Station 58 and A Place Called Chiapas are considered what type of film?
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Station 58 Station 58 is a documentary made by Pakistani documentary filmmaker Azfar Rizvi. The documentary after being broadcast on local channels has been accepted in international film festivals.
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A Place Called Chiapas A Place Called Chiapas is a 1998 Canadian documentary film of first-hand accounts of the "Ejército Zapatista de Liberación Nacional" (EZLN) the (Zapatista Army of National Liberation or Zapatistas) and the lives of its soldiers and the people for whom they fight. Director Nettie Wild takes the viewer to rebel territory in the southwestern Mexican state of Chiapas, where the EZLN live and evade the Mexican Army.
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La Patrulla chiflada La Patrulla chiflada is a 1952 Argentine film.
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Bellas de noche Bellas de noche (in English Beauties by the Night), also known as Las ficheras, is a Mexican film directed by Miguel M. Delgado. It was filmed in 1975 and starring Sasha Montenegro and Jorge Rivero. It's regarded as the film that began the saga of the Mexican sex comedies film genre if the Mexican Cinema.
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Sensuela Sensuela is a 1973 Finnish drama film directed and written by Teuvo Tulio. The film is based on Tulio's 1946 film "Rakkauden risti" which itself was based on "The Stationmaster", a short story written by Alexander Pushkin. "Sensuela" was Tulio's final film, and it was met with harsh criticism. Since its release, it has gained a reputation as a campy cult classic and has been called "the weirdest Finnish film ever made". Although the production was finished in 1972, it was not released until a year later and then opened only in selected theatres.
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Mexican sex comedy The Mexican sex comedies film genre, generally known as Ficheras film or Sexicomedias is a genre of sexploitation and Mexploitation films of the Mexican Cinema that flourished in the 1970s and 1980s. It is recognized as a collection of usually low quality films with low budgets. Although the films had sexual tones and used double entendre, they were not particularly explicit. The genre is possibly based on the Italian erotic comedies. The popular term for it came from the film "Las ficheras," produced and released in 1975, which described the experiences of many women who entertained men at nightclubs.
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The Thin Yellow Line The Thin Yellow Line (Spanish: La delgada línea amarilla ) is a 2015 Mexican drama film directed by Celso R. García. It was one of fourteen films shortlisted by Mexico to be their submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards, but it lost out to "600 Miles".
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El Festín de Satanás El Festín de Satanás is a 1958 Argentine film.
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El Recuerdo de aquella noche El Recuerdo de aquella noche ("Remembering That Night") is a 1945 Mexican film. It was directed by
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58th National Film Awards The 58th National Film Awards, presented by Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India to felicitate the best of Indian Cinema for the year 2010.
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Tlatelolco, verano del 68 Tlatelolco, verano del 68 (Spanish for "Tlatelolco, summer of 68") is a 2013 Mexican film about the political events that took place in Mexico City in the months before the 1968 Olympics.
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Experimental film Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
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El Diablo de vacaciones El Diablo de vacaciones is a 1957 Argentine film.
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Terminal Station (film) Terminal Station (Italian: Stazione Termini ) is a 1953 film by Italian director Vittorio De Sica. It tells the story of the love affair between an Italian man and an American woman. The film was entered into the 1953 Cannes Film Festival.
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Letters from Marusia Letters from Marusia (Spanish: "Actas de Marusia" ) is a 1976 Mexican film directed by Chilean Miguel Littín. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 1976 Cannes Film Festival. The film is based on a Patricio Manns novel (1974) inspired by the Marusia massacre of 1925.
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Mondo film A mondo film (from the Italian word for "world") is an exploitation documentary film, sometimes resembling a pseudo-documentary and usually depicting sensational topics, scenes, or situations. Common traits of mondo films include an emphasis on taboo subjects (such as death and sex), portrayals of foreign cultures (which have drawn accusations of ethnocentrism or racism), and staged sequences presented as genuine documentary footage. Over time, the films placed increasing emphasis on footage of the dead and dying (both real and fake). The term shockumentary is also used to describe the genre.
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Sexploitation film A sexploitation film (or "sex-exploitation film") is a class of independently produced, low-budget feature film that is generally associated with the 1960s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalization of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres.
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Rumberas film The rumberas film (in Spanish cine de rumberas) was a film genre that flourished in Mexico, in the so-called Golden Age of Mexican cinema in the 1940s and 1950s. These movies starred "rumberas", dancers who performed to popular Afro-Caribbean rhythms. With roots in various film styles, the genre is one of the most fascinating hybrids of international cinema. Today, thanks to their unique characteristics, they are considered cult films. The rumberas and the luchador films were two of Mexico's contributions to international cinema. The rumberas film represented a social view of the world, focused on "women of the night" in the 1940s and 1950s, which confronted the moral and social conventions of their time, exhibiting a more realistic look at Mexican society. These were melodramas about the lives of these women, redeemed through exotic dance.
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Radar Station (film) Radar Station is a 1953 Canadian short documentary film produced by the National Film Board of Canada (NFB) as part of the "On The Spot" series made specifically for television. The documentary involved an account of a visit to a radar station while it is involved in a simulated air attack, and is based on first-person interviews of the staff at the radar station.
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Arthouse action film The arthouse action genre is an emerging film genre in contemporary cinema that traces its roots back to Asian and European films. Various sources have recently begun referring to various films under this label. Such titles include "Hanna", "Drive", "Haywire", and "Looper".
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Mala hembra Mala hembra ("Poor Female") is a 1950 Mexican film. It was written by Luis Alcoriza.
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It's All True (film) It's All True is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" (also known as "The Story of Samba") and "Jangadeiros" (also known as "Four Men on a Raft") were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after "Citizen Kane" (1941) and "The Magnificent Ambersons" (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO.