Devil Without A Cause, an album by Kid Rock, is an example of what genre that fuses hip hop with various forms of rock?
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Devil Without a Cause Devil Without a Cause is the fourth studio album by Kid Rock, released on August 18, 1998. The album was produced by Kid Rock with John Travis. It is Kid Rock's last album to be categorized as "hip hop" before crossing over to more traditional rock music. AllMusic labeled the album as a "rap-rock masterpiece".
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Rap rock Rap rock is a music genre that fuses vocal and instrumental elements of hip hop with various forms of rock. Rap rock's most popular subgenres include rap metal and rapcore, which include heavy metal- and hardcore punk-oriented influences, respectively.
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Bobby Sichran Bobby Sichran (real name Robert Lichtman, died February 2015) was a Jewish-American alternative hip hop musician. His music was often described as combining hip hop with several other musical genres, such as blues rock and folk music. His fusion of these genres has led many critics to compare him to Beck, and, in some cases, even say that he originated the fusion of folk and hip hop before Beck made it famous. Others have compared him to Bob Dylan, but Sichran criticized such comparisons, saying that he would "never want [his] music to exist on comparisons to someone else."
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Hip-hop theater Hip-hop theater is a form of theater that presents contemporary stories through the use of one or more of the four elements of hip-hop culture—b-boying, graffiti writing, MCing (rapping), and DJing. Other cultural markers of hip-hop such as spoken word, beatboxing, and hip-hop dance can be included as well although they are not always present. What is most important is the language of the theatrical piece and the plot's relevance to the world. Danny Hoch, founder of the Hip-Hop Theater Festival, further defines it as such: "Hip-hop theatre must fit into the realm of theatrical performance, and it must be "by, about and for" the hip-hop generation, participants in hip-hop culture, or both."
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Tanzanian hip hop Tanzanian Hip-hop, also known as Bongo Flava, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop. There is some debate over whether Bongo Flava, which has emerged as a defined pop movement, can really still be qualified under the overarching term "hip hop" and not a movement unto itself, when it is beginning to develop a distinctive sound that differs from hardcore rap or, for example, the Maasai Hip-hop of X Plastaz, who use the tradition of the Maasai tribe as the focal point for their sound and style.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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Christian alternative rock Christian alternative rock is a form of alternative rock music that is lyrically grounded in a Christian worldview. Some critics have suggested that unlike CCM and older Christian rock, Christian alternative rock generally emphasizes musical style over lyrical content as a defining genre characteristic, though the degree to which the faith appears in the music varies from artist to artist.
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Crunkcore Crunkcore (also called crunk punk, crunk rock, screamo-crunk, and scrunk) is a fusion genre characterized by the combination of cultural and musical elements from crunk, screamo, and emo. The genre often features screamed vocals, dance-pop beats, and "sexually provocative lyrics."
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Post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. The genre took shape in the mid to late 1980s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots.
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Arena rock Arena rock (known additionally by various names such as "AOR" or "album-oriented rock", "anthem rock", "corporate rock", "dad rock", "melodic rock", "pomp rock", and "stadium rock" ) is a style of rock music that originated in the mid-1970s. As hard rock bands and those playing a softer yet strident kind of pop rock became increasingly popular, groups creating material inherently designed for large audiences, arena rock developed from their use of more commercially oriented and radio-friendly sounds. The often highly-produced music, including both upbeat, dramatic songs and slower power ballads, features strong emphasis on melody and frequently employs anthemic choruses. Other major characteristics include prominent guitar effects and the use of keyboard instruments.
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Rasin Rasin is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with rock and roll. This style of modern music reaching back to the roots of Vodou tradition came to be called "mizik rasin" ("roots music") in Haitian Creole or "musique racine" in French. In context, the movement is often referred to simply as "rasin" or "racine"".
