Clara Schumann, was a German musician and composer, considered one of the most distinguished pianists of the Romantic era, together they encouraged who, which was a German composer and pianist of the Romantic period, born in Hamburg into a Lutheran family?
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Clara Schumann Clara Schumann ("née" Clara Josephine Wieck; 13 September 1819 – 20 May 1896) was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms. She later premiered some other pieces by Brahms, notably the "Variations and Fugue on a Theme by Handel".
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Johannes Brahms Johannes Brahms (] ; 7 May 1833 – 3 April 1897) was a German composer and pianist of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
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Salomon Jadassohn Salomon Jadassohn (13 August 1831 – 1 February 1902) was a German pianist, composer and a renowned teacher of piano and composition at the Leipzig Conservatory.
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Anna Caroline Oury Anna Caroline Oury ("née" De Belleville), also known as Ninette de Belleville, Ninette von Belleville or Ninette de Belleville-Oury (24 June 1808 – 22 July 1880), was a German pianist and composer of French ancestry.
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Charles-Valentin Alkan Charles-Valentin Alkan (] ; 30 November 1813 – 29 March 1888) was a French-Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life.
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Franz Eler Franz Eler (sometimes Elers) (died 1590) was a teacher, choirmaster and composer of the Lutheran Reformation from Hamburg. He was born in Uelzen. He became the cantor of Hamburg in 1529, and became the choirmaster of Hamburg Cathedral later. He is noted for assembling the large musical volume "Gesangbuch" in 1588, consisting of ritual Protestant music in Latin and Low German.
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Arnold von Bruck Arnold von Bruck (also Arnold de Pruck, Arnoldus Brugensis, indicating his origin) (c. 1500 – February 6, 1554) was a Franco-Flemish composer of the Renaissance, active in several Habsburg courts. He was one of the most famous and influential composers in German-speaking areas during the first half of the 16th century, the period of the Protestant Reformation; however he seems to have remained a Roman Catholic.<ref name="Wessely/Kreyszig, Grove online">Wessely/Kreyszig, Grove online</ref>
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Riemannian theory "Riemannian theory" in general refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, notation, harmony, melody, phraseology, the history of music theory, etc. More particularly, the term "Riemannian theory" often refers to his theory of harmony, characterized mainly by its dualism and by a concept of harmonic functions.
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Gottfried Heinrich Bach Gottfried Heinrich Bach (26 February 1724 – 12 February 1763) was the firstborn son of Johann Sebastian Bach by his second wife Anna Magdalena Wilcke. He was born in Leipzig, where his parents had moved the year before his birth.
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Eugen Haile Eugen Haile (February 21, 1873 – August 14, 1933) was a German-American composer, singer, and accompanist, primarily known for his songs. In his lifetime, it was claimed that he was one of the "truly inspired melodists, a lineal descendent of the great lyricists, Schubert, Schumann, Franz and Brahms."
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Kinderszenen Kinderszenen (] ; original spelling "Kinderscenen ", "Scenes from Childhood"), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in "Bunte Blätter", Opus 99, and "Albumblätter", Opus 124. Discussing the set, Schumann told his wife Clara that the "thirty small, droll things" were inspired by her comment that he sometimes seemed "like a child". In 1840, he described them as "more cheerful, gentler, more melodic" than his earlier works.
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Valentina Serova (composer) Valentina Semyonova Serova (maiden name Bergman) (1846 – June 26, 1924) was a Russian composer of German-Jewish descent. Her family had converted to Lutheranism before she was born.
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Helene Liebmann Hélène Liebmann née Riese (1796 – after 1835) was a German pianist and composer. She was born in Berlin and studied music with Franz Lauska and Ferdinand Ries. A child prodigy, she made her debut before age 13 and published her "Piano Sonata" when she was 15. She married around 1814 and may have moved with her husband to Vienna and then London. She was present at a Clara Wieck (Schumann) concert in 1835.
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Bartlett and Robertson Ethel Bartlett (1896–1978) and Rae Robertson (1893–1956), popularly known as Bartlett and Robertson, were a husband-and-wife classical piano duo who were credited with popularising two-piano music in Europe and the United States in the 1930s and 1940s through their extensive touring, recordings, and radio performances. Of English and Scottish background respectively, Bartlett and Robertson met during their studies at the Royal Academy of Music in London and married in 1921. Although they initially pursued solo careers, they teamed up as duo-pianists in the late 1920s and conducted annual international tours for over two decades. Several major composers of their era wrote duo-piano compositions especially for them, including Sir Arnold Bax, Benjamin Britten, Lennox Berkeley, and the Czech composer Bohuslav Martinů.
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Andreas Berger (composer) Andreas Berger (1584–1656) was a German composer whose works featured in the collection of J. S. Bach. He was the son-in-law of the English emigre musician William Brade.
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Carl Bohm Carl Bohm (also known as Carl Bohm, Henry Cooper [pseudonym] and Karl Bohm) (11 September 1844 – 4 April 1920) was a German pianist and composer.
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Max Reger Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916), commonly known as Max Reger, was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.
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Lotte Backes Lotte Backes (May 2, 1901 - May 12, 1990) was a German pianist, organist, and composer.
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Johann Arndt Johann Arndt (or Arnd; 27 December 1555 – 11 May 1621) was a German Lutheran theologian who wrote several influential books of devotional Christianity. Although reflective of the period of Lutheran Orthodoxy, he is seen as a forerunner of pietism, a movement within Lutheranism that gained strength in the late 17th century.
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Friedrich Hölderlin Johann Christian Friedrich Hölderlin (] ; 20 March 1770 – 7 June 1843) was a German poet. Described by Norbert von Hellingrath as "the most German of Germans," Hölderlin was a key figure of German Romanticism. Particularly due to his early association with and philosophical influence on Hegel and Schelling, he was also an important thinker in the development of German Idealism.
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Louis Moreau Gottschalk Louis Moreau Gottschalk (New Orleans, May 8, 1829 – Rio de Janeiro, December 18, 1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside of the United States.
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Charlotte Caroline Wilhelmine Bachmann Charlotte Caroline Wilhelmine Bachmann, née Stöwe (2 November 1757 – 19 August 1817) was a German soprano singer, harpsichordist and composer. She was born in Berlin, the daughter of musician Wilhelm Heinrich Stöwe, and studied singing and harpsichord as a child. At the age of nine, she made her debut in the "Liebhaberkonzerte " (Amateur Concerts) which had been established by Friedrich Benda, son of Franz Benda. She married Berlin violist Karl Ludwig Bachmann on 20 September 1785.