who died first Giuseppe Verdi or Paul Hindemith?
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Paul Hindemith Paul Hindemith ( ) (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle "Das Marienleben" (1923), "Der Schwanendreher" for viola and orchestra (1935), and opera "Mathis der Maler" (1938). Hindemith's most popular work, both on record and in the concert hall, is likely the "Symphonic Metamorphosis of Themes by Carl Maria von Weber", written in 1943.
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Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (] ; 9 or 10 October 1813 – 27 January 1901) was an Italian opera composer.
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Giuseppe Apolloni Giuseppe Apolloni (April 8, 1822 – December 31, 1889) was an Italian composer born in Vicenza, Italy. He composed a total of five operas, of which only one ("L'ebreo") was successful. He died in Vicenza.
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Verdi (album) Verdi is Andrea Bocelli's seventh studio album and fourth classical album, of Verdi's most famous arias, released in 2000. The Israel Philharmonic Orchestra, conducted by Zubin Mehta, accompanied Bocelli for the album. The album was certified Gold in the US by the Recording Industry Association of America and in Switzerland by IFPI of Switzerland, Platinum in Canada by the Canadian Recording Industry Association, and Double Platinum in the Netherlands by the Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.
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Paul Ash Paul Robert Ash (February 11, 1891, Germany — July 13, 1958, Manhattan, New York) was an American orchestra leader, composer, vaudeville personality, and recording artist.
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I due Foscari I due Foscari ("The Two Foscari") is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, "The Two Foscari" by Lord Byron.
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Adolf Philipp Adolf Philipp, also seen as Adolph Philipp (January 29, 1864 – July 30, 1936), was a successful Broadway composer, writer, lyricist, director, and performer, who also wrote under the pseudonyms Jean Briquet and Paul Hervé.
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Harry Hindemith Harry Hindemith (16 June 1906 - 21 January 1973) was a German actor. He appeared in more than eighty films from 1944 to 1973.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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Giuseppe Cremonini Giuseppe Cremonini (25 November 1866 – 9 May 1903) was an Italian operatic tenor who had a prominent opera career in Europe and the United States during the last decade of the nineteenth century.
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Enrico Caruso Enrico Caruso (] ; 25 February 1873 – 2 August 1921) was an Italian operatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles from the Italian and French repertoires that ranged from the lyric to the dramatic. Caruso also made approximately 260 commercially released recordings from 1902 to 1920. All of these recordings, which span most of his stage career, remain available today on CDs and as downloads and digital streams.
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Henry Wood Sir Henry Joseph Wood {'1': ", '2': ", '3': 'CH', '4': "} (3 March 186919 August 1944) was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms".
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Emanuele Muzio Donnino Emanuele Muzio (or "Mussio") (24 August 1821 in Zibello – 27 November 1890 in Paris) was an Italian composer, conductor and vocal teacher. He was a lifelong friend and the only student of Giuseppe Verdi.
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Antonietta Fricci Antonietta Fricci (born Antonie Frietsche) (8 January 1840 – 7 September 1912) was an Austrian-born opera singer known for her performances in leading soprano and mezzo-soprano roles in the opera houses of Europe. She was married to the Italian tenor Pietro Neri-Baraldi from 1863 until his death in 1902.
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Cesare Galeotti Cesare Galeotti (5 June 1872, Pietrasanta - 19 February 1929, Paris) was an Italian composer, conductor, and concert pianist. He is best known for his opera "Anton" which he conducted at its highly lauded premiere at La Scala on 17 February 1900. His other opera "Dorisse" premiered at La Monnaie in Brussels on 18 April 1910 under the baton of Sylvain Dupuis and with mezzo-soprano Claire Croiza performing as Alays. In addition to writing operas, he also composed a considerable amount of symphonic music.
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Armand Castelmary Armand Castelmary, real name Comte Armand de Castan, born Toulouse 16 August 1834, died New York City 10 February 1897, was a French operatic bass. He created roles in three major premieres at the Paris Opera – Don Diego in "L'Africaine" by Meyerbeer (1865), the Monk in Verdi's "Don Carlos" (1867), and Horatio in Ambroise Thomas's "Hamlet" (1868). Castelmary also appeared at opera houses in England and the United States, and died onstage at the Metropolitan Opera House, New York, during a performance of "Martha" by Friedrich von Flotow.
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Death of Wolfgang Amadeus Mozart The composer Wolfgang Amadeus Mozart died on 5 December 1791 at the age of 35. The circumstances of his death have attracted much research and speculation. Some principal sources of contention are as follows.
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Bartolomeo Merelli Bartolomeo Merelli (19 May 1794 – 10 April 1879) was an Italian impresario and librettist, best known as the manager of the La Scala Milan opera house between 1829 and 1850, and for his support for the young Giuseppe Verdi.
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Marie Wilt Marie Wilt (also Maria Vilda and Marie Liebenthaler) (30 January 1833 – 24 September 1891) was an Austrian dramatic coloratura soprano. Possessing a wide vocal range with a significant amount of power and flexibility, Wilt sang a wide repertoire that encompassed the operas of Wolfgang Amadeus Mozart, the German operas of Richard Wagner, the grand operas of Giuseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti. She sang for many years at the Vienna Hofoper (now Vienna State Opera) and for a number of seasons at the Royal Opera House, Covent Garden in London. She notably portrayed the role of Sulamith in the world premiere of Karl Goldmark's "Die Königin von Saba" in 1875. Also a regular performer of the concert repertoire, Wilt often appeared in performances of works by Beethoven, Haydn, and Mendelssohn.
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Teatro Verdi (Brindisi) The Theatre Nuovo Teatro Giuseppe Verdi of Brindisi, Italy was inaugurated on December 20, 2006 after a long bureaucratic process. Originally opened in the seventies, the theatre has been reopened three times, but after the first two times was then declared impassable because of inadequate internal infrastructure.
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Memorials to Giuseppe Verdi The following is a compilation of memorials to the composer Giuseppe Verdi in the form of physical monuments and institutions and other entities named after him.
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Gustav Mahler Gustav Mahler (] ; 7 July 1860, Kaliště, Bohemia, now Czech Republic – 18 May 1911, Vienna, Austria-Hungary) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.