Which of any of the operasDaphne or Der junge Lord  has more acts ?
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Daphne (opera) Daphne, Op.82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's "Metamorphoses" and includes elements taken from "The Bacchae" by Euripides. The opera premiered at the Semperoper in Dresden on 15 October 1938, originally intended as a double bill with Strauss' "Friedenstag", but as the scale of "Daphne" grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated.
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Der junge Lord Der junge Lord ("The Young Lord") is an opera in two acts by Hans Werner Henze to a German libretto by Ingeborg Bachmann, after Wilhelm Hauff's "Der Affe als Mensch" ("The Ape as Man") from "Der Scheik von Alexandria und seine Sklaven" ("The Sheik of Alexandria and his Slaves").
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Das Nachtlager in Granada Das Nachtlager in Granada ("The Night Camp in Granada") is a romantic opera in two acts by Conradin Kreutzer. The libretto is written by Karl Johann Braun von Braunthal based on Johann Friedrich Kind’s drama "Das Nachtlager von Granada".
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).
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Hans von Milde Hans Feodor von Milde (13 April 182110 December 1899, Weimar) was an Austrian operatic baritone and the husband of soprano Rosa von Milde-Agthe. He sang for almost four decades at the opera house in Weimar where he particularly excelled in the works of Richard Wagner. For many years, Milde sang under the direction of Franz Liszt, notably creating the role of Telramund in the world premiere of Richard Wagner's "Lohengrin" under his baton. He sang in several other notable premieres, including singing the role of the High Priest in the first stage performance of Camille Saint-Saëns's "Samson et Dalila" in 1877.
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Die geschiedene Frau Die geschiedene Frau ("The Divorcée"), is an operetta in three acts by Leo Fall with a libretto by Victor Léon, after Victorien Sardou's "Divorçons!". Conducted by the composer, It opened to considerable success at the Carltheater in Vienna on 23 December 1908 with Hubert Marischka as Karel.
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Phaedra (opera) Phaedra is a 'concert opera' in two-acts by Hans Werner Henze. Its first performance was given at the Berlin State Opera on 6 September 2007. The work is a co-commission and co-production with the Berliner Festspiele, Théâtre de la Monnaie, Brussels, Alte Oper Frankfurt and the Vienna Festival.
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Die Kathrin Die Kathrin, Op. 28, is an opera in three acts by Erich Wolfgang Korngold, with a German libretto by Ernst Decsey.
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Achille et Polyxène Achille et Polyxène ("Achilles and Polyxena") is a tragédie lyrique containing a prologue and five acts based on Virgil's "Aeneid" with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on March 22, 1687. The opera was first performed on November 7, 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris.
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Die Harmonie der Welt Die Harmonie der Welt ("The Harmony of the World") is an opera in five acts by Paul Hindemith. The German libretto was by the composer.
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Carlton Gauld Carlton Gauld (before 1931 – after 1960) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's "Aida". He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's "Lakmé". He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in "The Barber of Seville", the title role in Giacomo Puccini's "Gianni Schicchi", the Prior in Massenet's "Le Jongleur de Notre Dame", de Grieux in "Manon", Lothario in "Mignon", Ramon in Charles Gounod's "Mireille", the four villains in "The Tales of Hoffmann", Count Almaviva in "Le nozze di Figaro", and Scarpia in "Tosca" among others. He also sang in the world premiere of Emmanuel Bondeville's "L’École des maris" (1933) with the company.
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Die Schweizer Familie Die Schweizer Familie ("The Swiss Family") is an opera by the Austrian composer Joseph Weigl. It takes the form of a "Singspiel" in three acts. The libretto, by Ignaz Franz Castelli, is based on the vaudeville "Pauvre Jacques" (1807) by Charles-Augustin de Basson-Pierre and René de Chazet. The opera was first performed at the Theater am Kärntnertor in Vienna on 14 March 1809 and was a great success in German-speaking countries in the early 19th century.
