Comedy of intrigue is a genre that includes what comedy by William Shakespeare that is thought to have been written in 1598?
952bf835e234e242e5663eab93a92bdb
Comedy of intrigue The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Molière's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey.
d04258c18782d0ed4937ddf5ec7fc3ce
Much Ado About Nothing Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the "First Folio", published in 1623.
433597b40de9133ef3b44121f48e2f99
Cymbeline Cymbeline , also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify "Cymbeline" as a romance or even a comedy. Like "Othello" and "The Winter's Tale", it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
17aa06a17ae0fed27b825024c0927bea
The Mandrake The Mandrake (Italian: La Mandragola ] ) is a satirical play by Italian Renaissance philosopher Niccolò Machiavelli. Although the five-act comedy was published in 1524 and first performed in the carnival season of 1526, Machiavelli likely wrote "The Mandrake" in 1518 as a distraction from his bitterness at having been excluded from the diplomatic and political life of Florence following the 1512 reversion to Medici rule. Both contemporary and modern scholars read the play as an overt critique of the House of Medici; however, Machiavelli set the action in 1504 during the period of the Florentine Republic in order to express his frustrations without fear of censure from patrons already ill-disposed towards him and his writing.
2f9fe6fb89098dee6bc276a18aaf338d
The Maiden Queen Secret Love, or The Maiden Queen is a 1667 tragicomedy written by John Dryden. The play, commonly known by its more distinctive subtitle, was acted by the King's Company at the Theatre Royal, Drury Lane (which had escaped the Great Fire of London the year before). The premiere occurred on 2 March, and was a popular success. King Charles II, his brother the Duke of York and future King James II, and Samuel Pepys were all in the audience on opening night.
9be162d468290c9dbb25b9eace6b45a7
Nine Worthies of London Nine Worthies of London is a book by Richard Johnson, the English romance writer, written in 1592. Borrowing the theme from the Nine Worthies of Antiquity, the book, subtitled "Explaining the Honourable Excise of Armes, the Vertues of the Valiant, and the Memorable Attempts of Magnanimous Minds; Pleasaunt for Gentlemen, not unseemely for Magistrates, and most profitable for Prentises", celebrated the rise of nine famous Londoners through society from the ranks of apprentices or ordinary citizens.
da5ecfee30e885db117bfad873ec42e5
Comedy In a modern sense, comedy (from the Greek: κωμῳδία , "kōmōidía") refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter.
64e1b7b928b4fdff3b541820ab4a7ea3
English Renaissance theatre English Renaissance theatre, also known as early modern English theatre, or (commonly) as Elizabethan theatre, refers to the theatre of England between 1562 and 1642.
a7448c048f3df7536b23e8272afe7a53
Plautus Titus Maccius Plautus (c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his.
7ceca11bc4a2a0788ace2fa5c2828647
Sources of Hamlet The sources of "Hamlet", a tragedy by William Shakespeare believed to have been written between 1599 and 1601, trace back as far as pre-13th century Icelandic tales. The generic "hero-as-fool" story is so old and is expressed in the literature of so many cultures that scholars have hypothesized that it may be Indo-European in origin. A Scandinavian version of the story of Hamlet, Amleth or Amlóði (Norse for "mad", "not sane") was put into writing in the 12th century by Saxo Grammaticus around 1200 AD in the "Gesta Danorum" (from which Shakespeare borrowed). Similar accounts are found in the Icelandic "Saga of Hrolf Kraki" and the Roman legend of Lucius Junius Brutus, both of which feature heroes who pretend to be insane in order to get revenge. A reasonably accurate version of Saxo's story was translated into French in 1570 by François de Belleforest in his "Histoires Tragiques". Belleforest embellished Saxo's text substantially, almost doubling its length, and introduced the hero's melancholy.
15c68d44b38593ee2c4873c13af09e30
A Midsummer Night's Dream A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
88f6cf0846d599ed093d0548ef029db5
First Folio Mr. William Shakespeare's Comedies, Histories, & Tragedies is the 1623 published collection of William Shakespeare's plays. Modern scholars commonly refer to it as the First Folio. The First Folio is considered one of the most influential books ever published in the English language.
5ec1c0406da3f69ce96750b1cbb2a49b
Essay of Dramatick Poesie Essay of Dramatic Poesy by John Dryden was published in 1668. It was probably written during the plague year of 1666. Dryden takes up the subject that Philip Sidney had set forth in his "Defence of Poesie" (1580) and attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French.
b108bb64b80278dbc54bbb70cf9af1e8
Arden of Faversham Arden of Faversham (original spelling: Arden of Feversham) is an Elizabethan play, entered into the Register of the Stationers Company on 3 April 1592, and printed later that same year by Edward White. It depicts the murder of Thomas Arden by his wife Alice Arden and her lover, and their subsequent discovery and punishment. The play is notable as perhaps the earliest surviving example of domestic tragedy, a form of Renaissance play which dramatized recent and local crimes rather than far-off and historical events.
b7e4672d1ab6dfbe62aaf57b849f2072
Shakespearean comedy In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies, though today many scholars recognize a fourth category, romance, to describe the specific types of comedies that appear as Shakespeare's later works.
9b6f474515fe3b23fd8b68ab6ae4f74e
Bonduca Bonduca is a Jacobean tragi-comedy in the Beaumont and Fletcher canon, generally judged by scholars to be the work of John Fletcher alone. It was acted by the King's Men c. 1613, and published in 1647 in the first Beaumont and Fletcher folio.
283e83ab23e00d24f0b02cbc3a7e9cc1
Thomas Dekker (writer) Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists.
b292fef92cf407905183e956502150db
Troilus and Cressida Troilus and Cressida ( ) is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate". Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. However, several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern," as in the following remarks on the play by author and literary scholar Joyce Carol Oates:
28f001637a906762aecfab820bfc62c6
Richard Tarlton Richard Tarlton or Tarleton (died September 1588), was an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as "Tarlton's Jests".
952d0ee0463ef3eb39422e1cf4c3599f
Every Man out of His Humour Every Man out of His Humour is a satirical comedy written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men. It is a conceptual sequel to his 1598 comedy "Every Man in His Humour". It was much less successful on stage than its predecessor, though it was published in quarto three times in 1600 alone; it was also performed at Court on 8 January 1605.
ab3ce600b872b57146e46f06c3ed647f
Macbeth Macbeth ( ; full title The Tragedy of Macbeth) is a tragedy by William Shakespeare; it is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power for its own sake. Of all the plays that Shakespeare wrote during the reign of James I, who was patron of Shakespeare's acting company, "Macbeth" most clearly reflects the playwright's relationship with his sovereign. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
85664dcf047ab261c645cc5c2d901395
The Wise Woman of Hoxton The Wise Woman of Hoxton is a city comedy by the early modern English playwright Thomas Heywood. It was published under the title "The Wise-Woman of Hogsdon" in 1638, though it was probably first performed c. 1604 by the Queen's Men company (of which Heywood was a shareholder), either at The Curtain or perhaps The Red Bull. The play is set in Hoxton, an area that at the time was outside the boundaries of the city of London and notorious for its entertainments and recreations. The Victorian critic F. G. Fleay suggested that Heywood, who was also an actor, originally played the part of Sencer. It has often been compared with Ben Jonson's comic masterpiece "The Alchemist" (1610)—the poet T. S. Eliot, for example, argued that with this play Heywood "succeeds with something not too far below Jonson to be comparable to that master's work".