubs as she forges her food. Her thick, dark fur blends harmoniously with the natural surroundings, showcasing her focus on grazing. To her right, two curious bear cubs stand out, each displaying unique poses and expressions. One cub appears to be walking or investigating the ground, while the other standing upright on its hind legs. It looks directly at the camera with an alert and inquisitive expression, capturing a moment of playful curiosity. The backdrop of the scene is rich with natural textures, including vibrant green grass, scattered logs, and dense foliage of evergreen trees, which frame the animals beautifully. The soft lighting enhances the earthy tones of the bear's fur and the surrounding vegetation, creating a serene and balanced composition. The contrast between the cub's small, agile forms and the larger, grounded presence of the mother highlights the animal's beauty. The overall mood of the image is peaceful yet lively, offering a glimpse into the intimate life of these wild creatures. The combination of the bear's engaging poses, the vibrant greenery, and the natural silence of the forest creates a compelling portrait of wildlife and its natural habitat, evoking a sense of wonder and connection to nature.", 'The scene depicts three bears in the wild. On the left side of the frame, the three bears are on the grass, with some branches from trees in the distance, specifically fir and pine branches. The left bear resembles an adult brown bear, with half of its body obscured by nearby shrubs, making its outline barely visible. In the center of the frame is a small bear that is crawling towards the left, facing the camera. To the right, there is a small brown bear standing, with its front paws off the ground while its back paws are on the ground, looking at the camera. The scene shows some tree trunks on the grass, and it is daytime.'] | [False, False, False, False] | [nan, nan, nan, nan] | The image captures an enchanting wildlife scene featuring three bears in their natural habitat. On the left side of the frame, a large adult bear, likely the mother, is mostly obscured by nearby shrubs, with her thick, dark fur blending seamlessly into the lush environment. She is foraging for food, reflecting her focus on grazing rather than acknowledging the presence of the camera. In the center of the scene, a small bear cub is depicted crawling toward the left, its attention directed toward the camera. This cub, relatively mature but still youthful, showcases innocence and curiosity, enhancing the lively atmosphere of the scene. Positioned to the right, another bear cub stands upright on its hind legs, its front paws lifted off the ground, gazing directly at the camera with an inquisitive and alert expression. This pose emphasizes the playful demeanor of the cub and adds a charming, engaging quality to the image. Surrounding the bears, the foreground is lush with vibrant green grass, interspersed with scattered logs and tree trunks, creating a rich tapestry of natural textures. The background reveals a dense growth of evergreen trees, some of which are fir and pine, characterized by their needle-like leaves. The play of soft lighting highlights the earthy tones of the bears' fur and enhances the lushness of the surrounding vegetation, contributing to a serene yet dynamic composition. The overall mood of the image is peaceful and intimate, as it offers a glimpse into the natural behaviors of these wild creatures within their habitat. The contrast between the bears' agile forms and their mother's substantial presence underscores the beauty of wildlife. The scene evokes feelings of wonder and appreciation for nature, inviting viewers to connect with the serene, vibrant world of these bears in the wild. | 1,493 |
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native | ['1gIPSajygQRO'] | ['Russian'] | ["At first glance, it seems like not a painting but a photograph of some city near a river. There are these city bridges, how many, well, two, three, four, well yes, four bridges. There are many towers; there is one tower that is tall, it seems to have a bell, but it seems to be a Russian church. There's no specific position, well all these towers are near this river. The river has a slightly green hue, as if it's a bit of an unappealing color, greenish. Well yes, what details. Well, there are details; it's such a rectangular design for the church, a more yellowish stronger one and a white style in this photograph. But this photograph and the colors are varied, a lot of colors, including green and yellow."] | [False] | [nan] | At first glance, the image appears not to be a painting but rather a photographic capture of a city situated near a river. The scene is characterized by several prominent structures, notably bridges, which upon closer inspection can be counted as four distinct bridges. Surrounding the area, there are numerous towers, with one tower standing out due to its considerable height. This particular tower is adorned with a bell and suggests architectural features typical of Russian Orthodox churches, which often display altitudinal prominence and ornate detailing. The towers are positioned in close proximity to the river, which itself presents a somewhat uninviting appearance with a slightly green hue, hinting at possible pollution or natural water quality issues, as is sometimes seen in urban waterways. The color is described as an unappealing greenish tint, which contrasts with the more vibrant cityscape. Regarding architectural details, the church featured in the scene follows a distinctly rectangular design. Its exterior is depicted with a stronger yellow tone that commands attention, contrasted against a more subdued white aesthetic. This juxtaposition of colors adds depth to the image, resulting in a varied palette that encompasses a broad spectrum, prominently featuring shades of green and yellow among other hues. The overall composition is rich in detail, capturing the essence of urban life alongside a natural waterway, ultimately blending the engineered with the organic in a visually striking manner. | 2,972 |
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native | ['1h5aJID4Gtit'] | ['Russian'] | ['Well, on the first tray, there are three bananas, twenty-one oranges, a lot of blueberries, carrots, guacamole, and about four radishes. There’s no text or labels for the positions, but everything is laid out on the tray. What are the details? Well, the carrots are green and they still have their tops; they seem unpeeled, like products that haven’t been cleaned and are just lying there to be cooked or used for something later. In the background, there’s a beige table. Well, this photo is of a tray with fruits.'] | [False] | [nan] | On the first tray, there are an assortment of fresh produce that includes three ripe bananas, twenty-one vibrant oranges, and a generous quantity of blueberries. Among the vegetables, there are fresh carrots, accompanied by a serving of creamy guacamole, and approximately four radishes. It is noteworthy that the items on the tray are not accompanied by any text or labels to indicate their positions; they are simply arranged neatly for presentation. The carrots stand out in particular, as they are still adorned with their green tops, which suggests that they have been freshly harvested. They appear unpeeled, indicating that they have not been cleaned or processed, giving them a farm-fresh, rustic look. This presentation suggests that the carrots are ready to be cooked or utilized in meals at a later time. In the background, the setting features a beige table, which provides a neutral and warm backdrop for the colorful variety of fruits and vegetables displayed on the tray. Overall, this photograph captures a vibrant and refreshing selection of produce, emphasizing their freshness and natural state. | 2,978 |
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native | ['1wLYaZjiIRqE', '1cLXrscjLW6T', '1mI42VrdoeG0'] | ['Chinese', 'Chinese', 'Chinese'] | ['From the distant view in the photo, tall buildings are numerous, leading to the inference that a prosperous city is in the distance, and the direction of the shot is towards the financial center of that city. Among the many skyscrapers, one building stands particularly tall, and signs of construction can still be seen at its top, indicating that it is still under construction. Additionally, from the sky at that time, many clouds are visible, and the weather during the shoot was cloudy. In the foreground, two buildings with a quasi-East Asian style can be seen, with dark blue-black tiles and surrounded by a plethora of lush, hurried trees with flourishing branches and leaves. This suggests that the season during the shoot was either spring or summer. Despite the abundance of trees, details reveal that the surrounding walls are red. The shooting location should be high up on a mountain, so the angle of the shot is directly from above the rooftops rather than at a typical height.', 'The image features a distant view of a city skyline, dividing into several ancient building rooftops in the foreground and about four or five, or perhaps around ten, skyscrapers along with some taller residential buildings in the background. The sky, as the backdrop, has a slight gray-blue color and is cloudless. In the very front of the picture, there are some trees partially obstructing the view, and a streetlight can be seen in the scene, topped with several large searchlights.', "This picture shows some green trees in the front, and in the distance, there are several high towers. The sky in this image is not very clear; it looks a bit gloomy because the clouds are scattered, and there's a slight blue, misty feeling. In front, among this group of trees, you can see a fence behind them. The trees in the picture are not fully visible; only the upper half has been captured. Then, looking further away, there is a row of buildings."] | [False, False, False] | [nan, nan, nan] | From a distant perspective captured in the photograph, numerous tall buildings populate the skyline, leading to the conclusion that a prosperous city is situated in the background. The composition of the image suggests that the camera was directed towards the financial center of this urban landscape. Among the various skyscrapers, one particular building rises above the rest, clearly noticeable due to its height, and the signs of construction visible at its summit indicate that it is still in the process of being built. The atmospheric conditions during the time of the photo depict a cloudy sky; numerous clouds are present, implying a lack of sunshine. In the foreground of the image, two architectural structures reveal a design that resonates with quasi-East Asian stylistic elements. These buildings are adorned with dark blue-black tiles and are encircled by a vibrant array of lush trees, their branches and leaves appearing to flourish energetically, which suggests that the season when the photograph was taken is likely spring or summer. Despite the greater abundance of greenery, it is noteworthy that the surrounding walls of these structures are painted in a striking red, offering a vivid contrast to the natural surroundings. The perspective of the shot indicates that it was taken from a high vantage point—likely atop a mountain—providing an aerial view that captures the rooftops at a more direct angle than what is typically seen in standard photography. In another description of a similar urban scene, the city skyline in the image is portrayed from a distance, where various ancient building rooftops can be observed prominently in the foreground. Behind them, approximately four or five—possibly even around ten—skyscrapers and taller residential structures rise, contributing to the dynamic skyline. The sky functions as a backdrop, showcasing a slight gray-blue hue that indicates either early twilight or the coming of an overcast day, lending a cloudless yet muted quality to the atmospheric setting. In the very forefront of this particular picture, several trees are partially obstructing the view of the city, and a streetlight stands out within the scene, topped with a cluster of several large searchlights. This integration of natural and urban elements creates a unique juxtaposition of life and architecture. Finally, another image conveys a tranquil scene featuring green trees in the foreground. In the distance, a series of high towers emerge, their forms capitalizing on the gloomy atmosphere of the sky, which is characterized by scattered clouds that contribute to a misty, subdued ambiance. The trees at the forefront, while present, do not fully reveal themselves; only their upper halves have been captured in the frame. Behind this foliage, a fence can be seen providing a hint of the boundaries of the area. Moving farther back into the scene, a coherent row of buildings can be discerned, completing the urban vista. | 174 |
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native | ['1kv4tRRpDH1l', '1h1AY5CrLoCk'] | ['Chinese', 'Chinese'] | ["Can we start this? Yes, so here in this image, there is a building that looks like a school. There are steps and some railings, a lot of trees, and many buildings, and there is no text at all. In front of the building is a walkway, with trees on the right side. Above the walkway, there is a person, and there are no subtitles. The background consists of blue sky and white clouds. It hasn't been 60 seconds yet; please talk for a full 60 seconds. That’s what he said. So, it seems like there is someone slowly walking over here, which feels like it could be the beginning of a story. I guess it might be the opening of a series, and the scene of someone walking slowly suggests that something significant might happen soon. Also, this person appears to be wearing white clothing, which could represent their purity and flawlessness.", 'The image is not particularly clear about what it depicts. First of all, I think it should be a venue. The left 60% to 70% of the image is taken up by the overall venue, but it’s not clearly labeled, as there is no name provided. The entire wall is primarily red, with some blue windows. Interestingly, the top part of the building has an arch shape, extending into a white structure. This white arch also has a row of windows on one side. To the left of the building, there is a set of stairs that can be walked up. Next to this building, there is a blue area that resembles bicycle racks. On the right side of the image, there is a corridor with a red and white patterned design. Moving further right, there’s a strip of greenery with some trees. Right in the center of the image, there are two very small figures holding umbrellas, who seem to be walking towards the camera.'] | [False, False] | [nan, nan] | Can we begin our discussion of this image? Yes, absolutely. Upon examining the visual, one can see a structure that resembles a school building. It features a set of steps leading up to the entrance, flanked by railings, providing accessibility and safety. Surrounding the building are numerous trees, contributing to a verdant ambiance, alongside several other buildings that create a sense of community. Intriguingly, there is no text present in the image to provide further context or information. In front of this school-like structure, a walkway is visible, bordered by trees on the right side. In the upper part of the walkway, there is a person captured in motion. The imagery presents a serene background, with a clear blue sky interspersed with fluffy white clouds, enhancing the overall tranquil atmosphere. As the focal scene unfolds, the observer notes that it hasn’t been a complete 60 seconds since the discussion began; hence, the instruction is to elaborate for a full minute. It appears that someone is slowly ambling toward the scene, suggesting the tentative commencement of a narrative. This moment might symbolize the opening act of a series, as the gradual pace of the individual signals that something of importance is likely imminent. This character is notably attired in white garments, a choice that may symbolize purity, innocence, or flawlessness, inviting the audience to contemplate their significance in the unfolding story. Now, shifting to the second image, it presents a venue, though the clarity regarding its specific purpose is somewhat lacking. The left portion of the image occupies approximately 60% to 70% with the structure's primary components, yet there is no labeling or signage to define its identity. The exterior features a predominant red wall, complemented by a series of blue windows that create a striking contrast. A fascinating architectural detail is observed at the top of the building, where there is an arch shape that transitions into a white structure, giving the building a unique silhouette. This arched section is accompanied by a single row of windows on one side, possibly adding aesthetic value to the design. Adjacent to the building, on the left side, a staircase leads up to its entrance, suggestive of accessibility for all pedestrians. Next to this primary structure, there exists what appears to be a blue area designed to resemble bicycle racks, a common communal feature that encourages eco-friendly transportation. To the right side of the image, a corridor can be seen, characterized by a striking red and white patterned design, which may attract attention due to its vibrant color scheme. Progressing further right, a strip of greenery populated by trees provides a natural contrast to the building’s architectural elements. Notably, positioned centrally within the image are two diminutive figures who are holding umbrellas and seem to be strolling towards the camera, adding a human element to the scene while reinforcing the sense of movement and life within this environment. | 2,452 |
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native | ['1jnZ3nMgyebX'] | ['Korean'] | ['In the photo, a cylindrical stone tower stands in the middle of a wide grassy field. The base of the tower is slightly wider, tapering slightly as it rises, and there are small square structures resembling windows or openings in the center. The stones are neatly cut to a uniform size, stacked layer by layer, with a precise and solid assembly that makes each layer distinctly visible. The top of the tower is flat, resembling a cover stone placed on top. Surrounding the tower is a low fence that seems to serve both to protect the tower and to create a space from which visitors can view it up close. The grassy field is set against a backdrop of distant trees and a blue sky, creating a tranquil atmosphere. There are scattered clouds in the sky, indicating relatively clear weather. The bright and clear sky enhances the stone color of the tower, making it stand out more vividly. This stone tower, known as Cheomseongdae, is believed to have been built in the Gyeongju area of Korea for ancient astronomical observations. Its unique wall-like structure and the window-like elements in the center hold historical and scientific significance, representing a glimpse into the architectural technology and culture of the Silla Dynasty. Overall, the image depicts a harmonious landscape of grassy fields, wooden fences, and Cheomseongdae, showcasing the beauty of a traditional Korean historical site.'] | [True] | ['Yes, this image is culturally distinct. It depicts 첨성대 (Cheomseongdae), an ancient astronomical observatory in Gyeongju, South Korea. The structure’s unique form and historical significance are closely tied to the Silla Kingdom and Korean cultural heritage.'] | In the photograph, a cylindrical stone tower stands prominently in the center of a wide grassy field. This tower, known as Cheomseongdae, features a base that is slightly wider than its upper sections, tapering gently as it ascends. The structure is marked by small square openings that resemble windows, located around the midsection of the tower. The stones used in the construction are meticulously cut to a consistent size and arranged in a layered fashion, resulting in a clear, precise, and solid assembly that highlights each layer distinctly. At the apex of the tower, a flat top can be seen, giving the appearance of a cover stone resting above the cylindrical body. Surrounding this historic edifice is a low fence, which appears to serve a dual purpose: protecting the tower from potential damage and creating a designated viewing area from which visitors can observe the structure closely. The expansive grassy field is framed by a backdrop of distant trees under a bright blue sky that contributes to the tranquil ambiance of the scene. Scattered clouds float across the sky, suggesting relatively clear weather; the brightness of the sunny sky enhances the color of the stone tower, allowing it to stand out more vividly against the natural surroundings. Cheomseongdae is not merely an architectural marvel; it holds deep historical and scientific significance, believed to have been constructed in the ancient Gyeongju area of Korea for astronomical observations. The unique design and window-like elements of the structure reflect the advanced architectural technology of the Silla Dynasty, a kingdom that ruled during a pivotal period in Korean history. Overall, the image captures a harmonious landscape that combines the beauty of the grassy fields, the wooden fencing, and the historic Cheomseongdae, effectively illustrating the allure and cultural importance of this traditional Korean site. The depiction of Cheomseongdae and its surroundings conveys a rich sense of history and cultural heritage, highlighting the significance of this ancient observatory in the context of Korea's past. | 985 |
