Are Capriccio and La finta giardiniera both operas?
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Capriccio (opera) Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Clemens Krauss and Strauss wrote the German libretto. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Most of the final libretto is by Krauss.
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La finta giardiniera La finta giardiniera ("The Pretend Garden-Girl"), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on January 13 at the Salvator theater in Munich. There is debate over the authorship of the libretto; often ascribed to Calzabigi, some have attributed it to Giuseppe Petrosellini, but it is questioned whether it is in the latter's style.
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Caprice No. 16 (Paganini) Caprice number 16 is one of Niccolò Paganini's famous 24 Caprices. As a caprice, the 16th caprice in G minor, although notated in triple time meter, consists of a continuous legato of 16th notes until its conclusion. The caprice contains syncopated accentuated fortissimo. The caprice lasts approximately 1 and a half minutes.
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Capriccio for Violin and Orchestra (Penderecki) The Capriccio for Violin and Orchestra is a composition by Polish composer Krzysztof Penderecki. It is one of the five caprices that he composed and one of the two that he composed for a soloist with an orchestra, together with the "Capriccio for Oboe and Eleven Instruments".
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La bohème (Leoncavallo) La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on "Scènes de la vie de bohème" by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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Antonio Sacchini Antonio Maria Gasparo Sacchini (14 June 17306 October 1786) was an Italian composer, most famous for his operas.
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Vent'anni (song) "Vent'anni" is a 1970 Italian song composed by Giancarlo Bigazzi, Enrico Polito and Totò Savio and performed by Massimo Ranieri. The song won the eighth edition of Canzonissima, beating Gianni Morandi's "Capriccio" and establishing Ranieri as the new favorite of the Italian younger audience.
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Belfagor Belfagor (premiere 26 April 1923) is an Italian-language opera by the composer Ottorino Respighi to a libretto by Claudio Guastalla (1880-1948) based on the comedy "Belfagor" of Ercole Luigi Morselli (1882-1921), itself loosely based on the novella "Belfagor arcidiavolo" by Niccolò Machiavelli. It was premiered in 1923 at La Scala in Milan, under the baton of Antonio Guarnieri, since Toscanini was unavailable. The cast featured Irish soprano Margaret Burke Sheridan as Candida, tenor Mariano Stabile as her lover Baldo, and baritone Francesco Merli as the titular Belfagor, a "arcidiavolo" who tries to marry a human maiden while in disguise as a nobleman, using gifts of money to her father.
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Caprice Caprice, from the Italian "capriccio", may refer to:
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Margarita Salicola Margarita Salicola ("floruit" 1682 – 1706) was a famous opera singer of her time. She came from a family of musicians at the court of the Ferdinando Carlo Gonzaga, Duke of Mantua and became a staple of casts at San Giovanni Grisostomo, Venice's newest and most famous theater, in the 1680s. The earliest work with which she can be linked is Pietro Simone Agostini's "Il ratto delle sabine" ("The Rape of the Sabine Women"). She was especially praised for her appearance in the title role of Carlo Pallavicino's "Penelope la casta" ("The Chaste Penelope") in the winter of 1685. The Saxon elector Johann Georg III, in whose court Pallavicino already served, was so thrilled by her performance that he became intent to taking her and two "castrati" from the same cast into this service. After a staged "kidnapping," Salicola was escorted en route to Dresden by a Mantuan agent.
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Ferdinando Fontana Ferdinando Fontana (30 January 1850 – 10 May 1919) was an Italian journalist, dramatist, and poet. He is best known today for having written the libretti of the first two operas by Giacomo Puccini – "Le Villi" and "Edgar".
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Francesco Manelli Francesco Manelli (Mannelli) (13 September 1594 – July 1667) was a Roman Baroque composer, particularly of opera; and theorbo player. He is most well known for his collaboration with fellow Roman composer Benedetto Ferrari in bringing commercial opera to Venice. The first two works, in 1637 and 1638, to be put on commercially in the Teatro San Cassiano were both by Manelli - his "L'Andromeda" and "La Maga Fulminata".
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Giovanni Valentini (classical era composer) Giovanni Valentini (ca. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, "La statua matematica" and "Le nozze in contrasto", the latter of which premiered at the Teatro San Moisè, Venice, in November 1774.
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La Loca (opera) La Loca "(The Madwoman)", also known as Juana la Loca "(Crazy Joanna)," is an opera by Gian Carlo Menotti, composed in 1979. It is a romantic drama about the life of Joanna of Castille (1479–1555). It was written as a vehicle for soprano Beverly Sills and received its premiere on June 3, 1979, at the San Diego Opera, followed by the New York City Opera. Critical response was largely negative, so Menotti completely reworked it. The revised version premiered in 1982 at the Festival of Two Worlds in Spoleto, Italy. The American premiere of the revised version took place at the Spoleto Festival USA in Charleston, South Carolina, on June 1, 1984.
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Arrighetto Arrighetto is an opera in one act by Carlo Coccia. The Italian-language libretto was by Angelo Anelli, after "Madonna Beritola", sixth tale of the second day of the "Decameron" by Giovanni Boccaccio. It premiered on 9 January 1813 at the Teatro San Moisè, Venice.
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Ezio (libretto) Ezio is an opera libretto by Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.
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Pasquale Bona Pasquale Bona (Cerignola, November 3, 1808 – Milan, December 2, 1878) was an Italian composer. He studied music in Palermo. He composed a number of operas, including one based on the Schiller play that would later inspire Giuseppe Verdi's "Don Carlos". Bona later taught at the Conservatory in Milan, where he counted among his pupils Amilcare Ponchielli, Arrigo Boito, Franco Faccio and Alfredo Catalani; he was also friends with Alessandro Manzoni.
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Fantasio (Smyth) Fantasio is an opera in two acts composed by Ethel Smyth. The German-language libretto was written by Smyth and Henry Bennet Brewster. Described in the libretto as a "phantastische Comödie" (fantastic comedy), it was based on Alfred de Musset's 1834 play of the same name. The opera premiered at the Deutsches Nationaltheater in Weimar on 24 May 1898.
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Il ballo delle ingrate Il ballo delle ingrate ("The Ballet of the Ungrateful Ladies") is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdri's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera "L'Arianna" (to another libretto by Rinuccini) and the music for the prologue to Guarini's play "L'idropica" for the occasion.
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Carlton Gauld Carlton Gauld (before 1931 – after 1960) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's "Aida". He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's "Lakmé". He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in "The Barber of Seville", the title role in Giacomo Puccini's "Gianni Schicchi", the Prior in Massenet's "Le Jongleur de Notre Dame", de Grieux in "Manon", Lothario in "Mignon", Ramon in Charles Gounod's "Mireille", the four villains in "The Tales of Hoffmann", Count Almaviva in "Le nozze di Figaro", and Scarpia in "Tosca" among others. He also sang in the world premiere of Emmanuel Bondeville's "L’École des maris" (1933) with the company.
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La finta semplice La finta semplice ("The Fake Innocent"), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera.