Vilayat Khan helped introduce Indian Classical Music to the West, along with what other musician who was a student of Baba Allauddin Khan?
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Vilayat Khan Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was one of India's well known sitar maestros. Along with Ravi Shankar, Ali Akbar Khan, Nikhil Banerjee and his younger brother Imrat Khan, Vilayat Khan helped introduce Indian Classical Music to the West.
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Nikhil Banerjee Nikhil Ranjan Banerjee (Bengali: নিখিল রঞ্জন ব্যানার্জী ) (14 October 1931 – 27 January 1986) was an Indian classical sitarist of the Maihar Gharana. A student of the legendary Baba Allauddin Khan, Pandit Nikhil Banerjee was known for his technical virtuosity and clinical execution. Along with Pandit Ravi Shankar and Ustad Vilayat Khan, he emerged as one of the leading exponents of the sitar. He was a recipient of the Indian civilian honour of the Padma Bhushan.
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Abdullah Niazi Qawwal Abdullah Niazi Qawwal (born 1960) (Urdu: عبداللہ نیازی قوال) is a Pakistani Qawwal. He belongs to the Qawwal Bachchon Ka Gharana of Dehli. He is the eldest son of Manzoor Niazi Qawwal. Abdullah Niazi was one of the Principal Qawwals in Manzoor Niazi Qawwal's party and after the death of Manzoor Niazi Qawwal, he led a Qawwal Group formed with his brothers. In 2015, he branched out with his sons supporting him. His performance style is steeped in Amir Khusro's Kalaam (verses) and has a rigorous classicism. Abdullah Niazi carries the qawwali performance with a command and virtuosity rarely found in contemporary Qawwals capturing Khusro's poetry and its musical emotionality in all its subtlety and intensity. Abdullah Niazi Qawwal performs various genres of qawwali music such as Thumri, Khayal, Tarana, Sufism, and Classical. His grandfather was Mir Qutub Bukhsh who was awarded the title of "Tanras Khan" by the last Mughal Emperor Bahadur Shah Zafar. Tanras Khan was also the tutor in music and court musician of this emperor.
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Narayanrao Vyas Narayanrao Vyas (1902–1984) was a Hindustani musician of Gwalior gharana. He was a disciple of Vishnu Digambar Paluskar. He cut several 78 rpm discs, classical khayals and semi-classical bhajans and thumris, at around 1930 which became very famous. His father and uncle were well-known musicians in Kolhapur. Narayanrao's elder brother, Shankarrao Vyas, was also a singer and composer of distinction.
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Mirza Abdollah Mirza Abdollah, also known as Agha Mirza Abdollah Farahani (Persian: میرزا عبدالله فراهانی‎ ‎ ) (b. 1843 – 1918), was a tar and setar player. He is among the most significant musicians in Iran's history. Born in Tehran, he and his younger brother Mirza Hossein Gholi started learning music from their father Ali Akbar Farahani who was a well-known musician.
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Amir Khan (singer) Ustad Amir Khan (Hindi: अमीर ख़ान , ] ); 15 August 1912 – 13 February 1974) was a well-known Indian classical vocalist. He is considered one of the most influential figures in Hindustani classical music, and the founder of the Indore Gharana.
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Lavanya Sundararaman Lavanya Sundararaman is a Carnatic musician. She received initial training from Poornapragya Rao, and went on to receive further training from her family of musicians.
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Vasundhara Komkali Vasundhara Komkali (1931–2015), popularly known as Vasundhara Tai, was an Indian classical musician and one of the leading exponents of the Gwalior gharana, an old Khyal tradition of Hindustani music. She was the wife of renowned musician, Kumar Gandharva, and was a recipient of the 2009 Sangeet Natak Akademi Award. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2006, for her contributions to Indian classical music.
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Mushtaq Hussain Khan Mushtaq Hussain Khan (1878–1964), popularly known as Ustad Mushtaq Hussain Khan, was an Hindustani Classical Music vocalist. He belonged to the Rampur-Sahaswan gharana.
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Mushtaq Ali Khan Mushtaq Ali Khan (20 June 1911 in Banaras – 21 July 1989) and was an Indian sitar, surbahar (and pakhawaj) player. His father Ashiq Ali Khan was a renowned sitar player. His "musical ancestor tree" includes Masit Sen, the originator of Masitkhani Baaj (a slow tempo instrumental composition). He was recognised as the foremost representative of the Senia gharana (style, musical school) of sitar playing in the mid-20th century.
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Ram Narayan Ram Narayan (Hindi: राम नारायण ; IAST: Rām Nārāyaṇ , ] ; born 25 December 1927), often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
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Faiyaz Khan Ustad Faiyaz Khan was an Indian classical vocalist, an exponent of the Agra Gharana of classical music. According to SwarGanga Music Foundation website, "By the time he died at Baroda, he had earned the reputation of being one of the greatest and most influential vocalists of the century."
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Palghat Srirama Bhagavathar Palghat Rama Bhagavathar (5 June 1888 – 26 May 1957) was an Indian musician.
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Rasoolan Bai Rasoolan Bai (1902 – 15 December 1974) was a leading Indian Hindustani classical music vocal musician. Belonging to the Benaras gharana, she specialized in the romantic Purab Ang of the Thumri musical genre and tappa.
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Ali-Akbar Shahnazi Ali-Akbar Shahnazi (1897 – March 1985) was an Iranian musician and master of the tar.
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Chandrakant Limaye Pandit Chandrakant Limaye (चंद्रकांत लिमये) (born 19 August 1950) is a Hindustani Classical Singer from India, and the successor disciple of the well known vocalist Late Dr.Vasantrao Deshpande.
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Surbahar Surbahar, (pronunciation: सुरबहार ), (literally: ""Spring Melody"" in Hindi), sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of North India. It is closely related to the sitar, but has a lower tone. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar, but as Indian classical music has no concept of absolute pitch, this may vary.
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Yashpaul Pandit Yashpaul (born 22 March 1937) is a performing artiste of the Agra gharana of Hindustani Classical Music. He has made significant contributions towards the preservation of the heritage of the classical vocal music of India’s north western region. He received his music training under the gurus Pt. Kasturi Lal Ji Jasara (Qasoor Gharana), Ustad Vilayat Hussain Khan Saheb and Ustad Yunus Hussain Khan Saheb, the virtuosos of the Agra gharana of Nohar Bani. He also bears the influence of the inspirations of the Ustad Bade Ghulam Ali Khan Saheb and Pt. Malikarjun Mansoor Ji.
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Bhaskarbuwa Bakhale Bhaskar Raghunath Bakhale (October 17, 1869 – April 8, 1922) (also known as Bhaskarrao or Bhaskarbua or Bhaskarbuwa) was a Hindustani classical vocalist, a composer, and a teacher.
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In Concert 1972 In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated "jugalbandi" (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
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Vinayakrao Patwardhan Vinayak Narayan Patwardhan (Marathi: विनायक नारायण पटवर्धन ) (22 July 1898 – 23 August 1975), also known as Pandit Vinayakrao Patwardhan and Patwardhanbuwa, is an Indian vocalist of Gwaliar-genre of Hindustani classical music.
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Taan (music) Taan (Hindi: तान ) (Urdu: ‎ ) is a virtuoso technique used in the vocal performance of a raga in Hindustani classical music. It involves the singing of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo. It is similar to the technique "ahaat", used in Arabic music.