Jyoti Hegde is an artist who performs on the instrument typical of what genre?
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Jyoti Hegde Jyoti Hegde, (pronunciation:] ; ज्योती हेग्डे ;) is a Rudra Veena and Sitar artist from Khandarbani Gharana. She has pursued music since age 12 and completed her Masters in Music from Karnatak University of Dharwad. Vidhushi Jyoti Hegde is the first and only woman player of Rudra Veena in the world. She is a "Grade-A artist" of Rudra Veena and Sitar with the All India Radio and regularly sought after for concerts.
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Rudra veena The rudra veena (also spelled rudra vina, Hindi: रुद्रवीणा , Bengali: রুদ্রবীণা ), and also called bīn (Hindi: बीन in North India), is a large plucked string instrument used in Hindustani classical music, one of the major types of "veena" played in Indian classical music.
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Ranat Ranat (Thai: ระนาด ,  ] , also spelled "ranad" or "ranaat") is the generic name for keyboard percussion instruments used in the music of Thailand. The bars of the various types of "ranat" may be made from hardwood or bamboo ("ranat ek" ระนาดเอก and "ranat thum" ระนาดทุ้ม ), metal ("ranat ek lek" ระนาดเอกเหล็ก and "ranat thum lek" ระนาดทุ้มเหล็ก ), or, much more rarely, glass ("ranat kaeo" ระนาดแก้ว ).
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Music of Assam The music of Assam (Assamese: অসমৰ সংগীত), a state in the northeastern part of India, can be divided into various categories of folk music. In recent times starting the late eighties popular artistes have modernized the music that caters to local popular demand.
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Rompler A rompler is an electronic music instrument that plays pre fabricated sounds based on audio samples. In contrast to samplers, romplers do not record audio and have limited or no capability for generating original sounds. The term "rompler" is a portmanteau of the terms "ROM" and "sampler". Both may have additional sound editing features, such as layering several waveforms and modulation with ADSR envelopes and LFOs.
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Jōruri (music) Jōruri (浄瑠璃 ) is a form of traditional Japanese narrative music in which a "tayū" (太夫 ) sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.
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Hsaing waing The hsaing waing (Burmese: ဆိုင်းဝိုင်း , ] ; also spelt saing waing) is a traditional Burmese folk musical ensemble, consisting of a number of different gongs and drums, as well as other instruments, depending on the nature of the performance. These include the "hne" (a double reed pipe), "pat waing" (a set of 21 drums in a circle), "kyi waing" (small bronze gongs in a circular frame), "maung hsaing" (larger bronze gongs in a rectangular frame), as well as "chauk lon pat" (a set of 8 tuned drums), and "si" and "wa" (bell and clapper). For more formal and classical performances, the ensemble may be accompanied by the "saung gauk", the Burmese harp, the "pattala", a Burmese xylophone, or the piano and violin, both introduced during colonial rule. "Hsaing waing" musicians use a hemitonic and anhemitonic scale similar to the one used by Indonesian gamelan musicians.
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Vadya Vadya (IAST: Vādya, वाद्य), also called "Vadyaka" or "Atodya", is one of the three components of "sangita" (musical performance arts), and refers to "instrumental music" in the Indian traditions. The other two components of "sangita" are "gita" (vocal music, song) and "nrtya" (dance, movement). In the general sense, "Vadya" means an instrument and the characteristic music they produce, sound or play out.
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Fijiri Fidjeri (Arabic: الفجيري; sometimes spelled fijri or fidjeri) is the specific repertoire of vocal music sung by the pearl divers of Eastern Arabia's coastal Gulf states, especially Bahrain and Kuwait. A lead singer is backed up by a chorus of accompanying singers and clapping. The accompanying instruments to a "fidjeri" ensemble are a small double-sided hand-drum, known as the "mirwās" (Arabic: المرواس‎ ‎ ) and the "jāhlah" (Arabic: الجاهلة‎ ‎ ), a clay pot played with both hands.
