Palladio was a composition for a string orchestra it was the work in three movements called concerto grosso or also called what?
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Palladio (Jenkins) Palladio is a composition for string orchestra by Karl Jenkins, written in 1995. The title refers to the architect Andrea Palladio (1508–1580). The work in three movements is in the form of a concerto grosso. Motifs of the first movement, Allegretto, were used for a TV commercial of De Beers, "A Diamond Is Forever", from 1993.
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Motif (music) In music, a motif    or motive is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity".
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Concert Allegro (Elgar) The Concert Allegro, Op. 46 by Sir Edward Elgar is a piece of music for solo piano. It takes about 10 minutes to perform. It is the only piano work he wrote that was designed for concert performance. It is in the key of C major and was written in 1901, at the request of the pianist Fanny Davies.
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Sonata form Sonata form (also "sonata-allegro form" or "first movement form") is a musical structure consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period).
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Don Quixote (Strauss) Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor.
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Violin Concerto No. 3 (Paganini) The Violin Concerto No. 3 in E major was composed by Niccolò Paganini in 1826. On 12 December 1826, Paganini wrote from Naples to his friend L. G. Germi that, having recently completed his Second Violin Concerto, he had now "finished orchestrating a third with a Polacca", and added: "I would like to try these concertos out on my own countrymen before producing them in Vienna, London and Paris." In the event, the Third Violin Concerto does not seem to have been premiered until July 1828 in Vienna. Since Paganini's death in 1840 concerto wasn't performed for more than a century until it was eventually rediscovered in the late 1960s and first recorded and publically performed by Henryk Szeryng in 1971.
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Piano symphony A piano symphony is a piece for solo piano in one or more movements. It is a symphonic genre by virtue of imitating orchestral tone colour, texture, and symphonic development.
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String Quartet (Elgar) The String Quartet in E minor, Op. 83, was one of three major chamber music works composed by Sir Edward Elgar in 1918. The others were the Violin Sonata in E minor, Op. 82, and the Piano Quintet in A minor, Op. 84. Along with the Cello Concerto in E minor, Op. 85 of 1919, these were to be his last major works prior to his death in 1934.
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Violin concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble, customarily orchestra. Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Walton, Beethoven, Brahms, Bruch, Mendelssohn, Mozart, Paganini, Prokofiev, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi.
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Concerto alla rustica This concerto, unlike some other of Vivaldi's concertos, included no detailed descriptive programme. It was presumably composed between mid-1720 and 1730. It was at that time when Vivaldi was working with his "Contest Between Harmony and Invention", Op. 8, from which Vivaldi's Four Seasons were later better known. The manuscript of this concerto was written partially on the same paper as Vivaldi's chamber version of the Goldfinch Concerto, "Il Gardellino", RV 90b. Both of these concertos were supplied to the Ottoboni family in Rome.
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Chôros No. 9 Chôros No. 9 is an orchestral work written between 1929 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled "Chôros", ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recorded performance of "Chôros No. 9" made by the composer lasts almost 28 minutes.
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Flos Campi Flos Campi: suite for solo viola, small chorus and small orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field". It is neither a concerto nor a choral piece, although it prominently features the viola and a wordless choir. The piece is divided into six movements, played without pause, each headed by a verse from the Song of Solomon:
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Piano Concerto No. 3 (Balada) The Piano Concerto No. 3 is a piano concerto by the Catalan composer Leonardo Balada. It was finished in 1999 and the complete work premiered on 12 February 2000 by Rafael Frühbeck de Burgos with the Berlin Radio Symphony Orchestra and Rosa Torres-Pardo as soloist. This concerto is well known for its wealth of folk elements.
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Concerto Palatino The Concerto Palatino was a wind ensemble and important civic institution in Bologna associated with San Petronio. The band performed morning and evening concerts in the city.
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A capriccio A capriccio ] (Italian: "following one's fancy") is a tempo marking indicating a free and approach to the tempo (and possibly the style) of the piece. This marking will usually modify another, such as "lento a capriccio", often used in the Hungarian Rhapsodies of Franz Liszt. Perhaps the most famous piece to use the term is Ludwig van Beethoven's "Rondò a capriccio" (Op. 129), better known as "Rage Over a Lost Penny".
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Piano Sonata No. 3 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, is a sonata written for solo piano, composed in 1795. It is dedicated to Joseph Haydn and is often referred to as Beethoven's first virtuosic piano sonata. The three Opus 2 sonatas all contain four movements each, an unusual length which seems to show that Beethoven was aspiring towards composing a symphony. It is both the weightiest and longest of the three Opus 2 sonatas, lasting over 25 minutes, presenting many difficulties, including difficult trills, awkward hand movements, and forearm rotation. It is Beethoven's second longest piano sonata in his early period, only to Beethoven's Grand Sonata in E-flat Major, Op. 7, published a year later.
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Giuseppe Valentini Giuseppe Valentini (14 December 1681 – November 1753), nicknamed "Straccioncino" (Little Ragamuffin), was an Italian violinist, painter, poet, and composer, though he is known chiefly as a composer of inventive instrumental music. He studied under Giovanni Bononcini in Rome between 1692 and 1697. From 1710 to 1727 he served as "‘Suonator di Violino, e Componitore di Musica’" to Prince . He also succeeded Corelli as director of the concertino at San Luigi dei Francesi, from 1710 to 1741. Though during his lifetime overshadowed by the likes of Corelli, Vivaldi, and Locatelli, his contribution to Italian baroque music is noteworthy, and many of his works were published throughout Europe.
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Triple Concerto, BWV 1044 The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach. He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.
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Fantasia Concertante on a Theme of Corelli Fantasia Concertante on a Theme of Corelli, also known as the Corelli Fantasia, is a work for string orchestra by the British composer Michael Tippett. It was commissioned by the 1953 Edinburgh Festival to commemorate the 300th anniversary of the birth of the Italian composer Arcangelo Corelli, and given its first performance on 29 August 1953, in the Usher Hall, by the BBC Symphony Orchestra conducted by Tippett.
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Punctualism Punctualism (commonly also called "pointillism" or "point music") is a style of musical composition prevalent in Europe between 1949 and 1955 "whose structures are predominantly effected from tone to tone, without superordinate formal conceptions coming to bear" . In simpler terms: "music that consists of separately formed particles—however complexly these may be composed—[is called] punctual music, as opposed to linear, or group-formed, or mass-formed music" (, bolding in the source). This was accomplished by assigning to each note in a composition values drawn from scales of pitch, duration, dynamics, and attack characteristics, resulting in a "stronger individualizing of separate tones" . Another important factor was maintaining discrete values in all parameters of the music. Punctual dynamics, for example mean that all dynamic degrees are fixed; one point will be linked directly to another on the chosen scale, without any intervening transition or gesture. Line-dynamics, on the other hand, involve the transitions from one given amplitude to another: crescendo, decrescendo and their combinations. This second category can be defined as a dynamic glissando, comparable to glissandi of pitch and of tempi (accelerando, ritardando).
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La Nueva España (composition) La Nueva España is a set of six symphonic poems by Lorenzo Ferrero written between 1990 and 1999, which is dedicated to the Spanish conquest of Mexico (once called the New Spain) in 1519-21. The suite can be considered a kind of preparatory study to the opera "La Conquista" (Prague National Theatre, 2005). This story - says the composer - is of great relevance and reminds us that cultural diversity is a precious asset that must not be squandered.
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Symphony No. 35 (Mozart) Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of ennoblement. The "Haffner Symphony" should not be confused with the eight-movement "Haffner Serenade", another piece Mozart wrote on commission from the same family in 1776.