Who produce 80 to 90 percent of the text to the opera at which Timothy Meyers has a role of Bertolt Brecht's?
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Timothy Meyers Timothy Meyers (August 31, 1945—March 14, 1989) was an American actor famous for originating the role of Kenickie in Grease and was a 1972 nominee for Tony Award Best Featured Actor in a Musical. His first stage role was in 1970 as Crookfinger Jake in Kurt Weill and Bertolt Brecht's "The Threepenny Opera". His other stage roles include the 1980s musical "Sidewalkin" (Oscar), "HotGrog" (Blackbeard), "The Foursome" (Tim), "No Place to be Somebody" (Shanty), "Rock Island" (Wally), "The Sugar Bowl" (Pinky), "Romeo and Jeanette" (Lucien), "Jack the Ripper" (Lusk), "Wait Until Dark" (Harry Roat), "Cabaret" (Ernst Ludwig), "The Fantasticks" (Henry), "Terra Nova" (Bowers), "The Dresser" (Geoffrey Thornton), "True West" (Saul Kimmer), "Curse of the Starving Class" (Weston), "One Flew Over the Cuckoo's Nest" (Scanlon), "Lady of the Diamond" (Sportscaster), "Write Me a Murder" (Charles Sturrock), "She Stoops to Conquer" (Stingo), "Ah, Wilderness!" (David McComber), "Loot" (Meadows), "Tartuffe" (Damis), "The Caretaker" (Mick), "Steambath" (Morty), "Comedians" (Phil Murray), "King Lear" (Oswald), "A Midsummer Night's Dream" (Puck), "Measure for Measure" (Pompey), and "The Greeks" (Odysseus).
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The Threepenny Opera The Threepenny Opera (Die Dreigroschenoper ) is a "play with music" by Bertolt Brecht and Elisabeth Hauptmann, adapted from John Gay's 18th-century English ballad opera, "The Beggar's Opera", with music by Kurt Weill and insertion ballads by François Villon and Rudyard Kipling. Although Hauptmann produced 80 to 90 percent of the text, Brecht suppressed this and assumed sole credit, and is usually listed as sole author in printed versions.
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Die Verurteilung des Lukullus Die Verurteilung des Lukullus ("The Condemnation of Lucullus") is an opera by Paul Dessau to a libretto by the German dramatist Bertolt Brecht.
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Semirâma Semirâma is an opera in three acts by Ottorino Respighi to a libretto by Alessandro Cerè based on Voltaire's 1748 play "Sémiramis", the same subject used for Rossini's Semiramide. "Semirâma" premiered on 20 November 1910 at the Teatro Comunale in Bologna. The première obtained a great success, with several calls for the composer and the singers.
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Greek (opera) Greek is an opera in two acts composed by Mark-Anthony Turnage to a libretto adapted by Turnage and Jonathan Moore from Steven Berkoff's 1980 verse play "Greek". The play and the opera are a re-telling of Sophocles's Greek tragedy "Oedipus Rex" with the setting changed to the East End of London in the 1980s. The opera was first performed on 17 June 1988 in the Carl-Orff-Saal of the Gasteig, Munich, in a co-production by the Munich Biennale, the Edinburgh International Festival and the BBC.
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Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
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Grisélidis Grisélidis is an opera (described as a 'conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Another Brick in the Wall: The Opera Another Brick in the Wall: The Opera (official website) is an opera by composer Julien Bilodeau and librettist Roger Waters, based on the concept album "The Wall" (1979) by the progressive rock band Pink Floyd, of which Waters is a founding member. It premiered at Opéra de Montréal in March 2017, and will be produced by Cincinnati Opera in the summer of 2018.
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Lysistrata (opera) Lysistrata, or The Nude Goddess is an opera in two acts by composer Mark Adamo. The work is based on Aristophanes's fifth century BCE play "Lysistrata". The opera had its world premiere at the Houston Grand Opera on March 4, 2005. It was subsequently produced in March 2006 at the New York City Opera, and it will be produced in San Francisco by Ensemble Parallele in February 2013.
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The Merchant of Venice (opera) The Merchant of Venice is an opera by André Tchaikowsky (1935–1982) to a libretto, based on the Shakespeare play, by John O'Brien. Written between 1968 and 1982, it was first performed in 2013 at the Bregenz Festival. The British premiere will be presented by the Welsh National Opera in September 2016.
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
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L'écume des jours (opera) L'écume des jours (English: "The Foam of Days") is an opera in three acts (14 scenes) by the Russian composer Edison Denisov. The French (also German and Russian) text is by the composer based on the novel of the same title by Boris Vian. It was composed in 1981.
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Prince Igor Prince Igor (Russian: Князь Игорь , "Knyaz' Igor'") is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic "The Lay of Igor's Host", which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.
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Daphne (opera) Daphne, Op.82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's "Metamorphoses" and includes elements taken from "The Bacchae" by Euripides. The opera premiered at the Semperoper in Dresden on 15 October 1938, originally intended as a double bill with Strauss' "Friedenstag", but as the scale of "Daphne" grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated.
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El retablo de maese Pedro El retablo de maese Pedro ("Master Peter's Puppet Show") is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from "Don Quixote" by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of "Don Quixote", with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire.
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
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Séance on a Wet Afternoon (opera) Séance on a Wet Afternoon is an opera in two acts by Stephen Schwartz to a libretto by the composer, based on the novel by Mark McShane and the screenplay by Bryan Forbes to the 1964 film of the same name. The work, Schwartz's first opera after a string of Broadway musicals ("Godspell", "Pippin", "Wicked"), premiered on 26 September 2009 at the Granada Theatre of Opera Santa Barbara which commissioned the work. The work lasts for about 2 hours 50 minutes.
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Der Sturm (opera) Der Sturm (The tempest) is a German-language opera in three acts by the Swiss composer Frank Martin to a libretto based on the Schlegel/Tieck German translation of Shakespeare's play "The Tempest". It was premiered at the Vienna State Opera in 1955. The role of Prospero was originally conceived for Dietrich Fischer-Dieskau, but illness prevented him participating.
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The Magic Flute (musical) The Magic Flute (Impempe Yomlingo) is a musical theatre work adapted from the Wolfgang Amadeus Mozart opera of the same title by Mark Dornford-May, with words and music by Mandisi Dyantyis, Mbali Kgosidintsi, Pauline Malefane and Nolufefe Mtshabe. Mozart's score is transposed for an orchestra of marimbas, drums and township percussion. The musical, set in contemporary South Africa, re-interprets the story from a South African perspective, telling of Prince Tamino's quest to rescue Pamina (both of them are Xhosa-speaking teenagers), daughter of the Queen of the Night, from the Priest of the Sun.
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Friedrich Meyer-Oertel Friedrich Meyer-Oertel (born April 1936) is a German opera director. After positions at Staatstheater Mainz, Nationaltheater Mannheim, Opernhaus Wuppertal and Staatstheater Darmstadt, he is active as a freelance stage director.
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A Man of No Importance (musical) A Man of No Importance is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally, based on the 1994 Albert Finney film, "A Man of No Importance". It tells the story of an amateur theatre group in Dublin and their leader, who is determined to stage a version of "Salome" at his church, despite the objections of church authorities.