Who wrote the libretto in a Shakespeare play-based opera by a man who was later Director of the Conservatoire de Paris?
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Ambroise Thomas Charles Louis Ambroise Thomas (5 August 1811 – 12 February 1896) was a French composer, best known for his operas "Mignon" (1866) and "Hamlet" (1868, after Shakespeare) and as Director of the Conservatoire de Paris from 1871 till his death.
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Hamlet (opera) Hamlet is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play "Hamlet".
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La bohème (Leoncavallo) La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on "Scènes de la vie de bohème" by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.
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Roméo et Juliette (musical) Roméo et Juliette: de la Haine à l'Amour is a French musical based on William Shakespeare's play "Romeo and Juliet", with music and lyrics by Gérard Presgurvic. It premiered in Paris on January 19, 2001. The production was directed and choreographed by Redha, with costumes by Dominique Borg and settings by Petrika Ionesco. The producers were Gérard Louvin, GLEM, and Universal Music.
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Parisina (Mascagni) Parisina is a "tragedia lirica", or opera, in four acts by Pietro Mascagni. Gabriele D'Annunzio wrote the Italian libretto after Byron's poem "Parisina" of 1816.
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Hérodiade Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella "Hérodias" (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
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Françoise de Rimini Françoise de Rimini (Francesca da Rimini) is an opera in four acts with a prologue and an epilogue. The last opera composed by Ambroise Thomas, it sets a French libretto by Michel Carré and Jules Barbier which is based on an episode from Dante's "Divine Comedy". The opera was first performed by the Paris Opera on 14 April 1882 but fell into relative obscurity until its revival in 2011.
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Callirhoé Callirhoé is an opera by the French composer André Cardinal Destouches. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from "The Description of Greece" by Pausanias (see Coresus). The opera was first performed on December 27, 1712, by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. Destouches reworked the score for a revival on 22 October, 1743. This version ends abruptly with the death of Corésus.
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Le roi s'amuse Le roi s'amuse (] ; literally, "The King Amuses Himself" or "The King Has Fun") is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Verdi's 1851 opera "Rigoletto".
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Oedipus rex (opera) Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
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Henri Caïn Henri Cain ( Paris 11 October 1857 – ibid 21 November 1937) was a French dramatist, opera and ballet librettist. He wrote over forty librettos from 1893 to his death, for many of the most prominent composers of the Parisian Belle Epoque.
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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Le caïd Le caïd, also spelled Le kaïd ("The Qaid"), is a comic opera ("opéra bouffon " or "opéra bouffe ") in two acts composed by Ambroise Thomas to a libretto by Thomas Sauvage. It was premiered on 3 January 1849 by the Opéra-Comique at the second Salle Favart in Paris. The opera was originally titled Les boudjous (The budjus).
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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Diane et Endymion Diane et Endymion ("Diana and Endymion") is a French-language opera by the composer Niccolò Piccinni, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 7 September 1784. It takes the form of an "opéra" in three acts. The libretto, by Jean-François Espic Chevalier de Liroux, is based on the story of the goddess Diana's love for the shepherd Endymion.
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Antigone (Honegger) Antigone is an opera ("tragédie musicale") in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy "Antigone" by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
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The Merchant of Venice (opera) The Merchant of Venice is an opera by André Tchaikowsky (1935–1982) to a libretto, based on the Shakespeare play, by John O'Brien. Written between 1968 and 1982, it was first performed in 2013 at the Bregenz Festival. The British premiere will be presented by the Welsh National Opera in September 2016.
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Le chalet Le chalet is an opéra comique in one act by Adolphe Adam to a French libretto by Eugène Scribe and Mélesville after the singspiel "Jery und Bätely " by Goethe. The score re-uses material from Adam's Prix de Rome cantata "Ariane a Naxos" (1825). The text for the singspiel had previously been set to music by Peter Winter, 1790, Johann Friedrich Reichardt, 1801, and Conradin Kreutzer, 1810, and later by Donizetti, 1836, Julius Rietz, 1841, Heinrich Stihl, 1867, and Ingeborg Bronsart, 1873.
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Nicolas-Étienne Framery Nicolas-Étienne Framery (25 March 1745, Rouen – 26 November 1810, Paris) was a French music theorist, critic and lyric writer associated with opera, especially opéra comique. He wrote and adapted librettos. His work became more adademic and abstract and he eventually became "surintendant de la musique" for the Comte d'Artois, (who would become Charles X of France).
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Pimmalione Pimmalione ("Pygmalion") is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris on 30 November 1809. The libretto is an adaptation by Stefano Vestris of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his "scène lyrique" "Pygmalion" (1770). It is based on the Classical legend of the sculptor Pygmalion.
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Manon Manon (] ) is an "opéra comique" in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (Act I), Auguste-Alfred Rubé and Philippe Chaperon (Acts II and III), and Jean-Baptiste Lavastre (Act IV).
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Le roi de Lahore Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste-Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV).