Jean-Pierre Leguay studied with which French composer who was one of the major names in his field in the 20th century?
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Jean-Pierre Leguay Jean-Pierre Leguay (born 4 July 1939 in Dijon) is a French organist, composer and improviser. He studied with André Marchal, Gaston Litaize, Rolande Falcinelli (organ), Simone Plé-Caussade (counterpoint), and Olivier Messiaen (composition), before serving as titular organist at in Paris from 1961 to 1984. In 1985 he was named a titular organist at the Cathedral of Notre-Dame de Paris, alongside Olivier Latry, Yves Devernay and Philippe Lefebvre.
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Olivier Messiaen Olivier Eugène Charles Prosper Messiaen (] ; December 10, 1908 – April 27, 1992) was a French composer, organist, and ornithologist, one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called "modes of limited transposition", which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime.
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Jean-Henri Ravina Jean-Henri Ravina (20 May 181830 September 1906) was a French virtuoso pianist, composer and teacher.
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Georges-Émile Tanguay Georges-Émile Tanguay (5 June 1893 – 24 November 1964) was a Canadian composer, organist, pianist, and music educator. An associate of the Canadian Music Centre, his compositional output is relatively small; consisting of 4 orchestral works, 4 chamber music pieces, 9 works for solo piano, 2 works for solo organ, and 4 choral works. The library at Université Laval holds many of his original manuscripts and his personal papers.
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Jean-Baptiste Accolay Jean-Baptiste Accolay (17 April 1833 – 19 August 1900) was a Belgian violin teacher, violinist, conductor, and composer of the romantic period. His best-known composition is his one-movement student concerto in A minor. It was written in 1868, originally for violin and orchestra.
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Louis Fleury Louis Fleury (24 May 1878 – 10 June 1926) was a French flautist, pupil of Paul Taffanel at the Paris Conservatoire. Claude Debussy dedicated the piece for solo flute Syrinx to him in 1913, and Fleury performed the première. In 1921 English composer Cyril Rootham dedicated to Louis Fleury a "Suite in Three Movements" for flute and piano.
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Paul Arma Paul Arma (Hungarian: Arma Pál, aka "Amrusz Pál"; né Weisshaus Imre; 22 November 1905 in Budapest – 28 November 1987 in Paris) was a Hungarian-French pianist, composer, and ethnomusicologist.
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Antoine Gilis Antoine François Gilis (1702–1781) was an 18th-century French musician and composer who composed mainly for the piano and violin. He believed that "above all, the student who starts out learning the piano, should have fun.". To accomplish this, his study pieces are very melodic and increase slowly in difficulty throughout the books as to "stimulate interest". Throughout his books, study pieces are accompanied by easy explanations of music theory.
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Gaspar Cassadó Gaspar Cassadó i Moreu (30 September 1897 – 24 December 1966) was a Spanish cellist and composer of the early 20th century. He was born in Barcelona to a church musician father, Joaquim Cassadó, and began taking cello lessons at age seven. When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris.
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André Bon André Bon (born 1946) is a French composer. A student of Olivier Messiaen, he has composed over fifty works including several chamber operas. He is Professor of Composition at the Argenteuil Conservatory.
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Luc Ferrari Luc Ferrari (February 5, 1929 – August 22, 2005) was a French composer of Italian heritage and pioneer in musique concrète and electroacoustic music.
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Henri Cliquet-Pleyel Henri Cliquet-Pleyel was a French composer born on March 12, 1894 in Paris, and died in that city on May 9, 1963. In 1913 he undertook musical studies at the Conservatoire de Paris under teachers André Gedalge and Eugène Cools, from whom he learned counterpoint and fugue, before taking up composition studies with Charles Koechlin, who had taught such diverse musicians as Poulenc, Milhaud (members of the group Les Six) and Cole Porter.
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Rolande Falcinelli Rolande Falcinelli (18 February 1920 – 11 June 2006) was a French organist, pianist, composer, and pedagogue.
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Philippe Musard Philippe Musard (8 November 1792 – 31 March 1859) was a French composer who was crucial to the development and popularity of the promenade concert. One of the most famous personalities of Europe during the 1830s and 1840s, his concerts in Paris and London were riotous (in several senses of the word) successes. Best known for his "galop" and "quadrille" pieces, he composed many of these numbers himself, usually borrowing famous themes of other composers. Musard plays an important role in the development of light classical music, the faculty of publicity in music, and in the role of the conductor as a musical celebrity. He has been largely forgotten subsequent to his retirement in the early 1850s.
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Marcel Frémiot Marcel Frémiot (born 29 February 1920 in the 8th arrondissement of Paris) is a French composer and musicologist.
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Jean-Baptiste Senaillé Jean Baptiste Senaillé (23 November 1687 in Paris – 15 October 1730 idem) was a French born Baroque composer and violin virtuoso. His father was a member of Les Vingt-quatre Violons du Roi. Senaillé studied under Jean-Baptiste Anet, Giovanni Antonio Piani and in Italy under Tomaso Antonio Vitali and imported Italian musical techniques and pieces into the French court. He wrote around 50 violin sonatas. He is most well known for a fast 2/4 movement from one of these sonatas, "Allegro Spiritoso", which has had versions published transcribed for a wide variety of instruments, from violoncello to bassoon to euphonium.
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Pierre Saint-Sevin Pierre Saint-Sevin, dit "l′Abbé l′ainé" (1 May 1695 in Bordeaux – May 1768 in Paris) was a French cellist and composer.
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Pierre Henry Pierre Georges Henry (9 December 1927 – 5 July 2017) was a French composer, considered a pioneer in the musique concrète genre of electronic music.
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Pierre Hétu Pierre Hétu (April 22, 1936 in Montreal – December 3, 1998 in Montreal) was a conductor and pianist. He studied music from 1955–57 at the CMM with Germaine Malépart (piano) and at the University of Montreal with Jean Papineau-Couture (acoustics), Gabriel Cusson and Conrad Letendre (harmony and counterpoint) and Jean Vallerand (music history).
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José Rey de la Torre José Rey de la Torre (December 9, 1917 – July 21, 1994), known by his stage name Rey de la Torre, was one of the most significant classical guitarists of the mid-twentieth century, and considered by many to be the father of "modern classical guitar technique".
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Jean-Baptiste Arban Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 8 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the "cornet à piston" or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.
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Jean Martinon Jean Francisque-Étienne Martinon (usually known simply as Jean Martinon (] ); 10 January 19101 March 1976) was a French conductor and composer.