Concerto for Double String Orchestra is one of the most popular and frequently performed works of a composer born in which year ?
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Concerto for Double String Orchestra (Tippett) Michael Tippett's Concerto for Double String Orchestra (1938–39) is one of the British composer's most popular and frequently performed works.
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Michael Tippett Sir Michael Kemp Tippett {'1': ", '2': ", '3': ", '4': "} (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio "A Child of Our Time", the orchestral "Fantasia Concertante on a Theme of Corelli", and the opera "The Midsummer Marriage".
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Luigi Nono Luigi Nono (] ; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music and remains one of the most prominent composers of the 20th century.
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Anthony Newman (musician) Anthony Newman (born May 12, 1941) is an American classical musician. While mostly known as an organist, Newman is also a harpsichordist, pedal harpsichordist, pianist, fortepianist, composer, conductor, writer, and teacher. A specialist in music of the Baroque period, particularly the works of Johann Sebastian Bach, Newman considers himself to have played an important role in the movement towards historically informed performance. He has collaborated with noted musicians such as Kathleen Battle, Julius Baker, Itzhak Perlman, Eugenia Zukerman, Jean-Pierre Rampal, Leonard Bernstein and Wynton Marsalis for whom he arranged and conducted "In Gabriel’s Garden", the most popular classical record of 1996.
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Stringmusic Stringmusic is a musical composition for string orchestra by the American composer Morton Gould. It was commissioned by the National Symphony Orchestra and was premiered at the Kennedy Center by the NSO on March 10, 1994. The piece is dedicated to the conductor Mstislav Rostropovich upon his leave.
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Clavier-Übung II Johann Sebastian Bach's Clavier-Übung II was published in 1735, containing two works written for performance on a two-manual harpsichord. In the publication, Bach contrasted a work in Italian style – a "Concerto nach Italienischem Gusto" ("Concerto after the Italian taste", now known as the "Italian Concerto"), BWV 971, with a work in French style, a suite which he called "Ouvertüre nach franzosischer Art" ("Overture in the French style", also known as the "French Overture"), BWV 831.
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Double Concerto (Rorem) The Double Concerto is a composition for violin, cello, and orchestra by the American composer Ned Rorem. The work was commissioned by the Indianapolis Symphony Orchestra and composed between July 27, 1997 and April 1998. It was composed for the violinist Jaime Laredo and the cellist Sharon Robinson, who first performed the piece with the Indianapolis Symphony Orchestra conducted by Raymond Leppard in Indianapolis on October 15, 1998.
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List of string quartets by Béla Bartók The Hungarian composer Béla Bartók wrote six string quartets, each for the usual forces of two violins, viola and cello. Notable composers who have been influenced by them include Benjamin Britten, particularly in the Sonata in C for Cello and Piano (; ), Elliott Carter, who refers in the opening of his own First String Quartet to Bartók’s Sixth Quartet , Chen Yi , Edison Denisov, whose Second Quartet is closely related to Bartók’s Fifth Quartet , Franco Donatoni, who was deeply impressed when he heard a broadcast of Bartók's Fourth Quartet , Robert Fripp, who mentions them as an influence upon King Crimson , Miloslav Ištvan , György Kurtág, whose Opp. 1 and 28 both owe a great deal to Bartók's quartets (; ), György Ligeti, whose two string quartets both owe a great deal to Bartók’s quartets (; ), Bruno Maderna , George Perle, who credits the Bartók Fourth and Fifth Quartets as precedents for his use of arrays of chords related to one another by different types of symmetry , Walter Piston (; ), Kim Dzmitrïyevich Tsesakow , Wilfried Westerlinck , Stefan Wolpe, who explained in a public lecture how he had derived ideas from Bartók’s Fourth Quartet , and Xu Yongsan .
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Joly Braga Santos José Manuel Joly Braga Santos, (] ; May 14, 1924July 18, 1988) was a Portuguese composer and conductor, who was born and died in Lisbon. He wrote six symphonies.
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Carlos Chávez Carlos Antonio de Padua Chávez y Ramírez (13 June 1899 – 2 August 1978) was a Mexican composer, conductor, music theorist, educator, journalist, and founder and director of the Mexican Symphonic Orchestra. He was influenced by native Mexican cultures. Of his six symphonies, the second, or "Sinfonía india", which uses native Yaqui percussion instruments, is probably the most popular.
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Cello Concerto No. 2 (Saint-Saëns) Saint-Saëns' Cello Concerto No. 2 in D minor, Op. 119, is written in two movements, like his Fourth Piano Concerto. It was composed for a Dutch cellist, Joseph Hollmann, in 1902. The Second Concerto is much more virtuosic than the First, but does not possess the thematic inventiveness and harmonic intricacy of the First.