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native | ['14bRKIUYemPW', '1fjBiX3UxReL', '1cheRjgvDJIl'] | ['Chinese', 'Chinese', 'Chinese'] | ['This image features some delicious food, specifically two dishes placed inside a steaming basket. In the upper right corner, there seems to be steamed pork ribs cut into small pieces, resembling a Cantonese-style dim sum. In the lower left corner, there appears to be another dish of steamed ribs. Next to the steaming basket is a white teacup filled with tea. These two dishes are presented on the table, mainly consisting of the two dishes and a cup of tea. The scene captures these two dishes without any text. The color of the meat is quite pale, resembling a flesh tone, with a few small green peppers placed on top. From this, we can infer that this scene was captured during a breakfast dim sum outing. The presentation of the dishes contributes to the overall feel of this dining experience, complemented by a pot of tea, creating a charming scene.', "This image displays a classic Cantonese dim sum dining table featuring two bamboo steamers. The steamer on the right appears to contain small spare ribs, while the one on the left seems to have lighter spare ribs. Next to them, there's a white ceramic teacup and a partially visible teapot. The table appears to be adorned with a menu or placemat, enhancing the dining atmosphere. In the background, the wrist and watch of a diner can be seen, indicating that the meal is not being enjoyed alone. The overall tone of the picture is warm, dominated by the wooden tabletop, bamboo steamers, and the golden hues of the food, showcasing the typical Vietnamese tea culture.", 'This is an image of food featuring two main dishes and a teacup without any text. The food is positioned in the middle of the picture, and the background appears to be a restaurant. The color of the food on the left is pale while the food on the right is soy sauce colored. It is likely Cantonese steamed dishes, served in very small portions. The item on the left should be a type of steamed meat, and the one on the right should also be steamed meat. There is also a teapot and tea leaves, indicating a Vietnamese cultural dining experience. Next to the food, a person is wearing short sleeves; only their arms are visible, but it can be inferred that the local temperature is likely quite high, contributing to the overall setting.'] | [False, True, True] | [nan, 'the food is dim sum which is originated from guangzhou, China.', 'Chinese food'] | This image vividly illustrates a delightful dining experience centered around traditional Cantonese dim sum, showcasing two distinct dishes presented within bamboo steamers, which are a hallmark of this cooking style. In the upper right corner of the image, we observe what appear to be steamed pork ribs hastily sliced into bite-sized pieces, a popular representation of Cantonese-style dim sum. The lower left corner features another serving of steamed ribs, indicating a focus on varieties of meat typically enjoyed during such meals. Adjacent to these dishes, a pristine white teacup is filled with aromatic tea, enhancing the culinary experience typical of brunch or breakfast in Cantonese culture. The scene is devoid of any accompanying text, allowing the viewer to focus solely on the visually captivating presentation of these two dishes alongside the cup of tea. The meat displayed possesses a pale, flesh-like coloration with a decorative touch of small green peppers placed on top, suggesting an effort not just in flavor but also in visual appeal that is characteristic of dim sum. Additionally, the overall composition of the image suggests that this dining experience takes place in a restaurant setting, possibly during a lively dim sum outing with friends or family. The surrounding atmosphere is enriched by the wafting aromas of freshly steamed dishes, underscored by the presence of a teapot and tea leaves which hints at the integration of Vietnamese tea culture, often enjoyed alongside Chinese food. This amalgamation of culinary practices reflects a fusion of influences that resonates within many Asian communities. The subsequent image emphasizes a classic Cantonese dim sum dining table complete with two bamboo steamers. The steamer on the right contains smaller spare ribs, while the one on the left houses lighter spare ribs, showcasing the diversity within this beloved cuisine. Next to the steamers, a white ceramic teacup rests alongside a partially visible teapot, suggesting the presence of a tea service typical in such dining experiences. On the table, we can also spot a menu or placemat that enhances the overall dining atmosphere, contributing to the traditional setup. The atmosphere depicted is warm and inviting, highlighted by the rich wooden tabletop, the texture of the bamboo, and the golden hues of the food, which embody the soul of dim sum dining. In the background, the wrist and watch of a diner are discernible, indicating that this meal is likely being shared, emphasizing the social aspect of dining which is integral to the dim sum experience. A third image also focuses on the food, where two principal dishes and a teacup are displayed without any textual descriptors. Centrally positioned, the food captures the viewer’s attention while the restaurant's backdrop subtly contributes to the setting's ambiance. The dish on the left presents a pale coloration, while the right dish exhibits a deep soy sauce hue, a common feature in Cantonese steamed dishes that are typically served in small, delicate portions. The items are likely variations of steamed meat, representing the steaming technique that preserves flavor while remaining healthy. Alongside the food, a teapot and loose tea leaves are present, once again reinforcing the notion of a Vietnamese dining culture intermingled with Chinese culinary traditions. Moreover, the visible arms of a person wearing short sleeves suggest a warm local climate, further enhancing the ambiance that accompanies this culinary gathering where dim sum is enjoyed in a relaxed setting filled with camaraderie and warmth. | 404 |
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native | ['1fuzp9KKwWEB', '1aZB8wPJVQCg', '17LPGiw7ar5A'] | ['Chinese', 'Chinese', 'Chinese'] | ["This picture depicts a hot pot, and inside the pot, there are some beef, corn, greens, and tomatoes. It seems there might also be konjac noodles and a variety of other ingredients. Based on this image, it's quite difficult to determine which country's hot pot it actually is, because there are hot pots in China, in Taiwan, and Japan also has sukiyaki, which is a very similar dish to hot pot. Considering the broth, which seems to be soy sauce-based, I would guess it’s more likely to be Japanese sukiyaki.", "In this photo, we see a dish that resembles a hot pot but also has some similarities to Japanese sukiyaki. This dish includes vegetables and meat. The vegetables consist of corn, tomatoes, mushrooms, and lettuce. The meats include fatty beef slices, which are commonly used in Chinese hot pots, and we can also see some fish balls, meatballs, and pork balls. Based on this image, we can conclude that this is a dish aligned with Asian cuisine, possibly a Chinese hot pot or Japanese sukiyaki. However, since Japanese sukiyaki doesn't typically have this much liquid, we believe this should be a hot pot. The photo was taken during the day, and it does not contain any additional text. From this photo, we can see a unique dietary habit.", 'This is a steaming hot pot photo, featuring various ingredients including meat, vegetables, corn, and tomatoes. A spoon is submerged in the broth, with bubbles floating to the surface, releasing steam, showcasing the state of hot pot cooking. The ingredients include meat, vegetables, corn, tomatoes, and a spoon, made of metal. The lower right corner of the image is labeled GISESAMIMAGE, possibly indicating a watermark or photography brand logo. The hot pot occupies most of the frame, with part of the spoon submerged in the broth, and ingredients like vegetables, corn, and tomatoes floating on the surface. The background is slightly blurred, suggesting a restaurant environment. This is a food photograph, highlighting the warmth of the hot pot and its rich ingredients. The dark broth, yellow egg, red corn, red tomatoes, and green vegetables create a color contrast. The light-colored grease bubbles reveal the fresh and fragrant characteristics of the hot pot. The hot pot is reminiscent of Southeast Asian Bak Kut Teh or Chinese nourishing hot pot, as the broth is dark and may have herbal or soy sauce flavors.'] | [False, True, False] | [nan, 'Chinese hot pot', nan] | This picture showcases a hot pot, a popular communal dish in many Asian cuisines. In the pot, there are several ingredients visible, including slices of beef, fresh corn, assorted greens, and ripe tomatoes. Additionally, it appears that there are konjac noodles, a low-calorie alternative made from the konjac plant, along with a variety of other ingredients that are typically found in a hot pot. The challenge arises in identifying the exact origin of this hot pot, as variations exist across East Asia. For example, China is renowned for its diverse hot pot styles, Taiwan has its own versions, and Japan features a dish called sukiyaki, which bears a strong resemblance to hot pot. Considering the broth's soy sauce base, there is a likelihood that this dish is Japanese sukiyaki, known for its sweet and savory flavors along with a hearty broth. In another photo, the dish resembles a hot pot yet shows strong similarities to Japanese sukiyaki. This particular dish is composed of various vegetables and different types of meat. The vegetables present include corn, tomatoes, mushrooms, and lettuce, which are common in hot pot preparations. The meats featured consist of fatty slices of beef, which are a staple in many Chinese hot pots, along with fish balls, meatballs, and pork balls. Analyzing this image leads to the conclusion that the dish falls under the umbrella of Asian cuisine, likely classified as either a Chinese hot pot or Japanese sukiyaki. However, due to the higher liquid content present, which is atypical for sukiyaki, this dish is more accurately described as a hot pot. The photograph was captured during daylight hours and does not feature any additional text, highlighting the meal as part of a unique dietary habit. The third image captures a steaming hot pot, which is filled with an array of ingredients including various meats, fresh vegetables, corn, and tomatoes. A metal spoon can be seen submerged in the broth, with bubbles rising to the surface and releasing steam. This visual represents the cooking process of the hot pot. The ingredients once again include an assortment of meat, vegetables, corn, and tomatoes, with the spoon made of metal indicating that it is designed for serving. In the lower right corner of the image, there’s a label reading "GISESAMIMAGE," which may signify a watermark or the logo of a photography brand. The hot pot itself takes up a significant portion of the frame, and the spoon's presence adds a sense of action as it stirs up the broth. The ingredients, which include floating vegetables, corn, and tomatoes, are highlighted against a slightly blurred background suggestive of a restaurant setting. This food photograph effectively illustrates the warmth emanating from the hot pot and the vibrant ingredients it contains. The dark color of the broth, complemented by yellow egg, red corn, red tomatoes, and lush green vegetables, creates a striking color contrast. The light-colored grease bubbles that rise and float on the surface serve to emphasize the fresh, fragrant characteristics of the dish. It is noteworthy that the dark broth may remind viewers of Southeast Asian dishes such as Bak Kut Teh or traditional Chinese nourishing hot pot, hinted at by its rich, herbal, or soy sauce-infused flavor profile. | 352 |
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nonnative | ['16SG9hhbwZsE'] | ['English'] | [' This image appears to show some Chinese text on a plain yellow background with some red and green plants sticking out from the corners of the image. There is an image of a traditional Chinese food, what appears to be a rice ball or leaf-wrapped dumpling on a white plate. Beside it are some characters that appear to be written in traditional Chinese font, which appear to be associated with the image directly to its right, as if working together as part of a flyer commemorating a specific date or holiday. There also appears to be a white flower sat beside the rice ball, as if symbolic for some particular reason. Some subtle details include the small black specks throughout the image and the small bowl placed to the right of the image, nearly off-screen.'] | [False] | [nan] | This image presents a visually striking composition featuring a plain yellow background that provides a vivid contrast to the rich details within the foreground. The corners of the image are adorned with lush red and green plants, adding a touch of nature and vibrancy to the overall aesthetic. Central to the image is a white plate that showcases a traditional Chinese delicacy, which can be identified as a rice ball or a leaf-wrapped dumpling, a symbol of Chinese culinary tradition often enjoyed during various celebrations and gatherings. Accompanying the food item are characters inscribed in a traditional Chinese font, which appear closely tied to the rice ball or dumpling to its right. This suggests that the text is part of a flyer or announcement marking a specific date or holiday, indicating the cultural significance of the dish being featured. The inclusion of these characters highlights the importance of written language in Chinese culture, particularly during celebrations or promotional events. Beside the rice ball rests a delicate white flower, which may hold symbolic meaning, often associated with purity or new beginnings in Chinese culture. This detail enhances the visual narrative while implying a deeper significance to the food being celebrated. Additionally, there are subtle visual details that invite a closer look, such as the tiny black specks scattered throughout the image, which may represent texture or serve as artistic embellishments. To the right of the image, there is a small bowl positioned nearly off-screen, adding context and balance to the composition, possibly intended for serving sauce or condiments commonly paired with the dish featured. Overall, this image elegantly combines elements of food, culture, and symbolism, effectively communicating a sense of tradition and celebration within the Chinese context. | 2,602 |
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native | ['18Sebh8D2ezz', '13LdepoywFpt', '1o7ZSaDm1Lnf'] | ['Korean', 'Korean', 'Korean'] | ['The photo features a small cafe or takeout shop with a bright yellow exterior. The top sign displays the name "Baekdabang" in white lettering, alongside a blue logo on the left. Above the door, several light bulbs are lined up, illuminating the entrance of the shop. The glass door and windows are adorned with menus and photos, making it easy to check the internal offerings. In the center of the front, there is a transparent glass door, and next to it, there is a structure resembling a yellow wooden table or shelf, which seems suitable for standing orders or placing drinks. Above the door, several posters and menu photos, including one for "Sweet Dog," are hanging, promoting the shop\'s signature menu or snacks. Outside, there are small chairs and tables, indicating that it could be a space for enjoying drinks outdoors if the street isn\'t too crowded. The sign "Baekdabang" refers to a Korean franchise coffee brand known for its reasonable prices and diverse menu. The bright yellow exterior stands out and is likely to capture the attention of passersby easily. On the right side of the photo, part of a building or other signage is visible. The exterior features visible designs, while overall, this striking yellow shop draws the most attention and stands out noticeably. To the left, one can see other shops or a street, leading to the inspiration for the surroundings.', 'When I looked at the photo, it felt like it was turned 90 degrees? It shows a coffee shop, a promotional photo for coffee, right? There\'s a sign in front, and then the entire Baekdabang café is painted yellow from the outside, and when you look at the sign, it has the word "Baekdabang" on it, and then there’s a person\'s face? The strange thing is that the photo is rotated? That feeling? Other than that, it seems like a shot taken from the front for a website? Looking at the photo, you can see a bit of the inside of the store, and outside of the store, it feels a bit dark, so it appears to be a photo taken from outside before it gets dark?', 'This image shows the exterior of Baekdabang, one of South Korea\'s representative franchise cafes. The design, harmonizing yellow and blue, effectively emphasizes the brand\'s identity, and the sign displays the founding year along with the phrase "Since 2006." Various menu photos are hung at the entrance, with standout drinks like Black Pearl and Dalgona coffee prominently featured. An automatic ordering system is installed outside, allowing for contactless ordering, and the door has a sign that says "Pull," indicating a takeaway-oriented operation. Next to the door, a small table and chairs are set up, providing a space for customers to take a short break. This is a place that reflects South Korea\'s coffee culture and trends well.'] | [False, True, True] | [nan, 'korean store', "It features the exterior of Paik's Coffee, a well-known South Korean coffee franchise."] | The photo prominently showcases a small cafe or takeout shop characterized by its vibrant yellow exterior. This establishment, known as "Baekdabang," is displayed in bold white lettering on the top sign, accompanied by a blue logo positioned to the left. The entrance is warmly illuminated by several light bulbs that line the top area above the door, making it inviting and bright. The glass door and windows are decorated with menus and photos, allowing potential customers to easily view the offerings provided within. Centrally located at the front is a transparent glass door, and adjacent to it stands a yellow wooden table or shelf that appears ideal for placing orders or drinks. Above the entrance, various promotional posters and menu images are displayed. Notably, one of the posters advertises a snack called "Sweet Dog," which is likely a signature item that the shop promotes. Outside the cafe, small chairs and tables are arranged, suggesting that there is an option for patrons to enjoy their beverages al fresco, assuming the street is not overly congested. The name "Baekdabang" refers to a Korean franchise coffee brand celebrated for offering reasonable prices in conjunction with a diverse menu, aligning with modern consumer demands. The bright yellow facade of the shop effectively stands out, likely capturing the attention of many passersby. Observing the right side of the photograph reveals part of another building or additional signage, while the overall design elements of the exterior complement the striking yellow of the shop, which remains the focal point of the image. To the left, viewers can glimpse other shops or street views, which contribute to the character of the surrounding area. In the second transcription, an individual expressing their impression of the photograph mentions a sensation of the image being rotated 90 degrees. They observe that it depicts a coffee shop, with a promotional photo for coffee visible. The description emphasizes the striking yellow paint of the Baekdabang café and references a person's face seen in the sign, which adds a layer of intrigue to the image. The commenter notes that the darkness outside the store suggests the image might have been captured before nightfall, providing a context that adds to the atmosphere. The final transcription describes the exterior of Baekdabang as a representative franchise cafe from South Korea, highlighting the harmonious combination of yellow and blue that accentuates the brand's identity. The sign not only features the name but also displays the founding year, "Since 2006," which marks its establishment in the coffee market. The entrance showcases various menu photos, especially spotlighting popular drinks such as Black Pearl and Dalgona coffee, which are indicative of contemporary trends in Korean coffee culture. An automatic ordering system is also installed outside, facilitating contactless ordering, reflecting modern consumer preferences. A sign on the door instructs patrons to "Pull," as the cafe primarily operates as a takeaway establishment. Next to the entrance, a small table and chairs create a welcoming area for customers to enjoy a brief respite. Overall, Baekdabang embodies the essence of South Korea's vibrant coffee culture and contemporary coffee trends. | 947 |
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nonnative | ['1l9Jpnsjn8Gb', '13IjZox75qki', '19T20LsKT2id'] | ['English', 'English', 'English'] | [" So this image appears to be a large golden statue, most likely of Buddhist deity. I'm standing on an elevated platform where people can gather around. In this picture, we see a large golden statue, an ornament platform or base, and several visitors and tourists. It looks like there is some Chinese text in the bottom, but it's too small for me to make out. The statue dominates the upper portion of the image, and the platform and people are in the lower part of the image. The sky serves as the background. There are golden hues of the statue in the picture, and the presence of visitors suggests that this is a tourist site. The skies and the clouds create a sense of elevation, and the platform architecture suggests that it's... something of importance. The golden color also seems to represent some sort of holiness. This seems to be a well-maintained structure, and the presence of visitors indicate that the site is actually visited and preserved.", ' The image presents a picture of a deity and is commonly known as the goddess of mercy in Chinese culture. There is a deity in the center of the image and four words at the bottom of the deity and this is nicely contrasted against a very nice azure blue backdrop. At first glance, this appears to be somewhere located in China, perhaps a monument whereby this deity is worshipped. I do see several devotees at the bottom of the image and they seem to be visiting the statue itself. The positions of the objects are as follows. The deity is in the center of the image and there are several devotees or visitors at the bottom of the image itself. The background is pretty good. The deity is in a nice golden color while the sky is in a nice azure blue which actually provides for a very nice contrast. There is contextual information given the Chinese characters which helps me to understand that this image might perhaps be somewhere within China itself and what is actually in a very secret and probably important location.', 'In the picture, I can see a huge Buddha statue. It is made with metal of gold color. The left hand of the Buddha palms up and the right hand of the Buddha shows stop sign. The whole Buddha statue is located on a lotus thorn on a white spectator stand. Under the spectator stand, there are four Chinese characters showing Nanhai Guanyin, which in English means Southern Sea Guanyin Buddha. At the lowest level, there are more than 50 statues. Four travelers came here to visit and worship this Buddha. When I compare the size of the people with the Buddha, it indicates that the Buddha is really huge, at least 30-40 meters high. The background is like this. The background is like this. The background is like this. The background is like this. The background of the Buddha shows a white cloud and blue sky. And the white cloud is already under the Buddha statue, indicates it is really, really high.'] | [False, True, False] | [nan, 'This is the Goddess of Mercy and there are Chinese characters below the statute of the Goddess of Mercy.', nan] | In this image, a large golden statue is prominently featured, most likely representing a Buddhist deity known as Guanyin, the Goddess of Mercy in Chinese culture. The statue occupies the upper portion of the photograph, while an ornate platform or base supports it, and several visitors gather around the lower section, suggesting that this is a popular tourist destination. The background features a serene sky, enhancing the divine quality of the scene. The golden hues of the statue symbolize holiness and reverence, and the well-maintained structure indicates the significance of the site. The presence of visitors and tourists further emphasizes the location's importance as a place of worship and admiration. The deific figure is depicted in a brilliant golden color, contrasting beautifully with the azure blue backdrop of the sky. Below the statue, four Chinese characters read "Nanhai Guanyin," which translates to "Southern Sea Guanyin Buddha" in English, underscoring the cultural significance of the location. In addition to the statue, the image features more than fifty smaller statues on the lowest level, indicating a rich display of Buddhist iconography. Four travelers can be seen visiting and paying their respects, their relative size compared to the towering Buddha highlighting its grand scale, estimated to be between 30 to 40 meters tall. The background is adorned with white clouds that seem to hover beneath the statue, contributing to the elevation and ethereal quality of the scene, suggesting that this magnificent structure stands at a great height, further emphasizing its majestic presence in the landscape. | 123 |
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native | ['1gCQI0cUqBES'] | ['Chinese'] | ['In this photo, I see a lady standing in the center. She is wearing a black dress and a pair of black high heels. You can see that she is holding something resembling a trophy in her hand; this trophy is silver, and at the top, it looks like a colorful ball. Behind this woman, there is something that resembles a billboard, and on the sign, it says "Mandarin Award Ceremony." It looks like an award event related to entertainment. The floor appears to be a shade of green, and in the lower-left corner of the background wall, there are some decorations that are hard to make out, but they seem to have some red and green accents. Overall, this looks like a photo taken at an award ceremony featuring this lady.'] | [False] | [nan] | In the photograph, there is a woman standing prominently in the center, drawing attention with her stylish appearance. She is dressed in an elegant black dress that flows gracefully, complemented by a chic pair of black high-heeled shoes, showcasing a sense of fashion and sophistication. In her right hand, she is proudly holding what appears to be a trophy. This trophy is striking with its silver color, and at the top, it features a colorful ball, which adds a vibrant touch to the overall metallic aesthetic. Behind her, there is an eye-catching structure that resembles a billboard, prominently displaying the words "Mandarin Award Ceremony." This suggests that the event is significant, likely involving recognition and accolades in the entertainment industry, perhaps focusing on achievements related to Mandarin-speaking artists or productions. The setting of the photograph includes a floor that is a rich shade of green, which may contribute to a festive atmosphere suitable for a celebratory event. Notably, in the lower-left corner of the background wall, there are decorations that, while difficult to discern fully, display accents of red and green. These colors may further enhance the award ceremony's vibrant and celebratory ambiance, often associated with festive occasions. Overall, the image embodies the essence of an award ceremony, spotlighting this lady and her moment of recognition amidst a beautifully decorated environment. | 2,297 |
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native | ['11RLk5g3P9aH'] | ['Chinese'] | ['The scene shows a recording venue for a program, where we can see four people, all dressed very formally. The man on the left has short black hair, wears black-rimmed glasses, and is dressed in a black suit with a very flashy collar, underneath which is a white shirt and a black bow tie. The second person on the left is Joey Yung, wearing a gold gown that is a mix of gold and pink. She is holding a microphone in one hand and a trophy in the other while speaking. The second woman on the right is wearing black glasses, has long hair draped down, is in a black evening dress, and is accessorized with a watch and a necklace. The third woman on the right is also wearing black glasses and holding a microphone, but she is not speaking at the moment. Finally, the man on the far right has styled, dyed hair, is facing the camera sideways, dressed in a deep brown or burgundy suit, and is also wearing a bow tie while holding a microphone and speaking. Their background is purple, and you can see many trophies in the back, similar to the one Joey Yung is holding.'] | [False] | [nan] | The scene unfolds in a recording venue for a television program, characterized by a formal and polished atmosphere. It features four prominently dressed individuals, each exhibiting distinct styles that enhance the overall elegance of the setting. To the far left stands a man with short black hair, adorned with black-rimmed glasses. He is dressed in a striking black suit that features a very flashy collar, creating a notable contrast with the crisp white shirt underneath. Completing his ensemble is a classic black bow tie, which adds a touch of sophistication. Adjacent to him is the renowned singer and actress, Joey Yung. She captivates attention with a stunning gown that blends hues of gold and pink, symbolizing a sense of glamour. In one hand, she is proudly holding a microphone, while in the other, she clutches a trophy, indicating her recent achievement or recognition. As she speaks, her charisma shines through, engaging the audience. Moving towards the center-right, the second woman is wearing black glasses and has her long hair elegantly draped down her shoulders. She is dressed in a sophisticated black evening dress that radiates refinement. Her accessories, which include a stylish watch and a delicate necklace, complement her overall look without overshadowing the gown. Next to her is another woman who also sports black glasses and is holding a microphone, although she remains quiet at this moment, possibly listening attentively to the conversation or presentation taking place. Finally, on the far right of the scene, a man catches the eye with his styled, dyed hair. He is positioned partly sideways to the camera, wearing a deep brown or burgundy suit, which further accentuates his fashion-forward appearance. Like the others, he is also sporting a bow tie and is engaged in speaking into a microphone, contributing to the dialogue of the event. The backdrop of the setting is a rich purple, which adds a regal quality to the atmosphere. Complementing this are numerous trophies displayed behind the individuals, visually reinforcing the theme of celebration and accomplishment—similar to the trophy held by Joey Yung, symbolizing recognition for hard work and talent in their respective fields. | 2,524 |
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nonnative | ['1iOj0V5FYVTU'] | ['English'] | ['So this appears to be an image of the All-Star Game in 2008 for the Major League Baseball League, MLB, happening in New York City. As you can see the words All-Star Game 2008 New York City in the background. There appears to be a camera crew filming and interviewing one of the players with number 20 on the back of his jersey. As well as in the background we can also see a number 17 shaking hands with a man in a suit. Almost all of the individuals have on these sort of baseball caps except the man, number 17, who is currently shaking the hand of one of the suited men. And yeah, it appears to be in some sort of stadium. In New York City. As we can make out the grass and also the dirt of the diamond.'] | [True] | ['MLB baseball all star baseball game'] | The image captures a moment from the 2008 Major League Baseball (MLB) All-Star Game, which took place in New York City. Prominently displayed in the background are the words "All-Star Game 2008 New York City," indicating the event's significance and location. A camera crew is visible, engaged in filming and conducting an interview with a player wearing the number 20 on the back of his jersey, which is likely representative of his team. In the background, another player donned in jersey number 17 is seen shaking hands with a man dressed in a suit, suggesting a formal interaction that could involve sponsorship or media relations, common at such high-profile sporting events. Most of the individuals present in the image are wearing baseball caps, which is a typical accessory for fans and players alike during baseball games, signifying team spirit and enthusiasm. However, the player shaking hands, number 17, stands out for not wearing a cap, which may denote a more formal role or context in this interaction. The setting is clearly within a stadium, as evidenced by visible features such as the lush green grass of the outfield and the brown dirt of the infield diamond, typical elements of a baseball field. The atmosphere conveyed through the image hints at the excitement and celebratory nature of the All-Star Game, which showcases the best talent in Major League Baseball and draws significant attention from fans and media alike. The event not only highlights exceptional athleticism but also serves as a cultural touchstone within the sport, celebrating American baseball's rich history and community. | 1,894 |
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nonnative | ['1hJLlvn5DBkt', '1chlPSUmgREV', '1jec83XKag22', '16WbBPtBa627'] | ['English', 'English', 'Chinese', 'Chinese'] | [' The image is of a young man or boy that appears to be chasing a bull. His face is blurred. He is wearing a yellow short-sleeved shirt and yellow shorts. He is mid-run with his right leg and foot stretched in front of him and his left leg and foot bent at the knee. His right arm is grabbing the right horn of the bull. He is barefoot. The bull appears to be young as it is shorter than the man and is small. The bull is brown with a white flank. The horns are white. The bull appears to be leaning away from the man to outrun him. They are running on sand in what appears to be an arena. In the background, there are many young men or boys, all wearing yellow short-sleeved shirts and either black or gray shorts. They are all barefoot. They are surrounding. The young man chasing the bull and are presumably watching as if this were a spectacle or sport. The bull is casting a shadow on the sand, as are some of the spectators in the background.', " This is an image of a boy or a man holding onto the horns of what looks like a cow or a buffalo as it is in motion. And the boy is also literally, both of their feet are off the ground, so it's a very active picture. And behind the boy there are many, many, maybe over a dozen people who are wearing the same attire. So white shirt and black pants, except the boy is also wearing, sorry not white shirt, yellow shirt and black pants, but the boy is also wearing yellow pants. So maybe the person wrangling the cow is wearing yellow pants. It seems like it's a very active, it's like an event with a bunch of people. And it's the kind of image that would be kind of used to really show image viewers kind of the idea of excitement.", "In the picture, I can see what looks like a bullfighting scene because in the background, on the relatively soft ground, we see a group of people dressed in black shorts and yellow tops. Their heads are not captured in the photo; only their shoulders and lower bodies are visible. In front, there is a bull running; the top of its hooves is yellow, and there is yellow paint on its head. A young man dressed in yellow clothes and pants is trying to grab the bull's horns, looking as if he wants to tame or subdue it. They appear to be engaged in a contest, resembling a classic bullfighting scene or an event where he hopes to tame the bull.", "This picture was taken outdoors, and in the middle, there is a person who seems to be about to ride or tame an animal that looks like a bull. However, I'm not sure if it is actually a bull, but it has two rather unique horns that point straight up to the sky. Meanwhile, there are many people in the background dressed in similar colors watching him. So I think this might be a situation like a large-scale teaching or a performance. The main person in the center, who appears to be a bishop, is trying to ride this bull. There isn’t much information around to indicate where this is, but based on the land and the skin tones of the people, it could possibly be in South Asia or Southeast Asia."] | [True, True, False, False] | ['As this appears to be in preparation for bullfighting, this image is likely from Spain.', 'skin color, activity seems cultural', nan, nan] | The first image depicts a young man or boy energetically chasing a bull in what resembles an arena setting. The boy’s face is intentionally blurred, obscuring his identity, while he is dressed in a vibrant yellow short-sleeved shirt and matching yellow shorts. He is captured mid-run, with his right leg extended forward and his left leg bent at the knee, showcasing his movement as he grasps the right horn of the young bull. The bull, which seems relatively small and youthful compared to the boy, has a brown body accented by a white flank and distinctive white horns. It appears to be leaning away from the boy, suggesting a dynamic moment where the bull is trying to escape. The ground beneath them is made of sand, indicating a lively environment typically associated with such spectacles. Surrounding them are many other young men and boys, all dressed in similar attire of yellow short-sleeved shirts and either black or gray shorts; they too are barefoot, and they seem to be engaged as spectators witnessing this thrilling event unfold. The bull casts a visible shadow on the sandy ground, along with shadows from some of the onlookers, adding to the overall perspective of movement and excitement. In the second image, a boy or young man is seen actively holding onto the horns of an animal resembling a cow or buffalo, seemingly caught in a moment of motion as they both appear to be momentarily airborne; both of their feet are off the ground, reinforcing the dynamic nature of the scene. Behind him, there is a notable group of individuals, possibly over a dozen, all dressed in matching attire consisting of yellow shirts and black pants. Interestingly, the boy is distinguished by wearing yellow pants as well, suggesting he is a participant in this energetic gathering. The image conveys an atmosphere of excitement and communal engagement, indicative of a lively community event. The third picture suggests a bullfighting scene, characterized by its dynamic activity against a backdrop of a gathered audience. The ground upon which the events unfold is relatively soft, with the spectators dressed in similar attire: black shorts complemented by bright yellow tops. The image captures only the shoulders and lower bodies of the viewers, focusing attention on the bull that is captured mid-run, showcasing its hoofs displayed in a yellow hue and yellow paint visible on its head. In the foreground, a young man is actively trying to grip the bull's horns, portraying a scenario of competition where he is attempting to tame or control the bull, reminiscent of the traditional and often dramatic scenes associated with bullfighting. The fourth image is set outdoors and shows an individual who appears poised to either ride or tame a creature resembling a bull. There is some ambiguity regarding the animal's true identity as it features distinctive horns that point skyward. In the background, numerous onlookers dressed in similar colors observe the situation. This setting gives the impression of a large-scale performance or teaching event where the central figure, reminiscent of a bishop based on apparel and demeanor, is engaged with this animal. Although the precise location is not specified, the land and the varied skin tones of the people suggest a potential setting in South Asia or Southeast Asia, hinting at a cultural context that may involve traditional practices related to animal handling and training. | 1,290 |
