Konstantin Saradzhev conducted a number of premieres of works by this Russian composer of the romantic period born in 1840 who was honored by which Russian monarch?
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Konstantin Saradzhev Konstantin Saradzhev (also "Constantin Saradgeff", born Saradzhian; 8 October 1877 – 22 July 1954) was an Armenian conductor and violinist. He was an advocate of new Russian music, and conducted a number of premieres of works by Pyotr Ilyich Tchaikovsky, Modest Mussorgsky, Igor Stravinsky, Sergei Prokofiev, Nikolai Myaskovsky, Dmitri Shostakovich, and Aram Khachaturian. His son Konstantin Konstantinovich Saradzhev was a noted bell ringer and musical theorist.
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Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky ( ; Russian: Пётр Ильи́ч Чайко́вский ; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilich Tchaikovsky, was a Russian composer of the romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
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Konstantin Sluchevsky Konstantin Konstantinovich Sluchevsky (Russian: Константин Константинович Случевский ), (1837–1904) was a Russian poet.
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Yevgeny Baratynsky Yevgeny Abramovich Baratynsky (Russian: Евге́ний Абра́мович Бараты́нский ; ] ; 2 March [O.S. 19 February] 1800 11 July 1844) was lauded by Alexander Pushkin as the finest Russian elegiac poet. After a long period when his reputation was on the wane, Baratynsky was rediscovered by Russian Symbolism poets as a supreme poet of thought.
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1840 in music This article is about music-related events in 1840.
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Prince Igor Prince Igor (Russian: Князь Игорь , "Knyaz' Igor'") is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic "The Lay of Igor's Host", which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.
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Viktor Selyavin Viktor Alekseyevich Selyavin Russian: Виктор Алексеевич Селявин (1875–1945) was a leading tenor of the Odessa Opera and Ballet Theater. He is often referred to as Odessa's Sobinov, a reference to Leonid Sobinov, one of the best known Russian tenors of the first half of the twentieth century. His repertoire included the tenor roles of most major operas, but he is best known for his interpretation of Lensky in "Eugene Onegin". He also performed in chamber music, being especially fond of Mikhail Glinka's and Pyotr Ilyich Tchaikovsky's romances.
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Alexander Abaza Alexander Ageevich Abaza (Александр Агеевич Абаза 1821–1895) was one of the most liberal of the advisors of Alexander II of Russia. He served as minister of finance from 1880–1881, and unsuccessfully urged the tsar to transform Imperial Russia into a constitutional monarchy. In his career he also served as State Comptroller (1871–1874) and as chairman of State Council's Department of the State Economy (1874–1880 and 1884–1892). He was a recipient of the Order of the White Eagle, the Order of Saint Vladimir, the Order of Saint Anna and the Order of Saint Stanislaus.
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Onisim Bron Onisim Mikhailovich Bron (Russian: Брон Онисим Михайлович ; 1895-1975) was a Soviet conductor active from the 1930s to 1950s. From 1948 he was artistic director of the opera ensemble of All-Union Radio, and from 1952-1956 of the VTO Soviet Opera Ensemble (Ансамбль советской оперы ВТО) founded by Ivan Kozlovsky. Apart from recordings of Puccini and Massenet operas in Russian his recordings include several rarer Russian operas for Melodiya which have never been re-recorded.
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God Save the Tsar! "God Save the Tsar!" (Russian: Боже, Царя храни! ; transliteration: Bozhe, Tsarya khrani!) was the national anthem of the Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 18 December 1833. The composer was violinist Alexei Lvov, and the lyrics were by the court poet Vasily Zhukovsky. It was the anthem until the Russian Revolution of 1917, after which "Worker's Marseillaise" was adopted as the new national anthem until the overthrow of the Russian Provisional Government.
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D. S. Mirsky D. S. Mirsky is the English pen-name of Dmitry Petrovich Svyatopolk-Mirsky (Russian: Дми́трий Петро́вич Святопо́лк-Ми́рский ), often known as Prince Mirsky (9 September [O.S. 22 August] 1890 – c. 7 June 1939), a Russian political and literary historian who promoted the knowledge and translations of Russian literature in Britain and of English literature in the Soviet Union. He was born in Kharkov Governorate and died near Magadan.
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Karl Ivanovich Weber Karl Ivanovich Weber (also Carl von Waeber; Russian: Карл Иванович Вебер , 17 June [O.S. 5 June] 1841 – 8 January 1910) was a diplomat of the Russian Empire and a personal friend to King Gojong of Korea's Joseon Dynasty. He is best known for his 1885–1897 service as Russia's first consul general to Korea.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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Mariinsky Palace Mariinsky Palace, also known as Marie Palace (Russian: Мариинcкий дворец ), was the last Neoclassical imperial palace to be constructed in Saint Petersburg, Russia. It was built between 1839 and 1844 to a design by the court architect Andrei Stackensneider.
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Philippe Musard Philippe Musard (8 November 1792 – 31 March 1859) was a French composer who was crucial to the development and popularity of the promenade concert. One of the most famous personalities of Europe during the 1830s and 1840s, his concerts in Paris and London were riotous (in several senses of the word) successes. Best known for his "galop" and "quadrille" pieces, he composed many of these numbers himself, usually borrowing famous themes of other composers. Musard plays an important role in the development of light classical music, the faculty of publicity in music, and in the role of the conductor as a musical celebrity. He has been largely forgotten subsequent to his retirement in the early 1850s.
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Leonid Malashkin Leonid Dimitrievitch Malashkin (1842 – February 11, 1902) was a Russian composer and conductor. Though he wrote a few works in larger forms, he is today chiefly remembered for his romances, particularly "Oh, Could I But Express in Song".
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Catherine the Great Catherine II (Russian: Екатерина Алексеевна "Yekaterina Alekseyevna"; 2 May [O.S. 21 April] 1729 – 17 November [O.S. 6 November] 1796 ), also known as Catherine the Great (Екатери́на Вели́кая , "Yekaterina Velikaya"), born Princess Sophie of Anhalt-Zerbst, was Empress of Russia from 1762 until 1796, the country's longest-ruling female leader and arguably its most renowned, regardless of gender (although Peter the Great was the only Tsar officially designated as "The Great" ). She came to power following a "coup d'état" when her husband, Peter III, was assassinated. Russia was revitalised under her reign, growing larger as well as stronger in military terms and becoming recognised as one of the great powers of Europe.
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Boleslav Yavorsky Boleslav Leopoldovich Yavorsky (Russian: Болеслав Леопольдович Яворский ; June 22, 1877, Kharkiv – November 26, 1942) was a Russian musicologist, music teacher, administrator and pianist.
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Karl Bryullov Karl Pavlovich Bryullov (Russian: Карл Па́влович Брюлло́в ; 12 December 1799 – 11 June 1852), original name Charles Bruleau, also transliterated Briullov or Briuloff and referred to by his friends as "The Great Karl", was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism.
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A Life for the Tsar A Life for the Tsar (Russian: Жизнь за царя , "Zhizn' za tsarya"), as it is known in English, although in Soviet times its name was "Ivan Susanin" (Russian: Иван Сусанин ) is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in St. Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who gave his life in the expulsion of the invading Polish army for the newly elected Tsar Mikhail, the first of the Romanov dynasty, elected in 1613.
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Vasily Andreyev Vasily Vasilievich Andreyev (Russian: Василий Васильевич Андреев ; 15 January [O.S. 3 January] 1861 1918) was a Russian musician responsible for the modern development of the balalaika and several other traditional Russian folk music instruments, and is considered the father of the academic folk instrument movement in Eastern Europe. His accomplishments included:
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Kobzar (poetry collection) Kobzar (Ukrainian: Кобзар, "The bard"), is a book of poems by Ukrainian poet and painter Taras Shevchenko, first published by him in 1840 in Saint Petersburg, Russia. Taras Shevchenko was nicknamed "The Kobzar" after the publishing of this book. From that time on this title has been applied to Shevchenko's poetry in general and acquired a symbolic meaning of the Ukrainian national and literary revival.