What is the title of the incidental music and verse play both written by Mikhail Lermontov?
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Masquerade (Khachaturian) Masquerade was written in 1941 by Aram Khachaturian as incidental music for a production of the play of the same name by Russian poet and playwright Mikhail Lermontov. It premiered on 21 June 1941 in the Vakhtangov Theatre in Moscow. The music is better known in the form of a five-movement suite.
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Masquerade (play) Masquerade (Russian: Маскарад ) is a verse play written in 1835 by the Russian Romantic writer Mikhail Lermontov. The four-act play, set in 1830's St. Petersburg aristocratic society, highlights the rebellious spirit and noble mind of the protagonist, Yevgeny Arbenin. It is often compared with Shakespeare's "Othello" in its essential story line.
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Boris Godunov (opera) Boris Godunov (Russian: Борис Годунов , "Borís Godunóv") is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the drama "Boris Godunov" by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's "History of the Russian State".
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Valerik (poem) "Valerik" (Russian: Валерик ) is a war poem published in 1843 by the Russian Romantic writer Mikhail Lermontov.
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Iolanta Iolanta, Op. 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky. It was the last opera he composed. The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar. In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name. The play was translated by Fyodor Miller and adapted by Vladimir Zotov. The opera received its premiere on 18 December 1892 in Saint Petersburg.
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Le chant du rossignol The opera, the first act written in 1908 and the later two in 1913-14, was the first ever to be written by Stravinsky. The delay between writing the first and the latter acts was caused by his commissions to write "The Firebird", "Petrushka", and "The Rite of Spring" for impresario Sergei Diaghilev's Ballets Russes. After this lapse of time, during which Stravinsky established himself as a ballet composer, he was unsure of returning to "Le rossignol", and although he did finish it, he chose to also create a purely symphonic version, "Le chant du rossignol".
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Platonov (play) Platonov (Russian: Платонов , also known as "Fatherlessness" and "A Play Without a Title") is the name in English given to an early, untitled play in four acts written by Anton Chekhov in 1878. It was the first large-scale drama by Chekhov, written specifically for Maria Yermolova, rising star of Maly Theatre. Yermolova rejected the play and it was not published until 1923.
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La Périchole La Périchole (] ) is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French-language libretto based on the 1829 one act play "Le carrosse du Saint-Sacrement" by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal.
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Prince Igor Prince Igor (Russian: Князь Игорь , "Knyaz' Igor'") is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic "The Lay of Igor's Host", which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.
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Le faucon (opera) Le faucon (English: The Falcon , Russian: Сокол ) is an "opéra comique" in three acts by the Ukrainian composer Dmitry Bortniansky with a French language libretto by Franz-Hermann Lafermière. It was first performed on 11 October 1786 at the Gatchina Palace in Russia by aristocratic amateur singers. The plot is borrowed from Boccaccio's "The Decameron" (Fifth Day, 9th tale) which also served as the basis for Pierre-Alexandre Monsigny's 1771 comic opera "Le faucon" (libretto by Michel-Jean Sedaine) (and later for Gounod's "La colombe").
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The Golden Cockerel The Golden Cockerel (Russian: Золотой петушок , "Zolotoy petushok") is an opera in three acts, with short prologue and even shorter epilogue, by Nikolai Rimsky-Korsakov. Its libretto, by Vladimir Belsky, derives from Alexander Pushkin's 1834 poem "The Tale of the Golden Cockerel", which in turn is based on two chapters of "Tales of the Alhambra" by Washington Irving. The opera was completed in 1907 and premiered in 1909 in Moscow, after the composer's death. Outside Russia it has often been performed in French as "Le coq d'or".
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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The Tale of Tsar Saltan (Rimsky-Korsakov) The Tale of Tsar Saltan (Russian: Сказка о царе Салтане , "Skazka o Tsare Saltane") is an opera in four acts with a prologue (a total of seven scenes) by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on the poem of the same name by Aleksandr Pushkin. The opera was composed in 1899–1900 to coincide with Pushkin's centenary, and was first performed in 1900 in Moscow, Russia.
