Lack of Communication was an album by a group that was part of a musical movement that developed in what time period?
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Lack of Communication Lack of Communication is the first album by garage rock revival band The Von Bondies. It was produced by Jack White of The White Stripes, a band that also had the Von Bondies open their shows for them during one of their tours. The album was released in 2001 by Sympathy for the Record Industry, and released in the UK by Sweet Nothing Records.
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Post-punk revival Post-punk revival (also known as "new wave revival", "garage rock revival" or "new rock revolution") is a genre of alternative rock and indie rock that developed in the late 1990s and early 2000s, inspired by the original sounds and aesthetics of garage rock of the 1960s and new wave and post-punk of the 1980s. Bands that broke through to the mainstream from local scenes across the world in the early 2000s included the Strokes, Interpol, the White Stripes, the Hives and the Vines who were followed to commercial success by many established and new acts. By the end of the decade, most of the bands had broken up, moved on to other projects or were on hiatus, although some bands returned to recording and touring in the 2010s.
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Avant-pop (artistic movement) Avant-pop (or avantpop) is an American artistic movement which derived from postmodernism in the 1990s. The name of the movement has been taken by Larry McCaffery from the homonymous 1986 album by American jazz musician Lester Bowie ("Avant Pop - Brass Fantasy"), where pop tunes are scored for a brass ensemble.
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Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.
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The Velvet Underground The Velvet Underground was a rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The group's integration of rock and the avant-garde achieved little commercial success during their existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The provocative subject matter, musical experimentation, and often nihilistic attitudes explored in the band's work would prove influential in the development of punk rock and new wave music.
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De Stijl De Stijl ( ; ] ), Dutch for "The Style", also known as neoplasticism, was a Dutch artistic movement founded in 1917 in Leiden. The De Stijl consisted of artists and architects. In a narrower sense, the term "De Stijl" is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors.
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Dance music Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are the surviving medieval dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
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Musical ensemble A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
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Punctualism Punctualism (commonly also called "pointillism" or "point music") is a style of musical composition prevalent in Europe between 1949 and 1955 "whose structures are predominantly effected from tone to tone, without superordinate formal conceptions coming to bear" . In simpler terms: "music that consists of separately formed particles—however complexly these may be composed—[is called] punctual music, as opposed to linear, or group-formed, or mass-formed music" (, bolding in the source). This was accomplished by assigning to each note in a composition values drawn from scales of pitch, duration, dynamics, and attack characteristics, resulting in a "stronger individualizing of separate tones" . Another important factor was maintaining discrete values in all parameters of the music. Punctual dynamics, for example mean that all dynamic degrees are fixed; one point will be linked directly to another on the chosen scale, without any intervening transition or gesture. Line-dynamics, on the other hand, involve the transitions from one given amplitude to another: crescendo, decrescendo and their combinations. This second category can be defined as a dynamic glissando, comparable to glissandi of pitch and of tempi (accelerando, ritardando).
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Communication Breakdown "Communication Breakdown" is a song by the English rock band Led Zeppelin, from their 1969 debut album "Led Zeppelin". It was released as the B-side of "Good Times Bad Times", the group's first single in the US. A promotional video was released, with the group miming to the recording; it is included on the "Led Zeppelin DVD" (2003).
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Riot grrrl Riot grrrl is an underground feminist punk movement that originated in the early 1990s in Washington state (particularly Olympia) and the greater Pacific Northwest. It also had origins in Washington, D.C. It is a subcultural movement that combines feminist consciousness and punk style and politics. It is often associated with third-wave feminism, which is sometimes seen as its starting point. It has also been described as a musical genre that came out of indie rock, with the punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years.
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Bay Area Improv Scene The Bay Area Improv Scene is a commonly used name for a loose association of musicians and composers centered in the San Francisco Bay Area who create a style of music that evolved largely from avant-garde jazz and modern classical music, with influences from other areas such as Electronic art music, Free improvisation, and Musique concrète. Other names of this scene tend to use phrases such as "Creative Music" to try to incorporate a wider focus than just the improvisational approach.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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Zero (art) Zero is a group of artists founded by Heinz Mack and Otto Piene and the name of their magazine. The word “zero” expressed, in Piene’s words, “a zone of silence and of pure possibilities for a new beginning.” The movement is commonly interpreted as reaction to Abstract Expressionism by arguing that art should be void of color, emotion and individual expression.
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Synth-pop Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music that first became prominent in the late 1970s, reached its heyday in the 1980s, and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
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Experimental rock Experimental rock (or avant-rock) is a subgenre of rock music which pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
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Charismatic Movement The Charismatic Movement is the international trend of historically mainstream Christian congregations adopting beliefs and practices similar to Pentecostalism. Fundamental to the movement is the use of spiritual gifts ("charismata"). Among Protestants, the movement began around 1960. Among Roman Catholics, it originated around 1967.
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Organisation (band) Organisation zur Verwirklichung gemeinsamer Musikkonzepte (German: "Organisation for the Realization of Common Music Concepts"), was an experimental krautrock band, that was the immediate predecessor of the band Kraftwerk. In addition to the founding members of Kraftwerk, Ralf Hütter and Florian Schneider-Esleben, Organisation included Basil Hammoudi, Butch Hauf, and Fred Monicks. The band was assisted by Paul Lorenz, Peter Martini, and Charly Weiss during their career.
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New Age The New Age is a term applied to a range of spiritual or religious beliefs and practices that developed in Western nations during the 1970s. Precise scholarly definitions of the New Age differ in their emphasis, largely as a result of its highly eclectic structure. Although analytically often considered to be religious, those involved in it typically prefer the designation of "spiritual" and rarely use the term "New Age" themselves. Many scholars of the subject refer to it as the New Age movement, although others contest this term and suggest that it is better seen as a milieu or zeitgeist.
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Glitch (music) Glitch is a genre of electronic music that emerged in the late 1990s. It has been described as a genre that adheres to an "aesthetic of failure," where the deliberate use of glitch-based audio media, and other sonic artifacts, is a central concern.
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Downtempo Downtempo (sometimes called "trip hop") is a genre of electronic music similar to ambient, but with a greater emphasis on rhythm, and is not as "earthy" as trip hop.
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List of blues festivals The following is an incomplete list of blues festivals, which encapsulates music festivals focused on blues. This list may have some overlap with list of historic jazz festivals and list of historic rock festivals, both later genres dependent on elements of the blues. The blues is a genre and musical form that originated in African-American communities in the "Deep South" of the United States around the end of the 19th century. The genre is a fusion of traditional African music and European folk music, spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres, such as country blues, Delta and Piedmont, Chicago, West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock evolved, which was featured prominently in the Summer of Love, for example, and became ubiquitous at rock festivals.