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native | ['19cZbhIZmS52', '1hnVkXxRMa22', '1me4SYM2139Z'] | ['Korean', 'Korean', 'Korean'] | ['In the photo, there is a red ritual table set up with various foods and fruits arranged neatly on top. Different fruits such as apples, pears, bananas, grapes, and watermelons are placed on individual plates, along with traditional foods like dried fish and jeon. Hanging in the background are scrolls with writings in Chinese characters or Hangul, adding to the traditional atmosphere. On either side, candlesticks can be seen with candles lit, suggesting that this is a scene of a traditional Korean ritual such as a memorial service or an ancestral rite. In Korea, it is customary to hold ceremonies during holidays or anniversaries to offer food to ancestors, where fruits, foods, alcohol, and rice are prepared on the ritual table with respect. Fruits and foods are neatly presented, usually following a set order or rules. The photo showcases a variety of foods that fit this arrangement. The scrolls in the background contain phrases written in either classical Chinese or Hangul, which could be blessings for the family or related to the ritual. Overall, the photo vividly represents the typical arrangement of a traditional Korean ritual table. The red wooden table, neatly placed ritual foods, and the scroll and candles in the background harmonize to convey the traditional etiquette and culture of Korea.', "When I was young, I remember the ritual table. On the ritual table, there were watermelon, grapes, bananas, tangerines, apples, then some pancakes, and various kinds of fish placed on it. There seemed to be a candle on each side, and behind it, I can't remember exactly what it was, but there were a lot of Chinese characters written on it. I could see a human arm that was really well cut off. Overall, nothing particularly stood out; it just looked like a ritual table. The Chinese characters standing behind the ritual table were the most visible. Was it a picture taken of the ritual table during the Lunar New Year before eating?", "This photo depicts a traditional Korean ritual table. The ritual table plays an important role in the ceremony that honors ancestors, featuring various foods arranged with care. In the picture, there are neatly placed apples, pears, tangerines, bananas, grapes, watermelon, pancakes, meat, vegetables, fish, beef jerky, and rice cakes, among others. Notably, the watermelon is cut in half, a common sight on such ritual tables. In the background, there are historical documents and items written in Chinese characters, enhancing the traditional atmosphere. On both sides, candle holders are positioned, symbolizing the welcoming of the ancestors' spirits. This ritual culture reflects Korea's Confucian traditions and family-centered values, and it is a custom that continues to this day during holidays and commemorative days."] | [True, True, True] | ['Yes, this image is culturally distinct. It depicts a traditional Korean ancestral rite (제사), featuring a formal offering table (제사상) with various foods and fruits arranged in a specific manner. The presence of items like red wooden stands, calligraphy scrolls in the background, and the ceremonial layout all strongly reflect Korean ancestral worship customs, making the scene uniquely tied to Korean culture.', 'Yes, korean new year tradition', 'It depicts Jesa-sang which is an important part of traditional Korean Confucian rituals.'] | In the photograph, a striking red ritual table is prominently displayed, carefully arranged with an assortment of foods and fruits that reflect traditional Korean customs. The table features a variety of fruits including apples, pears, bananas, grapes, and large watermelons, each presented on individual plates. Complementing the fruits are traditional offerings such as dried fish and jeon, a type of Korean savory pancake. In the background, scrolls adorn the walls, showcasing writings in either Chinese characters or Hangul, which enhances the visual appeal and underscores the traditional setting. On each side of the table, lit candlesticks can be seen, indicating that this scenario is likely a part of a traditional Korean ritual, such as a memorial service or an ancestral rite. This setting aligns with customary practices in Korea, where it is traditional to hold ceremonies during significant holidays or anniversaries. During these events, families prepare offerings of food to honor their ancestors, including a variety of fruits, foods, alcohol, and rice, meticulously arranged on a ritual table as a sign of respect. The presentation of the fruits and foods typically follows specific orders and rules, seen clearly in this photo that exhibits a harmonious arrangement of diverse offerings. The scrolls background likely convey blessings for the family or pertain to the specifics of the ritual, written in either classical Chinese or Hangul. Overall, the image vividly encapsulates the classic setup of a traditional Korean ritual table. Recalling personal experience, one individual reflects on their childhood memories of the ritual table, describing it as adorned with a range of fruits like watermelon, grapes, bananas, tangerines, and apples, as well as various pancakes and fish. They note the presence of candles on either side of the table and mention a backdrop filled with visible Chinese characters; however, they express uncertainty about specific details from that time, recalling it as a standard ritual table setup. They speculate whether the image could represent a moment captured during the Lunar New Year celebrations, a significant holiday in Korea. Another description reiterates the essence of a traditional Korean ritual table which plays an essential role in ancestor-honoring ceremonies, emphasizing the careful arrangement of foods that includes fruits, pancakes, meats, vegetables, and rice cakes. Interestingly, the watermelon is depicted as cut in half, which is a common presentation in these rituals. The background also features historical documents inscribed with Chinese characters, which further amplifies the traditional essence of the scene. Candles flank the table, symbolizing the welcoming of ancestors' spirits into the home. This ritual culture reflects the Confucian ideals that are deeply ingrained in Korean society, underscoring the family-centered values that prevail during commemorative occasions. Such customs continue to be practiced today, particularly during holidays and important remembrance days, signifying their enduring significance in Korean heritage. The image and descriptions collectively illustrate the poignancy and cultural richness of traditional Korean ceremonial practices, where the layout and offerings of the ritual table (known as 제사상 or Jesa-sang) embody the respect and reverence for ancestors that mark these solemn occasions. The use of red wooden stands, calligraphy scrolls, and the meticulous layout of food items all distinctly reflect Korean ancestral worship customs, establishing the scene as an integral aspect of Korean cultural identity. | 1,001 |
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nonnative | ['1nSiALNfI3qu'] | ['English'] | [" It looks like another book cover here with some sort of Asian lettering or iconography. The book is a light blue. There's one shade on the book. There's black lettering primarily in Asian iconography or lettering, but there is an image that appears to be a very traditional painting or drawing of three Asian individuals, two of them being male with long beards and then a woman. Starting from the left side of the book and moving right, the man appears to be kneeling or sitting on a carpet while holding a staff behind him. So to his right, to the right of the viewer, is the woman who appears to be the same height as the man kneeling while she's standing. And next to her is some sort of stone or some sort of background feature. And then lastly, to the far right, is another man who is kneeling. And that makes the cover of the book a rock. Interesting."] | [False] | [nan] | The cover of the book presents a visually intriguing design featuring a light blue background. The primary color is a soft shade of blue with a single tint dominating the cover. The text, predominantly rendered in black, consists of Asian lettering or iconography, which emphasizes the cultural references of the book. Central to the design is a stylized illustration that depicts three Asian individuals, indicative of traditional artistic themes. Starting from the left side of the book cover, the first figure is a man who is either kneeling or seated on what appears to be a carpet, suggesting a sense of groundedness or connection to the earth. He is depicted holding a staff behind him, which could symbolize wisdom or authority, common attributes in various Asian cultural narratives. To the right of the man, the second figure is a woman who stands at approximately the same height as the kneeling man. Her presence next to him might imply equality or partnership, possibly hinting at themes of collaboration or harmony. Located beside her is a stone or another distinct element of the background, which may add depth or context to the scene being illustrated. Finally, on the far right of the cover, there is a second man who is also positioned in a kneeling stance. The placement of these figures suggests a narrative or relational dynamic among the trio, each positioned thoughtfully to create a cohesive visual story. Overall, the design encapsulates a blend of cultural symbolism and traditional artistry, contributing to the intriguing nature of the book, which remains unspecified. | 2,282 |
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native | ['12vplUzow6Ak'] | ['Urdu'] | ['This picture shows the inside of a mosque. In the image, seven men can be seen: three are standing, three are sitting, and one is in prostration. All the men are on a red floor, either standing or sitting. On the wall of the mosque, the prayer timings are written. There are two pictures hanging on the wall; on the right side is an image of the Kaaba in Mecca, and on the left side is an image of the mosque in Medina.'] | [True] | ['This is the inside of a mosque, and the men in this picture are dressed traditionally.'] | This picture provides a detailed glimpse into the interior of a mosque, showcasing the spiritual space where worshippers gather. Within the image, there are a total of seven men engaged in prayer. Of these, three are depicted standing, three are seated, and one individual is captured in the act of prostration, which is a key position in Islamic prayer symbolizing humility and submission to God. The floor beneath them is adorned with a rich red carpet, a common choice in many mosques, which adds to the aesthetic and sacred environment. On the walls of the mosque, important Islamic information, such as the prayer timings, is prominently displayed. This is crucial for the community, as it helps worshippers keep track of the five daily prayers that are fundamental to Islamic practice. Hanging on the walls are two significant images that hold deep religious meaning. On the right side of the image is an illustration of the Kaaba, the cube-shaped structure located in Mecca, which is the most sacred site in Islam and the direction towards which Muslims around the world face during their prayers. To the left, there is an image of the Prophet’s Mosque in Medina, another highly revered site within the Islamic faith. Furthermore, the men in this photograph are dressed in traditional attire, which may include garments such as thobes or kurta tops, signifying their cultural and religious identity. This traditional dress is often worn during prayers and signifies respect for the sacredness of the mosque environment. Overall, this image captures the essence of community worship within an Islamic setting, highlighting both the physical space and the cultural practices of the individuals present. | 1,437 |
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nonnative | ['1jIVWEO5vo9q', '1gQUrogUBUt2', '1iEb6y7Cd8cT'] | ['English', 'English', 'English'] | [" For this picture, I can see a car parked outside of a store or a house. This house is white. It's a white building. I see a lot of different windows. I see two doors open. I see brick ceilings. I do see a Chinese sign that is in gold with black writing. I see that the car, which appears to be an Audi convertible, it's white, black rims, is parked in a... No parking zone, actually. I see two trash cans outside. A street. Based off the signs, I would assume that this takes place in China, since the writing is in Chinese. The doors open, but I don't see any people. I don't see any people in the car either. I see a light post. I see... No one around, but I do see a parking meter. I see that most of the windows are closed off, but there is two doors that are open. And I see a pigeon on top.", ' Hello, and thank you for listening. At first glance, this photo shows a building with a detailed facade. It has arched windows on the second floor, framed by white walls on vertical reed accents. A short green tile overhangs its above-the-ground floor. Above one of the entrances, there is a gold sign with Chinese text, possibly the name of the place. A white car is parked in front, near yellow markings on the wet road. Two green trash bins stand between the doorways, and a street sign with a circle in the slash is mounted on a pole nearby. The second doorway is open, revealing some interior space. The building style blends traditional undecorative elements, such as carved moldings around the windows. In the background, more similar windows suggest a room. The second doorway is a row of shophouses. The color scheme is mostly white and reed, with a bit of green from the roof and trash bins. One might guess this is in a historic district or an older part of town, based on the architectural details. The scene conveys a quiet moment on a city street, with just a single car and a few utility items in view.', ' So in this image at first glance, it looks like in a Chinatown area. But given the building decoration style, it looks like very Southeast Asian and immigrant type of style, because you can see the combination of the Chinese character sign at the bottom on the golden block and the Western style of the building at the second floor, which is the white colored windows and walls. So this could easily be in Penang or Malaysia overall, and in other Southeast Asian countries, where a lot of older generation of Chinese immigrants visited and lived there. And it looks like taken from a street because there are car parking in front of the building. And given the signs a person can infer, this is a Southeast Asian country, like a city, sim.'] | [False, False, True] | [nan, nan, nan] | In this detailed description of the image, the viewer first notes a car that is parked in front of a building, potentially a store or residence. The building itself is characterized as white with multiple windows and two open doors. The structure features brick ceilings and prominently includes a Chinese sign that is presented in gold with black characters, suggesting an Asian influence in the architecture and decoration. The car parked nearby is identified as an Audi convertible, colored white with black rims. It is worth mentioning that the vehicle is positioned in a no parking zone, which contributes to the overall urban context of the scene. The surroundings include two trash cans and an adjacent street, further emphasizing that this is likely a bustling area. Based on the presence of Chinese script and architectural details, it can be reasonably inferred that this setting is located in China. However, further analysis reveals nuances that might indicate this location is in a historic district, likely one that showcases older architectural styles. There is also an absence of people in the immediate vicinity, including both the building and the car, creating a sense of quietude in the scene. Aside from the car and trash bins, there exists a street sign—featuring a circle with a slash to indicate restrictions—and a light post. Amidst this, a solitary pigeon is perched on top of the building, contributing to the serene yet deserted atmosphere. Separately, the second description elaborates on the building's architectural features, noting the detailed facade complete with arched windows on the second floor, complemented by white walls and vertical reed accents. A short green tile overhangs from the above-ground level. Here, too, the building displays a gold sign with Chinese text above one of its entrances, hinting at its function, potentially as a commercial establishment. The description suggests that this might be an older part of town, as evidenced by ornamental details like carved moldings surrounding the windows. The observer notes the building is situated in an urban setting, specifically identifying it as a "Chinatown area." There's a distinctive style attributed to Southeast Asian architecture due to the combination of Chinese signage and the Western-style elements present in the white windows and walls. This blend of cultural influences indicates that the area could easily relate to places like Penang in Malaysia, where Chinese immigrants have historically settled. Finally, the depiction conveys a quiet ambiance of a city street with minimal activity, emphasizing a moment of stillness in an otherwise dynamic urban landscape, highlighted by just a solitary car and a few utility items. | 497 |
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native | ['19MT33jQ1AGi', '14JSoRpHz1pT'] | ['Chinese', 'Chinese'] | ['At first glance, I saw a person floating on the sea. Upon closer inspection, besides the person at the center of the painting, there is something at their feet that allows them to spray themselves with water. There is nothing else in this scene; the person is positioned right in the middle of the artwork. This detail of what they are standing on—I don’t even know what to call it—is striking. The background consists of the sky and the sea, and at the horizon where the sea meets the sky, there is a range of mountains, which can also be seen as a set of details. Overall, the sky in this piece is blue with white clouds, and the object the person is standing on is red, while the sea has a blue base with a hint of green.', "This photo shows a person engaged in some sort of water sport. The person is positioned slightly to the left of the center of the frame, standing on a jet-propelled flying device. There are no words on this image, and the overall color scheme is blue, featuring a blue sky and deep blue sea. There aren't any particularly striking details; the overall scene is quite loose and lacks many intricate elements. The main features visible are the mountains in the background and the clouds, with the most attention-grabbing aspects being the person and the flying device beneath them, along with the water jet being sprayed out by the water flying device."] | [False, False] | [nan, nan] | At first glance, the artwork presents a person appearing to float upon the sea. As one inspects the piece more closely, it becomes evident that, in addition to the figure centrally positioned within the composition, there is a curious object at their feet. This object appears to enable the individual to spray water, although its precise identity is somewhat elusive and difficult to define. The entire scene is minimalist in nature, with the person occupying a central location against a backdrop that consists of both the sky and the sea. The representation of the object beneath the person is particularly striking and noteworthy. In terms of the surrounding elements, the background features a vibrant blue sky dotted with fluffy white clouds, contributing to the overall serenity of the scene. At the horizon, where the sea meets the sky, one can observe a range of mountains that provide an additional layer of detail and intrigue to the composition. The overall aesthetic of the painting is characterized by the intense blue of the sky complemented by hints of green intermixed with the deep blue of the sea. The object on which the person stands is depicted in a vivid red, creating a stark contrast with the cooler tones of the background. In a separate description, a photograph captures an individual participating in a water sport, distinctly positioned slightly to the left of the frame's center. This person stands on a jet-propelled flying device, which is crafted to elevate them above the water's surface. The image does not contain any textual elements, allowing the visuals to convey the activity. The color palette remains predominantly blue, with an expansive blue sky hovering above and a deep blue sea below, creating a cohesive look. The composition might initially seem straightforward; however, it lacks many intricate details that could elevate its complexity. The most prominent features are still the mountains in the background and the clouds that enhance the atmosphere. The focal point remains the individual and the flying device beneath them, with the jet of water being forcefully propelled from the apparatus drawing attention and adding dynamism to the scene. This visual representation effectively encapsulates the excitement of water sports while maintaining a sense of tranquility found in nature. | 2,740 |
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nonnative | ['19HR6Ah4FYBc', '1nsVmbrq2g0O', '1jIxm24YwJVq'] | ['English', 'English', 'Chinese'] | [" This is a picture of some sort of tag or ticket or probably pass that's on a table. It says GEO, saying Digital Life on it. The thing itself is orange background, where GEO, which appears to be the brand, is located in the middle in bold white within a red circle. The word Digital Life is in white, where there's circles following it and below it in different colors, different shades of red and a blue color, a light blue color. It's probably a tag for either, say, scanning into a hotel or residence or some kind of credit card, something like that. The table it's on looks like it's metal. Everything else in the background is blurred. There is some yellowish box and other miscellaneous items.", " This is an image of a table with a small pamphlet or piece of paper on top of it. The table itself is tan and it has a couple of different black lines that seem to be either some pencil lines that had been drawn on the table or just otherwise some sort of markings that had been applied to the table over time. But it's mostly tan. And then there is a small pamphlet or piece of paper on top of the table. It is an orange pamphlet with a big red circle in the middle of it and white lettering inside of the circle. It says GEO and then in white letters underneath, in all capitals, DIGITAL LIFE. And then there are many different small circles that are arranged in a grid on the pamphlet as well. And these circles are a number of different colors, including orange, red, maroon, and light blue. And then in the very top right corner of the image, so further back on the table, there is some sort of bright yellow rectangle.", 'In the picture, there is an orange-red cardboard placed on a platform or table. This cardboard has a certain thickness and features a circular red logo. Above the logo, there are the English letters "JIO," which seem to be the name of the brand. Below this logo, there is also a slogan in English consisting of two lines that reads "digital life." In the upper right corner of the image, a light yellow plastic packaging box can be seen, but it is very blurry. Overall, the main focus of the image is the cardboard lying on the gray panel, which has the brand logo and some slogans.'] | [False, False, False] | [nan, nan, 'No'] | This transcription captures a detailed description of an image featuring a tag or pass that is likely associated with a brand named "JIO," which emphasizes a digital lifestyle through its slogan "digital life." The primary focus of the image is on a vibrant orange background that showcases the brand logo, which is prominently displayed in the center, encased within a bold red circle. The letters "JIO" appear in stark white, drawing attention to the brand itself. Underneath the logo, the words "DIGITAL LIFE" are also presented in white, highlighted in all capital letters, thereby reinforcing the brand's message. Surrounding this text, there are multiple small circles arranged in a grid formation. These circles exhibit a range of colors, including shades of orange, red, maroon, and light blue, adding visual diversity to the pamphlet. The overall setting shows the pamphlet laid out on a table that has a tan color and features various black markings, which could possibly be scuff marks or pencil lines, hinting at the table's usage over time. To the side of the pamphlet, in the upper right corner, a bright yellow rectangular plastic packaging box is slightly visible, though it appears blurred, indicating that it is not the central focus of the image. Additionally, there is a mention of the tag or pass itself potentially serving a practical purpose, such as facilitating entry into a hotel or housing facility, comparable to a credit card. The table is described as having a metallic quality, contributing to a more industrial aesthetic. The background remains intentionally out of focus, ensuring that the vibrant colors and branding of the pamphlet take precedence in the image composition. | 769 |
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nonnative | ['1i73lzRCXYUs'] | ['Chinese'] | ['The image features a beer bottle, and this beer bottle is positioned at a 90-degree angle to the left. Therefore, this is not an upright photo but rather a side view. The bottle has been opened, and it is noticeable that some beer has already been consumed. There is a glass next to the bottle, and it is sitting on a table, likely in a restaurant or bar setting. The lighting in the area is not very bright, and there are some electrical wires and empty spaces nearby. This is a typical beer bottle, matching the shape of the one on the table.'] | [False] | [nan] | The image prominently displays a beer bottle that is oriented at a 90-degree angle to the left, presenting a side view rather than the traditional upright position. The bottle has been opened, indicating that its contents have been partially consumed, as evidenced by the visible amount of beer remaining inside. Adjacent to the beer bottle is a glass, which suggests that it may be intended for pouring the beer for immediate consumption. Both items are resting on a table, which appears to be situated in a casual dining environment, such as a restaurant or bar. The ambient lighting in this setting is somewhat dim, creating an intimate atmosphere, but not overly bright. In addition to the main items in the image, there are electrical wires and empty spaces observable in the surrounding area, contributing to the overall ambiance of the location. The beer bottle in question has a typical design that is consistent with standard beer packaging, emphasizing its commonality in social drinking contexts. | 992 |
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native | ['12dRKV39utiX', '11HJhqGxfevX'] | ['Korean', 'Korean'] | ['When I looked at the photo, I noticed that there were seven old-style pillows that used to be common in Korea. The colors were very diverse, but at a glance, they looked like the small pillows that grandmothers used to use. There was a strong variety in colors, and it seemed like the photo was taken in a studio, perhaps for promotional purposes. The background colors were also numerous, but the place where it was taken was hard to make out since it was a bit blurry. However, the pillows were very clear, showcasing a vibrant mix of colors. At the bottom, there were four pillows, and at the top, three, with square shapes and also some circles. It seems like the photo was taken to highlight the very different styles and colors of those pillows.', "This photo appears to be of a traditional Korean pillow known as a bojagi pillow or a obangsik pillow. Each pillow combines various colored fabrics to create geometric patterns, which are often seen in traditional Korean crafts. The front and sides of the pillow are decorated in a patchwork style, highlighting a distinct Korean aesthetic. The colors of the pillow are harmoniously arranged in the traditional Korean colors of obangsik, including blue, red, yellow, white, and black, embodying meanings of good fortune and protection in Korean culture. The soft fabric and intricate stitching stand out, making it an item that would frequently be used in interior decoration or traditional spaces. Such pillows transcend mere household items, encompassing Korean traditional aesthetics and philosophy, and can be utilized in spaces where tradition and modernity coexist. This photo reflects a handcrafted piece that embodies Korea's cultural identity."] | [True, True] | ['korean pillow', 'It shows traditional Korean bojagi cushions, which are often used in Korean homes.'] | When I looked at the photo, I noticed that it featured seven old-style pillows, which are reminiscent of traditional designs commonly found in Korea. The colors of these pillows were incredibly diverse, presenting a vibrant display that instantly caught my attention. At first glance, they appeared to resemble the small pillows that grandmothers typically used, suggesting a nostalgic connection to familial and cultural heritage. The photographic composition indicated that this image was likely captured in a studio setting, possibly for promotional purposes, as suggested by the clean lines and controlled backdrop. The background of the photo displayed a variety of colors, but it was somewhat difficult to discern the exact location where the image was taken due to a slight blurriness. Despite this, the pillows themselves were exceptionally clear and well-defined, showcasing a striking mix of colors. The arrangement of the pillows was such that four were positioned at the bottom and three at the top, featuring both square shapes and some circular forms. This specific arrangement seemed intentional, aiming to draw attention to the diverse styles and vibrant colors of the pillows. Furthermore, the photo captures what appears to be a traditional Korean pillow known as a bojagi pillow or obangsik pillow. These particular pillows are unique as they combine various colored fabrics to create intricate geometric patterns, a hallmark of traditional Korean crafts. The craftsmanship evident in the photo reflects the aesthetic principles of Korean culture, emphasizing harmony and balance. The front and sides of these pillows are decorated in a patchwork style, which is typical of the bojagi technique, highlighting a distinctively Korean look. The colors selected for these pillows align with the traditional Korean palette known as obangsik, which consists of blue, red, yellow, white, and black. Each of these colors carries significant meanings within Korean culture, symbolizing aspects such as good fortune and protection. The soft fabric and detailed stitching on these fabrics stand out remarkably, indicating that they are not merely functional items but also contributions to interior decoration and spaces that embrace traditional aesthetics. In a broader sense, such pillows embody the intertwining of Korean cultural identity with aesthetics and philosophy. These handcrafted pieces serve a dual purpose; they are practical household items while also presenting an opportunity to experience and appreciate the richness of Korean traditions. This photo, therefore, reflects more than just a display of colors and shapes; it encapsulates the essence of Korean culture and the sophisticated artistry that has been passed down through generations. | 927 |
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native | ['1bfK5VKmRLED', '1iO14WfWuYpw', '1njiq50aeuYS'] | ['Korean', 'Korean', 'Korean'] | ["Looking at the picture, four sets of hanbok are neatly displayed on the wall. Each hanbok is hung in a way that highlights the shoulders and sleeves, showcasing the unique beautiful silhouette and vibrant colors of hanbok at a glance. The hanbok displayed in the upper left features a light olive green jeogori paired with a red ribbon, and bright-toned accents at the collar and sleeve edges create a soft atmosphere. The hanbok hanging in the upper right stands out with a light green base and black edge decorations, reminiscent of traditional male attire like the durumagi or the windbreaker, giving it a lavish impression. Among the two hanbok at the bottom, the left one consists of a yellow jeogori paired with multicolored sleeves and a red skirt, conveying a bright and cheerful feeling. This is a children's hanbok, showcasing a design frequently seen in children's hanbok, with its vibrant colors standing out. The hanbok displayed on the bottom right features a blue skirt jeogori adorned with multiple round decorations that create an elegant and glamorous atmosphere. Different colors are well-placed on the sleeves and collar, achieving a visually striking contrast. The walls of the exhibition space are simply finished in gray tones, making the various colors and patterns of the displayed hanbok stand out even more. Thus, the four sets of hanbok each embody different beauties and atmospheres, illustrating the delicacy and rich colors of Korean traditional attire wonderfully.", "This photo displays traditional Korean clothing known as hanbok. The hanbok hanging on the wall consists of a total of four pieces, featuring a variety of colors and designs, including garments for men, women, and children. At the top, a men's jeogori (jacket) and a dpo (traditional overcoat) are visible, and in the upper left, a women's jeogori can be seen. At the bottom, there are colorful hanbok designed for young girls as well as a formal hanbok for women. Hanbok is worn during traditional Korean events, weddings, and holidays, characterized by bright colors and intricate designs. Notably, they exhibit vibrant colors, delicate embroidery, and a tranquil silhouette. The hanbok in the photo appear to be relatively small, suggesting they are likely children's hanbok. Furthermore, the neat arrangement displayed on the wall seems to accentuate the aesthetic values and sophistication of traditional Korean culture.", "Hanbok photos? There are four hanboks, and when looking at the photos, it feels like they are displayed in a museum? Since it's a museum, it seems like they are showcasing very old hanboks? The top two seem quite old, while the bottom two feel a bit more recent? Among the hanboks, two are women's hanboks and the other two are men's. The colors are very diverse, and it also has the vibe of being exhibited somewhere? Then, at the bottom, there is a white color? Um... well... there is something written, but it’s hard to read, so it feels like these hanboks are displayed in a museum or somewhere similar. Looking at the top, it also seems like they might be hanging on something. Overall, there are four hanboks against a white background, two on the left and two on the right, with two on top and two at the bottom being quite close together. I personally saw this a long time ago."] | [True, True, True] | ['Yes, this image is culturally distinct. It features traditional Korean clothing, Hanbok, which is unique to Korean culture. The design, colors, and style of Hanbok are deeply rooted in Korean history and tradition, making it distinctly representative of Korean cultural heritage.', 'It shows hanbok that is the traditional clothing of Korea.', 'korean traditional clothing'] | The image depicts a beautifully arranged display of four traditional Korean garments known as hanbok, meticulously hung on a wall. Each hanbok is oriented to emphasize its shoulders and sleeves, presenting the enchanting silhouettes and vibrant colors that are hallmarks of this attire. In the upper left section, a women's jeogori—a traditional jacket—showcases a light olive green fabric, elegantly complemented by a red ribbon and bright accents at the collar and sleeve edges. This combination creates a soft and inviting atmosphere, characteristic of hanbok designed for women. Adjacent to it, in the upper right, is a hanbok with a light green base and distinctive black edge decorations. This piece echoes elements of traditional male attire, resembling the durumagi, which is a traditional overcoat, imparting a sense of opulence and grandeur. The lower half of the display features two additional hanbok, both designed for children. On the left, a vibrant yellow jeogori with multicolored sleeves pairs with a bright red skirt, exuding a cheerful and playful aura typical of children's garments. On the right, the hanbok presents a sophisticated design featuring a blue skirt paired with a jeogori adorned with multiple round decorative embellishments, which contribute to an atmosphere of elegance and glamour. The contrasting colors elegantly placed on the sleeves and collar enhance the visual appeal of this piece. The backdrop of the exhibition space is subtly finished in shades of gray, which serves to elevate the vivid colors and intricate patterns of the hanbok on display. Each of these four sets of hanbok reflects diverse aesthetics and moods, collectively illustrating the artistry, sophistication, and rich cultural heritage embedded in traditional Korean attire. Hanbok is widely recognized as the traditional clothing of Korea, often donned during significant cultural events such as weddings and holidays. Distinguished by vibrant colors, elaborate embroidery, and a tranquil silhouette, these garments hold a cherished place in Korean culture. The sizes of the hanbok featured in the image suggest that two of them are intended for women while the other two are for children, highlighting the versatility of hanbok across different age groups and occasions. The organized presentation of these garments not only showcases their beauty but also underscores the cultural valuing of traditional Korean clothing, reminiscent of a museum exhibit focused on preserving and celebrating Korean heritage. | 1,096 |
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native | ['1gdAP3CAjzcH'] | ['Chinese'] | ["In this photo, there is a male singer who looks very elegant. He holds a microphone to his mouth with his left hand and is singing and dancing. The background features blue and purple patterns, with a mainly black backdrop and some bright purple and blue lights. You can see that this man has very prominent muscles; he is dressed in all white, wearing a white top and white pants, and has an earring in his ear. He appears to be in a great mood and is singing energetically. It seems like he is also holding underwear, but it's uncertain why he has them; it could also be that his pocket is not clear. He moves very quickly, and it’s somewhat blurry, making it hard to see exactly what he’s holding, but while he’s singing, he has a black microphone in hand, with the background being black or illuminated by blue light."] | [False] | [nan] | In this captivating photograph, a male singer showcases an elegant demeanor while performing energetically. He is gripping a black microphone with his left hand, positioned near his mouth as he sings and dances, fully immersed in his performance. The background enhances the visual interest with dynamic blue and purple patterns, contrasted against a primarily black backdrop. Bright purple and blue lights illuminate the scene, creating a vibrant and engaging atmosphere. The singer's physique is striking, characterized by prominently displayed muscles, emphasizing an athletic build. His attire consists entirely of white clothing; he wears a fitted white top paired with white pants, embodying a sleek and polished appearance. To add a touch of personal style, he has an earring adorning one ear, contributing to his overall elegant look. His mood appears to be jubilant and lively as he engages with the audience, conveying energy and passion through his performance. There is a moment of intrigue as it seems he may be holding an item of underwear, though the context of this is unclear—there is a possibility that he could simply have something protruding from his pocket that is not distinctly visible. The rapidity of his movements creates a slight blur in the image, which makes it challenging to determine exactly what he possesses. Nonetheless, the focus remains on the black microphone he wields, while the stage lights further illuminate the predominantly black background suffused with blue hues, enhancing the overall ambiance of the scene. | 2,204 |
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nonnative | ['1ba7MeUL19iK', '1i4cCrsmKSv6'] | ['English', 'Chinese'] | [" This is an image of a guy. Looks like he's from India or a country near India. And he's got a bicycle. And on his bicycle there's like a million, a bunch of these cans. Not cans, but there are these tanks. They look like garbage tins or something like that. And there's a ton of them and they're hanging onto his bicycle. So it looks like this is something that he's pedaling or sailing. And he's got this bicycle with his black seat and these blue handlebars. And it looks like it's impossible to actually ride this bicycle because there are so many of these on it. I don't see how you can actually ride it. And it also looks like these things, these cans are, these tins are impeding. They're in the way of the pedals. So it looks like he's just using these bicycles to hold all these things. Maybe not to ride the bicycle. In the background you can see a very green lawn. It looks almost neon green. And there's got these plants that are also green. And the guy's got a white hat on. He's got a white shirt on. He's wearing sandals. And he's wearing jeans that are already turned into shorts.", "In the middle of the picture, there is a man holding a large number of metal cans hanging from his own bicycle. At the same time, there are also many metal cans hanging on the bicycle itself; I can't even count them all. The man has dark skin, and he is wearing white clothing. He is wearing a white hat that resembles a boat shape. He is looking at his metal cans or perhaps at his bicycle. Some of these metal cans have white labels on them, but they seem to be in English. The man is standing next to his bicycle, positioned on the left side of the picture, while his bicycle is in the lower right corner, almost covering that entire area. The bicycle looks quite old, with the rear rack being almost rusty. The metal cans are also not particularly clean, or rather, they are quite dirty, but he has a lot of them. I don't know what he plans to do with them."] | [True, False] | [nan, nan] | This image features a man who appears to be from India or a neighboring country. He is positioned in the center of the frame, standing next to a bicycle that bears an astonishing number of metal cans. These cans are not merely ordinary containers; they could be described as large metal tanks or possibly garbage tins, and their sheer quantity makes it difficult to estimate an exact number, although it is evident that there are many. The man has dark skin and is dressed in all white: a white shirt and a distinctive white hat that resembles the shape of a boat, likely a type of hat often worn in hot climates to provide shade. His lower attire includes jeans that have been converted into shorts, complemented by sandals, suitable for a warm environment. He observes the cans or perhaps his bicycle with a focused expression. The bicycle itself, located towards the lower right corner of the image, appears quite old and somewhat worn, with the rear rack showing signs of rust. The design includes a black seat and blue handlebars, but the extensive number of cans hanging from it raises questions about its practicality for riding. In fact, the arrangement of the cans suggests they interfere with the pedals, indicating that the bicycle may primarily serve as a transport device for these items rather than as a means of mobility. Surrounding the scene, there is a lush, vibrant green lawn that seems almost neon in color, with additional green plants adding to the verdant backdrop. Some of the metal cans attached to the bicycle have white labels, which appear to contain English text, hinting that these items may have originally served a purpose linked to commerce or storage, although it is unclear what the man intends to do with them. The overall impression is one of resourcefulness, but also a touch of chaos, as the combination of the bicycle and the multitude of cans creates a visually striking yet somewhat perplexing scene. | 763 |
