Sosarme was written by this German and later British composer who became a naturalized British subject in what year?
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Sosarme Sosarme, re di Media ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, "Dionisio, Re di Portogallo" (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia.
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George Frideric Handel George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
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Ronald Stevenson Ronald Stevenson (6 March 1928 – 28 March 2015) was a British composer, pianist, and writer about music.
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Arthur Butterworth Arthur Eckersley Butterworth, {'1': ", '2': ", '3': ", '4': "} (4 August 1923 – 20 November 2014) was an English composer, conductor, trumpeter and teacher.
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Roland Bocquet Roland Bocquet (3 June 1878 – 16 October 1956) was a British composer, pianist and teacher who for most of his career was based in the city of Dresden, and is chiefly associated with the composition of German Lieder. For the most part his work was rarely heard in Britain and he is now relatively unknown. In Germany, however, he had a limited but devoted following during his lifetime, and his music is still performed.
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Adolphe Gutmann Adolphe Gutmann (originally Wilhelm Adolf Gutmann) (12 January 1819 – 22 October 1882) was a German pianist and composer who was a pupil and friend of Frédéric Chopin.
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Johannes von Soest Johannes Steinwert von Soest ("Johannes de Susato") (1448 – 2 May 1506) was a German composer, theorist and poet. Most biographical details about his life survive in Johannes' verse autobiography, which was printed in 1811 (although the manuscript no longer survives) and has been partially translated into modern English. He was born in Unna and brought up in the nearby town of Soest. As a boy, he sang at the church of St. Patrokli. At one point a juggler almost succeeded in kidnapping him for his beautiful voice, but the plan did not succeed. The boy eventually left Soest when John I, Duke of Cleves hired him as a singer.
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Siegmund Nissel Siegmund Walter "Sigi" Nissel OBE (3 January 1922, Munich – 21 May 2008, London) was an Austrian-born British violinist who played second violin in the Amadeus Quartet and served as its administrator.
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Coronation March (Edward German) The Coronation March is a piece for full orchestra composed by Edward German in 1911 upon invitation for the coronation ceremonies of King George V of the United Kingdom and Queen Mary. The march and its accompanying hymn, "Veni Creator Spiritus," were partly derived from the composer's incidental music to Henry Irving's 1892 production of Henry VIII.
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Hermann Wolfgang von Waltershausen Hermann Wolfgang Sartorius Freiherr von Waltershausen (Göttingen, 12 October 1882 – Munich, 14 June 1954) was a German composer, conductor, teacher and writer.
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Cyril Rootham Cyril Bradley Rootham (5 October 1875 – 18 March 1938) was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.
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Duchess Maria Antonia of Bavaria Maria Antonia, Princess of Bavaria (18 July 1724 – 23 April 1780), Electress of Saxony, was a German composer, singer, harpsichordist and patron, known particularly for her operas "Il trionfo della fedeltà" (Dresden, summer 1754) and "Talestri, regina delle amazoni" (Nymphenburg Palace, February 6, 1760). She was also the Regent of Saxony in 1763-1768. Baptised "Maria Antonia Walpurgis Symphorosa", she was known as Maria Antonia.
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Werner Josten Werner Erich Josten (June 12, 1885 in Elberfeld, Germany – February 6, 1963 in New York City) was a German-born composer of contemporary classical music. He studied in Munich with Rudolf Siegel and in Geneva with Émile Jaques-Dalcroze, and emigrated to the United States in 1920 or 1921. He became a naturalized citizen and taught at Smith College in Northampton, Massachusetts from 1923 to 1949, where his notable students included Audrey Kooper Hammann. The Werner Josten Performing Arts Library at Smith College is named for him.
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Andreas Berger (composer) Andreas Berger (1584–1656) was a German composer whose works featured in the collection of J. S. Bach. He was the son-in-law of the English emigre musician William Brade.
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Henri Bertini Henri Jérôme Bertini (28 October 1798 – 30 September 1876) was a French classical composer and pianist. He was born into a family of musicians and attracted the attention of François-Joseph Fétis when he toured Europe as a child prodigy. As an adult he was admired both as a soloist and as a chamber musician; it was said that he played with Johann Nepomuk Hummel's simplicity and elegance without sacrificing the brilliance of the instrument. As a composer he had an original style which was rich in musical ideas, attractive melodies, and effortless harmonies. In 1848 he retired from the musical scene and settled in the Dauphiné in south-east France.
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John Charles Bond-Andrews John Charles Bond-Andrews (14 December 1854 – 27 April 1899) was an English composer, pianist, music arranger, conductor and musician.
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Joseph Martin Kraus Joseph Martin Kraus (20 June 1756 – 15 December 1792), was a composer in the classical era who was born in Miltenberg am Main, Germany. He moved to Sweden at age 21, and died at the age of 36 in Stockholm. He has been referred to as "the Swedish Mozart", and had a life span which was very similar to that of Mozart.
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Ebenezer Prout Ebenezer Prout ( ; 1 March 18355 December 1909) was an English musical theorist, writer, teacher and composer, whose instruction, afterwards embodied in a series of standard works still used today, underpinned the work of many British classical musicians of succeeding generations.
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Robert Valentine (composer) Robert Valentine (c. 1671 – 26 May 1747), also known as Roberto Valentini and Roberto Valentino, was an English composer, recorder player, oboist and violinist, who moved to Rome and became a naturalised Italian. He is noted for his large number of compositions for the recorder.
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Arthur Bliss Sir Arthur Edward Drummond Bliss (2 August 189127 March 1975) was an English composer and conductor.
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Ralph Vaughan Williams Ralph Vaughan Williams {'1': ", '2': ", '3': ", '4': "} ( 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over nearly fifty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
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Richard Wagner Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").