François Roland Truffaut, was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave, he also directed such other classics as Day for Night, a French film directed by François Truffaut, released in what year?
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François Truffaut François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement. Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979. He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).
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Day for Night (film) Day for Night (French: La Nuit américaine ) is a 1973 French film directed by François Truffaut. It stars Jacqueline Bisset and Jean-Pierre Léaud. It is named after the filmmaking process referred to in French as "la nuit américaine" ("American night"), whereby sequences filmed outdoors in daylight are shot using film stock balanced for tungsten (indoor) light and underexposed (or adjusted during post production) to appear as if they are taking place at night. In English, the technique is called day for night, which is the film's English title.
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Artédis Artédis is a French film distributor founded in 1983. The company releases four to six films a year, and concentrates mainly on releasing European fare.
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Hitchcock/Truffaut (film) Hitchcock/Truffaut is a 2015 French-American documentary film directed by Kent Jones about François Truffaut's book on Alfred Hitchcock, "Hitchcock/Truffaut", and its impact on cinema.
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Black Thursday (film) Black Thursday (French: "Les Guichets du Louvre" ) is a French film from 1974 directed by Michel Mitrani. It was entered into the 24th Berlin International Film Festival.
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Service de nuit Service de Nuit (English: Night Shift ) is a 1944 French-Italian film comedy directed by Jean Faurez.
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The Night Heaven Fell The Night Heaven Fell ("Les bijoutiers du claire de lune") is a Eastmancolor 1958 French-Italian film directed by Roger Vadim. Vadim had already acquired international fame with his daring debut "And God Created Woman" (1956). Like its predecessor, "The Night Heaven Fell" explored the exuberant sensuality of Brigitte Bardot, who was Vadim's wife at the time.
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Cinéma du look Cinéma du look (] ) was a French film movement of the 1980s, analysed, for the first time, by French critic Raphaël Bassan in "La Revue du Cinéma" issue n° 448, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of "le look". These directors were said to favor style over substance, spectacle over narrative. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups rather than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the opera music of "Diva" and "Les Amants du Pont-Neuf," and pop culture, for example the references to Batman in "Subway", was another key feature.
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Suzanne Schiffman Suzanne Schiffman (née Klochendler; 27 September 1929 – 6 June 2001) was a screenwriter and director for numerous motion pictures. She often worked with François Truffaut. The 'script girl' Joelle, played by Nathalie Baye in Truffaut's "Day for Night" was based on Schiffman. It accurately portrayed the close collaboration she had with Truffaut and other directors.
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Day and Night (1997 film) Day and Night (French: Le Jour et la Nuit ) is a 1997 French drama film directed by philosopher Bernard-Henri Lévy and starring Alain Delon, Lauren Bacall, Arielle Dombasle and Francisco Rabal. The film follows a French author who fled to Mexico for a quiet life and an actress who is willing to seduce him to get a part in a film adapted from one of his books. It is considered by some to be one of the worst films of all time.
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Toto in Paris Toto in Paris (Italian: "Totò a Parigi" , French: "Parisien malgré lui" , also known as " Totò innamorato") is a 1958 Italian-French comedy film directed by Camillo Mastrocinque.
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Jean-Jacques Annaud Jean-Jacques Annaud (born 1 October 1943) is a French film director, screenwriter and producer, best known for directing "Quest for Fire" (1981), "The Name of the Rose" (1986), "The Bear" (1988), "The Lover" (1992), and "Seven Years in Tibet" (1997). Annaud has received numerous awards for his work, including five César Awards, one David di Donatello Award, and one National Academy of Cinema Award. Annaud's first film, "Black and White in Color" (1976), received an Academy Award for Best Foreign Language Film.
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Naked Childhood Naked Childhood (French: L'Enfance nue ) is a 1968 French film. It was the feature-length debut of director Maurice Pialat, and was written by Pialat and Arlette Langmann. François Truffaut was one of the film's producers.
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La Notte La Notte (English: "The Night" ) is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (Umberto Eco appeared in a cameo). Filmed on location in Milan, the film is about a day in the life of an unfaithful married couple and their deteriorating relationship. In 1961 "La Notte" received the Golden Bear at the Berlin International Film Festival, as well as the David di Donatello Award for Best Director. "La Notte" is considered the central film of a trilogy beginning with "L'Avventura" (1960) and ending with "L'Eclisse" (1962).
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For Ever Mozart For Ever Mozart is a 1996 feature film directed, written and edited by Jean-Luc Godard. The film's title is a bilingual pun intentionally meant to sound like "Faut rêver Mozart" ("Dream Mozart, dream" in French). The film was selected as the Swiss entry for the Best Foreign Language Film at the 70th Academy Awards, but was not accepted as a nominee.
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Jacques Copeau Jacques Copeau (] ; 4 February 1879 – 20 October 1949) was a French theatre director, producer, actor, and dramatist. Before he founded his famous Théâtre du Vieux-Colombier in Paris, he wrote theatre reviews for several Parisian journals, worked at the Georges Petit Gallery where he organized exhibits of artists' works and helped found the "Nouvelle Revue Française" in 1909, along with writer friends, such as André Gide and Jean Schlumberger.
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Breathless (1983 film) Breathless is a 1983 American drama film directed by Jim McBride and written by McBride and L. M. Kit Carson, starring Richard Gere and Valérie Kaprisky. It is a remake of the 1960 French film directed by Jean-Luc Godard and written by Jean-Luc Godard and François Truffaut, "À bout de souffle" (known as "Breathless" in English) and was released in France under the title A Bout de Souffle Made in USA. The original film is about an American girl and a French criminal in Paris. The remake is about a French girl and an American criminal in Los Angeles.
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The Man Who Loved Women (1977 film) The Man Who Loved Women (French: "L'Homme qui aimait les femmes" ) is a 1977 French comedy/drama film directed by François Truffaut and starring Charles Denner, Brigitte Fossey and Nelly Borgeaud. In 1983, it was remade in Hollywood under the same title. The film had a total of 955,262 admissions in France.
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L'Année sainte L'Année sainte (Holy Year in English) is a 1976 French-Italian crime comedy film directed by Jean Girault. Set in the Holy Year for Catholics of 1975, it tells the story of two French criminals, acted by Jean Gabin and Jean-Claude Brialy, who make a pilgrimage to Rome to retrieve buried loot. Playing his character Max, a world-weary but wily old gangster, it was the last film made by Gabin.
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Jean-Daniel Pollet Jean-Daniel Pollet (] ; 1936–2004) was a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge.
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New German Cinema New German Cinema (German: "Neuer Deutscher Film" ) is a period in German cinema which lasted from the late 1960s into the 1980s. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors as Rainer Werner Fassbinder, Werner Herzog, Alexander Kluge, Harun Farocki, Volker Schlöndorff, Helma Sanders-Brahms, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders made names for themselves and produced a number of 'small' motion pictures that caught the attention of art house audiences, and enabled these directors (particularly Wenders and Schlöndorff) to create better-financed productions which were backed by the big US studios. However, most of the films were commercial failures and, by 1977, 80% of a budget for a typical German film was ensured by a subsidy.
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A Thousand for One Night A Thousand for One Night (German: Tausend für eine Nacht) is a 1933 Czech-German comedy film directed by Max Mack and starring  Claire Rommer, Trude Berliner and Harald Paulsen. A separate Czech-language version was also produced.