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native | ['1eS3kpFNFFGp'] | ['Korean'] | ['The image shows children bowing, which is a traditional greeting method in South Korea. There are two individuals in the photo: one is a young girl, and the other is a young boy. There is no text present in the image. The girl and the boy are standing next to each other. They each bow in different ways, reflecting the gender differences in bowing styles in South Korea. The background is plain. Both the girl and the boy are wearing hanbok, which is traditional Korean clothing. The girl is dressed in a hanbok that is blue, white, and pink, while the boy is wearing a hanbok that is red, yellow, and blue.'] | [True] | ["They are wearing traditional Korean clothing called 'hanbok' and bowing in the traditional Korean manner."] | The image captures two children, a young girl and a young boy, engaged in a traditional greeting method known as bowing, which is widely observed in South Korea. This act of bowing is an essential aspect of Korean etiquette, signifying respect and acknowledgment towards one another. In the photograph, the girl and the boy stand side by side, each demonstrating distinct styles of bowing, which subtly showcase the cultural nuances related to gender. The background of the image is plain and unobtrusive, allowing the viewer's focus to remain on the children and their traditional attire. Both the girl and the boy are dressed in hanbok, the traditional clothing of Korea that is characterized by vibrant colors and elegant designs. The girl’s hanbok features a beautiful combination of blue, white, and pink hues, reflecting the playful and graceful aesthetic often associated with young girls' clothing in Korea. In contrast, the boy is adorned in a hanbok that showcases bold colors of red, yellow, and blue, typically symbolizing vitality and strength. The absence of any text within the image further emphasizes the visual representation of Korean cultural practices and the significance of traditional garments in expressing heritage. Overall, this image beautifully encapsulates a moment of cultural expression through the children's interactions and their attire, rich in symbols and meaning. | 2,924 |
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native | ['11f28JLc6zsw'] | ['Russian'] | ["At first glance, this is a religious drawing, a peasant style, well, there's one person who seems to be Jesus Christ, a cross in the background, then Mary. I'm not very religious, so I don't quite understand it, but there's a church on the left in the background. These things are depicted in the drawing. The text, what he says, I'm trying to take a little look, but it seems like religious texts and they are hard to see a little bit. Well, it does seem like they are talking about religion. There are details like a white church, then a divine person, something in white, in the background. There’s nothing significant in the background; I really didn’t feel anything from this. It was simple, just a drawing that seems to come from some book."] | [False] | [nan] | At first glance, the artwork in question appears to be a religious drawing, characterized by a peasant style that reflects the simplicity and earnestness typical of folk art. In the central focus of the piece, one can identify a figure who is likely intended to represent Jesus Christ, as suggested by the positioning and the context of the imagery. Behind this figure, there is a prominent cross, a universal symbol of Christianity, which serves to reinforce the religious theme. Additionally, the figure of Mary can be observed, positioned nearby, which further cements the religious narrative being communicated through this illustration. On the left side of the drawing, there is a white church depicted in the background. This church may symbolize a place of worship and community, central to the lives of devout individuals. However, the personal reflection shared indicates that the observer does not possess a strong religious background, leading to some difficulty in fully grasping the meanings or nuances present in the artwork. The text accompanying the imagery appears to consist of religious scriptures or writings, yet it is reportedly challenging to read. The presence of this text suggests that it may contribute additional context or messages related to the depicted scene, although those messages remain somewhat elusive due to visibility issues. Further details include the mention of a divine figure clothed in white, possibly implying holiness and purity, which is a common motif in religious art. When exploring the background elements of the drawing, the observer notes a lack of significant details, expressing that the overall impression is one of simplicity. The drawing does not evoke strong emotional reactions in the observer; rather, it seems to represent a straightforward depiction typical of illustrations that might be found in religious texts, perhaps intended for educational or devotional purposes. The observer concludes that the piece feels somewhat unremarkable, likening it to a simple drawing that could originate from a book. | 2,989 |
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nonnative | ['14x8JFBHZe0S', '1gOr6VsDZoMk', '1bEygOZGQZAz'] | ['English', 'English', 'English'] | ["In this image you mainly see a lot of drawing brushes to do painting or some other drawings. I'm not sure what kind of coloring exactly but in any case you see at least about I would say about 20 drawing brushes in this photo. And overall they definitely seem to be Chinese paint brushes. So even though we would normally maybe see these as culturally distinct Chinese brushes, it's personally they look still very similar to normal brushes but you can tell they're Chinese based on the writing on them and things like that. Otherwise the brush holder itself is not very similar to the brush holder itself. That's probably the only noteworthy detail in this photo. It's some nice wooden piece meant to hold brushes that's rather nice but otherwise there's not much else besides the four or five brush holders in the image towards the top of the image that are noteworthy and then some white bowl on the left of the image and some other paint materials that are all held on a table. And in terms of colors. Mainly the yellow of the brush holders is noteworthy but otherwise there's not much that's culturally significant since the brushes don't look that traditional or old as paint brushes. So even if the artwork that's painted with them is meant to be more traditional the brushes themselves there's not too much that's culturally that distinct still minus the Chinese writing on the brushes and maybe the brush holders themselves. But again. Nothing. That you wouldn't find in a fancy brush holder probably from another region of the world.", 'This is a photo of a lot of brushes. These brushes look like they could be used for painting or calligraphy. There are 12 brushes inside of a case. The case has a yellow back and some gold string to keep the brushes inside of the case. The brushes inside of the case are divided into groups of three, and all of the brushes have Chinese characters on the handles. The leftmost three brushes all have plastic translucent covers over the bristles. The next three also have plastic covers over the bristles. The next three have black handles and plastic covers over the bristles. In the next group of three, only the rightmost two have plastic covers. The leftmost one does not. Outside of this case is a set of six brushes. These six brushes are resting on a dark colored wooden stand that has space for them to rest on. All of this is on top of a gray sewing mat that has red lines across it as well as red Chinese characters. Also in the background to the right appears to be some beige colored carpeting.', 'This picture is of calligraphy pens, nicely placed. I think in total, if you count, there is roughly 21 calligraphy pens, all nicely placed facing top left. The calligraphy pens on the bottom foreground is placed on a wooden structure. The calligraphy pens in the background is placed on a yellow cloth of sorts and nicely slotted into the strings to keep them in place. On the bottom left, you can see a white bowl, most likely reddish. This is the calligraphy ink for use. On the right, you can see a scroll. It is placed on a table where there are some words, Chinese words written on it. It is not obvious what the words are. They are upside down.'] | [False, False, True] | ['No', nan, nan] | In the first image, there is a collection of drawing brushes prominently displayed. The brushes appear to be designed for painting or other forms of drawing, and there are approximately 20 brushes visible in this photograph. Upon closer observation, it is evident that these brushes are primarily Chinese paintbrushes. Although the design of these brushes might resemble those from other cultural backgrounds, their distinctiveness comes through the Chinese writing inscribed on the handles. The brush holder is another element of interest in this image; it is crafted from wood and serves as a stylish container for the brushes. This holder stands out because it does not resemble typical brush holders found in other cultures. These wooden holders—four or five of them can be seen towards the top of the image—are noteworthy, alongside a white bowl on the left side of the image. The composition also includes various other painting materials resting on a table. In terms of color, the yellow of the brush holders is particularly striking, yet the overall appearance of the brushes is modern and does not exhibit traditional or ancient features typically associated with culturally significant artwork. The brushes, although intended for traditional artwork, lack distinct cultural antiquity outside of the Chinese characters present on their handles and perhaps the construction of the brush holders themselves. The second photo presents a closer look at a collection of brushes, suspected to be suited for painting or calligraphy. In total, there are twelve brushes neatly arranged within a case, which features a yellow background with gold string to secure the brushes. These brushes are grouped into sets of three. Each brush has Chinese characters adorning the handles, indicating their cultural origin. The leftmost trio is protected by translucent plastic covers over the bristles, a feature also seen on the next two groups of three brushes. The final triplet contains two brushes with plastic covers and one without. Additionally, six brushes are displayed outside of the case, resting on a dark wooden stand designed to accommodate them. This entire arrangement is set atop a gray sewing mat decorated with red lines and red Chinese characters. In the background on the right side, there is a beige-colored carpet that adds to the overall texture of the background. In the final image depicted is a display of calligraphy pens, carefully organized and facing towards the top left corner. There are approximately 21 of these pens visible, each placed on a wooden structure. Notably, in the background, there are more calligraphy pens resting on a yellow cloth, arranged neatly within strings that hold them in place. On the bottom left of the image, a white bowl—likely containing reddish calligraphy ink—can be observed, an essential tool for any calligrapher. On the right side, a scroll with Chinese characters inscribed on it lies upon a table, though the text is oriented upside down, rendering it difficult to decipher the content. This thoughtful arrangement not only highlights the beauty of the calligraphy pens but also reflects the cultural significance of calligraphy in Chinese tradition, which is often regarded as an art form in itself. | 331 |
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native | ['18Y4ZHX6UzbD', '1757fUUpdVuO'] | ['Korean', 'Korean'] | ['The photo shows a spacious outdoor area with a wide stretch of lawn, and in the center stands a silver sculpture of a human figure. This sculpture appears to be made of metal and is striking for its posture, as it seems to be looking upward toward the sky. The surrounding grass is a brownish color, reminiscent of late autumn or winter scenery. Behind the sculpture, there are brown trees with almost no leaves, densely clustered like a forest, and to the left, there is a stone bridge that evokes a vintage atmosphere. On the other side of the bridge, a faintly visible road hints at cars passing by, suggesting that the area is quite expansive and enveloped in nature. In the upper right corner of the photo, branches of a pine tree partially cover the screen, with green needle leaves drawing attention due to the stark winter background. Overall, in the clear weather, the sunlight gently illuminates the surface of the silver sculpture, which reflects the light clearly. It appears to be a serene and quiet park or outdoor exhibition space where the sculpture and natural scenery harmonize, creating a calm yet artistic atmosphere.', "This photo appears to have been taken in a park or sculpture park in Korea. In a landscape rich with the essence of autumn, a unique sculpture standing on the lawn stands out. The sculpture is a metallic work resembling a human figure, seemingly lost in deep thought as it gazes up at the sky. The reflective surface, glistening in the sunlight, and the long shadow it casts further emphasize the sculpture's presence. In the background of the photo, nature is surrounded by a bridge, a road, and mountains. The lush forest is imbued with the colors of autumn, harmonizing reds and browns, while some trees have nearly shed their leaves, suggesting the approach of winter. The scenery, blended with the blue sky, evokes a tranquil yet profound atmosphere. This scene effectively illustrates a cultural space in Korea where nature and art coexist, hinting at its value as a place for rest and contemplation outside the urban environment. This scene beautifully represents a cultural space in Korea where nature and art coexist."] | [False, False] | [nan, nan] | The photo depicts a spacious outdoor area characterized by a wide stretch of lawn, at the center of which stands a striking silver sculpture resembling a human figure. This metallic artwork draws attention not only because of its reflective surface but also due to its intriguing posture; the figure seems to be gazing upward towards the sky. The surrounding grass displays a brownish hue, indicative of late autumn or winter, enhancing the seasonal ambiance. Behind the sculpture, a dense cluster of brown trees stands nearly bare, reminiscent of a forest that has transitioned into the cooler months. To the left of the scene, a charming stone bridge adds to the vintage atmosphere, offering a picturesque focal point. Beyond this bridge, a faintly visible road suggests that the area is expansive, seamlessly merging urban elements with the tranquility of nature, as cars can be seen passing by. In the upper right corner, branches from a nearby pine tree partially obscure the view, their green needle leaves standing out vividly against the stark winter background. The scene benefits from clear weather, with sunlight bathing the silver sculpture, causing it to glisten and reflect light beautifully. The overall setting presents a serene and quiet park or outdoor exhibition space, where the man-made artwork and the natural landscape come together in perfect harmony. This environment cultivates a calm, artistic atmosphere conducive to reflection and appreciation of both nature and art. The scene has been identified as likely being in a park or a sculpture park in Korea, showcasing a landscape imbued with the essence of autumn. The unique sculpture, with its thoughtful aura as it gazes at the sky, is further enhanced by the long shadow it casts, reinforcing its prominent presence in the serene environment. The backdrop features a blend of nature that includes a bridge, a road, and mountains—elements that complement the lush forest. The rich colors of autumn, with harmonizing reds and browns, contrast beautifully with the nearly barren trees, suggesting the inevitable approach of winter. This imagery encapsulates the invaluable cultural space in Korea where nature and art coexist, emphasizing its role as a sanctuary for rest and contemplation away from the hustle and bustle of urban life. The tranquil yet profound atmosphere depicted in the photo highlights the careful integration of cultural elements within the natural landscape, marking it as a significant place for both locals and visitors seeking inspiration and solace. | 1,012 |
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nonnative | ['1bpJuiMIlLz5', '11jkYRn7SpH5', '1jGeW9VGizRX'] | ['Chinese', 'Chinese', 'Chinese'] | ["The content of the picture shows two drinks, both green, and a small green cake on a black plate shaped like a triangle. There are also two straws and a fork included. The black tray is placed on a yellow table. At the top of the picture, there are a pair of hands wearing red clothing. In the upper right corner, there is a black wallet. Inside the plate, there is an electronic paper with some writing in Korean, but I can't read it, so I don't know the exact meaning of the words.", 'In the center of this image, there is a black tray with three types of food. The first item is a drink topped with matcha powder, and underneath, it appears to be milk with ice. The second drink is also green, but the matcha powder seems to have been mixed in and is also an iced beverage. The third item is a small black plate featuring a multi-layer matcha cake, which might be a mousse cake. In the middle of the plate, there is a small fork to eat the cake, and there are also two straws for drinking the beverages. Opposite the table sits a person dressed in a red garment, seemingly preparing to wipe something off the table with a tissue. Next to him is his wallet. The table is orange, and in the background, one can see the stools of another table with clothes hanging on them. The floor is black. These foods suggest that this is likely for a deep matcha enthusiast.', "This image features a square layout with two cups of drinks and a dessert placed in the center. Both drinks are green, and the one in the middle seems to be a matcha-flavored milk tea or a latte. The cup on the left has a gradient from green to white and is topped with matcha powder; it likely contains a latte mixed with matcha, milk, and some matcha powder. There are two straws and a small fork included as well. To the right, there is a green triangular cake, which should also be matcha-flavored. These three items are placed on a tray, which rests on a table. Across from the tray, a person's hand can be seen holding some papers, possibly receipts. This scene appears to depict two or more people visiting a dessert shop, having ordered two drinks and one dessert, and they are just sitting down to share their items."] | [False, False, False] | [nan, nan, nan] | The visual representation depicted in the first caption showcases an arrangement on a black tray that includes two vibrant green drinks and a small green cake, which is elegantly presented on a black plate shaped like a triangle. The tray also features two straws and a small fork, indicating that these are meant for sharing the drinks and dessert. The black tray is set upon a bright yellow table, providing a striking contrast. In the upper section of the image, a pair of hands clad in red clothing can be observed, possibly indicating the presence of a person at the scene, while in the upper right corner, a black wallet is positioned, hinting at recent purchases or a financial transaction. On the triangular plate, there is a piece of electronic paper featuring Korean writing, although the specific content of the text remains unreadable to the observer, making the exact significance of the words unclear. The second caption provides more depth to the scene, elaborating that the black tray is centered with three distinct items of food. The first beverage is described as being topped with matcha powder and contains milk with ice, while the second drink is of a similar green visage, indicating it is also matcha flavored, likely having been blended thoroughly with ice for a refreshing iced experience. The plate, noted to house a multi-layer matcha cake—possibly a mousse cake—adds a dessert element to this culinary offering. The small fork included is intended for enjoying the cake, while the presence of two straws suggests that the drinks are prepared for sharing. A person can be seen across the table, garbed in red, seemingly engaged in the act of tidying the table using a tissue. Next to this individual, their black wallet is situated, which stands out against the table’s orange hue. In the background, another table can be glimpsed, with stools that have clothing items draped over them, contributing to a vibrant café atmosphere. The floor beneath is dark in color, enhancing the overall contrast within the setting. This arrangement of foods and drinks implies that the scene caters to someone who has a deep appreciation for matcha. The final caption presents a square layout in which the focal point is on two green drink cups alongside a dessert, thoughtfully arranged in the center. The drink in the middle appears to be a matcha-flavored milk tea or latte, while the cup on the left exhibits a gradient transition from green to white, topped with matcha powder. This drink is likely a combination of matcha, milk, and some additional matcha powder, further enriching the drink's flavor profile. Additionally, there are two straws and a small fork positioned near the dessert components, which include a green triangular cake that is presumably also matcha-flavored. These delightful items are displayed on a tray nestled on a table, adding to the culinary experience. Notably, the scene captures a person's hand reaching across the table, possibly holding some papers or receipts, which hints at an exchange related to their visit. This gathering appears to involve two or more individuals enjoying their time at a dessert shop, having ordered and settled down with their drinks and dessert, indicative of a social outing focused on sharing indulgent treats. | 972 |
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nonnative | ['1cEGiwLQ0UAh'] | ['English'] | [" At first glance, this image seems to be of a soldier and his brother or his father. As you can see, there is some sort of person who looks older, but not too old, sitting on a chair, and next to him is standing someone wearing a typical soldier outfit with boots, and what it seems like is a gun strapped around his chest. The guy on the right, sitting down on the chair, is wearing some sort of blazer and nice pants that are matching. The picture is in black and white, but it seems like it is some sort of nice clothing. There is no text, but you can notice that this seems to be sort of in a house. It seems to be that there is a room in the back and a room to the side. This could be maybe a kitchen, but you can't really see what's in the background. There seem to be maybe three steps, and clearly this seems like a picture that was posed for by two people, maybe in the same family, and it's clearly in black and white and grayscale."] | [True] | ['The clothing worn by the gentlemen seem to be from a specific region, but I do not know which.'] | The image presents a poignant moment featuring two individuals, likely related by blood. At first glance, one can interpret the figures as a soldier accompanied by either a brother or father. The composition showcases an older male figure seated on a chair, presenting an air of calm authority. His attire consists of a well-tailored blazer and matching trousers, hinting at a degree of formality, despite the black and white presentation that gives the image a timeless quality. Beside him stands a younger man dressed in what appears to be a typical soldier's uniform, complete with sturdy boots. He is also equipped with a firearm secured by a strap across his chest, which adds a layer of seriousness to the portrayal. The soldier exudes a sense of readiness and duty, indicative of military life. While the photograph is devoid of any textual elements, the setting subtly suggests a domestic environment. There are indications of other rooms in the background, which might include a kitchen, although the details remain obscured. The arrangement suggests this could be a well-lived home, perhaps reflecting a historical or familial context significant to the individuals depicted. The visual aesthetic of the image, being in black and white and utilizing grayscale tones, emphasizes the emotional weight and historical resonance of the subjects captured within it. The setting contains a few steps that lead to the background, further indicating the domesticity of the scene. The picture appears to have been purposefully staged, suggesting a familial bond between the two men, which may speak to their shared experiences and the time period they inhabit. The attire of the gentlemen suggests cultural significance, potentially pointing to specific regional styles; however, the exact origins of their clothing remain unclear. This adds an element of intrigue to the image, inviting viewers to ponder the broader context of their lives, including their familial and historical connections. | 1,969 |
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native | ['1lClIkGYZ2qH', '1eGrBmyKP0mY', '11ZMzjliH6zZ'] | ['Chinese', 'Chinese', 'Chinese'] | ['This image captures a moment from a synchronized swimming competition. It is taken from a nearly horizontal perspective above the water, showcasing approximately nine or ten athletes emerging from the water, reaching their hands toward the sky with their index fingers extended, creating a very tense scene. Water splashes are also flying up into the air. It is evident that this is an indoor setting within a swimming pool, but in the background, there seems to be only a coach visible, so it is unclear whether this is a training session or an official competition. However, judging by some of the text in the background, I suspect it features advertisement labels for four sponsors as promotion. All ten athletes are female synchronized swimmers wearing white swim caps with two red decorations, and their swimsuits have a black base adorned with patterns made up of green, yellow, and blue triangles.', 'This picture is a front shot of the synchronized swimming team. In this scene, a group of women is performing movements on the water. In the image, all of them have their hands raised, with five fingers fully extended, facing this one girl. Her head is thrown back, mouth wide open, directly looking at me. In the background, there are several other people visible, but their faces cannot be seen. On the left side of this row of girls, there are three people, and on the right side, there are also three people. These three individuals are wearing hats and swim caps, and their hands are stretched out diagonally forward, with fingers also extended.', 'This is a photo of a synchronized swimming competition. In the center of the picture, there are nine athletes competing. They are wearing white caps with a red symmetrical elongated pattern. Their outfits are in various colors: green, silver, black, yellow, and orange. They are performing a pose with their hands raised. Behind them, there is a pile of chairs, and on a white long bench sits a person dressed in white, but he does not seem to be focused on the competition; instead, he is looking at something in his hands. There is another shadowy figure sitting next to him, but further details are not clear. On the left side of the photo is a wall for sponsors, listing four companies that sponsored the event. The first is called EMS, the second is 100PLUS, the third is SUNPLAY, and the fourth is not clearly visible.'] | [False, False, False] | [nan, nan, nan] | This image captures a dynamic moment from a synchronized swimming competition, providing a visually striking perspective that is almost horizontal, taken from just above the water's surface. In this captivating scene, approximately nine or ten female athletes are emerging from the water, reaching their hands toward the sky with their index fingers extended—this pose creates an atmosphere of intensity and focus. Water droplets are dramatically splashing into the air around them, adding to the energetic essence of the performance. The setting is clearly indoors, likely at a swimming pool, but the lack of visible spectators suggests that this could be either a training session or an official competition event. Notably, in the background, a coach can be seen, which further contributes to the ambiguity surrounding the nature of the event. However, advertisement banners for four sponsors are discernible in the background, indicating that promotional activities are also taking place during this event. All the athletes are wearing distinctive white swim caps decorated with two red embellishments, while their swimsuits feature a primarily black base adorned with vibrant patterns of green, yellow, and blue triangles, showcasing the sport's emphasis on both athleticism and artistry. The second image presents a front view of the synchronized swimming team actively engaging in their routine. In this photograph, the focus is on a group of women performing synchronized movements on the water’s surface, all with their hands raised, fingers fully extended, directed towards one central figure amongst them. This specific swimmer has her head tilted back, with her mouth open wide as she appears to be either expressing emotion or possibly executing a vocal command, making direct eye contact with the camera, thus creating an intimate connection with the viewer. In the background, several other individuals are visible, though their faces are not identifiable, maintaining the focus on the athletes in the foreground. Positioned on either side of the main group are three individuals each—on the left and right—some wearing hats and swim caps. Their hands are also stretched out diagonally forward, fingers extended, contributing to the vibrant atmosphere of the performance. The third image depicts another scene from a synchronized swimming competition focusing on a central group of nine athletes in action. These swimmers are seen wearing white swim caps adorned with a red, elongated, symmetrical design. Their attire features a vivid array of colors, including green, silver, black, yellow, and orange, illustrating the colorful and festive nature of synchronized swimming performances. The athletes are striking a pose with their hands lifted above them, indicating a moment of performance flair. Behind them, an array of chairs can be discerned, with a single person dressed in white seated on a long white bench, seemingly detached from the ongoing competition as they are preoccupied with something in their hands. Next to this individual is an indistinct shadowy figure, adding an element of intrigue to the scene. To the left side of the photograph, a wall displaying the logos of sponsor companies is visible, specifically highlighting four prominent brands: EMS, 100PLUS, and SUNPLAY, though the name of the fourth sponsor remains unclear. This detail underscores the commercial aspect of the event, as sponsors often play a significant role in funding sporting competitions. | 592 |
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nonnative | ['1h3v1XYEuiC8'] | ['English'] | [" At first glance, this image shows two people who appears to be two women holding two trophies. One of them is also holding a microphone. And then they're at some sort of award ceremony with some looks like Asian channel on the bottom, like interviewing them or something like that. And then on top, there are some Asian characters as well, as well as on the microphones they're holding, there's also Asian characters. The sign that it says, again, it's a lot of Asian characters and it says Next and Makazin. So maybe some sort of like TV channel. And then on top left corner, it says Cherry by Teddy Bape. And then there's a link to this website. It's photop.net.teddybape. So maybe that's a TV channel or some game show that they're hosting about. And then in the background, there seems to be a couple other people who are not very relevant to the entire picture. But mostly these two people, either one of them giving the award, the other one's receiving. And yeah."] | [False] | [nan] | At first glance, this image depicts two individuals who appear to be women, each of them proudly holding a trophy. One of these women is also holding a microphone, suggesting that they are engaged in an interview or presentation setting. The venue appears to be an award ceremony, with various visual elements hinting at an Asian cultural context. In the lower section of the image, some text is displayed in Asian characters, possibly indicating the identity of the broadcasting channel or organizing body of the event. Additionally, the contributions of Asian characters can also be observed on the microphones that they are holding, further emphasizing the cultural theme of the event. Prominently featured on a sign within the image, there are more Asian characters, alongside the words "Next" and "Makazin." These terms could potentially refer to a television channel or a program title, indicating that the event may be linked to broadcasting or media coverage. In the upper left corner of the image, the phrase "Cherry by Teddy Bape" is visible, and there is a URL provided that reads "photop.net.teddybape." This may suggest that the event is associated with a specific media channel or could be related to a game show being hosted. In the background of the scene, there are a few additional individuals present; however, their presence is deemed less significant in comparison to the two main figures at the forefront of the image. The narrative implies that one of the women is either presenting the award while the other is receiving it, adding a moment of recognition and accomplishment to the occasion. | 2,181 |
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nonnative | ['1euZUDqGsHeK', '1hIOOtWyD3N6'] | ['English', 'Chinese'] | [" This is an image of a man and a child, a baby specifically, in a kitchen. The man is holding the baby and the kitchen shows the gas cooker, a little part of the cabinets and the vent hood. The man and the baby are staring at the camera. The man has on a striped shirt and the baby has on a colourful set, a colourful onesie, I would assume, with the colours red, white, green, yellow, a lot of colours. In the image, you can see there are some pots and pans on the gas cooker, on the stove. There's also napkins. There are also napkins on the oven, the oven holder. The napkins are blue in colour and there's some spices in the background of the picture and some utensils that look like knives.", 'At first glance, this photo seems to be taken in a kitchen at home. The main subjects are two people on the very left side of the image. One should be a father or a male figure holding a child, whose gender is indiscernible. The man has black hair and deep-set eyes, with a very thick black beard, and he is turned away from the camera while holding the child and looking back at the lens. He is dressed in a blue short-sleeved polo shirt and black pants. The child he is holding is wearing a very colorful outfit and has short hair, looking particularly charming. The background resembles a home kitchen, featuring a stovetop with some pots on it and scattered fruits on the table. There is also a white cabinet decorated with some patterns, along with various knives and utensils. It looks like a very warm and cozy family setting.'] | [False, False] | ['No', nan] | The image depicts a warm and inviting kitchen scene featuring a man and a baby. The man, likely a father or male guardian, is holding the baby securely in his arms while both are facing the camera. The man has black hair, deep-set eyes, and is characterized by a thick black beard. He is dressed in a blue short-sleeved polo shirt paired with black pants. His posture suggests a blend of affection and attentiveness towards the child. The baby, who has short hair, is dressed in an eye-catching and vibrant onesie adorned with a multitude of colors including red, white, green, and yellow. This lively outfit accentuates the baby’s charm and likely conveys a sense of playfulness and joy. The kitchen serves as a cozy backdrop, hinting at a homey atmosphere. A gas stove is visible in the image, adorned with several pots and pans, indicating that cooking might be taking place or has recently occurred. Scattered across the stovetop are napkins in a deep blue color, and some spices can be seen in the background, which adds to the culinary theme of the setting. An oven holder is also present, providing functionality to the kitchen space. On a nearby table, there are scattered fruits, which not only adds a pop of color to the scene but also hints at a family-oriented lifestyle. A white cabinet with decorative patterns can be glimpsed in the background, along with various kitchen utensils, such as knives and other cooking tools, which suggest a well-used, warm family kitchen that’s full of life and care. The overall atmosphere of the image conveys warmth, intimacy, and the joys of family life. | 1,588 |
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nonnative | ['1ocr0JJVuwQ0'] | ['English'] | [" There are four people in the image smiling and looking towards the camera. There are two women in the middle of the four people and on the two sides there are two men. The woman on the left middle side is wearing a light yellow shirt and short denim shorts and she's wearing a leopard or cheetah print scarf. She is also wearing a white hat with a blue stripe in the center. The woman on her right. Is appears slightly older and shorter. She is wearing a light beige trench coat and black pants. The man on the left most side is wearing a camouflage jacket with a red, yellow, red, white, green stripe going down his arm. And he's wearing a navy cap and glasses. He is also. Sitting on the side of a table. The man on the right most side is wearing a gray and white striped collared shirt with a logo on his chest. He is wearing black pants. They are standing in front of. In a room that appears to have a pink colored walls and. A. With that has a blue. Stripe going through the center of the walls. Horizontally and the floor looks to be. Blue carpet."] | [True] | [nan] | In the image, there are four individuals who are smiling and looking directly at the camera, creating a cheerful and inviting atmosphere. Positioned centrally are two women, while two men flank them on either side. On the left side of the image, the first woman stands out with her outfit; she is dressed in a light yellow shirt paired with short denim shorts. Adding a touch of flair to her appearance, she has wrapped a leopard or cheetah print scarf around her neck. This combination adds a playful element to her attire. Furthermore, she is wearing a stylish white hat that features a blue stripe running through the center, complementing her overall look. Next to her, on the right, is the second woman, who appears to be slightly older and shorter than her companion. She is dressed in a light beige trench coat that gives her a refined appearance, matched with black pants that provide a classic contrast. Her look exudes a sense of understated elegance. On the leftmost side of the group is the first man, who sports a camouflage jacket emblazoned with bold stripes of red, yellow, and white, as well as green, running down the arm. He finishes off his look with a navy cap and glasses, and he is seated at the side of a table, which suggests a laid-back and casual setting. On the rightmost side stands the second man, who is dressed in a gray and white striped collared shirt that features a logo on the chest. His look is completed with a pair of black pants, which keeps his outfit polished yet casual. The background of the image features walls painted in a soft pink hue, creating a warm and inviting environment. A distinctive blue stripe runs horizontally through the center of the walls, adding a modern touch to the decor. The floor is covered with blue carpet, further contributing to the harmonious blend of colors in the room. The overall composition of the group and the setting suggests a friendly gathering, likely capturing a moment of shared joy among friends or family. | 2,342 |