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Sardanapale Sardanapale (French for "Sardanapalus"), S.687, is an unfinished opera by Franz Liszt based loosely on the 1821 verse play "Sardanapalus" by Lord Byron.
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Leben des Orest Leben des Orest ("The Life of Orestes") is a grand opera in five acts (eight scenes) with words and music both by Ernst Krenek. It is his Op. 60 and the first of his own libretti with an antique setting. The score is inscribed with the dates of composition: 8 August 1928 – 13 May 1929, and includes indications of recommended cuts made for the first production. It premiered at the Neues Theater in Leipzig on 19 January 1930, and opened at the Kroll Opera House in Berlin in early March of the same year (Leichtentritt 1930, 366).
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Der Kuhreigen Der Kuhreigen is an opera (called a 'musikalisches Schauspiel' or 'musical play') in three acts by the Austrian composer Wilhelm Kienzl. The libretto, by Richard Batka, is after Rudolf Hans Bartsch's novel "Die kleine Blanchefleur". It was first performed at the Volksoper in Vienna on 23 November 1911.
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Der Ring des Nibelungen Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the "Nibelungenlied". The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a " " ("preliminary evening"). It is often referred to as the Ring Cycle, "Wagner's Ring", or simply "The Ring".
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Der Waffenschmied Der Waffenschmied (The Armourer) is an opera (Singspiel) in three acts by Albert Lortzing. The German-language libretto was by the composer after Friedrich Wilheim von Ziegler's "Liebhaber und Nebenbuhler in einer Person" (Lover and Rival in One Person). This is often considered his third most popular work. His works are considered to be part of the Biedermeier period. It premiered in Vienna at the Theater an der Wien on 31 May 1846 conducted by Lortzing. The role of Marie was written with Jenny Lind in mind who he hoped would sing the part. The opera was eventually successful enough that Lortzing was offered the post of Kapellmeister at the theatre which he held until the revolution of 1848, when he had to return to Leipzig. Arnold Schönberg, arranged Lortzing’s "Waffenschmied“ for piano for 4 hands. The story is set in the city of Worms in the 16th century.
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La naissance de la lyre La naissance de la lyre ("The Birth of the Lyre") is an opera (styled a "conte lyrique") in one act by the French composer Albert Roussel. The libretto, by Théodore Reinach, is based on the satyr play "Ichneutae" by Sophocles. It was first performed at the Paris Opéra on 1 July 1925 with choreography by Bronislava Nijinska.
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Daphnis et Alcimadure Daphnis et Alcimadure (in Occitan classical norm, Dafnís e Alcimadura, or according to the original libretto spelling, Daphnis e Alcimaduro) is an opera by the Baroque violinist, conductor and composer Jean-Joseph Cassanéa de Mondonville to a libretto in the Occitan language, written by the composer himself and loosely inspired by La Fontaine's fable bearing the same title. It takes the form of a pastorale in three acts and was later endowed with a prologue in French entitled "Les jeux floraux", to a libretto by Claude-Henri de Fusée de Voisenon.
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Fennimore and Gerda Fennimore und Gerda (subtitled "Two Episodes from the Life of Niels Lyhne in Eleven Pictures") is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as Fennimore and Gerda in a translation by Philip Heseltine. The German libretto, by the composer himself, is based on the novel "Niels Lyhne" by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera," limited in its dramatic appeal but voluptuous and engaging in its instrumental texture.
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Eugene Onegin (opera) Eugene Onegin (Russian: Евгений Онегин , "Yevgény Onégin"), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.
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Die Soldaten Die Soldaten ("The Soldiers") is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. Written and revised in phases between 1957 and 1964, it was premiered in 1965 and dedicated to Hans Rosbaud. Zimmermann himself faithfully adapted the play into the libretto, the only changes to the text being repeats and small cuts. It is the composer's only completed opera and is considered an important work of the second half of the 20th century.