Martina Iñíguez wrote about the history of what dance that began in the working-class neighborhoods of Montevideo?
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Martina Iñíguez Martina María Iñíguez de Monreal is an Argentine known for writing about the History of the tango. She wrote a biography of Carlos Gardel.
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History of the tango Tango, a distinctive dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Montevideo (Uruguay) and (Buenos Aires), Argentina; on both sides of the Rio de la Plata.
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Zapateado (Mexico) The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word "" for "shoe": "zapatear" means to strike with a shoe. It is widely used in huapango, son jarocho, son jaliscience, son calentano, and mariachi.
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Maria Rivarola Maria del Carmen Rodriguez de Rivarola, better known by her artistic name Maria Rivarola (born in Buenos Aires, ca. 1957) is an outstanding professional dancer, social dancer, and choreographer of the Argentine Tango. She is known for performing a specific style of Argentine Tango known as Milonguero Tango. She is also known worldwide for being a cast member of the show "Tango Argentino", released in 1983, which resulted in her nomination, along with the rest of the dancers, for the Tony Award in 1986 for Best Choreography. Since her youth, Carlos Rivarola has been her dance partner. Together, they present themselves artistically as Maria and Carlos Rivarola. Maria was one of the founders of the Association of Teachers, Dancers, and Choreographers of the Argentine Tango (ATDCAT) in 2001.
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Cocolo (dance) Cocolo is a dance drama tradition practiced in the Dominican Republic. It has been inscribed on the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO in 2008, though the original proclamation came in 2005.
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Bar Facal Bar Facal is one of the most traditional Uruguayan coffeehouse. Located in the corner 18 de Julio avenue and Yí street, Centro, Montevideo, Uruguay. Founded in 1882, by Galician Manuel Facal and his brothers; It is the oldest Uruguayan downtown bar.
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Peruvian dances Peruvian dances are primarily of native origin. There are also dances that are related to agricultural work, hunting and war. Peru takes dance very seriously. Some choreographies show certain Christian influence.
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Buceo Buceo is a "barrio" (neighbourhood or district) in Montevideo, Uruguay.
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Rumberas film The rumberas film (in Spanish cine de rumberas) was a film genre that flourished in Mexico, in the so-called Golden Age of Mexican cinema in the 1940s and 1950s. These movies starred "rumberas", dancers who performed to popular Afro-Caribbean rhythms. With roots in various film styles, the genre is one of the most fascinating hybrids of international cinema. Today, thanks to their unique characteristics, they are considered cult films. The rumberas and the luchador films were two of Mexico's contributions to international cinema. The rumberas film represented a social view of the world, focused on "women of the night" in the 1940s and 1950s, which confronted the moral and social conventions of their time, exhibiting a more realistic look at Mexican society. These were melodramas about the lives of these women, redeemed through exotic dance.
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Ballo The ballo was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name "ballo" has its origin in Latin "ballō", "ballāre", meaning "to dance", which in turn comes from the Greek "βαλλίζω" ("ballizō"), "to dance, to jump about". In Greece there is the Greek dance named Ballos.
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Joropo The Joropo is a musical style resembling the fandango, and an accompanying dance. It has African, Native South American and European influences and originated in the plains called "Los Llanos" of what is now Colombia and Venezuela. It is a fundamental genre of "música criolla" (creole music). It is also the most popular "folk rhythm": the well-known song "Alma Llanera" is a joropo, considered the unofficial national anthem of Venezuela.
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Prostitution in Uruguay Prostitution in Uruguay was legislated in 2002 through the sex work law (17.515). Before that, prostitution was unlegislated but it was not illegal, since the constitution allows any activity that is not forbidden by law. Prostitution is currently not a subject of debate.
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Canción Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics" (Orovio).
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Ballet Folklorico Aztlan Ballet Folklorico en Aztlan (BFA) is a Chicano dance company focusing on Mexican folklore, and blending traditional dance with contemporary movements. The group was founded in 1967 by Hermina Enrique. Currently, her daughter, Viviana Enrique Acosta, is the Artistic Director. The members of BFA were instrumental in founding the Centro Cultural de la Raza which was the first home of the BFA.
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Luna Negra Dance Theater Luna Negra Dance Theater was a dance ensemble that celebrated the richness and diversity of Latino culture through the creation of works by contemporary Latino choreographers. Founded by Cuban-born dancer and choreographer Eduardo Vilaro, the company steered away from folkloric representations and utilized a variety of dance form styles such as Flamenco, Tango or Salsa with contemporary dance movement.
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Sevillanas Sevillanas (] ) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighborhoods, pilgrimage, and love themes. They are sung by a plethora of local groups, like the "Los Romeros de la Puebla", "Los Amigos de Gines", "Las Corraleras de Lebrija", "Cantores de Hispalis", and "Los del Río". Every year, dozens of new "sevillanas" on CD are published.
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Son de los Diablos The Son de los Diablos is an Afro-Peruvian dance that developed as a mixture between African, Spanish, and Amerindian rhythms. Nicomedes Santa Cruz explains that, despite popular opinion, the "Son de los Diablos" has no links with African rituals or with the Andean Morenada, but rather it has a very slight similarity with the "Diabladas" of Oruro (Bolivia).
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Povrateno Povrateno (Macedonian: Повратено; English: "Returned back") is a traditional Macedonian "Oro", folk dance, from the region of Skopje.
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Reducto Reducto is a "barrio" (neighbourhood or district) of Montevideo, Uruguay.
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Diablada puneña Diablada puneña is a variation of the dance known as diablada performed in the region of Puno, Peru. The origin of this dance is a matter of dispute between Peru and Bolivia, because both nations celebrate the Diablada with similar music, songs, and clothing.
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Delia Zapata Olivella Delia Zapata Olivella (born 1 April 1926) is a Colombian dancer, choreographer, and folklorist.
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Pérez Castellanos Pérez Castellanos, also known as Castro - Pérez Castellanos, is a "barrio" (neighbourhood or district) of Montevideo, Uruguay. In the new division of Montevideo in municipalities and "communal centre zones", Pérez Castellanos belongs to municipality D and CCZ 11.