Dino Borgioli was associated with opera roles by which composer born January 27, 1756?
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Dino Borgioli Dino Borgioli (February 15, 1891September 12, 1960) was an Italian lyric tenor. Praised by critics for his musicianship, he was particularly associated with roles in operas composed by Mozart, Rossini, and Donizetti.
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Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart ( ; ; ] ; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era.
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Giovanni Battista Lampugnani Giovanni Battista Lampugnani (c. 1708 – 2 June 1786) was an Italian composer, born in Milan. He studied in Naples where he made his debut as a composer of opera in 1732. In 1743 he went to London to take over the Opera from Baldassare Galuppi at the King's Theatre, but he soon returned to Milan. Lampugnani later became the "maestro al cembalo" (meaning "master of the harpsichord") in 1779 at the Teatro alla Scala.
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Luigi Marchesi Luigi Marchesi (] ; 8 August 1754 – 14 December 1829) was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century.
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Alfonso Fontanelli Alfonso Fontanelli (15 February 1557 – 11 February 1622) was an Italian composer, writer, diplomat, courtier, and nobleman of the late Renaissance. He was one of the leading figures in the musically progressive Ferrara school in the late 16th century, and one of the earliest composers in the "seconda pratica" style at the transition to the Baroque era.
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Antonio Sacchini Antonio Maria Gasparo Sacchini (14 June 17306 October 1786) was an Italian composer, most famous for his operas.
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Giovanni Antonio Giay Giovanni Antonio Giay (sometimes spelled Giaj; 11 June 1690 – 10 September 1764) was an Italian composer. His compositional output includes 15 operas, 5 symphonies, and a significant amount of sacred music.
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Gaetano Donizetti Domenico Gaetano Maria Donizetti (] ; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the "bel canto" opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi (1813–1901).
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Tommaso Marchesi Tommaso Marchesi (] ; March 7, 1773 – June 6, 1852) was an Italian composer.
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Mattio Rampollini Mattio Rampollini (also Matteo) (?June 2, 1497 – c. 1553) was an Italian composer of the Renaissance, active in Florence. Employed by the Medici, he was a colleague of the more famous Francesco Corteccia, and was noted for his madrigals, some composed for the opulent entertainments of the Medici court. He is mainly known as a contributing composer to the Intermedio of 1539.
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Giuseppe Tartini Giuseppe Tartini (8 April 1692 – 26 February 1770) was a Venetian Baroque composer and violinist.
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Antonio Pampani Antonio Gaetano Pampani (c. 1705–1775) was a Venetian composer. He was chapel master to the conservatory of the Chiesa dell'Ospedaletto.
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Giuseppe Farinelli Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include "I riti d'Efeso" (1803, Venice), "La contadina bizzarra" (1810, Milan) and "Ginevra degli Almieri" (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
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Antonio Quintavalle Antonio Quintavalle (1688–c.1724) was an Italian opera composer. By 1703 and perhaps earlier he was chamber organist at the Mantuan court. He wrote music for three operas while he was in Mantua, one in collaboration with the maestro di cappella Antonio Caldara. In 1712 he became maestro di cappella of Trent Cathedral. His fourth and last opera was produced in Trent. The exact year of his death is uncertain. There is evidence suggesting that Quintavalle was in Trent until at least 1724. However, there is also record of death for an Antonio Quintavalle, chaplain at Torcello, who died near Venice on 28 January 1721 at the age of 45. It is possible that this other Antonio Quintavalle may be the composer or a different person entirely. None of Quintavalle's works have survived to today.
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Pedro António Avondano Pedro António Avondano (16 April 1714 - 1782) was a Portuguese composer of Italian parentage.
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Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
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Il campiello Il campiello ("The Little Square") is an opera in three acts by Ermanno Wolf-Ferrari. The Italian-language libretto was by Mario Ghisalberti, after the famous comedy of the same name written for the 1756 Venetian Carnival by the great Venetian playwright, Carlo Goldoni.
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Alessandro (opera) Alessandro (HWV 21), is an opera composed by George Frideric Handel in 1726 for the Royal Academy of Music. Paolo Rolli's libretto is based on the story of Ortensio Mauro's "La superbia d'Alessandro". This was the first time the famous singers Faustina Bordoni and Francesca Cuzzoni appeared together in one of Handel's operas. The original cast also included Francesco Bernardi who was known as Senesino.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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La Partenza "La partenza" is a 1749 canzonetta by Pietro Metastasio (1698-1782). It is among his most famous canzonettas and after being set by the poet himself was set again by many composers including Farinelli, Caffarelli, Giovanni Paisiello, Mozart, Beethoven himself and Beethoven's pupil Archduke Rudolph.
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Casa Ricordi Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.
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Pasquale Errichelli Pasquale Errichelli (also "Ericchelli" or "Enrichelli"; 1730–1785) was an Italian composer and organist based in the city of Naples. Trained at the Conservatorio della Pietà dei Turchini, his compositional output consists of 7 operas, 2 cantatas, 1 symphony, 3 sonatas, several concert arias, and the oratorio "Gerosolina protetta". He was for many years the organist at the Cattedrale di Napoli.