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Violin Concerto No. 3 (Paganini) The Violin Concerto No. 3 in E major was composed by Niccolò Paganini in 1826. On 12 December 1826, Paganini wrote from Naples to his friend L. G. Germi that, having recently completed his Second Violin Concerto, he had now "finished orchestrating a third with a Polacca", and added: "I would like to try these concertos out on my own countrymen before producing them in Vienna, London and Paris." In the event, the Third Violin Concerto does not seem to have been premiered until July 1828 in Vienna. Since Paganini's death in 1840 concerto wasn't performed for more than a century until it was eventually rediscovered in the late 1960s and first recorded and publically performed by Henryk Szeryng in 1971.
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Piano Concerto No. 1 (Rubinstein) The Piano Concerto No. 1 in E minor, Op. 25, written in 1850 and published in 1858 by Anton Rubinstein is a Romantic concerto is dedicated to Alexander Villoing, the composer's principal piano teacher. It is his fourth attempt at writing a concerto, two were from 1849 and were lost while the third from the same year was transformed into a Piano Octet, Op. 9. Although the First Concerto is the most traditional of the five concerti, a characteristic leonine quality in the piano scoring often emerges throughout.
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String Quintet (Schubert) Franz Schubert's final chamber work, the String Quintet in C major (D. 956, Op. posth. 163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in conventional string quintets. It was composed in 1828 and completed just two months before the composer's death. The first public performance of the piece did not occur until 1850, and publication occurred three years later in 1853. Schubert's only full-fledged string quintet, it has been praised as "sublime" and as possessing "bottomless pathos," and is generally regarded as Schubert's finest chamber work as well as one of the greatest compositions in all chamber music.
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Max Reger Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916), commonly known as Max Reger, was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.
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Josef Pasternack Josef Alexander Pasternack (7 July 1881 – 29 April 1940) was a conductor and composer in the first half of the 20th century.
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Roy Douglas Richard Roy Douglas (12 December 1907 – 23 March 2015), better known as Roy Douglas, was a British composer, pianist and arranger. He worked as musical assistant to Ralph Vaughan Williams, William Walton, and Richard Addinsell, made well-known orchestrations of works such as "Les Sylphides" (based on piano pieces by Chopin) and Addinsell's "Warsaw Concerto", and wrote a quantity of original music.
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Violin Concerto No. 2 (Shostakovich) The Violin Concerto No. 2 in C sharp minor, Opus 129, was Dmitri Shostakovich's last concerto. He wrote it in the spring of 1967 as an early 60th birthday present for its dedicatee, David Oistrakh. It was premiered unofficially in Bolshevo, near Moscow, on 13 September 1967, and officially on 26 September by Oistrakh and the Moscow Philharmonic under Kirill Kondrashin in Moscow.
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Performance practice of Bach's music Johann Sebastian Bach's music has been performed by musicians of his own time (including himself), and in the second half of the eighteenth century by his sons and students, and by the next generations of musicians and composers such as the young Beethoven. Felix Mendelssohn renewed the attention for Bach's music by his performances in the 19th century. In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt, Gustav Leonhardt and Sigiswald Kuijken.
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Philippe Musard Philippe Musard (8 November 1792 – 31 March 1859) was a French composer who was crucial to the development and popularity of the promenade concert. One of the most famous personalities of Europe during the 1830s and 1840s, his concerts in Paris and London were riotous (in several senses of the word) successes. Best known for his "galop" and "quadrille" pieces, he composed many of these numbers himself, usually borrowing famous themes of other composers. Musard plays an important role in the development of light classical music, the faculty of publicity in music, and in the role of the conductor as a musical celebrity. He has been largely forgotten subsequent to his retirement in the early 1850s.
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Anthony Payne Anthony Payne (born 2 August 1936) is an English composer, most famous for the work published as "Edward Elgar: The Sketches for Symphony No. 3 elaborated by Anthony Payne". His career as a composer might be described as a continuous attempt to reconcile his personal affinity with British composers of the early 20th century (especially Ralph Vaughan Williams, Frederick Delius, Edward Elgar and Frank Bridge) with the stylistic innovations of post-war contemporary music.
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Flute Concerto (Reinecke) The Flute Concerto in D major, Op. 283, is a composition for solo flute and orchestra by the composer Carl Reinecke. The work was composed in 1908 and was Reinecke's last concerto before his death. It was first performed on March 15, 1909 in Leipzig by the flutist Maximilian Schwedler, to whom the piece is dedicated.