The International Movement for an Imaginist Bauhaus was a small European avant-garde artistic tendency that arose out of the breakup of a movement active between which years ?
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International Movement for an Imaginist Bauhaus The International Movement for an Imaginist Bauhaus was a small European avant-garde artistic tendency that arose out of the breakup of COBRA, and was initiated by contact between former COBRA member Asger Jorn and Enrico Baj and Sergio Dangelo of the Nuclear Art Movement.
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COBRA (avant-garde movement) COBRA (or CoBrA) was a European avant-garde movement active from 1948 to 1951. The name was coined in 1948 by Christian Dotremont from the initials of the members' home cities: Copenhagen (Co), Brussels (Br), Amsterdam (A).
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Impressionism Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of "movement" as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
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Devětsil The Devětsil (] ) was an association of Czech avant-garde artists, founded in 1920 in Prague. From 1923 on there was also an active group in Brno. The movement discontinued its activities in 1930 (1927 in Brno).
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Quattrocento The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (] ) from the Italian for the number 400, in turn from "millequattrocento ", which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic) and the early Renaissance.
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Salon de la Sécession The Salon de la Sécession was an Avant-gardist art exhibition which was held in Luxembourg each year from 1927 to 1930. It was the main event of the Luxembourg Secession movement which had been founded in 1926 by a number of artists including Claus Cito, Nico Klopp, Joseph Kutter and Auguste Trémont who were unhappy with the academic approach of the Cercle artistique de Luxembourg and its support of Impressionism. Hoping to develop interest in Fauvism and Expressionism, they had been inspired by similar but substantially earlier secessionist movements in Munich (1892), Vienna (1896) and Berlin (1897). The Luxembourg movement folded in 1930 following the reconciliation of the Secession movement and the Cercle artistique.
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Constructivist architecture Constructivist architecture was a form of modern architecture that flourished in the Soviet Union in the 1920s and early 1930s. It combined advanced technology and engineering with an avowedly Communist social purpose. Although it was divided into several competing factions, the movement produced many pioneering projects and finished buildings, before falling out of favour around 1932. It has left marked effects on later developments in architecture.
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Expressionism Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express the meaning of emotional experience rather than physical reality.
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Nouvelle tendance Nouvelle Tendance (New Tendency) was an art movement founded in Yugoslavia in 1961. The "theoretician" of the group was Serbian art critic Marko Mestrovich. The other original founders of Nouvelle Tendance were Brazilian painter Almir Mavignier, and Bozo Bek, the Croatian director of the Museum of Contemporary Art, Zagreb.
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Gutai group The Gutai group (具体美術協会 , Gutai Bijutsu Kyōkai ) is the first radical, post-war artistic group in Japan. It was founded in 1954 by the painter Jiro Yoshihara in Osaka, Japan, in response to the reactionary artistic context of the time. This influential group was involved in large-scale multimedia environments, performances, and theatrical events and emphasizes the relationship between body and matter in pursuit of originality. The movement rejected traditional art styles in favor of performative immediacy.
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The Trend The Trend was a Marxist-Leninist political movement of the mid-1970s through the mid-1990s in the United States. It consisted of a loose collection of small communist organizations, newspapers, and theoretical groups that staked out a line that was intermediate between the Soviet-aligned Communist Party, USA and the Third-worldist-oriented, Maoist New Communist Movement. Groups that were part of The Trend include the "The Guardian" newspaper (now defunct, not to be confused with "The Guardian (UK)") and the associated Guardian Clubs, Line of March (later Frontline Political Organization), "Crossroads", Organizing Committee for an Ideological Center, El Comite-MINP, and other groups.
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Birmingham Surrealists The Birmingham Surrealists were an informal grouping of artists and intellectuals associated with the Surrealist movement in art, based in Birmingham, England from the 1930s to the 1950s.
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Academic art Academic art, or Academicism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism", "academicism", "L'art pompier", and "eclecticism", and sometimes linked with "historicism" and "syncretism".
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American Abstract Artists American Abstract Artists (AAA) was formed in 1936 in New York City, to promote and foster public understanding of abstract art. American Abstract Artists exhibitions, publications, and lectures helped to establish the organization as a major forum for the exchange and discussion of ideas, and for presenting abstract art to a broader public. The American Abstract Artists group contributed to the development and acceptance of abstract art in the United States and has a historic role in its avant-garde. It is one of the few artists’ organizations to survive from the Great Depression and continue into the 21st century.
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New Objectivity (filmmaking) New Objectivity (a translation of the German "Neue Sachlichkeit", alternatively translated as "New Sobriety" or "New matter-of-factness") was an art movement that emerged in Germany in the early 1920s as a counter to expressionism. The term applies to a number of artistic forms, including film.
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Dada Dada ( ) or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire (circa 1916); New York Dada began circa 1915, and after 1920 Dada flourished in Paris. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left.
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International Socialists of Germany International Socialists of Germany (German: "Internazionale Sozialisten Deutschlands" ; ISD) was the name of a political party, formed in September 1915, which split from the Social Democratic Party of Germany, following the latter's decision to support the German war effort in World War I. The ISD consisted of members who were on the left wing of the SPD. The members of the ISD joined the Communist Party of Germany in 1918, but later went on to form the council communist Communist Workers' Party of Germany.
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Suprematism Suprematism (Russian: "Супремати́зм" ) is an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, around 1913, and announced in Malevich's 1915 exhibition, The Last Futurist Exhibition of Paintings 0.10, in St. Petersburg, where he, alongside 13 other artists, exhibited 36 works in a similar style. The term "suprematism" refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects.
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List of minimalist artists Minimalism was an art movement that began during the 1960s. This list of minimalist artists are primarily artists whose works were done in the 1960s, and are considered minimal, although some artists subsequently radically changed their work in the 1970s and in subsequent decades. This list is incomplete.
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Bauhaus Archive The Bauhaus Archive (German: "Bauhaus-Archiv" ) Museum of Design, in Berlin, collects art pieces, items, documents and literature which relate to the Bauhaus School (1919–1933), one of the most influential schools of architecture, design, and art of the 20th century ) and puts them on public display.
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Abstract illusionism Abstract illusionism, a name coined by art historian and critic Barbara Rose, is an artistic movement that came into prominence in the United States during the mid-1970s.
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Post-industrial music Post-industrial music is a collection of related music genres that emerged in the early 1980s, all of which blended elements of varying styles with the then new genre of industrial music. "Industrial" had first been applied to music in the mid-1970s by the Industrial Records label artists. Since then, a number of labels and artists have come to be called "industrial". These offshoots include fusions with noise music, ambient music, folk music, industrial rock and electronic dance music, as well as other mutations and developments. The scene has spread worldwide, and is particularly well represented in North America, Europe, and Japan.