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Long song The Long drawn song (Mongolian: , "Urtiin duu") is one of the central elements of the traditional music of Mongolia. This genre is called "Long song" not only because the songs are long, but also because each syllable of text is extended for a long duration. A four-minute song may only consist of ten words. Certain long songs such as Uvgin shuvuu khoyor, also known as Jargaltain delger (lit. 'Old man and the Bird') has a length of up to 3 hours if to sing in full length with complete 32 stanzas. Lyrical themes vary depending on context; they can be philosophical, religious, romantic, or celebratory, and often use horses as a symbol or theme repeated throughout the song. Eastern Mongols typically use a Morin khuur (horse-head fiddle) as accompaniment, sometimes with a type of indigenous flute, called "limbe". Oirat groups of the Western Mongols traditionally sing long songs unaccompanied or accompanied with the Igil.
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James Makubuya James K. Makubuya (born in Gayaza, Mpigi District, Uganda) is a Ugandan-born ethnomusicologist, instrumentalist, singer, dancer, and choreographer. He plays several traditional instruments from various parts of Uganda, including the "endongo" (8-string bowl lyre) and "adungu" (9-string bow harp), "endingidi" (1-string tube fiddle), "amadinda" (12-slab log xylophone), "akogo" (lamellaphone), and "engoma" (drums).
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Box bass A box bass is an acoustic instrument that is indigenous to Trinidad and Tobago. It is mostly used in Parang.
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Traditional Cambodian musical instruments Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical musics of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities.
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Binayo Binayo (Nepali बिनायो बाजा) is a kind of traditional Kiranti musical instrument made of piece of iron. It is played by plucking its metal wire reed with fore finger being gripped between the teeth. Binayo is popular in the Eastern Himalayan Region of Sikkim, Darjeeling Nepal, Bhutan. It is basically a wind instruments played by blowing the air without tuning the node with fingers. The Binayo is being played by from the air deposited in the lungs of the player and blown with balance, this instrument is 6 inch long and 1inch in width
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Azerbaijani musical instruments Instruments used in traditional Azerbaijani music include the stringed instruments "tar" (skin faced lute), the "kamancha" (skin faced spike fiddle), the "oud", originally "barbat", and the "saz" (long necked lute); the double-reed wind instrument "balaban", the frame drum "ghaval", the cylindrical double faced drum "nagara" ("davul"), and the "goshe nagara" ("naqareh") (pair of small kettle drums). Other instruments include the "garmon" (small accordion), "tutek" (whistle flute), and "daf" (frame drum).
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Sarinda A sarinda is a stringed Indian and Nepali folk musical instrument similar to lutes or fiddles. It is played with a bow and has between three and thirty strings depending on the region. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation.
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Surbahar Surbahar, (pronunciation: सुरबहार ), (literally: ""Spring Melody"" in Hindi), sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of North India. It is closely related to the sitar, but has a lower tone. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar, but as Indian classical music has no concept of absolute pitch, this may vary.
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Ganesh Hegde Ganesh Harish Hegde is an Indian singer, performer, video director and Bollywood choreographer.
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Sarod The sarod (or sarode) (सरोद) is a stringed instrument of India, used mainly in Indian classical music. Along with the sitar, it is among the most popular and prominent instruments in Hindustani classical music. The sarod is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.
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Xutuli Xutuli () is a musical instrument used during the Rongali Bihu festival in Assam, India. It can either be made from clay or the lower end of a bamboo tree which is left after the main part falls or is cut off (Assamese: বাহঁৰ মূঢ়া). Detail about this musical instrument can be available in xobdo.
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Marfa (music) The "Marfa" (Urdu: مرفع‎ ) is a form of celebratory rhythmic music and dance in Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen. played with high tempo using Marfa (instrument) "daff", "Dhol", "sticks", "steel pots" and "wooden strips" called "thapi". The Chorus effects and vocal meter are set according to beats.
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Ajaeng The ajaeng is a Korean string instrument. It is a wide zither with strings made of twisted silk, played by means of a slender stick made of forsythia wood, which is scraped against the strings in the manner of a bow. The original version of the instrument, and that used in court music (called the "jeongak ajaeng"), has seven strings, while the "ajaeng" used for "sanjo" and "sinawi" (called the "sanjo ajaeng") has eight strings; some instruments may have up to nine strings.