Alessandro Scarlatti and Henry Purcell, share which common occupation?
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Alessandro Scarlatti Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
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Henry Purcell Henry Purcell ( or ; c. 10 September 1659 – 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no other native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century.
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John Alexander Fuller Maitland John Alexander Fuller Maitland (7 April 1856 – 30 March 1936) was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry.
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Henry Wood Sir Henry Joseph Wood {'1': ", '2': ", '3': 'CH', '4': "} (3 March 186919 August 1944) was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms".
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Alessandro Cicognini Alessandro Cicognini (25 January 1906 in Pescara – 9 November 1995 in Rome) was an Italian film music composer.
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Pietro Nardini Pietro Nardini (April 12, 1722 – May 7, 1793) was an Italian composer and violinist, a transitional musician who worked in both the Baroque and Classical-era traditions.
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Bernardo Pasquini Bernardo Pasquini (7 December 163721 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.
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Matteo Botti Matteo Botti (ca. 1570–1621) was an Italian scientific instrument maker.
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George Frideric Handel George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
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Nymphs and Shepherds Nymphs and Shepherds is a song by the English composer Henry Purcell, from the play "The Libertine" by Thomas Shadwell. When the play was first performed, in 1675, the accompanying music was by William Turner. Purcell's music was first used in either 1692 or 1695; the musicologist Ian Spink has concluded that the latter year is the more probable, although the earlier date is often cited.
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Robert Valentine (composer) Robert Valentine (c. 1671 – 26 May 1747), also known as Roberto Valentini and Roberto Valentino, was an English composer, recorder player, oboist and violinist, who moved to Rome and became a naturalised Italian. He is noted for his large number of compositions for the recorder.
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William Turner (composer) William Turner (1651/2–13 January 1740, London) was a composer and countertenor of the Baroque era. A contemporary of John Blow and Henry Purcell, he is best remembered for his verse anthems, of which over forty survive. As a singer, he was a Gentleman of the Chapel Royal from 1669 until his death.
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Ode to St. Cecilia (Purcell) Hail! Bright Cecilia (Z.328), also known as Ode to St. Cecilia, was composed by Henry Purcell to a text by the Irishman Nicholas Brady in 1692 in honour of the feast day of Saint Cecilia, patron saint of musicians. Annual celebrations of this saint's feast day (22 November) began in 1683, organised by the Musical Society of London, a group of musicians and music lovers. Purcell had already written Cecilian pieces in previous years, but this Ode remains the best known. The first performance was a great success, and received an encore.
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Mario Braggiotti Mario Braggiotti (November 29, 1905 – May 18, 1996) was an American pianist, composer and raconteur. His career was launched by George Gershwin, who became his friend and mentor.
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Alessandro Polonini Alessandro Polonini (1844, Crema – 1920, Crema) was an Italian bass-baritone. He created the roles of Benoît and Alcindoro in Puccini's opera "La bohème", as well as Geronte de Ravoir in his "Manon Lescaut". Polonini also created the role of the surgeon in Verdi's "La forza del destino".
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Pietro Raimondi Pietro Raimondi (December 20, 1786, Rome – October 30, 1853) was an Italian composer, transitional between the Classical and Romantic eras. While he was famous at the time as a composer of operas and sacred music, he was also as an innovator in contrapuntal technique as well as in creation of gigantic musical simultaneities.
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Giovanni Battista Viotti Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London.
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Marco Uccellini Marco Uccellini (Forlimpopoli, Forlì 1603 or 1610 - 10 December 1680) was an Italian Baroque violinist and composer. His output of mainly secular music for solo violin is considered to have been important in the rise of independent instrumental classical music, and in the development of violin technique.
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Cambise (opera) Il Cambise is an opera by Alessandro Scarlatti to a libretto by Domenico Lalli presented at the Teatro San Bartolomeo for carnival 1719 in Naples. It was the composer's 111th opera and his last for Naples.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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Ralph Vaughan Williams Ralph Vaughan Williams {'1': ", '2': ", '3': ", '4': "} ( 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over nearly fifty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
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Enrico Bevignani Enrico Modesto Bevignani (29 September 1841 – 29 August 1903) was an Italian conductor, harpsichordist, composer, and impresario. He studied in his native city with Giuseppe Albanese, Salvatore Lavigna, Giuseppe Lillo and Giuseppe Staffa. Although his opera "Caterina Blum" was a critical success at its premiere at the Teatro di San Carlo in 1862, he never wrote another stage work and only produced a few chamber works and piano pieces.