Luzzasco Luzzaschi and Carlo Gesualdo were both composers during which time period?
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Luzzasco Luzzaschi Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance. He was born and died in Ferrara, and despite evidence of travels to Rome it is assumed that Luzzaschi spent the majority of his life in his native city. He was a skilled representative of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo and others.
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Carlo Gesualdo Carlo Gesualdo di Venosa (8 March 1566 – 8 September 1613), Prince of Venosa and Count of Conza, was an Italian Renaissance composer.
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Bernardo Pasquini Bernardo Pasquini (7 December 163721 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.
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Tommaso Gaffi Tommaso Bernardo Gaffi (4 December 1667 - Rome, 11 February 1744) was an Italian baroque composer. He was a pupil of Bernardo Pasquini, organist of the church of Santa Maria Maggiore, where Gaffi succeeded him in 1704. As Pasquini he enjoyed the patronage of cardinals Benedetto Pamphili and Pietro Ottoboni, as well as Prince Francesco Maria Ruspoli. His own students included Girolamo Chiti and Andrea Basili.
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Lucrezia Orsina Vizzana Lucrezia Orsina Vizzana (3 July 1590 – 7 May 1662) was an Italian singer, organist, and composer. She entered a Camaldolese convent in Bologna in 1598. She was taught by her aunt, Camilla Bombacci, who was the convent organist, and by Ottavio Vernizzi, who was the unofficial music master. Vizzana's works are influenced by "stile moderno" ("seconda prattica") music, especially the works of Claudio Monteverdi.
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Arnold von Bruck Arnold von Bruck (also Arnold de Pruck, Arnoldus Brugensis, indicating his origin) (c. 1500 – February 6, 1554) was a Franco-Flemish composer of the Renaissance, active in several Habsburg courts. He was one of the most famous and influential composers in German-speaking areas during the first half of the 16th century, the period of the Protestant Reformation; however he seems to have remained a Roman Catholic.<ref name="Wessely/Kreyszig, Grove online">Wessely/Kreyszig, Grove online</ref>
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Agostino Agresta Agostino Agresta ("fl." 1600–1617) was a Neapolitan composer working at the beginning of the 17th century, who can be seen as having been strongly influenced by Carlo Gesualdo. Agresta's only known surviving works are unaccompanied madrigals, including a complete book of six-voice pieces.
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Giovanni Evangelista Draghi Giovanni Evangelista Draghi (1654 in Genoa – 1712 in Piacenza) was an Italian painter of the late-Baroque or Rococo period. Luigi Lanzi erroneously refers to him as Giovanni Battista Draghi, who should not be confused with the composer of the same name.
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Girolamo Conversi Girolamo Conversi (fl. 1572–1575) was an Italian composer of the late Renaissance. His music, which was popular from the 1570s through the 1590s, was noted for its combination of the light "canzone alla napolitana" with the literary and musical sophistication of the madrigal. He appears to have written only secular vocal music.
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Giovanni Maria Nanino Giovanni Maria Nanino (also Nanini; 1543 or 1544 – March 11, 1607) was an Italian composer and teacher of the late Renaissance. He was a member of the Roman School of composers, and was the most influential music teacher in Rome in the late 16th century. He was the older brother of composer Giovanni Bernardino Nanino.
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Giuseppe Besozzi Giuseppe Besozzi (born 1686 in Milan – d. 2 December 1760 in Naples) was an Italian oboist. In the eighteenth century the Besozzi family produced several important oboists who worked in Turin, Naples, London, Paris and Dresden. Giuseppe's brothers Alessandro Besozzi and Paolo Girolamo Besozzi lived in Turin, and his sons Antonio Besozzi in Naples and Gaetano Besozzi in Paris and London. Antonio Besozzi's son Carlo Besozzi worked in Dresden and Gaetano's son Girolamo Besozzi, the grandfather of the composer Louis Désiré Besozzi, worked in Paris.
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Alfonso Fontanelli Alfonso Fontanelli (15 February 1557 – 11 February 1622) was an Italian composer, writer, diplomat, courtier, and nobleman of the late Renaissance. He was one of the leading figures in the musically progressive Ferrara school in the late 16th century, and one of the earliest composers in the "seconda pratica" style at the transition to the Baroque era.
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Giovanni Pozzo Giovanni Pozzo (fl. 1620s) was an Italian composer. A solo motet, Veni sancte spiritus was included in Ghirlanda sacra 1625.
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Quattrocento The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (] ) from the Italian for the number 400, in turn from "millequattrocento ", which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic) and the early Renaissance.
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Gasparo Pratoneri Gasparo Pratoneri, nicknamed "Spirito da Reggio" (fl. 1556–59) was an Italian priest, and composer of the Renaissance based at San Prospero in Reggio Emilia. He was musical tutor to the nobleman composer Alfonso Fontanelli.
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Francesco Corselli Francesco Corselli (Piacenza, April 19, 1705 - April 3, 1778 in Madrid) was an Italian composer of the pre-classical period.
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Giuseppe Felice Tosi Giuseppe Felice Tosi (28 February 1619 – before 14 December 1693) was an Italian composer and organist, and the father of Pier Francesco Tosi, also a successful composer.
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Gaspare Spontini Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor.
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Girolamo Bartei Girolamo Bartei (c. 1570 - c. 1618) was an Italian composer of sacred music in the early Baroque.
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Giovanni Consolini Giovanni Consolini (1808–1906) was an Italian composer. His opera "Il conte di Salto" successfully premiered at the Teatro Chiabrera in Savona on 21 January 1894. He was also known for his opera "La finta pazza".
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Giovanni Battista Sammartini Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, oboist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as "galant", a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
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Michele Pesenti Michele Pesenti (Verona ca. 1470after 1524) was an Italian composer and lutenist who served the House of Este at Ferrara. Pesenti was one of the most lively and inventive of the so-called "frottola" composers, including Marchetto Cara and Bartolomeo Tromboncino.