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Outsider music Outsider music is created by musicians who are not part of the commercial music industry and who write music that ignores standard musical or lyrical conventions, either because they have no formal training or because they disagree with conventional rules. This type of music, which often lacks typical structure and may incorporate (what is then perceived as) bizarre lyrics and/or melodies, has few outlets; performers or recordings are often promoted by word of mouth or through fan chat sites, usually among communities of music collectors and music connoisseurs. Outsider musicians usually have much "greater individual control over the final creative" product either because of a low budget or because of their "inability or unwillingness to cooperate" with modifications by a record label or producer.
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West Coast hip hop West Coast hip hop is a hip hop music subgenre that encompasses any artists or music that originate in the West Coast region of the United States. The gangsta rap subgenre of West Coast hip hop began to dominate from a radio play and sales standpoint during the early 1990s with the birth of G-funk and the emergence of Suge Knight and Dr. Dre's Death Row Records.
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List of punk rock festivals The following is an incomplete list of punk rock music festivals. This list may have some overlap with list of rock festivals and list of heavy metal festivals. Punk is a rock music genre that developed between 1974 and 1976 in the United States, United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed perceived excesses of mainstream 1970s rock. By 1976 the first festivals were being organized.
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Tropipop Tropipop (also known as Colombian pop) is a music genre that developed in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign Latin genres such as Salsa and Merengue, and pop and pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music" describing the genre's mix of Latin Tropical roots with American popular music.
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Mash Out Posse (album) Mash Out Posse is M.O.P.'s self-titled fifth album. This album is a rock-rap album which contains rock remixes of M.O.P.'s songs off other albums and some original songs. M.O.P. collaborated with the rock band Shiner Massive.
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Funk Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
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Garage rock Garage rock (sometimes called ' 60s punk or garage punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. The term "garage rock" derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
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Senegalese hip hop Senegalese hip hop began to emerge in the early 1980s. When hip hop first hit the scene in Africa, it went from merely being a fad, to a more social and political movement. Amongst the most influential leaders of this movement were artists from the country of Senegal. With the modernization of the country, and the rise in media, the youth of Senegal were able to embrace a new form of expression. One of the main reasons why hip hop has become preeminent in Senegal is due to its mixture of sound and culture. "Senegal's hip hop scene is distinctive and its artist extremely talented. The country has a history of strong musical traditions..." Moreover, hip hop has not only become an aspect of life for the Senegalese people, but more importantly has translated to a way of life, gathering influence from the musical expression prior to its rise in Senegal, and understanding their past as it pertains heavily to its socially present state within music.
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Rock en español Rock en español (Spanish: "Spanish-language rock" ) is a term used widely in the English-speaking world to refer any kind of rock music featuring Spanish vocals. Unlike English-speaking bands, very few acts reached worldwide success and often not even between different Spanish-speaking countries due to a lack of promotion. Despite "rock en español" 's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some "rock en español" artists did become internationally popular with the help of a promotional campaign from the mid 1980s to the mid 1990s called ""Rock en tu idioma"" (Rock in your language). Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are "Latin rock", a fusion of rock music with Latin American and Caribbean folkloric sounds developed in Latino communities; "Latin alternative", an alternative rock scene which blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or "Andalusian rock", a flamenco-influenced style that emerged in Spain.
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Hip hop Hip hop or hip-hop is a subculture and art movement developed in South Bronx in New York City during the late 1970s. While people unfamiliar with hip hop culture often use the expression "hip hop" to refer exclusively to hip hop music (also called "rap"), Hip hop is characterized by nine distinct elements or expressive realms, of which hip hop music is only four elements (rapping, djaying, beatboxing and breaking). Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art, which he called "aerosol writin'", although many say that the graffiti that hip hop adopted had been around years earlier, and had nothing to do with hip hop culture. (visual art). Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.
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Nuyorican rap Nuyorican rap is a fusiongenre of Hip hop, Latin hip hop, Reggaeton, and East Coast hip hop that embodies aspects of East Coast Stateside Puerto Rican (Nuyorican) culture and is typically performed by American or Puerto Rican rappers and musicians of Puerto Rican descent.