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My Army "My Army" (Russian: Армия моя ) is a Soviet marching song written in the Russian language, performed by the Alexandrov Ensemble. The lyrics were written by Soviet musician and composer Рафаэль Морицович Плаксин (Rafael Moritsovich Plaksin). The music was composed by prolific Soviet composer Александр Александрович Абрамов (Aleksandr Aleksandrovich Abramov), in 1970.
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Manfred (Schumann) Manfred: Dramatic Poem with Music in Three Parts (Opus 115) [German: "Manfred. Dramatisches Gedicht in drei Abtheilungen"], is a work of incidental music by Robert Schumann. The work is based on the poem "Manfred" by Lord Byron and consists of an overture, an entracte, melodramas, and several solos and choruses.
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Mozart and Salieri (play) Mozart and Salieri (Russian: Моцарт и Сальери , "Mozart i Salieri") is a poetic drama by Alexander Pushkin. "Mozart and Salieri" was written in 1830 as one of his four short plays known as "The Little Tragedies", and was published in 1832. Based on one of the numerous rumours caused by the early death of Mozart, it was the only one of Pushkin's plays that was staged during his lifetime.
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L'Histoire du soldat L'Histoire du soldat (The Soldier's Tale) is a theatrical work "to be read, played, and danced" ("lue, jouée et dansée ") by three actors and one or several dancers, accompanied by a septet of instruments. The piece was conceived by Igor Stravinsky and Swiss writer C. F. Ramuz based on a Russian folk tale ("The Runaway Soldier and the Devil") drawn from the collection of Alexander Afanasyev.
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Cinderella (Fitinhof-Schell) Cinderella (ru. «Золушка», "Zolushka") (fr. "Cendrillon") is a "ballet-féerie" in three acts, with the choreographyof Enrico Cecchetti (Acts I and III) and Lev Ivanov (Act II) supervised by Marius Petipa. Music is by Baron Boris Fitinhoff-Schell; the libretto is by Lidia Pashkova (ru: Лидия Александровна Пашкова) and Ivan Vsevolozhsky. It was first presented by the Imperial Ballet on 17 December [O.S. 5 December] 1893 at the Imperial Mariinsky Theatre in St. Petersburg, Russian Empire.
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Yuliy Kim Yuliy Chersanovich Kim (Russian: Ю́лий Черса́нович Ким ; born 23 December 1936, Moscow) is one of Russia's foremost bards, composer, poet, songwriter for theater and films. His songs, encompassing everything from mild humor to biting political satire, appear in at least fifty Soviet movies, including "Bumbarash", "The Twelve Chairs", and "An Ordinary Miracle", as well as the songs "The Brave Captain," "The Black Sea," "The Whale-Fish," "Cursed Lips," "Captain Bering," and "Baron Germont Went to War." Since 1998, he has been living in Israel and has made periodic tours through Russia, Europe, and the United States.
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The Suicide (play) The Suicide is a 1928 play by the Russian playwright Nikolai Erdman. Its performance was proscribed during the Stalinist era and it was only produced in Russia several years after the death of its writer. Today it is regarded as one of the finest plays to have come out of Communist Russia.
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Night on Bald Mountain Night on Bald Mountain (Russian: Ночь на лысой горе, "Noch′ na lysoy gore" ), also known as Night on the Bare Mountain, is a series of compositions by Modest Mussorgsky (1839–1881). Inspired by Russian literary works and legend, Mussorgsky composed a "musical picture", "St. John's Eve on Bald Mountain" (Russian: Иванова ночь на лысой горе, "Ivanova noch′ na lysoy gore" ) on the theme of a witches' sabbath occurring on St. John's Eve, which he completed on that very night, 23 June 1867. Together with Nikolay Rimsky-Korsakov's "Sadko" (1867), it is one of the first tone poems by a Russian composer.
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Eugene Onegin (opera) Eugene Onegin (Russian: Евгений Онегин , "Yevgény Onégin"), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.