What type of film are Chronique d'un été and Fairytale of Kathmandu classified as?
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Chronique d'un été Chronique d'un été (Chronicle of a Summer) is a 1961 French documentary film shot during the summer of 1960 by sociologist Edgar Morin and anthropologist and filmmaker Jean Rouch, with the technical and aesthetic collaboration of Québécois director-cameraman Michel Brault.
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Fairytale of Kathmandu Fairytale of Kathmandu is a 2007 documentary film by Neasa Ní Chianáin.
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Horror films of Cambodia Horror films in Cambodia, first popular in the 1970s, have received renewed attention in Cambodian film making since the resurgence of the local industry in 2003. Horror is one of three popular genres into which most Cambodian films can be loosely grouped, the other two being period pieces and melodrama/romantic drama. The fledgling Cambodian industry of the mid 2000s looked to capitalize on the world-wide popularity of Japanese horror films which have heavily influenced Cambodian horror films. Common themes are ghost or spirit hauntings, possession, folk mythology and revenge by supernatural means. The storytelling takes a slower pace than Western horror and relies on suspense, a pervasive sense of doom and dread, and psychologically disturbing events and situations. Unlike its Japanese counterparts however, many Cambodian horror films also feature over the top gore as seen in Western horror.
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A Tale of Two Sisters A Tale of Two Sisters (; lit. "Rose Flower, Red Lotus") is a 2003 South Korean psychological horror-thriller drama film written and directed by Kim Jee-woon. The film is inspired by a Joseon Dynasty era folktale entitled Janghwa Hongryeon jeon, which has been adapted to film several times. The plot focuses on a recently released patient from a mental institution who returns home with her sister, only to face disturbing events between her stepmother and the ghosts haunting their house- all of which are connected to a dark past in the family's history.
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The Fairy of Saint Ménard The Fairy of Saint Ménard (German:Die Fee von Saint Ménard) is a 1919 German silent film directed by Erik Lund.
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A Heart in Winter A Heart in Winter (French: "Un cœur en hiver" ) is a French film which was released in 1992. It stars Emmanuelle Béart, Daniel Auteuil and André Dussollier. It was chosen to compete at the 49th Venice International Film Festival, where it won four awards, including tying for the Silver Lion. It was nominated for Best Foreign Film at the 1994 BAFTA awards.
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Tulsi Vivah (film) Tulsi Vivah (The Marriage of Tulsi) is a 1971 Bollywood fantasy drama film based on mythology. Directed by Chandrakant, the film stars Jayshree Gadkar and Anita Guha, and narrates the origin of the "Tulsi Vivah" ritual.
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L'Ange et la Femme L'Ange et la femme ("The Angel and the Woman") is a 1977 Quebecois fantasy romance film directed by Gilles Carle. The film follows a woman who, after being brutally shot, dies in the snow and is resurrected by an angel who falls in love with her and eventually teaches her how to incinerate objects with her mind. The film is shot entirely in black-and-white and gained some controversy due to its explicit unsimulated sex scenes between the two leads.
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The Diary of an Old Man The Diary of an Old Man (French: "Le Journal d’un vieil homme" ) is a 2015 drama film directed by Bernard Émond. It is based on the Anton Chekhov short story "A Dreary Story" (alternatively titled in English "A Boring Story" or "A Dull Story").
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Kothanodi Kothanodi (, English: The River of Fables ) is an Assamese language feature film written and directed by Bhaskar Hazarika and stars Seema Biswas, Adil Hussain, Zerifa Wahid, Urmila Mahanta, Kopil Bora and Asha Bordoloi. The story of the film is based on folktales from Assam, India.
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The Brahmin and the Butterfly La Chrysalide et le Papillon d'or, released in the United States as The Brahmin and the Butterfly, is a 1901 French short silent fantasy film, directed by Georges Méliès. It is listed as numbers 332-333 in Star Film Company's catalogues.
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Cinema of Senegal The cinema of Senegal is a relatively small film industry which experienced its prime from the 1960s through to the early 1980s, but has since declined to less than five feature films produced in the last ten years.
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Survival film The survival film is a film genre in which one or more characters make an effort at physical survival. It often overlaps with other film genres. It is a subgenre of the adventure film, along with swashbuckler films, war films, and safari films. Survival films are darker than most other adventure films which usually focus their storyline on a single character, usually the protagonist. The films tend to be "located primarily in a contemporary context" so film audiences are familiar with the setting, meaning the characters' activities are less romanticized.
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Cinéma du look Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
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A Desperate Crime A Desperate Crime (French: Les Incendiaires ), also known as Histoire d'un crime, was a 1906 French silent film directed by Georges Méliès.
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Lost Loves (film) Lost Loves (ឃ្លាតទៅសែនឆ្ងាយ "khlea t tow sen chhngay") is a 2010 Cambodian drama film directed by Chhay Bora and based on real events. It is the first Cambodian film in more than 20 years to deal with facts during the Khmer Rouge era. "Lost Loves" was selected as the Cambodian entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist. It is only the second Cambodian film to be listed for the Best Foreign Language Oscar. The film made its premiere at the 2010 Cambodia International Film Festival
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Shrawan Ghimire Shrawan Ghimire (Nepali: श्रवण घिमिरे) is a popular Nepali film actor and producer. Ghimire has been involved in many commercially successful films including "Lahure", "Dui Thopa Aansu" and "Darpan Chaya". His and his brother Tulsi Ghimire's pair is regarded as the most successful and qualitative producer−director pair.
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Robin des bois, la véritable histoire Robin des bois, la véritable histoire (English: Robin Hood, the true story ) is a 2015 French comedy film.
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Mossane Mossane is a 1996 Senegalese drama film directed by Safi Faye. It was screened in the Un Certain Regard section at the 1996 Cannes Film Festival. Unlike some of Faye's earlier films which use a documentary style, "Mossane" is purely fictional.
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Hifajat Hifajat is a Nepali film released on 10 April 2010. The film is a combination of drama and comedy.
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La Rage de l'ange La Rage de l'ange is a 2006 Canadian drama film directed by Dan Bigras. The film earned two Genie Award nominations in the categories of Best Achievement in Art Direction/Production Design and Best Achievement in Music - Original Song for the song "L'Astronaute".
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Juliet of the Spirits Juliet of the Spirits (Italian: "Giulietta degli spiriti" ) is a 1965 Italian-French fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism of a middle-aged woman that help her find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape." It was Fellini's first feature-length color film, but followed his use of color in "The Temptation of Doctor Antonio" episode in the portmanteau film "Boccaccio '70" (1962). "Juliet of the Spirits" won a Golden Globe Award for Best Foreign Language Film in 1966.