Which film director, Frank Pierson or Peter Tscherkassky, primarily used a darkroom rather than digital film to produce their works?
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Frank Pierson Frank Romer Pierson (May 12, 1925 – July 22, 2012) was an American screenwriter and film director.
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Peter Tscherkassky Peter Tscherkassky (born October 3, 1958) is an Austrian avant-garde filmmaker who works primarily with found footage. All of his work is done with film and heavily edited in the darkroom, rather than relying on recent advances in digital film.
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Peter Crane (director) Peter Crane (born December 22, 1948 in London, England) is a British film director, film producer and television director.
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John Frankenheimer John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were "Birdman of Alcatraz" (1962), "The Manchurian Candidate" (1962), "Seven Days in May" (1964), "The Train" (1964), "Seconds" (1966), "Grand Prix" (1966), "French Connection II" (1975), "Black Sunday" (1977), and "Ronin" (1998).
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Del Ankers Frank Lafayette "Del" Ankers (August 1, 1916 – May 15, 2008) was an American cinematographer, director, photographer and documentary producer. His career, which spanned photography and television, lasted for more than 50 years.
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Peter Briggs Peter Briggs (born 12 December 1965) is an English cinematographer, screenwriter and television writer. Although he has worked in the motion picture industry for more than 20 years, he is best known for the film "Hellboy". His films draw heavily on sources as diverse as weird fiction, fantasy, and war.
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Andrzej Sekuła Andrzej Sekuła (born 1954) is a Polish cinematographer and film director, best known for his work on various critically acclaimed films throughout the 1990s. Born in Wrocław, Poland in 1954, he emigrated to Los Angeles in 1980. After working on several short films, he shot his first feature-length theatrical film in the form of Quentin Tarantino's directorial debut "Reservoir Dogs". He would go on to shoot Tarantino's 1994 Best Picture-nominated "Pulp Fiction". He made his directorial debut with the 1998 thriller "Fait Accompli". Other films shot by him include "American Psycho", "Hackers"", Vacancy", and "Armored".
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Photographic processing Photographic processing or development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.
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Peter Conheim Peter Conheim (born 1968) is a multimedia artist who performs and records under the name The Jet Black Hair People. He is also the co-founder of Wet Gate, which uses only "found footage" and 16mm film projectors to create a live cinema collage performance, sampling the sound from the film tracks in real time, as well as Mono Pause, a long-running "situationist rock" performing group (and its Southeast Asian music spin-off, Neung Phak).
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Claude Pierson Claude Pierson (17 November 1930– 18 March 1997) (also known as Caroline Joyce, Carolyne Joyce, Carolyn Joyce, Andrée Marchand, André Marchand and Paul Martin) was a French film director, writer and producer.
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In Silico (Deepsky album) In Silico is a full length artist album by the American electronic music group Deepsky. It was released in 2002. The title refers to the largely computer-based production methods employed during the album's creation, where the bulk of the music was composed using softsynths and Emagic Logic Audio 5 rather than external hardware synthesizers and traditional multi-track recorders.
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Simon Tanšek Simon Tanšek (born April 24, 1973 in Trbovlje, Slovenia) is a Slovenian cinematographer. He has worked with Slovenian film directors like Jan Cvitkovic and Janez Burger, as well as Igor Šterk and Miha Hočevar. His credits include "Idle Running" and "Ruins".
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Carolynne Cunningham Carolynne Cunningham is an Australian film producer and assistant director most known for her collaborations with director Peter Jackson, producing such films as "King Kong" (2005), "District 9" (2009), "The Lovely Bones" (2009), and the epic fantasy film series "The Hobbit" (2012–2014). She also served as assistant director on such notable films as "Shine" (1996), "Pitch Black" (2000), "Peter Pan" (2003), "King Kong", "The Lovely Bones", and all three entries in "The Lord of the Rings" trilogy (2001, 2002, and 2003).
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Tino Schaedler Tino Schaedler (born 1972) is a German film art director specializing in digital sets. He was signed by Warner Brothers as a digital set director in 2003.
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Andrew Neel Andrew Neel is an American filmmaker, known as the creator of the films "Darkon", "New World Order" and "King Kelly".
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Dominic Rouse Dominic Rouse (born Dominic Hugh Peter Rouse, 15 August 1959) is an English photographer and visual artist whose career has included photojournalism, advertising, commercial and fine art photography. He is an early practitioner of digital photography.
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Tessa Hughes-Freeland Tessa Hughes-Freeland is a British-born experimental film maker and writer living in New York City. Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art, the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, the New Museum of Contemporary Art in New York, and the KW Institute of Contemporary Art in Berlin. She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell. The co-founder of the New York Film Festival Downtown in 1984 and its co-director until 1990, she later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001. Hughes-Freeland has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, "Filmmaker" magazine, GQ, the "East Village Eye", and Film Threat.
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Digital backlot A digital backlot (also known as a virtual backlot) is a motion picture set that is neither a genuine location nor a constructed studio; the shooting takes place entirely on a stage with a blank background (often a greenscreen) that will later on project an artificial environment put in during post-production. Digital backlot is more often used in certain genre of films, like sci-fi and comics, in order to achieve what would otherwise be too expensive or outright impossible to build as a real set.
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Nikon F2 The Nikon F2 is a professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. (Nikon Corporation since 1988) in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second (up to 10 seconds using the self-timer) plus Bulb and Time, and flash X-sync of 1/80th second. It had dimensions (with DE-1 head, see below) of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black.
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Peter Schamoni Peter Schamoni (27 March 1934 – 14 June 2011) was a German film director, producer and screenwriter. He directed 35 films between 1957 and 2011. His 1966 film "No Shooting Time for Foxes" was entered into the 16th Berlin International Film Festival, where it won the Jury Grand Prix. Two years later he was a member of the jury at the 18th Berlin International Film Festival. In 1972, his film "Hundertwasser's Rainy Day" was nominated for the Academy Award for Best Documentary Short.
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Pete Walker (director) Pete Walker (born 4 July 1939) is an English film director, writer and producer, specialising in horror and sexploitation films, frequently combining the two.
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The Directors Company The Directors Company was a short lived film production company formed by Francis Ford Coppola, Peter Bogdanovich and William Friedkin in the early 1970s in association with Paramount Pictures. The directors were allowed to make any film they wished provided they kept within a certain budget.