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native | ['1djzKaEJphFY', '1jmK0Qnjv5TM', '15Iv2GUi1FtH'] | ['Chinese', 'Chinese', 'Chinese'] | ['In the photo, we can see many people wearing red robes. The person closest to the camera is wearing a robe and has something slung over his shoulder; I can\'t see it clearly, but it might be a knife, though I\'m not sure. His hat is black. Behind him, we can see many people arranged in several rows, holding up yellow signs. The clear text on the signs shows two phrases: on the left, it says "Avoid" and on the right, it says "Silence." Overall, their outfits are red with black lines, and the signs they are holding up are in shades of red and yellow.', 'In this picture, there are many people, with a person resembling a Taoist in the center. Behind them, there are several others dressed similarly, holding some items, including flags and placards. The main subjects are these individuals, who are dressed in Taoist robes—probably around ten to a few dozen in total. The positioning of the figures shows one person in the middle and four rows of people standing behind. The details include a sign that reads "Avoid" and "Silence," which indicates that some important figures in China, when in public spaces, typically hold two placards representing their status and nobility, signaling others to avoid them and keep noise to a minimum. One detail is that the central Taoist is holding a gong, possibly to strike it, and has a bamboo pole on his back, which might be used to carry something. Given their identity as Taoists, I believe they are likely carrying an item representing a certain deity during a procession in the streets. The background suggests daytime, as it is happening in public during the day. The overall style appears quite mystical, as it is rare in China to see Taoists in robes walking in the streets while holding the "Avoid" and "Silence" signs. This could be specific to certain regions in China where such processions may take place during particular festivals.', 'At first glance, this photo shows many people dressed in red. Their outfits resemble Chinese dao robes, and they appear to be a group of men wearing these robes participating in some sort of activity. In the center at the front, I can see a person wearing a black dao hat and carrying a shoulder pole, although it\'s unclear what is hanging from it. Behind him, I see four rows of men, each holding a sign or a banner decorated with bagua symbols. Among the two men in the center, one is holding a sign that says "Avoid" while the other holds a sign that says "Silence." It looks like a photo capturing them engaged in some religious activity.'] | [True, True, True] | ['I think this is culturally distinct because on one of the flags, there are tachi black and white colors on the symbol.', '道袍和中文的牌子', nan] | In the photo, a significant number of individuals can be seen wearing red robes, which are reminiscent of traditional Taoist attire commonly known as dao robes in Chinese culture. The individual who is closest to the camera stands prominently at the forefront, dressed in a robe and adorned with a black hat. He is depicted with something slung over his shoulder; while the exact item is not clearly visible, it is speculated that it might resemble a knife. This person serves as the focal point of the image. Behind this central figure, numerous others are organized in several rows, showcasing a well-coordinated visual display. Each of these individuals is also attired in similar red robes marked with black lines, contributing to a cohesive look among the group. They are actively holding up yellow signs that convey two distinct messages: on the left, the word "Avoid" is visibly inscribed, while on the right, the word "Silence" is displayed. This setup may serve a ceremonial or ritualistic purpose, reflecting the cultural practices associated with Taoism. Upon closer inspection, one can discern that the central figure exudes an aura of authority, as he is depicted holding a gong, suggesting that he may be preparing to strike it. He also carries a bamboo pole on his back, which might be intended to support or transport an additional ceremonial item, possibly one that represents a particular deity. This is indicative of processions that often take place where Taoist practitioners honor spiritual figures during traditional events. There are about ten to a few dozen individuals present, all engaged in what seems to be a designated religious activity. The overall ambiance of the scene suggests that it unfolds during the day in a public space, emphasizing the rare sight of Taoists in robes conducting such processions while holding the "Avoid" and "Silence" signs. This representation is particularly striking as it reflects cultural practices specific to certain regions in China, where such processions may coincide with festive occasions. In a broader context of the image, accompanying details include figures holding placards decorated with bagua symbols, which are integral to Chinese metaphysics and Taoist philosophy. The presence of the black and white tachi colors on the flags highlights cultural significance and contrasts that resonate with the themes of balance and duality pervasive in Taoist thought. The photo captures not just a moment in a ritual, but also a vivid illustration of community and spiritual expression within the cultural fabric of Taoism in China. | 2,073 |
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nonnative | ['19RHx0B3DERf'] | ['English'] | [" This image seems like some sort of photo shoot for a product. There seems to be some sort of red thin linen or some piece of clothing. On the bottom it's a few different tones of red and there's black ink on it with letters in some sort of Asian language. And on top of this cloth is some sort of product, I'm not sure what it is. It seems like some sort of hexagon connected through rope to six cylinders, maybe it's a musical instrument. Each one of the cylinders as well as the hexagon is red and there is some sort of gold design on it and in the middle is printed a gold letter in that same Asian language. They're all connected and they're all connected. They're all connected and they're all connected. I assume that they make a sound together."] | [True] | [nan] | This image appears to depict a stylish photo shoot showcasing a product. The focal point is a piece of fabric, possibly made of thin linen, characterized by various shades of red that lend it a vibrant appearance. The fabric features black ink printed with letters in an Asian language, which adds a cultural element to the visual composition. Positioned prominently on top of this striking cloth is a unique product that resembles a collection of interconnected shapes and forms. The product consists of a hexagonal base made of red material, which is intricately linked through rope to six cylindrical components. These cylinders, like the hexagon, are also red and adorned with decorative gold patterns, enhancing their aesthetic appeal. In the center of the hexagon, there is a gold letter printed in the same Asian script found on the linen fabric below, emphasizing the product's cultural significance. The entire setup suggests that these elements come together to produce sound, indicating that this may indeed be a musical instrument. The detailed craftsmanship, bold colors, and connection between the components hint at a well-thought-out design intended for both visual impact and auditory experience. | 2,680 |
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native | ['1imb5xKxXWcJ'] | ['Chinese'] | ['I saw a good wild man from Europe. He looks like an icon, like a sticker with red letters on a document. There’s also an airplane and a person, and it’s called "Good Wild Man from Europe" sent back as a gift from Yanqiu.'] | [False] | [nan] | I saw a good wild man from Europe. He has an appearance reminiscent of an icon or a sticker, featuring bold red letters on a document. In addition to this wild man, there is an airplane depicted alongside a person. This imagery has been titled "Good Wild Man from Europe," and it was sent back as a gift from a place called Yanqiu. | 2,376 |
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nonnative | ['16b0dZAD0HJg', '19kkn4mty5DE', '1mXMsRXtu5EE'] | ['English', 'Korean', 'Chinese'] | [" This is a picture of a person holding a baked item. They look very proud of their item. And this person is feminine presenting with braces and one earring. They are smiling very widely in the photo. Their hair is up and they're wearing a black tank top and have a necklace. And they also have a bracelet and they're holding a water bottle, an open water bottle in the left arm. They have something, a card of some sort in their left hand. And the main focus is on a cake in their right hand, which seems to be meringue that is burnt with a torch. So that the sugar becomes brown and there seems to be cocoa dusting all over the top of it. And in the background, there are two photos that are framed in the background on the yellow wall. One of them is full of orange and yellow hues and the other one is blinded by the light. But it seems to be red and blue. There is a light switch on the... center left of the image and on the bottom of the wall, there is lining and dark blue on the wall. And the person is centered in the middle of the image. So it seems that someone is taking a photo of them from eye level.", "In my view, the image shows a woman smiling while holding a round cake on a tray in front of her. The image features one person, one cake, one tray, one water bottle, and two framed pictures hanging on the wall. There is no visible text on the cake or other objects, and additionally, there are a switch and a painting in the frames, but there are no readable letters. The woman is positioned in the center, looking at the camera while slightly tilting the cake forward at chest height. In her other hand, she holds a transparent plastic water bottle. Notable details include a swirled pattern on the cake’s surface, the woman’s braces, and her black sleeveless top. The cake is on top. In the background, there is a cream-colored wall adorned with two frames in thin gold frames. The overall style and color scheme are warm and casual, with the wall's neutral tones and natural lighting highlighting the rich brown and cream of the cake.", 'This photo is a candid shot of a woman holding a cake and smiling happily at the camera. She has a bottle of mineral water in her hand, which has no labels but features a blue cap. The cake has some chocolate powder and white frosting visible on top. The woman has black hair and black eyes, and she is wearing a black tank top, facing slightly sideways to the camera. The background appears to be a hallway, possibly her home, and there are two gold-framed artworks or photographs on the wall. The wall is a pale yellow color, with two light switches visible, and the lower half of the wall is dark blue. The woman is wearing a gold ring and a red bracelet.'] | [False, False, False] | [nan, nan, nan] | This image captures a joyful moment as a person smiles broadly while holding a delicious baked creation. The individual, who presents as feminine, sports a pair of braces and wears a single earring that adds a touch of individuality. They have their hair styled up, revealing their cheerful demeanor as they exhibit a wide grin. Dressed in a black tank top, the individual accessorizes with a delicate necklace and a bracelet on one wrist, creating a casual yet stylish appearance. In their left arm, they are holding an open plastic water bottle, which appears to be a mineral water bottle featuring a blue cap, showcasing a casual approach to hydration. Their left hand holds a card of some sort, further emphasizing a playful mood. The main focus of the photograph is the cake that they are proudly presenting in their right hand. This cake is round in shape and topped with a visually striking meringue that has been darkened using a culinary torch, giving the sugar a rich brown color, reminiscent of toasted marshmallows. The cake's surface is further embellished with a light dusting of cocoa, adding an elegant touch to the dessert. The background of the image reveals a cream-colored wall that is adorned with two framed pieces of artwork, both enclosed in thin gold frames. One of these artworks showcases vivid hues of orange and yellow, while the other is painted with shades of red and blue, although it is somewhat obscured by the lighting. Light switches are visible on the left side of the image, contributing to the home-like atmosphere. The lower half of the wall features a contrasting dark blue lining, which adds depth and richness to the setting. The individual is positioned squarely in the center of the image, giving the impression that the photograph was taken from eye level, allowing viewers to connect with the subject's happiness and pride in their creation. The overall aesthetic combines warm colors and natural lighting, highlighting both the delightful cake and the cheerful personality of the person in the photograph. | 1,813 |
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native | ['19Gz9yxwzCez', '17PkI7JVW79n'] | ['Japanese', 'Japanese'] | ["This is a photo of ramen. It looks like a large serving, so it might be a type of ramen from the Jiro style. There are two bowls of ramen, which makes me think two people are eating, along with two cups of water. I believe it was taken inside a restaurant. There are two bowls of ramen on the table, and while there are no people in the frame, both bowls seem to be of the same type. The broth is a bit reddish and looks like it might be spicy, with two pieces of chashu and a large amount of bean sprouts, piled high with noodles underneath. On top, there seems to be something like pickled spicy items. There are two bowls, and to prevent spills, there's another plate underneath. The edge of the plate has some characters, which might indicate the restaurant's name. In the background, the entrance is visible, along with tiles and a door, suggesting that this is indeed inside the aforementioned restaurant.", "In the center of the photo, there is a large bowl filled with ramen. The broth has a dark color that gives an impression of spiciness, but the details are not quite clear. On top, a generous amount of bean sprouts is piled high, and near the peak, toppings like chopped garlic and fried green onions can be seen. The edge of the bowl has about two slices of chashu resting on it, appearing thick and juicy. The outside of the bowl is designed in red and white with small printed text, but only part of it may be legible. Beneath the ramen, the broth shows a layer of oil and red specks that resemble chili, suggesting it might be a rich and spicy type. The table has a wood grain pattern, and in the back, another bowl of similar ramen can be seen. There are also about two small glasses visible, apparently filled with cold water. There are no particularly flashy decorations around, evoking the simple counter or table seating typical of a ramen shop. There's hardly any distraction in the background, allowing the main ramen dish to stand out. From this photo, one can infer that it was taken at a restaurant that serves hearty ramen. Given the presentation of the bean sprouts and the size of the chashu, it could be a popular place known for its substantial offerings. Overall, it is a mouthwatering ramen shop. The bowl looks fantastic, conveying an atmosphere where one could enjoy a hearty serving filled with plenty of noodles and ingredients. With a blend of blistering chalk and cabbage chalk, the fried chalk is truly delicious. That's all for this video. Please subscribe to the channel, give it a thumbs up, and leave a comment. See you in the next video. The end. The end."] | [False, False] | [nan, nan] | This is a captivating description of two which shows an enticing spread featuring ramen, a beloved Japanese dish renowned for its rich flavors and comforting qualities. The scene is set within a restaurant ambiance, as indicated by the structured arrangement of the dishes on a table, complemented by subtle details like an entrance and tiled walls in the background. The first image features two large bowls of ramen, suggesting that it may cater to a dining experience for two people. The ramen appears to be a variation commonly associated with the Jiro style, known for its generous portions and multi-layered toppings. The broth, displaying a reddish hue, hints at the possibility of spiciness, often a key characteristic of ramen dishes that appeal to adventurous palates. The bowls are filled with substantial quantities of noodles, topped with an abundant amount of bean sprouts, two succulent pieces of chashu (braised pork belly), and what seems to be pickled spicy items, possibly adding a tangy and zesty kick to the meal. To enhance practicality and to minimize any spills, a plate lies beneath the bowls. Intriguingly, the edge of this plate bears some characters, likely indicating the restaurant's name or logo, reflecting a touch of personal branding. Though no diners are present in the immediate frame, the visual composition communicates a sense of shared experience, evoking warmth and camaraderie over food. In the second part of the transcription, the focus narrows to a single, large bowl of ramen that remains the center of attention. The dark broth exudes an aura of spiciness, further supported by the visible layer of oil and red chili specks that dance within it. At the bowl’s summit, bean sprouts are proudly stacked, with additional garnishes of chopped garlic and fried green onions adding texture and complexity. The chashu on the bowl's edge appears thick and juicy, a delightful promise of flavor for discerning diners. The bowl’s exterior design, characterized by red and white color schemes featuring small printed text, encapsulates the rustic charm typical of ramen shops. The wood grain of the table emphasizes the simplicity of the dining environment, reminiscent of traditional eateries dedicated solely to the art of ramen-making. While other elements are present, such as another bowl of similar ramen and small glasses of cold water, the lack of overwhelming décor allows the dishes to take center stage. The overall presentation of the ramen indicates a culinary experience that prioritizes hearty servings and rich flavors, reinforcing this establishment’s reputation as a go-to spot for ramen enthusiasts. The enticing visual signals a fantastic bowl waiting to be enjoyed, with the promise of satisfying various appetites. The transcription concludes with a call to action for viewers to engage with the content by subscribing, liking, and leaving comments, signaling an end to the video while fostering a sense of community among followers. | 898 |
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nonnative | ['14bQPiy35KD7'] | ['English'] | [" This image at first glance is of many rows of motorcycles. It is taken from a bird's eye view. There appears to be two rows of motorcycles in each group. So there are a total of four groups of motorcycles in frame. Towards the back, there is only a row of bicycles in frame, but there are possibly more behind that. The text says www.nfdaily.cn and there is Chinese text in red on top of that. The motorcycles are primarily black colored with some blue and red and white accents and there is a yellow barrier towards the front group of motorcycles. There is also a rows of... Stop cones, street cones along the middle section of the picture separating the groups of motorcycles and there are also four people in frame who are walking towards the bottom right corner."] | [True] | [nan] | The image presented is captured from a bird's-eye perspective, showcasing numerous rows of motorcycles meticulously arranged. Upon closer inspection, one can discern that the motorcycles are grouped into sets of two rows, with a total of four distinct groups visible within the frame. In the background, there is a single row of bicycles captured, suggesting that there may be additional rows of bicycles located behind this initial row, though they are not visible in the current shot. Prominently featured in the image is the website URL "www.nfdaily.cn" alongside Chinese text rendered in red, which likely adds contextual significance but remains unspecified in content. The motorcycles themselves predominantly exhibit a black coloration, accented by touches of blue, red, and white, presenting a vibrant yet cohesive visual appeal. Towards the front of the first group of motorcycles, there is a yellow barrier that serves to define the space and ensure organization among the vehicles. In addition, along the midsection of the image, there are several stop cones or street cones angled in a manner that separates the various groups of motorcycles from one another, contributing to a clear and structured layout. In the lower right corner of the frame, four individuals are seen walking, directing their movement towards that area. Their presence adds a sense of scale to the scene and indicates that there is a flow of activity within this motorcycle assembly, although their identities and specific roles are not defined within the provided context. | 2,356 |
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