Which German composer, organist, and teacher's son was a composer, organist and harpsichordist of the late Baroque era?
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Charles Theodore Pachelbel Charles Theodore Pachelbel (baptized Carl Theodorus, also spelled Karl Theodor, on November 24, 1690; buried September 15, 1750) was a German composer, organist and harpsichordist of the late Baroque era. He was the son of the more famous Johann Pachelbel, composer of the popular "Canon in D." He was one of the first European composers to take up residence in the American colonies, and was the most famous musical figure in early Charleston, South Carolina.
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Johann Pachelbel Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
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Wolfgang Carl Briegel Wolfgang Carl Briegel (21 May 1626, Königsberg, Bavaria – 19 November 1712, Darmstadt, Germany) was a German organist, teacher, and composer.
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Heinrich Faber Heinrich Faber (before 1500 – 26 February 1552) was a German music theorist, composer, and Kantor.
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Daniel Erich Daniel Erich (19 February 1649 in Lübeck - 30 October 1712 in Güstrow) was a German organist and composer.
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François de Prendcourt François de Prendcourt (born Gutenberg von Weigolshausen; 1640s – 1725) was a German composer, organist, harpsichordist, and soldier.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Johann Friedrich Fasch Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer.
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Karl Christian Agthe Karl Christian Agthe (16 June 1762 – 27 November 1797) was a German organist and composer.
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Johann Gottfried Bernhard Bach Johann Gottfried Bernhard Bach (May 11, 1715 – May 27, 1739) was the fourth child of Johann Sebastian Bach and Maria Barbara Bach to reach adulthood.
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Ferdinand Tobias Richter Ferdinand Tobias Richter (22 July 1651 – 3 November 1711) was an Austrian Baroque composer and organist.
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Armand-Louis Couperin Armand-Louis Couperin (25 February 17272 February 1789) was a French composer, organist, and harpsichordist of the late Baroque and early Classical periods. He was a member of the Couperin family of musicians, of which the most notable were his great uncle Louis and his cousin François.
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Johann Sebastian Bach Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
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Johann Wilhelm Hertel Johann Wilhelm Hertel (9 October 1727 – 14 June 1789) was a German composer, harpsichord and violin player.
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Brandenburg Concertos The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era.
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Theo Brandmüller Theo Brandmüller (2 February 1948, in Mainz – 26 November 2012, in Saarbrücken) was a German contemporary classical composer, organist and teacher.
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Johann Ernst Eberlin Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras. He was a prolific composer, chiefly of church organ and choral music. Marpurg claims he wrote as much and as rapidly as Alessandro Scarlatti and Georg Philipp Telemann, a claim also repeated by Leopold Mozart - though ultimately Eberlin did not live nearly as long as either of those two composers.
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Georg Patermann Georg Patermann (c.1580 - after 1628) was a German composer and organist at St. Jakobi in Rostock and the Schloßkirche Güstrow.
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Friedrich Koch Friedrich Ernst Koch (3 July 186230 January 1927) was a German composer, cellist and teacher. He was born in Berlin and studied cello with Robert Hausmann and composition with Woldemar Bargiel at the Berlin Hochschule für Musik. He served as a cellist in the Royal Orchestra of Berlin between 1882 and 1891, after which he accepted a position of music director (Kapellmeister) for the resort town of Baden-Baden. A year later, he returned to Berlin, where he concentrated on composing and teaching, eventually becoming a professor and director of theory at the Musikhochschule where he had studied. Kurt Weill, Pablo Sorozábal, Boris Blacher and Paul Kletzki were among his many students.
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Joachim Raff Joseph Joachim Raff (27 May 182224 or 25 June 1882) was a German-Swiss composer, teacher and pianist.
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Performance practice of Bach's music Johann Sebastian Bach's music has been performed by musicians of his own time (including himself), and in the second half of the eighteenth century by his sons and students, and by the next generations of musicians and composers such as the young Beethoven. Felix Mendelssohn renewed the attention for Bach's music by his performances in the 19th century. In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt, Gustav Leonhardt and Sigiswald Kuijken.
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Hans Buchner Hans Buchner (also Joannes Buchner, Hans von Constanz, b. October 26, 1483 in Ravensburg; d. March 1538, probably in Konstanz) was an important German organist and composer.